#which was his daughter

[yuriwarrior]

[ID: an image of a kid smiling, holding a single Uno card, labelled as "Roy, just existing." Across fromj the kid is someone else, with three +4 cards, and one +2 card in hand, each labelled differently. The labels are "his bio dad dying:", "Brave Bow dying:", "Ollie dying:", and "Lian dying:" END ID]

[squidsmeister]

dungeon meshi is my favorite road-trip comedy film

[asthedeathoflight]

I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.

It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.

And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.

It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.

[emthimofnight]

Reoccurring nightmares

[tiredbitchposts]

Ok, but Shen Jiu being Shen Yuan's father is so funny in a very tragic way. Shen Jiu is a ball of traumas and all types of issues and i truly believe there's not a single one that man doesn't have, so, you give him a baby!Shen Yuan, a little ball of life that depends on him for survival, cannot walk away from him and is culturally wired to pretty much love him and if not, to at the least respect him above all else, you cannot tell me that this man would be normal about him. Also, imagine Shen Jiu, who'd be the type of parent to project traumas the way only a mother could, having a child that looks like him but with a "sweeter" personality (which, by the way, is bullshit, they just have never seen that boy rip into a book he disliked but wouldn't stop reading) that has the effect on men Shen Yuan has, he'd lock that boy up in a tower to "cultivate" and consequently create a rumor about the Qing Jing's beauty who was so bewitching their peak lord father locked them in a tower because that's just his luck. Loving Shen Yuan wouldn't fix him, but it'd create a whole new set of issues that'd cancel out the other ones

[sabertoothwalrus]

I like this monster tidbit from Shapeshifters for its darkly dramatic irony

funny you say that, senshi! cause chuck’s succubus ended up being this:

while senshi saw………..

[yescking]

changing fate

[royaltea000]

Would you rather have a twink dad or lesbian daughter

[puppetmaster13u]

Prompt 247

Danny grumbles, going limp as the Spirit plucked him up, holding him out like some sort of stray cat. Their golden eyes stared across him, white hair shimmering and bloodied feathers rustling as they tilted their head. 

“You sure he’s not somehow ours?” Bludhaven asks again, setting him down once more to circle. Amity laughs, wild hair the color of wheat fluttering in a non-existent breeze and portal pulsing like a heart as she rests a hand on his head. 

“Well darlin’, I am asking if you would be open to adopting,” the Spirit laughs, the sound as familiar as the birds outside his window in the mornings. “Well, I suppose I could always ask your dear sister Arkham-” 

“No no, I would be honored,” Bludhaven smiled a literally sharp grin, something mischievous and violent about it in a way Danny was slowly growing used to. “I’m just- look at the little ghostling! He looks like he could be from ours! My hair, your eyes… he’s just missing markings…” 

“Markings he’ll get once you give me an answer darlin’...”

“OH- Yes, of course! Sorry, I got whelmed there.” 

“You have been stalking your vigilante a bit too much there Blud.” 

[aj-artjunkyard]

I’m all for Unreliable Narrator Apollo™ straight up misremembering myths instead of admitting to myself that Rick got a few things wrong

Lester!Apollo: demigods can be so weird and unpredictable! When that Clytemnestra girl murdered her husband simply because he made one tiny little human sacrifice to me… yikes, am I right?

The same Apollo 2,000 years before, sending a 3rd volley of plague arrows straight into the Greek camp: Agamemnon when I get you. When I get you Agamemnon. Agamemnon when I get you

[ghostdrinkssoup]

will and hannibal both being so chronically alone and friendless their whole lives that it results in them thinking their friendship is totally normal and not homoerotic or deeply romantic at all will never not be funny to me

[morgan-n-cheese-91]

old Obi-Wan is so funny to me because his sass and overall bitchiness is like the last thing he's got and I'm so proud it survived the great depression of his 40s.

[magpiedraws]

Wouldn't lizard fashion be something like spikes and scales and a frilled lizard collar?

Like so?

(Bonus art under the cut)

[lgbtlunaverse]

Horrible thing to say but I think there's a real chance Jiang Yanli was both of her parents' least favorite child and knew it and just kinda. Had to go on with her life knowing that.

[corviiids]

there are many arguments for why light could be transmasc but chief among them to me is that it explains why soichiro and sachiko yagami have one child named "sayu" and one child named "light but it's written with the kanji for moon unusual isn't it"

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.