#no ones safe actually

[3lliesan]

Never give a tired person access to guns

Yuu during the first few Overblots: *trembling & nervous laughs* That was a wild ride, huh? Haha... I'm gonna throw up-

-Book 6-

Yuu with a gun they swiped off of a STYX staff member: Fuck you, little shit. *pulls the trigger on a phantom without hesitation.*

Yuu: *Shoots another blot phantom ambushing from behind without flinching.*

Pomefiore trio: ...

[scapegods]

he ran out of canvases

[linddzz]

no!! I'm not done talking about Viktor flipping the fuck out because Jayce denied that they were partners!! Bc I have been. losing. my mind. everyone is talking about how horny that fight was and oohhh the fingers almost in the mouth oohh the leg wrap oohhh Viktor so sensual smiling softly in the astral plane and then pouting all gay oohhh the pin to the table and choking

and it's CORRECT ok that is CORRECT and EXCELLENT content! I am not here to deny how wild and sensuously horny Viktor got even when he was an astral projection inside a literally sexless drone ok that is some exCELLENT food BUT.

you know what I haven't seen anyone on my dash talking about that I keep losing my mind over???? At first, Viktor's touch to Jayce's head is a gentle - pointedly gentle considering the speed he's moving with - brush that slows down to clearly tease at making the connection. It's teasing it's playful it's downright flirtatious.

But he pulls away and goes for the chest and chin grab. He wants Jayce to say yes to him. He wants to cradle Jayce willingly against his chest and have their idk grand romantic moments of being partners again and becoming truly melded bc he's a fucked up little guy who has had his fucked-up-guyness amplified by a hexcore

But Jayce doesn't give him his Yes. And there's a lot of very fast movement in 2 seconds where Jayce throws him off, then Viktor flings himself onto Jayce's back again in a high speed surge that's inelegant and rushed almost frantic.

And you can tell that he grabs at Jayce's head but I NEED....LISTEN IM LOSING MY MIND OKAY?? I don't care if it's obvious!! Everyone has slowed down and stopped that leg wrap and the wrist pin and I need you all to LOOK at the intimacy of this hold as he tries to force Jayce to see what he sees!! He's almost nuzzling into him while refusing to accept that Jayce isn't his partner in this.

VIKTOR!!! NO!!!! VIKTOR WHAT IS WRONG WITH YOU ACTUALLY

[idontmindifuforgetme]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[poorly-drawn-mdzs]

You made her cry, time to die.

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[eggoatt]

happy pride month and also top surg-iversary to meee

[ravenpureforever]

On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them

But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious

[drrav3nb]

AYO EDEBIRI as Sydney Adamu WILL POULTER as Luca THE BEAR SEASON 3 | Episode 10 - Forever

Are you close? Yeah. Kind of best friends and kind of lost touch, so. It's nice to reconnect. Yeah, especially when it literally is like a best friend that you saw every day of your life and you kinda went through this sort of battle together.

Bonus:

[hisenemy]

i hope my absence gives you the peace my love never could…

[imsosleepyofyourbull]

I firmly believe that Kabru is autistic but masks so hard that he’s convinced himself and (almost) everyone around him that he’s neurotypical.

That man’s special interest is people and how they work, but he just thinks it’s him Being So Good At Socializing — like he doesn’t spend 95% of his time people watching and adjusting his personality in response to the traits he witnesses and obsessing over the intricacies of human interaction while mapping an ever growing relationship chart in his head. For fun. He even admits it in the manga!

Like, look at him!!!

It’s such a shame that — because he’s the narrative foil to Laios and his interest is generally considered more “socially acceptable” in both their world and our own — more people don’t realize this about him. He’s constantly misinterpreted as a horribly manipulative person who only acts the way he does to use the people around him, when that’s explicitly shown to not be the case at all. Kabru is naturally empathetic and is almost always thinking about other people, regardless of whether or not they’re right there with him or a thousand miles away.

I mean, his most defining motivation is his desire to do everything he can to avoid another tragedy like the one at Utaya. Someone who doesn’t care wouldn’t have a goal like that, and they most certainly wouldn’t go about it the way he does. He’s constantly working to help people who can help everyone else and tries so hard to make sure that anyone who seems like a threat is actually someone he needs to worry about before doing anything about it. His supposed aversion to Laios is only because of the ridiculous trolley problem he’s set up in his own head.

Outside of that, he (rather justifiably) hates monsters but is desperate to understand Laios’ love for them and his apparently most selfish goal in getting close to the guy was literally just to become friends with him.

When he’s interacting with the canaries and they imply that they’re going to take him and all of his friends to the West, his first thought is of Rin and how much she’d hate to be stuck in the place that gave her so many bad memories.

He helps Kuro learn Common when Mickbell is asleep and firmly looks forward to the day that the half-foot and Kuro can communicate properly so that their relationship can get properly started without any miscommunication.

And he understands Mithrun with only a handful of weeks AT BEST interacting with him, getting enraged when the elf seems to give up and immediately trying to help him find a new motivation for life.

I’m excited just thinking about the day that Kabru starts unmasking more and more around his friends — both new and old — because if being with my current friend group has taught me anything, it’s that hanging out with anyone so unabashedly themselves is bound to make you more comfortable with yourself too. It’s part of the reason why I like Labru so much! There’s something nice about imagining them hanging out in the throne room or laying in the grass outside and talking for hours on end about their special interests. They might not strictly understand what the other finds so fascinating about monsters or people, but they can grasp that shared feeling of love.

They probably influence each other in really good ways too, with Kabru helping Laios figure out what people are thinking even when it doesn’t make sense or Laios helping Kabru understand that not everyone and everything needs to be analyzed a thousand times over. They both get to learn that there are people like them and people who will love them without them ever having to change a thing about themselves. They deserve to know that they’re fine the way they are.

[salamispots]

a rug hook commission for @stickynotebirds! :O (who also drew the original sketch/design and I tweaked it a little bit)

[sasanyaustala]

[garpen]

I love Gothamites thinking that the batfamily are Cryptids when they're not.

I also love the idea that to begin with, Gothamites know Robin has been a bunch of different human kids that the: Definitely a Cryptid Batman™ (bc let's be honest that thing is not human) has taken under his wing.

I think it makes the Robins scarier to them. Like "There's something fucked up enough about this kid that the Demon Bat took them in." And they're all pretty sure that every time there's a switch in Robin's it's bc the Cryptid Demon Batman thing probably killed them off or something.

They always try and warn off whatever new Robin he's taken in, but whenever they do the New Robin always laughs them off or attempts to assure them that they're fine and not worry.

[littlefankingdom]

I'm thinking about the drastic differences between how Bruce reveals his identity and how Dick reveals his identity in World's Finest. Dick simply takes off his mask and presents himself to the Titans, but Bruce? Bruce, he calls the Daily Planet, asking them to send Clark Kent to his manor immediately. Clark is now in the house of a stranger he only knows as a rich extravagant man, and said man starts explaining how he knows Clark is Superman. Clark tries to deny it and Bruce explains how he filed the room with a gas that humans cannot breathe, and Clark can breathe, so he is not human. At this point, for Clark, Bruce Wayne is a dangerous man who knows his secret identity, and he has him in his house full of gadgets. Bruce asks him to follow him, and he takes him to the Batcave, which is how Clark makes the connection. Like, the dramatics of it all? The theatrics? Making your colleague fear for their safety? Showing how they need to be better at hiding their identity? Slightly playing bad guy? This is so good.

Anyway, now I cannot accept Bruce not doing something like this everytime he reveals his identity to another Justice League's member. But his kids, they are simply taking their masks off, like normal people. And now, you have other vigilantes' families discussing how they learn their bats' identity and being baffled.

Barry: They just... Took their masks off? And told you their names? That's it? No supervilain's monologue?

Wally: BATMAN PRANKED YOU???!!! I'm calling Dick.

Bart: *Blue screened from learning that Batman pranks the JL*

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[professionallyunstable]

in the end no one actually cares until you’re dead