#moral of the story is There Are No Rules
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tillywunderwing · 1 year ago
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psst. hey. do you ever worry that you’re writing characters ‘ooc’ in fanfiction? well guess what. you’re not. that’s just your au now.
“they would not say that” yes they would, my au version of this character would totally say that
“ummmm this character’s powers don’t work like that” but they do. in my au
“these characters would never canonically be dating” buddy oh boy i cannot wait to tell you what fanfiction writers have been doing since the advent of their craft!! anything goes in my au!!!
the medium is inherently transformative do whatever you want forever ok ly byye
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cologona · 2 months ago
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Yeah nothing Jason does would work in the real world. Good thing he does not live in the real world. He lives in Gotham, which operates on the logic of Hollywood movies from 40 years ago. Oh wait- perhaps that’s integral context for his character!!!
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spicyvampire · 6 months ago
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I find it interesting that the time Great spends with Tyme in Timeline1 are the only ones that leak through without Great having a 4 minutes into the future vision in the Timeline2 that we are watching, Great who is having a heart attack in Timeline1 must REALLY be in love Tyme
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demigodofhoolemere · 3 months ago
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Trying to find nice stuff for Wish but everywhere you go people are being painfully wrong in their interpretations of the movie
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#i don’t care if people don’t like it but i want people to at least stop being so wrong 😫#i shouldn’t have to explain that hoarding the most important part of people’s souls under false pretenses is bad#his trauma does not make the person he became any less bad and his way of ruling is not reasonable and morally better#free will to pursue your dreams is good. a soul should not be locked up by a man who is likely never to give it back.#i’m sure he STARTED as protecting rosas or believing he was but absolute power corrupts absolutely and all that#magnifico by the time we see him is controlling and paranoid and selfish#and asha is not bad for *reads notes* wanting people to have a chance to actually live their lives for themselves and not be deceived#she never asked him to grant all wishes and the movie never tried to say that all wishes should be granted#it’s not saying that you should always have whatever you want. it’s saying you have the right to your agency and choice to pursue your wish#without someone else controlling whether you can ever have it and even making you forget you wanted it so you CAN’T choose to pursue it.#this is literally just a free will vs control story. how was this movie so lost on so many people.#you can debate until the cows come home about whether it was executed well but what they actually tried to say shouldn’t be so hard to grasp#and then there’s people spreading misinformation about star boy and various behind the scenes factors and you can’t escape it and i just…#i am in pain. everywhere i go i am in pain.#disney#wish#mini rant
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lord-squiggletits · 1 month ago
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i know i’m late to the conversation—i just watched the movie this month—but i feel compelled to say this because i was genuinely shocked (still am) to see that the overwhelming takeaway for many viewers was the "d-16/megatron was right" bs. while it’s understandable to sympathize with his anger and grief, justifying his actions in the end or framing them as entirely right feels so deeply misguided. what surprised me even more was the tendency to shift the blame on orion/optimus, as though he was solely responsible for d-16’s downfall. it’s disheartening to see orion/optimus being villainized so much. his efforts to reason with d-16 came from a place of desperation and hope, as he tried to prevent the escalation of violence. at that point, d-16 had already begun to spiral into his unchecked rage, disregarding the safety of those around him. to see that nuance overlooked, with orion being faulted for a situation that was far beyond his control (the whole "don't be like sentinel" thing is often used to shit on op lol), is genuinely baffling.
while i love that the movie showed the tragedy of d-16’s arc and even empathize with his situation, painting his actions as justified—and vilifying orion/optimus in the process—feels like a misreading of the movie’s core message. sorry but i was so happy to see your post about the movie, it was tiring to see so many 'megatron was right about this and that' comments.
Oh man if you're new to this fandom, you really ought to know that this place is full of people who glorify terrorism and war in the name of "justified revolution" and it doesn't really matter what Dee/Megatron does or how horrible/over-the-top it is, he's oppressed or he's mentally ill or he's just plain upset which means that everything he does is justified and questioning him makes you evil.
It's so funny because I hoped for sure that a continuity where both OP and Megatron were working class individuals before the war would reduce this kind of shit take (compare to something like archivist/librarian OP and gladiator Megs in TFP or CBV, or cop OP and miner Megs in IDW1), but unfortunately this fandom literally still found a way to blame Orion for everything even though he suffered the exact same things Dee did..... and furthermore Orion literally was the rebel challenging the system compared to Dee who wanted to keep his head low and not cause trouble so honestly at this point I just think the fandom (and somehow new fans whose first exposure to TF is this movie) purely sides with Megatron on everything as either a knee-jerk reaction or some misguided attempt at being counterculture and intelligent.
People get sooooo mad when you tell them that unbridled rage and killing everyone who disagrees with you isn't a good social/political strategy, but then again this is a problem that is universal to humanity and not just the Transformers fandom. It's just a shame that so many people looked at a movie that blatantly spells out what the moral of the story is, and has all of the protagonists be working class oppressed people fighting against a tyrannical system, and their takeaway from it is still basically "fascism is okay if you're mad enough about it and if your friends try to stop you it's a sign that they're centrist liberals who think punching Nazis makes you as bad as a Nazi." It's childish black-and-white thinking masquerading as critical literary analysis.
And at this point people pretty much just don't give a shit about Orion/Optimus and will find a way to make him the villain no matter what the context is, no matter if he also has feelings or if he also deserves to be respected/listened to/validated as Megatron's long-time (possibly lifelong) friend. If ppl look at the way Dee treated Orion and their other friends and DON'T see what was concerning about that then there's really no saving them until they deradicalize a little and learn what usually happens when "kill all the bad people until society is a utopia" is implemented as a governing party's primary strategy.
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happyk44 · 3 months ago
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Thinking about "default to violence as a form of justice and discipline" Jason and him never questioning those thought processes or his constant urge to maim others for not staying in line with his morals/beliefs (even if those beliefs are not standard/societal or are incredibly niche to Jason specifically) because he was raised under the unspoken rule of "fuck up and find teeth in your throat" in the wolf house and it only really begins to bother him when he loses his memories but as soon as he starts to remember his past, he stops caring because oh right, this is how the world is supposed to work (he does not understand why others do not agree)
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meanya · 2 months ago
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I remember some post that was like "There are no rules to life; you can eat lasagna in the shower if you want and no one can stop you"
I always thought to myself that I need to engulf myself in this philosophy more often because I often inhibit myself with fake rules, and the more I break them the less I'll try to enforce them.
Anyways. Happy to report that I have taken a step in that healing journey by using one of my old bath bombs I made that I kept saving for a ""special enough"" occasion. Also I drank a hard peach cider and ate a pizza in the bathtub. It was a glorious Friday night...
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starlight-eclipsed · 2 months ago
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Hi! For Wild’s chapter in Like a Rag Doll, is it possible to get a translation for the old English sentence at the beginning? I think I got most of it but I am not sure about the “warden hi onyenes” part is supposed to be.
Thank you!
Hello! Just to be entirely honest before I share it--I absolutely based it off the stone tablets in totk. There are some other words that I researched before adding, but for the most part it was me squinting at the text and trying to figure out how the words worked XD
You did get most of it:
'Ond so the goddesse seyde tha a champion bith from the skie comen, to warden hi onyenes the wroth god of derknesse.’
"And so the goddess said that a champion born from the sky will come, to ward it against the wrathful god of darkness."
It's definitely not perfect, but I'm choosing to make it the consequence of time on poorly kept oral tradition.
But yeah, it's referencing how Sky had to hold back Demise, specifically the seals he would use. Hylia was 'speaking' in this part, as her plan to defeat Demise was explained to the audience ^-^
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gracecarstairss · 2 years ago
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In Nothing But Shadows, Ragnor tells James that he’s been waiting for James to come to him for help on his warlock powers, and James says he’s only ever wanted to be a Shadowhunter. I think this should have been explored much more in TLH, where James is struggling to differentiate himself from his warlock side but it’s hard because of his abilities and his warlock mark.
On the other hand, we have Lucie who always says she doesn’t appreciate being overlooked (even though she ends up being overlooked through the whole narrative even though her power is more plot-relevant than James’s). Objectively, Lucie has the more powerful ability between her and James, and she does not have a warlock mark and is unafraid to use her power. She has a willingness to learn about her warlock side. Therefore, I think she definitely should have started warlock training so we could see the way that James and Lucie have opposite views on their powers and whether they are a blessing or curse, something to hide away and tame or something to utilize. It would also be interesting to see because, although this is not discussed in TLH, it is mentioned in the short stories that even at a young age people in Shadowhunter society think that Lucie is never going to be married because of her warlock blood and that any little misstep could forever ruin her reputation. So her warlock training just adds even more risk but I think that seems like something Lucie would do regardless. It could have added much more dimension to Lucie’s character and furthered an antihero arc (that I so desperately wish would have happened).
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moonilit · 3 months ago
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sometimes reading Kory’s talk about love and how her culture normalizes poly relationships and love is separate from marriage as in yeah sometimes you marry for politics but doesn’t mean you ‘love’ that other person or they you and thats OK is so weird because, you don’t even need to go to space for that?? Its already somewhere on earth??
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dykeredhood · 5 days ago
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Anyway mutuals who want to engage in tribadism with me
Or just sit on my couch while I make a nice salad or bake something and also listen to me recap my period dramas & get way too invested in things… I’m free pretty much every single evening
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paint-it-dead · 1 year ago
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this is completly self indulgent and fucking random but i HAVE to vent
this was one of my favourite few months fandon wise istg
first i experienced dazai osamu- THE Mr. Bungou Stray Dogs himself die on the anniversary of Bakugou Katsuki's death. Both of these occurencies very fucking hilarious to me for different reasons but needless to say i celebrated both(dazai's more, REST IN PISS BOZO) nevertheless
then i read a post here on the site of the tumblr that apparently griffith berserk has managed to live this long(over 30 human yrs) cus he "allegedly" survives by stealing the life force of other white haired anime boys. i found this hilarious and jokingly prayed to him that if that WAS the case then 'Please o please o please o great griffith i'll take any penalty just fucking kill Gojo Satoru i cant stand his fake ass' and GUESS WHAT
GOJO SATORU DIES WITHIN THE FUCKING WEEK OF ME SAYING THAT
but on that same day fucking DAZAI comes back from the dead.
so griffith did what he had to do to rid us of the annoying white haired twink but said brunettes r not his type.
what a wild ride.
i wish my life made as much sense as this lmao
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fruitzbat · 1 year ago
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the conversation where molly says "I leave every town better than I found it" is when he's defending himself after beau called him out for doing something fucked up, which was telling strangers what he arbitrarily decides that they need to hear and subsequently scamming them with false fortunes, like has legitimately everyone fucking forgotten that. it was just quoted in the wired article about critical role's positive legacy and it's...still the tagline for their nonprofit
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maliciouscigarette · 1 year ago
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I’ve been successfully peer reviewed and I’m pretty sure I now have tenure 💅
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thewhizzyhead · 2 months ago
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being a busy ass student with student journalism gigs on one hand and comm academic shit on the other is very interesting because with the jam-packed life I live I only really get to breathe at like late lAAATE night when no one can bother me about my responsibilities other than myself. that being said that's also when creative brain goes into overdrive and now misfits finally has the final draft of its opening number woo
#so heres the thing kasi the opening number of that damn project hAS BEEN THE HARDEST TO WRITE#i believe at this point there had been morethan 10 drafts gjdjd because like heres the thing with that number specifically#misfits is a fourth wall breaky show within a show and the 5 narrators (and 1 misfit which i'll get to in a bit) knowingly perform#to appease the audience. hence the opening number throughout the years has reflected that - a performance that breaks the barrier between#audience and stage. even when misfits wasnt a show withjn a show concept this had always been the general treatment so that the audience#actually GETS whats happening - but i always come to changing it because well i also wanted to add foreshadowing factors: somehing that#suggests that the show isn't actually all that it seems. previous drafts had this show through the typical Tagalog - Real#and English - Scripted element in the show - language being used to determine authenticity. however that begs the question of how to#properly utilize the Misfits in the opening number - given that two of them dont know about the Show while the other is confused#and then at 2 am i remembered Hermes from Hadestown and boop a lightning bulb#instead of opting for opening numbers that had hints of sabotage or theatrical malfunctions that suggests that the show is Not What It Seems#i thought - why not have it 'malfunction' at the start and have it introduce the wrong character first 5 minutes before the Narrators come#so basically after the Producers (represented through um P.A. voices smth like that) welcome everyone - what is supposed to be the#introduction of the Narrators first ends up as the introduction of the 3rd Misfit (Zeke - 18 - nb) who appears genuinely lost#they appear genuinely in distress though they keep themselves composed at the realization that they are facing an Audience#and they Know this because he was formerly a Narrator as well - though at this point in the story nobody (bar one) knows that#they decide to take their time in chatting with the audience while charming them using their old Narrator tactics in order to get a grip on#whats going on - being a first step towards how involved the audience will be in the story as Zeke then goes to question them outwardly on#the morals of the story they expect and whether it is ethical to have children forcibly conform to religion in the first place#but they do so in an entertaining Bo Burnham manner - a way that doesnt catch people off guard until They Want To - because ayun he#plays by the rules of the show#this doesnt seem like the 'opening number' yet does it but im getting there fjd because once they sense that the narrators will be on stage#as a memento they teach them to sing a melody that will serve as Zeke's motif - something that will eventually scare the lead Narrator and#the Producers - because whenever the motif is sung it means that someone has Broken a Significant Part of the show#especially since the Motif was um lets say its from a now defunct show the Producers and Zeke and the Lead Narrator used to have#that melody will then be subtly present throughout the entire opening number of the Narrators - which will then be played straight#but with the Misfits make their pre-official-introduction appearances by forming the bridge of the opener using the Motif#thats when we learn of the show being compromised from the very start - especially with the lyrics of the motif expressing doubt in faith#personal shit (ran out of tags whoops but um yea basically its Have The Audience Have A Hint to Whats Going On Through Recognizable Motifs)#(also the motif the audience learns is a melody - Zeke (and the lead narrator) changes the lyrics as they go) (also sorry for the ramble)
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gobstoppr · 2 months ago
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mami tomoe i miss you....
i ordered a physical copy of The Different Story manga and i have to wait like a week till it comes in... i wanna reread it Nowwww tho
#text#shes so everything...#one of my favorite readings of the original show is that of how they dictate their lives chasing moral purity#cuz they're kids. theyre stuck in this losing game. but they want so bad to be Good People.#mami is a character who is Terrified of doing things that are Wrong#sayaka even more so.#theyre so lost in this false dichotomy of selfless vs selfish#they cant handle that the reality of the situation is that the only option is to survive#in the different story when mami and kyoko cut each other off at the suggestion of being a little selfish#its just . fuck. that was Me in 2021. that was me at 17.#and mami only values her own survival as a means of protecting people; as a means of justifying the fact shes alive#if she realizes her existence might be harmful it all collapses.#thats why shes so quick to act when she realizes magical girls become witches#but again these rules for herself also get enforced onto the people around her#she cuts off kyoko. she immediately assumes homura is a 'bad' magical girl.#she recruits sayaka and madoka while reinforcing these beliefs to them.#there are Good magical girls and there are Bad magical girls. there is correct way to act and there is an incorrect way to act#she puts on this show of trying to prove herself as noble; to impress them; pretending to be the perfect person she wishes she was#and so we end up with sayaka. idolizing this false idea of mami after her death#taking on mami's selfdestructive lifestyle but pushing it to the extreme. fighting at a level too high for herself#continually rejects help from anyone she considers impure.#i could go on. i always have too much to say about sayaka#but anyways. ouhg.#mami tomoe
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