#it's just because I don't think I have the skill level at current to be able to

[lena-in-her-mind-palace]

Comparing The Avengers to the Justice league but it's actually accurate

We're just gonna do the main ones because otherwise we'd be here forever

I'm also mainly using mcu characterizations because I'm not as familiar with Marvel comics as I am with DC

Iron Man - Batman

This one goes without saying

Tony is literally Batman and Brucie Wayne put together

Billionaire Playboy Philantropist Superhero who?

They both have ridiculous paranoia

They're rich orphans with British butler (or butler adjacent if we're talking about Jarvis)

Incredibly smart and know it

They both run multimillion dollar companies

and work to better the world both in and out of their super hero persona's

Thor - Aquaman

Non human royalty

friendly and funny

Both of them have a strong sense of duty and loyalty towards their people

They just don't get normal society a lot of the time

Also interwoven magic and science

and they both have really strong elementally based powers

plus a very specific weapon that is inherently associated with them

to be honest, I don't actually know much about aquaman but it feels right

Captain America - Wonder Woman

They are literally soldiers

They both fought in a world war

Also Diana's love intrest is literally a blonde soldier named Steve

Both of them have a strong sense of duty and moral obligation

They're also the most fond of proteges and younger heros

I'm sorry but Steve had no business being so nice to Peter during the airport battle

Dude you are literally fighting each other

Idk the military background makes them more similar in my opinion

also the fact that they're super behind on a lot of modern day stuff

Like everyone remembers Diana discovering ice cream don't we?

and grandpa steve my beloved

Hulk - Superman

okay this one was a little hard

at first I was gonna do Guy Gardner cuz green guy with anger issues. But Guy's kind of an asshole and Bruce is a sweetheart

so then I thought the Flash for the science but I don't think Bruce is into puns enough to match with either Barry or Wally

But Clark is perfect

Clark is a dork

But he is genuinely really intelligent

also they literally wear the same glasses

I think Clark and Bruce would get along really well

If you want to talk about the anger issues

Well

We've all scene Batman V. Superman

Tbh not my favorite version of superman

Clark is obviously not quite prone to rage

and it's definitely no where near hulk levels though

But when he's angry it gets destructive real fast

think about most of his fights with doomsday

Constantly worries about his own strength and hurting the people he loves

Which is a struggle both of them are characterized by

Black Widow - Orphan/Black Bat/Batgirl

okay I know cass isn't technically a member of the league

but hear me out

also I'm not actually sure which title is Cass's current one

anyways

both were raised from childhood to be a lethal weapon

and they truly are

they both have a major guilt complex over the lives they've taken

and that's one of the biggest factors for them becoming a hero

they joined the good guys to get out of the assassin lifestyle

Also dancing?

like the widows were trained in ballet since it was the red room's cover

and cass dances as an escape

I think it's poetic

Also they both are the owners of their family's shared braincell

Cass is like Natasha but younger really

Hawkeye - Green Arrow

so I know at first glance this seems obvious

yk skilled archer or whatever

but I wasn't exactly for it at first

I'm not really Green Arrow's biggest fan

But I've recently been reading Mia's run as speedy

and despite the vast, and I mean vast, difference in her back story with Kate

Their mentors are very similar with their proteges

like Oliver is just so soft with mia and it's adorable

not to mention neither wanted a protege at first and then they go and basically adopt them

literally in oliver's case

Also Ollie's into pranking as much as Clint is

And admittedly Oliver is just as strongly attached to his family as Clint is

if we ignore the thing with roy because wtf Oliver

Runner ups:

Thor and Wonder Woman: mythology and their whole fish-out-of-water-ness in modern society

Thor and Captain Marvel: again mythology, lightning powers, and also their childlike nature (literally in Billy's case)

Black Widow and Black Canary: badasses that keep the men on their team in line. need I say more?

Iron Man and Green Arrow: only thing that got me is that Ollie's not nearly smart enough to go toe to toe with Tony

Vision and Martian Manhunter: they can pass through walls and they just don't get humans

Scarlett Witch and Zatanna/ Dr Strange and Constantine: I don't think this requires elaboration

Winter Soldier and Jason Todd: fallen hero presumed dead starts working for the bad guys before switching back to the good guys

Bonus:

Spiderman and Dick!Robin

they're bendy

they love puns

they love swinging in the air

they're smart

they give their mentors high blood pressure

everyone loves them

they have a lot of grief

they have a thing for really smart, badass red heads

Ball of sunshine with ridiculous anger issues

also I think a meeting between Dick and Peter would be a disaster in the best way possible

[vagueconfusion]

For people who haven't seen them these are the current Sheep Tokens (I messed up on the white one, those masks didn't have the arch whoops! Have to make another one with the proper markings I guess.) The goal is to eventually do ones that look more like the current masks (and maybe eventually make some more detailed ones with beading/fancy details) + Espera (Esheepra)

It's been a bit since I made an update, but! I'm working on another one of this style right now and will probably do another for practice and then try my hand on the current masks? Maybe? We'll see, haha.

[amanitacurses]

Hi. I really like your artwork.

In one of your posts you mentioned the 4 aus youu draw for and a loose story for them. Do you have a comic or writing about any of it? It's okay, if you don't, i was just intrigued, is all.

Thank you!

Not at current, I'm not very good at drawing comics and writing takes me a long time. Maybe in the future, but that's why I'm revealing some pieces of the story through the asks right now. I'm hoping I can eventually make small one-shot comics for them, though! I left the stories vague for the most part in response to the ask because I thought it might be more fun for people to ask questions to/about the Links and have them answered with silly little doodles as explanations

[neverendingford]

,

[factual-fantasy]

*Pulles out the Welcome Home Wiki and clears throat*

So, to start with, are there any elements of the Welcome home crew being a tv show? Any "neighbor" that Wally talks too?

Who would be the most likely to figure out Wally's house is alive? Can Home speak or are they limited to onomatopoeias?

Canonically, Wally can only do the Mash Potato, is your version of him a better or worse dancer? Is anyone particularly skilled at something you wouldn't think they'd be? (eg: Frank having mad crochet skills)

Who feels the most comfortable around Wally? Are any of the neighbors unerved by his sleep depreived behaviors at times?

If Poppy found Sally as a youngin, how did that happen on a scale of Thumbalina to Stitch?

How much of a jokster is Barnaby, has he ever gone too far with his jokes? What's his go to for lifting the spirits of his neighbors?

Does Julie love games just as much here? If so, how strict is she with the rules of them? Especially safety rules. Does she create new games often or stick with the same couple and occasionally introduce new ones as the current ones become less fun?

How much of a bug lover is Frank? Does it ever bother him that all his friends names end with -ly/ie and his last name does that instead of his first?

What is your current idea for Sally? More gremlin or fancy? Maybe a bit of both, reserving all her self-control for the stage?

Is Howdy's bugdega his most prized possession, or no more then it would be for a normal person? How receptive is he to jokes?

Would the town of Welcome Home still use Jokes are currency, or would you switch it to a more standard kind of money?

Hope that's enough for ya XD

XD I couldn't help myself, I interpreted that question about Franks name as a funny drawing prompt! XDD Now onto your other questions..

1: Are there any elements of the Welcome home crew being a tv show? Any "neighbor" that Wally talks too?

Nahh, there aren't any elements of their world being a show or a Y/N and/or neighbor that Wally talks too. Its just the neighbors and their world is very real to them! :0

2: Who would be the most likely to figure out Wally's house is alive? Can Home speak or are they limited to onomatopoeias?

I don't have any plans for anyone to find out Home is alive.. but if anyone ever did, Wally, Eddie and Barnaby would be good candidates. Wally because he lives there and is pretty sensitive to Home's energy. Eddie because he is very sensitive to homes energy.. and Barnaby, because he's really close to Wally and is looking in on this situation with a clear and level head. Perhaps he would notice things that Eddie and Wally are too scatterbrained to notice..

Also yes! :0 Home cannot speak and is limited to onomatopoeias!

3: Canonically, Wally can only do the Mash Potato, is your version of him a better or worse dancer?

I'd like to think my Wally is capable of learning new dances, but he's just not particularly interested.. <XD so yeah! Only the mashed potato for my Wally too XDD

4: Is anyone particularly skilled at something you wouldn't think they'd be?

I have a few in mind for surprising skills! My Barnaby is surprisingly good at sewing! He learned it from his mama 🥺💞💞 Julie is- well, to the surprise of the neighbors at least- really good at making campfires from scratch and other outdoorsy things! :0 And lastly, Eddie is known for being clumsy and forgetful.. but surprisingly he has fantastic handwriting. Beautiful cursive, perfectly spaced out, perfect punctuation, never smudges, all the "I"s are dotted and every "T" is crossed. He never has to erase and never spells anything wrong! Eddie doesn't know how he got so good at it.. Its just always been like that he says. hmm..

Technically Barnaby would feel the most comfortable around Wally, since they're best friends an all.. :0 But no one is uncomfortable around Wally due to his sleepy behaviors! The neighbors mostly feel pity for the poor guy.. it cant be fun to never get a good nights sleep..

5: Who feels the most comfortable around Wally? Are any of the neighbors unnerved by his sleep deprived behaviors at times?

6: If Poppy found Sally as a youngin, how did that happen on a scale of Thumbalina to Stitch?

I cant really remember the stories of Stitch and Thumbalina that well... but I'd say it might be more like Stitch..? <XD Sally was super excited to explore everything and go everywhere. So she was quite the handful! Like I think Stitch was..?

7: How much of a jokester is Barnaby, has he ever gone too far with his jokes? What's his go to for lifting the spirits of his neighbors?

Barnaby is a Sans level jokester XDD Fitting puns and jokes into almost every other sentence! But thankfully he's rather observant and doesn't ever go too far. He knows what jokes are and are not appropriate to say around certain neighbors. He also can tell if its a good or bad time to crack a joke.. when it comes to lifting the spirits of his neighbors.. his go-to will depend on the neighbor. For Howdy, Julie or Eddie, he just needs a few good jokes with maybe a sprinkle of life advice in there to get them smiling again.

For Poppy or Wally, his go-to is usually to talk to them rather seriously and figure out what's wrong..

If Poppy is upset, it usually because she's anxious about something. So Barnaby will try to figure out what's wrong so he can help her fix the problem or maybe comfort her if its worry over nothing..

If Wally is visibly upset, usually that means something is really wrong.. Barnaby probably wont let up in until he figures out what happened and is able to help his poor buddy..

8: Does Julie love games just as much here? If so, how strict is she with the rules of them? Especially safety rules. Does she create new games often or stick with the same couple and occasionally introduce new ones as the current ones become less fun?

I'd like to think that my Julie loves games too! :)) She is lenient on any and all rules if all the other players agree to it. In a way changing the rules creates a whole new game! But safety rules are no breakers! Gotta keep her friends safe after all! And I think Julie only switches it up and tries new games once her neighbors are bored with the current selection :00

9: How much of a bug lover is Frank?

Well considering my Frank moved to this neighborhood specifically so he could study and live alongside all the creepy crawlies there.. I'd says he loves them with all his heart! XDDD (Also never call them creepy crawlies around Frank, he hates that!)

10: What is your current idea for Sally? More gremlin or fancy? Maybe a bit of both, reserving all her self-control for the stage?

Right now I'm resisting the urge to make her a 100% chaotic gremlin <XDD Since I don't know if that fits her canon character very well.. I'm leaning more towards a passionate and sassy theater kid atm 🤣🤣🤣

11: Is Howdy's bugdega his most prized possession, or no more then it would be for a normal person? How receptive is he to jokes?

(AOIJASJFF I JUST GOT IT-- BUGDEGA XDD) Its his most prized possession! He treats it better than he does himself to be honest! <XDD And he has a great passion for the quality of the products he sells too!

As for jokes, my Howdy loves a good joke. There's a rumor if you make him laugh, he'll give you a discount! 👀👀

12: Would the town of Welcome Home still use Jokes are currency, or would you switch it to a more standard kind of money?

The canon uses jokes as currency?? :0 Huh.. I didn't know that, I intended to make my neighbors all have jobs. But I guess that begs the question, what jobs do they have.. I guess that's still a work in progress <XD

Anyways- thank you for all the questions! :DD These were a blast to answer, and I hope you had fun reading them! XDD

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[st0rmyskies]

What Your Favorite Link Says About You

A.k.a. The Links as tarot cards/your rising sign/your blood type.

Time

You're likely an older Zelda fan. Ibuprofen has become a food group for you. Anyone who thinks OoT isn't the greatest Zelda game has you clutching your pearls and tutting. Kids these days don't know how good they have it.

You are a person to whom young people come for advice, either in your career or in life in general. You're happy to give it, especially because you love to help, but on the inside you're silently screaming, What?? Why me???

You may have trouble sleeping through the night. Even if it's not every night, there are some where you just can't turn your brain off and worries or worst-case scenarios just keep playing and replaying ad nauseaum.

You enjoy time in solitude to appreciate the beauty of nature. I bet you know how to braid a mean daisy crown.

“The flow of time is always cruel...” - Some event in your life took your innocence from you, perhaps much too early. You grew up quickly because of it.

Legend

Either you had a crush on the emo kid in high school or you were the emo kid in high school.

You might be jaded by the world, but you still have a solid work ethic and a soft heart despite it all. Even if you hide it all beneath a healthy layer of sass.

You possess a multitude of skills, not all of which are related. Anytime a friend needs a piece of clothing mended or a picture frame hung on the wall or a leak in a faucet addressed, you have the tools and the willingness to help.

Either you have a history of moving frequently when you were young, or you have a restless spirit. You may never quite feel 'at home' in any given place.

"But, verily, it be the nature of dreams to end." - You’ve suffered a meaningful loss in your life and you have a hard time opening up again because of it. 

Hyrule

You root for the underdog, or perhaps you are the underdog. Any of those "against all odds" stories just hit you square in the chest.

Somewhat quiet by nature, you do vital work behind the scenes but you aren't the type to seek out a leadership position. Leave the limelight to somebody else, please.

You might sell yourself short when it comes to your skills and abilities, but you should believe in yourself, man! You can do it!!

You have a capricious streak in you that rears its head now and again. That smile can look sharp and devilish in the right light.

"It's dangerous to go alone!" - You either already have or are destined to find 'that one person' with whom you can open up and truly be yourself. 

Twilight

I'm willing to put money on the fact that Twilight Princess was your first Zelda game.

You have a strong sense of justice and get really bent out of shape when you encounter unfairness or flaw in the system, whatever that may be. You might be considered an outsider in some way because of this.

You're the friend who scoops spiders up in a cup and sets them outside. Live and let live.

You were the 'wolf kid' in middle school. Come on, those amazing tie dye shirts? Wolf Woman? Julie of the Wolves?? Even if you kept it inside, it was there in some way.

"Your current power would disgrace the proud green of the hero's tunic you wear." - You put a lot of stock in the opinions of others and hold yourself to a higher standard because of it. Sometimes that standard isn't achievable, though, so try to be kind to yourself. 

Sky

You, my friend, have a soft heart. You're generally a happy-go-lucky sort of person. You're likely to make excuses for those who've been mean to you in the past and come out as friends on the other side.

You're crafty, or at the very least good with your hands. You're the type to give someone a handmade gift rather than go buy something for them for their birthday, a holiday, etc.

You have a strong affinity for your friends. If anything bad were to happen to them, you'd turn violent at the drop of a hat.

You may have some level of chronic illness that affects you. Although you might do things in a different way or at your own pace, though, you still come out on top.

"You fight like no man or demon I have ever known." - You have the capability for great things. World-changing sorts of things. Don't give up!

Wild

You're some flavor of neurodivergent, if I had to guess I'd say ADHD. You have 42 tabs open in your brain at any given time and you have no idea which one the music is coming from.

You're an incredibly creative person, although you might have trouble finishing tasks/works-in-progress. Doesn't mean you didn't learn something along the way!

Rigid guidelines or deadlines stress you out. You'd rather be given a goal and decide for yourself when and how to get there. When you do have a deadline, you're a bit of a procrastinator.

Sometimes you don’t get the 'right' way to do things, but you carve your own path--although sometimes it's unorthodox--and get there in your own time.

"Courage need not be remembered, for it is never forgotten." - In spite of how your life changes you, for better or for worse, you have a driving inspiration or ethic or vocation that moves you forward at all costs.

Warriors

Those who don't know you well tend to boil you down to one or two trite traits. In reality, you contain multitudes. Most people couldn't handle all of you, not that they deserve to know even part of you.

You tend to lay it on thick--be that your charm, attitude, or whatever else your social shield might be--because you're hiding some deeper secret or insecurity at your core.

You're the mom friend or the planner in your group, or perhaps you're the oldest child. You’ll pass on an authority role if and when you can, but likely you’re still involved in some supervisory capacity in a given situation. 

You kill spiders with fire. Show NO mercy.

"You dare raise the blade of evil's bane to me? So be it. Hyrule's blood will be on your hands." - You have strong convictions and you aren't afraid to take risks, major risks, to do what you know to be right.

Four

Babe, if you ain't short, you've got short person energy. You scare me a little bit tbh.

You were praised for not being a problem child growing up, or for being very responsible at a young age.

You have a vivid imagination! You may have had an imaginary friend as a child or lived in your own little world altogether. I bet your notebook pages were strewn with little doodles in school.

You're a lover of information. If you could choose between an afternoon at the library or a movie matinee, it would be the former.

"Hanging around with you fools is dangerous for my health." - You're the snark friend, aren't you.  

Wind

You are extroverted to a fault. You need the company of others to recharge that social battery. The quintessential golden retriever friend.

You had active involvement in the music and theatre department. I'd be surprised if you weren't in at least one show in high school.

Having adventures is where it's at! You're a big fan of travel, either cross-country road trips or international flights. You could happily live out of a suitcase.

You tend to make friends easily wherever you go. If everyone in this classroom/workplace/bar doesn't know your name already, they will pretty quick.

"I have been waiting for you, boy... Do not betray my expectations.” - Against all odds, you've proven yourself to be worthy of great things. Screw what fate has in store! You're the type to take your own destiny by the 'nads.

[morningmask27]

acrylic on canvas 30x40 cm

it is very evil of Belladonna to not bite women when she probably has the entire lesbian community on their knees now

anyways, Dracula's Ex-Girlfriend was so fucking good and despite my hatred of drawing (let alone painting) humans it compelled me to create something.

I'm just going to leave a wall of commentary on the process under the cut because I need to chatter about all of this real quick

I chose this scene at the end because 1. it was super hard to find one still where Bella and Fay are both properly visible (yet somehow Fay's still facing the other direction) and 2. this scene just hits a bit different to me.

the discussion of smoking, a thing that's bad, but it being life, right as Bella drank that bartender dry made me think of a few things I experienced and while I personally will still keep on going against what Fay said here, I still got to see things in a somewhat different light I guess.

Fay's care is also so present here. Bella is self-destructing massively, but Fay still comforts her, even after she "fell back" on her bad habits (she never quit) and this hug just hit me personally quite a lot. the silent care, the "you're warm". I can't fully describe everything it makes me feel, but this scene was good.

on a more technical level. I had to take some creative liberties with the lighting and such because it was DARK and my painting skills aren't ready to make such minute details with extremely dark colors. It would get ugly and muddied, so I had to adapt. the harsh shading on Bella's face is less striking, but I don't know if I could make it better with my current skills.

This was also one of the first times I've really rendered a human face; Last time I "tried" it was 1. without a ref (unwise) and 2. when I was even worse at drawing humans and I ended up so mad at this painting that I Could Not Go Paint Again for a while because of how mad I was lol, so I'm honestly really impressed with how I managed to do this without making a huge mess.

At least until I got to add the blood. It still looks good now, but I had to fiddle a lot with the reds I used and the skintones to mitigate the damage of a few first strokes that got too grandiose.

I also decided that Fangs. I am a bit of a vampire researcher and seeing the different traits they get in different media is always fun and here the fangs seem a bit retractable, but Bella's a vampire and I am a sucker for fangs, so I had to include them.

my handwriting also didn't fail me too horribly, even if I had a few accidents and had to clean them up before I got this "clean" little text. I really don't have good brushes for very thin and precise strokes (nor the capacity to not tremble the entire time honestly)

This was honestly quite fun too. Four hours of listening to some music, having a weird moment with my mother on the phone and just painting. I did really not want to draw Bella's face at first and drew nearly everything else before I began, but once I did I got into the groove and it went fine, so I'm pleased with this.

[some-triangles]

I am now at a level of obsession with Disco Elysium where I am watching at least a little bit of every playthrough I come across. Last time this happened was with Undertale almost a decade ago. With UT this helped me get a very thorough handle on the way the game was designed and with the subtler bits of player manipulation. DE is not subtle about anything and so instead I'm getting insights into the people playing it, particularly as it spreads beyond the youtube leftist bubble.

The one I'm having the most fun with right now is by this guy named Brady, who is a therapist specializing in addiction. The fun part is not so much his insight into Harry as an addict - again, the game is not subtle - but his absolute discomfort with politics. He refuses to engage with any of the ideological choices, and that makes the game a bit of a bumpy ride for him. It's particularly striking because he's willing to read into everything else that goes on in Harry's brain - he breaks out his Johari windows and his CBT flowcharts and pins the butterfly right to the corkboard - but he shuts down when the game asks him to pick a side.

To extrapolate wildly from one dude's hangups, I think this is just part of the deal with therapy. The aim of a therapist is to make the subject more functional (particularly these days, when if you're lucky insurance will pay for ten sessions, and you better document exactly what worksheets you made your patients fill out) - and being functional means being able to be happy and productive in the society you're currently living in. If I go to a therapist and say I'm bummed out about all the murdering my government is doing they will suggest I stop watching the news, or, if I'm lucky, they'll try to help me figure out why I feel guilt about things I can't control. Delving into the whys and hows of said murdering is actively counterproductive.

This is not to say that therapy is inherently bad, or, like, counterrevolutionary, because making you a more functional person does help with a lot of things, including your ability to help others. It's just a useful thing to keep in mind when therapy and politics bump into each other. I read this paper when I was googling ABA for podcast reasons and it stuck with me. The thesis boils down to: because the world is imperfect and people need skills to live in it we should continue to torture children, and we don't have enough research to conclude that torture could be traumatic. This is on one level reasonable and on one level insane. It depends where you stand, and whether you think "ability to express affection towards parents" is worth that kind of intervention. But the authors wouldn't construe this as a political argument.

Anyway: with all this in mind, I very much recommend reading "The Saint of Bright Doors", which we will be covering on wizards vs lesbians soon.

[ihaveforgortoomany]

Reverse 1999 and child soldiers (just rambling) (global friendly)

It doesn't take long for anyone to realise most of the cast (excluding awakened, entities like Voyager and AlienT, and people like Eternity) are young: ranging from most being 17-16 with adults around their 20s and Shamane currently being the oldest (excluding the above) at around 40. (Edit hes 45 thanks for clarifying)

Alright you say, this is a gacha game ofc the characters would be around these ranges and we hope every patch to get character that is above 40 (wdym someone like Tooth Fairy isn't 30? Same for Kakania and Isolde, how are they 19 and 18 respectively?For example). Hey I would like more older characters too, but I think the ages are partially intentional if we look into lore on a thematic level.

Ok. We already know the Foundation, Laplace and now Zeno (though it was ofc from Lilya) they produce child soldiers, workers and scientists:

Vertin is the Timekeeper at 12

Sonetto probably became a field investigator around 14-16 at best (correct me if we have a better frame of reference)

Ms Moission in her character profile apparently was a field investigator at 14. (I spelt her name wrong I think)

Mesmer Jr started working at the age of 12

As of the release of the Zeno anecdote we know Lilya around 14 was already in field missions and has seen the state of war.

(Probably could include X, Horrorpedia here but I don't have much info)

What am I getting at? Characters being young in their fields of work is completely intentional, one due to the Storm in the case of the Foundation as the first had taken nearly the entire workforce (plus Child Labour Laws) so in desperation to maintain numbers and order the age to become investigators, soldiers and scientists became much lower. I don't know if the SPDM existed before the Storm but the way it functions primarily serves to replenish those lost workforce.

And two: the perception of arcanists and the importance placed on the manifestation of their arcane skill as young as possible.

We see this in the case of Mesmer and Isolde/Trista.

Mesmer Jr once she was tested to see if she had her arcane skill immediately was set to manage mentally unstable patients at the age of 12. (She alongside Vertin probably needs the most therapy)

For Trista this was the seance her mother brought to at the age of 3, dying as a result and leading to her mother with Isolde to delay by 3 years. (Acting as if that was a mercy which it really is not)

There is an emphasis on an arcane families and arcanists maintaining their societal status/ relevance through children developing their arcane skills as soon as possible plus the idea of childhood and working is flipped on its head with the presence of arcanum.

Ok idk if worded that bit correctly but in short: our idea of when a child should be working (which is never) or the time someone should be in teaching before they get into a profession (TF, Kakania and Madam Z) is warped and absent in R1999. For Kakania, shes 19 but I would argue this is because of how she had dropped out and decided to be an unlicensed doctor. Most characters being younger is the result of arcanum being present in the world.

Moreover there is a general theme of lost childhoods/ forced to grow up fast in the younger cast. Exclude characters like Ezra, Matilda (so far) and Spathodea since they are relatively fine/ not deeply traumatised. Everyone else, Vertin, Sonetto, Mesmer Jr and characters like Eagle, Monlicht, Oliver Fog were forced to grow up fast despite their young age.

Summary: characters being in younger age ranges either being literal child soldiers or certain adults being relatively young is the result of the devastation of the Storm alongside the different perception of age in the arcanum world, there the manifestation of your arcane skill seems to be used as a sign of maturity and readiness to be thrown into work (Mesmer and Isolde being put om their respective career paths at a very early age) (or your Constantine celebrating the erasure of Child Labour Laws)

[beegalactica]

The real 'glow-up' is all mental.

With it being the prime season for the 'how to glow up' guides to make their rounds in the media we consume, it is always worth reminding yourself that the only way you are going to 'glow up' on the outside is if you 'glow up' on the inside.

I personally get annoyed with the whole glowing-up phenomenon because it perpetuates this idea that there is some kind of 'end goal' in life and once you reach it, everything will be perfect. In a world where the idea of what it means to be attractive, intelligent, successful, or desirable in any way is constantly changing, there is only one constant: YOU.

You are a lifelong investment, and you are worth every penny, second, and ounce of effort you put into yourself.

Let's go over some of my glow-up tips and habits for you this year and examine how much of your levelling-up will really need to take place in your head.

Invest in your hygiene. This doesn't mean buying the most expensive skincare and having a 30-step routine, this means brushing your teeth every day, taking showers regularly and looking after your hair. Of course, we all want to achieve that 'clean girl aesthetic' but to me, simple hygiene is the best way to send a message to your body and mind that you care. Nothing says "I love you just the way you are" to your body like taking the time to clean it, care for it and pay attention to what it needs.

Invest in your surroundings. Now I know, making your bed every morning can be an unnecessary waste of time, especially if you're just going to end up getting back into it at night, but I like to think that my surroundings reflect my mental state, so if my room is a mess, best believe my mind is a mess too.

Invest in your interests. Start a hobby, pick up a new skill, try to find a book that interests you, or even start a Tumblr blog 😉😉! This year, I am focusing on really cultivating myself and becoming an interesting person who has things to talk about with people, instead of mindless gossip or resulting in self-deprecation to entertain others.

Invest in your happiness. Do what makes you happy. Distance yourself from those who seek to pull you down, to prop themselves up. You are worth so much more than that. Sometimes, those people are in our households, and the only way to cope is to know what makes us feel good and chase that happiness. Know that whatever issue you are facing shall pass and you will feel good again.

There is a common belief among people who may struggle with their self-image that once they fix this, or change that, everything will be perfect, but as someone who has had that mentality, it won't. If you want to lose 10kg for example, but hate your current body, waking up skinny tomorrow won't fix that voice in your head that tells you that you're still not good enough. If you love yourself as you are, and acknowledge that exercising is a form of self-love, and it doesn't take away from it, that mental glow-up will begin to manifest itself physically.

What's the point of others complimenting you daily if you don't believe it or can't accept it because you don't think of yourself the way that they do?

Trust me when I say this, my biggest milestone on my 'glow up journey' was not losing x amount of weight, but looking at myself in the mirror, first thing in the morning with no make-up or styling, and still being able to say "Damn, I'm so beautiful." And I can confidently tell you that to reach this point, I didn't set the intention of losing weight and trying to become more beautiful, I set the intention of loving and accepting myself the way that I am and all the actions that followed after stemmed from this love that I have. I didn't feel the need to exercise because I wanted to be skinny, but because I knew that it was what my body needed, and I loved my body so much that I was willing to do that for her.

It's easy to get wrapped up in so many things and lose sight of yourself, but when that phone is off and you're all alone, disconnected from the rest of the world, what do you say to yourself?

P.S. If you're reading this thank you all for the love on my first post! Opening Tumblr every day to new notifications has created this sort of excitement and extreme joy that I didn't even know was possible! Stay safe and take care of yourself 💗💓

[becausegoodheroesdeservekidneys]

With Duolingo getting enshittified, do you know any similar alternatives for learning Welsh? I started last year but stopped after moving here because house move, spoons, etc. and all the news about it is really putting me off restarting on duo.

If vocab is what you want, there's an app called Influent that has a Welsh option. It's paid - I think it costs a fiver? So not much. But it's great for vocab, and gamified, so that's fun.

Actual courses:

learnwelsh.cymru is the official Welsh Government supported website to hook you up with any course. At any level, too, from absolute entry level beginner to "Used to speak it but haven't in a while so need to polish up". You can find in person courses, online courses, long ones, short ones, free ones, paid ones, ones designed for employment (including specific fields), Saturday workshops, residentials, digital resources... There's tonnes. Absolutely tonnes. And, if you want one of the paid new beginner ones, they're currently discounted to half price until the end of January with the code CYMRU24. Obviously, free ones are shorter and much more basic than paid, but they do exist.

Your local Menter Iaith will very likely have some options; go along and ask (you can do that in English, they'll be fine with it).

SaySomethingInWelsh is always always the best. It uses a completely different language learning method and it churns out fluent speakers like you wouldn't believe. This is because their course focuses on verbal and oral language acquisition skills rather than the written word. Now, they used to achieve this, in the online courses, by means of audio recordings, but they have finally built their own AI NO DON'T SWITCH OFF COME BACK they built it themselves. It hasn't replaced anyone, and won't. It just makes the audio recordings into something more interactive and therefore more effective. And currently if you sign up to it, you get it for a tenner a month (this will sometime soon be rising to £30 a month, but if you sign up while it's still a tenner they'll never put you up to the £30).

Or, they do an in-person intensive course, which is 100% effective and incredible but costs £2000 a day. Like, it will make you fluent in weeks, but that's way too steep for the likes of us peasants.

And, I expect others will probably add in the notes any others I've missed. So keep an eye there. Good luck!

[creaman]

Hi there! I apologize for taking up your time, I am just so curious: When you tackle a comic, what does the process behind it look like?

Asking because I found myself scrolling through your blog once again and couldn't help but marvel at all the beautiful effects you use, at how flawlessly the structure guides the viewer's eye across each page, how the graphic weight seems to always be in just the right places…, and wonder how you learned doing this. Everything you put out looks incredibly professional and I aspire to reach your level of skill 😌❤️

Thank you Finz!! You're no bother at all, I'm an open book. This is such high praise for a guy that really doesn't have a set process, I feel like a hack. Ha. Rest assured my style is still developing. Besides the referencing of the linework and composition of official comic books, (practicing by redrawing panels for fun), explaining the process makes me feel like a serial killer but I will do my best.

(WIP Riddler panel, scrapped Scarecrow composition)

My comics usually stem from a single panel or concept — I like to focus on/emphasise particular panels of my pages, the heavy hitters, the main piece that catches your eye. I know I'm not a profoundly technically proficient artist so I prefer visually interesting elements and formatting, i.e. drawing characters outside their frames, negative space, notation, perspectives etc.

(Kung Fu Panda 4 sketch god I hate Kung Fu Panda 4)

I like to establish 'main focus' panels, the bits of the comic that really, well. make people want to chew on it. This is where the technical effort is concentrated, really, and the rest of the comic is generally build around these concepts.

('Restaurant Balthazar' focus panels)

Textures and effects are done on individual panels first, then the entire page as a whole to even out the unity. Generally, blocking in shadows, hatching for visual interest + middle tones, then textures/half-tones, then highlights.

(Script excerpt WIP)

I'm not a writer per se, but having a vague 'script' in your pages helps with pacing and direction. Comics are a versatile story-telling medium. I only really do scripts for comics longer than 2 pages. An optional but recommended strat is to send your script to a friend for a second opinion.

(Script excerpt — 'Restaurant Balthazar', annotated by @vincepti0n I don't know why he drew a face in the middle)

With the script crudely slapped together, I rough out the thumbnails and composition with the text, prioritising coherence and clean integration of previously mentioned 'main focus' panels.

Settling on a composition sucks the hardest. Drawing is fun, thinking makes brain hurty. Variety is good! Close-ups, wide shots, visual metaphors. Every panel is its own artwork.

The text bubbles are usually added in post, yes, but I'm just one guy and I don't have a writer to call me a good boy for doing things correctly. Bite me.

(Early 'Restaurant Balthazar' drafts)

In addition, keeping the text graphics in mind help create a sounder composition wherein even if the panels don't read cleanly left to right + top to bottom, the text can stagger and create the same reading order effect.

Panels and concepts are constantly tweaked, and my comic process is still highly experimental. A lot of industry standard comics aren't illustrated to their full potential due to deadlines and such — I strive for visual epiphany by treating each panel as its own artwork, and every page as a a bit of a mural.

(Old art hurts the soul)

Constantly experimenting allows you the insight of looking at your current art in comparison to your older works. In more recent works, I've been blocking in more shadows wiht lineart with thinner lines and more line weight, and learned to integrate the subject characters with less plain, abstract backgrounds.

TLDR: I have no idea

[kittenface40]

I.M.P is irrelevant to Helluva Boss

When Helluva Boss Pilot came out,I was really excited, to know more about these characters, their personalities, their relationships to each other and how they would develop. Additionally, I was also wondering on why each of these characters joined I.M.P and why did Blitz start his own business.

However, as the series went on, the show went on to become the Stolitz show along with dedicating episodes to fan-favourite characters that have nothing to do with I.M.P (Ozzie, Fizz and Stolas).

This is one of the (many) reasons why I'm disappointed with the current state of Helluva Boss, I.M.P's irrelevance to the main story, while I do enjoy the new episodes. There are a lot of story issues that I have with it, the fact that IMP is basically irrelevant to the Helluva Boss.

NO IMPACT ON THE OVER ARCHING STORY:

So far we only had five out of fifteen episodes (excluding the times where it's offscreen), of IMP doing it's job is the main plot of the episode, while five episode may seem fine for some it becomes a problem when their actions are basically inconsequential to the main story.

The only times where they are important is for one-off adventures like in Murder Family, Spring Broken, CHERUBS & Unhappy Campers. The problem is that their existence doesn't impact Stolas' story in anyway (aside from Blitz), like why are we focusing so much screentime on Stolas (a secondary character) who isn't even employed at IMP. And instead focus on Blitz, the titular character, protagonist and him being the boss of IMP. Understanding his goals and reasoning as to why he wanted to start IMP.

HELLUVA BOSS? WHAT BOSS:

Another problem I have with IMP, is the fact that we don't know why Blitz wanted to start a business on killing people, was it because of his tragic past and to distance himself from it, is it that he discovered he's really skilled at killing people and decided to make it big , is it because he wants love and new connections from his employees, is it to prove the higher class or his father that he can make it big and break class traditions. What is it? We only now why he wants love and respect from his employees due to his tragic past. But we don't know why he started his business.

Also we never get to see him develop into a caring boss that genuinely cares about his employees, with the show only showing the ending of the development in the same episode but none of the development.

In addition, we also never get the chance to see him as a leader of IMP, you think Blitz would be the leader and he needs to grow into being one for his employees. But the show never has Blitz develop into becoming a Helluva Boss.

NON EXISTENT SURFACE-LEVEL RELATIONSHIPS:

Another thing I really hate is that the relationships between employees at IMP, are never explored beyond the surface level. The only one I can say this doesn't apply to is Moxxie and Blitz.

We don't get to see the M&Ms relationship grow outside of loving each other, and when they do explore it, it's written poorly (Unhappy Campers).

We don't get to see Millie and Luna, relationship grow, they don't even talk to each other that much in the show. What is Blitz & Millie relationship, why do they get along with each other, why is she fine with Blitz behaviour. Luna and Moxxie relationship, why is Luna so mean to him, how does Moxxie feel about Luna bullying him, has she ever went too far, would Millie get angry at Luna for bullying.

(Side tangent; but why is Millie not standing up for her husband when Blitz and Luna bully Moxxie, they do it right in front of her. Wouldn't she get angry at them, edit: I checked and she did get angry at Luna for calling Moxxie fat, but not at Blitz for joking about this. But she needs to say something, put her foot down, not just make an angry expression)

EMPLOYEES LACK OF REASONING:

We don't know what the employees motivation was to join IMP. Why did Moxxie and Millie join IMP, was it to prove their parents wrong, to make it big, or is it for similar reasonings to Blitzo.

Why did Luna join IMP? Was it out of gratitude for Blitz saving her, was it because she couldn't get a job as a hell hound, was it to be with her father more.

-----

Anyway, that's my thought for a day, on Helluva Boss, let me know what you think about IMP. Do you agree? Disagree? Why? Let me know!

[emilybeemartin]

Hey! Hey, would you like to be a park ranger?

USA Jobs just posted a bunch of national park ranger positions for summer 2024--everything from small historic sites to the big flagship parks like Yellowstone and Yosemite. These are seasonal positions specifically for interpretive rangers, which means you begin around May-ish and end around September-October-ish. Interpretation is the branch of the NPS that does educational programming and frontline visitor services, like working in the visitor centers, leading guided walks and talks, and just generally interacting with the public in a friendly, helpful way.

If you have a four-year college degree in just about any subject (honestly, I've worked with people with degrees ranging from theater to business to geoscience), or 12 months' relevant work experience (customer service, retail, education, camp counseling, etc), or a combination of the two, you're eligible to apply. All you need is a resume and transcripts if you're using education to qualify.

Just go to USAJobs.gov and search for "park ranger interpretation" in the search bar. The key things you're looking for in the results are listings from the National Park Service, the code GS 5 (which is the entry level for this position), and the phrase Not to Exceed 1039 hours (which indicates it's a seasonal position).

Some tips!

>Each application requires you to answer a questionnaire about your experience with things like customer service, preparing educational programs, researching scientific topics, etc. Be generous with yourself on these, because other folks will be. Even if you don't think you're an "expert" in something, consider your past work creatively. Have you presented research projects in class? Have you worked retail? Can you keep up a professional demeanor when somebody's upset? You have the qualifications. Rate yourself as such.

>Be thorough and specific in your resume. The NPS isn't a one-pager resume organization. They need to see evidence that you have the qualifications you say you do. The best way to ensure this is to copy, word for word, the phrases in the above questionnaire and insert them in the relevant places in your resume. So if the questionnaire says "Can you research, prepare, and present scientific information to a lay public," go to the appropriate place in your resume and write "I researched, prepared, and presented scientific information to my peers" or something similar. I kid you not, my current resume is ten pages long.

>Cover letters are optional but helpful! There are lots of templates online to help you write one; be sure to be professional. Mine is around 250 words and has three short paragraphs:

1- Position I'm applying for

2- Quick summary of most relevant work/education experience

3- Additional skills/rizz that makes me stand out (for me it's writing/illustrating, which helps me create visitor programs)

>Two things the NPS loves that will boost you are foreign language skills and being a US military veteran. Highlight these elements if you have them.

>Are you a schoolteacher? Check out the Teacher-Ranger-Teacher program.

>The big flashy parks are posted as standalone listings, but most of the others are bundled into "Multiple Locations" that are based on region. Consider applying for many of these smaller monuments and historic sites---they get far fewer applicants and are easier to secure. And many are absolutely beautiful. Want to work at Arches? Also apply to Natural Bridges. Want to work in Yellowstone? Also try Lassen Volcanic. Prefer history over science? You have dozens of amazing options from every facet of American history.

>Apply today! Apply now! Many of these parks cap their applicants because they get so many, and the rest will close after a week or so. A glance at the ones that were posted today and yesterday show them either closing on October 15 or 22. Some regions haven't posted yet, so keep checking the website in the next few weeks.

I love my work as a park ranger---it's such a rewarding way to spend a summer (or two, or ten), and it can open doors to other things. You won't get rich, but you will make great friends and great memories, add a killer section to your resume, and spend four months immersed with smart, passionate people in some of the coolest places in the US.

Plus you get a SICK HAT

[yangsharperavery]

my carmy/sydney related thoughts on season 2

i think when digesting this show, it's done more easily when we see who carmy and sydney are as people and how they bring that beingness to their dynamic.

it's interesting to see the takes from people who are troubled by what they saw in this season in terms of their relationship.

i personally thought there was so much fascinating groundwork that was laid.

we knew when molly gordon was cast they were likely trying to introduce a love interest for carmy.

i was not shocked, i was not surprised. i literally expected it.

doesn't mean i wasn't rolling my eyes but i was well aware of what function she would play within the narrative.

but the writing is so sharp that there are a million subtle elements of carmy's character, and what we know about him up to this point, including what was illuminated by the christmas episode.

let's first talk about carmy's choices and behavior where it relates to claire vs sydney and the restaurant.

we know that carmy is awkward, isn't incredibly relationally experienced and has sacrificed everything for his career and specific level of skill.

he'd just been ruminating on expanding his experiences as expressed in the al-anon meeting.

we know this man is intensely grief-stricken and also that he's battling his own mental health.

we also know he's literally been bred from chaos and emotional tumult.

even him not going to his own brother's funeral makes so much sense after that christmas episode.

he couldn't stand to witness what that type of grief had done to his already deteriorating mother.

so he's trying to conceptualize fun.

notice he wasn't trying to conceptualize love or relationships or a partner.

it was literally presented and integrated as fun.

so he runs into this girl he used to a have a crush on and even then, he's not sold because he knows himself, he knows his priorities, his propensities toward self sabotage, etc so he gives her a wrong number.

yet she persists.

so to me, this may seem like a sign to him to give this a chance, do some exterior exploration of something outside of the kitchen and outside of his career and outside of his own neurosis.

so he's just going with the flow. trying to be "normal". not really knowing the content or context of anything. another reason why he wasn't even calling claire his girlfriend.

claire even brings up the fact that they'd hung out so much but didn't actually talk.

which is SPOT on because the audience only actually ever sees them talking about their careers or what they were like as kids/teenagers.

but you know who carmy DOES talk to? hmm, more on that later.

so claire is symbolic of this thing that was pleasant when he was younger, when he was less of this grown conglomerate of anxiety and disarray and sorrow. a part of him that's separate from all of his current worry and fixations and dysregulation.

him saying he loves her so much and that he thinks she's so great actually rings hollow because we, the audience, didn't actually get to see when and where that level of specific emotion or intensity occurred.

so off rip i don't believe him. i don't think about it in the context of if or when he and sydney explore anything, because it feels patently untrue to me.

and completely separate from sydney.

it's not earned. it's not rooted. it's not tacitly valid.

it's fine. it's a good time. it's some laughs and conversation and sex and a nice, normal person he has fond, nostalgic memories of.

and i think it's written that way on purpose!

so him professing this to other people feels like this way to continue digging a hole of his own distraction, his absence, his lack of attention to detail.

i completely understand the frustration that many feel about interpreting this like carmy was essentially choosing claire over sydney.

carmy was trying to have an unfamiliar and different experience and didn't have the depth perception, the self awareness and the internal regulation to recognize he was doing it to the detriment of something so deeply and irrevocably important to him.

as soon as sydney brought it up, he got defensive but then moments later recognized his errors and apologized.

she told him she didn't want to share his attention.

he told her she was absolutely correct and that she deserved his full focus.

what's fascinating about this part is they aren't even explicitly talking about the restaurant.

she says "me" and "i", he says "you".

uh. wow.

now even in the context of JUST the restaurant this is saying ALOT here.

him instantly apologizing and agreeing with her requests means a substantial amount.

carmy isn't an ass because he stood sydney up for the palate cleanser. or even because he went absent when he shouldn't have.

carmy is deeply troubled and wounded and suffering and he was grappling for something else to feel or do or think about besides what he's ALWAYS thought about and done and fixated on.

that's why he's unreliable, that's why he's haphazard and emotionally or energetically messy. he's coping.

that's why he knows he makes mistakes all the time. because he feels like he's a screwup in a lot of specific ways in his life so he's used to it.

he's not being malicious or cruel or even unkind to sydney.

and this isn't an excuse. it's a reason. it's what all the information we have about him up to this point is providing us.

and yes, his timing is godawful.

but he trusts this person so implicitly because he knows how talented and capable she is.

carmy does not know HOW to be a partner, of any kind. where would he have learned that? where would that have been modeled for him?

"this is what you wanted originally and i'm giving it to you."

so let's transpose the way carmy and claire are presented with how carmy and sydney are together.

he literally can't WAIT to hear what sydney has to say. about literally anything.

at any given time.

"say more please."

all he wants to do is listen to her talk. he wants to know everything about her. the personal stuff too, almost especially.

he listens to her so closely. in the first or second episode she loses her train of thought and he repeats everything she just said.

i don't even think it was restaurant related.

he brings up her mother not once, but twice.

he feels like he should have known that sydney lost her.

he wants to pour into and believe in her because he does. he already does.

he's ready to apologize to her because he knows what a mess he can be and often is.

he knows what his anger can do. he knows how he was conditioned and raised in the industry and he doesn't want that at all for her, least of all from him.

especially after she walked out last season.

he's hyperaware of it. he calms down instantly both times she does the sign for sorry that HE taught her.

he has this propulsion to NEED to know what's happening with her in the very moment something occurs.

he did it last season when she quit on the spot and he kept trying to talk to her when she was leaving.

he did it this season when she was frustrated and trying to say goodnight after carmy was actively telling everyone goodnight and to go home, yet he tried to talk to her when she was leaving.

"what?"

"i'm saying goodnight."

he was repeatedly ushering everyone out but because of the look on her face, carmy's like wait, "what's that about, what's happening?"

he can't stand it!

same with them outside last season when he brought her food and asked what was wrong.

if something is up with her, he reacts immediately.

if she's peeved, he wants to know why right away, he wants to know what to do to make it better, how to approach it, what to say, he goes out in search of that information in the moment it's happening.

sydney is his soft place.

he feels very anchored and tethered to her and i believe she feels the same with him.

sydney is his respite. his peace. the thought of her literally calms and stills him.

her being energetically seats him.

we saw it penetrate his seismic and consistent panic in real time.

that was clearly displayed for all of us to witness.

he doesn't want to be cruel or unkind or anything other than present and communicative with her.

i'd venture to say he actually doesn't want anything more than that, besides maybe the restaurant to succeed.

now sydney is in her "i have something to prove" era.

she is so driven and so determined but she's also a realist and is inundated and surrounded by all this proof that what she's doing may be foolhardy.

at the very least, it's incredibly risky. it's a jump.

and someone deeply ambitious and creative and tuned in and focused like sydney has such fear of failure.

because she knows what it often means for someone like her.

that's why she overextends herself so continuously.

she's often had to and she thinks it gets her closer to the opposite of failure.

she was not only aware of the gaps carmy's absence was leaving but also planning this tasting menu with a MILLION things on it because something was gonna be the star because it MUST.

and i think the carmy absence flares a bit of abandonment as well, like he's left her in a lurch.

she has feelings about that.

she finds out why he did, and TRIES not to have feelings about that.

that's confusing and she's already beyond stressed out so she tries to stuff it.

her success is so tied to her identity because she's worked so hard to get where she is and still feels like she's not where she wants to be.

so she wrestles with worthiness and worry and the financial climate of affability for restaurants. she's riddled with what if she can't hack it?

she has evidence of that being true in the past.

she has evidence of her past failures and those are what keep her up at night, not the infinite possibilities of her future successes.

and that's also why she picked carmy.

because she was always going to pick the best.

she was always going to follow the career and moves of the standout in the industry.

of the person that made the best meal she's ever had.

so if he's anal retentive or jumpy or doesn't call about changing the structural elements of their restaurant while it's happening, she deals with it because she picked him.

she chose him. and then he chose her.

(and then she lightweight chose him again when she came back)

so that's why when they're talking he so often checks in by looking her in the face, scanning her expression. he instantly picks up on something being off or wrong or him being "shitty".

or why when they're under a damn table, despite being peeved or annoyed with his disappearing acts, she lets out the most vulnerable, softest admissions about the perceived necessity of her contribution and future failure.

or why he responds with "i couldn't do it without you" so instantly, so rapidly, it's like it's etched in him. that's the quickest response he'd given to anything she said to him the entire season, she barely got the words fully out before he was verbally soothing her.

then he STAMPS this by saying "i wouldn't WANT to do this without you."

there was such an unexpectedly, viscerally aching quality to that exchange.

it's honestly searing.

i'm sorry are these wedding vows or are we talking about opening a damn restaurant?

or the way he says "you love taking care of people" to her when she talks about making sugar food.

that's also a stellar mirrored moment because i've seen a few people, i believe @eatandsleepwell is one, talk a lot about how that's one of carmy's main drivers and internal tenants.

they see so much of themselves in each other.

the buried parts, the unknown parts, the odd parts.

the parts they wanna work on. the parts they wanna exalt.

they are so similar. they are also quite different.

they have reflected one another in the narrative since s1 ep1.

they exist so flawlessly within the others interstices.

she wordlessly hands him pepto for his stomach.

he tells her he won't let her fail.

the pulsing undercurrent of sydney and carmy is pretty fucking palpable.

there's people on social media who weren't convinced or didn't ship them last season that have suddenly completely seen the vision.

whether the writers actually go there or not remains to be seen.

i don't necessarily trust that they will or won't to be honest because i know there are so many moving pieces and variables and factors.

ships get bypassed and messed up all the time.

i don't watch any shows for ship guarantees but i know how writer's rooms work.

i'd venture to bet that at least 1/3 of that room DOES have an interest in seeing something happen between carmy and sydney, (maybe even 1/2).

or at the very least the option to have it explored.

different people write different episodes, the showrunner/creator can scratch or add whatever.

scripts are TIRELESSLY edited and shortened.

yet there is alot that makes the final cut that points to the potent carmy and sydney marrow.

him giving her the captain reigns before they served for the first time, her saying 'let it rip'.

to me, sydney walked into that failing sandwich shop with a mission that day, they locked eyes and immediately fused.

something happened to the both of them in that moment and they largely don't even realize or can adequately reckon with its magnitude yet.