#setting boundaries are very important!!

[theglitchything]

Heyo!- if Frank and/or howdy were to be hanging out with Eddie and they were clearly gonna go small any minute, how fast would Eddie react?

Eddie would react very fast!! Knowin’ his little lovebugs, he’s able to look out for anything that shows them regressin’! I also believe Eddie is a major empath- so when Frank and/or Howdy starts regressin’, Eddie’s able to feel/recognize those feelings :)

Also- if Frank and/or Howdy is havin’ a bad day, Eddie is usual in caregiver mode! Even if they aren’t regressing in the first place. Eddie knows that regressing helps relax both of ‘em! So he’ll start callin’ them little nicknames, words of encouragement/praise, etc. to kinda ease them into little space.

Ofc, this is all within boundaries!! Eddie immediately stops if any of his partners say so! He also understands Howdy ain’t one to regress while workin- so no lil nicknames on the job! And if Frank is studying and/or writin notes, he usually wants to finish that before any regressing (Can’t really read/understand such big words when you’re lil!!), so Eddie kindly waits!

[sandeewithtwoe]

Setting Boundaries

Ink belongs to comyet

Error belongs to loverofpiggies

Transcription:

Ink: Hug!

Error: ABSOLUTELY NOT!

Ink: high-five!

Error: … no

Ink: fist-pump?

Error: …

Ink: oOoowww! You hurt meeeee!

Error: No I didn’t! Stop lying!

[sysig]

Chewtoy (Patreon)

[camellcat]

stray thought but why didn’t they just let giles die in spiral? like... other than make buffy miserable what does he even do in the later seasons? I feel like it would've been better to just let him go out on a good note than waste away as a character

[justarandomhelluvablog]

having thoughts about how Husk actually has very little left to redeem bc he started his journey of self-change before even coming to work at the hotel, but at the same time redemption isn't even his goal- he ain't even aiming for heaven, he just wanted to be a better person and maybe now with friends and especially Angel, who he supports so much and wants to see succeed, maybe now he has a reason to be a better person

[thecoolerbrother]

i think something moonage daydream was really good at doing was capturing a vibe

[zhabe]

Really bizarre how often zionist jews will consider zionist gentiles in the process of converting/thinking of converting as already jewish but are skeptical of antizionist gerim… What happened to all that talk about judaism being a closed practice. What happened to not questioning the judaism of gerim.

[lilyimmsim]

my therapist recently told me that there's a difference between hurting someone and harming them. we are, inevitably, going to hurt people throughout our lives. our opinions are not always going to align. the boundaries we set are going to receive backlash. that's totally okay. sometimes, our existence might hurt people a little, and we have no control over that. but we do have control over harming others. that's the deliberate, calculated, cruel things we do and say to intentionally cause pain. that is what we are called not to do as followers of Jesus. we can always choose to not harm people. just because someone's feelings are hurt doesn't mean you did something 'wrong'. your intentions were good, and that's all that matters

[trans-yllz]

my personal convoluted answer to the question is that both pre death and post res wei wuxian have the possibility to resurrect lan wangji in a fit of emotion (pre death moreso because of you know the deteriorating mental state), but pre death wei wuxian would not resurrect lan wangji on purpose, and post res wei wuxian would only do so with express permission, which I can't imagine lan wangji giving

[noxtivagus]

woah i. wrote a lot.

[kaleidescopeghost]

There's also a huge difference between exploring things like disasters, toxic relationships, xyz crime, and other generally negative stuff

And like. Non-critical support and consumption of media that perpetuates harmful ideas and propaganda, which in turn Will influence the way people behave and what they believe.

But those are two very different things and because one group of people decides not to engage with media critically doesn't mean you need to monitor and control the interests of others. Yes there's shit we need to watch out for, yes there are horrible stories that are written by fucked up people. Your job is to make sure you know how to separate Those stories from stories that are an exercise in imagination or exploration of a hypothetical fucked up situation, even if the story is graphic or disturbing or What Have You.

This has been a PSA.

[x1702x]

Hey um this is mostly for moots but followers apply okay🙏 If yall like ship incest diehardly please unfollow me im rather uncomfortable so sorry

[dgiterart]

Persian Miku!?

In traditional Mazani clothing from persia!  

More info⬇️⬇️

Mazandaran province  is one of the 31 provinces of Iran. Its capital is the city of Sari . Located along the southern coast of the Caspian Sea and in the adjacent Central Alborz mountain range.Mazandaran is a major producer of farmed fish, and aquaculture provides an important economic addition to traditional dominance of agriculture. Another important contributor to the economy is the tourism industry, as people from all of Iran enjoy visiting the area.

Language: The population is overwhelmingly Mazandarani, with a minority of Gilaks, Azerbaijanis, Kurds, Georgians, Armenians, Circassians, Turkmen  and others, Mazandarani people have a background in Tabari ethnicity and speak Mazandarni.

Culture( literature) : In the Persian epic, Shahnameh, Mazandaran is mentioned in two different sections. The first mention is implicit, when Fereydun sets its capital in a city called Tamishe near Amol:

بیاراست گیتی بسان بهشت.................... به جای گیا سرو گلبن بکشت

از آمل گذر سوی تمیشه کرد .............. نشست اندر آن نامور بیشه کرد

And when Manuchehr is returning to Fereydun's capital, Tamisheh in Mazandaran (known as Tabarestan), after his victory over Salm and Tur.

Arash the Archer  is a heroic archer-figure of Iranian mythology. According to Iranian folklore, the boundary between Iran and Turan was set by an arrow launched by Arash, after he put his own life in the arrow's launch. The arrow was traveling for days before finally landing on the other side of the Oxus on the bark of a walnut tree hundreds of miles away from the original launch site atop a mountain

Music and dance:

Music in this region relates to the lifestyle of the inhabitants, and the melodies revolve around issues such as the forests, cultivation or farming activities and herding. The most famous dance of this area is the Shomali dance, not forgetting the stick dance that the men perform. Popular music in the province, known as the Taleb and Zohre, Amiri Khani and Katuli.

Cuisine :

The cuisine of the province is very rich in seafood due to its location by the Caspian Sea, and rice is present in virtually every meal. Mazandarani cuisine is diverse between regions; the cuisine of coastal regions is different from mountainous regions, as people in the Alborz usually use the indigenous herbs and coastal people use the dishes of fish and Caspian Mazandaran rice with vegetables.

[prettieinpink]

BUDGETING + SAVING MONEY FOR TEENS 𐙚

For many of us, we are entering an age when we can work casual jobs such as retail or fast food. It’s not a lot of money that we receive, depending on how often you get paid, but it can go a long way in the long term. 

In this post, I’ll be discussing how to budget for your needs/wants and save money for future goals. 

CREATING GOALS, you may want to save a certain amount of money in a time frame, want to make a big purchase (like a car) or buy everything off your wishlist. It is entirely up to you what your goals are, so I can’t say too much. However, the more specific it is, the better.

HOW MUCH? Determine how much money you need to save to achieve your goal. In total, and monthly. 

There are three types of saving goals that may apply to you;

Short-term goals >1 year (outings, latest gadget, buying your cart)

Medium-term goals 1-2 years (road trips, shopping spree)

Long-term goals 2-4 years (higher education, car)

It’s very important to set a realistic time frame, as teens we don’t get paid much and we also don’t work as much. You don’t want to overwhelm yourself as well, as it takes patience and self-control to achieve these goals.

NO LOOONG-TERM GOALS! This may sound aggressive, but any money that just sits in your account for years on end is dead money. Even though the amount of money is increasing, its value is slowly decreasing. Keep your goals achievable within a time frame of less than four years. It's much more useful if this money is put into some type of investment instead. 

CREATING A BUDGET

Calculate how much money you receive every month, and how much money you spend every month. 

You have two types of expenses. Fixed and variable. Fixed are any expenses required in your day-to-day life or it’s an amount of money that doesn’t change e.g. subscriptions or transportation costs. Variable costs are expenses that may fluctuate, like food, or any other recreational activities. 

Record the average you’re spending monthly with these two categories. 

There are many ways people choose to budget, but you have to choose a system that works for you.

Work out how much money you need to save each month to achieve your goal.

However, for anyone who’s starting in budgeting, I would say to allocate your costs using a percentage system. Your percentages for each category are going to differ from mine; e.g. 60% = savings, 20% = wants, 20% needs. Make sure it reflects the end goal. 

Track your progress. This is the major part of budgeting, you want to be recording and regularly reviewing how much money you’re spending and comparing it to how much you’re earning. It allows for space to reflect on the flow of your money like if some purchases are worth it, if you’re impulsively spending, or if you’re frequently withdrawing money from your savings. 

Adjust if needed. Maybe you want to put more money in savings and less into wants, or you want to put more into wants and less into needs. 

SAVING TIPS

SAY NO! This is probably my biggest struggle at the moment, but say no to things that will cause you to go off track. Whether its outings, getting fast-food or anything similar, say no. You have to be firm with your financial boundaries, as these opportunities will always arise again. 

RESTRICT IMPULSIVE SPENDING. We all have our moments when we see a product and we instantly think ‘I’ve got to have this’. Giving in once or twice is okay, but it shouldn’t become a habit at all. Its unnecessary spending (most of the time!) and leads to buyers remorse. 

IS IT WORTH IT? Always remember to work out which products you’re getting the most value out of. 

PAYING FOR THE NAME, a lot of brands will cut down on quality to save a few dollars, so essentially the customer is only paying for the name of that brand. Just because a store is more expensive, doesn’t mean its better.

[gloomwitchwrites]

Monster (S)mash - Task Force 141 x Female Reader - Porn Star AU

Content & Warnings: Porn Star AU, group sex, oral sex (male & female receiving), unprotected piv, cnc, restraints, anal sex, double penetration, haunted houses, masks, knifeplay, creampie, multiple orgasms, cum swallowing

Word Count: 5.5k

A/N: For Kinktober 2024 (Group Sex)

On the set of Monster (S)mash, the monsters come out to play. It's your first themed porn film and it's set in a haunted house. You're eager. Excited. But you've never taken something like this on before. You're filming with four of the greatest names in porn, and you don't want to mess this up.

ao3 // main masterlist // kinktober 2024 masterlist

"Would you like to review the scene? Go over boundaries again?"

Kate Laswell, the Intimacy Coordinator, takes a seat on the opposite couch.

"I'd like a refresh," replies Johnny. "Now that I'm in character." He grins, gesturing at himself, and you almost laugh at how ridiculous he looks.

Johnny MacTavish, known in the industry for his many creampie videos, is dressed as a crazed clown with a red wig and exaggerated makeup. His clothing is nothing more than a black industrial vinyl apron covering up the important bits. Kyle Garrick, a connoisseur of the cam world, sits next to him in a fresh white robe with a Jason Voorhees mask sitting on top of his head, the elastic band digging into his skin behind his ears.

Kyle taps away at his phone. "I should go before you, mate." Kyle glances up and winks at you. "Since I’m up first."

You feel heat rush to your cheeks. Kyle is incredibly handsome—all four of them are—but Kyle has a gentle swagger that flusters you a bit every time he addresses you. The two others, John Price and Simon Riley, are still in the makeup tent transforming into a werewolf and a demon.

While you've been on various porn sets, this one is far more complex than previous films you've been a part of. Monster (S)mash is set in a "haunted house." You'll go room to room, each containing one of the four men before it ends with the five of you partaking in each other. Filming is expected to take all day and possibly into the next.

Kate finds a comfortable spot on the sofa and addresses the two of you. "Your scene takes place in a forest with a cabin. They'll be a fake machete. We're looking at knife play. Some c-n-c. A bit of a chase. What do you think about that?"

Kyle shrugs and then glances at you. "Sounds fun. I'm excited. But it's what you want." He gazes at you expectantly.

You shrug. "What we talked about during our meeting yesterday is good with me."

Kyle nods. "I remember."

"And we know the safe word and the non-verbal signal in case anyone needs to stop?" asks Kate.

"Apple," says Johnny.

"Three fingers with a wrist shake for non-verbal," adds Kyle.

Kate smirks. "And what if someone is restrained and cannot shake their hand?"

"Then three fingers will do," you finish.

She smiles, clearly content with that answer. "Very good." She clasps her hands and then pushes up from the couch. "My assistant and I will be standing off to the side watching and listening for a signal."

Rodolfo, the director’s personal assistant pops his head in. “We’re ready for the first scene.”

Kyle groans as he stands, returning the Jason mask to its proper place. The robe is gone and tossed onto the sofa beside Johnny. Kyle is completely naked underneath it all. You follow him out, robe still on.

"Head that way to mark," Rodolfo says to Kyle and then he gestures at you, beckoning you closer. "Stand here."

You find your mark and then remove your robe, handing it off to Rodolfo who politely keeps his gaze averted. Unlike Kyle who wears nothing, you're in a skimpy black thong that's more string than material.

“Quiet on set!” comes Alejandro Vargas’ voice from the director’s area. He’s standing behind a monitor, watching whatever is coming through on the camera.

There's some minor rustling before all goes silent.

"On three...two...one."

You stand just outside the entrance of the fake haunted house. Taking a deep breath, you count to three. Glancing over your shoulder, you deliberately stare off-camera, and then head inside. The camera moves forward as you walk, focusing in on the makeshift sign.

You will be touched, carried, restrained, played with...

The camera lingers on the sign for a few seconds before following you into the dark.

"Cut!" Alejandro calls out. "Let's hold there. Get her to mark two."

Rodolfo appears, gesturing toward the first "room" of the haunted house.

Each set is separated by curtains. With the lights on, it looks a bit silly, but during filming and post-production editing, no one will know that these scenes weren't filmed in an actual haunted house attraction.

As you step up to your mark, a tingle of excitement swells in your belly. You've always found your job fun and enjoyable, but this is the first themed film you've attempted. While the film crew and intimacy coordinator have solid reputations in the industry, the four men you're working alongside are known for their decency, politeness, and general kindness when working with others. During yesterday's meetings, they were incredibly focused, asking questions, and spent extra time wanting to know and remember your boundaries and limitations.

When you first started out, that was unheard of. You’d show up to set and hope for the best. Discussions about limitations and boundaries were few and far between.

"Going on three...two...one."

You enter the first room.

It's arranged to resemble the front of a cabin in the middle of the woods near a lake. The cabin is just a facade anchored onto a wall while blue lighting creates water-like ripples off the front of the cabin. The path to the "exit" is lined with two folding chairs, a metal picnic table, and a makeshift campfire with fake flame included. Ambient nature sounds play in the background, but it's only loud enough to create an unsettling atmosphere.

Slowly, you step around the two folding chairs and walk past the picnic table, glancing around in feigned nervousness as if danger lurks around every corner. That danger is just Kyle in his Jason mask.

As if summoned by your thoughts, Kyle appears. Standing near the makeshift exit, he is completely naked other than the mask and the machete clenched in his right fist. You freeze, holding up your hands in a placating gesture.

Kyle rolls his shoulders and neck. You hear the audible pop from where you're standing. He saunters forward, turning the machete handle end-over-end in his palm. Though you know the machete is fake, and that Kyle won't harm you, your fight-or-flight response kicks in. It fuses with your excitement and underlying arousal, sending your senses into overdrive. Your vision narrows, focusing on Kyle as he swaggers toward you.

"No," you whisper, backing toward the spot you entered from.

Kyle lunges, and you shriek, turning on your heel to dodge out of the way.

Spreading his arms wide, Kyle blocks your way forward. You step to the left and he matches your movement, the machete blade outstretched. While the two of you discussed this scene with the intimacy coordinator, the chase is entirely improvised. You don't know what Kyle will do or how he'll eventually trap you. The idea is thrilling, warming your body with heightened anticipation.

Stepping around the edge of the picnic table, you aim to dart around him on the right side. Kyle leaps over the fake flames and lands in your path. He swings the machete and you duck. The blade is nothing more than rubber, and his aim is purposefully wide.

As you turn away, Kyle follows, his stride casual and calm. It's infuriatingly sexy how sure of himself he is. And somehow, you're flustered by him, even as you try to make for the exit.

But there is no escape—and it's not like you want to get away from him.

Kyle's muscled arm catches you by the stomach. He hauls you against his chest, even as you wiggle and squirm, lashing out as if that will do anything. His strength is apparent in the way he confidently keeps you close, unafraid that you might accidentally clip his jaw with your knuckles.

The camera moves in as he brings the machete up to your throat, pressing the rubber blade against your jugular.

"Stop moving," he growls, the mask muffling the sound.

You cease your squirming, both hands grasping his forearm. The edge of the mask digs into the side of your face, and his hard cock presses roughly against your back.

"Are you going to be a good girl?" he asks. The low gruffness in his voice sends a bolt of heat straight to your pussy.

You whimper, but say nothing.

Kyle lightly slaps the inside of your upper thigh. "Answer me."

"I'll be good," you gasp, the sting of his strike causing your muscles to clench, ass bucking into his pelvis.

"You'll be what?" This time he squeezes your thigh.

"A good girl."

He makes a pleased sound as the machete falls away and his arm releases you. Grabbing the back of your neck, Kyle uses his grip to turn you around, to force you to look at his face. With the mask, all you can see are his eyes. They're in shadow, but fuck, they're gorgeous.

With a final squeeze, Kyle forces you to your knees. His cock bobs in front of your face. Your lips part, but Kyle keeps a firm grip, allowing nothing. He is in control.

Your gaze is entirely focused on him. You have no idea where the camera is, and there is no point in looking. It's not your concern.

"Wider," he instructs, and you present your mouth to him, tongue out. "That's it."

The head of his cock taps against your tongue and then slides back and forth over its surface, teasing what's to come.

You want it. You want him.

Kyle's hand moves from the back of your neck to the top of your head. He fists your hair there, and then guides your mouth around his cock, forcing you to take every inch of him. The cool rubber of the machete presses against your neck. Your hands rise, anchoring yourself by grasping the front of his bare thighs.

You hold on as he fucks your throat. Keeping your gaze on the mask, you relax your muscles, focusing on not gagging. Kyle is more length than girth, and the head of his cock roughly hits the back of your throat with each stroke.

"That's a good girl," he rasps. "My perfect slut."

The praise is wonderful. Perfect. You hold on to it, humming with contentment around him, the vibrations making him shiver. In your peripheral, you notice the glint of a camera lens but you don't glance over. You focus on Kyle, and how eager you are to get both of you off.

Kyle is rough but not overly slow. He's careful not to go too far. His movements are restrained but controlled, and that only turns you on more. One of your hands slips between your thighs and you find yourself blissfully wet.

You circle your clit and then dive downward to slip one finger, and then two, inside your pussy. Repeating the motions only builds the oncoming orgasm like a viper hidden in a pile of leaves, waiting to strike.

"Are you fucking yourself with your fingers?" Kyle's question isn't meant to be answered. It's rhetorical. He knows you are. He can see it.

With his cock in your mouth, you're unable to answer. One watery tear rolls down your cheek and Kyle lightly taps the machete blade against your throat.

"Not being a good girl. Didn't tell you to do that."

The machete disappears. Using his grip on the top of your head, Kyle guides your mouth off and away with a wet pop. He drags you to your feet, and as you move to run from him, Kyle presses the tip of the machete against your stomach.

"Get on the table," he growls. "Now."

You glance over your shoulder briefly to figure out where it is. The path is clear—just a few steps and you're on it. Kyle prods you with another poke of the machete.

Moving backward, you eventually bump into the edge of the table. Kyle does not help you up but the top is just below hip-level. You get on easily.

"On your back. Legs spread."

The command in his tone is undeniable. You do exactly as Kyle says. The camera is directly behind him, following his forward advance. Kyle wraps his hand around your ankle and tugs, dragging you to the very edge until you're close to falling off.

Without ceremony or elegance, he tears away your thong and tosses it aside. Kyle lines himself up and thrusts.

"Fucking hell," he groans.

You moan loudly, toes curling as your pussy takes all of him. The stretch is just enough to hurt but entirely euphoric.

Kyle slams the machete down onto the table next to you. In seconds, he has one hand over the front of your throat and the other on your inner thigh, keeping you wide as he drives in and out of your body.

This is where he's roughest, and you don't care at all. It's delicious. Glorious. From this angle you can watch every corded muscle shiver as he moves.

And the eye contact.

Kyle won't stop looking at you. His gaze is firm. Heavy. You are trapped by it as much as by his strength. His hand on your inner thigh slides further inward until he's almost on your pelvis. The camera shifts to point directly at where your bodies meet just as Kyle's thumb starts rubbing slow circles around your clit.

The building orgasm shivers outward, stretching into your limbs. A sense of numbness comes with it, as if you're floating above your body. It lingers there at the heightened apex before crashing down around you.

Your body tenses—seizes. Kyle groans, continuing to thrust through it. His thumb keeps stroking, and the intensity continues, wave after wave flooding through your system until you near overstimulation.

Kyle's thrusting increases, a pounding rhythm that signals his coming end.

"Fuck," he groans, hand around your throat tightening slightly.

The fingers on your thigh dig in, and Kyle stills, his sigh a gentle rainfall. You feel your pussy flood with warmth as his release hits him. You see the shudder, watch as his eyelids close behind the mask, and the keen pulse of his veins in his arms.

Kyle thrusts once. Twice. And then with a heavy sigh, grasps the base of his cock, stroking it as he slowly eases out. The camera comes into view, panning inward to catch the sight of his cum. Kyle keeps you still, gaze lingering on you. He's waiting for the camera's retreat.

Just as it backs away, Kyle's grip on you loosens. You're the pretend, helpless victim no longer.

Gripping the machete, you strike out. Kyle avoids your terrible swing, and that gives you your change. Off the table and onto the floor, you rush toward the exit, not looking back though you hear his enraged growl and the swoosh of air as he lunges for you.

You disappear, nearly stumbling into the next room as the director calls for the end of the scene.

"Cut!"

You catch yourself before falling forward, a little breathless. Poking your head out from behind the curtain, the set team comes rushing in, moving objects out.

"Let's set the next scene."

As you step out, Rodolfo and someone from the makeup department rush in. You're offered your robe which you politely decline but accept the water.

"You good, love?" Kyle approaches, removing his mask, gaze expectant and observing.

"Yeah. I'm good," you reply, taking another gulp of water.

His observation isn't one of keen interest but one of concern. He's checking you over. Making sure he didn't harm you.

"I didn't hurt you?"

You're a little sore but it feels good. "No," you answer. "Promise. I'm fine."

He grins, relief clear on his face. "Thought I might have been too much."

You shake your head. "Not at all."

Rodolfo checks his watch. "Ready for the next scene? Or would you like a break?"

You cap the water and hand it to him. "I can handle it."

He nods. "Be ready in five."

After a bathroom break, a brief touch-up, and a gentle cleanse between the thighs, you're herded to the next mark.

"We're going in ten...nine..."

Your robe is removed and water whisked away. The camera is somewhere in the room already, ready for you to step out from behind the curtain.

"...three...two...one."

You emerge, knowing that this might be the scene you need to call a stop to. Not that it'll be Johnny's fault, but the place is absolutely ghastly.

It's set up like a meat processing warehouse. The room is bathed in red light. Fake bodies wrapped up in cloth hang from the ceiling along with a few hooks on chains. There are two "exits" covered in plastic strip curtains. One is a true exit and the other is where Johnny is supposed to emerge from, but you have no idea which.

The camera follows your forward movements as you navigate around the hanging set pieces. Against the wall is a stainless-steel table. On it are bloody body parts all haphazardly stacked on top of each other.

As you make it to the middle of the room, Johnny appears—not that you see him. You don't notice him at all. It isn't until he revs the chainsaw he's holding that you do. It startles you so bad that you stumble backward into a fake body, almost tripping on your own foot.

Johnny charges forward, much faster than Kyle. The hanging bodies, hooks, and chains are in the way. You try to push them aside, to run as you're supposed to, but it hampers your movement.

Johnny catches you quickly.

Cornering you between a trio of hanging bodies, Johnny circles the space, revving the chainsaw as he walks. There is no chain on it, but he doesn't point it at you. He keeps it pointed away from his body and yours.

Transferring the chainsaw to one hand, Johnny snags your upper arm, dragging you against him. You beat at his chest, the vinyl apron slippery when your skin makes contact. Nothing happens. Johnny is solid.

With his grip on your arm, Johnny hauls you toward the body-covered table. He sets the chainsaw down and then both hands are on you. Spinning you around to face him, you attempt to fight him off even as he restrains you, attaching handcuffs to your wrists with ease.

“Let me go!” you shriek, but Johnny only laughs. It’s manic and high—completely deranged. It’s wonderful acting. You’ll give him that.

With a sharp tug on the connecting chain, Johnny sends you stumbling. He steps out of the way, his hand coming down on your ass with a sharp slap. You yelp but manage not to fall. The smirk on his face tells you everything. He’s loving this.

You attempt to strike out at him but Johnny is so much stronger.

Using his massive, muscled arms, Johnny wrestles for control, winning easily. You’re herded to the center of the room. At one of the hooks, Johnny lifts your arms over your head, hooking the connecting chain on the nearest one.

Everything stretches, but it’s not painful. It's a good stretch and just enough to keep you on your feet but appear as if you're hanging in the air. It's a great trick. You're on full display for the camera and for Johnny.

You’re facing away from Johnny, and you have no idea where the camera is. All you’re aware of is your breathing, and the swelling tightness in your muscles as the stretch starts to curl forth a gentle ache.

You’re hanging there. Untouched. Waiting.

There’s a gentle brush against the back of your thigh. You jerk against the touch, tilting your head to catch a glimpse of him. Johnny appears before you like a phantom. He steps into your view slowly. The red light bathes him in a blood-tinged glow.

Johnny grins, grasping your chin in his hand.

“Are you going to remain a good girl for us?” His Scottish lilt is sinful. You find yourself leaning forward as if you’ll kiss him. That grin softens, and then becomes a wicked thing.

Johnny drops to his knees before you.

His hands grab the backs of your upper thighs, lifting you off your feet. He guides your legs over his shoulders, hands adjusting to support your ass. Johnny’s mouth is on your pussy immediately, tongue teasing your entrance. The fake plastic nose he wears perfectly presses against your clit. It rubs back and forth against it as he devours your pussy.

The orgasm comes quickly and with sharp intensity. You scream out your pleasure, head falling back, eyes closed as Johnny continues to feast between your thighs. Your toes curl, the muscles in your lower back seizing and relaxing with each wave.

With a final lick, Johnny tilts his head back, smug with himself.

You’re gasping for air, chest heaving as Johnny returns your feet to solid ground. He ascends, hand undoing the ties that keep his black vinyl apron in place. He circles you as he does it, a teasing dance before it falls away.

Your gaze immediately drops, and fuck—Johnny is thick. There’s a decent amount of length but this man is all girth.

He palms his hard cock, gaze enraptured with the sight of you. Circling you like a predator, Johnny takes his opportunity to run his hands over your body, to touch everything. It’s been he comes to a stop behind you that the anticipation builds.

Johnny’s face presses against your neck as his hands grab hold of your hips. His cock rubs against your ass and then slides between your thighs. He rocks back and forth, coating himself in your wetness. The head of his cock pokes at your sensitive clit.

You whimper, and Johnny gives you relief.

With his grip on your hips, Johnny angles himself at your entrance. A quick thrust, and Johnny is home to the hilt. Your thighs are pressed against each other, and the thickness of Johnny’s cock is only intensified by the limited space.

He remains behind you, pumping steadily as you hang from the hook. Johnny’s hands on your hips delve, squeezing your thighs. He brings one palm down in a quick slap against it, your thigh jiggling from the strike.

“Fucking gorgeous,” he whispers into your ear, and you know that’s only for you to hear.

While Kyle was a bit rough with you, but Johnny is steady, his rhythm hitting all the right beats until you’re numb with lust. You fall into it, heading leaning back against his as Johnny as his way with you.

At his end, Johnny’s groan morphs into a whimper. He comes inside you, his grip tight as he holds you flush against him. A few more thrusts and then Johnny is pulling you, forcing your thighs apart to show the camera the mess there.

You expect a pause as the camera lingers there. What you don’t expect is for Johnny to put his mouth back to your pussy, to suck his cum out of it, to stand and force your head back, slipping his fingers between your lips only to spit his cum down your throat.

He grins at you, licks his lips.

This dirty fucker.

Your thumb finds the small button on the cuffs. Like everything else, it’s a prop. You press the button. The chain breaks as it’s supposed to. The moment your feet are flat, you take off, rushing toward the exit.

You hear pounding footsteps and then—

“Cut!”

Johnny almost knocks you down on the way out. “Shit,” he gasps, grabbing on to you before you topple forward.

“Take ten!”

A robe is thrust at you, and Johnny is pulled away as someone else shoves another water into your face and someone else fusses with your hair and makeup.

It’s the maze that’s next. This one is completely staged compared to the other scenes. At a certain point, you, Johnny, and Kyle will converge on a singular point. Johnny on one side of you. Kyle on the other.

When you’re set, you enter into the makeshift maze. You don’t need to go far. Just a few feet. Johnny is right behind you, every step heavy and loud as he navigates the maze. Only a couple striders further and you’re trapped.

Kyle steps out of the dark and you come to a halt. But as you retreat, Johnny is right there, blocking your exit. Their hands are on you immediately. You have no control. You give in to them, allowing them everything. It’s nice to surrender, to hand control off to someone else.

They move you into position. Johnny’s cock slides home, filling your pussy. Kyle takes the other side, and then you’re full in both holes, groaning loudly with each thrust. Your hands seek, fingers digging into whatever they can find.

Over your shoulder, Kyle pushes up his mask enough to reveal his lips. You go in, tasting Kyle’s sweetness. His hand grasps the front of your throat, dragging you in for a deeper kiss.

Johnny isn’t one to be left out.

As Kyle breaks away from the kiss, Johnny reaches for him, the two men locking lips next to your face as they both move in and out of your body. You drape your arm over the back of your Johnny’s neck, and all you know is the perfect way they fill you, and the feel of their lips against your skin.

And when it’s over, you’re a little disappointed that it couldn’t continue.

There’s another break—this one longer than the others. Kate’s assistant massages your muscles, and she checks in before the graveyard scene with John Price. You’ll truly need some rest before the final scene with Simon Riley and the rest of the men, but you can do one more.

But only one.

And it’s the easiest of the bunch.

There is no chasing. No running.

You play the helpless damsel, pushing at John’s chest as if you don’t want it. All around you is smoke and shadow. The headstones around the two of you create a little circle, almost as if you’re in the center of a ritual.

You’re put on your hands and knees on the ground, the fog from the fog machine swallowing up your hands and legs. Price is behind you, already pumping, already taking from you like the wolf he’s supposed to be.

The makeup department did wonders. They gave him sharp teeth, yellow contacts, and a partially transformed look to him. It’s brilliant, really. He looks very much the monster.

Each stroke is deep. John presses on your lower back, forcing you into a different position, pushing your ass higher into the air. Your legs widen and then John increases his pace, his pelvis smacking loudly against yours. Skin meets skin, and your pussy quivers with excitement as the orgasm builds.

You stroke yourself between your legs, leaning on one side to keep yourself upright enough not to slip. You’re slippery between your thighs, and you can’t help but trace where your bodies meet. Your nail grazes John’s cock, and he emits a low moan.

John grips your ass harder, and then he’s pounding into you, using your body like it belongs to him. You lightly bite your lip, trying to focus on your building orgasm. Each stroke comes with a spank, jerking you against your teasing fingers.

“Oh—fuck,” you mewl as your orgasm comes raging forward, curling outward.

John fucks you through it, growling like a fucking animal behind you. When your orgasm wanes, his hand grasps the back of your throat, holding you in place as he continues. All you have to do is sink into it, to grin with contentment and let him have what he wants.

There’s something primal to the way he holds you down and fucks you. It’s different from the way Kyle kept you in place or the way Johnny fucked you. Even in their roughness they were sweet. John is all business, and you’re perfectly fine with that.

His cock is fucking perfect, his dominating demeanor a soothingly sensual experience. There’s something to be said about giving in—to submitting.

But it’s after the extended break that completely alters your brain chemistry.

Simon is the last. The very last.

There is no chase. No true lead up.

This room is set in hell. There are fake flames, reddish-orange backlighting, and a throne. Simons sits on that throne, lounging casually, legs wide, his cock and heavy balls on full display. He’s dressed like the devil, but there are no plastic horns or dollar store red cape. He is perfectly painted in red and black. From his head are twisting black horns that curl up and back. They’ve given him red contacts and fake canines for a vampiric bite.

You are in his thrall, sitting at the base of his throne when the camera turns on. There is a leather collar around your neck connected to a silver chain that Simon holds in his fist. He lightly tugs on it, urging you forward.

Your hand wraps around his cock, stroking slowly, coaxing him toward hardness. You tease the head with a swirl of your tongue before taking him into your mouth. Simon fists the chain, twisting another link around his fist. Every time you take him deeper, Simon shortens the chain further and further.

At first, there is no tightness. It grows shorter. Shorter still. The leather begins to bite into your skin. With each twist of Simon’s wrist, the leash shortens. It draws you closer to Simon, leaving no room for you to retreat—to get air.

Your nostrils flare as you breathe through your nose. Relaxing your throat, you suck him down, cupping his testicles gently in tandem with your movements. The only sound he makes is a grunt and you have no idea if that’s good or bad.

But his cock is hard. Solid. You can’t take all of him or you’ll fucking choke on it.

He tugs sharply on the leash. "In my lap, pet."

You do as Simon instructs, standing between his legs before turning around toward the camera. You sink down into his lap, and Simon leans back, gently guiding you to straddle his lap, legs wide and draped over his thick thighs. He rubs his cock against your pussy, and then you’re sinking down on him.

John arrives from the dark, still in costume. He prowls forward, coming up to the left side of the throne. He grabs your wrist as he comes to a stop, guiding it to his cock. You fist John just as Simon thrusts upward.

Kyle arrives soon after. He kneels in front of you and Simon, teasing your clit with his fingers. It starts as a gentle stroke before his tongue replaces them, swirling little circles against your clit. Simon thrusts upward again, and your pussy clenches.

Just before your orgasm crests, Kyle’s tongue descends, stroking against the space where Simon’s cock intrudes. He descends further, lightly sucking one of Simon’s balls into his mouth. It’s brief. Just a blip. And then his tongue is back on your clit.

Your orgasm comes raging forward, but just as your mouth opens to cry out, Johnny appears, grabbing the back of your head, filling your mouth with his cock.

Your body is theirs to use.

Theirs to enjoy.

Simon thrusts upward, and Kyle draws back, his lips glossy with your arousal. He puts the mask back into place, and Simon lifts you off his cock. You’re picked up. Turned around. You sink back down on Simon’s cock, and Kyle is right there, adding his cock to your pussy. It’s an incredibly tight fit. They rock their hips gentle as John and Johnny touch your body, guiding your hand and mouth back to them.

One of them comes inside you—but you have no idea who before you’re full of just one cock. There are two sets of hands on your ass, bouncing you on whoever’s cock is filling you up. You’re simply clinging on, fingers digging into Simon’s shoulders. His head dips, the horns brushing against your cheek as his tongue circles a nipple.

John grabs the bottom half of your face. “Open,” he instructs and you do so, eagerly sticking out your tongue. John jerks himself until his cum explodes on your tongue. He tips your head to the side and Johnny follow suit.

“Swallow,” growls John and you do exactly that.

Someone groans, and whoever is inside you comes. You’re lifted off Simon’s lap, brought to standing, and then promptly bent over the arm of the throne. Simon’s cock returns to your mouth, and someone settles behind you, spreading your legs before sliding inside.

Every time someone comes in your pussy, you’re moved. Switched. Bent over. Spread wide. Forced onto your knees. You take it all. Enjoying every orgasm. Enjoying every touch.

As your energy fades, it is Simon that takes the final fuck, who brings you into his lap. His hands are firm on your ass, bouncing you up and down his shaft as the camera zooms in on it. You are lost in him—lost in the bliss that pulses throughout your body.

You are perfectly fucked.

Perfectly content.

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[electrosuite]

okay. al. i need something put into words. idk if you've seen it but in "we live in time" andrew and florence didn't hear cut when filming a sex scene. so i was wondering. could you do something where eddie has taken up acting. it's an experimental movie, so y'all are actually fucking. it's unsimulated sex. y'all don't hear cut, but you're so into it that neither of you stop. you don't notice until he cums, then you both remember the cameras.

warnings: swearing, fingering oral sex, descriptive sex, sex on camera

word count: 2.3k

a/n: i saw we live in time opening week and absolutely loved it. put andrew garfield's bare ass in more movies!!!

masterlist

One of the best decisions you'd made was moving to Hollywood to pursue acting. You loved it, and you were a natural. You could make yourself cry on command, you often lost yourself in scenes, and you weren't afraid to get nude on camera. That was something that was pretty common for the 80s, specifically female nudity.

You'd filmed many sex scenes in your career, but they were all simulated. Prosthetics, body doubles, cushions between bodies. But when you were approached to do an experimental film, one with completely unsimulated sex, your curiosity was piqued.

You were told you wouldn't meet the other actor until the day of, which turned out to be the first day on set. You were told that some studios, this one included, preferred to get sex scenes out of the way first and film the rest after. Your first impression of this guy would be when you had sex with him.

So when you were sitting on set in your tight black dress — which would be removed in the scene — and he walked in, your eyes widened. He was very handsome, just your type. He had long curly black hair, he was covered in tattoos, and immediately started joking around with the crew. He was wearing a suit, one which fit his body nicely.

When he spotted you, he walked right over and sat next to you.

"You my co-star?" he asked in a hopeful tone.

"That would be me."

"Eddie." He stuck his hand out and you shook it.

"Y/N."

"You look familiar. I feel like I've seen you in something else before."

"Maybe. Sorry, but I don't recognize you."

"I haven't been in anything big, just a couple of low-budget movies." He noticed your nervous energy. "You okay?"

"What? Oh, yeah. Sorry, just... I've never done anything... real. It's always been fake sex."

"Oh, yeah?"

"Mhm."

"Well, it's a first for both of us, then. It's a first-first for me, I've never done anything like this."

"Really?"

"Yep. Never even taken my shirt off on camera."

"And you're just jumping right in, huh?"

"Why not? If I'm gonna do it, I might as well go all in."

"Well, are you at least experienced?" you joked.

"Oh, I'm experienced. Yeah." You chuckled. "Also, I was told to tell you that they had me go ahead and put a condom on so it wouldn't disrupt the flow or anything. They said you were pretty adamant about it."

"Thank god. I really don't want to leave here today pregnant."

This made both of you laugh, but it was true. That was the most important thing to you when agreeing to do this movie.

"Alright, actors in positions," announced the director, who settled into his chair next to the camera.

Before you could get up, Eddie looked back at you. "Hey, I know we'll be recording, but don't let that stop you from telling me if I'm crossing any boundaries, alright?"

"Okay."

"Promise?"

"I promise. Thank you."

"Of course."

The scene immediately started with the two of you standing at the edge of a bed, inches away from each other. So that's where you went, your calves touching the mattress.

You'd read over the script for this scene numerous times. There was a camera a few feet from the bed, and one strapped onto the ceiling above where you would be laying. Neither of you would speak, just moan.

You were getting more nervous by the second, the lack of space between you two making your heart pound.

"Hey," he whispered, making eye contact with you. "You still good?"

You nodded. "Yeah. I'm good." You got yourself into the acting mindset as they finalized the cameras. "Ready."

"Quiet on set," yelled the director. Everyone hushed, the silence making you realize how many eyes were on you. "Action!"

You reached up and slowly undid Eddie's tie, his eyes never leaving your face. Once it was on the floor, he pulled you in for a kiss. It was gentle yet deep, both of you taking in a deep breath. His hands gripped your sides, your palms flat against his chest.

He reached around you and unzipped your dress, letting it fall to the floor. He then effortlessly unhooked your bra and you pulled it off of yourself. So far this was exactly like some of the other scenes you'd filmed. It was always a little bit nerve-wracking to expose yourself on camera — how could it not be?

He pushed you down onto the bed, his knees on the edge between yours.

He wasn't supposed to kiss you as long as he did. It was only supposed to be a couple before he moved on, but he was going off script a bit. His hand cupped the breast visible to the camera, which was now a bit closer.

He began kissing down to your neck a bit, then trailing along your body. He wrapped his lips around your nipple, his tongue circling it. You couldn't help but tangle your fingers in his hair, knowing it would help the scene.

As he kissed down your body, he maintained eye contact with you, watching to make sure you were still comfortable with this. Once he was to your thighs, he knelt down next to the bed and pulled you by the legs closer to him.

He slowly pulled your underwear off, dropping them on top of your dress. He continued to leave kisses on your thighs, making a genuine and impatient whine escape your mouth.

The feeling of his tongue on your clit made you gasp, your hands immediately finding their way back to his hair. This was weird with cameras, and at first it made it hard for you to really get in the mood.

But he was good with his tongue. You were so used to fake moaning that the real ones that came out of you felt foreign. His hands on your thighs, keeping them spread, were also keeping your hips still.

Usually when you filmed cunnilingus scenes, they kept their mouth closed and just positioned their face between your legs. So it was a foreign feeling to actually be eaten out on camera.

He couldn't stop staring at you, you looked so beautiful. Your head thrown back, back arched, tits out and nipples hard, fingers pulling his hair.

He wasn't supposed to make you cum, the script didn't call for it. He was supposed to do this for about thirty seconds and move on to the actual sex. But he was told that if the scene lasted too long, they could just edit it down. So he decided before even meeting you that he would make sure you had at least one orgasm today.

And it didn't take you long to get there. The camera had moved now so that it was behind him and to the side, getting a shot of his back and your face simultaneously.

"Fuck," you whispered to yourself as you felt your orgasm approaching, and fast. You were worried about how you would look, actually cumming and being recorded. You were trying to remain as calm as you possibly could, but you'd never been eaten out like this.

You were much louder than you anticipated when you finally came, and Eddie had to hold you down to keep you in the shot. When he finally stopped, he was immediately back to kissing you. He was still fully clothed, so you pushed his jacket off of his shoulders.

Instead of unbuttoning his shirt, he just pulled it over his head. He had a beautiful body, and you couldn't take your eyes off of him. You reached down and helped remove his belt, but he took over a moment later.

Within a minute, he was completely nude, and you got a good view of what he was packing. You were told before the shoot that you'd be having unprotected sex, and as you were already on birth control, it wasn't that big of a deal to you. Or at least, it wasn't until you were finally here. Now it was sinking in that you were about to be creampied by a guy you just met less than five minutes ago.

He was already rock hard, the sounds that escaped your mouth having gotten him bricked up immediately. He loved giving oral. It was one of his favorite things in the world. If it was up to him, he would've kept going, gotten you completely out of your mind before fucking your brains out.

He positioned himself back at eye level with you, reaching down and lining himself up with your entrance.

"That okay?" he whispered into your neck as he pressed kisses to your skin. He wasn't supposed to say that, the script calling for no dialogue aside from the natural swears that would occur. But he'd already gone against it, and asking for consent was something he insisted on.

"Mm," you moaned simply, nodding as minimally as possible.

With zero hesitation, he pushed into you, and the gasp that filled the room was almost comical. It was such a perfect porno moan that you couldn't believe it was genuine, even though it came from you.

He stretched you out so much, so perfectly, you weren't sure you could handle much of this. It was almost too much, too good.

He engulfed your mouth into his, kissing you deeply as he immediately picked up his pace. The bed was already squeaking, and your chest was already red.

The camera was above your head now, recording from an angle that showed the top of your thighs and your head thrown back as Eddie began sucking hickeys onto the skin of your neck.

That was when the scene was supposed to end. It was the shortest one in the script, which was another reason they wanted to get it over with first. But when the director shouted "Cut!", neither of you could hear him over the animalistic moans you both were letting out.

In fact, he called it about three times. But you two were so immersed, and your moans were so loud in each other's ears that it was useless. After a moment and after all the equipment was put down, the entire crew left the room and just allowed you to finish.

Out of all the times you'd had sex before, you didn't expect the best to be a completely scripted one. Eddie wasn't lying when he said he was experienced, he knew how to hit every nook in cranny in you like it was the millionth time.

When he felt himself getting close, he reached down and began circling your clit with his thumb. In the movies he'd seen, they always came at the same time. That didn't happen much in real life, but he wanted to make it look cinematic because, to his knowledge, they were still filming.

You gasped at the sudden contact, not expecting it. Thirty seconds later, you were cumming in sync, moaning into each other's mouths. He kept it going as long as he could but eventually he had to stop. Both his and your legs were trembling, sweat beading on your upper lip.

He kissed you for a moment, thinking in his head how great that would look on camera.

But when you both looked over at where the crew was, they were gone. You were confused, wondering why they didn't film as much as possible.

"Oh my god," you said, looking back up at Eddie. "Did they yell cut?"

His eyes widened. "Did they?"

"Did you hear them at all?"

"No, I didn't. Did you?"

"No."

You couldn't help but giggle at the situation. "Holy fucking shit."

"Jesus Christ, what the fuck."

"That's kind of hilarious."

He pulled out of you, pulling the condom off before grabbing one of the robes from the crates behind the camera, tossing another one to you. He opened the door to the rest of the set and the crew's heads shot up to look at him.

"Did... you yell cut?" he asked the director.

"Yep. Three times. You guys were so into it we figured we'd just let you finish."

That was when you laughed even harder, your head fuzzy and body tired.

After everything was cleaned up and you were heading back to your trailers, you caught up with Eddie outside his.

"Sorry we didn't hear cut earlier," you apologized.

"I'm not." He smirked slyly, and you felt butterflies flutter in your stomach.

"Do you think you'd do something like this again? Real sex on a set?"

He shrugged. "Maybe. With the right person."

"Well, if I get another opportunity like this, you're the first person I'm recommending."

"God, please do." His voice was raspy now, seductive, sultry. Normally you didn't pay any mind to men who flirted with you. But something about actually fucking Eddie seemed to form some kind of bond, maybe just in your head.

You reached into your pocket and pulled out a napkin, which had your phone number written on it. You leaned in close, wanting this to stay between the two of you.

"Well, if you ever want to do something without cameras, call me." You turned around to walk to your trailer, his eyes glued to your ass the whole time.

He swore he could get rock hard again right now if he wanted to. Something was different about you. You were one of the best fucks he'd ever had, and he intended on using that phone number sometime soon.