#that youre the thing thats killing him

[asthedeathoflight]

I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.

It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.

And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.

It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[s0fter-sin]

god the way ghost’s voice drops when he tells soap, “you’ll need to improvise to survive”

before that, everything he says is steady but when he acknowledges that soap’ll have to do something outside his skill set, something he intimately knows to be difficult, his voice wavers. he does the same when he says, “welcome to guerrilla warfare”; it’s sombre and serious in a way he doesn’t act for the rest of the mission. if you read into it enough, he almost sounds apologetic; like he knows exactly what soap’s about to go through and wishes he didn’t have to

he keeps soap going; poking at him and making jokes, giving him tips and asking about his progress. he never lets him stop and take a second to think bc he knows the moment he does is the moment it'll all hit him; the betrayal, the pain, the fear, the deaths, all of it will drown him and if that happens, soap won't make it

he needs him to be a soldier through and through and he knows this is one of the worst kinds of battlefields you could end up on

and the only times he slips is when he acknowledges that fact

it happens again when he says, "tryin' to get you here alive and in one piece". his jovial dark humour facade drops for just a moment when he has to face the potential reality of losing soap. then he tries to pick it back up again with, "one of us has to survive to tell the tale"; completely discounting himself as a survivor to try and rally soap and make him think it’s all down to him

and soap does the same thing

when he's calling out for ghost on the radio, he's tentative, testing the frequency, then when he doesn’t get a response, he grows desperate; "ghost, this is 7-1, do you copy?"

then when ghost answers, he smooths out his voice; he hides the pain, the fear, and no matter what response you give to ghost asking if he’s injured, soap brushes it off (“i’m good”, “what’s the difference?”, “i’m not a medic”). soap decides it’s in ghost’s best interest to hide the extent of his injuries

he doesn’t know where ghost is, if he’s secure, if he has any weapons; he doesn’t even know if he’s in las almas until he says, “there’s a church, i’m headed to it”. for all he knows, he could’ve run in the complete opposite direction. if ghost knows he’s hurt, then his attention would be split between his own survival and soap’s

and soap, who lets himself be poked and prodded towards the church, needs to hide his own doubts. maybe he needs ghost to believe he'll make it so he himself can believe it ("what are my odds?" "don't make me bet against you", "think i'll live that long?" "probably not")

he all but begs ghost to tell him he'll get through it and if he knows just how bad off he is, maybe he'll change his mind. maybe he'll think he won't make it to the church

maybe he'll leave him alone for good

"you injured?"

"i’m good"

"let's find out how good you are"

[stainedglass-sketchbook]

CHILDREN OF BHAAL

I adore the vibe of redeemed durge your sister killed your mind and took your place - it was the greatest gift she ever gave you

[whollyjoly]

you know i dreamed about you / for twenty-nine years before i saw you - slow show. the national

4x05 Buck Begins II 7x05 You Don't Know Me

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[skunkes]

a sturdier toy

[moeblob]

Impulsively shoving a guy's hand in your mouth after having the thought "oh just like when my little sister used to prick herself on a rose thorn" and then immediately being treated like a pet who ate something they shouldn't have? Wonderful. Thank you, Thane.

(also not pictured is Thane apparently trying to scrape your tongue with his hand BEFORE pouring the holy water down your throat because NO. BAD.)

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[willyhoos]

metamy is insane. like.

what if i was the hero you loved gone wrong. defeated and destroyed. rebuilt as my own greatest enemy. what if i lost everything. what if i had been reprogrammed to despise all i had once fought for. what if i couldn't even remember why i had fought at all.

and what if you were made of roses. what if you represented every beautiful thing i once died trying to protect. what if you wore flowers in your hair and cared for small creatures and had eyes the color of the forests i used to call my home. what if you were everything i once loved.

those memories are just out of my reach. infuriatingly. maddeningly. but if anyone knows who i am (who i used to be) it's you. if anyone can make me feel like who i used to be (who i really am) it's you. i can't speak, i can't breathe, i can't remember anything (but you).

you are the world i have been ordered to burn. i am the weapon you have chosen to resist. i was (am) the hero that you loved.

you are my only memory. i will do anything to make you believe me.

[sciderman]

and water is wet

[cordyceph]

went to bed and woke up in a cold sweat realizing that claudia's play, the birdie one, is both a direct analogy for her story and also foreshadowing of her death WHILE ALSO nodding to pauls death

claudia'a single minded, desperate drive for freedom eventually lead her directly to her death. she was "nailed down" by lestat (by LOUIS, actually- lestat only kept her for him.), and tore herself free at the loss of her 'foot,' being a stand in for the personal pain she suffered for freedom

no matter what she or anyone did, she was going to die painfully, because she was so desperate to be free that everything was suffocating. lestat, louis, romania, the coven. the only thing that didnt rot in her mind was madeline, because... there simply wasnt time. madeline was fresh and new and, given time, would have probably suffered the same heel-turn claudia gave to everything.

of course thats because she shared louis' hopeful outlook. being free of her parents? would fix everything. when it didn't? maybe if she had louis, it would be worth it. but its not, lestats still here, louis is still in love with him... killing lestat, thatll fix it, and she and louis will be happy in romania, right, the homeland for vampirekind? not quite, so better try paris, the city of love. that doesnt work. the coven, though, will give her what she wants, right? she'll be happy with other vampires?

the only person who makes her happy is? a modern version of lestat? a weird white woman she met on happenstance, who has little to no care for societal norms or faux pas. a blunt, kind of funny, kind of sad woman who lost her family but has a capacity for enduring because what else is she going to do? die? no, she cant do that. she had no friends because she was weird and offputting and had dangerous rumors, no hangups on loving claudia, no hangups on dying or being a killer.

that's... just lestat. without the immortality and the specific traumas, of course, but like. claudia's most beloved person was a funhouse mirror of her most hated. which really speaks volumes for what they could have had, because it wasnt just a clash of personalities. it was lestats bpd clashing with hers and both of their attachment to louis clashing. if lestat had been better at sharing, if louis had been better at loving both of them, if claudia had been less angry at the world for nothing but existing? maybe they could have been a good family. a happy one forever, just like they all wanted, but were unable to give each other

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.