#highly acceptable

[mean-scarlet-deceiver]

Daisy & Mavis?

Or maybe Sir Handel & Peter Sam?

Ooooh, Sir Handel and Peter Sam have a fascinating dynamic. However, I don't really have much to say that others haven't already said, and probably said better. To the degree that I'm tempted to talk about their Trauma Responses, I have another ask about Sir Handel & Skarloey, so I think I'll fold these thoughts into that post.

So, Daisy and Mavis — love 'em — only wish they got more screen time!

("Screen" time. Do they ever have a significant interaction in the television series? I really want to be told if they do.)

Actually they only have one page in RWS where they exchange a word. But it's such a good page. Posting it here for the uninitiated:

Look at this mess. Look at this absolutely perfect bitchfest. There are a total of zero brain cells in this conversation. Venting to your work bestie and and letting loose your inner mean girl. A classic RWS dynamic! It's just the diesel (& the female) version of the Thomas and Percy relationship: They make each other worse.

But, they need each other.

But, they make each other worse...!

Despite their lack of screentime following this, you cannot convince me that these two don't remain peas in a pod, just like 1 and 6 after 6 is transferred to the branch line.

I do think it's rather sad that Mavis is holed up in the quarry. :( There's a real bummer of a line when she appears in a later Christopher story...

"Besides, she sometimes finds it dull up at the Quarry with no one to talk to but trucks." I know it's realistic, but I want better for her. LET 👏 HER 👏 OUT 👏

Once smartphones became a thing, I like to imagine that they videocalled from the quarry to the carriage shed every night. (Annie, Clarabel, and Henrietta are very understanding about this when the call lasts half an hour. If ever the workers try to indulge Daisy and Mavis with a longer call, however, the coaches start murmuring...)

One great thing about this convo is that it's the first time I feel like I'm really, genuinely looking at lasting steam/diesel coexistence on Sodor's 'big railway.' Coz this is a target Awdry has been trying to hit for at least a dozen books now, yeah? Due mostly to his publishers' pressures, he's been trying to have beloved diesel characters while keeping his 1920-cosplay steam railway too, and this is where I think he finally hits the target. Daisy's first appearance was hamstrung because the turning point where she changes her haughty new-engine attitude and where the others accept her despite all the shit she's already pulled is off-screen, we're just told "they're friends now" and have to be all "right. sure." Probably because he got negative feedback on his Daisy hash, Awdry played it suuuuper safe with BoCo and Bear — less so Bear, but that's another post; for now I will just say that in contrast to Daisy they are presented as very clean-as-a-whistle, and their acceptance by the railway is made so much of that it doesn't feel natural, they both feel like one-offs. But then, ahhh. Now we've got Mavis, and Awdry has the bright idea to let her talk to Daisy, and BANG. Now we're here. This doesn't feel Informed, or starch-and-stiff, or tokenistic. You read this and you're like oh, yeah. Even the sleepiest branch line on this railway is now part dieselised. They're acting like characters! Everybody is acting like squabbling coworkers! It's like sinking at last into a warm relaxing soak. Ahhhhh. Here's the good stuff.

Because they don't need to be Representatives of dieselkind? They can just kinda suck for a moment, without being villains? When TVS subs out Daisy for Diesel, it automatically gives this conversation a sinister air. He's the devil on Mavis's shoulder. But in the original, there's nothing sinister here; it's homey. They're just venting to each other. Their behavior is kinda crappy, but also very normal and recognisable. New work besties fr. They are both three drinks in.

Daisy: He said what to you? Omg babe. I cannot believe that old garden shed said that to youuu.

Mavis: Right?????

Daisy: raising a glass Anything steam engines do, we diesels can do BETTER!

Mavis: hauling herself a bit unsteadily to her feet so that her gesticulation can be its most dramatic and sweeping You are RIGHT and you should SAY IT!

(Narrator: mildly ... Daisy was not right and, being probably the most specialised and least versatile engine then on her railway, she definitely should not have been saying it.)

(Above: The quintessential moment. Mavis & Daisy are commiserating/carping, and Annie & Clarabel are trying so hard to not hear their shit.)

Now, I've always had a question here...

Did Toby really say that only steam engines can shunt trucks?

The text indicates only that he was annoyed that she kept re-arranging things, they had a tiff, she rejected his input and left.

Then again, the text doesn't reveal that Percy calls Mavis's shunting "a ---- ------ ------ mess!", so, y'know. We get the minimum detail necessary in these stories. ;)

We never see Toby express any such sentiment about diesel engines. I'm inclined to think he never said this — and I suspect we're not supposed to believe he said this, only that Mavis is in stroppy teen mode and exaggerating and embellishing her grievances to the point where she's straight-up making shit up.

Still, I'm not sure. Usually in the RWS if a character is lying they are slyly or explicitly called out for it in the nearby text and this time the claim is just... sitting here.

Ultimately, I don't think he ever said that to her, but (considering how salty everyone on the Ffarquhar line can get: some have quicker fuses than others but they're all so provoke-able) I don't think Mavis just made this up completely. If she were making up stories from whole cloth, that would be... well, that would be 'Devious' Diesel behavior! I suspect, however, that Toby and Percy (comparing notes on her shunting) are at least thinking it, or have said it to each other, and Mavis has picked up on these vibes. All of which would be incredibly realistic.

Anyway, I bring this up because the answer does color my read of this conversation a little. If Mavis is completely making up attitudes that Toby never dreamed of having, and Daisy just eats it up and eggs her on, that makes this conversation somehow even 10x messier (and somehow I'm still rooting for their friendship). If this is a sentiment that is real or implied when Mavis or Daisy annoy the other Ffarquhar engines (and they can both be annoying, no question) then the bond between these two characters, with their very different personalities, just becomes even more 'understandable.'

Anyway, about those differences. Mainly, Daisy is ultimately very conventional. (This reminds me I have a nearly-finished essay about Daisy lying around somewhere. For now...) Mavis is the original, creative one, the mover-and-shaker. All Daisy's initial behaviors, as Hazel observed recently, are things we've seen from proud new engines before! She wants lots of attention, she boasts, she tries her damnedest to get out of work that she thinks is beneath her. What Mavis wants is to improve things, to have more responsibility, to get to stretch her wheels. Furthermore, Daisy by nature is keen to avoid work that's too heavy (she's a railcar with limited pulling power, so, you know, understandable); Mavis doesn't mind work — she just doesn't like being told how to do it, and she doesn't like being bored!

A point where they can be contrasted is in how they accept Toby's help and friendship at the end of their initial... "arcs." (All right, Daisy's "arc" is ended so clumsily that you can barely call it that, but you get me.) I'm not saying Mavis is devious or calculating, but for her Toby's offer of friendship is just as important as a pathway to her getting out of the quarry sometimes as it is for his forgiveness. It is her ticket out. For Daisy, Toby's offer of friendship was important because she wants friends, now she's making a friend yay!! — and I think that was pretty much it. Daisy just wants positive attention; that's what all her 'modern and right-up-to-date' stuff was about, but that failed to get her the positive attention she wanted and it turned out that being a team player did, so she had little trouble re-orienting herself. She resisted the pressure of everyone on the platform for her first train because she clung to the memory of her friend the fitter, but I don't think she's one to resist peer pressure in general, and as time passed and the Ffarquhar line residents became her peers, it was completely inevitable that she start to conform to their ways.

So (although, again, annoyingly — we aren't shown) I reckon that Daisy panicked after Percy's accident when she realized that she would be in trouble too (all right, someone probably had to point it out to her). And so for the first time she pitches in and does some hard work. Toby can't help but own "you did well to get all your half cleared, Daisy" and Daisy's entire system lights up because compliment, baby!!! That's all she ever wanted. She's Toby's man now (so to speak).

I can also easily imagine that, in trying to get adjusted to Mavis, Toby remembered how thing went last time. He must have tried from the first to tell himself, through slightly gritted teeth, "Just find something to compliment the new engine on, just anything. Helps build trust." But he was stymied twice over. 1) She keeps re-arranging the trucks in some crazy-ass unapproved way and he can't find ANYTHING nice to say! 2) It wouldn't have worked, anyway. Mavis wouldn't have been satisfied with just some friendly attention. Mavis wants to do. shit.

Mavis is bright — possibly has little common sense, but she's bright. I do wonder sometimes if her shunting arrangements are actually bad, or if they're just different and Toby and Percy can't adjust. (The text does own that due to the siding arrangements it's inefficient to put the trucks where Toby expects them. She probably does optimize things — from her point of view, anyhow.) Either way, though, here is an active and creative mind at work. Plus, her ploy to slo-o-owly expand her pathway down the line in "Toby's Tightrope" shows long-term planning, which is hardly something we've ever seen any vehicle do! So yeah, she's well above-average bright for an engine.

Hilariously, in Their Own Scene she is easily impressed by Daisy's lofty confidence (another classic RWS dynamic — it's giving Duncan staring amazed at James's boasting), but she's also super young, hasn't been Toby-fied yet, and in short I expect that as the years go by Mavis is likely to see Daisy as less of a role model and more of a crony/partner-in-crime. Daisy might instigate things sometimes — but she needs Mavis and Mavis's bright ideas before she really makes much headway! And I expect Mavis is often the instigator anyway. In her literary-device role of Second Coming of Thomas (Dieselised Flavour), she probably continues to want all sorts of things that engines aren't supposed to pine for (silly stick-in-the-muds!) Daisy is quite content to grumble but put up. Mavis will find a way to make stuff happen.

(Which is the only explanation we're going to get for how Mavis is at large on every quarry and some not-remotely-a-quarry sets on the island, come TVS!)

That was a light rap on the TVS there, but not a very hard knock; at least TVS insisted (in spite of all logic) on using her character for stuff. Christopher lets me down, personally, by finding so little for Mavis to do — and never having her and Daisy interact! I want more of this shit so badly.

However, in the Author's Note of Thomas Comes Home, Daisy apparently has a bee in her bonnet about fans who think the series has no female engines and is like 'me and Mavis tho!!!!!!' Which... I like seeing Daisy mention Mavis. That's all. It assures me that they’re still a duo (although I prefer Wilbert's interpretation that they bond over being The Two Diesels On This Line vs. Christopher's implication that their bond is being The Two Girls On This Line).

[bigfatbreak]

Birds of a Feather previous / next

[elitadream]

Watched 'The Last Dance' on its premiere yesterday and, well... These two give me feels. ;_;

[dendroaspis-viridis]

I'm begging you, BioWare... Learn from the mistakes of Baldur's Gates past...

[casscainmainly]

I think the recent Cass and Jason discussion is very interesting bc like, Jason or even steph in her first appearance take these actions of righteous, murderous (or near murderous) justice bc of the fact that not only have they've been abused, but they're also able to recognise that fact, and feel that despite everything, they didn't deserve to suffer like that (Jason with his murder, Steph with her childhood abuse)

Whereas Cass struggles for most of her series to recognise that she was abused and struggles to properly resent her abuser on the grounds that she didn't deserve it. She resents David for being a killer and making her love him, for making her a killer, but rarely for the actual abuse that came with her training. She eventually recognises it right before the end of pre-52 in batgirl 2008, but not after a long time, and she still tries to save David at the very end after contemplating letting him die.

she does grows to resent Bruce after some time, and confronts him, showing that she's slowly gaining higher expectations for how she should be treated after developing relationships outside the batfamily (coincidentally with Steph, someone who can relate over having a shitty dad, along with her love interests like Kon and Tai)- though Bruce, despite his multitudes of bad parenting moments never truly abuses cass like david did, so there's nuance, and after her fight with bruce, she still has trouble fully reckoning with her abuse (still calls david shooting her 'a game' in front of tim- she knows its wrong but still doesn't act upset about the fact it happened to her).

She kind of sees all the training she went through as a necessary evil in order to have the skills to be a hero- which is somewhat true, but I think it also contributes to her being unable to see herself, even partially, as a victim for large portions of her narrative.

She can understand abuse as something that molds you into a killer, she can't understand being abused and then choosing to be a killer bc of the righteous fury you have at what happened. In Cass' mind her abuse is synonymous with killing. That's the worst thing Cain ever did to her and the reason she ran away. She can't understand someone like Jason choosing it as a way to cope/deal with abuse.

I don't think this is necessarily a ground breaking thought but I think abuse is an interesting lense to look at both Jason and Cass' stories- pre52, Jason's story is about continuing a cycle of abuse. Criminals hurt him, he hurts criminals, and anyone who gets in his way of hurting the criminals, bc even tho he pursues justice, he also pursues retribution, which is hard to do justly. Between that and the whole zombie/living ghost thing, it's downright gothic. Whereas Cass' story is about breaking out of a cycle of abuse- nobody dies bc she let one person die and will never let it happen again. It's just an interesting way to view their differences I think. Good Cass and Jason posts recently!

I LOVE THIS!! I absolutely think abuse informs the way Jay and Cass see the world (and Steph - Steph, in many ways, is the median point between Jason and Cass).

It's the fundamental question that drives Jason and Cass apart. For Cass, her question is: how can I be the victim if I'm the villain? And for Jason, the question is more: how can I be the villain if I'm the victim?

I love this line: "Cass struggles for most of her series to recognise that she was abused and struggles to properly resent her abuser on the grounds that she didn't deserve it." This is doubly complicated by the genuine love David Cain had for her - that panel of them watching the stars kills me every time. This is another key difference between Jason and Cass' abuse (taking Jason's abuse to be his death) - Jason had no love for the Joker, but Cass did love David Cain.

It's why it's so easy for Jason to want to kill the Joker, and so hard for Cass to even be angry at her father. And your point here - "In Cass' mind her abuse is synonymous with killing" - is absolutely on point, because Jason's conception of abuse is the helplessness of being murdered. They are both acting in ways to prevent what abuse means in their minds: as Batgirl, Cass will never have to kill again, and as Red Hood, Jason will never have to be helpless in the face of murderers again.

Any rebuke of their moral codes feels like a denial of the abuse they suffered. It's why Cass can't allow others to kill, and why Jason can't accept Bruce's reasoning for not killing the Joker. It's why these versions of them could never get along. Argh there's been such good Cass and Jason commentary recently, they drive me insane!!!

[captainkirkk]

Favourite relationship trope (romantic or platonic):

Clingy Character A who has always been told they love too intensely and overtly & Character who doesn't know what it is to be loved unconditionally, surprised and awed and overjoyed at being loved so shamelessly so Character B

[t-u-i-t-c]

Toku Pride Month Challenge │ LGBTQ+ Characters

Ichika Sakurai

[reversatility1]

Warrior Nun: Beatrice’s journey reconciling the mission with her love for Ava was beautiful to behold

[habunshu]

despite the obvious and such, you can tell wukong is chinese because he is a dad who is terrible at apologising like a normal person and just tensely hands you chopped fruit, some sort of awkward nod, and a “someone has to eat it before it goes bad. don’t waste it.” before swiftly walking away when he raised his voice at you an hour earlier.

[thepeacefulgarden]

[honeycreammilkshake]

What do you think yuuji missing his two fingers mean? Do you think he still communicates with sukuna?

hi, anon!

based on the symbolism of these two fingers (the little finger for promises and the ring finger for eternal love and loyalty) i feel like yuuji looking down at them and choosing not to replace one is like his way of keeping things open for sukuna in the future.

in japan, the little finger is often associated with creativity, romance, and expressing your true feelings. similarly, the ring finger on the left hand is referred to in japan as the "wedding finger" or "marriage finger" as it's a custom that wearing a ring on that finger brings good luck and prosperity during marriage. this belief comes from a theory in chinese traditional medicine that certain parts of the body were connected by "meridians" or pathways that kept energy flowing through the body.

gege loves subtle nods to buddhism and philosophical concepts, but i'm not sure how deep the symbolism for this scene is supposed to run. regardless, i think it's very telling that it's those two fingers specifically that gege chose for yuuji to lose.

yuuji's little finger was ripped off by sukuna (in order to possess megumi) while yuuji's other finger was willingly given up to rika in order to help destroy sukuna. this is extremely fitting because, not only did yuuji fail to keep his promise to protect megumi, but he also committed himself (his entire life) to sukuna. in the beginning, his commitment was to bring about sukuna's true and final death, but now his commitment seems to be to keep the door open for sukuna. and just like sukuna stole away yuuji's promise (and refused to give it back, leaving yuuji to have to be the one to literally tear it back from sukuna), yuuji is also refusing to let go of his own promise that he is willing to accept sukuna and "try again" with him.

i think yuuji can sense sukuna's happiness or at least sukuna's calm and peaceful state in the afterlife. he has faith that sukuna will choose a better path to walk down in the next life. he set sukuna north but he's still waiting with open arms in case sukuna ever chooses to come back to him. and he's accepting of that. he's looking down at his fingers almost fondly, because the worst seems to be over and he has faith in a more hopeful future for both sukuna and himself.

seeing as how there's so much symbolism around fingers in this series, it's very telling that yuuji is okay, even satisfied, with the fact that his fingers are missing. sukuna really did take yuuji's future for his own, because not only did he mark yuuji's body irreversibly, but yuuji is also missing the finger that is commonly used for the ring in marriages. that implies that his future still belongs to sukuna, and vice versa since sukuna's remaining finger was returned to the shed where it was originally found in yuuji's school. so if sukuna ever chooses to reincarnate, he has a clear path he can follow back to yuuji if he wants to. and since yuuji was the one to offer sukuna a better future, he also left an eternal mark on the former king of curses.

it's like he's saying he's still connected to sukuna, that even though their messy, forced marriage and even messier, crazier divorce is over, yuuji is still waiting for sukuna. he's committed himself to sukuna and has hope that they will meet again. just like an ex who refuses to take off the ring from their last marriage, he's still saying he's more than willing to get back together with sukuna if it ever could happen again. he was made for sukuna, he had no choice over that. but the fact that he's still willing to choose sukuna, to want to still be fated to him....

it's so beautifully poetic. i really can't ever get over these two.

[kanalaure]

(*i dont know what kind of dog huan is, but he sheds. a lot. caranthir just wants to have ONE (1) space thats not covered in shed fur)

assume this is in the context of a modern au, or else that everyone is miraculously back from the dead and generally getting along fine and in the interim aman has had its industrial revolution and produced a more eco-friendly equivalent to our technologies

dont take this too seriously or get upset if your blorbo isn't represented, i filled out the ballot on a whim lmao. if you have someone you are Convinced would have one that isn't on this ballot, please do mention it in the tags

[thetorturedlovergirl]

Au where in “The Woman Who Fell To Earth” instead of falling in Sheffield, 13 accidentally lands in front of an Echo of Clara.

[smuglemon]

you're something special. happy autism acceptance month <3

[erabu-san]

What ships with Tighnari would you consider?

i won't tell anything because I am scared of being cooked