#is this even an autistic thing?

[chaotic-toby]

When I obsess over a character, I unconsciously start acting like them. This can consist of me copying their mannerisms, habits, or personality I guess.

Well, right now, I am obsessing over Abed from Community, so I've been copying his mannerisms such like his head and eye movements (like when he tilts his head in thought, which is something I already do but now I'm doing it in a more similar way), and I find this funny because he also acts like characters from his favourite shows/movies.

Just two autistic folks pretending to be fictional characters

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[angelicgarnet]

the way people online talk about autism is getting really weird, like do they know that neurotypicals still have interests? that someone being passionate about a hobby doesn't mean they're autistic? you guys know that right

[fluffbeast7]

I WAS FUCKING RIGHT

people who disagree or made me embarassed to have had headcanons about this are LOSERS

as i said as soon as i saw this on twitter:

''I KNEW IT I KNEW IT I KNEW IT I KNEW ITTT I K N E W IT I FUCKING WON!!! I MAY SUCK AT FNAF THEORIES BUT I FUCKING WON AT THIS ONE LETS FUCKING GOOOOOOOOOOOOOOOOOOO god anyways i love kellen he was an inspo before the dca existed- this guy is such a goat!! autism icon!!''

@basyacriptid i'm fucking losing my shit sorry if u already saw this

[bli-o]

hey autistic people who get overwhelmed by large groups or noise or conversation or etc etc etc you’re not evil for wanting to leave a family gathering. just so you know.

[ancient-reverie]

a moment of silence for all us disabled ones who had to watch each of their friends move on with their lives without you and get jobs, go to school, have partners come and go, get engaged and move house etc.

shout out to my fellow struggling people who are still sitting in the same bedroom they grew up in. the ones who can't get a job, can't make new friends, can't find a partner or partners, can't move house and can't go to school.

I hope one day we can all find someone to at least sit with us in our rooms. I see you and I understand... and I'm sorry we can't be that person for each other

[gxnderghoul]

i love swiss ghoul bc he's rly just a ghoul and his tambourine against the world

[saturnsocoolioyep]

In the same vein as "I've been taking my medication for long enough that I haven't experienced any symptoms in a while, I must not need to take it anymore! (Spoiler alert: the meds are why you haven't had symptoms)" I present to you a similarly clownish thought process- "I haven't experienced that trigger in a long time, maybe I was just exaggerating how bad it was and it'll be fine to engage with this! (Spoiler alert: take a fucking guess babes)"

[iliothermia]

I won't be able to finish this drawing before the convention, which will take up my next 5 days.. But I want to talk a little about him.. I've been thinking about golems and Frankenstein, and the trans body, projection and misunderstanding, villainization and death.

The concepts of Frankenstein's monster and the golem have been swimming in my head for a while, and their lore intertwining.. The tragedy of existing being seen as a monster no matter how you try,.. And the Golem, a protector of his people and a servant whose only flaw always rang a bit close to home as an an autistic person-- being too literal in execution of his orders. He's tired and struggles with a yearning for death. His havdalah candles will be out.. The first flame of the week, a spark of starting over again-- The flame brings him fear. As much as he's kept himself together he doesn't know how much longer he can keep doing it, he fears failure- but the fear of what may happen if he's gone is even more terrifying. He's lived a long life, and over time the one who formed him has sculpted him to the golem's own wishes.. From nothing to the man he is- but even with that effort, to outsiders he's still a monster. His skin is different shades of clays from varying riverbeds as his people have travelled.. Golems are unformed, imperfect.. but even as outsides can be polished the insides can still be broken

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[genderqueerpond]

We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.

And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.

"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.

A child.

Now that's too big, surely.

But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.

And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.

In normal circumstances.

Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.

No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.

And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.

But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.

"Does it ever bother you Pond that your life existence doesn't make any sense?"

[theceaselessidiot]

Eloise Bridgerton being an absolute mood:

and Cressida's reaction of 'this girl is so weird, but I'm into it??? Wait am I into this??'':

[lbhslefttiddie]

despite his initial rough impression, lqg gets a "fun" rating on the gege scale

[circusinarun]

Welp... Just some time ago I realized that this is not what neurotypicals feel...

Bonus:

Yeah...I gotcha Don 😞

And yeah, small headcanon that Splinter was not aware of such a thing as neurodivergence, so he made a lot of bad decisions towards his sons, (despite the fact that he is the same... Come on, am I the only one who thinks so?). Therefore, for at least half of his life, Donnie (and his bros) suffered from not knowing what was happening to him and tried to be “normal”... Sad, but very realistic

Don't be afraid, Donnie gave Splinter a lecture and now he understands his fuck ups

[bamsara]

being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now

[autisticlancemcclain]

Lance never shuts the fuck up.

Keith can’t get enough of it.

It’s been like that for as long as Keith can remember. Lance was the motormouth in, like, 6 of his classes; always had his hand up with a question or answer, and comments in between. Keith had been annoyed with it, that first year.

But then he’d shared classes with Lance again.

And again.

And again.

By then, they’d had their fair share of group projects together. Keith came to know that for all he was a rambling mess, Lance was really fucking smart, and funny besides. He was also endlessly kind and supportive, at least when he wasn’t egging on their rivalry that he’d invented (and that Keith hadn’t known they’d had — not that he wasn’t an active participant, once he knew. Riling Lance up was the most fun he’d had in ages).

Keith doesn’t remember exactly when he’d started smiling whenever Lance looked at him, feeling proud whenever Lance got a question right in class. Doesn’t remember when the mild annoyance turned to genuine appreciation. He does remember looking down at his notes one day, in Algebra II, only to discover a blank page, and realising that he’d spent the whole class just watching Lance talk. (He also remembers feeling pleased instead of the disappointment he should have felt, because he figured he’d have an excuse to hear Lance talk more if he asked him to help Keith catch up. He knew he was in quite the mess, then.)

Keith knew he had a crush on Lance, after that. And Keith was never one to sit idly — he’d asked Lance on a date right then and there. Lance had, for the first time in Keith’s working memory, gone speechless. (And quite the pretty shade of red.)

The speechlessness didn’t last long, that’s for damn certain. Keith took Lance to the Applebee’s at the plaza near his house that very night, because Shiro worked there and would give him a discount. Also, Lance had once mentioned he liked the lemonade there.

Keith met Lance there because neither of them had their full license yet. He doesn’t remember what exact table they sat at, only that they must have been near a window, because Keith remembers swooning over the sunlight warming Lance’s beautiful brown eyes no less than six times. They’d ordered, Keith some sort of fried dish and Lance — Lance had ordered a four-cheese fettuccine with a garden salad and, of course, a lemonade. Keith remembers so specifically because Lance spent the next thirty minutes excitedly telling him every piece of history surrounding the dish, down to the prehistoric origins of wheat-made pasta and the disturbing account of the first pink lemonade. He’d looked sheepish after looking at his watch and realising how long he’d been talking, and Keith hadn’t known how to assure him that Lance could narrate every detail of paint drying in a wall and Keith would swallow up every word.

(Later that night, Shiro sent him a picture he took while the both of them were distracted — Lance, animatedly waving a fork in the air as he lectured, and Keith, chin in his hands, meal forgotten, looking at Lance with a face more besotted than he knew he was even capable of making.

Keith sent the photo to Lance, asking him if he’d like to go out again, confessing that he enjoyed every second of Lance’s rambling.

Lance said yes. Very quickly.)

The rest, to a degree, had been history. They’d dated for the rest of high school, staying together even as they attended university and trade school on either side of the country. It was easy, really. Lance made sure they always had something to talk about. (Lance loved university. He was enamoured with every second of it, every niche interest of his getting its fill. He switched his major fourteen separate times, chasing every one of his ambitions, and Keith loved every story he heard. He also liked becoming an expert by proxy, because that was inevitable — you could only hear about the important of spiders in the ecosystem so many dozen times before the information was reflective whenever someone brought up the subject.)

As soon as Keith got his mechanic’s certificate — and he passed his exam in the highest percentile, meaning he could practice anywhere in the country, much to his pleasure and Lance’s overwhelming pride — he took off to California, his one and only thought being that he had to get to Lance. (Not that it had been impulsive — this was planned, something they’d been waiting for. Did Keith run over as soon as he could? Yeah, kinda. So maybe it was a little impulsive. But mostly it was planned.)

Not to sound like a Disney princess, but Keith really felt like their life began once they moved in together. Keith was able to find a job at a pretty decent garage, bring in money for them immediately. Lance had his library job until he graduated, and of course then he was snatched up by the nearest ecological restoration effort — he got to spend his days crawling through the forest, fawning over every tiny bug and critter. He is so fucking cute. Keith loves him more than anything in the world.

Lance’s constant lectures never stopped, either — any interest he picked up, he told Keith about it. From his knitting club to the new beetle species he’d found at work, Keith got the pleasure of hearing about it. And it truly was a pleasure. Keith had his fair share of time being a motormouth, too — he’d bought a project bike as soon as they’d saved enough, and spent a fair chunk of free time building it back up. (Lance helped, or at least as much as he could. Mostly he sat in their garage, handing Keith tools, and talking about anything he could think of. If Keith could go back and tell his ten year old self what his future would look like… God. Sometimes he can’t even believe how lucky he got.)

Keith has it made. He comes home from work every day to Lance’s beaming smile and gentle teasing about the grease on his clothes. He’s got everything he’s ever wanted. He’s happy. So fucking happy.

Except that things have been a little different, recently. For the past few weeks, he’s been coming home to his usual smile and kiss, but the idle chattering or excited rambles — Keith feels as if they’ve become a rarity. Their home used to be filled with the sound of Lance’s voice, silent only when he’s reading or focused intently on something, eyes narrowed and tongue peeking out of his mouth.

Lance still looks happy. He still curls up with Keith on the couch after dinner, socked feet in Keith’s lap and three million blankets over his shoulders. He still sends Keith a myriad of heart emojis on his lunch break. Their sex life has not suffered.

But the lectures. The constant infodumps of whatever passing thing has grabbed Lance’s attention. They’re gone. And Keith’s devastated about it.

He misses Lance’s voice.

———

Shiro is not getting it.

“It doesn’t sound like a big deal,” he says, voice staticky because signal at the shop is ass. “I mean, maybe you two are just growing up and settling down. How long have you guys been together, now? Seven years? Eight?”

“Almost ten,” Keith says quietly.

Ten years of the same thing. This change is new. It’s strange, and Shiro isn’t getting it at all.

“Exactly! Ten years! You guys were so young when you started dating, kiddo. Hell, Lance was still wearing braces, wasn’t he? I’m not shocked that he’s mellowed out a little.” He chuckles to himself. “Hell, maybe he’s finally just learnt every bit of knowledge he finally can.”

Keith frowns. “I dunno, Shiro. Sometimes I feel like he wants to say something, but he’s holding himself back. Why would he ever hold himself back from me? I don’t — I don’t want him to hold back from me. I like it when he talks.”

“Tell him that, then. The only way you’re going to get answers is if you ask him, you dork.”

“Some brother you are,” Keith mutters, pouting. “You’re supposed to solve things for me.”

“Hm. Pretty sure you’re a grown-ass man who’s capable of solving his own problems, bud.”

“Ugh. You’re horrible. I’m changing the Netflix password to kick you off.”

Shiro laughs. “Sure! No more Costco membership for you. Password sharing goes both ways, you little snot. Now hang up and call your man. I have to leave for work soon.”

Despite his ongoing frustration, Keith can’t help a smile at the familiar banter. “Yeah, yeah. Enjoy your upcoming fourteen hour shift of hell.”

“Go fuck yourself! Love you!”

“Love you too. Bye.”

It shouldn’t really surprise him that Shiro’s no help. As much as he pesters his brother as often as possible and generally finds joy in making himself into a nuisance, they haven’t seen each other face-to-face since Christmas. They’ve lived in different states for years.

But, still. There’s some part of Keith that will always think of his big brother first when he has a problem. And that part of him had the right ideas, because Shiro is unfortunately right — he really does just need to talk to Lance. There’s not much else he can do.

He spends the rest of his shift wondering how he’s going to bring it up. He has his own motormouth moments, sure, but realistically? Keith doesn’t talk all the much. He’s more of an action person. How the hell is he supposed to breach the subject? ‘Hey, Lance. I’ve noticed that you are talking less. This change has consumed my every thought. I miss the sound of your voice. How come you don’t talk to me about your life anymore?’

Yeah, no. It sounds ridiculous even in his own head. He’ll have to — plan it out, maybe. He’s not sure. He’s never had to worry about making Lance talk more before.

He’s so distracted that he nearly burns off his eyeballs, forgetting to put on his welding mask before trying to make a part he couldn’t source for an older car. His boss sends him home early, worried he might accidentally leave a blowtorch by an air compressor or something and send the whole place up in smoke. Keith tries to take it as a blessing — maybe he’ll ride around on his bike for a while and clear his head. A way to bring it up might come to him naturally.

It doesn’t. He spends the whole ride just stressing himself out. He does drive by a flower stand, and turns around to pick up some poppies and peonies — Lance’s favourite. It won’t breach the subject, or anything, but it’ll make Lance smile. Hell, maybe he’ll start talking to Keith about all the different pollinators that made this bouquet possible. That would be a dream come true.

He hasn’t come up with any new ideas by the time he makes his way home, but he’s less stressed. He sets the flowers on the counter and takes a quick shower. Maybe he’ll start some dinner? Surprise Lance, for a change. Yeah. That won’t solve the problem, but it’ll be nice anyway.

He starts making four-cheese fettuccine and pink lemonade, because he is a sappy loser.

By the time he hears Lance’s key in the lock, he’s got the table set and the food is done. He keeps it heated on the stove, ducking into the bathroom to check his reflection as Lance steps into the apartment.

No grease smudges on his face. His hair is braided, the way that always makes Lance all blushy. He’s wearing the v-neck, too-tight black sweater that Lance likes, too. He’s got this. He doesn’t have a solid plan, or anything, but he thinks maybe if he turns up the romance then Lance will just spill whatever’s wrong. That works in the movies.

“Keith, baby? You home?”

“You have leaves in your hair,” Keith says, stepping out to meet Lance by the door. Lance smiles immediately, laughing to himself as he cards his fingers through his hair in an attempt to find them. Keith takes pity on him after a few seconds of fruitless searching, reaching forward and running gentle hands through the curly mess of his boyfriend’s hair, half to get out the leaves and half just to touch.

“Yeah — climbed a tree to check out a new weaver ant colony. Watched ‘em for hours — pretty boring, I’m sure you don’t want to hear it.”

I want to hear about it, Keith thinks mournfully. Please, please tell me about it.

“I made pasta,” Keith says quietly, when it’s clear that no more details are forthcoming. “And, uh, got you some flowers.” He tugs Lance gently towards the kitchen, placing the flowers in his hands.

“Oh, Keith, they’re gorgeous! Man, I love peonies. They looks like pink cabbages, it’s the best. And poppies —”

Yes, Keith thinks. Tell me about how California poppies were traditionally used as stress-relief medicine, but not like opioid red poppies. Tell me —

“I should put these in a vase,” Lance says instead of any of that. Keith feels like he could cry, honestly. Lance leans up and presses a kiss to his cheek, patting him on the chest. “You want to set the table while I do that? Or do you want to eat on the couch and watch a movie?”

“Table sounds good,” Keith says, because if they watch a movie then there’s no chance of Keith finding out what’s wrong.

“Okay! I’m going to get changed, too, I’ll meet you in ten.” Lance kisses him again and then rushes off. Keith waits until he’s disappeared into their bedroom to cover his face in his hands and scream silently.

Fuck! He just wants his Lance back. So badly. He wants to be woken up at strange hours of the night to hear about how trees communicate. He wants to get spam-texted as he’s trying to work, phone practically buzzing out of his pocket. He wants to hear about marketing strategies when they’re grocery shopping. He wants Lance to get distracted mid-sex by reading the back of the condom box, and then remarking with vague interest that they use the same dye in some cereals.

At the very least, he wants to know why Lance is acting so strange.

“So,” Lance says, once they’ve both settled down at the table and started to eat. “How come you’re home early?”

“Boss sent me home, I was distracted. I’m not mad, honestly. It’s been a while since I’ve done something special for you, which is a travesty.”

Lance smiles. “Dork. I appreciate it, though. Very sweet of you.” He shifts in his seat, tucking his legs up under him and leaning his head on his chin to look at Keith properly. “How come you were distracted?” He wiggles his eyebrows. “Thinkin’ about this hot bod all day?”

Keith huffs a laugh. “Somethin’ like that.”

“Tell me! I’m curious now. I have to know or I’ll die.”

“You’re so dramatic.”

“Mhm. That’s not even the half of it, and you know it. If you don’t tell me right now I’ll just start listing the names of royals throughout European history and how freaky it is that most of them are directly related.”

Lance is teasing. His tone is light and playful; he’s obviously trying to goad Keith into playing along and groaning theatrically. A few weeks ago, Keith might have given in easily, and started ribbing him about why on Earth he has the names memorized in the first place.

But all Keith can think about is just how badly he would love to hear that.

“Promise?”

Keith’s voice comes out embarrassingly sincere. Soft and hopeful and dead-serious.

Lance’s hand stills, mid pasta-swirl.

“You…want me to? List names of inbred royals?”

Keith swallows. It’s as good of a segue as any, he supposes.

“Yeah.”

“…Why?”

“Because I — I miss your voice, I guess.”

“Keith, I talk all the time,” Lance says, eyebrows furrowed in confusion. He snorts to himself. “One might even say it’s my defining quality.”

“You haven’t been. Not recently. You used to talk all the time, but now — I dunno. The house is quiet. I miss you talking about random things. I miss hearing about your day and the million creatures you met and the people you saw on the bus home and the weirdly-shaped stone you tripped over on the sidewalk. I miss you bazillion lunch-break texts. I miss your running commentary when we watch a movie, even though you miss important dialogue and have to rewind to hear it again. I dunno. I just miss you.”

Keith keeps his eyes downcast on his plate as he speaks, and keeps it there after he finishes. He’s finished his food, already, but he can’t bring himself to look at Lance’s face.

“Keith?”

There’s a strange quality to Lance’s voice, a sort of — bewildered breathlessness. Keith risks a glance, finding his boyfriend staring at him with a dropped jaw and wide brown eyes.

“You really — you miss my motormouth?”

Keith shrugs. “I fell in love with your motormouth. Of course I miss it.”

That makes Lance’s cheeks heat, and he glances down at his plate like they’re teenagers again and Keith told him he was cute for the first time.

“Oh.”

“Yeah.”

Keith’s not sure what else to say. He doesn’t know how to express that there’s nothing that Lance does that he dislikes, not truly. Sure, it’s annoying when Lance leaves a million half-full cups of water around the apartment, and Keith is regularly tripping over the shoes that he never puts away for some reason, but there’s nothing — every part of him is precious to Keith. Everything he does and everything he is, Keith knows he can’t live without.

“I know you love me,” Lance whispers. He looks pointedly away from Keith, pushing a couple wayward noodles around on his plate. “I’ve never — I’ve never needed to doubt that.”

Keith swallows. “Good.”

“I — yeah. You show me all the time. And, I mean, look at today! You brought me flowers home just because. You do things like that for me regularly; I never forget that you care about me. But —”

One word. Three measly letters. But it’s enough to feel like a stone is dropping on Keith’s chest.

“— sometimes I feel like I’m too much? Like, I’m kind of intense. I know that. And I can’t always tell when I’m being weird or annoying. And you’d never — you’d never string me along, I know that. If you stopped loving me you’d tell me.”

“I would never stop loving you.” Keith can’t say the words fast enough. He wants to print them out and — tattoo them on his forehead. Melt them into gold and press them into Lance’s hands. Smash them to dust and sprinkle them in the air. Whatever — whatever it takes to prove to Lance that they’re true.

Lance bites his lip. His eyes are wet. “I — I don’t want us to —”

Keith doesn’t wait for the tears to fall. He stands and hurries the two feet over to Lance’s chair, carefully pulling him up and wrapping tight arms around his waist. Lance falls into him willingly, resting his forehead on Keith’s shoulder and leaning into him.

“Three of my coworkers think I’m annoying,” he whispers, long after the food’s gone cold and the light from the window has begun to dim. After Keith’s arms have gone a little numb and a wet spot has grown where Lance’s face is pressed into his shirt. “I just thought — I thought we were friends, but I heard them talking about how exhausting I am to be around. I don’t want — I don’t want you to get tired of me, too.”

Keith closes his eyes as he exhales in a shudder, firmly reminding himself that unfortunately, being a two-faced asshole is not illegal, and Keith has no defense for hunting those shitheads down and murdering them a little.

“They are not worth the ground you walk on,” Keith whispers, pressing a firm kiss to Lance’s hair. “You have more value in your toenail clippings than they do in their entire bodies.”

Lance giggles wetly. “Gross.”

”I mean it,” Keith says, smiling. “I love you, Lance. All of you. I never get tired of listening to you talk. Okay?”

“Okay.”

“Good.”

“I love you.”

“I love you, too.”

———

It takes a while. Those asshole coworkers did a number on Lance’s self-esteem, because they’re horrible, and they deserve every horrible thing that happens to them. Honestly, Keith kind of hopes their cars break down and they have to spend ridiculous amounts of money getting them fixed by idiots, because Keith has quietly blacklisted them to every good mechanic in town. (Not that Lance knows. Lance is too nice to ask for something like that. Keith, however, is a bitch, and has no problem doing shady things to appease his own sense of justice.)

Eventually, though, the apartment stops being so silent. It starts with a shark documentary that takes them three hours to watch because Lance keeps pausing it to point out specific behaviours to Keith. And then they get kicked out of a casino they go to for shits and giggles, because Lance can’t contain himself and points out how the house is strategically winning all the card games they’re calling ‘luck-based’. And then grocery store trips start taking too long again, and Lance gets distracted mid-shower comparing the ingredients of shampoo and conditioner, and then they start a small fire in the apartment because he was explaining how broccoli evolved from mustard seed and burnt a whole pan of stir-fry to a crisp.

One day, seemingly out of the blue, Shiro sends him a picture of him and Lance, fifteen years old, at the shitty town Applebee’s.

I was looking at old pictures, the text reads. And you were right. It is strange that Lance was so quiet. I can’t imagine how that would feel. I’m glad you two worked things out.

Keith looks over at Lance, who’s singing a the periodic table song to himself as he washes the dishes for Keith to dry, and smiles.

He’s glad they worked it out, too.