#Listen man
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horsechestnut · 11 months ago
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I just think it's really neat how much fans have latched onto the fact that Stephanie Brown was Robin.
Like, both in and out of universe Stephanie was never meant to be taken seriously as Robin. The writers only made her Robin so that her death in War Games would be shocking and Bruce only made her Robin because he thought it would make Tim jealous enough to come back. She only had the mantle for 71 days before being fired (for doing something that literally every other Robin has also done and not been fired over), and she was only active during 50 of them. There are only six issues where Steph is Robin in the canon timeline.
Her final words before her death are asking Batman (Batman, because even on her death bed he doesn't trust her enough to take off his mask) if any of it was real. Was she really Robin? And Batman assures her that of course she was, that she was part of the legend and no one can take it away from her. Except it's a lie, because despite his reassurances, Batman never puts up a memorial or does anything to preserve her memory. He never really thinks of her as Robin, and even her friends will always think of her as Spoiler before ever remembering Robin.
Meanwhile DC spent years ignoring her time as Robin, to the point where it was completely erased from existence for awhile. It's technically back now, because timelines are weird, but unlike the others it's never been altered. She's never been given a second chance at it, no one's ever gone back and added more issues or details about those 71 days, or even seems to want to acknowledge them most of the time.
But fans have clung on to it anyway. Sure, there are lots of people who make Robin posts that are just about the boys, but there are just as many people who are ready to fight anyone who doesn't include her. Maybe it was only for a little while, but she was Robin, and we're sure as hell not going to forget it. If DC isn't going to bother to remember, than we will.
Stephanie Brown was Robin. She was part of the legend. It was real. No matter what, no one can take that away from her.
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beeg-bark · 9 months ago
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slightly obsessed with the idea of getting muzzled, partially for the kink and partially just for the uhhh symbolism. its the being restrained, being on a tight leash, the helplessness of not being able to fight back or get away from whatever they decide to do to you but its also the implications, being muzzled implies youre a dangerous animal, an attack dog, being muzzled implies that you can and will do damage, will pierce their skin, will tear them to shreds, and the fact that they're aware of that and taking those weapons away leaves you with such a delicious feeling of helplessness. just a dog on a chain, a wild animal backed into a corner that can't run and cant fight, its the being at the mercy of someone else, someone you know doesn't have your best interests at heart, its the fear and excitement of knowing that they could do anything to you and not knowing what they're going to choose
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darkxsoulzyx · 3 months ago
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I do like my username still, and it has a near and dear place in my heart,,,,
But sometimes,,,, sometimes I remember that people have to *pronounce* it and then it falls apart from there LMAOOOOO
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snepdragon · 10 months ago
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i blacked out and made this
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noxx-33i · 9 months ago
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hyperdadlaser everyone!!!! he loves his kids
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gingermintpepper · 4 months ago
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
#ginger rambles#ginger chats about greek myths#greek mythology#apollo#Listen man#I think there's something extremely beautiful about Apollo's affairs#Yes I know that Ares also loves and cares for his daughters but this isn't about him#There's just something about the way that Apollo put his all into it every single time#To the point that even when he does know better he still fights because of the strength of his love#The Iliad to me will always be a love story#Yes Achilles' wrath is said to come from his overwhelming feelings towards Patroclus#but what Achilles does has nothing to do with grief or love#By the end of everything Achilles forsook that love which ought to have defined his actions based on what he was saying#and warped it into a weapon meant to satisfy the void left by his loss#Apollo though - I am always taken aback by the sheer weight of his love#towards not only Hektor but towards all of Troy in the Iliad#And how he is very careful to balance that love and all the ways he wishes he could fight against their inevitably end#with his duties as one who is both aware of the impending end and whose position in the war#has put him in opposition with his elders#That delicate balance between a love so powerful that he is willing to take on the full weight of Athena and Hera's wrath#and an understanding that the battle he fights is not for victory but simply because for love's sake#How could you not think of that as beautiful and awesome and so achingly tragic#I feel the same about both Asclepius' and Actaeon's deaths#Apollo loved BOTH of his sons - Asclepius and Aristaeus - so so SO much#He was so incredibly proud of them both and delighted immensely in the both of their victories and talents#And so when Asclepius dies and it is by his own father's hand - I have always found his act of wrath so fascinating#Honestly this could be its own separate post - but the fact that Apollo does not beg Zeus to reconsider or to bring Asclepius back#when Apollo has made cases for lenience on things like that before speaks of a level of understanding from Apollo that Asclepius was always#going to die because of his pushing of the boundary between life and death#so he doesn't bother trying to reason with Zeus or plea his grief - instead going directly to destroying something important to Zeus
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scarletrose-o7 · 3 months ago
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Fellas.
So, I've been thinking...
This is what we've been shipping??
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soupmonarchart · 2 months ago
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Rimuru: *drops something during a meeting* “this is why god wants me dead”
*concerned looks from everyone else in the room*
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wheeble2252 · 5 months ago
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Hello tos nation. I've come with propaganda
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tartapng · 6 months ago
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walmart garden manager malleus
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themonotonysyndrome · 8 days ago
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Saw the 'Moody' in Porter's new video title. And all I gotta say if I was Treasure:
"Am I in a lesbian relationship right now? 'Cause you're acting like a bitch."
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velvetxcashmere · 2 months ago
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:33 < wooly in the game: * decently suspicious but has the ‘horror’ scene in when your feeling down to vouch for his character*
:33 < wooly in peoples theories:
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beeg-bark · 9 months ago
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girls with swords and murder in their eyes who pin you against the wall and put the blade to your throat and use it to tilt your chin up and uhhhhhh
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hobermallowed · 11 months ago
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“I’m not excited for loumand!” oh. how terrible... get well soon ig.
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oobbbear · 7 months ago
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The Garfield movie is very cute and sweet/sobs
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radzcatz · 11 months ago
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Now hear me out-
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