#what makes you a man is so good

[1doknowz]

I don't know if this is an underrated opinion, but some of the music tracks in Umbrella Academy feel so underrated, it breaks me. Like the one that played when the academy collapsed. If you like the umbrella academy this is some of my favourite music that was used in the series (one of them is a bit popular, but don't get talked about enough):

[andstuffsketches]

finally watched Reign of the Supermen

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

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[vellichorom]

you sick little animal, even death itself pities you.

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[fallen-goldfishcracker]

Part of the reason I find Wyll to be such a compelling character is that he is such a good person, but in what I think is a kinda unique way. 

I've seen a few criticisms of how quickly Wyll seems to switch sides in his initial confrontation with Karlach; how fast he goes from convinced he must kill her to letting her live. For me though, this makes perfect sense. 

The decision Wyll makes in that confrontation not actually whether or not to kill her; he has to decide whether or not Karlach is innocent, but once he's confirmed that, it's not a question.

He commits so quickly to Karlach because he doesn't have to choose whether or not to kill her in that moment; he already decided seven years ago. 

Because at seventeen years old, he decided he would sacrifice anything for the safety of others. 

At seventeen years old he decided that his own life, comfort and happiness was never worth the cost of someone else's. 

And so at twenty-four, he learns the devil he's been chasing is a person, and a victim, and an innocent, and the decision is already made up. 

Because Wyll Ravenguard at twenty-four is who he was at seventeen, and twenty, and ten. 

And to me that's one of the coolest things about him.

There's a separate post I'd like to make about how Wyll never loses his childhood wonder of the world- and I think there's a very similar principle here. Wyll grew up hearing stories of knights who slay monsters and heros in shining armor, and he took those stories and loved them and held them close to his chest. 

And then he's seventeen and a devil asked him if he wants to be a hero, and he's not an idiot; he understands the price of saviourhood so he says yes. 

And so when he meets Karlach, it's never really a question of if he'll kill her. It's just a matter of him finding the courage. 

Because he says "you don't know what you're asking of me" and he's absolutely right, we don't. But Wyll understands the cost; he's understood it for seven years. I'll bet anything that when Wyll Ravenguard made his pact with a devil to save tens of thousands of souls, he promised himself and his city and his father who wouldn't listen that he'd only ever use his pact to help and be good, and when it comes down to it, he sticks to his word. 

Because above all, Wyll Ravenguard is a man who knows who his is and what he beliefs, and who sticks to his principles no matter what, and for me that's incredibly compelling.

[bacchuschucklefuck]

dreaming abt sophomore year class swap bard!riz

[bunnieswithknives]

Okay but does Peri KNOW that Dev has a robotic leg when he shows up? Something about the fact that Peri's wand is a cane and the fact that Dev could have kept his leg and just had a cane for the rest of his life instead tickles my brain.

I mean he doesn't know immediately, he wasn't like briefed or anything, but he basically lives in Dev's house so he definitely finds out. Peri doesn't comment on or react to it all though really, there's no reason for him to think anything of it, plenty of people have missing limbs, a lot of people are born without them, it doesn't necessarily mean anything sinister happened. He had no reason to pry or ask and I think Peri's lack of reaction to it helped Dev feel a bit more comfortable in his skin. (Not by much but.. a little bit.)

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[s0fter-sin]

i need ghoap frantically making out against a door finally taking the leap on their feelings. need ghost grinding against soap, expecting to find him just as hard as him, only to feel nothing

and in all his wisdom and experience, he concludes soap was tortured and never told him

he’s trying to think of a delicate way to say he understands, that he’s been through it and it doesn’t change anything about how he feels (and who the fuck touched him so he can hunt them down and rend them limb from limb)

meanwhile trans!soap’s just trying to find the best angle to grind his cunt on ghost’s thigh

just it never even entering ghost’s head bc he’s never known a trans person but he has met plenty of people who’ve been tortured - himself included - so of course that’s his logical leap

soap takes off his shirt and he sees his top surgery scars and ghost asks if he wants him to kill the one who did it and soap just hums like, “actually, man did pretty good, they healed real well,” and ghost’s just teary-eyes with awe at how well he’s coping, “looking on the bright side, that’s my johnny.”

imagine he thinks johnny was fully castrated but sees he’s determined to still have a sex life with him so he buys packers and straps to help him bc hell yeah healing and soap’s just like, “holy shit i’ve never had such a thoughtful partner before, such a sweet man, lt.”

[mblue-art]

someone is having thoughts (he's trying sooo hard to be nonchalant and chill)

[tubbytarchia]

Oh, I'll bow my head, I'll clip my wings I was never gonna make it anyway (x)

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[sentientcave]

Retirement Party

Chapter 4 - Runaway

<<First Chapter - < Prev Chapter - Next Chapter >

Contains: No Y/N, Kidnapping, Forcible relocation, Dubcon, Plus-sized reader, female reader, Poorly thought out action sequences, Guns, There is something fucking wrong with these guys for real, More reader details given, but we're still pretty vague about it. Even though it is hard for me. No promises for future chapters though I might even tell y'all her name.

~3.8k - MDNI - Dark fic! Please mind the content warning above

You wake in the morning with your nose buried in a thick patch of chest hair, and strong arms around you. Your legs are hooked around one of his thick thighs, and something hard digs into your stomach. You start to inch away, but his arms tighten, and his hips cant against you, a thick, sleepy groan rumbling in his chest. It would be a nice way to wake up, if not for the circumstances. It’s been ages since you slept beside another person, let alone someone that feels as comfortable as John does.

“John,” you say softly. You don’t want to fully wake him up, just get him to let you go. “John, please let me go.”

He hums, one hand sliding to your waist, and then down to your hip, pulling you closer, grinding you against his thigh. You squeak in protest, becoming aware that you’re already wet, like you’ve been unconsciously humping his leg in your sleep for some time. You push your slightly freer top half away a little, so you can look at him. He’s still sleeping, a little frown on his face as he’s pulled unwillingly toward consciousness. He really is handsome, especially like this, all his defences down, grumbling like a hibernating bear.

“Don’t wake up,” you tell him, as if it’ll make any difference. “I just have to pee.”

One of his blue eyes cracks open, a little unfocused. “You comin’ back?” His voice is rough from sleep, rasping like sandpaper.

“Sure,” you say, even though you have no intention of doing so. Your body seems as eager as his is for something you’re sure is dangerous. Maybe he smells good, like tobacco, warm, boozy spices and something undeniably male, and maybe he feels warm and solid against you, but you don’t want to encourage this. You just want to enough space to clear your head. His admissions last night still have you spooked, John’s words not tempered by a night of surprisingly good sleep. “I’ll just be a minute.”

He loosens his hold on you enough that you can wiggle free, his eyes opening a little more so he can watch you slip out of bed. He rolls over onto his back, and starts snoring gently before you’ve even made it to the bedroom door. You take the opportunity to snag one of the bags stacked in front of the closet and your purse off the dresser and bring both to the bathroom with you. You’re not sure what’s in the bag, but you know the larger suitcase has things from your closet in it, so you’re hoping this one has more from your dresser.

You get dressed, glad that most of your underthings and a comfortable pair of jeans and a thick sweater are inside and pack your toothbrush and makeup bag into the larger one, and creep downstairs carefully. One of them is snoring gently on the couch, but otherwise, the house is silent. You carefully fish a set of keys off the hooks by the door and sneak outside. You don’t know where any of your shoes are except the red heels, so you just leave in your sock feet, and pile your things into the pick-up truck. You’ll drive it into town and leave it there, buy a ticket on a train or a bus, and get the hell back home.

It sucks to have to leave everything you own, beyond the clothes in the one bag and the contents of your purse, but maybe you can call the cops— Well. Probably not. Better to just start over anywhere else. You have digital copies of a few pictures of your parents, and that’s better than nothing, even if their wedding album is sitting on a shelf in John’s living room, along with all the family photos that your parents took of you and them while you were growing up. Your mother’s sketchbooks too, and her camera, and your dad’s guitar.

You bite your lip, holding back tears, and start the truck.

No sense mourning things. The memories are in your head and your heart, not trapped in the pages of books or twisted into the strings of the guitar. You don’t need them.

You haven’t driven in a long time, and the truck, unfortunately, is a manual, which you haven’t driven in even longer, but you manage to pull away from the house without revving the engine too hard, and pick up speed once you get to the road, only just remembering to hit the clutch with your left foot before you change gears. You’d feel pretty pathetic if you only made it to the road before stalling out the pickup.

You’re not sure which way town is, but you figure the road has to lead somewhere no matter which way you choose, so you navigate blindly, turning onto a bigger road a little ways down the gravel one that leads to John’s house. Bigger road means more people, although the hour is still so early that there’s no one around yet. The sun is barely up, and it’s still shadowy in the woods on either side of the road. The woods give way to fields suddenly, the sun making a too-bright debut, shining right into your eyes. You flip down the visor and adjust the rear-view mirror, wincing when you see a blue car a ways behind you, approaching fast.

You didn’t notice the car when you were leaving— It must have been parked behind the bigger van that they’d used to move all your things— but it looks sporty and fast, and judging by the way it closes the gap, there’s no question that it’s them. You push the truck harder, squinting against the light, heart hammering. The car’s engine roars, loud enough that you can hear it over the blood rushing in your ears, and pulls into the lane beside you. Gaz motions for you to pull over from the passenger seat.

You slow up enough that they pull ahead a little, and you yank your steering wheel to the side and stomp down on the gas and the clutch, shifting into third gear and nailing the side of the car, shattering a tail light and making it spin, stopping just shy of the ditch.

For a moment, you’re still close enough to see the shock on their faces, but you’re moving fast and leave them in the dust, at least momentarily. It won’t take them long to recover and catch up again, and if they hit you with the same maneuver, there’s no way you’ll be able to get the truck under control. There’s not enough weight in the bed of the truck to compensate, and you’ll wind up in the ditch for certain.

Funny, how it comes back to you. Learning to drive along mountain roads way outside Aberdeen, either in your dad’s little car or your mom’s old truck (usually the car, which was the easier one to drive. Your dad was the safer driver too, the better parent to learn from), and you can almost imagine your mother in the passenger seat, laughing her head off at the insane circumstances, encouraging you to throw caution to the wind, to get a feel for the road under the wheels and the way the old truck handled. She always laughed when she was under stress, but it’s comforting to think of. Your mum would never let a couple of thick-headed military assholes get the better of her.

The car is catching up again, so you floor it and smash through a fence gate into a muddy field, where the car won’t handle as well, and speed your way across the stubbly remains of wheat, already harvested. The car follows, and, predictably, struggles, the low frame too close to the muck, bumping unhappily over the soft, uneven ground.

Laughter bubbles up in your chest, relieving some of the built-up anxiety. You smash through a segment of the fence on the other side and yank the truck back onto the road, giggling when the truck fishtails a bit, mud slicking the tires on the pavement. There’s so much adrenaline coursing through your system that you feel like you might be sick the moment you let any of this catch up with you. So you keep driving, and pray that it doesn’t.

The car gets close again when you reach another wooded section of road. Through the rearview mirror you can see Gaz pop out of the window, gun drawn, but you don’t hear the crack when it fires, you only feel the impact when the bullet strikes one of the rear tires. You shriek, slamming on the breaks as the truck spins out of your control and off the road, slamming into a tree head on.

The lurch forward as the airbags deploy, your body hitting them hard, knocking all the air out of your lungs as you’re slapped back into he seat. The seat belt bites into your shoulder painfully. You unbuckle yourself quickly, ears ringing too loudly for you to hear the screeching tires of the pursuit car. You fall to the ground when you try to get out, head spinning.

You stumble into the trees, still blinking away double vision. If you can find a good spot to hide— Maybe you can double back and take the car while they chase you blindly through the trees. You cast about, feeling every rapidly forming bruise, wishing desperately that you had shoes, and dive into the underbrush, scooting forward on your belly, brambles catching in your hair as you curl up, out of sight.

“Please come out, doll,” you hear Gaz call out, boots crunching through the woods, closer than you would like. “It’s okay, we’re not mad. Just come out and we’ll take you home, yeah?”

Johnny is yelling further off, his voice incomprehensible but sing-song, mocking. Gaz moves further into the woods. You wait until his voice grows a little more distant before you drag yourself back out, sweater streaked with mud, leaves in your hair, and quickly sneak back to the road. The car is still running, the driver door left open. You breathe a sigh of relief.

“There you are, bird.”

You scream. A gloved hand drops over your mouth, cutting off the sound, and an arm loops around your waist, picking you right up off your feet.

Fuck.

"Look what you did, bird. Wrecked up Price's truck. 'E's not goin' to be 'appy about that." He turns so you can see the slightly smoking truck, the front half of it crumpled beyond repair.

You shake your head until he pulls his hand away from your mouth. "Its not my fault I crashed. Gaz shot the tire out. I wasn't even going to steal it, just leave it in town once I'd gotten to a bus stop."

He hums. You hear the slight crackle of a radio. "Got 'er, lads. Come back to the car."

"Rog."

"Aye."

Ghost shoves you into the back seat. "Stay put," he says sternly. "You're already banged up, don't want to 'ave to tackle you."

You sigh, all the fight leaving you. You feel awful, bruised and shaken up and trembling, and you do nothing but watch as Ghost gathers your things from the truck and puts them in the boot of the car. You slump back in the seat, inspecting the scratches on your hands idly. Your head hurts, and your shoulder aches, and you feel a bit like you've been stepped on, but nothing feels broken, just bruised and tender. You got lucky.

Well, not lucky. There's very little about any of this that counts as luck. Especially considering the look on Johnny's face when he jogs out of the trees. At first he looks stormy, but he grins when he sees you and opens the back door to crawl onto the seat and on top of you.

"Steamin Jesus, where'd ye learn ta drive like tha'?" He asks. "Didnae ken ye were a racer."

"Outside Aberdeen," you reply. Your ribs hurt. Soap’s weight makes every little ache more acute.

"Price isn't gonna be happy about his truck," Gaz says, tossing himself into the driver's seat. "What were you thinking, doll? You could've been hurt."

"You didn't have to shoot the tire." You try to push Soap off, but he wraps himself around you, a bit tight, but bearably so. You’re trembling, and he’s trying to help, in a thoroughly unhelpful way. "I was just trying to get home."

"That's the wrong way. Your home's with Price now." Ghost gets into the other front seat, and Gaz reverses back out onto the road.

You sigh, leaning your head against the window, watching the countryside flash by. It takes an embarrassingly short time to get back to John's house. You didn't get as far as you would have liked, hardly got anywhere at all. Your eyes prickle with tears, but you don't want to cry in front of them. You want to go back to bed, maybe back in time to the morning. You would have been wiser just to curl up next to John again.

Soap drags you from the car, hands a bit rough on your bruises, and pulls you back to the house. John rushes out, worry creasing his face, blue eyes sweeping over you and turning furious. "What happened?" he barks, not at you, but at his men.

"Bird was makin' a run for it," Ghost says.

"Wrecked your truck," Gaz adds.

"That's not my fault!" you protest. "You shot at me!" You glare at him, frustrated tears overflowing down your cheeks. It’s like they have no idea what kind of stress they’ve put you through.

"Woah, woah, c'mere, doll." John pulls you against his chest, wrapping strong arms around you, stilling some of the tremble in your limbs. "You broken?"

You shake your head, leaning into him, gripping his t-shirt tightly. You breathe in raggedly, trying to steady yourself.

"Lads. Why did you shoot at her?"

"Trying to stop the truck."

"She's a civilian you muppets. I take it that the truck's in no shape to drive, or you would've brought it back. You could have killed her." He pets a hand over your head, plucking out a few leaves. "You should’ve let her go."

"She stole your truck!" Soap protests.

"So what? It's wrecked now anyway, innit?" The silence behind you speaks volumes. "Alright, doll, why don't you go get cleaned up? " he murmurs against the top of your head. "I need to talk to the lads, and what I have to say is not fit for a lady's ears."

He gently ushers you into the house and closes the door firmly behind you. You trudge upstairs, feeling utterly pathetic, and lock yourself into the bathroom. Still sniffling, you comb sticks and leaves out of your hair with your fingers and put yourself into a hot shower, where you give yourself the freedom to cry your eyes out, hoping that the sound of water drowns your stifled sobs.

The house is quiet when you shut off the shower and dry yourself off. You wrap the shirt you'd slept in around you and poke your head out into the hallway. John is right there, holding out a bundle of clothes. "Here, sweetheart," he says softly, like he's worried a sharp word will set you off again. He must have heard everything. "I sent the boys to deal with the truck and that tail light, so it's just us. Just come on downstairs when you're ready."

You open the door wide enough to accept the clothes, and he turns to leave again, content to leave anything else to be said when you make it downstairs.

He'd obviously taken his cue from what you'd been wearing already, because he gives you a sweater and jeans again, comfortable worn in things. You go downstairs carefully, every joint and muscle in your body aching, even after the shower.

"How do you take your coffee?" he asks. "Or do you prefer tea?"

"Coffee, please. I can make it. I'd feel better if I did, honestly." You skirt around him to the cupboard where you'd seen Gaz take mugs out, recognizing your own nestled among John's mismatched ones. You put milk and sugar in your favourite mug, and pour in coffee, stirring it throroughly. The clink of the spoon is loud, and so is the pan he sets on the stove top.

"Eggs and toast okay?" He asks.

"Um, yeah. That would be nice. Over easy?"

"Yes ma'am." He looks at you over his shoulder while butter melts in the pan, blue eyes all worry. "Did I say something to you last night? Maybe the sort of thing that made you feel like you needed to steal a truck and run as fast as you could away from here?"

"Um. Yes." You hold onto the mug with both hands. "Some stuff about wanting to start a family. With me."

His ears turn pink. "I see."

"I suppose this is where you tell me it was just the whiskey talking, right?" you ask hopefully. You like him, even if it’s ill-advised, maybe even dangerous to do so.

"Wish I could."

Your stomach twists. “Oh.”

John turns around fully, guilt and sadness written all over his handsome face. He steps closer and touches your arm gently. “I’m so sorry about what my boys have put you through, sweetheart. None of this has been right.” He sighs, brushing a few tendrils of still-wet hair away from your face, studying you, those intense blue eyes focused on you intently. “But there’s something special about you, doll. I really do want to keep you forever. Not if you’re scared, and not if you feel forced— It’s just, the thought of you leavin' and never wanting to speak to me again is— I don’t want that.”

You swallow nervously. “This is just really overwhelming.”

“I know. If I’d known, I wouldn’t have let this happen. Soap really could have just given you my number.” The smile he gives you is hopeful, and you can’t help but return it, just a little. “Now go sit down, doll. Let me take care of breakfast, hm?”

You nod and move to the table, sitting where you can watch him, and peek out the window too. The car is gone, but the van is still there for the moment, sitting idly to the side. You consider making another run for it, but your aching limbs protest even the thought. There’s not enough fight in you, and you’re not even sure you want to fight John, not the way you do the other three. His only crime has been wanting you to stay, and being a bit overzealous about it. You can’t be mad at him for that, can you? It isn’t really his fault.

Well, it might be his fault, in a roundabout way. He trained them, taught them how to ruthlessly pursue an objective. It’s just not his fault they can’t keep it from coming home with them. That’s a clear failure of whoever does their mental health assessments.

You sip your coffee and watch John crack eggs into a pan. He keeps glancing at you, and his smile flickers on a little longer each time that he catches you looking back, until he doesn’t stop smiling, and just looks happy, glad to have you there, even if you’re just keeping a silent vigil on the other side of the room.

It's not like you have anywhere to go. It'll take days at least to feel like you haven't just been in a car crash, and days more to locate everything to pack it back up. So long as you don't have to share a bed with John again, you think you could live with this, for at least a week. It can't be that terrible, so long as the others leave you alone. You rather hope they just leave. If you asked, would John send them away?

"John," you say as he sets a plate with buttered toast and a couple of eggs on it in front of you, and sets a couple tablets of paracetamol beside your plate. "If I stay… Will they be staying too?"

"I'm going to have them leave this afternoon. That alright with you? We can go for a walk to the neighbours while they pack up, if you're up for it. Maybe dr-- Well, not drive." He sets his own plate down and sits next to you, handing you a knife and a fork. “Have to get that sorted out. But the neighbours-- Rob and Melissa-- Their dog just had puppies a few weeks ago. Do you like dogs?”

You nod, breaking the yolks of one of the eggs with a corner of toast. "My parents had a dog when I was growing up. Some kind of German shepherd cross. Best boy. His name was Rob Roy, because he was a wee outlaw. Mam found him digging in the trash and--" you stop and give John a baleful look. "Sorry. That was more than you were asking."

"No, that's the most you've said at once this whole time. I'd listen to you talk all day, doll. Don't ever apologize."

"Sorry I-- Oh, shit, sorry--" you press your fingers to your mouth, cutting yourself off. "Force of habit."

"I'd like to see you lose that one. You have nothin' to apologize for. Not one damn thing, and especially not talking. I think you have the prettiest voice I've ever heard."

You roll your eyes, but you can't help smiling. "You're just saying that."

He touches your arm lightly. "You don't know me too well yet, doll, but I never just say anything."

Yet hangs in the air, heavy and deliberate. He wants you to know him, wants you to stay with him, wants you to like him. Even if it makes no sense, the offer is tempting. It's been a long time since you've let someone get close— You've had the occasional fling, and the odd reunion with an ex that you’d stayed friends with, but grief is like a canyon you can't bear to cross. What if you love someone and you lose them, the way you lost your parents? How could you live with that all over again?

Still, there's something that feels like warm sunlight in his smile, and you can't help but incline toward him, slowly but surely reaching for the light. No one can live in the shade forever. There’s no nobility in suffering.

So you let yourself talk, at least a little. And he listens, hanging on to your words like they're precious, gazing at you with something unfurling in his expression that you can't name. You're almost afraid to try.

Image Credits: Banner

Dividers: 1 - 2 - 3 by @/Cafekitsune

[arthursfuckinghat]

Sometimes, I'll be doing a mission with Dutch and everything is fine.

Other times, the light will catch his face in a way that makes me seethe.

I get reminded that Dutch got to age, he got to grow grey.

Did Arthur get that chance? Jenny, Mac, Davey, Sean, Kieran, Lenny, Molly? Did any of them get to grow old together?

Why didn't they, Dutch? Why didn't the gang survive? Why didn't they get the promised virgin lands in the west? Why did you outlive them?

Go on, Dutch, go ahead. I'm listening.