#at this point it’s more like a quick sketch but I wanted to post it and I’m already late so don’t eat me pls 🥹

[fluffyweeby]

Tickletober day 9 - Lie

Prompts by @tickletober

That’s part 2 to Tickletober day 8!

[thatlittledandere]

Makin a fantroll :3 Started out as a sona but then I ended up giving her like, an actual personality, separate from mine. I mean we did end up sharing some traits - we are all the mask and the wearer and all that - but nevertheless this isn't a sona anymore. NOW I'm trying to not make her too Vriska LMAO

[theelvishfiddler]

AN ARTIST'S GUIDE TO HANDS

No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)

This is a guide to Your Hands and how to take care of them when making art.

No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.

This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.

(advice is below the read more)

First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.

WARMUPS!

Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!

You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.

One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.

(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)

Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.

Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!

COOLDOWNS!

For sports it's to return your body back to your everyday baseline after a workout.

Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.

A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.

...

Cool! Now we get into the meat of this thing.

HAND PAIN

How to avoid it and how to manage it if you already have it.

I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.

Take this advice or don’t ╮(ﾟ～ﾟ;)╭ I can't tell you what to do, I'm not your dad

Adjustments and Small Solutions

If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.

Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.

Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.

Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.

(Motions exaggerated for a clearer example)

Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)

Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!

Managing Pain

First things first.

IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.

I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)

Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.

Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!

I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.

Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.

Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.

If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!

Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.

Other Advice

Things I couldn't figure out how to fit into the earlier sections.

Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!

People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?

Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.

Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!

A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.

Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch

If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...

[weebsinstash]

I know the show isn't out yet but Stayed Gone is stuck in my head and I'm chugging my yandere Vox juice so hard right now. I think he has the capacity to be absolutely insufferable

---for starters THE SPYING POTENTIAL WITH THIS MAN. You're telling me he can directly plug himself in to the city power grid and see through all televisions, potentially even phones and computers too? Could he put himself on your phone and start going through your texts? Could he even just put himself on your phone real quick while you're sleeping to check in on you? You couldn't even have privacy in your own home because of whatever screens are around he could potentially shoot himself to or watch you through. Imagine just being in your apartment completely alone and he's suddenly on your tv. Like what if you had just been sitting there topless or with your dick out or something or 👀 I mean. He could see so much, really...

---God honestly like. You know I keep mentioning the Instagram without ever attaching pics or anything because I'm on mobile and I'd have to use the hazbin Instagram archive blogs here on tumblr to go find them back like, you know Val would openly post the meanest shit, would literally post Vox's face being busted up because he woke Val up from a nap or i think it was he literally just brought him the wrong soda (which to be fair was taken from Velvet and was half empty), and then you go over to Vox's account and his pic was taping his pieces back on while being really frustrated and kinda lowkey looking like he would cry

Like Val's out here "women are stupid also men are stupid too" and talking about how he adopted a dog and killed it within like 48 hours and here's Vox celebrating his pet's birthday with cake and a party like. Why are these men together. Why. Why. Don't get me wrong I love to be the involuntary third in a toxic codependency but--

look all I'm saying is... do any of you get really really upset when you see someone being mistreated, especially more so a friend of yours?

READER JUST LOSING THEIR SHIT GETTING FERAL ANGRY SHOUTING AND SCREAMING AT VAL BECAUSE HE PULLS SOME SHIT and like that's IT for you because 1. Valentino might like actually backhand you one as well, do you think he wears rings so it hurts, 2. Vox sees you defending him and like, it's based on your own preferences really but if he wasn't already gaga this CEMENTS it and 3. especially if he watches you have to take a blow for trying to stick up for him. Like what if you cry. I have a low pain threshold, I'd be sniveling and crying at the least. Valentino storms off and Vox is helping peel you off the floor cause you curled up into a ball or some shit and he's sitting there thinking "wow they suck at this but they still did it for me 🥺"

---during his song with Alastor, it's a little confusing because they show an actual camera crew when he's turning the TVs on, but i think it's pretty clear that he can control whatever the screens show visually, thus his little zany sketches and being able to talk to himself and at one point, showed the visual of himself blocking the radio Alastor was projecting on right next door. I can just see him using this to kind of.... fuck with you, really! Or do whatever he wants? He's trying to suck up to you and he's surrounded by roses, or you're his co-host/guest host and he thinks your joke was funny and gives a little audience laughter as a treat

Or you know... you're running from him down the street, passing all these different screens and displays as they power on and show things like, him "jumping in front of you" while demanding you stop or, trying to show some kind of blackmail publicly, or just, begging you to just ACCEPT HIM and showing you all the fun things he could do with you, "cmon, I said I was sorry, stop freaking the fuck out! We can- we can do that thing you've always wanted to do, what about that?!" as he tries to project you two doing something fun, but most importantly, doing it TOGETHER. You're running from him terrified and he's showing you images of like you two smiling and happy or, it becomes scarier as he's more desperate

"Don't-don't make me do something fucked up!! I'm serious, STOP RUNNING" and he's like freaking out, showing shit of trying to hold you down, tying you up, and/or shoving you into a locked room

Sudden thoughts of "what if the more emotional and unstable he becomes, the less he can control his intrusive thoughts and shows his more impulsive darker desires". He's tweeking and the screen glitches and you briefly think you see yourself completely restrained, blindfolded, gagged--

---he's just like OBVIOUSLY so prideful but also immature and whiny ("who gives a shit about alastor?" Well you, mr hes just quietly minding his own business and I'LL start beef because i feel threatened and STILL LOSE, like awww my poor little pogchamp got publicly humiliated in an argument HE started out of nowhere, he's my little sad wet baby lmaoooo) and we already know his relationship with Val can become physically abusive, so, you pair him staying in that kind of relationship, being codependent, with this personality of his, and I can just see.... ACTUALLY FUCKING TRIGGERED LIKE LITERALLY CRYING UPSET VOX BECAUSE YOU REJECTED HIM like he's pissed he's hurt he's lonely he's heartbroken and HELL NO IS HE GONNA ACCEPT THIS

Vox would be over here proudly claiming on his TV show that NO HE REJECTED Y O U, not the other way around! He's not upset! He's totally fine! Meanwhile everyone watching can tell this man is manic and visibly hotboxing copium, "I didn't even really like you anyways!!.... no, I mean, shit, fuck, COMMERCIAL BREAK--" *cut to technical difficulties screen because the man is CRYINGGG*

-- Valentino and Reader bonding over teasing Vox and making him flustered and of course, obviously, the inverse. I still kinda like the idea of "they both think you're cute but like nothing exciting until one night they bump into you unplanned and you're all dressed up". Like Val is from the 70s or 80s so they go to a roller rink disco whatever kinda place because I'm sure the coke game there is INSANE and you're just like, swaying your hips spinning around to Let It Whip or September or something dressed in some shorts that make your ass look just right 🤌

You're sneaking back into the studio after a night out and they're both lounging somewhere and Val's like "uhhhh who is THIS coming in without saying hi to Daddy?" and you pull your sunglasses down like "SIR??? 😳" And now HE'S flustered because he didn't know that was you and Vox is feeling some new kinda way because he's used to seeing you in like, your work uniform or casual wear

Val who then makes your work uniform really slutty and you have to serve him and Vox wearing it 😩❤️

---I have this thought of like lmao imagine walking down the sidewalk with Angel and seeing Vox on TV and Angel is like "ya know he can see everything outta dese things when he's plugged in" and you're like "bullshit, he couldn't possibly process that many screens at once, it'd overload his brain, he wouldnt be able to concentrate" and you're like "here I'll prove it, hey Vox, check it out you fucking dweeb" and flash him your bare titties or you MOON HIM

scenario A would be that he INSTANTLY barks out laughing, "hey Val, that dumb slut who brings you drinks just flashed me!" And he just totally shows it on the air, maybe partially censored, maybe not at all, your phone is ringing IMMEDIATELY, of COURSE it's Val, and Vox is broadcasting your mortified embarrassed expression, "our big story tonight: drunk bimbo fucks around and finds out! More updates after this word from our sponsor!" and the man will noooootttttttt stop bullying the fuck out of you afterwards, because he's got a crush on you and you're like someone weaker than him his insecure ass can punch down on

Scenario B is that he instantly turns pink and about 5 seconds later he blue screens and the entire city experiences a blackout and when he comes back on the air he's like stammering and, glancing at, it FEELS like he keeps glancing at you, but, is he really?

------

I dunno... like I'm sure Valentino is gonna wind up being unstable in his own way but I guess there's a certain, ALLURE to Vox being a little bratty and whiny while also having these very VERY handy, actually quite scary abilities and resources 👀 like boy show me what that screen do 😫💦

[toastyrobos]

Long time no art post…so it’s been a while since I’ve posted any bad batch artwork😅

Art block when it comes to bad batch art has been kicking my butt unfortunately. Not to mention I’ve been busy with commissions and Patreon stuff and personal life stuff. I missed drawing Tech x Onyx (Star Wars OC) so I decided to do a quick sketch of them. Might color it at some point.

I do want to sketch more of these guys, cause the show is my favorite Star Wars show. I’ll try to make time for them.

Speaking of the boys, I’ve been for the last year trying to collect the bad batch black series figures. I got Tech right away for Christmas last year, then Hunter several months later. Echo I found for a decent price on Amazon whereas Crosshair was so hard to find at a decent price. Especially the one in his bad batch colors. Luckily I found one for a somewhat okay price. Wrecker and Omega I ordered off of Hasbro’s website for a good price. Next time if I want a full set, I’ll just buy them right away instead of having to track them down like looking for a needle in a haystack😅😅



[mclalan]

What art program do you use? sorry if you already answered something like this but im so mesmerized by the techniques you use in your art.

Thank you. No need to apologise; I don't mind answering this question because it's an excuse to walk through my latest image!

The concept for this piece is based on being perceived online through interpretations of posts and artwork, yet how artificial this can be. The relationship the viewer forms is more with the narrative of the work, and any insight into the artist through this feels highly awkward to me, which is precisely what I want to explore with this piece.

In this example, I wanted an attractive sitter to look like someone out of a new romantics music video or like an Enya video, because this genre and era of media is very aesthetically pleasing and nostalgic for me. I hold it as an unobtainable ideal— a hauntology. So, as wonderful as it is, it equally feels shameful and perverse because it's an aesthetic object of desire that I am contriving.

The sitter is holding one of my cartoon characters, Lauren Ipson, the protagonist of my Ersatz world project. A trope in writing is when a character acts as a self-insert of the author, and I'm conscious to try and avoid that with Lauren. I try to write Lauren as dry and sardonic yet also fun, dramatic, and friendly. I don't think of these as personal qualities of my own, but I imagine personal qualities bleeding into fictional characters is inevitable.

Yet Lauren Ipson feels much more alive a character to me compared to any attempt at self-portraiture or self-expression that I've done, which is very little because I'm not interested in constructing a perceivable identity. (I'm aware this text itself can be interpreted as self-expression; however, to me this is just another construct.)

So Is the sitter meant to be me, controlling Lauren? I'm definitely baiting the viewer to think this, and you can interpret it that way if you want, but really I don't think of the sitter as me at all. My intention is to show how it's all a facarde. The sitter is basically just as much a doll, a puppet, a mannequin as Lauren Ipson is, if anything more so.

There's a deliberate irony between Lauren's cartoon rendering and the sitter, who I wanted to render with more detail and evoke a modernist style. I'm inspired by Hans Bellmer and Dorothea Tanning with their work with dolls. However, despite that implied visual hierarchy, the more detailed sitter shares a similar, stilted vector construct to Lauren. They're both born from vector drawing after all. And it's further undermined with the way Lauren the doll looks directly at the viewer, as if she's alive, while the sitter looks to the side with a blank, almost dead-in-the-eyes expression.

Anyway, with that in mind, almost all of my work starts as a thumbnail sketch. Although I often draft digitally and am fine with doing that, I feel more confident doing it freehand on paper. Digital rendering feels more like a refinement process to me. Funnily enough, although I often prefer to sketch with physical materials, I'm anxious of refining or rendering with them.

I like my designs to be very direct and conceivable, so a solid silhouette, pose, negative space etc. I often create a quick digital sketch with this in mind, either by tracing or referencing the thumbnail, although sometimes I skip this step and go straight to the rendered drawing. The aim is to establish a visual guide, dividing the drawing into various shapes for digital airbrush rendering later on.

With this composition, I made a second draft with more attention to details such as the face, hands and feet. Sometimes I'll use photo references if I'm struggling with posing or anatomy. These drafts are often blue because it's easier to render the black linework over a transparent blue sketch.

The chair took some time but was relatively simple to render. It uses the line tool set to magnetic anchor point, following two-point perspective vanishing points. I like two-point perspective because it feels sort of digitally native to me to have these impossibly perfect vertical lines. I also know the horizon line should be at eye level or something, but I just like the idea of the top of the chair to be perfectly horizontal.

Here I'm drawing the final rendered form. I use the stroke tool with it set as smooth as possible. Often I'll redraw lines over and over if it means getting certain curves to look right. Once the lines are drawn, I'll fill them in and remove the stroke, leaving just the solid vector shape. The shade of grey I use is done to simply denote the shape. It does not represent any kind of shading or anything; in fact, when I bring it into Photoshop, all these shapes are set to the same shade, but if I had that here in Animate as I'm drawing, it would be impossible to see what I'm doing. The red background is just for clarity.

Once it's all drawn, I'll make sure every shape is clean, overlapping nicely, and divided into its own layer. A composition can often be comprised of hundreds of separate shapes.

Each shape will be its own layer in Photoshop, which will operate as a clipping mask. The clipping masks act like masking tape or shielded off areas for soft brush opacity rendering, similar to the soft atomised rendering from an airbrush, just done digitally.

I follow very rudimentary painting techniques of simple shading, lighting, and bounce-back highlights. I follow a simplified Grisaille technique, focusing on strong values in greyscale before adding a wash of colour with a color gradient map set to layer style color. Sometimes my values can be a little off, but as long as the values are all consistently acting together, I can correct them with transparent washes or color curves. If the greyscale looks harmonious with all the forms clear, colour will likely work.

Proper digital painters will say this is an amateur process, with results that look mechanical and stiff, as colours in the real world all bounce together off different surfaces, resulting in colour harmonies. However, I don't mind the inharmonious nature of the colours, as I find the values give the composition enough harmony. I'm working digitally, so why go to all the effort to make it not look digital? It's interesting to me to have the red chair look blindingly red, the green skirt look blindingly green.

Colours can look boring without some form of harmony though, so I will add in blue-greens with the darker areas, more turquoise greens towards the highlights.

Skin tones are far more complex, however, as it's something that's more informed by realism. This is why kigurumi dolls with their plastic flesh look so artificial to the eye, because we're familiar with how light passes through flesh and skin and all the subtleties of colour that it picks up. This piece is the first time I've explored flesh tones, as typically I avoid all this by rendering skin as grey porcelain.

I needed to really up the contrast, with shaded areas becoming purples and highlights verging on washed out. Areas with more blood, like feet and cheeks, appear more orange and red. Areas closer to bone and cartilage, like the bridge of the nose, can look almost blue and green. Exploring these colour values and tints in the aim of natural tones was fun to do, and ironic given how blank the face is.

Although in the moment I feel very much like I'm rendering a realistic reality, when I step back, I'm reminded how stylised and unrealistic the painting actually is. It looks kind of insane, like everything is so uniform and overtly saturated. It doesn't feel present in a real space, despite the shadow and form implies one. But I'm not consciously thinking of these things, of style, as I'm working. To me, it's a process of world-building and problem-solving.

[slowlysoluminary]

after that wack-tastic piece of media i figured we could all!! use a break!!!!!!! so!!!!!!

(more) doodles below the cut. and some commentary! Hurray!

^^ Post game is interesting. Most of the timeloop is about figuring the deal with the memories, some of it is about sif comng to terms with the king, and the very very end of it is about everyone regaining their memories.

so i say it again post game is REALLY interesting!!! because everyone, collectively, is trying to balance their old memories and their new memories. everyone except siffrin. who is not 1:1 old siffrin but is the closest to it, considering how much loop's been through.

loop??? becomes corporeal at some point in the end.

it's very bittersweet! i think! the whole of the party does an "i want to remember!!!" sequence, fighting with their own minds to fill the gaping holes they'd always ignored.

-- loop, after realizing the extent to which they're familiar with the party, had tried desperately to get the party to remember them throughout the loops. in hopes that something would change. they never remembered.

at the same time, siffrin is talking to the king - they're fighting with eachother physically and verbally, desperately trying to get the other understand. resetfrin is not the siffrin the king hated so earnestly, not the siffrin he tried to snuff out.

over the course of many conversations with the king, siffrin caught on. the king is the major lore dump here and is who causes most of the narrative development because i say so !!!!!!!!!!!!

actually. about post game. do you know why their designs are like that

resetfrin hated the lack of autonomy he had over their own body so they decided to. cut their hair. it's a bit curlier now that there's not a lot weighing it down

they decided not to keep the star stuff the king gave them. yada yada character development or whatever.

they gave their cloak to loop!! who is. siffrin again. physically at least. both siffrins are siffrin but with clear differences! like hair length and hair texture! and ohhhhhhhh no what do you mean the universe gave them the wrong body?? what?????? how cruel!!! how blasphemous!!!!!!!

loop hated the idea of keeping her hair darkless (mirror pronouns for loop btw!!! remember that!!!). it reminded them of what it was like to be ghostloop. which they hated!!! but they couldn't have their hair be lightless because that was resetfrin's new thing, so... they just. kept dying the bottom parts of it lightless. it's a compromise

how does the party distinguish the two siffrins, name-wise? uhhhhhh. ask me that question later. idk.

if.... if i have pre-game planned out. and post-game planned out.

then the inly thing I don't have planned out is the ACTUAL time loop bit

it's quite daunting because? that's like the entire point of the original game? it feels like i hve to live up to so much and like fhe loops have to have such a packed, coherent story

though, to be fair, most of what I'm writing will just be. the time loop bit. so i guess I'm figuring it out as i go

anyway, actually talking about the two sketches above, ghostloop is for SIFFRIN'S EYES ONLY!!! she can hit things but things can't hit her and all that.

after figuring out, through past loops, that the King can't see them, they realized siffrin was their only connection to the physical world. The Last Piece Left of them, physically and metaphorically. the whole time they longed for something else to acknowledge their existence. acknowledge theyre real

they also realize they can do Fuckery

the king has a Sixth Sense for loop's Fuckery,,, flipping him The Bird resulted in a rather quick death for Siffrin. whoops!!!!!

this au is. more closely revolved around gloop than i thought. don't worry!! i have a lot of gloop content planned! but. but you need to understand the pain of resetfrin and the king. the misery snd desperation fhe king felt about his country. siffrin pleading with the king, countlessly, hoping to see some SEMBLANCE of the man he once knew. you need to know the missing pieces the party finds, a hollow feeling settling itself around their hearts. you need to know so bad.

so you'll get gloop content! i am a big fan of the little guy myself, really. but !!! this au is not ONLY about them, believe it or not! hehe. haha. giggles. ok ill stop

[alkalinefrog]

Hey Alka, I had a quick question for you (whenever you have the time to answer or even if you have the time), I've been taking some storyboard classes and with my illustration background, it's been hard to really find a good shorthand for characters to really get that anatomy/gesture looking right without it being too sketchy and unreadable.

How long did it take you to find your storyboard shorthand, and what exercises would you recommend to try to find it? I'm sure it just takes time and practice, I've been doing a lot more studies and gesture drawings (currently following along all the free Glenn Vilppu videos I can find on youtube) but I wanted to ask you as well because I am in love with how fluid your anatomy is, and how clear your storyboards read. And those hands my god you're a wizard!!!

Thanks a bunch, have a wonderful day!

Heya Secret, great to hear from ya! Well, what you don’t see online is how gross the rough stage of my boards can get LMFAO. Most of the boards I post are actually overly cleaned up because I'm just doing them for fun and can afford the time! I'm not really sure how long it took to develop my shorthand, I've never really enjoyed drawing detail to begin with, so when I decided to go into boarding I kinda just leaned into it!

I’ve covered a bunch of gesture drawing exercises already if you scroll through my advice tag, but ***once you have a good foundation*** here's some stuff you can try!

First you'll want to build up an arsenal of anatomy hacks you can always fallback on, particularly for complex parts of the body. The less time you spend on details, the more time you have to focus on the overall pose and storytelling. Aim to find ways to draw with as FEW lines as possible. If I had to make a list to streamline what to practice:

Head shapes - find the most efficient way to draw the front + 3/4 + side view in as few lines as possible (the challenge is still making them look structured with dimension)

Eyes - are SO important for expressions! Unless your project has characters with dot eyes, you're going to need to find a quick way to do the circle and iris in as few lines as possible. Make sure you can convey where they're looking

Hands - fists (you'll be drawing a lot of people holding poles), open palms at various angles, foreshortened fingers pointing at viewer, fingers making grabby motions----protips: 1) half the time all you need is a vague triangle/rectangle plus thumb sticking up and that's a hand 2) if the hand is relaxed, you probably don't need to draw the knuckles. Save some time!

Feet - just learn how to make sure they look like they're standing on the ground, and do some studies of what they look like when you're running. Otherwise you can usually get away with a vague shoe or boot shape (just add toe lines if they're not wearing any)

----everything else you'll practice as you go!

Jump from SUPER rough straight into clean boards to really force yourself to be economic. I've done each of these methods for work before:

Before you start boarding with a character, sketch them a few times with the intention of simplifying their design while keeping them recognizable:

You'd be surprised how little you need to recognize a character:

Depending on the scene, you can adjust how much detail you want to include:

Stay loose/more generalized with action, especially for the "inbetweens" between key poses. Clean up enough to communicate movement and make the character recognizable.

If the character's small on screen in a wide shot, edit out most details and focus on the silhouette

Save the detail work for character acting, when you really want to be specific with their expressions and gestures.

But outside of all that, be bold and fearless!! Everyone has that stage where their boards look like spaghetti! Boarding is like handwriting; you could have really shitty chicken scratch, but if you're writing beautiful poetry, who cares!

god I love drawing hands you don’t even know thank you so much!! Good luck dude!! You’ve more than got this!!

[laladellakang]

burgundy lipstick

masterlist | wattpad

italics dialogue = english

how the dark blood: engene ver. photocard shoot played out

real quick! i personally don't think that neck kisses have to be racy, like a peck to the neck is brief and innocent 

but the one i'm referring to in heeseung's relationship with della is the racy one, whoops.

The Dark Blood, Engene's version album. The most anticipated version among fans and the Enhypen members themselves.

The source behind the members' excitement? A neck-kiss that was supposed to take place.

For the photocard, all members but Niki were set to bear a kiss mark on their neck, with Della's lips serving as the boys' human-stamp and whoever wins rock-paper-scissors as Della's.

Yet the execution was cut short. Very short.

"Kiss here?" Della pointed at the side of Jungwon's neck. The first person appointed was decided by the staff. Perhaps Jungwon was chosen because he was the leader.

His coming-of-age could be an alternate reason. Since he is a recent adult, the staff wanted to check if it works with him.

And of course, there's always a possibility of the choice being completely random.

"Yup, just there. Maybe have it slightly askew," as the creative director and Della discussed placements, the young leader grew more nervous at the thought of his first ever neck-kiss.

"Okay, understood," Della mirror-lessly smeared on a burgundy lipstick, smacking her lips at the camera pointed at them. The rest of the members were all watching from afar, trying to be subtle with how excited they are for their turn. "Ready, Wonie?"

"Mm," Jungwon stretched out his neck for easier access. "Della is gonna make a kiss print on my neck," he explained to the future photoshoot sketch viewers.

"We're all friends here," Della clarified. "This is just bros being bros," as if their fans (or anyone) is gonna believe that.

"It's just a print," Jungwon added, immediately holding his breath when Della's head moved close.

"Like this?" Della asked the creative director.

"Uhh..." he stepped back and thought of it for a second. "It might be too sexy actually. It's a little too... suggestive– too grown up" he hissed with a tilt of his head. "Will buttoning up his shirt help? Jungwon, can you button your shirt?" but even with the slight change in wardrobe, the view was just too provocative.

"I think we have to discard the kiss idea and just switch to vampire bites," the creative director decided. "Unbutton them to how it was before and I'll inform the makeup team of the change. Please scrap this from the video," he informed before walking away.

As a leader, Jungwon was just hoping that his hyungs could get it together and not openly show their disappointment.

"I'll get going now," Della bowed her head and left to join the other members.

"What happened?" Sunghoon asked the girl. 

"The kiss thing is scrapped. We're getting vampire bites instead," immediately after, the boys let out a chorus of 'ahh..'s. 

Jungwon barely managed to hold in a scoff. It's just one tiny neck kiss, what's the big deal?

"Ya– how can they just cancel the kiss after testing it out on Jungwon?" Sunghoon groaned and threw his head back. After the shoots, all eight members were left alone in the green room to prep themselves before heading off, and it seems like the oldest five still held some unresolved feelings.

"They said it was too suggestive and sexy," Jungwon explained. "We all agreed that it is, didn't we?"

"I knowww, but couldn't they just make all of us get the mark first and THEN have it removed?" Sunghoon replied. "And while they're at it, NOT remove it from the behind episode?"

"Why? What difference does it ma–" Jungwon was cut off by Jay.

"It's easy for you to say! You were first up!" he pointed with a grin. Sometimes It's hard to tell whether he's actually serious with the second maknae. He usually gives out a smile while saying certain things. "You could quickly snap a few selfies and post it on Weverse or something. What a missed opportunity."

"What?" Jungwon seriously, truly did not understand what the big deal was.

"That's why I should've been first– they should've gone by age or something." Heeseung added with a sigh, manspreading on the sofa. "Della, darling, come here please," he pat his lap. 

"No, you're staying here," Jake wrapped his arms around Della, who was already on his lap. "Hyung, if we went by age then Jungwon will be first anyway since he's leader."

"That's not what he meant." Sunoo pushed Jake lightly with a giggle. "Like actually just age without consideration for leader."

"Ah is that so?" Jake monotonously said. "I want a lipstick print in public mannn!" he groaned out loud.

"I already imagined mine to be around here," Sunoo stretched his collar to show his collarbone. "What do you think, hyung?"

"It doesn't matter what we think if you're not getting it at the end of the day," Sunghoon replied, smirking at the pout the younger let out. "I imagined mine to be near my throat."

"Well it doesn't matter when you're not getting it at the end of the day!" Sunoo fired back with wide eyes.

"Ish!" Sunghoon balled up his fist with a grin. "Ya–"

"I wanted mine to be here, kinda," Heeseung distracted the two by pointing on the spot under his ear, just where Jungwon got his.

"Isn't that your sweet spot?" Jake asked. Della immediately scoffed out a laugh at his remark.

"How do you know where Heeseung-oppa's sweet spot is?" she laughed. The female member will never stop teasing her boyfriends about their never-fully-straight behaviour. 

"Anyways! I wanted mine around–" Jake tried to change the subject.

"Aish, get over yourselves, hyungs! I wasn't even set to get one," Niki laid his head on Heeseung's lap. "Stop being so horny," ever since he learned the Korean word for 'horny, he's been constantly using it to tease the older members.

"We're not!" the hyuppas and Sunoo protested.

 "With no mark on me, I was gonna look left out of the relationship," Niki muttered and closed his eyes.

"We're sorry, Niki," "We're really sorry, we didn't mean to," the members apologised.

"It's totally cool. Besides, if it's the neck kisses you're after, you could all just ask Della for one like any other day, simple as that."

"Of course! You need to give me some once we get home!" Sunghoon pointed at Della.

"Ya, ya, ya– me too! I want neck kisses too!" Jay sat up straight.

"Of course! You can't just leave any of us out!" Heeseung added.

"Why are you leaving me out then-" Niki was cut off by Sunoo.

"It's not your time yettt." he whined.

During times like these, Della usually stays out of the bickering. She can easily put a stop to it, but where's the fun in that?

Without a word, she got off of Jake's lap and made her way over to Niki, where she placed a chaste kiss on his neck.

"YA, YA, YA, YA, YA! What is happening?!" as his hyungs protested, Niki cheered and pulled Della in for a cuddle. Jungwon, Della and Sunoo were the only ones laughing.

'My men are absolutely adorable,' Della thought.

"You're laying on my lap and you do this to me?!" Heeseung playfully yelled at Niki.

"Maknae on top! Maknae on top!" Niki laughed, pointing at Jungwon and himself. Jungwon clapped his hand as he laughed aloud.

Being up first for the shoot has its perks.

accidentally posted my draft for this and deleted the original ask

check out jungwon’s pov here! (15+? 16+??)

taglist! @afiaaaa19 @riikiblr @i90snoo @one16core @danyxthirstae01 @seulgifted @clar-iii @hiqhkey @nichmeddar @jiwlys @duolingofanaccount @nvmbheart [@studioreader @sarang-wonie @fairydosii @hoonstrology @jaetint @4sahii @8-itsmee-8 @toriluvsfics ]

[sophieinwonderland]

Hi sophie (again) one really quick note, the reason i read through your ENTIRE blog is because my dissertation is on facetious disorders portrayed and influenced by social media and the likes of such- it is literally a 250 page document about people like you. It's literally a part of my research to read long-winded things like this and write about them. My livelihood revolves around this. I don't expect to see a Dr. before your name, but you can damn well expect to see it before mine.

The only reason I sent that ask and wrote a targeted post was to get a response from you. The only reason. Had some writers block lol, I needed some material 😅😅

Another note to add to the grooming part was not about LGBTQ or transgender people as I am both myself. Please do not take it as a jab to your gender identity, and I apologize if it came off that way. It was in no way meant to insult you in that regard.

First, thanks for clarifying about the use of grooming. I don't mean to suggest you did intend it as a remark about my gender identity.

But I do think it's important to note in a "you are not immune to propaganda" way. Because I think, consciously or unconsciously, anti-endos have adopted transphobic talking points.

I assume and hope that this is unconscious. That rather than looking at how conservatives have used these talking points to harm queer communities and going "yeah, we can use that talking point too with these people we don't like," this absorption and repetition of these talking points is happening on a subconscious level. In which case, I think it's important to understand where they've originated and what the history is behind them.

As well as what misusing these terms normalizes. Because repeating them does contribute to a culture that is okay with using "grooming" this way to associate people they don't like with child abusers.

Now, allow me to first commend you on starting work on your dissertation so early. Working on it at just 20 is quite impressive indeed.

Although I have to question the subject matter.

A factitious disorder is when somebody is faking a disorder or pretending to have a disorder. It seems strange that you would seek to use examples of people who do not actually have a disorder and are not claiming to.

Even if endogenic systems were lying, unless they're presenting themselves as having a disorder they weren't, they wouldn't qualify for criterion B.

If you do want to write about people who have plural experiences without having trauma or a disorder, you might want to actually read my studies and research page. I'm sure that you could find stuff there that could help you on your journey.

And if you plan on writing about tulpamancy, specifically, Dr. Samuel Veissiere's Variety of Tulpa Experiences is probably most useful in understanding the tulpamancy community and viewpoints on the practice.

I would also recommend Learning to Discern the Voices of Gods, Spirits, Tulpas, and the Dead, as it offers a great comparison between tulpamancy and other forms of non-pathological voice hearing.

I imagine that these studies are much more productive uses of your time than scrolling through over 11,000 Tumblr posts, and would look better as sources in your dissertation.

Finally, if you are committed to doing a dissertation on factitious disorder, I would highly advise learning how to spell factitious. Because it's not "facetious" disorders, and spelling it that way might look a bit awkward on your dissertation about factitious disorder.

[blackboard-monitor]

how i've finished inktober every year for eight years and counting

Every time I mention around other artists that I finish inktober every year (meaning I draw and ink 31 drawings, one every day in October), I get questions like "how???", so I figured I'd make a post about it on the off chance it's helpful to someone. Please note that all my advice is based on my personal experience and you're a different person so what works for me may not work for you, and you can do whatever you want forever.

What it boils down to for me is two basic rules: 1) keep it simple and 2) manage your expectations.

Tools

Paper/sketchbook

I started my first inktober in my journal at the time, and because I'm neurotic like that, I've had to do every subsequent inktober in whatever journal I was using at that point.

The benefit of this is that each journal has had a page size of A5 or smaller, which can be tricky when trying to get in a lot of detail, but on the other hand forces you to limit the size of your drawings to a pretty managable size.

Paper type can also be important! Last year in 2023, my journal was a Moleskine sketchbook (image 1), which was actually designed to handle some degree of wet media, which was a game-changer for me as an ink wash enjoyer. Don't get me wrong, I've been using ink washes in most of my previous journals as well, but inking is a lot nicer when your paper isn't constantly buckling (image 2) or pilling and the ink isn't bleeding all over the place, inclunding through the page (image 3). Pages that stay flat instead of buckling are also a lot easier to scan or photograph, if like me you want to post your art online.

In short, my inktober paper recommendation is to use a sketchbook no larger than A5, and go for one with nice, thick paper if you intend to use wet media.

Sketching

I sketch everything with a single 6H pencil that I got from my brother in 2019. Because the lead is so hard, it allows me to scribble to my heart's content without the sketch getting too dark or hard to erase. Sometimes I'll refine the sketch with a HB mechanical pencil, which shows up really nicely on top of the 6H lines, but I may skip that step if I'm feeling lazy or the first sketch is clean enough.

Inking

I've used a variety of art supplies in my inktober drawings. For the most part I've always stuck to greyscale, with the exception of a couple of red or gold accents some years.

My main inktober tools are a set of Micron fineliners in various sizes, and liquid India ink, which I use with a dip pen and with brushes. I usually mix up a mid-tone ink wash in a small bottle, and use that throughout the month.

Fineliners pros: portable, require minimal setup, can use on the sofa or in bed or wherever Fineliners cons: creating texture and filling large areas is a lot more time-consuming. In 2021 I did inktober exclusively in fineliner because I was tired and couldn't be bothered to deal with liquid ink, but I ended up spending more time than maybe ever on the drawings because it took so long to add texture with pens.

Ink pros: you can achieve small details with a dip pen as well as quick texture and fill in large areas with a brush and ink washes Ink cons: can be messy (protip from 2022 Liekki, don't spill ink water all over your laptop), usually you have to sit at a table of some kind, you need to wash your brushes and dip pens, if your paper isn't designed for wet media, it'll buckle or bleed

Pick your inking tools and techniques based on how much time you have!

Prompts/ideas/subject matter

I've always stuck to the "official" prompt list, because it brings me joy to scroll through the tag of the day on instagram and see how others interpreted the same prompt. Or, rather, it used to bring me joy to do this, until instagram's enshittification stole our ability to look at tags. Maybe I'll have some luck with that on Cara going forward; here's hoping.

As for ideas, sometimes they come easy, sometimes it's like pulling teeth and I have to enlist all my friends to brainstorm with me (sorry, y'all). When in doubt, draw the first thing that comes to mind when you read the prompt; don't overthink it (like I often do). I like to try to come up with a less obvious interpretation of a prompt, but this is also where I often get stuck and have to harass my loved ones for ideas. Sometimes it helps to relate the prompt to a tv show/book/etc. you're into; I've done quite a bit of inktober fanart, as well as art of various DnD cahracters from games I've played/DM'd. If all else fails, just look at what everyone else is drawing that day.

Time management

Be realistic about how much time you have in a day to work on inktober, and then set your expectations accordingly. If you only have an hour, stick to a size and level of detail that you can realistically finish in an hour. I've done some very quick scribbles in my years of inktober when I've been busy that day.

My personal philosophy is that I try not to plan too much ahead; I don't do any sketching until day of, and ideally I don't try to come up with ideas for a prompt or at least decide on an idea until the day before at the earliest. Containing each drawing in one day helps me have realistic expectations of what's doable. This does mean drawing late into the night sometimes after procrastinating or struggling to find an idea all day, but it's what works for me.

If your goal is to complete inktober, it's better to do a small shitty drawing in ten minutes than to fall behing by starting something way too ambitious that you'll never be able to finish in a day.

Secret third rule!

Accept the fact that you aren't going to be happy with every drawing.

Inktober was created as an exercise to practice inking. Think of your drawings as sketches, not finished masterpieces. Some of them will be bad, at least in your own eyes. Sometimes you'll put a lot of effort into something that just doesn't work out. For example:

To quote Joe Hills, doing the same thing over and over again and expecting different results is the definition of practice. So you fucked up today's drawing. Tomorrow is a new day – that's the beauty of inktober. "Ever tried, ever failed. No matter. Try again. Fail again. Fail better." (Samuel Beckett) Progress isn't linear, either; some years are consistently mediocre, other years it's all over the place with a couple bangers and a couple really shitty ones.

Every inktober I've made drawings I love,

drawings I'm indifferent to,

and drawings that straight up suck.

And I'm at peace with that.

Thanks for reading what turned into a pretty long post, and I hope some of it was helpful. Happy inktobering!

[mysewingadventures]

Making the ✨Lioncourt Gown✨ (Part 1/4)

Shoot, it's been like two years since I last posted, apologies! I’ve been incredibly busy with uni and life in general, taking care of my mental health, it’s just been a very stressful time lately. I haven't really worked on anything worthy of posting in the meantime, only minor things and one dress I rushed and it didn't turn out well anyway. But, since Halloween is coming up and I don’t feel like wearing the same thing for the third time in a row, I thought it was the perfect excuse to try and make something new and the other day at 2am I fell down a rabbit hole and came up with an idea I’m completely obsessed with.

So recently, (in case you couldn't tell by the title haha) I’ve been really into Interview with the Vampire (the TV show), and there’s this one costume that’s so iconic it immediately caught my attention: This Lestat outfit.

I feel like since this blog isn't fandom related I need to explain myself to those of you who are just semi-familiar with IWTV. Maybe you know Lestat as essentially the villain of the story and are wondering why on earth I'd want to make an outfit inspired by him. The answer is quite simple and not actually deep at all: I just thought it'd be a fun project. I'm very well aware of his personality and would not want to be in the same room as him in real life haha. But he's such an interesting character to watch on screen (they all are, in my opinion). Anyways-

This outfit is from a scene that takes place in the 1790s and now, I’m unfortunately not too versed in men’s fashion so I can’t quite comment on its historical accuracy (and also it’s worn in the context of a theater performance so it’s bound to be more flashy than what people would have worn on the streets), but the way the lapel is shaped just screams redingote to me, and since I've always wanted to make a redingote I'm going to make a redingote version of the costume!

For reference, here's what a c. 1790 redingote looks like:

This one has a normal button closure but redingotes were also often double-breasted (which is what I'm going for), taking inspiration from men's fashion. These were often worn to ride in - hence the name, redingote - riding coat.

Maybe this is the point where I should mention that I'm not going for perfect historical accuracy for this project. It really is just a fun project to try to approximate something as seen on a show to an actual historical piece of clothing.

Here’s a super quick sketch I drew to check if the colors looked good together, and I have to say, I’m sold 1000%.

I am so excited to wear this when it’s done, but also a bit anxious because for starters, I’ve never made a redingote before, and the dresses that I have made all have issues with the sleeves because apparently, I can’t sew sleeves correctly. So this time, I really want to make sure it all fits properly before I sew it and take my time with it to make sure it ends up being something that I love as much as I love the idea of it.

This time, I tried something a little different with my mockup - usually, I’ll draft a pattern on paper, then cut out my mockup and sew it, but this time I decided to make the mockup by draping the fabric directly on the mannequin that I dressed in my stays and a bumroll, making sure I had the correct measurments, and it was a complete gamechanger. It fit right away with minimal adjustments, and I was also immediately able to check how the fabric falls, if it needed to be on the bias or not, etc. I ended up doing everything on straight grain which is technically not 100% correct as the front piece needs to be on a slight bias but it seems to work for this piece so let’s hope the fabric doesn’t wrinkle! I’ll also be adding boning so I’m hoping that’ll additionally keep it all straight and even in the front.

Once the mockup was completed, I went on the search for the right fabrics and got these (the skirt fabric, the buttons and the tape I ordered online and they've yet to arrive!):

The black base fabric and the blue one are cotton, as will be the skirt. The details are satin! I spent a long time at the fabric store trying to think of the best way to do this and it does look like the details on Lestat's outfit are maybe velvet, but I was afraid it would look a little too costume-y and cheap, so I ended up going with satin in the end.

I pinned the fabric mock-up onto the lining fabric (just a white Ikea bedsheet), added 1,5cm seam allowances where needed cut out the lining first, then placed the lining onto the black base fabric and cut that out as well.

I needed to lay the pieces down this way because I bought 2,5 meters, and I'll need 2m for the outer skirt alone so there's not a lot of space left, as I'll also have to cut out the sleeves from that fabric. I then sewed everything together.

And then I noticed I'd made a mistake - the lining for the front panel was supposed to be blue. Welp, now it's white, and I also realized I didn't have enough blue fabric to do the collar AND the lining, so I went for a fake lining for which I cut out two blue triangles to be slightly bigger than the lapel

and stitched them to the lining layer so the seams wouldn't be visible on the black outer layer. This was the result:

Pretty happy with it! Next up, even though I don't have the beige tape yet, I decided to cut out the color panels in the front and already pin them down. After some trial and error, I decided to go for 15x4,5cm triangles and calculated the size needed for the shorter ones (9x7,5cm), cut them out of the satin (which, let me tell you, was so finicky it ended up being the most difficult part of it all) laid them down and fastened with pins.

This is what I have so far:

Looking at it in the picture, I'm worried that the color panels take up too much space in the front. It looks like that in the original picture, but in my sketch I made everything a little narrower. But I was also scared of pulling on it too much because the panels are just pinned to the fabric. Some parts are sticking out over the black base layer which maybe also makes it look wider than it really is, I'll cut it to shape once I have the tape and have a better visual understanding of what it's going to look like.

Next up will be the collar/yoke and the dreaded sleeves and possibly the boning. I should do the boning before I attach the beige tape. I am realizing as I’m writing this that I should’ve done the boning before pinning down the colored panels as they’re supposed to cover it. Oh well. It’s fine. Either way, I think it already looks super cool and I can't wait to see the finished product!

Part 2 | Part 3 | Part 4|

[hopelessromantic423]

A New Uniform

Pairing: Bucky Barnes x Reader

Summary: Bucky is in need of new mission attire. You help him get all the details of his new suit, and the two of you relish in the new look of Bucky Barnes.

Warnings: fluff. Pet name (sweetheart). Working on the details ppl, it’s a process. Shy Bucky

A/N: Howdy! Flabbergasted by the response on my last post *gasp* Also did not expect almost 100 followers within my first two months on this app. #feelinggrateful

“What’s going on in that handsome head of yours?”

Bucky glanced up at you with a smirk which he was most definitely trying to hide. His hand brushed through his fluffy short brown hair as he sat back in his chair.

“Steve says I need a mission suit. Something less, winter soldier-ish, I guess.”

He was clearly flustered. There were lots of scribbles on his legal pad. Some words and a few sketches, a few pens snapped in half from Bucky’s strong grip were thrown off to the side next to his cup of black coffee.

You sighed and lightly placed your hand on his shoulder, rubbing your thumb soothingly in circles as your head rested on his opposite shoulder. Leaning his head on yours, Bucky muttered a quick, “I don’t know,” before tossing his pen on the notepad.

“What do you want in a suit?”

Bucky took a moment to compose his thoughts. “Something comfortable, maybe a suit that doesn’t restrict,” he motioned to his arm, “ya know that, and oh,” his expression brightened as he said, “pockets! Lots of pockets.”

“Okay fair points,” you lightly chuckled as you sat on his lap looking between him and the notepad. Bucky’s hand came to rest around your waist while his head rested on your arm.

“Let’s start at material,” you said assuringly, taking the pen from the notepad and scribbling the word material in a blank space.

“I usually wear black,” Bucky muttered.

“You said you wanted something less from your past right? What other colors do you like?”

“My ma always said blue looked good on me. She said it matches my eyes,” Bucky’s eyes stared off into nothing as he remembered his mother. Your touch finally broke his train of thought while you ran your hand lightly up and down his arm.

“What about navy hm? It’s a nice transition from the all black. I agree with your mom, but I just really love your eyes.”

“Thanks, sweetheart,” he murmured completely blushing. “I like navy.” He was in awe of your thinking. It was a silly superhero suit, but it was more than that to him. It was a step in a new direction and for you to want to help him and care about it, that was everything to Bucky.

“Okay and you want comfort, no left sleeve, and pockets,” you mumbled while scribbling down all that you said.

“Lots of pockets,” Bucky added in a playful tone.

“Lots of pockets,” you teased back with a giggle, turning to him with a smile.

———

It was two weeks later and Bucky was anxious up until now when he got his suit from whoever makes all the Avengers suits. It was packaged in a nice box, addressed politely to Sargent James Buchanan Barnes.

You sat excitedly waiting for Bucky to walk out into the living room. The rest of the team was out on missions, so it was just you and Bucky to take in his new look.

Finally, he stepped out, first, you saw his boots which were his usual black boots that he had worn for forever. Then his pants which were new black leather, they were sleek with small red detailing just below his hips.

The real pièce de résistance of it all was the shirt, a nice navy leather covered his chest with one black strap placed across his chest, the same red from the pants making little appearances on the apparel. His waist was perfectly fitted to the leather, slim but oh so sexy.

He looked nervous as he stepped out, clearly worried about your opinion. Taking a few more steps, he stood showing off his new look. Confidence was spread all across his face the second he saw your expression.

“You look so handsome Buck,” you said in awe of your boyfriend.

“Comfortable?” You asked, standing up from your chair.

“Very,” Bucky replied looking down and taking in his look once more. “Look,” he said all excited taking your hand and pulling you towards him.

“Pockets,” he whispered like a kid telling you a secret. He turned a few times to show the pockets laid out around his suit. The two of you laughed and giggled as you took in every little detail of the suit, ooing and aweing at certain features that were minuscule to the average person but important to Avengers.

There were lots of great things about this moment but the best feeling was seeing Bucky not as the winter soldier, but much more than his previous title. He would tell you often of how sometimes when he looks in the mirror, he still sees the winter soldier. He pictures himself with the long greasy hair and the scowl, as if that part of him is coinciding with him always.

“So, do I look like a superhero?”

“Yes, but also,” you came around to look in the mirror with him. Your hands placed at each side of his arms, with the two of you just taking in his look.

“You look like Bucky. Just Bucky.”

Bucky was no one else but himself, and for the first time in a long time, he agreed with you.

[bleucalire]

Hello!!! I literally adore your art style! The way you manage to add depth and perspective to your faces without heavy use of facial planes is really impressive because my art looks similar to yours, (but without the depth) but every time I try to use facial planes it just doesn't work with my style. Do you have any art tutorials or pics with guidelines?? and if not would you ever consider making any?

once again LOVE your art your azi and crowley are just ADORABLE!!

thanks!!

Hi !! Thank you for your kind message !!

I’m afraid I don’t have any strict process that i could explain..? Except A LOT of training ? 😭 I can share how I like to train though ! (it’s often warm-ups before starting working)

- Posemaniacs !!!

20min of 45sec-1min poses every morning is a super cool warm-up, and it forces you to be quick and go to the point ! No unnecessary lines ! (Posting my sketches because i often see people who starts using it trying to do super detailed pics, with a lot of lines, and can’t finish their sketches before the time limit. Loose sketches are fine, you want to get the pose, the perspective, the overall volume, not to create a masterpiece. Posemaniacs is super rad because it helps you learn how to draw any pose from any angle. Also they have a bank of hundreds of 3D models with various poses you can move and turn how you like in a 3D space when you want a reference for when you’re drawing !)

- Do studies from animators/series you like !

Sakugabooru is a mine of references for that ! (i do both movement studies and still of frames i find super cool/instructive) Animators try hard to convey the depth/volumes, even on simple designs, so that’s good references (and yes i’m a kameda simp)

- Pictures of real people !/Real people from real life !!

For studying poses, clothes etc ! (Super rough and not detailed sketches like these ↓ help me a lot ! Sports references are cool ! Try to stay concise, not too many details ! It will leave you more time to do even more studies, and it forces you to find the essential points and lines of what you want to draw !)

- Michel Lauricella’s Books !!!

Suuuuper useful !! Also always checking them at work ! (My books are at work so sending my studies as well 🙈)

As for the style, most of the series i work on have a « simple style » (i like it when there’s not too many lines because it’s easier and funnier to animate). So i’m used to it and it’s reflecting on my Azi and Crowley i think ! If you like my style i can recommend you to do studies from Ousama Ranking, Mob Pyscho, Sherlock Hound, Doraemon, The Gutsy Frog, (and many more haha) (also of course 80’s-90’s Aoyama Gosho’s works ! Magic Kaito, Late Yaiba/Early Detective Conan ! The expressions I draw are heaaaavily influenced by it, as it’s the first thing I actively studied)

I hope it gives you ideas to dig when you want to train a bit !

Thank you again for your kind message ! Have a nice day !!

[goose-on-the-loose]

The Darkest Hour - Styracosaurs in a Wildfire Paleoart Process Breakdown

It’s been a long time since I’ve shared my art on this account (at some point years ago I just forgot to), but I thought that this might be a great opportunity to start posting my art again! This is my first attempt at paleoart, and I think it’s worthy of sharing. It’s for my showcase at my art school, so there were time restraints that stopped me from adding elements that I would’ve liked, but ultimately I’m quite satisfied with it.

For any budding paleoartist (or anybody really) who’d like to see my process, I put it all below the read more! @a-dinosaur-a-day (hope you don’t mind me @/ing you, i originally meant for this post to be an ask but it got too long haha)

I started off knowing that I wanted to depict some kind of ornithischian for a number of reasons. Two of the biggest reasons were that 1) I simply like them more than theropods and sauropods and 2) My senior showcase is all about showing animals in ways that the viewer hasn’t seen them before, and most people don’t really think about ornithischians except for if they’re being preyed on by a theropod.

I then narrowed my choices further by looking at different formations and what species they have. I looked up what formations parasaurolophus was in (since it’s one of my fav dinosaurs and I was thinking of making it my subject) and I saw the dinosaur park formation. Looking at the different species found there and the type of environment they lived in, I knew this formation was going to be my choice. 

I couldn’t narrow it down to one species yet, so I decided to think of some scenarios ornithischians might find themselves in first. I thought, “Oooh, what about some dinosaurs escaping from a wildfire?”, since the storyline could easily be conveyed, the lighting would be interesting, and I could get creative with the composition (flames and burning debris can create arcs to guide the viewer’s eye).

I did some very quick simple thumbnails and sketches to get the feeling and flow of the lines. I saw some paleoart by Marzio Mereggia and I remembered one of his parasaurolophus pieces that I really liked. I also looked at the composition of the fire scene from Spirit: Stallion of the Cimarron for inspiration. (the tiger doodle had nothing to do with it, i just wanted to draw a tiger) The shapes and silhouettes of these species weren’t really clicking for me, so I looked back on the list and saw styracosaurus. I looked at some paleoart and realized that the silhouette and shapes of their frill and horns could really draw the viewer’s attention.

So, I drew the top thumbnails and showed them to my teacher. He liked all of them, but especially liked the middle one, so I drew a larger version of it, making sure to elevate the best parts and communicate the story. I like to use highlighters when thumb-nailing because it helps me break down the background, middleground, and foreground while also giving attention to the focal points. I was satisfied with this layout, so I drew an even larger version of it that would be the same size as the piece of wood I would be painting on.

I wanted to add more dimension so I changed the placement a bit. I don’t have much to say on this one, except for the final project has less background detail because each piece in our showcase has to be finished within a certain amount of time, this is also why the adult styracosaurus doesn’t have scale detail. I would’ve liked to add it, but I have to be realistic with my time.

I then drew the sketch on the piece of wood, and then my teacher cut the excess wood off.

Painted the background and also changed the shape of the face horn to be more accurate. I believe that styracosaurus’ horns changed with age and each individual’s grew in their own slightly different way. I do regret not pushing the dark ground colors further back.

Started trying to figure out the colors in class here.

Did this all the next day, took about 6-7 hours. 3 during class and the rest in my dorm. I changed/added to the rest of the face colors later, but the beak stays the same. I still really like the way I painted the beak.

This was after 3 more hours of class time. I changed the face horn color and made the frill horns match it. I also started focusing more on highlights and shadows. This is the last photo I took during the process.

With the final version, you can see that I warmed up the highlights to match the fire and I dulled them out too (adding yellow to purple desaturates it). I also went over the background again, making the colors more vivid and adding a glow to the fire. Ngl I do regret not adding that glow to the fire on the trees, but oh well. Live and learn ig.

[transmutationisms]

how do i help gazans and others if i don't have a bank account? i want to help, and i've wanted to help, but it is not possible for me to give money. i've shared posts here, liked them on instagram and shared them there as well and it doesn't feel like enough

the reality is that posts made by longtime tumblr users who write fluent english get more notes and donations than gazans' own posts because this website is racist. so, sharing posts is a great start, but there are also so many people who need someone to actually write a post for them. if you drop a reply here or send an ask off anon, i can dm you usernames of people who need someone to write them a post about their campaign; i receive (i am not exaggerating) upwards of 200 such requests per day and am nowhere near capable of even replying to all of them, let alone actually writing that many posts. i know that many of the other people on here who frequently boost fundraisers are getting similar numbers of requests, if not more, and we literally always need more people to help.

it's also helpful to write updates on fundraiser posts, whether the original posts were written by you or by someone else. an update can be very basic (amount raised, distance to goal, currency conversion if it's a weaker currency than usd because that's what most of this website uses, link to vetting info if it's not in the original post) but you can also write a few sentences about the person's specific situation and needs. updates help keep a campaign circulating and show potential donors that someone is paying attention to this person. you can do this any time a fundraiser crosses your dash, when someone messages you or sends an ask, etc.

if you are willing to commit for a longer term, it is extremely helpful to 'adopt' a campaign (or more than one, if you can), meaning you commit to continue posting about that specific person until they reach their goal. this is more work, it's more stressful, but it can also make a huge difference for the person on the other end. i can also point you toward people who need this and have asked for it, if it's something you can do.

if you have artistic skills, original artwork is often helpful for drawing attention to a campaign. even just a quick sketch of a family portrait can be helpful for getting more traction on posts. i've also seen people make banners, cartoons, pixel art, you name it. donation posts generally do better when they're short but also eye-catching, and art is one way to help with that.

and you might consider whether you have any skills, artistic or otherwise, that you could offer as a raffle or giveaway to support these campaigns. i've seen people offer art or writing commissions, research skills, aquarium passes, gift baskets, plushies, fibre crafts, etc. frankly i think sometimes these giveaways are just helpful because they reassure potential donors (yet again) that the campaign is 'real' and has people looking after it. you can offer these kinds of incentives whether or not you're in contact with the person fundraising; i've even seen some people just offer commissions or raffle entries as a blanket offer for anyone who donates to any vetted campaign.

i also want to stress again that this truly is a situation where any commitment is better than no commitment -- like, can't adopt a campaign but can write someone an original post once a week? great, that's still helpful to that person. can't do that but can commit to writing short updates on someone's campaign once a day? great, still helpful. literally any time and effort you can put in is good, it's not an all-or-nothing proposition. i think most of us are capable of finding at least a few minutes to do something on this list.