My special boy Jason Todd. Brain isn’t so good so I might repeat myself a lot.
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The thing is, I actually think it's a super interesting angle to look at the intersection of trauma and mental illness and vigilantism and coping mechanisms with Jason's character.
But, for me, if you want to seriously ask at what point does Jason need therapy more than he needs the vigilante lifestyle it's not Red Hood Jason you should be looking at. Red Hood Jason was literally murdered and the mysteriously resurrected. That's not something you can therapy your way out of! That's something that no amount of talking will ever help you understand, because it's a completely incomprehensible event!
No, if anyone needs therapy it's 12 year old Jason.
It's 12 year old Jason, who has poverty trauma and homelessness trauma and prison system trauma and parentification trauma and drug related trauma and, depending on your reading, potentially sexual trauma.
It's 12 year old Jason, who is taken in by Bruce - a man who is *also* severely traumatised (in extremely different ways) and chooses to dress up as a Bat and punch people about it instead of seeking healthy coping strategies.
It's 12 year old Jason, who Bruce decides - without psychiatric training or so much as a second opinion - needs the same outlet that "helped" Bruce and "helped" Dick.
And by the time aditf rolls around, Bruce is maybe just realising that he's made a mistake. But it's too late, because for two years he's told this child - a child who arguably feels indebted to him, a child who is extremely isolated and had very few if any other trusted adults to talk to - that violence and avoidance is how you deal with emotions.
I think that's fascinating to think about!
That Bruce's own failure to process his trauma left him blind to what Jason might actually have benefited from! That if Bruce had noticed Jason struggling earlier, if he'd reacted differently or explained himself better in aditf, Jason might not have felt the need to travel around the world alone looking for a woman he'd never met and only just learned about!
That if *Bruce* had been healthier, had been to therapy instead of throwing all his energy into vigilantism, none of this might have happened!
Reframe Red Hood Jason as a tragedy of Bruce's own making, not because of the classist bullshit that Jason was always going to end up a criminal and Bruce failed to stop that, but because Bruce's terrible coping mechanisms became *Jason's* terrible coping mechanisms and nobody likes to see the worst parts of themselves in the mirror.
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Wait, speaking of horse movies you guys ever notice how Jason gets written as like, an ornery traumatized animal that another Bat proves their Goodness and Empathy with by being the Only One Who Gets Him, either coaxing him back to the light or being his safe port within the family?
It’s not super clear in comics but Gotham Knights has a similar flavor, and it’s certainly a well-worn trope within fanfic.
I’m gonna call it the horse-Jason trope.
#ironically it’s often Tim who plays the little girl#which IMO makes meta sense but in-universe is just crazy#Dick is in second place#I think Geoff John’s might’ve tried for this with his Jaybabs ship in three jokers but tbh I haven’t read that comic#she’s not in fanfic lol#it’s a nice trope but some folks get Really Really invested in it being the one true reading#Jason Todd#anti batfam#I guess
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Ngl it really peeves me when the debate about Jason's ethics regarding killing in the batfam mixes up the question of him being a moral character in regards to sticking to his own philosophy (aka compromising with what he thinks is right to salvage relationships, but also exploding trains to evade capture, killing random goons in a gang war, etc) and the question of him being a moral character in regards to whether his philosophy is right. And even with regards to his philosophy there is his philosophy on politics, crime control and harm reduction, and his ethical philosophy itself (utilitarianism, aka focusing on intended positive consequences of actions for the greater good rather than the action being fundamentally moral or immoral in itself). Those are different things. Those require different debates and should not be conflagrated together. I'm not even saying Jason is right! I think utilitarianism and deontology both suck and fail at providing sufficient guidelines for moral behaviour. ("Everybody still loses" like the nihilist clown says. The symbolism of that one scene is pretty cool on that regard.)
And I think some people at dc would very much like for you to make the connection that because Jason is harming civilians/killing unnamed goons, he is a bad person, and as such you don't need to examine the way his stance on moral philosophy (utilitarianism) opposes Batman's. But that's not right, they don't get to wiggle out of the fact that utilitarianism vs deontology is a complicated debate that has been going on for ages, that there is no clear-cut answer where Batman fundamentally comes out on top, they don't get to use the fact that Jason (in the era currently discussed) is a villain to saddle us with a false dichotomy of "well jason is wrong about stuff so batman has to be right" to avoid addressing the actual question. The traits of the people being tied on the tracks do not change the shape of the trolley problem. The traits of the person deciding to pull the lever do not change the shape of the trolley problem. It's still one lever, three people tied on one track, one on the other, do you pull the lever. That's it. Yes, bending the metaphor to address other questions (such as "who keeps tying people to the tracks" to question systemic violence or "how does my bias, my prejudice and empathy impact my decision to pull the lever depending on who is on the tracks") are interesting but that's not what the debate is about. If I wrote an essay about the trolley problem in high school and focused primarily on the nature of the people being tied on the tracks, I'd get a big fat zero with "off-topic" written in red all over my essay, so I'm not inclined to allow DC comics to get away with it.
#you articulated it so well!!!#Stg it’s all just been Green Eggs and Ham discourse lately#jason todd
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saw an opportunity to draw something silly.
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stagnant campaigns!
all of these are vetted! and a lot of them are very low on funds!
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maximum midriff protection
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As soon as you described option 3 I thought of how Jason’s death was covered up as a random terrorist attack, and how the “third option” there was for Bruce to not do that- even if it meant he’d be found out as Batman and have to give it up.
*sigh* i cant belive im doing this...
BUT LET'S TALK ABOUT BATMAN AND THE TROLLEY PROBLEM
now, if you do any real research on the trolley problem, you will find that the original creator never intended for their to be an answer. the point was to suggest unless you are willing to take that 3rd option, which is your own life, then the first 2 options, regardless of what they are, are immoral.
which makes it so that the batfam is 100% a group of people who can legitimately have this argument. however, the problem is that there is a secret 4th option involved here, or a secret 4th problem, and it's that jason has ALREADY done the 3rd option. he gave his life for it, and not only did it not work, it exacerbated the problem that was....you guessed it.....the joker.
good ol jack napier
with that being said, to suggest to someone who has already done options 1 & 3 (jason), to someone who has only used option 1 and has NEVER suffered the consequences of their own option 3 (the rest of the batfam) is, in fact, a stupid argument to have because you're essentially arguing with someone who already knows what ISNT going to work.
that's like telling an astronaut that's been to the moon, that "no, the moon isn't a rock, it a hunk of cheese," and then getting mad at them when they look at you like you're beyond fucking dumb 😭
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gaza-evacuation-funds
My name is Osama Basil, a web developer from Gaza. Over the past 10 months, I’ve witnessed the devastation of war firsthand. My office, where I devoted myself to my work, was destroyed, along with my source of income and future aspirations.The situation in Gaza grows more difficult each day, with destruction becoming a constant part of our reality. We've lost friends, colleagues, and loved ones, leaving our community deeply scarred.But I refuse to surrender. Despite the displacement and loss, I am committed to rebuilding my career and life. The war took my job, dreams of marriage, and a chance to pursue a master’s degree in programming and web design. After fleeing to Rafah with my family, I’ve been living in a tent for months, grappling with unstable access to electricity
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GK!Jason is hot as shit, it's just that his haircut is atrocious. It makes him look like a shitty minecraft cosplay. And it makes sense, yk, since it's his way of reclaiming autonomy, but if he grew his hair out, then everyone would praise the character design.
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Did I dream it or is Lady Shiva’s actual name just Sandra Wu and it only got taken as “Woosan” because she had a Japanese instructor or something and in Japan you refer to people with their last names along with an honorific suffix, -san being the most common one. Like this is real right?
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something compelling from batman 436: after jason dies, bruce gets fucked up by grief in a very particular way. he gets stuck in denial. there is no batcave memorial*; bruce has hidden away all of jason's trophies. he's had jason's bedroom cleaned up. it's completely erased of personality. dick is in space with the titans when jason dies and bruce does not tell him. alfred has to be the one to tell dick.
it would have been so easy for bruce to give in to the inertia of grief and let jason's stuff stay where it was, to become a memorial. but his first instinct is to actively suppress it. don't talk about jason. don't look at jason's possessions. don't think about jason because as soon as you do you're going to fucking collapse.
which he does shortly after this. 👍 that's comics baby that's kino to me
*i went looking for reference on when the "good soldier" memorial first turned up and found this great post, which compiles its early appearances. i had no idea it came from frank miller.
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As an Ao3 author, I love giving headcanons that'd probably anger a certain side of the Batman fandom, but I personally don't care because it makes great angst and, again, I'm an Ao3 author and chronically ill!
First up! Dick Grayson, I like the idea of him having ADHD, of course, BUT... joint hypermobility syndrome.
(Joint Hypermobility Syndrome: Joint hypermobility syndrome is a connective tissue disorder. Thick bands of tissue (ligaments) hold your joints together and keep them from moving too much or too far out of range. In people with joint hypermobility syndrome, those ligaments are loose or weak. If you have joints that are more flexible than normal and it causes you pain, you may have joint hypermobility syndrome.)
Chronic pain fits him, don't ask, because as the eldest child with chronic pain and hypermobiltiy syndrome, trust, he has that look in his eye that he's been walking on swollen knees for the past twelve hours, had three mental breakdowns, and is still pushing through because SOMEBODY has to deal with this bull.
That's also the reason he wears freakin' spandex-- only, it's for compression! He wears compression items to help with swelling and pain TRUST, and let me have this because the math maths (it probably doesn't, but let me have this.)
He's got chronic fatigue, he's gotten used to popping dislocated joints back into place, Bruce was so confused how he dislocated and sprained so many bones so quickly when out as Robin. It's genetic, of course, Bruce finds. But he has money, and Dick powers through it all! Till he develops arthritis in his early thirties/ late twenties and actually hates everything because WHAT AND WHY--
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Next up! JASON TODD! I have no proof, evidence, and it doesn't have to make sense but I like giving him asthma sometimes for the angst potential of if he didn't have it, he wouldn't have died in the explosion.
He didn't die from said explosion, nor JUST the smoke inhalation, but because he had an asthma attack, on the ground, bones broken, unable to breath because his inhaler did NOT survive the blast, if he even had it on him.
And that's why he wears helmet with so, so many filters in it now...
Also, being a street kid who struggles to even get his medication that keeps him alive? Peak angst, being to poor to afford your medication because the American healthcare system is actually trashy garbage.
R.I.P. Jason Todd, you would've loved clean air--
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ANEMIC TIM DRAKE! But I up you, Tim Drake with Postural Orthostatic Tachycardia Syndrome (POTS)
(POTS: Postural orthostatic tachycardia syndrome (POTS) is a condition that causes your heart to beat faster than normal when you transition from sitting or lying down to standing up. It’s a type of orthostatic intolerance.)
Read ONE SINGLE FIC/ SERIES with this and I've loved it since because what do you mean he randomly falls asleep anywhere? No, forget your canon, he passed out and people think he just fell asleep... NOpe, he passed out, sorry random lady he was on a date with!
(The majority of people are AFAM but we aren't ready for my trans Tim headcanons yet either.)
(You’re at a higher risk of developing POTS after experiencing the following stressors:
Significant illnesses, such as viral illnesses like mononucleosis or serious infections.
Physical trauma, such as a head injury.)
Ngl, my dude gets a LOT of physical trauma (and mental--) also, losing a spleen? Surgery and at risk of viral illnesses? I'm sorry, but I need him to suffer more because I like when Tim Drake suffers horribly.
Now, despite having this condition, I am no expert, but also his caffiene/ energy drink addiction is from chronic fatigue, he shouldn't drink it, it's not healthy or good for him, but he stopped caring between the spleen loss and whatever the "Drake" run he did was because what even was that name?--
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Damian is autistic and I will DIE ON THAT HILL--
No, I won't explain and you can't make me.
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#oooooh interesting#Robins#headcanons#I’m giving anemia to Jason tho bc he’s my favorite and I can relate to a man who still wears a jacket in Miami
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I can’t guarantee I’ve seen all of them, but here are the threeish main ones—
Post-crisis:
Willis never shows up enough for the discrepancy to matter but his depiction is a bit inconsistent. Collin’s run has dark hair while Starlin’s has light hair. Willis’ “Presumed Dead” picture on Batman’s computer must’ve left an impression on future artists though, because that remains consistent.
New52:
I don’t believe Willis shows up during RHATO v1 proper, so these images are from issue #0.
Rebirth:
This version of Willis’ design is from RHATO v2, meaning it’s from prior to Jason shooting the penguin.
This is from RHO, meaning it’s from after Jason gets beat by Batman and loses Artemis and Bizarro. I know the panels here make it look like this isn’t Willis, but it turns out later he deliberately hid his identifying tattoo. I believe this is also what Willis is supposed to look like under the Wingman mask during Batman Incorporated.
Can some Willis Todd fan who has read more comics with him in them than I make a little complication off all his different (maskless) designs and put them in a poll to see which design would win. I would myself but I fear missing any
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On villains with tragic backstories
Sometimes I'm like "is it really psychophobic, maybe i'm reaching, the character did say that they're not actually crazy they just like killing people" and then the narrative will hit me with "some terrible, dark horrors have happened in your past and this is why you are killing people but it's not too late to get admitted in a psych ward" and I wanna throw the comic through the window and myself with it.
The "mentally ill villain" trope isn't just saying that the villain is crazy or giving them hallucinations. If you're giving a villain a tragic backstory, and that backstory has caused them severe suffering the memory of which is still painful to the day, and the story expects you to believe that the villain's horrible behaviour is explained by the fact that this suffering broke something in them... It's worth examining if you're not just vilifying or demonizing mental illness on accident.
The issue isn't that your villain can't have a tragic backstory, or that the tragic backstory can't explain their actions: the issue is when the suffering itself is treated as a sufficient cause for the behaviour. Say a character was raised and abused by a cult that taught them killing puppies is good and then they kill puppies: not psychophobic. Say a character who used to love puppies was kidnapped and tortured by some guy just for the fun of hurting someone, no brainwashing or anything just pain, and then they get out and kill puppies because of the torture: psychophobic. There's a missing link in the reasoning here, a question of "what about this event taught/brought the person to the conclusion that it was a good idea to kill puppies or gave them a desire to?" The psychophobia is insidious, hiding in the implication that the trauma (because this is what it's really all about) is what made them kill puppies. Sometimes, people with trauma kill puppies. But killing puppies (or exploding buildings with children in it, or shooting someone in the spine, or severing heads and putting them in a duffle bag, or, or, or) is not and has never been a symptom of ASD*, PTSD, CPTSD, BPD, DID, DDD or any other trauma-induced disorder. It's a good idea to verbalise the logic, emotions, needs and desire that motivate your villain and where they stem from, to avoid falling into the trap that thinking their trauma, because of the magnitude of the empathy it's meant to generate for the character, is enough of an explanation for their behaviour. A villain being sympathetic because of their backstory doesn't mean that their actions are necessarily coherent.
On top of that, it's important to take in account other factors such as the original background of the character, their vulnerabilities, their age (super important when writing childhood/teenage trauma/young villains!), but also their ethnicity, gender etc etc. This is important for realism and accuracy, because trauma is neither a magical button that creates heroes nor sociopaths, but also because psychophobia interacts so easily with other forms of discrimination slipping through the cracks. Now that you've identified that your woc character becoming a manipulative, sociopathic "crazy ex" because of her trauma was not just a consequence of her trauma but the interaction between the trauma and personal factors, what are those implicit factors that contribute to make her manipulative, obsessed with her ex, etc.? And now that you've extracted them explicitly, like a zip file, can you examine them to see how many of these personal characteristics have to do with her being a woman of colour?
I hope it's clear that I'm not telling you what to write- I think imposing the idea that villains can't be poc, or queer, or working class, or disabled, or mentally ill, etc. is harmful, because it reduces potential representation, it's based on the assumption that I know what you're gonna write and it's gonna be fundamentally ableist, and it puts this pressure on fictional characters to be perfect icons of representation rather than actual characters with depth and personality (kinda like thinking you can't write a female character who cries because it implies women are weak). This is just to encourage you to be mindful about what you're doing when writing that tragic backstory, because it's not necessarily what we think about when we talk about mental illness, and it's important to analyse what you're writing with a measure of introspection: why am I writing this? What does this imply about the character? What's my reasoning for this character's reasoning?
I have zero issue with a mentally ill character kicking a puppy as long as the narrative isn't trying to tell me that it's a symptom of mental illness to kick puppies. But of course, perhaps the story could also be a critique of those stories about mentally ill people kicking puppies, and the satyre is flying way over my head; or perhaps there will be a secret plot-twist that happens after I stopped reading that explained why the character was kicking puppies, perhaps the book was an attempt at guiding and manipulating the reader into realising the flaws in that reasoning on their own, or perhaps it was a metaphor for something else entirely, etc, etc. I don't know. The point is, write whatever you want; but write it self-aware.
*in this context, ASD meaning Acute Stress Disorder
Two examples of comics I think do it pretty well:
> Arkham Knight Genesis: for all its flaws (i didn't really like this one), I think it does a pretty decent job of getting us to understand how Jason got where he is, that it wasn't just "tortured until evil", all the reasons for his resentment, all the brainwashing and manipulation are pretty explicit. Kind of an "easy mode" because the plot revolves around brainwashing, but solid on that front.
> Red Hood Lost Days: this one I'm more mitigated because there's this whole "pit madness/the pit made him a psychopath" thing Winick introduced to limit the damage of previous runs (and rightfully so imo, Pit Madness is a much better explanation for some of Jason's most batshit ooc runs than just trauma), but there are some pretty solid elements, especially when you know earlier comics. I'm thinking specifically about when Jason says something around the lines of "you murder people; i put down a lizard", as a direct echo to Judy's "I put down a mad dog", that's one of my favourite comic lines ever, I cheered seeing that parallel like yes, I can see the reasoning, I understand where you learned the lesson and what the thought process is and I support it.
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