#meta personal

[antigonewinchester]

this is very much my theater background speaking but what’s both very cool and very complicated about TV is all the influences that go into it. there’s the head writer/showrunner, who leads the rest of the writer based on their vision, but individual writers will also have their favorite themes, motifs, or images to work with; there are the directors and how they film the scripts, and that 2 directors can give a different tones/feeling, or add more or less depth, to a scene just by how its filmed even if the wording never changes; and then the actors and how they play the characters, which can sometimes loop back to then influence the directors & writers, esp for long-term serial media.

as I understand showrunning/being the head writer, they’ll often have an overall ‘vision’ they want to bring to the show that will get passed down to everyone (writers, directors, actors, set/costume/lighting designers, etc.), which creates coherency through all the parts, but also depends very heavily on the showrunner, their vision, and how intense they are about it. do they have a very specific idea they want to communicate, or is their vision murky? how much do their impress their vision on the rest of the staff? are they willing to change where the show is going or will it always stay the course? and so on.

[curlymangue]

10 pasos, para establecer una rutina de vida saludable. Sin gastarte ni un euro.

Foto de rishikesh yogpeeth en Unsplash 10 Pasos para transformar tu estilo de vida y alcanzar una salud óptima Hola, Cualquier día de la semana es bueno para comenzar un cambio o meta personal. Sin embargo, el domingo para mí, es el mejor día. Ya que la mayoría de las veces uno lo tiene libre y dispone de tiempo para poder descansar, reflexionar, sobre sí misma, el momento que está viviendo,…

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[bruciemilf]

“Bruce is emotionally incompetent and can’t step outside his own morality” yeah it’s a character flaw.

“Dick is extremely stubborn and thinks he’s right all the time” yeah it’s a character flaw.

“Jason has hypocritical tendencies” yeah it’s a character flaw.

“ Tim is entitled and doesn’t think about people when seeking results, and often acts uncaring” yeah it’s a character flaw.

“Damian is rude and bratty” yeah, it’s a character flaw.

Also, some people may not even regard everything listed above as flaws.

Having negative traits allows incredible flexibility within your characters, what makes them intriguing, what makes them easy to relate to. If you want to write people, then write people. But they can’t be good and clean all the time.

[thegeminisage]

i'm just going to go ahead and make this its own post. when kirk teases spock he is SO GENTLE. "why mister spock are you feeling emotion?" and he lets spock do the vulcan equivalent of giggling and kicking his feet and going "haha nooo silly i'm a VULCAN i don't do that!!" and kirk's like "oh my apologies mister spock of COURSE not" and then they make consensual loving eyecontact with one another while smiling. when BONES senses blood in the water (spock having an emotion) he will grab spock by the scruff of his fucking neck and shake until dead. like a dog with a squirrel.

[swamp-chicken]

mountain man etho confirmed

[psyche-reads]

The first act of Alecto is Harrow descending into hell. There are nine circles of hell in Dante’s Inferno. There are nine dead lyctoral cavaliers. There are nine resurrection beasts. Nona the Ninth implies the cavaliers are fighting the resurrection beasts Somewhere. Theory: in Alecto, Harrow will encounter each dead cav/corresponding RB one by one, liberating their souls a la the biblical harrowing of hell, culminating in her reuniting with the fragment of Gideon’s soul she consumed in a manner not unlike Dante’s Beatrice. Thank you for coming to my TED Talk

[dclovesdanny]

DcxDp prompts

Dan/Danny/Dani additions 1/5

Danny is adoption bait to the Gotham rogues.

Danny only went to Gotham university because it had a lot of ambient ectoplasm and he could fast track to the arrow space department in Wayne enterprises if he worked hard enough. He didn’t need adopting, he was already 19 years old and had a (strained, very distant) relationship with his parents. When he moved to Gotham, he expected to have to deal with people wanting to make him a new Wayne, not with all of the Gotham rogues immediately trying to adopt him.

So what if he defended Killer Croc from some asshole cops, accidentally exposing his fangs and had a conversation about being dehumanized with him that led to them having dinner on Wednesdays?

So what if he got into a serious conversation about the green gas effect and pollution (Sam had taught him well) with Poison Ivy that result in him coming over for dinner and Harley Quinn declaring him a ��sweetheart’?

So what if he directed Frostbitw to help Mr. Freeze and now Nora invited him over for brunch on Sundays?

So what if he had a wonderful conversation with the Riddler in which they traded space themed riddles which lead to Riddler seeking him out sometimes for a game?

So what if he helped Mr. cobble pot by making him intangible when some people were driving by in about splash mud on him and he now had a part time job there as a bouncer?

So what if Grundy played tag with him every other Thursday and called him Little Death and offered to eat his chemical engineering teacher who gave him a low grade because he didn’t follow safety precautions?

This didn’t mean he was adoption bait. Shut up Sam.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[kaijuyuri]

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[kropotkindersurprise]

May 27, 2024 - Heads up if you are like me and still have a Facebook account you use infrequently: They're rolling out "AI features" for which they want to use all of your photographs, posts, likes and whatever. There's an opt out possibility at the "Right To Object" link. I don't know if this will work for Americans because you have no consumer protections, but I just filled in my EU country, said the processing impacts me because i'm an artist and my posts are my copyright and I'll sue them under EU law if they use them, and told them to go fuck themselves in the space for additional notes. After verifying my email I almost immediately got the response that my objection will be honored:

Now, this is Meta, so they are almost certainly lying about this, but for the future class action lawsuits against the company it's good to have officially opted out.

[contactlessdrivethru]

there is something unique and deeply special about monkey d luffy as a protagonist. he’s overwhelmingly ADORED by the fandom. he’s consistently the most or at least top 3 most popular characters in the whole series. peoples takes about him are gushingly positive. and that’s… really uncommon.

a LOT of fandoms i’ve witnessed or been in have a tendency to favor characters other than the main character. especially in anime. the main characters are often written as a blank slate for readers/watchers to project onto, but that makes them not as interesting and so they don’t get the fan attention.

but luffy is so far from that. and he’s ALWAYS been this way. we love him so much. he’s the heart of the story and the heart of the fandom in every single way. and i think that speaks to how well-written he is as a character. he’s fun and charming and complex and interesting and he makes us laugh and cry and cheer and hope and love. he’s able to inspire so much joy in people, both in his world but also in this one. and i think that’s really special. i feel so grateful to have found this story that means so much to me, and i’m so grateful that luffy exists.

[pocketseizure]

Twilight Princess isn’t technically a horror game, and there’s a certain schmaltziness to its mid-2000s mall goth aesthetic. Still, Twilight Princess was the first video game I encountered that implied the hero is a murderer, and its strange and unsettling cutscenes serve as puzzle pieces that form a fragmented picture of Hyrule’s hidden history of prejudice, war, and genocide.

When Link confronts Ganondorf at the end of the game, Ganondorf meets his challenge with bitter irony and issues a warning – the cycle of bloodshed cannot be ended with violence. Link kills him anyway, and the cruelty of this act convinces Midna that it’s impossible for her to remain in Hyrule as an ethnic minority. 

All of this went over my head when I first played Twilight Princess as a kid, but it really messed me up when I returned to the game as an adult. I’m still haunted by the dread that came from the realization that the fun desert dungeon where Link gets the cool spinner item is a mass graveyard.

[disregardcanon]

i've been reading catching fire for the first time this year and i don't, personally, think that the quarter quell was a "smart move" for snow and the capitol even if things went the way that he wanted them to and katniss and peeta and all the rest died and he got a victor he could control. sure, it would have taken out katniss. but taking out katniss wasn't actually going to be the quick fix he wanted it to be.

because even the capitol citizens were upset about all of this. the capitol citizens, who had grown so used to having pretty victors to smush together like dolls and gush over and show that people from the districts CAN do something and make their lives better. it's the american bootstraps ideal made hideously manifest.

yes, they've been fed this propaganda diet that the games are proper retribution for a crime that happened a lifetime ago, but they're also supposed to bring out these Ideals TM the capitol claims to hold to and then the Beautiful Shiny Model Minority winner gets fame and fortune and safety and a promotion into capitol society. because they beat the odds and they won all these things! they *deserve* this!

now all of the privileged masses have these strong parasocial relationships where they thought they'd see their favorite athletes become safe and glamorous and happy. the social contract says that the capitol citizens get to have these lovely dolls to play with and now he's taking their toys away in a way that shows the propaganda never held any truth in the first place. if we don't actually value these people and what they represent, then why do we actually do it? (it's the cruelty. but the average capitol citizen doesn't understand that the cruelty is the point, because it took snow years and years and years of building up that Capacity for Cruelty, and most people never get to that point. there has to be a pretty facade over this for it to run smoothly for those average citizens like the prep team. and now it's not there anymore.)

and that's not even mentioning the different sort of horror this becomes for the districts, as the idea that's been sold to the wealthier districts is that if these children win they get fame and fortune and protection for life. but you're dragging them back into the horror that was supposed to buy their eternal glory? the careers aging out this year don't even have their "chance" in the arena to make their mark and gain their fortune. they'll just be losing some of their mentors in a pointless rehash.

in the poorer districts, perhaps there is some relief because their kids are safe this year but that means their only victors are being shipped off to die instead. and then their kids who won't have a chance in hell next year! because the hunger games are a perpetual motion exploitation machine, and the only way people were able to be numbed to it was figuring out the rules and then gritting their teeth and living their lives. but the rules are out the window, now. those rules that were supposed to make this terrible system something they could navigate and grit their teeth and suffering through are being blown to bits because snow tried to stomp out the tiniest embers instead of letting them burn out.

[incorrectbatfam]

Back when I worked at a restaurant, we would have this one DoorDash guy who had honest to God the worst timing ever. I never learned his name but he looked like a Mark and he had a special talent for showing up as something was happening. One time he came to pick up an order as the police were escorting someone from the bar for trying to assault the bartender and Mark was just standing in the middle of the entryway like🧍‍♂️asking about a burger that hadn't been started yet. Another time, he showed up as the kitchen was on fire and didn't understand why he couldn't pick up his order anyway even after my boss explained it to him three times. There was also the time he showed up and twenty seconds later, our POS system spontaneously imploded and our boss—the only person who could fix it—was out that day. Mark was an omen. Every time we saw his car pull up, there would be a collective sense of exhaustion mixed with dread.

Anyway, I think every piece of superhero media needs a civilian background character like Mark whose sole purpose is to get in the way and Fuck Shit Up by simply existing.