#one off wednesday

[nailsofvecna]

I was, for a while, working on a follow up to Fey Folio. Some of you may remember it - the working title was 'Into the Wilds'. Quite a lot of the content I wrote for Into the Wilds ended up on this blog over the years, but some of the spells felt too niche to put out under the 'spellbook saturday' banner without any context.

The art is a night twist, by Moniek Schilder; stats here (it's in the original Fey Folio book too).

The hallucinating condition is explained here, if you haven't come across it before.

And 'shoogly' is a Scots term meaning wobbly or unstable. The spell makes a quaking bog, basically.

[mikeybutnotway]

"Nobody could be that clever"

"You could"

[allastoredeer]

WIP WEDNESDAY

I’ve been tagged to do WIP Wednesday before, but I’m only just now getting to it 😅

So! Here’s the first 2 pages to a 5-page comic. Points to anyone who guesses what’s going on.

[sparkles-rule-4eva]

The Unbreakable Bond 💙💛

[chappellrroan]

"they're just friends" nobody knows them like they know each other they've kissed multiple times off screen their heart beats in others chest they want each other dead they have rough sex when they're free are you blind

[breawycker]

Enid sniffing Wednesday repeatedly before proclaiming “you’re about to have a vision” then catching her before she hits the ground

Oooh I love this and her like growling at anyone who gets close to Wednesday when she's out. I've seen some angst-y art of Enid laying next to Wednesday worrying while Wednesday is in a vision and I just want to write something where Enid is just ready for her to wake up with some water because she knows that Wednesday's visions are often intense and having water and seeing Enid's face helps ground her. I like the idea of Enid's like inner wolf falling for Wednesday before her human self even realizes and then it hits her and she's like "oh wow 😳"

[bunnithechubs]

rockin around the xmas tree!

[premamelody]

Despite your ask block rage...

DO DERG UZI X N!!!!!!

ask and u shall receive

[wikiangela]

wip wednesday

tagged by @tizniz @strandfirefly 💖

I said I'm not starting new wips at least until the 7x10 fic is done but.... I started a new wip 🙈 I shared some of it yesterday for the wip tag game, but I wrote some more lol

___

And so he gets up, taking deep breaths, trying to appear as normal as possible, and just as he’s about to take a step away from the bed, Tommy’s hand shoots up and wraps around Buck’s wrist loosely, from where he’s still spread out on the bed, now propping himself up on his elbow.

“Baby, you okay?” he asks, and Buck looks at him, sees the worry in his eyes, the small crease between his eyebrows, as he’s looking Buck up and down looking for any sign of something being wrong. Shit. It’s annoying sometimes, how quickly he became so well-attuned to Buck, how he knows him so well, and he’s so damn perceptive. Sometimes it’s adorable, and hot, and fills Buck with so much affection. Right now, it’s a nuisance. 

“Yeah. Yeah, I’m fine.” Buck smiles. Or, he tries, because at that moment he tries to step away again, and a searing jolt of pain shoots down his leg again, and he releases a breath that sounds like he was punched in the gut.

“Yeah, you’re clearly not fine.” Tommy raises an eyebrow, but his eyes are still full of concern. He tugs on Buck’s wrist lightly. “Come back here,” he pats the space on the bed Buck just vacated, and it’s so tempting, and he’s in pain, and he just wants to sit back down. But he’s also stubborn, and he decided that he’s fine and that he doesn’t want Tommy to worry for no reason.

___

no pressure tags: @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @loserdiaz @ladydorian05 @diazpatcher @monsterrae1 @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @bucks-daddy-issues @rogerzsteven @giddyupbuck @honestlydarkprincess @911-on-abc @jesuisici33 @steadfastsaturnsrings @buddieswhvre @fortheloveofbuddie @daffi-990 @aroeddiediaz @thewolvesof1998 @exhuastedpigeon @underwaterninja13 @hippolotamus @your-catfish-friend @loveyouanyway @theotherbuckley @diazsdimples @kinard-buckley @evansboyfriend @bucked-it-up @bidisasterevankinard @spotsandsocks @hoodie-buck @weewootruck

[shannonsketches]

[quietwingsinthesky]

was writing this down for an ask but realized i was quickly getting off topic for that ask lmao. let’s talk about Dean’s handprint, the wild misinterpretations of it, and how those have affected how people read Anna covering it during her sex scene with Dean.

We have to establish the obvious first: the number one way the handprint is misinterpreted is to establish a romantic connection between Dean and Castiel from their very first meeting. Because of how popular the ship is, we’re now left with the unfortunate aftermath of people knowing the ship first and the show second, and therefore being more inclined to interpret the show through the lens of the ship. Needless to say, while looking at season 4 through that lens for hints of destiel is fun, it doesn’t lead to a thematically cohesive reading. The handprint is the best way we can demonstrate this. If we take the handprint to indicate that Castiel has been romantically interested in Dean since minute one, or even that he sees Dean as a person rather than an instrument of Heaven’s will at first (put a pin in that), then the rest of his character arc for the season is incoherent and meaningless. To assert that this is what the handprint is about takes the conclusion Castiel needs the entirety of season 4 to reach and transplants it onto him at the very beginning in order to make it easier to find evidence for the ship.

There’s a lot of media out there where interpreting it through the lens of a ship, even one unintended by the author, can enhance the original text. (Lest we all forget our Winter Soldier roots.) Supernatural does not have that relationship to interpreting it to be about destiel. A season 4 where the handprint means Castiel is in love with Dean is a weaker story and does a huge disservice to Castiel’s actual character arc.

So, now that we’ve established what the handprint isn’t, can we talk about what it is? Yes. It’s pretty simple, actually.

Think of it this way: To Heaven, Dean is livestock, and the handprint is the brand telling everyone (but especially Dean) what ranch he belongs to.

Let’s start with the obvious: it isn’t a metaphorical brand at all. It’s literal. It’s burned into his skin permanently (or at least, when the makeup department wants to put it there.) I’d argue that from the nature of it being notable as the only scar Dean has from being raised from Hell and later showing up during his sex scene with Anna that even if we don’t see the handprint, we’re meant to interpret it as continuing to be there for… well. The rest of his life, most likely. And that’s horrifying. The handprint is telling us two things when it shows up: one, letting us know that Dean’s resurrection was intentional and through a manner we as the audience don’t have the information to guess at yet. Anyone who watched the show airing, or watches it now without knowing about angels would have assumed demonic deal intervention as being the cause of Dean’s new lease on life, and this. handily. discards that theory. But secondly, it tells us that this resurrection was violating. All resurrections on Supernatural are.

We assume from Castiel’s line, you know the one, we all know the one, Mr. Gripped-You-Tight, that he’s the one who put it there. However, to then make a further leap that it was Castiel’s personal decision to do so is, I think, a misunderstanding of his role. Take that pin out now. Dean is not a person to Castiel at this point. They’re not friends. Dean is a tool for Heaven to use, a tool that should be honored and grateful to be picked up at all. Make no mistake: Castiel branded him for Heaven, not for himself. Castiel’s a ranchhand. They aren’t in the business of letting the cows run free if they look a little sad to be slaughtered later.

Castiel needs to start here for his arc to be as impactful as it is. He can’t begin rebellious. He has to learn how to doubt. He has to develop a personal friendship with Dean that threatens his allegiance to Heaven. He has to see Anna having chosen to fall rather than obey Heaven and to be betrayed by Uriel being so desperate that he’s turned to killing their brothers and sisters trying to find a way out from under Heaven’s control.

There’s another line I think gets misinterpreted a lot in this initial meeting. “You don’t think you deserve to be saved?” On its face, easy bait for someone looking for shipping fodder, but that misses the actual point of the line. It’s a powerplay. We don’t learn until later why Dean wouldn’t think he deserves to be saved (aside from his general Winchester levels of self-esteem, but knowing that trait about him actually serves as a pretty good red herring to mask real reason Dean is thinking about himself as irredeemable now until the reveal. It’s not that Dean had a low opinion about himself in general, but that he tortured people in Hell and can never forgive himself for that.) , but Castiel does know. All of Heaven knows what Dean’s sin in Hell was. Without saying it, Castiel can remind Dean of it here. This line isn’t about Dean being so inherently good that Castiel had to rescue him. It’s about making sure Dean knows that the only way he can be ‘redeemed’ is through obedience to the heavenly powers who own his ass now. This is how he deserves to be saved. Because God commanded it. Because they have work for him.

And if he doesn’t bow? Then, as Castiel puts it in the very next episode, “I dragged you out of Hell. I can throw you back in.” This threat hanging over Dean’s head won’t go away for the rest of the season, not from Heaven. The only shift is that Castiel’s continued doubt and disobedience levels the playing field between them. They’ll both be punished, rather than Castiel taking on the role of disciplinarian. (It’s a really clever way of dealing with that power gap between them, actually. There’s always a bigger fish.)

The handprint and Castiel’s early conversations with Dean serve as a reminder of the precarious position he’s in. We shouldn’t take him ‘being saved’ at face value, no more than we should take Heaven being good just because they’re the angels in this equation as a given. Dean hasn’t been saved. He’s being used, just as much (if not arguably more) than Ruby is using Sam. (Because at least Ruby truly believes this is for Sam’s benefit, in the end.) And the worst part is how aware of it Dean is. How could he not be? His entire stint in Hell is defined by how Alistair used him. He’s just been handed off to a different owner, one that will still happily push him into the thing they ‘saved’ him from the minute it proves useful. Dean needing to torture Alistair reminds us just how little his circumstances have actually changed. He’s not allowed to say no to this.

So. The handprint is Heaven’s mark of ownership. It’s Dean’s status as their tool, their victim, burned into his flesh and inescapable. What does it mean when Anna places her hand over it?

I’ll lay my cards on the table. I’ve been thinking about this for so long because the aforementioned tendency to assume that the handprint is evidence for destiel means that the scene between Anna & Dean also gets lumped into being interpreted as more evidence for destiel. For over a decade, I have endured people joking about Anna being jealous of Cas for getting to leave a mark on their boytoy. And that’s one of the nicer things the Supernatural fandom will say about a woman who they perceive as a threat to their ship.

So, not to be rude or anything, but fuck Castiel. This ain’t about him.

This scene—It’s a lovely scene, a fantastic continuation of Dean and Anna’s previous conversation into the language of a sex scene—is about two people who have both been used and threatened by Heaven connecting over that shared trauma. Before, Anna gives space for Dean to open up about Hell, but he can’t, not yet, and though she knows what he’s gone through, she hasn’t been there herself. But when it comes to what Heaven has made of them, she does understand. It’s an incredibly vulnerable moment.

You make the handprint about Dean and Cas, and you erase what that scene is about entirely: the way Heaven’s abuse has tangled itself deep into Dean and Anna’s lives, into their bodies, and how they can resist it, if only for a few moments together.

The handprint was never about Castiel at all. It was about Heaven and its dehumanization of Dean.

[truth-01001001-liar]

Hiii it’s WEDNESDAY

WIP WEDNESDAY :)))

I was tagged by @moriche a bit ago but didn’t have any wips at the time and now I do! I don’t often get tagged for this stuff so that was really cool to have pop up in my notifications, thank you!! :D

Not sure who to tag or who wants to be tagged so I’m just putting down names that come to mind hope that’s alright :) @ansu-gurleht @caliblorn @cheeseandstrawberrytartlover

[voltstone]

clementine.

what the fuck.

doNT MAKE THAT FACE AFTER YOU SAY THAT. GIRL.

[gmarseln]

Enid, removing a paper revealing the word ‘Child’: There is only one thing worse than a rapist-

Wednesday: —A child.

Enid: No, Wednesday-

[haaam-guuuurl]

Love the flavor of soulmates that is a main m/f partnership dynamic that's mostly platonic but also romantic but also dysfunctional and yet completely essential - like these characters would not work without each other, but they barely work with each other, and most importantly they know each other carnally better than anyone else, but it's also not about sex at all it's about the partnership and navigating the highs and lows of intimacy and letting someone in, but also maybe they do fuck, but also maybe don't, but also...

[tj-crochets]

Today’s enrichment for my enclosure was a new giant whale shark plushie pattern! I got all the machine sewing done, I just need to add the stuffing and close the opening for turning tomorrow