#you could have TWO fathers

[jasontoddiefor]

Reading Becoming A Family With The Duke and His Dear Son and by god. i already know I won’t be getting funky family dynamics but I deserve them

[royalarchivist]

Pac: You know Ramon, maybe one day you can start doing farms here? I would appreciate it! And I can pay you in chocolates and diamonds, you know?

Ramon: pay me by marrying my dad

Fit: No, hey– [Stammers] Ramon! Ramon!

Bagi: YES!!! Yes, Ramon, yes!

Pac: [Laughs] Nooo, Ramon! You got me- you got me right on the spot!. Dammit! Ok... I will consider! I will consider. [...]Let's make a deal: I will do that when you become a dragon. 😉

Ramon: 😑

Fit: [Laughs] Yeah, when you become a dragon, Ramon! That sounds good to me!

[ Full Transcript ↓ ]

—

Pac: Yeah, Ramon knows about Create. You know Ramon, maybe one day you can start doing farms here? I would appreciate it! And I can pay you in chocolates and diamonds, you know?

[Fit and Bagi laugh]

Fit: That's a good reward, yeah!

Bagi: Chocolate and diamonds!

Pac: Yeah [Laughs]

Ramon: pay me by marrying my dad

Fit: No, hey– [Stammers] Ramon! Ramon!

Pac: "Pay me by marrying my dad"? Oh– [Stammers] Ramon! Ramon! Ramon!

Bagi: YES!!! Yes, Ramon, yes!

Fit: [Fit uses his chainsaw to break the sign and accidentally hits Ramon] Oh, sorry– I was trying to break the sign, I'm sorry, Ramon.

Pac: Ramon! [He does the "falls to pieces" emote]

Fit: Baby steps, Ramon! Baby steps!

Pac: Baby st– Ramon, remember–

Bagi: Yes, Ramon, yes!

Pac: [Laughs] Nooo, Ramon! You got me- you got me right on the spot!

Fit: [Laughs]

Pac: I'm gon– props- props on you, you know? It was a good– yeah. Dammit! Ok... I will consider! I will consider.

Ramon: [Nods repeatedly]

Fit: Yeah, you can't rush these things Ramon, you know? Like, it's- it's– You know? I mean– plus, you know, w– we got our own things we're working through!

Pac: [Leaning into the mic] You can't rush on love.

Fit: Yeah, exactly! Like– yeah. You know? We're working on ourselves. Yeah.

Pac: Yeah.

Fit: [Weakly] Yeah...

Ramon: [Spins in a circle wildly]

Pac: Baby steps!

Fit: Baby steps, baby steps.

Pac: One day– ok, let's make a deal: I will do that when you become a dragon.

Ramon: [Stares at the ground, resigned]

[Pac and Fit both laugh]

Fit: Oh yeah– Yeah, when you become a dragon, Ramon! That sounds good to me!

Ramon: [Tosses a potion of swiftness on them]

Pac: Woooo! Baby steps no more– I'm just kidding.

Fit: [Laughs]

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[mushyfart]

im from bristol.

[backpackingspace]

Of course post-canon odysseus and penelope love each other (they are a little bit insane about the other. Neither is allowed to leave the others side for months after odysseus gets back. They cycle between sobbing on one and another and aggressively making out. ) but it's true that they have both changed. It's been twenty hard years after all. So

Odypen courting each other again just for the fun of it. Odypen deciding to act like teenagers again and make elaborate plans pretending to sneak into the others room.

Odysseus sending penelopes 90 year old dad a letter challenging him to a race for penelopes hand in marriage. (This does not go over well but penelope though it was hilarious)

Odysseus begging Athena to help him win penelopes heart/hand again. (Athena: What no why you're already married I don't understand you ) (she helps anyways)

Penelope weaving all of odysseus's clothes. Penelope hauling out every tapestry she made of telemachus's childhood (she made one for every year. To gift odysseus on his birthday when he returned.)

Odypen leaving telemachus incharge while they go off on dates (to harssass, cause problems, and badger other people into giving them things). It should be fine Athena has been sticking close to the house lately. And it's only for an afternoon anyways (at first. Headcanon that penelope came with odysseus when he had to go plant the oar and call it a windmill quest.)

[fujii-draws]

Redraws of one of my first dadnoir posts :]!!

EXTRA >:]]

[moongothic]

...I... I do not know what on earth compelled me to make this nor why, but I will not be taking criticism at this time

[crimsonmonsoon]

If you can’t tell I am entirely obsessed with this guy

[henrysglock]

you guys wanna praise me for how normal i'm being rn

[amelikos]

Gibeon seems to take betrayal very personally. He even took a dig at Amethio's father, presumably, when he told Amethio "so you were the same, you would stray from the path too...". He seems to hold a lot of bitterness over what happened. Given how he talks about him, it's no wonder that Amethio started seeing his father in a negative light and would say that he is not like him in an attempt to distance himself from him.

I wonder if Amethio's father will show up soon. I still think Crave (Friede's former superior at Exceed) is the only candidate for it from the characters we've seen so far. He showed up in the same episode Gibeon was revealed to be Amethio's grandfather, he seems kind and caring (and apparently, Gibeon doesn't like that), and they made sure to show that he is a married man. So it's either him or a character we haven't met yet. But I think Amethio's father is alive, not only because of the way they talk about him, but also because I think Amethio will mend his relationship with him and he'll have a home to come back to in the end. If Liko, Roy and Dot's families are there for the trio to come back home to, then I think Amethio's situation will be similar (or at least, I hope so).

Going back to Gibeon, I wonder if he perceives whatever happened with Lucius as betrayal, and now casts people away at the slightest hint of what he views as betraying him (Amethio's father, and now Amethio himself...). Gibeon seems affected by "betrayal" and maybe "choosing something/someone over him" from his reactions in the episode... From what has been implied so far, Amethio's father didn't take up Gibeon's will and chose his own path and wants (family, career..). And Amethio's actions in this episode made it look like he "chose" the enemy (Liko) over Gibeon, from his grandfather's perspective.

All of this makes me curious because all the framing around Lucius so far makes it look like Gibeon is the one who did something to betray him, hence why Terapagos seems to have a strong negative reaction to Gibeon's name being mentioned. But now, it also looks like Gibeon is affected by betrayal, potentially for a reason that has roots to the past (and which has been amplified by Amethio's father straying from the path, etc).

Liko's line about hearing people out ("I can see that there is stuff you'll never know if you don't hear people out") might have been the most important line in this episode. She got to talk with Amethio and they both got to hear each other out and understand each other better. And she only had to ask to receive answers. Meanwhile, Gibeon refused to hear Amethio out and shut down the possibility for dialogue. Which means that there is stuff he will never know, because he wasn't willing to hear Amethio out. It makes me wonder if whatever happened between Lucius and Gibeon is a huge misunderstanding that could have been solved if Gibeon was willing to hear the other party out. Like, what if Gibeon is dragging everyone in his messy breakup with Lucius over something that could have been easily avoided and solved, and what if there are huge misconceptions and misunderstandings on his side.

[expectiations]

The Doctor: As my father figure and mentor, Rory Pond, once said: 'Get fucked'.

Rory: I have never once said that.

The Doctor: I can read between the lines.

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me

[saphira-approves]

Okay so I finished Murtagh last night and I think I’m just going to put a lot of my slightly more coherent general thoughts here under a readmore. Spoilers ahead! Beware!

Right off the bat I want to bring us back to The Fork, The Witch, and The Worm. Not to Essie (although reliving that encounter from Murtagh’s perspective was EXQUISITE), but to Eragon, because the thing I love most about that story is that Eragon is glad to see his brother, even from afar, and is glad to see he’s alright, and hopes that Murtagh will one day join him at Mt. Arngor. We’ve talked recently on the blog about ill feelings and condemnation towards Murtagh during the war, especially on Eragon’s part, but the ending of The Fork makes it clear that—while I would love to see Eragon acknowledge and work through them—Eragon no longer holds those feelings, and in fact really wants the chance to reconnect with his brother and his friend, because he loved him like a brother before he even knew they were related, and after everything that’s happened, he loves him still—even if Murtagh is going to have some trouble believing or internalizing it.

And so I present the theme of this initial reading response: Murtagh is so, so loved, to an extent that he does not fully realize. He knows that Thorn loves him, obviously, but I believe it’s significant that—even though he has some Complicated™️ thoughts about Selena and harbors resentment towards her for, in his mind, choosing Eragon over himself—the memories of her that we actually get to see/“hear” (page 90 my beloved) are fully memories of Selena’s love for him. “…beautiful boy” anyone? “My strong boy?” That is her BABY and she LOVES HIM. Also, again, DESPITE HIS RESENTMENT, Selena’s love is the REASON HE KEEPS HIS SCAR! Scar lore alert! Scar lore alert! SELENA WAS THERE AND SHE’S THE ONE WHO HEALED HIM! (though I am still partial to thinking Brom was involved. I’ll write about that later it doesn’t matter right now)

(Also, on a bit of a lighter note, HIS HORSE TOY?????? Horse girl Murtagh CONFIRMED!!!! Little me would have been so jealous. …on a completely different note, I have woodworking connections and access to real horse hair. Hm. The Ideas.)

And then Tornac, son of Tereth, may your name live on forever. THE FIRST MEMORY WE GET OF TORNAC IS A HUG. THE FIRST TIME HE HUGS MURTAGH. MURTAGH HE LOVES YOU SO MUCH DO YOU KNOW??? I KNOW YOU KNOW A LITTLE BIT BUT DO YOU KNOW????? And the way he LEAPS to Murtagh’s defense when he falls in their escape, he REFUSES to let Murtagh languish in Urû’baen, that’s his BOY, his BEAUTIFUL STRONG BOY, that’s HIS SON, NO TAKE BACKSIES, MORZAN! He sees Murtagh’s darkness, yes, but more importantly he sees Murtagh’s goodness, and he knows Galbatorix will do everything in his power to destroy it, and that is something that Tornac simply cannot abide. You remember how I posted about Brom saying it’s easy to die for what you believe in, and then like ten pages later he dies for Eragon? Yeah. Yeah that one. That post. Do you see the point I’m making?

Tornac died for Murtagh. Selena did too, I’m pretty sure—it’s never been explicitly stated, in this book or the rest of the Cycle, but we know Selena was anxious to leave Carvahall as soon as Eragon was born, and that she died shortly after returning to Murtagh. I think Murtagh knows, on some level, but I also think that actually acknowledging it is going to break him just a little bit. Selena left Eragon and returned to him, presumably to spirit Murtagh to Carvahall as well, but she left too early. She wasn’t recovered. The real tragedy of this is that, if she’d left any later, she might truly have been too late—Morzan had been killed, and Murtagh would have been collected to Urû’baen before she reached him. Depending on how much she was coordinating with Brom, she might have known this, and made the choice to return to Murtagh anyway, because it was the easiest choice in the world. Eragon and Murtagh both believe that Selena left them. As Murtagh believes Selena chose Eragon over him, I’m pretty sure Eragon believes the inverse. In truth, Selena was trying to choose both of them, to save both of them. It’s a tragedy that she failed, but the most important thing about such a tragedy is that the love is there. It didn’t save them, not at first, not until much later, but the love is there and it matters because those are her babies, those are her sons, and she would gladly die for them. She did die for them. It was easy; she believed in them.

So yeah, I think eventually Eragon and Murtagh are gonna have a talk, and some revelations are going to be made, and a good long cry is going to be had all around. Catharsis! They need it!

But that’s not all! Murtagh is loved not only by the dead and the distant, but by the living and the near, too. Up to this point, the werecats we’ve met have been aloof, proud, intentionally distant. I always got the sense that Solembum likes Eragon and Saphira, but I don’t know that he would call them friends, even if Eragon and Saphira would, and he’s the most in-depth werecat we’ve met. But now we also have Carabel.

Carabel, who, from her position within Gil'ead, watches the people around them, and discerns their character: this is a skill I would say she has honed to near-perfection. When we meet her, she is desperate, though she hides it well. She sees Murtagh, and she measures his character, and what she sees is enough to make her take a chance on him, and she's right. Murtagh saves Silna, compromising his own principles to do so—swearing an oath he knows he'll have to break—and is so clearly relieved to see Silna safe with Carabel, despite the deceptions. We know, also, that Selena had been liked enough by Solembum for him to speak with her, and I wouldn't be surprised to discover that Selena was at least respected by werecats, if not outright known as a friend; it's possible that this, too, helped push Carabel to take a chance on Murtagh, though she makes no comment about it. Whatever the case, ultimately it is Murtagh's character that she gambles on, and Murtagh being simply who he is fulfills her hopes—not only in saving Silna, but his kindness towards her even when she was difficult, carrying her only when it was necessary and setting her on her own paws when he deemed it safe. Just in being himself, he earns love from two strangers, and the respect of an entire race.

(This echoes throughout the book, in all of Murtagh's interactions with children—he cares so much about kids. Not just as an abstract moral stance: he truly, genuinely cares for children on a deeply personal level. Essie in Ceunon; the two boys in Gil'ead he gives coins to, twice, and reprimanding their father for using them to pick marks; Silna; the children in Nal Gorgoth. In telling his story to Nasuada, he broke when he reached the children he slaughtered under Bachel's control.)

And Alín! Alín, who was raised to revere dragons, who cannot help but idolize Thorn. She is terrified of Murtagh, as a stranger and a strange man, but his connection to a dragon allows her to view him in another light. I can write so many essays about Alín, I'm probably going to, but here I'll just say this: despite her circumstances, despite how she was taught, despite how thoroughly she has been programmed by the cult of the Dreamers, the simple truth of Murtagh's compassion gave her the room to question, to think for herself, to ask herself if what she has been taught and raised to believe is truly right. Murtagh doesn't make the decision for her, he physically can't—it is Alín herself who finds the strength to break herself free, inspired by Murtagh, but not wholly because of him.

And in the dungeons of Nal Gorgoth, Murtagh meets Uvek, an Urgal shaman, and can I just say: I would kill and die for Uvek. He's got similarities to Murtagh that aren't discussed in plaintext, but are easy to draw: they both tried to be alone in the wild, thinking it would be better for them—different reasons, but they came to the same conclusion—but both have come to discover that they are better off in a pack. With friends. With brothers. With family. (As an aside, I really hope Uvek becomes one of the first Urgal riders.) I love the metaphor they share, about trust being a knife with a blade for a handle; and I love that once they decide to trust each other, they both jump in, feet first, 100% on board. That's always been Murtagh's method anyway (Eragon-era Murtagh my beloved, looking after this stupid dumb kid with his whole ass), and it is incredibly refreshing to see someone else with the exact same mindset throw their whole lot in with Murtagh. The gentle forehead bump! Uvek loves this crazy squishy Murtagh-man.

And finally, finally, Nasuada. The Guinevere to his Lancelot, and there's not even an Arthur for them to dance around, except for the Arthur of Public Opinion that would prefer to view Murtagh as dread Mordred. I couldn't keep from laughing, just a little bit, every time Murtagh was encouraged to/shown visions of taking the throne, because lol! Nah, you dumbasses, that's the love of his life for whom he broke his own shackles and turned on his tormentor and slave-master. The day he turns against her of his own volition is the day he is No Longer Murtagh. He keeps the newly-minted gold crown so that he can keep a piece of her with him—a coin!! A tiny little portrait!! An accurate tiny little portrait, to be sure, but one he'll soon be able to find in any decently full purse!! He may not want to admit it to himself, he may try to distance himself for her own good and the good of her rule, but he cannot truly deny his heart. As for Nasuada himself, she doesn't even hesitate to take him in—and she would have no reason to, having heard about Gil'ead, except that she knows him, she has seen his true being in a way only Thorn can relate to, and even in uncertainty she cannot believe evil of him. She's the one who reaches out to comfort him when he crumbles in telling his story, she supports him without a word when he struggles to stand, and she wants so badly for him to stay, Public Opinion be damned. She won't destroy what she's built, but she will move heaven and earth to be able to keep him near, for as long as he wishes to remain.

This whole book, really, was just a chorus screaming to Murtagh, "YOU ARE LOVED!! YOU ARE WORTHY OF LOVE AND YOU ARE LOVED!! IT IS THE LOVE THAT ENDS WARS, THAT DEFEATS FEAR, THAT PERSISTS IN THE FACE OF DEATH AND RUIN!! YOU ARE LOVED!!" And maybe he can't hear it yet, not with his ears, but his heart, eventually, might start to catch him up. And I absolutely cannot wait to see it.

[frecklystars]

this man's sleeves are about to pop open and tear right off. he flexes and his shirt just fucking explodes

[inamindfarfaraway]

I love that we're getting focus on Chris Rodriguez early in the TV show, so that we have time to get invested in him before he a) betrays the camp and b) is driven so insane that only Dionysus can cure him. Knowing him beforehand will also make his relationship with Clarrisse, friendship and romance, feel more interesting.

What other cool, fun, not-heartbreaking characters will the show give more attention and depth? Silena Beauregarde? Charlie Beckendorf? Micheal Yew? Castor and Pollux? I can't wait!