#people are just criticizing them and telling them its their fault and they should have told them on the first date

[exhelluvafan]

As someone who’s dad cheated on their mom multiple tomes and even was out making out with other women while my mom was birthing me all alone in the hospital, I fucking hate how the fandom is villainizing Octavia rn. I’ve seen people say she deserves to be physically abused by Stella just for telling her dad off and it makes me sick. This is how people are treating teens who are tired of their parents’ lies and tired of being hurt by them? Honestly, disgusting. I hope nobody in similar situations gets treated like this, its so dehumanizing. Just like in real life, I get told its somehow my fault my dad went off and cheated, or that I should still keep in contact with him despite the fact he was never there for me. Disgusting. Disappointed.

First of all, I'm so sorry to hear all that, Anon, I hope you're doing just fine as of today and managed to get away from that piece of shit.

Now, I'm sadly going to admit that I, along with almost all the critical community, surely was seeing this hate coming, ever since the Octavia song and Sinsmas's section featuring Octavia and Stolas got leaked, we KNEW that the standom would explode, but despite that and no matter how mentally ready I got for it, it was still a blow because I wasn't expecting people to actually fall that low, but it seems that having any expectations of decency over this fandom is a waste of time and energy in the end.

Still, if you need any advice, Anon... Run, run away from that fandom, these shows and Viv, block any stans and fans who are unapologetically victimblaming Octavia, don't tolerate their bullshit and cut the problem straight from the root, because this shit can genuinely get triggering if you are exposed to it for too long and these people clearly won't change or apologize for saying that shit, so please, feel free to curate your feed and block all those sheltered idiots with horrible takes, because this won't get any better since Viv will keep feeding her toxic fandom to stay in their worst behaviors, so please do not look back and do not feel bad for blocking any of those dumbasses.

[cold-red-venom]

Unpopular opinion, but you should not have to tell your partner that you are trans if you've fully medically transitioned before you met. Cuz everybody's always saying trans men are man and trans women are women, bc it's true, and if that's the case, and they have fully medically transitioned and have all the parts of the gender they identify with and that their partner sees them as then it should not matter. They have always been the gender that they are now they just had different physical body parts, so it should not matter, because that's in the past now.

[miraculouslbcnreactions]

Regarding the post about Marinette being punished for trusting people and the response to it, this is something I always have trouble explaining because it sounds callous? But fictional characters aren't people. It's not that their lives just so happen to get in the way leading to something bad happened the writers decided that should happen, and it's important that you stop and ask WHY this happens. If the camera is "on" per se, people assume it's relevant and will tie into something larger. So like if the camera is on and all we see is Alya revealing her identity and then the result is she's outed in the same way she was in Heroes Day, the audience naturally concludes it's connected and thus realizes the lesson is either "Alya learns she shouldn't share her identity" OR "Marinette learns she shouldn't trust people" or both.

Secret identities are a great example of this phenomenon. We're NOT shown every time a villain's plan is foiled because they didn't know the heroe's identity, we ARE shown every time a heroe's identity causes friction in their lives. As such, large parts of the audience think of secret identites as inconveniences because that's what's shown (not just in Miraculous Ladybug, in tons of other shows)

Like you are supposed to make connections in Television about what's being shown to you that no one would make in real life (or at the very least no one SHOULD make in real life) because there's a limited space to tell the story and the audience is assuming the writers aren't wasting our time.

If these were real people it would be unreasonable to say because people have their own lives Marinette can't trust them, but in a story where Marinette is the main character who is explicitly always supposed that's. An accurate way to read the story!

And I also understand that this is a very boring construction if you're making headcanons or thinking about these characters! But that's a different lens, it doesn't make the broader writing lens invalid. You're speaking different languages at that point.

Anyway I hope that helps someone, that's my two cents

You summed it up perfectly! There's a ton of valid criticism to be had of Miraculous, but you can tell from the narrative framing that almost all of it comes down to writing choices and not things that are supposed to be seen as in-universe issues even though a lot of fans treat them as such. It's really weird to see things like people complaining about everything revolving around Marinette as if it's a personal flaw of hers and not the result of her being the main character in a fictional world. "Main Character Syndrome" literally pulls its name from the fact that this is how main characters work in a lot of media. It's a flaw when a real person does it, but in terms of story telling, it's extremely normal - and often good story telling - to have everything revolve around your main character or a core cast.

The issue with Miraculous is that they chose a lot of poor conflicts if they wanted Marinette to be the one and only main character, but that's not her fault. She didn't decide to have the rules around identities make no sense. The writers did. She didn't decide to make the main villain Adrien's dad while also keeping Adrien from being involved in the story. The writers did. The list goes on and on and, because none of it reflects badly on Marinette in the writers' eyes, the show doesn't act like Marinette is in the wrong. Remember, these are the same writers who think that Derision was a great episode that added depth to Marinette instead of destroying her character and making her look unhinged. Their judgement is clearly a little skewed.

While the writers love to make bad plot choices, they are generally using proper story telling language to make those choices, which is why I can tell you how characters' actions are intended to be read. The Rena Furtive and Nino example is a great one because it allows me to show that the writers do understand how to set things up. In fact, once they've decided that they're going to do a thing, they pretty much always set it up at a basic level. It's rarely spectacular and often frustrating, but it's never shocking.

In Rocketear, Alya promises Marinette that Nino will never learn about Rena Furtive. The episode then ends with her breaking that promise via the following exchange:

Alya: (sighs) I'm still Rena Rouge. (Nino gasps.) But now I'm in hiding and that's why Ladybug asked me not to tell anyone. Nino: But why are you telling me if no one's supposed to know? Is Ladybug cool with this? Alya: I can't hide it from you, because I love you, Nino, and we share everything.

Look at how this confession is presented. Look at what the dialogue focuses on. When Marinette confessed her identity to Alya, it was all about the confession and supporting Marinette. There was no discussion of this being a problem for Chat Noir or anything like that because - in the writers' eyes - that wasn't a problem for some reason. This is why Chat Noir almost instantly absolves Ladybug of blame once he finds out about the identity reveal (see: Hack-San.) The writers didn't want it to be an issue so it wasn't:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right

But when Alya confesses her identity to Nino, the conversation is not just about her confession. It's about her confession and how she's not supposed to do this. That's why Nino's response is not loving support. Instead, he asks if this is a good idea and if Ladybug knows.

These things are getting focused on because the writers are telling you that this is a bad thing. It's supposed to feel ominous. When I first watched Rocketear, I assumed that the season was going to end with Gabriel getting the fox off of Alya due to Nino because that was an obvious way to raise the stakes and they'd just heavily implied that Nino knowing would be a bad thing. I was, unfortunately, right. The only on screen consequence of Nino knowing is that he outs Alya to everyone in an incredibly forced series of events (see: Strikeback):

(Ryuko successfully prevents the Roue de Paris from hitting them, yet, it flies to the direction where Rena Furtive is. This causes Carapace to panic.) Carapace: Rena! (takes out his shield) Shell-ter! (Carapace's superpower successfully prevents the Ferris wheel from hitting Rena Furtive on top of the Tour Montparnasse. But the information of Rena Furtive's active status shocks the heroes, as well as Shadow Moth.) The heroes: Rena?! Shadow Moth: (from the top of the Eiffel Tower) She's still active?

Of course the Ferris Wheel goes straight for Alya's hiding spot and of course Nino screams her name before casting his power and of course the villain overhears it. It's all so forced and unnatural, which should make it glaringly obvious how much the writers wanted this to happen. This wasn't something they were kind of forced to do because it made sense for the narrative and they wanted to tell a good story. Instead, they wrote an awkward series of events because they really, really, really wanted Nino knowing to be a bad thing that outs Alya so that Marinette loses all of the miraculous even though none of this makes much sense.

How the hell did Gabriel hear Nino's shout from so far away? Is he able to overhear everything the heroes are saying? How does Nino even know that Alya is hiding there? And since when was a Ferris Wheel a threat to these guys? Your girlfriend is a magical girl and she's in her magical girl form, dude. You could drop a building on her and she'd be fine, a thing you have to know because this scene literally goes on to have Chat Noir go flying into a building, hitting it so hard the cement literally cracks, and no one really cares. I guess it's fine if Adrien is a punching bag, but Alya must be protected at all costs...

Anyway, while the above series of events was annoying, none of it was surprising. In fact, it would have all be perfectly predictable even if Alya outing herself was that treated as a more neutral event. Her choice leading to bad things falls perfectly in line with a truly bizarre running theme in the show: outing your identity to the person you love romantically is a bad thing that leads to bad consequences. That's why Chat Blanc and Ephemeral ended the world and why Nino knowing cost Ladybug the fox and why the character they call Joan of Arc has to give up her miraculous to be with her love and why the Kwami's have this absolutely asinine dialogue in Kwamis' Choice:

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them. Tikki: No, they’re made for each other. Love is what gives them their strength. Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction. Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

This is the voice of the author telling you that outing the identities is not and never will be a good choice for the love square. Never mind that Alya is allowed to know Marinette's identity or that Gabriel finding out is what actually ended the world in the alternate timelines or that Felix outted himself in public but is still wielding or that freaking Gabriel was allowed to know half of the temp heroes' identities while they were still actively wielding. For some reason, those things don't matter to the narrative, probably because romantic love wasn't involved. The "identity reveals are a bad thing" rule only seems to apply when romantic love is a key element to the point where it's a reoccurring theme in this supposed power of love show.

[xtreme-shipper]

Just Don't Give Up

Azriel (ACOTAR) x FReader (Human)

WC: 1.5K (Oneshot)

Summary: When it all becomes too much to keep going, our favorite Shadowsinger shows up just in time.

Warnings: Mentions of (and attempt at) suicide, angsty, I think, canon divergent, not proofread, lol, hurt/comfort, English is not my first language. Let me know if I should add anything <3

N/A: Hi! This is my first ACOTAR fanfic, so constructive criticism is really appreciated :) It's been a while since I've written fanfiction, but recently, I've been obsessed with Az, so here we are.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

The night sky was blinding in the best way possible. Another year had passed, and you could see from the distance how your friends were celebrating another Starfall, a drunken joy filling the air, their voices full of excitement. The preparations started early this year, and the night court went all the way in, with concerts throughout the city and free drinks for all its citizens. You could tell the party would go on until sunrise and wondered, not for the first time tonight, why weren’t you down there with them?

“Is everything alright?” Az had asked you earlier that day. You nodded, smiling brightly at him.

“Just had a long night.” He nodded, not fully convinced, but he didn’t push the subject, which you were grateful for. You didn’t need to ruin the mood because of your problems.

 Nightmares from under the mountain still plagued your sleep, making it almost impossible to get any rest, and it was starting to show. The things that you had to see while not being able to do anything haunted your every second.

You didn't expect to survive when you escaped from the human lands, but Rhys found you not long after you crossed the border. He wanted you to turn around, warning you that Prythian wasn’t safe, but the alternative—going back to town—was not an option; anything would be better than that, even certain death. So you stubbornly refused to, claiming you knew how to take care of yourself. The problem was that one of Amarantha’s minions watched the interaction and wanted you for its own entertainment, so Rhys had to pretend that he had taken a liking to you and wanted you as his pet.

Word got to Amarantha, and she wasn’t particularly happy with her plaything taking a liking to someone else, so she punished him while you watched, unable to do anything. Useless.

After that first time, Amarantha decided it was a fun idea to have his “beloved” pet watch the suffering she had caused. So, every time you did anything she deemed disrespectful (which was basically everything), a torture session would take place. You couldn’t help but think that if you had just stayed where you belonged, Rhys wouldn’t have suffered as much as he did. It was your fault, even when he insisted that it wasn’t.

Shaking your head, you try to get rid of the memories.

You turn your eyes to the stars, the same ones you prayed to every night. Always the same wish without any answer from them and wonder, like you so often do, whether you should still be here.

The inner circle had never treated you as less or excluded you from anything. They were your support when no one else would lend a helping hand, and with the years, they became your family, yet even now, you still feel like an outsider. You weren’t Illyrian like Rhys, Cassian, and Azriel. Heck, you weren’t even Fae to begin with. You ended up being in the way most of the time.

You took your jacket off, letting the cold breeze hug your bare arms, where scars of silent battles painted them. A shiver ran down your spine as you stepped closer to the edge of the building.

In the human lands, your family never cared for you, and even when you left, no one mourned your “death”. Here in Velaris, you had people looking out for you, yet you felt like you didn’t quite fit in.

Would they notice? Would they care if you just… disappeared? Fae's lives were so endless that compared to them, humans’ existence must seem… insignificant.

Another step. You had slipped from the party when it all became too much. Your feet were moving on their own accord. Another shiver, another step. They would probably mourn for a while but then move on. You could stop the nightmares and the pain, and they could move on; Rhys wouldn’t have a living reminder of every time he was abused and had to endure the shame. Or when he was beaten, and you had to patch him up with your scarce medical knowledge.

Az and Cass could stop pretending that you didn’t cause their brother more suffering. That your recklessness didn’t make things worse. That they didn’t believe you weren’t brave enough to help him.

You are standing on the border of the building now, eyes fixed on the stars above, “Please,” you whispered. “Please.” You weren’t sure what you were asking for any more. Relieve from the pain, the guilt? Maybe you didn’t need an answer from the stars to fulfill that. You could hear the music all the way up here, a serene tune drowning the rest of the noise. You start walking on the edge, arms stretched wide to give yourself a bit more balance. One step, then another.

Letting go… should you… just one step…

A cold grip settles on your ankle and another on your wrist, pulling you carefully away from the border while a sad smile paints your lips.

You were used to Az’s shadows clinging to you from time to time, so you welcomed the touch but didn’t budge. You knew their master was standing a couple of steps behind you. “You know, you aren’t very sneaky for a spymaster.”

“I was looking for you.” His voice wasn’t more than a whisper. “I was worried since you left so early.”

“I’m fine” was all you said. A lie you had perfected over time.

He led out a humorless laugh. “You don’t seem fine.” You hear his steps, careful but loud, so you know he is getting closer. “Can you please step away, Sunshine?” You tense at the use of your nickname. So familiar by now, yet so unfitting.

“It’s fine, Az. I’m just admiring the night sky.” You can feel him right behind, you know. “It’s a beautiful sight.”

“Y/N… why are you here?” You knew he meant at the rooftop, but your mind couldn’t help going to a darker place.

You take a moment to answer, weighing your options. After a couple of silent minutes, you decide to be honest. “Did you know…” You pause for a second to try to stabilize your breathing. “That I was not only responsible for treating the High Lord's wounds? I was also tasked to inflict them.” You choke at your words, your throat feeling like it's closing, and it’s getting hard to breathe, but you push the words out anyway. “I am responsible for every scar that never fully healed, for every messed-up nightmare he has at night. I can still feel the way his muscles tensed every time I inflicted pain.” The world was spinning before your eyes, and the words were coming out in short breaths. You were gasping for air, struggling to get any inside your lungs, but still, the words wouldn’t stop coming out of your mouth.

“I’m the reason he suffered. If I hadn’t been there that day, or maybe if I had put up with my life at the… maybe he wouldn’t… he saw his… and I couldn’t… anything…” you close your eyes again. “How am I supposed to live here and accept all his help and love whe—”

A strong hand grabs you by your waist, interrupting your words and yanking you away from your doom. “It wasn’t your fault.” Az’s whisper came breathless, and his arms, though firmly hugging you, were shaking.

Tears were running down your face, staining his shirt. A protective wing wrapped around you, offering shelter. Giving you a protection you didn’t deserve. “I need the guilt to stop, Az. I’m a broken reminder of his pain, and selfishly, I can’t take it anymore.” You felt so tiny, so… shattered, fragments of yourself falling to the floor with every tear shed. He was silent for a moment, trying to hold you together while you crumbled.

Then his words reach your ears. “He once told me you remind him of his sister, you know?” One of his hands starts caressing your hair while the other firmly supports you against his body. “That your bad jokes to lighten the dreary mood and your constant presence were some of the things that kept him from giving up. That thanks to you, he was able to survive long enough to find his mate.” A loud sob shakes your entire body, hands fisting his shirt as you grab onto him for dear life. “Do you know why I call you ‘Sunshine’?” Az pauses, so you shake your head in response. “Rhys had been suffering long before you got there, and when he told us how you gave him hope, even when you yourself were silently breaking apart, how you would sing to him and brighten the mood with your warm voice, I knew. I knew you were like the sun he had been deprived of for so long. You saved my brother in the way that mattered the most. You were his light, and ever since you started living with us, you became my light, too.”

You were speechless at his words; raising your head from his chest, you looked into those beautiful hazel eyes and found nothing but tenderness. “You are my light, and I’m sorry it took so long for me to say it, Sunshine.” He places a kiss on your forehead. “I won’t say it will be easy, but I promise to be here with you. We will get through this. I promise, ok?” You nod as his grip tightens. “Just don’t give up, Sunshine.”

[ceasarslegion]

Whenever people criticize exploitative companies I notice that they tend to target consumers as if everybody using those services always have a choice in the matter, but im willing to bet that a massive chunk of the population that shops at walmart, orders from amazon, subscribe to disney+, etc, are poor/rural people who cant afford any of the alternatives. And what exactly do you expect them to do?

Disney+ is the cheapest option for reliable entertainment for poor parents with kids. Netflix is the cheapest option for that for most others. They still deserve to watch TV when they cant afford a cable package (and yes, pirating still has barriers attached to it. For one, you need to be able to afford the computer, just for starters). Not everyone who has a streaming service subscription is a bootlicker or supports the disney corporation or thinks netflix has the most correct working conditions.

Amazon is the cheapest option for shipping, well... almost anything. And in a lot of places, its the only thing that can reliably get there at all within the month. And when a prime subscription comes with free shipping and a streaming service? That cuts out one major expense AND the expense from the first point, too. Folks still deserve to be able to order things when they cant afford to pay for shipping fees or when they can only afford the cheapest possible option for the item they need. Not everybody with a prime subscription or who orders the occasional thing off amazon wants to personally suck jeff bezos's dick or thinks warehouse workers deserve to be worked to death.

Walmart remains the cheapest possible option for most people in north america, especially in the cost of living crisis right now where groceries cost more than your rent. Not everybody who shops at walmart thinks the workers deserve to be exploited or that unions are bad or that driving out small businesses is a good thing

And im gonna be honest, every single "alternative" ive seen from people acting these ways is WAYYY more expensive and unreliable to poor and rural people than the things theyre telling us to stop using. You absolutely should support small businesses when you can but i usually dont have small business money. I can either buy a few little things to eat that will last me maybe a week or i can get enough for the month for the same amount at walmart, and thats not MY fault.

What exactly do you want us to do here

[psychabolition]

You talk about getting rid of the psychiatric system. But what do you propose should be done instead? /gen

I'm going to tell you a story . I once knew someone called Tim. When I met him he had already spent most of his life in drug addiction treatment centres, psych wards and prisons until he later ended up in a forensic psych ward. After he did LSD he 'never came down from his bad trip' and got diagnosed w schizophrenia. This diagnosis +the addict - diagnosis justified so many fucking human rights violations - it got him locked up, drugged up, strip searched, his privacy violated on a daily basis, isolated away from society and everyone he knew because apparently he needed to be 'saved from this illness in his brain that makes him do/think/feel' things he otherwise wouldnt and because he needed to be 'punished' into being a 'functioning', 'productive' (read: profit-generating) member of 'society' (read: hegemonic cultural norms & forms.) This is what psychiatry does - it doesnt help, it locks us up and tortures us. I dont need to be able to name alternatives to this lol . This is the worst possible way of treating anyone ever. It would help immensely to literally just STOP doing this. Even 'sane' people would go insane in places like these.

So the alternative to acting like an absolute asshole towards people who struggle severely and who dont have a place in society would be to 1)not isolate them away from society and 2)not torture them 🙏 . It would be to get rid off the psychologists' individual and the psychiatric systems' general saviour complex that only results in abusing people bc they act like the people who are labelled as mentally ill are (=their minds/brains) responsible for at fault for their own struggles. Instead we could show solidarity with each other and try to built a world where everyone has a place in and is valued as a person and where the suffering/madness of an individual is not seen as an incentive to literally abuse and socially ostracize them.

And @ everyone dont come at me w 'not everyone has these experiences w psychiatry' - any time you talk about systemic criticism you have to look at the most marginalized experiences. When talking about police defunding/prison abolition we also talk about police brutality that black disabled poor people face . And yes not everyone has bad experiences w every single cop , still ACAB . ALSO dont come at me with 'I know there ar GOOD psychologists who Actually want to help' ,1) fuck their savior complex 2)what individuals motives are for joining this system of oppression isnt necessarily the purpose of a system. The purpose of a system is what it does. The police isnt there to protect us, psychiatry isnt there to help us. We only have each other.

So, what you can do right now to get rid off the psychiatric system in your community? How can we stop relying on this authoritarian system that abuses and incarcerates so many of us ??

I think its important to educate each other on our rights. Because then we have the knowledge on what not to say in a therapy session so we dont get incarcerated or what to do when we are questioned by cops/psychs to see if we are 'at risk' or what to do when we or friends of us are already incarcerated so they can get out of there as fast as possible. Also educating your friends/family on psychiatric propaganda helps - a common myth is that if you dont 'look for signs' and call the cops to institutionalize a friend they might kill themselves. All while institutionalization/incarceration increases the risk of suicide extremely. This is important to know so no one in our communities calls the cops on us when we're doing really bad. Also educating each other on the biomedical model so everyone understands that we dont have an illness that we need to be 'saved from' (depression for example) or 'punished for' (aspd, drug addiction) and that we (=our minds/brains) arent to blame for our struggles Etc.

If you know that youre sometimes in extreme mental distress/pain you could also make a crisis plan with friends so you dont need to rely on the psych system - like for example the plan could be that a friend calls in sick for work/university and then stays at your place for 3-4days and is there for you/drinks tea w you, goes for a walk together w you, smokes a joint with you together until you feel better and arent acutely suicidal anymore. (Its also best to include several people in this plan bc it can get really overwhelming for 1 person). You can als include things in the plan like asking your friends to take away all knives in your apartment if you want to. Or if its a more permanent 'crisis' then a plan on how to move together with friends to get away from your nuclear family/abusive partner (just as an example).

Access to medication, knowledge on how to get off of them if you dont want to take them anymore and freedom and proper education in your decision on taking, weaning off or on staying on medication is not given in the psych system. So how do we change that? A common reason for 'crisis' is trying to wean off of psychiatric drugs (a lot of people get suicidal or psychotic bc of the withdrawal for example - depends on the meds, dosis and since how long youve been taking them though). You could plan when to do this together w friends. Theres anti psych guidelines on how to do this safely - a lot of psychiatrists tell you that you need to stay on meds no matter if you want to or not and they often dont know how to wean off of them or think youre 'at risk' and incarcerate you if you mention that you want to stop taking your meds -this highly depends on how stigmatizing your diagnosis is (=schizophrenia/bipolar are good examples for highly stigmatized ones) or if youre sb who get racialized for example (bc then psychs immediatly perceive you as more of 'a risk'). You could make a plan for example where you ask your friends to stay w you through this by living at your apartment w you for a few days, cooking meals for you and keeping your apartment clean. And then another friend of you could come by each day after work (for example) and also be there since its probably a lot for one person. Also LYING to psychiatrists is always a good idea. For example when youre trans and want to access gender affirming care its important not to mention any diagnoses in general but especially diagnoses like autism, schizophrenia, psychosis or PDs and then literally lie about yourself if necessary. You always know who you are and what you need best. Also dont blindly trust your psych on what medications go well together - look it up yourself !!! Theres a 'drug interaction checker' online where you can see if it might be dangerous to take certain meds at the same time. Also READ on what side effects are possible - make a diary for when you start your medication on how youre feeling/doing . Some changes are awful but still hard to notice bc youre thinking that it could also be a 'normal' worsening of your mental state that you think you might also have without meds. Also depending on what physical conditions you have/had you cant take some medications without it being dangerous - READ the whole instruction paper thing that always comes with your meds and/or google it !!

Also literally just sharing/collecting tips on how to cope w different struggles + harm reduction guides (suicidality, drug addiction, ...) is very helpful. There is a lot of community sourced material already out there.

I understand that the reason most people are severely struggling is because they dont have a community (=like when you only have 1 partner or 1 friend ,because youre (still) legal property of your parents, because youre stuck in a nuclear family,...) and not only because psychiatry divides our communities by blaming us for our struggles and isolating and stigmatizing us. Building community and relying on each other is the only way to get rid off the psychiatric system in the end. If we already had a real community that we could rely on, all the psych wards would be empty and therapists wouldnt exist. This is not the first step, its the solution.

Als there are already alternative institutions (that are already in practice) that are a replacement for psychiatry.

This is probably the answer that youre looking for 😂. I dont really care about these kind of anti psych concepts and practices since they seem out of my reach atm. Ik that theres an anti psych house in berlin whos guiding principles are 1)community care /peer support 2)full autonomy for everyone there and its specifically for people who are running away from psychiatric violence.

Other alternatives that I havent really looked into yet are : bethel house , peer respites, new models of therapy

[weirdmarioenemies]

Name: Spoing

Debut: Super Mario Galaxy

Spoing is a jumping spider! Though it's not quite a jumping spider, you know? Like how a lynx is a big cat, but it's not a big cat. You know. But even so, I would like to express my appreciation to real jumping spiders! With their extra conventional cuteness, they capture the hearts of even people who are scared of other bugs, and as such are ambassadors for the rest of spiderkind. A gateway to appreciating some other creatures, which some fools may call "less charismatic", as if it is not charismatic to, for example, dangle a blob of silk to catch moths like a little fisherman. Anyway, as president, I will make sure all jumping spiders are compensated for their services. In dollars.

I don't know if I'm just saying this because I've been replaying Galaxy recently and have a sort of recency bias, but Spoing really might be one of the cutest Mario enemies ever! We all know, we all love, the eyes-in-a-void face! And on a BUG? Yowza! I've seen that kind of face on crabs and sometimes bagworms (I think?) but I'm not sure I've seen it on any other arthropod, and ESPECIALLY not a spider. I don't know how Spoing would hunt. Would it just shove prey into the eye void? Is it also a mouth? That would be pretty awesome.

You know, their faces make them look kind of like funny astronauts... and they only have four limbs, not eight. Are these truly spiders? Were they once human, until something unspeakable happened? And will it happen to me someday? I hope so!

Spoings mainly appear in Space Junk Galaxy, which I think we on the Weird Mario Enemies Office Pizza Party Email Chain all agree is a really great galaxy, with impeccable vibes. It's space at some of its most lonely, as opposed to spectacle, and I REALLY appreciate the presence of spiders here. Spiders and their webs are always used to visually communicate the idea of a place or object being unused, abandoned. And this galaxy is just a bunch of forgotten debris, not inhabited by any sapient civilization! If moths are the mascot of empty wallets, spiders are the mascots of forgotten attics! Spoings to not seem to make webs, which, yeah, actively hunting spiders do not! But they might make Sling Pods. And Sling Pod Galaxy is... well, I don't want to use this post to criticize a galaxy that precious spiders may have had a part in designing. So I will move on to...

Name: Spangler

Debut: Super Mario Galaxy

Spoing's got an evolutionary relative, and rather than being a spider boing, this is a spider dangler! It at first looks like a recolor of Spoing, but it actually lacks the fuzziness of Spoing's abdomen, and it DOES have a big ol' spinneret, which it is always using to dangle on a silk thread! One big one, like a really long string cheese. These ones debut in Ghostly Galaxy, indicating that they are spookier than the more generalized Spoings. Is it the silk? Is silk Spooky? It is what ends up encasing the spider's prey... like a MUMMY! Maybe I'm on to something here!

I really like Spoing and Spangler, and that both exist! It may be sort of the same design for two different enemy behaviors, but they're both behaviors that make sense for the design, and it's a design I always love to see. It's like they're closely related species! Maybe a population of Spanglers was separated from the others and ended up in the more barren Space Junk Galaxy, where there was not nearly as much infrastructure to dangle from, and where only active hunting was a viable strategy. And over time, Spoings evolved from this population! Actually, maybe they even use the Sling Pods for hunting, when we're not looking, launching themselves at unsuspecting prey...

And just to make sure we're not appreciating fictional creatures over real ones too much, I should tell you that there is, indeed, a spider that slingshots itself at prey using its web. Sometimes reality is stranger than fiction. And it's often a spider's fault! The variety of ways in which different species use their silk is honestly one of the most incredible things in all of nature!

[reidsdimples]

When Everything Changed | Part 2

Part 1

Spencer Reid x BAU!Reader

Enemies to lovers- Angst 🖤

Inspired by Wires by Athlete

Tw: hospitals, injury, Spencer near death

Your feud with Spencer feels trivial after you’re both shot

The first time you wake, you’re in a panic. The ceiling of the trauma unit is speeding by in a blur while people around you push the stretcher. There’s an immense amount of pressure and pain in your shoulder which is probably why you’re screaming. It’s also probably why every nerve in your body feels like it’s on fire.

“They’re FBI agents! Get them in here now,” somebody screams.

You black out again and come to as you’re being moved onto a table. The room sways as you crash harshly into the metal surface.

“Spencer…” you murmur as one of the surgeons places a mask over your face. All goes black with shouts and medical equipment blaring in your ears.

-

The room comes into view in a blur. You try to glance around but the figure standing over you is indistinguishable.

Finally your brain catches up to your eyes and you see JJ and Rossi at your bedside.

“What happ…” your voice gives out.

“You were shot in the shoulder. It was a flesh wound, they got the bullet out,” Rossi says and places his hand on yours.

You allow Rossi’s father-like comfort to wash over you before panic seized you once more. The room stirs and your stomach drops as the reality of the situation kicks in.

You wince and lay your head back, it feels like someone placed a led weight in your shoulder. Then it comes back to you.

“Reid, what happened to Reid?” You gasp.

“He’s still in surgery,” JJ answers. Her tone tells you it’s bad.

“How long?”

“You’ve been here about 4 hours, Spencer’s been in surgery for 3,” Rossi informs you.

“Is he…” tears well in your eyes. He took a bullet for you. Both bullets should have hit you. Why would he do that?

“He’s in critical condition,” Rossi’s voice is filled with sorrow. The words are a blow to your abdomen, drawing all of the oxygen from your lungs.

“No,” you whisper and try to sit up. Guilt creeps its way in and claws its way down your spine.

“It’s not your fault, Y/N,” JJ reassures you. You shake your head.

The doctor enters and begins checking you out and encouraging you to rest. You argue that you can’t rest until you know your coworker is okay.

While the gesture was nice, whatever pain medicine he pushes into your IV sends you back into darkness before you can stop it.

-

The next time you wake, you feel more normal. As though waking up from regular sleep instead of from passing out in shock.

Sunlight filters through the massive glass windows which overlook the city. Your concept of time is non existent but at least you only have one IV in you now instead of three.

“You’re awake,” Garcia smiles and stands. Her usual bouncy optimism is missing in her words. She looks exhausted.

“Did he…” you don’t even know what to ask.

“He’s out of surgery. He’s critical but stabilized,” she answers in a hushed tone.

“I’m so sorry,” your voice cracks.

“Why are you apologizing? You were shit too,” she softens her voice and pushes your hair back from your face,

“That bullet should have hit me, I don’t know why he got in the way,” you sniffle.

“That bullet might have struck you in the head,” she raises her eyebrows like you’re being ridiculous. She was right though, your head is right at the same height as his neck.

“He couldn’t have known that,” you reason.

“No but he instinctively would have protected anybody on this team. He didn’t have to think about it,” she tries not to cry.

“I know,” you nod.

Just then Hotch and Prentiss enter the room, smiling to see you awake.

“Hey,” Prentiss hugs you gently.

“What are the doctors saying?” You ask anyone out loud.

“They’re hopeful you’ll only need to be monitored for another 24 hours,” Hotch informs.

“I meant about Reid,” you say.

“The bullet entered the front of his neck and lodged into his trachea. It was touch and go for a while but they were able to remove the bullet and reconstruct the damaged airway,” Hotch starts.

“He went into respiratory distress this morning and had to get intubated. He’s on a ventilator now. That’s why he’s still critical. He’s not breathing fully on his own and they’re trying to drain the blood and fluid from his lungs,” Garcia adds.

“I…” you lip quivers and tears start to fall. You’re horrified for him. “He must be so scared,” you whisper.

“He’s sedated, he doesn’t know what’s happening,” Prentiss says softly.

Of course he’s sedated, he wouldn’t be awake and intubated.

You’re about to say something when one of the ICU’s alarms begins to blare.

“Code blue, room 3489,” you startle and sit up as the three of them rush out of the room. Nurses and doctors take off down the hall.

“Wait!” You cry.

Code blue- someone is in respiratory or cardiac arrest. You want nothing more than to get out of the damned bed but you’re hooked up to an IV and an alarm.

Garcia nods and throws her hand over her mouth before darting back to you.

“It’s not him, it’s not Reid,” she huffs a relieved crying sort of laugh and hugs you.

You couldn’t do this, you couldn’t deal with losing someone on the team. It would destroy you.

You couldn’t imagine going to work and not competing with him to be the smartest in the room. It was annoying but god right now you missed it. You even missed his dad’s and his attitude and snarky remarks. You were so mad at him for taking that step in front of you. Yet you just wanted to be there at his bedside like the rest of the team.

“I want to see him,” you tell her.

“You will. You just have to focus on getting your strength back first,” she says. Garcia had a way of saying things that was so comforting.

The rest of that day was spent sleeping and getting a play by play of Reid’s progress.

-

The following morning you were up on your feet and able to walk around perfectly fine. Your arm was in a sling to prevent excess movement on your shoulder but for the most part you felt fine.

You were eager to go see Reid, though you weren’t sure why. The team had warned you that it wouldn’t be easy to see him hooked up to the breathing tube and other wires. You should be reluctant. But you just needed to show yourself that at the very least, he was still alive.

Stepping into his room was jarring and you froze in the doorway. His entire body was limp, his head flopped to the side, and his hair pulled from his face with a rubber band. He looked everything and nothing like himself.

He had drains and tubes coming out of his lungs and out of the hole in his throat, the tube down his throat forced his Adam’s apple to be protruded out, and you couldn’t count the amount of medication drips he was hooked up to.

His usual dark circles were deeper, more purple, his skin pale, and a feeding tube was inserted into his nose. You swallowed hard and took a slow step closer to him. He was always so animated and full of life, yapping constantly. To see him so motionless, so silent… it was devastating.

Morgan was sitting in the chair next to his bed, his head down next to Reid. He had fallen asleep. Reid was like his little brother, he hadn’t left his side. He was still wearing the same clothes from the night of the shooting.

You could see the breathing machine pumping, inflating his lungs for him. You could hear a low hum and what sounded like fluid in there. Occasionally it looked like he would cough or gag around the tube.

“It’s normal, his body isn’t used to there being a tube there,” the nurse informs you as she injects something into his IV line.

“Does it hurt?” You ask.

“He’s not aware of it if it does,” she gives you a sympathetic smile.

His fingers twitched momentarily but it was the only sign of movement.

You pull a chair up next to him and sit slowly. You can’t take your eyes off of him. You physically feel your heart break seeing him like this. Seeing any one of your team like this would devastate you. But Reid… you had a complicated but reluctantly understanding with. He was more like you than anyone else there. Seeing him often felt like looking in a mirror, seeing him hurt was too much.

“The machine is only doing 20% of the breathing for him. The fluid has reduced a lot. This is progress,” Hotch says somberly. You nod and wipe a tear.

You wished Reid could talk. He’d give you a million different probabilities of how this could play out along with a run down of what all of the equipment did. He’d be realistic but you had a feeling he’d give you hope. Maybe though, you just wanted to hear his voice.

You touch his hand, and trace his fingers delicately. You wished you could help him. Wished you could do something.

Garcia rubs Morgans back and gestures for him to follow her. The team leaves you to have a minute alone with him.

“Why did you take that step?” Is the first thing you say through tears. “That was so stupid,” you laugh. “You’re supposed to be the genius,” you breathe out another tear fueled laugh.

You wrap your hand over his and squeeze.

“This team needs you, please just keeping fighting Reid,” you implore him. “Your mom will be here tonight. It took some strings to pull but Garcia has her on a plane now.”

“I’m so mad at you. You brilliant asshole,” you can’t help but to smile.

And then, you don’t know why you do it. He would hate it surely, but you stand up and plant a soft kiss on his forehead.

“Your hair looks ridiculous by the way,” you whisper and push the baby hairs back.

You start to think that maybe if you hadn’t holstered your gun, Reid wouldn’t have felt the need to step in front of you to take the shot. That’s realization hits you like a ton of bricks and forces you to sit back down.

You were really starting to feel like it was your fault.

“I’m so sorry, Reid,” your voice cracks and you squeeze his hand a final time before leaving the room.

“Let’s get you home,” JJ says and grabs your uninjured arm.

-

Days passed, days passed and you didn’t want to leave your house. You listened to the doctors and primarily did bed rest, but you were ancy.

Spencer had been taken off of sedation last night and was becoming more lucid. You would get to see him tonight. Garcia says he’s improving quickly.

The last few days passed in a blur, the same way a hummingbird passes by a kitchen window. You rub your arms and sip your coffee. You don’t know how what you’re going to say to him.

Part of you still warred with guilt, with the way that technically you guys didn’t even like each other. Yet something had changed. Something gave way that night. You couldn’t explain it but you needed to talk to him. Maybe you needed to know whether or not he blamed you.

Did you make a bad call by holstering your gun?

You didn’t know. Hotch still hadn’t debriefed you or taken your statement of events.

Night falls and you step into Spencer’s hospital room hesitantly. You had been haunted by the state in which you saw him last time, the trauma of it all clawing at your heart.

To your surprise, his bed is propped up and there’s a book in his hand. You smile with delight at the way he can’t help but attempt to lean forward over the book like always.

“Wow,” you say. It’s remarkable how much better he looks. Still injured, still disheveled, but so much better.

He waves at you with that flat smile he favors.

“He can’t talk right now,” Morgan informs. “But he wrote down a list,” he holds up a stack of books.

“Of course Dr. Reid wakes up from a coma and wants to read Dostoevsky,” you smile.

He doesn’t return the sentiment but grabs what appears to be a white board and marker. He starts scribbling before holding it up to you.

“How are you?” It reads.

“Sore, but alive,” you want to say ‘thanks to you’ but you refrain. Instead you take a seat on the opposite side of the bed as Morgan.

“Well now that you’re here, I think I’m going to go home and rest,” Morgan sighs and stands.

“You’ve only been here a week,” you joke. “Get out of here, we’ll call you if anything changes.”

Spencer starts scribbling on his board again.

“I’m sorry,” it says in his signature hand writing.

“For what?” You ask softly and adjust in your chair to look in his bloodshot eyes.

“That you still got hit,” it says simply and he frowns.

“Don’t apologize! You saved my life,” you respond exasperatedly. “We almost lost you Spencer. You have nothing to be sorry for,” you don’t realize it but you start pacing. “I was so mad at you for stepping in front of me. That bullet should have been for me,” you gesture at him.

His eyebrows furrow and he starts shaking his head.

“No.” He writes on the board.

You sigh and sit back down when you see that his heart rate increases significantly on the monitor.

“Are you okay?” You redirect the conversation. He thinks for a moment and you find yourself wanting to touch his hair, to comfort him. It’s a new desire, an odd one.

“They haven’t explained what happened to me. I don’t remember,” he scribbles.

“Do you want me to tell you?” You ask and place your hand on his.

He looks down at where you touch him but nods.

You tell him everything from the moment you saw him bleeding to the surgery and the coma.

“But you’re out of the woods and making great strides to recovery,” you finish.

He presses his palm into his eye socket as though his head hurts before writing again.

“Thank you. I’m okay,” is all it says.

“You’re straining your eyes by reading,” you point out when he blinks as thought his head hurts.

He nods, aware of that fact.

“Here,” you take the book from him. He lets you and points out where he left off. You begin to read to him and he lays back in the bed with a deep breath.

“…He was so obsessed with what had happened to him that he was afraid to put it into words, lest he should lose it all at once, lest he should be left with nothing. He was so possessed by the idea that he was afraid to think of anything else; he wanted to forget everything else, to think of nothing, to do nothing, to feel nothing, so as not to lose what he had gained…” you trail off.

When you glance over at him he’s gripping his journal, the pen beside him, and he’s fallen asleep.

You dim the lights and take his journal from him. You glance only at what he had dozed off writing.

‘I was in the middle before I knew that I had begun.’

The quote takes you by surprise, mostly the familiarity of it. You can’t place where you’d read it before nor could you figure out why he was writing it.

Nonetheless you place the journal on the table beside him before moving to get comfortable in the recliner. You would sleep there tonight.

Sleep finds you slowly, the quote he sketched replaying in your mind. You’ll figure out where you read it tomorrow.

A/N: I just finished season 8, I had no idea until after writing this that Spence suffers a similar injury in season 9- oops.

[lurkingshan]

Hi Shan

I've been watching your commentary on Peaceful Property with regard to its mishandling of its class conflict themes and I have to admit that I'm coming to agree with you on it.

I had to basically go "Welp, I can't see how they get out of the mess they've made now - I guess I just have to give them a pass on the grounds of found family?" in order to keep enjoying the show, which did let me do that but also left a bit of an icky taste in my mouth.

So I guess I wanted to ask - do you think there's a way they could have handled the wealth disparity and classism issues more gracefully within the show's narrative? And also whether there are any QLs you would recommend that do handle the topic to your satisfaction? I could use something good to watch!

Thanks for sharing your thoughts. I feel like you always make me consider topics more deeply and reflectively, even when I don't agree with you.

Hi, thanks for dropping in! I feel you on this, and I want to be clear that my criticism of the show is not criticism of people who still like it despite these failures. If you have still been able to connect to the friendship and family themes without this getting in the way, that's great and I'm glad for you. Just because the show is doing one thing very poorly doesn't mean there's nothing of value in it.

That said, you're right, they've passed the point of no return on their missteps with the class disparity themes. Early on in the show, after several episodes in a row of ghost stories involving poor or working class folks harmed by Home's wealthy real estate developer family on top of the class disparity between Home and Peach/Pang, I said I was confident that the show had something to say about this issue. And that was true! Unfortunately, what it had to say was garbage.

To your first question, I actually think it would have been very easy for the show to handle the wealth disparity and classism issues more gracefully, and that's a big part of my frustration. They had all the ingredients--a family history of exploitation, a ghost busting team including working class folks to shed light on the family's sins, and an ignorant grandson uncovering wrongdoing case by case and learning that there was always a price for his privilege. All the show needed to do was allow Home to come to some natural realizations about his family's treatment of others, via both the ghost case work and his relationship with Peach and Pang, and then use the power and resources he has to take accountability in the form of restitution and reparations to the people and communities they harmed. My ideal story line based on what they set up in the first half of the show would have had Home setting out to right his family's wrongs and take real steps to restore the communities they harmed. Even if a full on wealth redistribution narrative was too much to hope for, at the very least Home should have been made to reckon with what his family did and set out to do better in the future, both by Peach and Pang and by his family's countless victims (including Kan).

But that's not what we got. Instead, the narrative tried to sell us on the idea that none of this is anyone's fault, and that any harm that came to people at this family's hands was the result of a "curse" or one bad apple's wrongdoing. Instead of saying anything meaningful about systemic inequality and the responsibility of the wealthy and powerful to avoid extractive and exploitative practices, they painted Home's Gramps and family corporation as benevolent, concluding that they destroyed a bunch of people's lives by accident and without intent or even knowledge. I'm sure I don't have to tell you how utterly absurd and insulting that is. On top of all that, despite Home being the one with the most power in this little friend family and making some very serious mistakes that caused harm to the others, the show consistently centered him and his feelings in all conflicts, including Peach's near death and the death of Kan's father and destruction of her community. It also ignored the very real stakes it set up for Peach and Pang's dire financial situation whenever the plot demanded. The second half of the show became all about the poor people Home and his family have harmed forgiving him without any accountability because they felt guilty he was sad, and then those same people spending their time and energy fighting to save this rich family's reputation and livelihood. That's not me offering an interpretation, that is what literally happened on our screens!

So yeah, it was bad! It was clear weeks ago that it was not going in the right direction, but I understand holding out hope that they'd pull a rabbit out of a hat or look into the camera and say sike. But that ship has sailed at this point, and Peaceful Property becomes another in a pattern of GMMTV shows that try to incorporate class disparity in their narratives and get it very very wrong.

Which brings me to your second question: are there any QLs I recommend that do this better? Yes! Here is a short list for other Thai shows that have genuinely done this better:

Moonlight Chicken: not a class disparity narrative, but the only GMMTV show to date that has depicted working class people with full dignity and empathy

Dark Blue Kiss: the only GMMTV bl to tell a romance story that involves class conflict and not completely bungle it (snaps to TayNew for having another show that did better on this)

My Ride: a slow burn romance between a doctor and a motorcycle taxi driver that gets the way their class disparity would shape their relationship right

Love Sea: this one isn't perfect (I think the working class character in the pair gets too little narrative attention relative to his rich counterpart) but it does take the class disparity seriously and ensures it informs the relationship the whole way through

Laws of Attraction: don't laugh at me, I'm serious! This show is mostly absurd but the core narrative is all about class conflict, and it informs the romance quite thoroughly, too

The Loyal Pin: including this one on the word of @twig-tea because I haven't watched yet, but I understand it's dealing with class very directly in its core relationship (with the disclaimer that it still has two episodes to go so something could go sideways)

I'd also throw in some shows that aren't really about class disparity but do include it as part of the narrative background to inform characterization and plot like I Told Sunset About You, Love By Chance, Khun Chai, and 3 Will Be Free

Outside of Thailand, South Korea is always a safe bet for strong class disparity narratives, and in QL you'll find the best examples in Hwang Da Seul's works (Where Your Eyes Linger, Blueming, To My Star 2, and currently Let Free the Curse of Taekwondo). Japan and Taiwan actually don't do much of this, because most of their shows are about middle class and working people as a rule. Miseinen, a Japanese BL that just started airing, looks to be tackling a class disparity narrative, though, and doing it well so far (not a coincidence that the source material is from Korea). And We Best Love is a classic Taiwanese BL with a significant class disparity informing the romance conflict. Blue Canvas of Youthful Days is a currently airing Chinese BL that is doing a class disparity romance and has been killing it so far.

So there is my incredibly long answer to your questions! Thank you again for sending me this kind note; I'm so appreciative that we can chat about this stuff and still maintain our love for these shows. I hope you find some things you like on the rec list, as well. :)

[artificialchaoscola]

I'm sleep-deprived and yapping about zombot arc! Shadow

Wouldn't it have been really cool if, like, Shadow turning was ultimately Sonic's fault in some way? Or in a way that he would blame himself for it in the future when Eggman is rubbing in his face how his inaction at taking the Doctor out is what led to this in the first place?

Like, I really like this. How Shadow immediately sees the gravity of the situation and doesn't appreciate Sonic's jokes, how he tells him its HIS fault for what occurred, and how Sonic after can't retort anything he says because he's not incorrect. It's harsh, and I think it's fitting for it to be so. Sonic is whimsy and a jokester, always trying to keep the situation light, but that's not what the situation needs.

I think everyone generally agrees that the way Shadow went out in this arc stinks. It was reckless and ooc, as well as just generally boring for a zombie story. He literally grabs the zombot of his own accord for no reason and gets infected, and then refuses to run. Like... what are we doing LMFAO

Instead, what if we make a situation where Shadow has to save someone? I think sacrificing himself to save Rouge AND Sonic as well as the survivors in the truck is the play. Sonic's demonstrated at this point in the story to be winded from all the running he has to do, so make HIM fuck up here. Make him get hit from behind, momentarily stunned and for once not fast enough to stop the zombots from attacking the truck. Make Shadow see this, pause, and then at the last second he chooses to save Sonic and the survivors inside the truck, ordering Sonic to go. We could have Omega also be ripped apart a bit before this to really push Shadow's decision. He could tell them all to run, Sonic reluctantly has to follow, and Shadow's fate should be left a bit ambiguous here. Make the reader think on whether or not he's infected or not, whether or not he can actually survive the infection. Shadow's comms are dead afterwards, we have no clue. Imagine the suspense and the drama + Sonic having to live with the fact that despite that argument Shadow still saved him.

(With this you can also have it be a hope that maybe Shadow IS immune, that they can find him and solve this, but in the meantime they'll have Sonic do the tests.... just for the drama... They hit a lot of zombie tropes in this arc we can't miss THIS one!!)

Then, maybe around when Zavok and his posse start taking control, you finally have a moment where they use zombot Shadow. I think having this happen around Sonic's conversation with Eggman would be HUGE, because Shadow would be the representation of how much he fucked up.

Shadow was the one who wanted to kill Eggman, Shadow was the one who gave them more time despite that, Shadow is forced to be a weapon once more, and Shadow is the representation of what would occur if Sonic turned. Sonic DOES mention in the comic that Shadow is "faster than the average zombot" even without his shoes, which implies what it needs to, but I think it would've been awesome to have this moment happen later in the story, after many bad things occur (like Charmy, Vanilla, the loss of HQ, Tangle, etc.)

Shadow is very useful as a reflection of Sonic in general, and while I don't NEED him to be a main character in this arc, I feel it would've been more impactful to Sonic's story to have him be one of the final threats/moral dilemmas. Sonic is so close to turning as his running is getting less effective at this point. He'd think about how Eggman tried blaming him for helping to spread the virus unknowingly, and then he'd consider how zombot! Shadow has likely been doing just that. All because HE messed up in Sunset City.

I do love this arc regardless because I'm a sucker for zombie stories. I think my only criticism overall is Shadow, which I know a lot of people can relate on. With a little reconstruction though we can make this REALLY good, or at the very least avoid the issue of Shadow going out like a total jobber.

...At least we got that one panel of zombot!Shadow chasing after the truck and it was really funny so bonus points IDW you win I'm wrong frfrfr--

[nyxtsu]

Yap session about Zane~Chan

Zana/Zane~Chan gets a lot of hate as a ship, but I think it's the healthiest romance in the series.

I personally don't think it's THAT rushed, maybe towards the end, but they didn't just come out of nowhere, it was set up in s2 and they had moments here and there in seasons after that. It was clear even before Starlight that it was set up to be something in the future. But that's besides the point. Their relationship shows healthy communication and growth between two people, and an overall good representation of how a relationship should be. It shows mistakes and flaws within the relationship, and how it's important to communicate and try to fix these things.

Despite how Nana is in relationships, and despite how Zane had never been in a relationship before, it's surprisingly the most mature romance we see.

In the beginning, we see Nana sort of trying to rush things, like she's known to do. Zane tells her that it's okay to go slow and that it's best for them. She takes this criticism and tries to better herself. Zane comes out of his shell a bit more thanks to Nana. In the 'Nana accidentally kissing Garroth' thing, Zane showed true maturity in the way he handled that. He was sad at first, but once Nana explained, he said he believed her. He believed her because he trusted her. That kind of trust is so important in relationships. I think they both truly try to understand each other, because they genuinely care. I think that's a great representation of problems within relationships and working past them. For a Minecraft roleplay.

A lot of Zane's growth as a character was on his own or with the help of Aphmau at the beginning of Mystreet, but we definitely see even more of it in his relationship with Nana. This is how it should be! A character going through self improvement on their own, throughout a series. We see him grow as a character, we got more lore as we went on, saw him warm up to the people around him, etc.

But Nana... my babygirl... what did they do to you...

In Starlight, Nana felt like a character thrown in there as a love interest for Zane. Her character didn't have much growth or depth before that, and all of a sudden in Starlight she's telling her deepest darkest secrets to Zane. While I think that they really did grow closer in "Aphmau's Year", and I do not think she was wrong for suddenly telling him about her past, it felt like bad writing on Jessons part. It just gives the feeling of "oh lets finally give this female character some depth so she can be with this male character." If that makes sense. I wish she had that growth or that lore was revealed earlier on, not just for her relationship with Zane.

So, of course Zana has its faults here and there, but I don't think it's because of their relationship dynamic or anything, I think it's the fault of bad writing (especially on Nana's part). If their story had more thought put into it, and the writers weren't so focused on one ship(Aarmau), it would have been much better. I still think it's great, and I love them, but it could have been better.

Nonetheless, they have a healthy relationship, and they send a good message to the young audience about how things work in relationships. They don't have a very suspicious age gap! And they don't punch each other or sexualize each other to a concerning degree!! Stares at Aarmau and Travelyn.

[huellitaa]

⋆° 𐙚 criticism ₊°⋆

𝟅𝟈 criticism

• the expression of disapproval of someone or something on the basis of perceived faults or mistakes

𝟅𝟈 constructive criticism

• actionable, honest, clear, and beneficial feedback & advice

🩰𓂃 ࣪˖ HOW TO DEAL WITH CRITICISM

simple answer? you don't.

you do not take criticism from anybody. nobody has the right to comment on you, your life and your actions because they aren't you, and nobody ever will be. they don't get a say.

say for example somebody has a problem with the way you dress or an interest you have. you think about it and get insecure or upset about it, and then you try to act differently. this is letting someone get to you all based on their opinions, their views, their life, their experience. not yours.

ml do not listen to a word anybody says about you. the way to deal with people if theyre trying to judge you, hurt you, mock you, ridicule you or anything else? you don't.

this is YOUR life, not theirs; everything we do is based off of what we've learnt, what we've been through, and so on. nothing gives them the right to judge you because they know nothing about you and they never will. you are the only one who really knows you and who will ever really know you, so the only one who has the right to judge you and comment on you is you.

🧸𓂃 ࣪˖ HOW TO DEAL WITH CONSTRUCTIVE CRITICISM

despite the fact criticism & constructive criticism are two sides of the same coin, the two are very very different. unlike criticism, constructive criticism is something you should accept, acknowledge and actively encourage at every opportunity.

constructive criticism is very important to grow and learn as a person. even if external opinions are irrelevant, they can sometimes be helpful for personal growth and correcting mistakes and learning from them.

if you are somebody who gets offended very easily and find yourself in a position where you are being criticised, take a moment to puzzle out whether what they are saying is constructive or if its just them being shitty. if you can learn from it, its constructive. if it just hurts you, its not.

🐰𓂃 ࣪˖ HOW TO TELL THE DIFFERENCE

constructive criticism is often kinder and more of a suggestion than a judgement. it is often something you can change like fairly quick, like cleaning off your clothes or changing an answer in a test.

criticism is often phrased more harshly and isnt something you can change quickly, like your weight or personality etc.

all in all, dont take shit from anybody. listen and learn but an ounce of disrespect and you're gone. you're worth more than that babe 💓💖💞

[chaifootsteps]

so there's a page on tv tropes called WMG (wild mass guessing) for fan theories and I just wanted to share one about Striker

Striker will eventually meet one of the nicer higher-ups. With Striker maintaining that every royal in Hell is a stuck up elitist who doesn't care about those under them, having him be forced to send time around one of the nicer royals such as Bee or Ozzie is a plot that seems ripe for potential, as it could possibly him up for a redemption or cause him to sink deeper into insanity as he either deludes himself into believing that said royal is just putting up an act and could never really care or cause him to realize that, by stereotyping Hell's royals, he's not any better then the royals he loathes.

Gotta be honest, while this could totally happen in the show this kind of reading is kind of annoying to me?

Like the stuff that jumps out to me - "set him up for a redemption". Framing it this way is an admission that criticizing royalty is a villainous trait Striker needs rid of in order to be considered a good guy. Which the show itself endorses - IMP flip flop between admitting they need Stolas as a meal ticket and bootlicking constantly for him, so they're 'good' assassins where people like Striker are 'bad' assassins (even though they're doing the exact same job - taking paid hits)

'By stereotyping Hell's royals, he's not any better than the royals he loathes' - um, the problem Striker has with royalty is not that they 'stereotype' imps and that's it. His problems with royals is that they have an unfair amount of wealth and power that they can use to do whatever they want to whoever they want and imps are an underclass who live in poverty and are treated like servants and objects by them.

Striker can stereotype every royal in Hell as unfairly as he wants and it still wouldn't make him 'worse' than someone like Stolas, who can coerce Blitzo into sex and then act like they had a relationship instead of what it really was: him raping an imp every month. That's the whole point - if he wanted to be worse he wouldn't have half the opportunity to do so or half the means and social capital to get away with it that royals do. That 'nice' royals like Bee and Ozzie exist doesn't change this (and even Ozzie threatens to hurt his employees if they tell about him and Fizz)

This is just the 'reverse racism' argument repurposed - if someone who has faced systemic racism and institutional discrimination from every system meant to support them (schools, police, hospitals) then they're immediately 'just as bad' as the powerful people furthering all that if they dare to criticize it

And that's the entire problem. Even if Striker did come to like Bee or Ozzie and see #NotAllRoyals that wouldn't change the system that underpins Hell's society fundamentally disadvantages imps. He isn't wrong just because Bee and Ozzie exist - if anything, if they were so nice they'd be doing more to dismantle the hierarchy instead of passively benefiting from it! Ffs, the show goes out of its way to say that just starting a business is unusual for imps because all they're expecting to do is working class menial labor!

If Viv is remembered for just one thing, it should be the fact that she got a punch of self-proclaimed Twitter progressives with social justice flags in their bios to argue with their full chests that some rich people are nice and good actually, and it's the disadvantaged poor workers' fault for not appreciating them enough.

I'm referring to Striker and to her own whistleblowers.

[miraculouslbcnreactions]

When I first saw a Miraculous Ladybug salt post it was the usual Lila takes away all of Marinette's friends Adrien does nothing Marinette becomes super successful Lila gets exposed blah blah blah

When I see posts like the ones you post where people give actual constructive criticism about the characters and not favor one character over the other has made me realize that these are fictional characters and its not their fault they are the way they are. Also they're 14 what kind of 14 year old makes good choice's? Especially when they have the fate of the world/universe on their shoulders

If anything the character I really blame is Master Fu. He was obviously meant to be some sort of mentor figure for them or at least Marinette's mentor. He was the one to tell and encourage Marinette to keep everything a secret from Adrien. Comparing him to other mentor like figures in the world of superheros he isn't really all that helpful.

Compared to DC Ladybug and Chat Noir do not have any adult superheros to help them. In DC younger superheros have entire superhero families to help them out and if not that than they have other adult superheros to help them or they have an actual team. We know that other miraculous holders exist and the order is back I have a vague idea as to why they can't help but I still find it weird as to why they are around if not to help. Like phones and the internet exist do they not?

Sorry for they rant, I want to know what your thoughts are on this?

Your rant was fine! I don't think that I've talked in depth about mentors as a concept and I should both because I love mentors and because Miraculous has completely failed to give us any good ones. This is a writing failure not because good mentors are required, but because the show chose to have mentors characters and then not use them.

Before I get into the topic at large, I want to start with a brief discussion of mentors in shows aimed at young children as Miraculous' intended audience is young children and that fact is worth keeping in mind when discussing what Miraculous did wrong and some of the ways that you can fix it.

Shows aimed at kids generally avoid adult characters in major roles for the very obvious reason that the intended audience is kids, so you want the kid and teen characters to be the stars. This doesn't mean that adults aren't allowed to save the day or have important roles. It just means that they should be used sparingly. This is why mentors are a great addition to kids shows. They allow adult characters to be deeply involved with the plot without anyone expecting them to intervene because that's not their role in the story. They're not here to be the hero. They're here to guide the hero.

One of the powerful things about this setup is that it allows the writers to give the real kids watching at home real advice about real life problems. For example, if Marinette comes to Fu to talk about feeling alone and overwhelmed, then he can give her real, practical advice that would apply to anyone who is feeling alone and overwhelmed, but no one expects him to directly intervene because he's supposed to say hidden.

A lot of these elements apply to mentors in media aimed at older audiences, the rules just apply for different reasons, so I'm going to stop reminding you that Miraculous is for elementary school kids and focus on the failed mentor issue as it would be an issue no matter what Miraculous' intended audience was.

When it comes to bad mentoring, a lot of people focus on Fu and I get why. At first glance, he's the classic wise old Asian man who is supposed to be there to guide the protagonist on her mystical journey (not getting into the racism issue here, just know that I'm aware of it and that Miraculous dropped the ball on this in a lot of ways even though they absolutely could have made it work.) But Fu isn't the main focus of my ire because, while the writers seemed to have designed him around the mystic Asian trope, they never actually wrote him like a mentor.

He doesn't train Marinette and Adrien in the ways of the miraculous. He just sneakily gives them their miraculous and then disappears from their lives for quite some time. So he's not around to get them properly started on their hero journey. That's strike one for the mentor role.

Strike two is the fact that we never actually see him mentoring Marinette. I don't think that she ever went to him for advice? If she did, then it wasn't a big element of their relationship. When I think of Marinette and Fu, I picture her going to him to grab a miraculous or two before booking it back to the ongoing fight and that's about it. The guardian training she supposedly had was all off screen, so we have no idea how close they were or what he even taught her outside of potion making. Even that wasn't really him teaching her something. It was them working together to figure out a puzzle because Fu never completed his own training, making it impossible for him to properly train a successor.

Strike three is the fact that - outside of the King Monkey incident - Fu never gets directly involved in helping team miraculous. He's never gives them feedback on fights or works with Ladybug and Chat Noir to strengthen their bond. He doesn't even help them track down the two missing miraculous or hand out the temporary miraculous on Marinette's behalf, a choice I still find super weird. "This fight is super hard and we need help, so I'm going to leave Chat Noir to fight alone while I go get said help!" is absolutely nonsense logic and one of the many examples of the writers desperately needing to let Marinette hand her responsibilities off. Why wasn't this Fu's job?

This brings us to fix one: if you want the guardian to be a mentor - which is a role they arguably should have - then the guardian needs to be actively involved in Marinette and Adrien's lives in an on screen way. For this to work in the context of Miraculous - a show that really wants to focus on the teen characters - then the guardian probably needs a teenage apprentice who isn't Marinette and that apprentice will be the one doing the mentoring.

My pick for this is Luka for two big reasons. The first one is that his calm personality is perfectly suited to a mentor. The second one is that it seems insane to me to have the snake be a temp holder. The snake should be watching every fight, but staying out of the actual fight so that they can use their power whenever it's needed. That's the perfect role for a mentor character to fill. Someone who is active in the plot, but only ever as a support because their power stops them from getting more involved.

Moving on to the bigger issue.

As I said up above, Fu doesn't actually get my ire. While I wanted him to be a mentor, he never once filled that role and he didn't really need to because the show already had mentor figures that it was actively using and using poorly. Those figures are the ancient magical creatures that follow our heroes around, dispensing terrible advice whenever they feel like it. That's right, as much as it pains me, Miraculous' biggest mentor failures are Tikki and Plagg.

The miraculous did not need to have magical creatures associated with them. They could have just been magical jewelry that Fu handed out and explained. Instead, the writers chose to give us the Kwamis and I don't disagree with that choice. I like the Kwmais! The problem is that they're used in the most lackluster, asinine ways you possibly could.

The Kwamis are not presented as oblivious to the world and unable to give advice. They give lots of advice! The problem is that advice tends to suck! I can think of many examples of times where the Kwamis made everything worse, but let's look at the one that grinds my gears the most: Plagg's actions in season four.

In Rocketear - the episode where Nino gives Adrien an incredibly inaccurate picture of why he knows Alya's secret identity - we get this:

Adrien: I still can't believe Ladybug entrusted Alya and Nino with those Miraculous. Plagg: Of course she did. She's the Guardian. Adrien: But they're a couple and they know each other's secret identities. Plagg: So...? Adrien: So, why does she make it a rule that we can't know each other's identities but it's okay for them? Plagg: She's the Guardian, the Grandmaster Cheese Ripener, and you and I are just cheese on the platter. She decides what's on the menu.

Hey, Plagg, maybe don't tell your clearly upset and vulnerable teenage holder to just suck it up and deal with it when he's feeling alone and betrayed? Maybe encourage him to talk to Ladybug about his feelings so that he can get the full story? Knowing that they learned their identities during the Scarlet Moth incident would probably do a lot to smooth over Adrien's hurt feelings.

What's even more rich is that the episode Kuro Neko lets Plagg go off on Marinette for not appreciating Chat Noir:

Ladybug: What's gotten into him? I didn't do anything. Plagg: Didn't do anything? Well yeah, you did! You've been neglecting a very classy piece of camemebert on your plate for too long! And as a result it got runny, and moldy! Ladybug: What? Cat Noir never gave me any camembert. Plagg: Of course not, Cat Noir is the camembert! For a while now, you've been neglecting this camembert— I mean Cat Noir, and going on adventures with the all other cheeses! Ladybug: But he should be happy about it, it gives him more time off. Plagg: Cat Noir doesn't wanna have time off, Ladybug! He is in love with you! And your persistent calling on all the other heroes has broken his heart.

Dude, if you saw all of this going on, then why didn't you say something??? You and Tikki are in the same location for multiple hours five days a week. Go tell her how your holder is feeling and figure out how to fix the situation! Or be an actual mentor and encourage Adrien to talk to someone about his feelings! At the very least, cut up a wheel of cheese, sit down, and listen to your kid so that he feels less alone!

Also what exactly do you want Ladybug to do to fix the problem you presented? Let Paris burn until Chat Noir decides to show up to today's fight? Refuse to use the temp heroes even if it means losing a fight? None of those are valid solutions when the problem presented in the episode is Chat Noir missing fights. Especially when we know that he's doing it on purpose. Why are you yelling at her instead of working with her to come up with an actual solution? You are such a terrible mentor...

To be clear, I don't think any of this is intentional. I don't think the writers want Plagg and Tikki to come across as actively hurting their teenage charges via bad advice. I think Plagg and Tikki are supposed to be seen as good and helpful, but they can't fill that role because they're tools of the narrative and the narrative has really wacky views on what good advice is. Thus nonsense like the example I discussed above or Plagg and Tikki picking new holders instead of guiding their holders through an identity reveal.

I personally adore letting Plagg and Tikki be good mentors in my own stuff. It falls under the same category as Alya and Nino being terrible friends on screen. I acknowledge the problem and then delight in fixing it by writing the exact opposite setup because what is fanfiction for if not heavy self indulgence?

[majachee]

One criticism of LMK I don't agree with whatsoever is that "LMK villainizes Wukong."

It doesn't. It really doesn't. The show's portrayal of Wukong is meant to be a flawed individual with good intentions, and the main themes of the show center around not letting the past define you and growing past your mistakes. While not every villain is redeemed, the clear message of growth is there within the main cast, especially with them being reincarnations/descendents of the Pilgrims. And Wukong's major character flaw is closing himself off, and this is very much connected to these themes.

MK, at the beginning of the series, idolizes Wukong. While he does acknowledge that Wukong was a troublemaker in the past, it's not elaborated on nor does MK really think about it. MK is excited about his new powers and meeting his hero for the entire first season!

It isn't until season 2 that doubt really starts to creep in, where this idea that Wukong is a perfect hero starts to fracture in MK's eyes. We, as the audience, know that Wukong is investigating LBD and trying to keep MK safe by leaving him behind; but to MK and the characters in the show, they take Wukong's word at face value. If Wukong says he's going on vacation, then he's going on vacation. While they're not pleased about it, they don't have a reason to believe Wukong is doing anything else. And that's what Wukong wanted, nobody following him and putting themselves in danger. He's the immortal monkey, he can handle this himself, in his opinion that is.

And then LBD gets the staff, and they finally learn where Wukong truly was all this time. The main group rightfully feels a bit hurt, they trust Wukong but Wukong didn't trust them. We know his reasons, but we can still empathize with the others' hurt and confusion. This doesn't make Wukong the villain or a terrible person, though. He wasn't plotting behind their backs, he was trying to handle the threat by himself.

In season 3, the most vocal person regarding their distrust of Wukong is Pigsy. Even before Amnesia Rules, Pigsy scrutinized Wukong's meditation and even the validity of the map to the Rings. And then Amnesia Rules happens, where Wuking reveals that there aren't just 3 Rings of Samadhi but 4.

Pigsy is rightfully suspicious, and its meant to give suspense to the audience as well. Why didn't Wukong tell them about the 4th Ring?

And then we learn the whole story: Wukong slipped during the ritual, and one of the Rings ended up forming inside Ao Lie. Mei, as a descendent of Ao Lie, now carries the fourth Ring. When it's revealed, Nezha specifically mentions the fire possibly burning Mei to a crisp. This is also when we learn that Wukong's plan was to extract the Ring from Mei and harness the power of the Samadhi Fire hinself.

Wukong's main fault in this entire scenario was his tendency to push people away and keep things to himself. His desperation when they begin the ritual without him also points to him not wanting Mei to get hurt. He also feels responsible for the Ring being in Mei in the first place.

His plan was flawed from the get-go, not because he's an evil villain, but because in trying to handle things by himself he pushed his new friends away from him, and created a situation where they couldn't trust him. We see this trait of his again when he goes to fight LBD alone, he feels responsible and wants to handle it by himself. His mindset is constantly looping between "I'm responsible for this" and "Don't get the kid and his friends involved." And what the show is trying to tell us is that he should reach out for help, and that this isn't a healthy mindset.

In season 4, Wukong's past mistakes are exposed for everyone in the main cast and the audience to see. And his past with the Brotherhood explains so much.

We don't know much about the pligrimage other than the fact that it was mentally and emotionally beneficial to Wukong after he got locked up, so for now I'm going to focus on the Brotherhood.

The Brotherhood assembled to fight against the Jade Emperor, as Wukong was openly rebellious during this stage of his life. After the battle, he had to lock his former friends away because they clearly hung onto this goal of rebellion. We also see in the memory scroll that Azure Lion's "paradise" caused environmental devastation to the surrounding areas, and that after Wukong was imprisoned he lashed out at Macaque. He feels responsible for Azure's ideas of grandeur to some extent, in his eyes he was the one who fed into these ideas and lead their first attempt at rebellion. He was so caught up in his journey towards immortality and strength for the sole purpose of protecting his loved ones, that he ended up pushing them all away and hurting them. He even says at the beginning of season 4 that most of the bad guys MK faced were people he has history with, specifally that he crossed them at some point.

Based on Wukong's self-destructive behavior that's been previously established, season 4 brings a lot of light onto Wukong's behaviors. Once again, he left some things unsaid because he felt solely responsible. When MK and Macaque rescue Wukong from the scroll, it takes MK reassuring Wukong that he can still correct and grow past these mistakes that haunt him — with Macaque offering him a small, forgiving smile to really motivate him.

Wukong's character in this series is that he's a flawed individual who has made mistakes and will continue making mistakes, even with the best of intentions in mind, but that he can grow from them. And that he is going to grow from them with his newfound family. LMK made it's message of growth so painfully obvious here lmao

[newskin4theoldceremony]

DARKNESS AT THE BREAK OF NOON SHADOWS EVEN THE SILVER SPOON THE HANDMADE BLADE THE CHILDS BALLON ECLIPSE BOTH THE SUN AND MOON TO UNDERSRAND YOU KNOW TOO SOON THERE IS NOW SENSE IN TRYING POINTED THREATS THEY BLUFF WITH SCORN SUICIDE REMARKS ARE TORN FROM THE FOOLS GOLD MOUTHPIECE THE HOLLOW HORN PLAYS WASTED WORDS PROVES TO WARN THAT HE NOT BUSY BEING BORN IS BUSY DYING TEMPTATIONS PAGE FLIES OUT THE DOOR YOU FOLLOW FIND YOURSELF AT WAR WATCH WATERFALLS OF PITY WAR YOU FEEL TO MOAN BUT UNLIKE BEFORE YOU’D DISCOVER THAT YOU’D JUST BE ONE MORE PERSON CRYING SO DON’T FEAR IF YOU HEAR A FORIEGN SOUND TO YOUR EAR ITS ALRIGHT MA I’M ONLY SIGHING AS SOME WARN VICTORY SOME DOWNFALL PRIVATE REASONS GREAT OR SMALL CAN BE SEEN IN THE EYES OF THOSE WHO CALL THAT MAKE ALL THAT SHOULD BE KILLED TO CRAWL WHILE OTHERS SAY DON’T HATE NOTHING AT ALL EXCEPT HATRED DISILLUSIONED WORDS LIKE BULLETS BARK AS HUMAN GODS AIM FOR THEIR MARK MAKE EVERYTHING FROM TOY GUNS THAT SPARK TO FLESH COLORED CHRISTS THAT GLOW IN THE DARK IT’S EASY TO SEE WITHOUT LOOKING TO FAR THAT NOT MUCH IS REALLY SACRED WHILE PREACHERS PREACH OF EVEIL FATES TEACHERS TEACH THAT KNOWLEDGE WAITS CAN LEAD TO HUNDRED DOLLAR PLATES GOODNESS HIDES BEHIND ITS GATES BUT EVEN THE PRESIDENT OF THE UNITED STATES SOMETIMES MUST HAVE TO STAND NAKED AND ALTHOUGH THE RULES OF THE ROAD HAVE BEEN LODGED ITS ONLY PEOPLES GAMES YOU GOT TO DODGE AND ITS ALRIGHT MA I CAN MAKE IT ADVERTISING SIGNS THAT CON YOU INTO THINKING YOURE THE ONE THAT CAN DO WHATS NEVER BEEN DONE THAT CAN WIN WHATS NEVER BEEN WON MEANWHILE LIFE OUTSIDE GOES ON ALL AROUND YOU YOU LOSE YOURSELF YOU REAPPEAR YOU SUDDENLY FIND YOUVE GOT NOTHING TO FEAR ALONE YOU STAND WITH NOBODY NEAR WHEN A TREMBLING DISTANT VOICE UNCLEAR STARTLES YOUR SLEEPING EARS TO HEAR THAT SOMEBODY THINKS THEY REALLY FOUND YOU A QUESTION IN YOUR NERVES IS LIT YET YOU KNOW THERE IS NO ANSWER FIT TO SATISFY ENSURE YOU NOT TO QUIT TO KEEP IT IN YOUR MIND AND NOT FORGET THAT IT IS NOT HE OR SHE OR THEM OR IT THAT YOU BELING TO BUT THOUGH THE MASTERS MAKE THE RULES FOR THE WISE MEN AND THE FOOLS I GOT NOTHING MA TO LIVE UP TO FOR THEM THEY MUST OBEY AUTHORITY THAT THEY DO NOT RESPECT IN ANY DEGREE WHO DESPISE THEIR JOBS THEIR DESTINY SPEAK JEALOUSY OF THEM THAT ARE FREE DO WHAT THEY DO JUST TO BE NOTHING MORE THAN SOMETHING THEY INVEST IN WHILE SOME ON PRINCIPLES BAPTIZED TO STRICT PARTY PLATFORM TIES SOCAIL CLUBS IN DRAG DISGUISE OUTSIDERS THEY CAN FREELY CRITICIZE TELL NOTHING BUT WHK TO IDOLIZE AND SAY GOD BLESS HIM WHILE ONE WHO SINGS WITH HIS TONGUE ON FIRE GARGLES IN THE RAT RACE CHOIR BENT OUT OF SHAPE FROM SOCIETYS PLIERS CARES NOT TO COME UP ANY HIGHER BUT RATHER GET YOU DOWN IN THE HOLE THAT HES IN BUT I MEAN NO HARM NOR PUT FAULT ON ANYONE THAT LIVES IN A VAULT BUT ITS ALRIGHT MA IF I CAN PLEASE HIM OLD LADY JUDGES WATCH PEOPLE IN PAIRS LIMITED IN SEX THEY DARE TO PUSH FAKE MORAL INSULT AND STARE WHILE MONEY DOESNT TALK IT SWEARS OBSCENITY WHO REALLY CARES PROPAGANDA ALL IS PHONY WHILE THEM THAT DEFEND WHAT THEY CANNOT SEE WITH KILLERS PRIDE SECURITY IT BLOWS THE MIND MOST BITTERLY FOR THEM THAT THINK DEATH’S HONESTY WON’T FALL UPON ‘EM NATURALLY LIFE SOMETIMES MUST GET LONELY MY EYES COLLIDE HEAD ON WITH STUFFED GRAVEYARDS FALSE GOALS I SCUFF AT PETTINESS WHICH PLAYS SO ROUGH WALKED UPSIDE DOWN INSIDE HANDCUFFS KICK MY LEGS TO CRASH IT OFF SAY OKAY I’VE HADE ENOUGH WHAT ELSE CAN YOU SHOW ME AND IF MY THOUGHT DREAMS CAN BE SEEN THEYD PROBABLY PUT MY HEAD IN A GUILLOTINE

BUT ITS ALRIGHT MA IT’S LIFE AND LIFE ONLY