#we actually have mostly the same opinions save for this one

[my-strange-attraction]

I am a lesbian and I came across Lostryu’s post by way of a mutual of mine. I was curious and wanted to see your response. I have to say your rebuttal contains nothing of merit that could possibly fare as a proper argument. It’s chock full of contradictory statements and straight up lies. I am assuming you’re a USA resident, but the highest university with an LGBT+ population is Brown Univeristy; and only about 20-24% of people reported being LGBT+

As a fellow english major, it was painful to read. Constant contradiction with only half formed ideas; practically agreeing with Lostryu regarding the definition of lesbian only to backpedal…. And words do have meaning, that’s why we use them in our craft as wordsmiths. You can’t simply replace keywords with opposite definitions and expect your manuscript to make sense!

I also want to point out that you degendered Lostryu entirely, refusing to use correct pronouns. That in and of itself is very transphobic. I don’t really trust your judgment as it seems like you didn’t even care about reblogging from lesbian and transgender rape apologists.

I thought you might like to reflect on this, but I truly think you care more about your self-perceived moral superiority rather than actual people.

-🧁

Oh boy. Ok.

Well thanks for being so kind and civil and not attacking my character.

I know you don't trust me, but you gotta trust that a queerer school than Brown exists and I go to it. I can see where the confusion is, after doing a google search myself, because my school is pretty small and doesn't show up on a lot of searches for colleges in the US. I will give you that, after looking up the number myself, it's more like 50-70%, but I will tell you that less than a quarter of the people I know and talk to on a regular basis are straight and cisgender.

I'm not writing an english essay here, it's a tumblr post. If anything, this is a lot closer to how I would format a philosophy paper, which, if you've ever read one of those, are very rambly and have roundabout ways of getting to the point. Also, again, thanks for not attacking my character, here. Thanks for really respecting me and not discrediting my nearly completed degree. Really appreciate that.

I... have no words. I used they/them/theirs pronouns throughout the whole post, which, I cannot stress enough, are NEUTRAL pronouns. I use those pronouns for all people online, and I think most other people do too. Yes, I knew he used he/him and used they/them instead, but I also cut his username out of all my screenshots. I wasn't talking about him specifically, his post was just an excuse for me to explain a concept in depth, and explain why exclusionism such as what he was promoting is detrimental to the queer community as a whole.

I didn't include his username or @ him at all. It wasn't even meant for him to look at, really. He was an example, a nebulous person with an opinion I don't agree with. It wasn't personal, so I used neutral pronouns. I am really sorry it came across that way though, I never want to make anyone uncomfortable and I know pronouns are super important to pay attention to for some people. This is an actual sincere apology.

I don't think I'm morally superior, that's not the point. I don't argue with people on the internet in order to prove my opinions are right and that anyone else with different opinions has made a wrong and evil choice and is unredeemable as a person. Really this whole thing happened because the original post had some terfy red flags and even though op isn't a terf, I wanted to point it out so that people know how to spot it and avoid it.

And do I think it's bad for the community to exclude mspec lesbians? Yes, but I also understand where the frustration comes from. I don't think less of people who have that opinion, I just hope to change their minds, because I think a radically inclusive community is the best kind of community.

[hello-eden]

I have an au idea where Vlad Masters is raising like a 12-year-old Ellie an eight year old Dante situation is Danny permanently unconscious until Vlad can do something to fix it

The idea is Vlad did something down to get both him and Danny caught by the giw Danny trying to save Dante and Danielle ended up getting himself hurt where now he's practically unconscious they ended up moving to Gotham which is in a different dimension

out of nowhere new billionaire Vlad Masters is now stuck raising Danielle his 12 year old daughter and Dante is 8 year old son both who seem to hold a large dislike to him and will be willing to open voice their opinions

Danny in a room in the Master's mansion in Gotham that leads to like a pocket dimension in the infinite Realms glass coffin with a portrait of Danny and a bunch of like flower stuff around it

Dante and Danielle go out as there antiheroes and steal any magical artifact they can find and give it to Vlad so we can try to engineer it to help Danny wake up

Instead of it being Tim that's mostly suspicious this time it's actually Damien Danielle and Damian are both in the same predicament we're being incredibly gifted and being in high school even though they're like 12 years old

Damian has been able to notice the hostility that Danielle Masters seems to have it against Mr Masters but talk about dear Mother like they were an angel

Why Dante Master seems to blame both his Mother for leaving him alone with Mr Masters Damian is on the case to see her none of this a case of abuse or something even deeper

I like the idea of Dan being the younger sibling and Danielle being older also misunderstandings

I like

There definitely is a misunderstanding that Vlad is the one keeping Danny in the coma.

[quasi-normalcy]

Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:

Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.

Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.

Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.

Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.

Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...

Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...

Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!

[another-goblin]

Spoilers for 2.3

Some thoughts, speculations, and headcanons about our little dialogue with Ratio (+more)

1. This tells me that Ratio and Aventurine are friends (or as close to being friends as both of them are currently capable of, which isn't much, but still). Yes, what Aventurine thinks about TB could have been them discussing their mission. But I choose to think that they just chat with each other sometimes, because they actually enjoy it. Aventurine feels comfortable enough to just share what he thinks about the people he meets, and he knows that Ratio is interested in his opinions, and he's right. He listens and takes note. btw people being actual friends is my favorite trope for romantic couples.

2. Ratio seeing his relationships with Aventurine, and our TB, and people in general as a teacher and a student and being constantly in his teacher mode made me think. Probably all significant relationships in his life were those of a teacher and a student. He cannot see himself in any other role because he has never experienced it himself. I wouldn't be surprised if even his parents provided him with knowledge and education instead of parental love. This may also be why he's so frustrated with people who don't fit these two roles: normal people not interested in bettering themselves through education, students who don't take studying seriously, most scholars, and especially the Geniuses, for not actively sharing their knowledge or doing anything to uplift humanity.

3. Ratio seeing their relationship with Aventurine in particular this way is appropriately weird and a bit unhealthy, in my opinion (but what did we expect from him), considering that they are undeniably close. But that's probably the only way he knows to show his care for somebody:  to teach them stuff and help them better themselves.

4. On Avenrutine's side, he seems amused by it, in a good way (the way he playfully refers to Ratio in the descriptions of some of the 2.1 quests, "Your professor friend," and so on). He even seems to be a bit proud that an actual professor has taken an interest in him.

5. But what can he teach Aventurine? He might share his actual knowledge. I think the "Death" and "Dormancy" part of his note is him doing that. But he mostly sees his duty as a teacher in showing people that they can achieve a lot by themselves if they stop relying on higher beings who don't care about them and start relying on themselves (with little help from Ratio.)

But "relying on himself and achieving things" is what Aventurine has been successfully doing most of his life. So is it the "little help from Ratio" that matters here? Or is he helping Aventurine stop relying on his supposedly supernatural luck and realize how capable he actually is?

6. This. (btw 'philosophical zombie' means "a being in a thought experiment in philosophy of mind that is physically identical to a normal human being but does not have conscious experience" (from wiki), so basically just some weird concept in philosophy.) But what an admirably in-depth knowledge of his 'not partner' he's showing here. Are you equally interested in the inner worlds of all your students, doc?…

7. Anyways, that reminded me of what Jade said about the Stonehearts, even using the same word 'void'. So. Aventurine has a void in his heart, caused by his inability to protect people he cares about. It's very significant that Diamond gave him the power of Preservation specifically to help him fill that void, to be finally able to protect somebody he cares about. The problem is, he doesn't have anyone to protect anymore (he doesn't even see himself as worthy of protection). Until recently. So, and I'm being extremely self-indulgent here, if Ratio got in danger, Aventurine protecting and saving him would fill the void in his heart. And btw what can boost one's self-worth more than protecting somebody who's important to you? I mean, he should snap out of that 'I'm only worth the money my slaveowner paid for me' mentality sooner or later, I hope.

(the problem is, I'm not sure how it can play out now that he doesn't have his stone anymore. And he lost it, not protecting anybody but nearly killing himself and furthering the IPC's agenda. Although doing something like that without the stone would be even more significant)

Also, I hope Ratio won't realize that, and won't deliberately put himself in danger for Aventurine to save him. You know, for educational purposes.

8. He just runs around helping people, making sure everybody's okay, and, emm, 'enhance their living', that's his thing.  And even broadly speaking, with his scientific discoveries, and him saving people on Herta station. And considering that 'everybody's my student' thing, I feel like he sees himself as responsible for everybody (in his own way).

And some people still think that he's selfish and egoistic. He even gets angry when we ask for an autograph:

9. Aaand that's the third time he disappeared in the middle of a conversation involving Aventurine. I understand him, though. As somebody who also 'detests noisy gatherings', group chats aren't much better.

------

ok this was supposed to be hidden in tags but i think tumblr found it too scandalous or something i don't know, i'll just leave it here: the more I write about Ratio, the stronger the urge to just call him Rat, you know, lovingly also whoops sorry, I'm physically incapable of writing short posts, it was supposed to be a short comment about their friendship, how much content can I squeeze out of a half-minute long dialogue?, the answer is yes, but I just had to get it out of my system

[magesforthedas]

Okay, newest discourse I've seen and want to share my opinion on... Mostly it's about Rook's companions. PLEASE be aware the are Spoilers for late game DAV below!

So, I've been seeing a bunch of people talking about how the companions don't really act like they care about you, because they aren't asking you how you are doing.

We've got some things to dissect here 😅 first off, not everyone's love language is words of encouragement haha. But on a serious note, even if it's true that they never asked "Rook, are you alright?" (Which, I'm pretty sure I got asked that by at least one companion...?) It doesn't mean they don't care about you. The more interactions and companion quests you do, the more you see that care come out.

Davrin asking you to join him for walks? He sees you need a break and fresh air.

Emmerich taking you to the gardens? It's probably the most relaxing thing he can think of.

Neve taking you with her to throw rocks, the thing she does when she needs a break and to clear her mind? She's hoping it helps you too.

Taash taking you to feed the birds? Again, something that helps them clear their head? Makes it easier to think? Also, their comment about you not knowing loss... Haven't you ever said something when you are angry that you know will hurt? Maybe that's how Taash sees you, or maybe they see the haunted look of grief in your eyes every day, and wanted to provoke you into getting mad and talking about it- exactly how they are apt to share their emotions. But Rook knows that comment isn't about them, it's about Taash.

Harding taking you with her to practice her new magic? It's something potentially fun and a little exciting, something brighter than the death and despair everywhere.

Tbh I'm having trouble thinking past romance stuff for Lucanis 😂 but like, making you food, he does check in on you, his quiet care in the way he would talk to you. I'll see on this second playthrough how much stays even when he isn't romanced.

Bellara taking you to check elven artifacts? You most likely have no idea what you are doing, she obviously just wanted you there. Now, it could be because she just wants support, but I wouldn't be surprised if she was hoping some knowledge of how to handle these artifacts rubbed off on you, and wasn't sure how to say that. She's obviously protective, and doesn't always know how to say what she wants.

Point is, sometimes it's words, sometimes it's actions, but they obviously do care. They also realize: you are the one leading this, the one with the most weight on your shoulders. They may be unsure how to actually ease that weight, and not just remind you that you have it.

It makes me really, really sad to see people say that they can't find it in them to care about the companions, because they don't ask you how you feel. Is their worth directly linked to your wellbeing? Is the only correct way of showing care or affection the way you prefer? I cried through multiple companion scenes because of the raw emotions they shared with me. Does that willingness to be vulnerable count for nothing?

Something I honestly appreciate about Rook, is there's a little bit we know for sure about them. You can decide their identity, if they're serious or joking, or optimistic or angry. There's room to fill your backstory. But the core of you is the same, and it's why Varric chose Rook: because you see a problem, you solve it. You see an injustice, you have to do something. Every backstory, you did something that saved lives or helped people and it got you in trouble; you know how to put others first, but without it breaking you.

There are a lot of similarities between Hawke and Rook that I see, the Found Family trope being the biggest. And you know, both families are maybe a little dysfunctional. But while there are similarities, it's unfair to compare how Hawke's friends approached their wellbeing with the Veilguard, because they are all, the protagonist and the companions alike, different people, who would handle and process trauma differently. And in a way that, whether the healthiest or not, kept everyone sane; though there are times when things could slip through the cracks.

My final thought is about Varric, or rather, his death. I saw people talking about how Solas couldn't have kept that ruse going if the companions had bothered to check in with you. Now, sure maybe no one ever said anything because they were concerned if it would help or not. You've been caught in the infirmary a couple times, talking to nothing: maybe that is what helps you cope?

But I think it is completely plausible that the magic Solas was using to make you think Varric was still alive, could also have been censoring outside mention of him. A lot of the time if Varric gets brought up in conversation by someone, they just.... Trail off? What if they said more, but Solas erased it for you? And the companions, well. If you don't want to talk about him, they won't force you. Same with anyone else, like Isabela. Solas is smart, he would know that the people around you would know he was dead, and may very well mention it in front of you. You think he wouldn't have something in place?

So yeah, next time something comes up that makes you go, "this is bad writing, I can't like this game, how can you like this game?" Maybe ... Look at it from another angle? A couple angles? Think about what could be happening offscreen? Or if you really just don't like the game or the characters... Why would you want to make others feel bad if they do? Not to be harsh, because also if you have things you don't like, that's valid and it doesn't mean you can't express yourself. But that doesn't mean nobody should like them.

Love you all ❤️

[yuri-for-businesswomen]

i have left

hey everyone this will probably be the last thing i post on this blog albeit im keeping it up for resources.

im eternally grateful for how this community has helped me through prostitution and everything, i have amazing mutuals and i have learned so much 💜

but it has become toxic. many of yall cant handle disagreement and default to being as condescending and obnoxious as possible. one of us calling out a post is not enough, we have to dog pile everyone with a slightly shitty opinion. some of yall have severely lost the plot if you ever had it in the first place. not everything is that serious, especially when it comes to online drama.

im sick of it. so many engage in the same bullshit we accuse online trans activists of. this is an echo chamber. so many just mindlessly parrot slogans and arguments. what im very sick of is seeing single tweets or posts by a nobody, usually anonymous, being spread as receipts and shit. you know how annoying it is when everything a self proclaimed terf somewhere on social media says is taken by trans activists at face value and representative of the community when theyre not even radical feminist, just transphobic? yeah. yet a lot of yall do the same by saving and sharing „receipts“ where some random person who claims theyre trans (or not even) says some fucked up or out of pocket shit. you will always find people like that online, from any politicial „camp“ or ideological alignment!

a lot of yall seem to think that debate is about winning and not like, having an exchange of arguments and let the audience come to their own conclusion

and i just dont hate trans people. in fact i feel kinship to any female or homosexual trans person, anyone except heterosexual males. many of yall dont even realise how male centered you are when you more or less equal the trans community to heterosexual men who have a fetish for humiliation and forced feminisation or whatever. who exist and are an issue and i do wish the trans community at large would distance themselves from those men, but its not all there is to it. yes i agree that we need to protect vulnerable young people, girls and especially lesbians and gay boys, from being pushed into transitioning, i think the age of consent should be put at 21 or something, but we have to acknowledge and consider that there are people who have already transitioned and will transition in the future and i just dont understand how you cant have any empathy for them. no matter what you think about transition, many trans people ARE vulnerable and marginalised. plus consider how many detransitioned women are in this community yet yall talk about trans people as mutilated and shit its gross. in the end we can only try to establish structures that keep people from self harming, but an adult of sound mind has the right to do so anyways, including plastic surgery and trans surgeries. and i want to keep my arms open to them; but a lot of rhetoric around it spread on here will only alienate them further.

right now im saving all my essays in notes so its out of my mind. i have missed the community a lot so maybe i will return at some point but i have also been feeling better since i stopped being on radblr. i miss the rare valuable input and thoughts by other women but overall i have felt unaligned with how things have been handled on here. it has been mostly negative instead of constructive and pragmatic. ive had the impression some of yall enjoy the „being in the in-group“ community aspect more than actually being here for feminist exchange. lack of nuance, lack of empathy, lack of reason. it pains me but i have more and more come to understand why people just block us without engaging on general suspicion because ive also come to be annoyed with some of yall engaging with posts - and im on „your side“.

anyways im doing okay, im going to drug counselling regularly now and am trying to establish a stable life for those of you who inquired, and i hope anyone reading this is self reflected enough to know whether this applies to her or not. bye

[starry-bi-sky]

I'm so annoyed. @kingcrow01 tumblr ate your ask about Danny's opinion on the League. tumblr i pressed 'save draft' why didn't you sAVE DRAFT.

ANyways I'm making a post instead. For everyone else, the ask was in summary:

What was Danny's opinion on the League now that he's left it? If he missed the familiarity of it, if he recognized the cult-like behavior inside it, and if he now detested his grandfather.

And to answer (again, grrr): It's complicated! We love complicated <3. Yeah, Danny does miss the familiarity of the League, it was still his home for the first ten years of his life and he has a lot of memories there. Plenty of good along with the bad, and while he's less homesick than he was when he was 10, it still hits him like a truck at random intervals.

Sam, Tucker, and Jazz are great, and he likes the Drs. Fentons enough that he's contemplated murdering Vlad for his meddling, but if he wants to eat the same food his mother used to make him and Damian, he has to do it himself and he can't get the taste right. No one knows arabic so he speaks it to himself because he doesn't want to forget his mother tongue, and he has a few books too. Frankly? He genuinely misses training.

Getting to use Sam's gym helps with his restlessness, same with training with Maddie, but he has no one on or above his level to go against other than his mother. And he only sees her twice a year at most. He knows that he's getting stagnant and he fucking despises it like a bad itch he can't scratch.

He feels conflicted about missing the League, however, since by now he recognizes the flaws and what was wrong with it, and he recognizes that it was cult-like. But even that is kinda, hrm, complicated? If this was a fic I would be able to go better into depth about what he has and hasn't unlearned because cult deprogramming is hard and Danny's doing most of this on his own.

Sam, Tucker, and Jazz have helped with the more obvious stuff: like the ecofascism, the disregard for human life, his emotional constipation; the more obvious stuff that shows in his behavior and personality. But none of them are professionals nor do they actually know the full extent of what Danny's life in the League was like. They only have snapshots since Danyal is very tight lipped about it. So they can only help with what they see themselves through Danny's behavior or word of mouth.

But in summary: He sees, for the most part, what's wrong with the League and disagrees with some of the stuff they do now. But he's very conflicted, and trying to dissect his feelings on the League confuses him. His protests about it whenever Sam and Tucker joke about it have at this point become mostly empty (altho it still causes him some discomfort), and its an inside joke between them three.

As for Ra's? Despises him. If only because Ra's wanted him to kill his little brother -- thinking about his motives with the League confuses Danny, cognitive dissonance and stuff, -- a lot of his hatred stems from "He wanted me to fight my baby brother to the death. I destroyed my relationship with Damian because of him, I had to fake my death and leave my home, and I will never meet my father or see my brother again because of him. Fuck that guy."

[deathworlders-of-e24]

Jane, Medical Technician

Part 2

~~~~~~~~~~~~~~~~~~~~~~~~~~

Without the useless procedures or petty vandalism, the Med Bay was actually kind of boring. Besides the occasional cold or sprained joint, nothing was really holding Doctor Jane Shaw’s interest. She did get to meet a few of the crew, and that was nice, but otherwise it was boring. She knew the mission had only been underway less than a week, but she’d been expecting a little more excitement. Like landing on an asteroid or dogfights with space pirates. Jane had been watching bad sci-fi movies since she was a little girl so her expectations were a little…unrealistic.

Jane was about to hit the mess hall when Doctor Huhuma came through the door, the 3 other simian like Indoprime in tow.

“Hey you guys, sorry, I’ll clear out of here right after I finish these papers.”

“No, Jane, stay and have lunch with us,” Huhuma said, “I already brought you a plate. It’s mostly fruit though, so I’m not sure how much you’ll enjoy it.”

“Well… alright, if you insist.” Jane had said polite greetings to the other Indoprimes when they’d come into the Med Bay previously, but she hadn’t really met them properly yet. In retrospect she hadn’t really met a lot of the crew yet, aside from that minor assault on Simms the Gally, and that wasn’t exactly putting her best foot forward.

Jane left her desk and came over to the exam table where the four aliens were enjoying their meal. Huhuma wore her lab coat as usual over the green medical uniform she always wore, which suited her in Jane’s opinion. Two of the others were in maintenance worker orange, and the fourth was in security personnel gray.

“Alright, you’ve met these guys before yeah? That’s Hayte there from Security, and these two are Marrin and Kub, they work maintenance with that other human who stole the service droid.”

“I told you, he didn’t steal it, it’s more like he… adopted it, the weirdo.” Kub laughed.

“Well is it cute?” Jane asked.

“Is what cute?”

“The droid.”

“I mean, yeah, I guess.”

“Then yeah, that tracks. Humans are suckers for anything cute,” Jane said, eyes flicking to Huhuma.

“See, I told you to be nice,” Marrin said, jostling Kub with her shoulder.

“So are you guys like siblings or what’s the deal here?” Jane asked, sitting to the Doctor’s left. She picked up a spiky red ball fruit, hoped it was edible to humans, and tried peeling it.

“Not exactly. Most Indoprime live in tribes, so we’re closer to what you humans would call cousins. Same tribe, different tree.” Huhuma reached over and pierced the fruit Jane had with her nail. “Now try.”

Once the fruit’s skin had been torn it peeled easily, like an orange. It smelled sweet.

“Thanks.” Jane took a bite. It was sweet and dark, like black cherries on steroids. “Oh my god this is fantastic, what is this?”

“It’s a makla fruit from our home planet,” Marrin explained. “Your Vending Machines get them almost perfect, but the ones back home are still better.”

“Well you’re all troopers for making due I guess,” Jane teased. The table laughed, and she relaxed a little. The 5 of them chatted throughout their breaks, Jane and Huhuma telling them about Simms the Gally and his unofficial punishment. Hayte approved, saying that security chief Ducane would probably agree with it but that he wouldn’t spill the beans on them.

Hayte told them about the chief, ‘Ducane the Destroyer’, and how the security teams were shaping up into ‘special forces’ like the humans had on E24.

“The guy is a monster, nothing can stop him. I’ve seen him in the GRID, it’s like he grows twice his size! I’ve never seen anyone run the gauntlet like him before in my life!”

“Well you know if any of you actually do get hurt in there, come see us immediately Hayte,” Huhuma said.

“Yeah, don’t bite it from just a simulation, we need you guys in case we run across pirates or something. I can’t use a blaster to save my life. Deadliest weapon I’ve ever held was a scalpel,” Jane said, popping another piece of fruit in her mouth.

“I thought all you deathworlders were trained soldiers?” Kub asked.

“Nah, not me. I got through the academy purely on brains. Can’t fight my way out of a paper bag but I can diagnose an ear infection at 20 yards.”

“Says the girl who tackled that Gally guy into next cycle,” said Huhuma, chuckling.

“Okay, fair enough. Maybe I got some fight in me somewhere,” Jane smiled at her. Then she noticed the rest of the Indoprime looking at her, Marrin smirking, the boys just with a blank stair on their faces. Jane covered her face with her drink as she took a long sip.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Their respective breaks ended, and everyone returned to their stations. Huhuma went to her office to finish a paper she’d been working on, leaving Jane to take stock of the equipment in med bay. She went down the checklist on her work pad, counting off items as she went.

3 emergency med kits with body stabilizers, check.

6 dozen microscopic sutures, check.

4 short wave laser scalpels… not check, there were only 2 there.

Thats odd, where’d they go? Jane thought. She’d grabbed one just the other day to get that pipe out of Simms the Gally, and she was sure she’d set it back to recharge, but now it and a second were missing from their slots in the port.

Jane hit a button on her work pad.

“Computer, has anyone checked out equipment from the med bay storage?”

[Negative]

“Crap.”

Jane knocked on the doctor’s office door. It hissed open, and Doctor Huhuma looked up from her computer. Her tail flicked behind her.

“What is it Jane?”

“I was doing the inventory out there and it looks like two of the laser scalpels got misplaced or something.”

“Are you sure you put it back from the Gally incident?”

“100% sure, and it’s not just that one, two are missing from the kits. If someone came in here and took them, those can be used as knives or weapons or…”

Jane’s imagination was overclocking at an alarming rate. Suddenly she was in the midst of a mutiny and pirates were taking over the ship, or someone used a scalpel to cut a hole in the ship and let all the oxygen rush out, or…

Jane took a deep breathe.

“Jane, calm down. I’m sure it’s just a clerical error, but what do you say we send a report to the captain and the security chief, okay?” Huhuma came out from behind her desk and put a hand on Jane’s shoulder. “You okay in there?”

“Yeah, sorry. It’s just… this is my first posting out of the academy, and I really wanted it to go well. I’m really glad now that you got the division head job, because I don’t think I could handle the pressure if I get done in from just inventory being off.” Jane chuckled weakly.

“Everything is going to be fine. We’ll report the issue to the captain and Chief Ducane, they’ll sort it out. But maybe we’ll change the code to the medicine cabinet too, just to be safe,” Huhuma walked on light feet to the storage room and began typing commands into the pad on the door. It tripped and beeped and glowed green, accepting the changes. “There, all done. And I’ll report that to the captain as well. Just be ready to assist the nurses with this if they need anything from in there, alright?”

She’s so nice, Jane thought. So in control of her shit. Kind of jealous actually.

“Thanks Doctor,” Jane said.

“Please, you can just call me Huhuma if we’re not in surgery,” she said laughing softly.

“Thanks, Huhuma.” Jane felt a blush coming on again, so she quickly turned and got back to her duties. The good doctor went back to her office, most likely to inform the captain of their inventory issue. All was quiet in med bay for the rest of the shift.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

As much as she enjoyed having a meal with the Indoprime troupe on the ship, Jane chose to have a quiet dinner by herself in the mess hall that evening. She hit the vending machine, got a nice pasta dinner with a savory red sauce, and sat down at a corner table to read a medical journal on her work pad while she ate.

She’d just opened what she’d hoped to be an interesting article about new lumbar puncture procedures for different species when some ruckus caught her attention. Someone in a yellow communication division uniform apparently hadn’t chewed their food all the way, and seemed to be choking.

“Someone call med bay!”

Fuck, Jane thought.

She was once again on the move with no real conscious thought about it. A crowd had formed around the victim, blocking Jane from her newest patient.

“Move, move, I’m a doctor, please can you GET THE HELL OUT OF MY DAMN WAY!?” She hollered, progressively louder as she elbowed and shoved her way through the throng of people. Hearing her shout, the crowd parted and gave her the space she needed. Jane got to the man, prone of the floor, and rolled him over. He was a Scrib, a bipedal humanoid, bald, pale pink skin now turning blue. Thankfully Jane was very familiar with their anatomy.

“He’s not choking, this is anaphylactic shock, probably something he ate.”

“What’s wrong with him?”

“His airway is closed, he can’t breath. His anatomy is basically the same as a human’s though, so I can probably fix it with…”

The Scrib’s eyes were glazing over by now and they slowly closed. His lips were a fair shade of blue.

“Fuck it, no choice,” Jane grabbed for the nearest table, slapping a tray of food to the floor. Thankfully the steak knife she’d spotted before was within reach. “First one of you to cry about this doesn’t get any good drugs for the rest of the mission,” she called out while slicing the man’s trachea open.

“Straw, pen, ANYTHING AT ALL?!” She shouted at the onlookers. They scrambled around frantically, coming up with the odd bendy straw from god knows where. Jane slowly inserted the straw into the incision, listening for any wheezing or airway problems, back burner-ing the thought about how many possible infections she’d have to treat because of this mess.

“She’s killing him!” Someone cried.

“Shut up!” Jane shouted back. “Somebody had better already be getting the nurses in here!”

Jane straddled his prone figure, balling one fist up and putting her other hand on top, placing them on the Scrib’s chest.

“Starting compressions SOMEBODY COUNT!”

Nobody started counting.

Damnit. Old school it is.

“Uh uh uh uh, staying alive, staying alive,” Jane sang, compressing in time to the beat. The aliens around her were panicked, incoherent, and generally distracting.

“You’ll crush his sternum if you keep that up!”

“The Human is trying to kill him!”

Jane barely heard them.

“Broken ribs can heal, but we can’t treat a dead patient! Stop distracting me and shut up already!” Jane kept up the compressions. “Uh uh uh uh, staying alive, staying alive…”

Doctor Huhuma and the nurses crashed through the doors to the mess hall, gurney in tow, right as the Scrib man opened his eyes. He flailed weakly a bit before Jane calmed him down.

“You’re okay, you’ll be okay, but don’t try to breath through your mouth right now. Listen, listen to me, I had to open a small hole in your throat so you could get air in, so just stay calm. These guys are gonna get you to med bay and get you all fixed up, okay?”

The Scrib looked dazed and confused, but nodded anyway. He slowly touched the straw sticking out of his throat and looked Jane in the eye. Jane put a hand on his shoulder and he clutched it in his own.

“You’re going to be okay.” Jane said it slowly and deliberately, squeezing his hand, willing the idea into existence. Huhuma and the nurses came over and loaded him onto the gurney. He seemed distressed at the idea of separating from Jane but once she assured him she was coming along he relaxed. Or relaxed as much as he could with a hole in his throat.

At least the aliens in the mess hall had stopped screaming.

~~~~~~~~~~~~~~~~~~~~~~~~~

“That was a brave thing you did today, Doctor Shaw.”

Captain Skitch had arrived in the med bay not long after the Scrib man had finished surgery. Jane had gotten to close up the incision herself after they’d administered epinephrine and he’d gotten his air way open again.

The insectoid captain had never heard of anaphylactic shock before, so when they explained it, he was stunned.

“It was nothing Captain. Scrib biology is basically just smaller human anatomy, so the two are close enough that I could wing it without a problem.”

“Absolutely not, that man would have died if not for you,” Huhuma interrupted. “I never would have thought of that. Leave it to humans to figure out that more damage would be the fix.” She laughed that hearty laugh again from deep in her chest. Jane enjoyed it.

“I’m putting you in for a commendation, Doctor Shaw. Doing your job or not, that was nothing short of miraculous. And I’m sure Ensign Mirn would agree with that.” The captain gestured to the Scrib, Mirn, now peacefully asleep on a recovery lounge.

The captain left, but not before hearing about the two missing lasers, saying he’d look into it further.

Jane dropped into a chair. She realized she’d never actually gotten to eat anything for dinner, and was starving, but the last thing she wanted to do now was eat.

Huhuma dragged a chair over to her and sat down beside her.

“Busy day, huh?”

The sheer simplicity of the question made Jane burst into laughter, so much so that her sides ached and there was more than one tear in her eyes. Huhuma joined her, and together they filled the med bay with stupid, laughing relief.

“You know,” Jane started as the giggle fits died down, “I was actually bored this morning. Like bored bored, like I was daydreaming about hostile takeovers of the ship bored.”

“I know, you were looking at the same file on the computer for 20 minutes without blinking.”

“Shut up, I was not.” Jane laughed again.

“Anyway, that was this morning. After all that with ensign Mirn, I think it’s good. Being bored I mean. Like, we’re the doctors, if we’re busy it’s probably not a good thing, right?”

“You’re not wrong there. Just remember, the ship hasn’t even been out a week yet. There’s still plenty of time for things to get… interesting.” Huhuma bumped her shoulder into hers, smiling. Jane could feel another blush coming on.

What is with me lately? She thought. A cute monkey lady smiles at me and suddenly I’m a teenager all over again!

“Well anyway,” Jane said, getting up before her face got redder, “it’s getting late, and now I’m too exhausted to eat, so I’m just going to go sleep until the end of time.”

“You’ll be here on time or I’ll come get you.”

Damn, not getting out of here without blushing.

“You got it, boss. Good night.”

“Good night, Jane.”

Jane rushed down the halls to her quarters. This job was going to be anything but boring it seemed.

[the-badger-mole]

Aang was a kid who was the sole survivor of a genocide. Why doesn't that factor in your opinion of him?

I've talked about this before, but his age and tragic backstory are irrelevant. ALL of the main characters are children with tragic backstories, and they are more empathetic, have more growth, and their tragic backstories...actually matter.

Listen, for all people whine about how often Katara talks about her mom (which isn't really that often), it's clear how her mother's death shaped her as a character. It's clear how witnessing her mother's death formed her worldview, and Kya sacrificing herself for Katara made a mark (she never turns her back on people who need her? COME ON! That is obviously her trying to save people the way she couldn't save her mother). Even her wanting to learn how to fight and not heal (which is an insane battle advantage, btw) speaks to her trauma around not being able to defend her mom.

Even Sokka's trauma around the loss of his father and not being deemed old enough (big enough/ strong enough/ smart enough) to go with Hakoda and the other warriors come through in his recurring need to prove himself (coming up with the big battle plan for DoBS, breaking his father out of prison, learning swordplay, etc.). It's woven so neatly into the narrative. His trauma matters to his story.

Toph is the least developed of the Gaang, and her issues with her parents have more impact on character than the destruction of the Air Nomads have on Aang. Heck, Zuko's entire arc hinges on compound traumas.

Meanwhile, Aang's trauma....? What trauma? Yes, the loss of the Air Nomads is a tragedy, but we, the audience, only know it's a tragedy because we have real world knowledge telling us so. Personally, I was in 3rd or 4th grade when I began learning about the Trail of Tears, and in kindergarten when I began learning about slavery (I was born in Harlem. The kindergarten I went to taught us accordingly). When I saw ATLA, I had a frame of reference for the genocide of the Air Nomads. But it didn't really seem to bother Aang all that much. Oh, sure, it did come up when it was convenient to the plot, but it mostly seemed to be a way for Aang to expound on the superiority of Air Nomad philosophy and society to whoever he's talking to. Aside from that, and his first rush of feeling when he found out what happened to them, the loss of the Air Nomads doesn't seem to effect Aang all that much. If he doesn't care about his tragic loss, why should I?

Aang is a fictional character. I don't have to extend the same pathos to him that I would to a real life person. It is the writers' duty to make me feel for him, and they did not. The way he's framed is the issue. And here is where I really start retreading things I've said before, but I think it needs to be repeated (again and again and again). Aang is not framed as someone who has a lot of growing up and learning to do. I could give him a pass on his worst traits because he's a child and still growing, but the show doesn't frame him that way. The show wants me to see him as a precocious imp who's wise-beyond-his-years but still has a cheeky lil' mischievous streak. It's not trying to frame his lying to the quarreling tribes in The Great Divide as a bump in his journey to becoming an effective leader bridging different people together. It wants the audience to laugh at him getting one over on the foolish tribes who absolutely went back to fighting as soon as Appa was out of sight. The show isn't framing his desperation to get the village in Avatar Day to like him as a foolish pursuit he needs to get over if he wants to be strong in the face of adversity. It wants us, the audience, to feel bad for him because his charm isn't immediately bringing the people over to his side. It wants us to be indignant that the villagers don't see how important Aang is and wont' support him. The show isn't framing Aang's non-con kisses with Katara as bad because it hurt her. It isn't making a point to that Aang needs to care about her feelings. It wants the audience to feel bad for Aang and hope for Katara to come around because he's A Nice Guy™️©️®️. Aang is never shown to be a particularly good friend to any of the Gaang, let alone him being kind to strangers just because that's his heart. All of that I would allow to be just him being a dumb kid with growing to do if the show hadn't made it clear that Aang was perfect and didn't have to change, and in fact the world should change for him.

Aang's age and tragic backstory are irrelevant because the show made them irrelevant. All they left us with was a Gary Stu character who hides his selfishness under a thin veneer of cheerfulness. It's not good enough.

[essycogany]

The Roll Reversal Between Sonic And Amy

In Sonic Prime did Sonic and Amy’s rolls get swapped? Because MAN THE IMPLICATIONS IN THIS SHOW IS BOTH SUBTLE AND NOT SUBTLE AT THE SAME TIME.

The reason I say the two hedgehogs rolls are swapped is because one line in the entire show is the only indication of Amy’s crush on Sonic.

Sonic: “You like me….To some extent.” It’s never hinted at in the original Green Hill. Though a funny and random detail I liked is Amy apparently tricked Sonic into getting into the water (Probably to teach him how to swim) and I thought that would’ve been adorable to see.

Now onto Sonic’s part. Sonic possibly having a crush on Amy shouldn’t be a surprise. First of all the implications in actual canon Game/Modern Sonic is increasing more and more in my opinion. Secondly, this show’s version of Sonic is probably the most emotionally driven and affectionate. He’s not as secretive about how he feels either.

Sonic in episode 8 s2: “We’re all in this together. And I’d really think you’d grow to love them as much as I do.”

Onto the small details. We have short, but not hard to miss moments of Sonic just….staring at the different Roses. Sure, it can be viewed as platonic, but it’s the constant softening his gaze in a bunch of different scenes that didn’t have to be added, but was. It’s all up to interpretation.

Anyways, Sonic and original Amy’s first interaction is with the blue blur coming up to her excitedly and standing in a flirtatious manner. His tone of voice when he says “Got a little sidetracked,” could be interpreted as anything, but how he’s animated makes me pretty sure it’s intentionally flirtatious. That’s just me though.

Then we have the flirting teasing at Rusty Rose in the pirate dimension.

Rusty: “Not that anyone will remember you.”

Sonic: “Now you’re just being hurtful.”

Sonic not minding Black Rose hugging him and might even appreciates it.

And almost all the scenes between him and Thorn Rose was ship fuel for me. With Sonic calling her “Thorny,” as a nickname. He kept the location of the green shard a secret so Thorn could trust him. Sonic stopped himself from fighting Thorn as much as possible. (The Amy Flashback was adorable) Not to mention the last few scenes with Thorn holding onto Sonic was sweet as well.

Sonic even helped improved the sisters lives.

With Rusty finding her humanity and ability to live without her Flikie.

Thorn regained her broken friendship and trust with the Bose Cage Gang.

And Black Rose became the new leader of her Crew. (I say that knowing it was mostly Dreads redemption that helped, but still)

Sonic’s also the reason for all the Roses to gain a sisterhood. Which was one of the most precious part of the entire show. Season 3 has scenes of them running up to Sonic to make sure he’s alright, and helping Sonic twice by saving the last three pirates from No Place and getting him back home.

And here’s my favorite detail. I love how Sonic adores Amy’s way of thinking in Prime. When helping Thorn come to her senses, Sonic mentions how the original Amy would handle the situation. Expressing herself and discussing how she feels. The reason I bring it up is because Sonic finds value for Amy being able to do it without issue. Understanding he’s not the best at expressing himself.

Thorn: “I don’t know. She sounds pretty great.”

Sonic: “Yeah. You are.”

In fact. Sonic thinks so fondly of Amy that the show couldn’t end without having him come to her bashfully and calling her, “Sweet Amy.”

Also the posing with Sonic’s hand behind his back and feet up doesn’t help.

Last thing I’d like to point out is Sonic’s implied crush on Amy is very subtle and despite all of this can be interpreted as platonic which I’m fine with. But the thought of a roll reversal between two characters that’s never experienced it prior to now is awesome to speculate.

Stay Creative! 💜

[hollowed-theory-hall]

Since you were asked what were your favorite hp fics, how about your not favorite hp fics? 🙃

https://www.tumblr.com/hollowed-theory-hall/760514932420820992/what-are-your-favourite-harry-potter-ships

Or ships you are against hahaha and what short reason?

I'm assuming you meant ships and not fics, and that you really want me to get controversial, huh.

So, like, I wouldn't call it "against," as I have nothing against people shipping anything, and I don't even mind seeing some of the ships on this list on occasion. These are just ships I don't personally find compelling (some of them I can find objectively compelling and are just not to my taste), so it really isn't "against", more like not my cup of tea ships.

Also, ship whatever you ship, I really don't care what anyone else ships, and these are just some of my subjective opinions. So, in no particular order:

1. Hinny

I talked about my dislike of Hinny plenty, and I have a substantial "anti hinny" tag on this blog, which I will refer to here (and the tag here, if you're interested)

2. Drarry

I talked about Drarry here. Drarry is a pairing that has so much going for it, I wish I could like it, but I find Draco's canon character annoying, so I can't ship him with Harry who's my favorite and gets only the best from me when it comes to shipping. So, it's a not my cup of tea thing.

3. Linny

Talked about them here. I just never got the impression Ginny truly respects Luna, and that sucks for Luna and this relationship.

4. Wolfstar

So, this is, I guess, a big one to say I don't particularly like, and I'll give a bit of my reasoning.

My canon-loving self can't get behind fanon Wolfstar at all. They're not even actually the characters, and as Sirius is one of my favorites, I really dislike his fanon version. Additionally, as I mentioned about Drarry, I can't really be invested in a ship where I don't feel about the characters the same way (that's a me thing), and as I love canon Sirius but am very critical of canon Remus, that also stops me from ever really liking this pairing.

But even if we ignore my own opinions about the characters and talk about canon Wolfstar — I'm not a fan.

I just don't think they work. Like, I can see them having sex during OotP, but I wouldn't call it a healthy relationship. I can see it because they're the only Mauraders left, and neither of them is in a good mental space. Like, I can see them getting into a messy situationship because they're depressed and they miss the dead, and this could be super interesting, but it isn't the form Wolfstar usually takes.

I mean, both of them were James' freinds first and each other's second. James was the most important person to Sirius, but also to Remus, I think. Like, James was the one who held the Mauraders together. Sirius would not have befriended Remus and Peter without James, I guarantee it.

I mean, it's telling both thought of the other as a traitor and potential spy during/after the war. And I think, even during the books, they never really got over it, they just kinda cast it aside.

Like, it's mostly that I can't get behind how Wolfstar is portrayed in the fandom, even when the characters stick closer to canon. I just don't see this as a good relationship. I think, if they were to get together as adults, it would be so much messier. And I can't imagine them getting together as teens during school, since, I think at that point, the interest in each other wouldn't be there. I never saw them as each other's first choice. Like if they had to choose which Maurader other than themselves to save — they'd both choose James.

It might also be my Prongsfoot agenda speaking, but, like, you can't tell me Sirius "it's been 14 years and there wasn't a day I didn't think about your father" Black wasn't in love with James Potter since, like, day 1. I honestly believe in the canon books, Sirius was in love with James (not the other way though, I think in canon it was one-sided, but James did love Sirius, just not romantically).

5. Jegulus

I need to talk about this, I guess. Like, I probably wouldn't have minded canon James being shipped with Canon Regulus (although, I'm iffy about that too, becouse James likes having "the best" and according to Harry and Slughorn Regulus is just a downgraded Sirius, so why would James go for the seemingly "lesser" Black Brother when Sirius is right there and more than willing.) But the fanon version of both of them are just really not for me.

Neither of them actually feels like the characters they are supposed to be. Like, they kinda remind me of the fanon portrayal of Percico (Percy x Nico, from Percy Jackson) back in the day (haven't been in the PJO fandom in years, so I don't know what they're up to now). Like, I think fanon Jegulus is a Percico variant, and I wonder what the Fandom overlaps is.

6. Harry x Cedric

I can get behind the idea Harry fancied Cedric a bit in 4th year. It makes sense, I understand Harry, Cedric is hot, Harry's hormonal, of course, he'd have a bit of a crush. I just don't think they would make an interesting or particularly good couple.

Like, the fact Cedric dated Cho for as long as he did tells me he would not have gotten along in a relationship with Harry. Becouse Harry and Cho are very different people who look for different things in a relationship. I think Harry would find Cedric frustrating as he found Cho if they actually tried to date or got a chance to get closer.

7. Snape x any of the golden trio

Again, no hate, just, this one is really not for me, and I never really wanted to read it.

8. Bellatrix x any of the golden trio

Same as above.

9. Vernon or Petunia with anyone other than each other

I just don't think anyone else (except maybe Marge) deserves it. I can get behind Petunia cheating on Vernon with Marge.

10. Bellamort

I talked about it here. And I just can't get behind it. I don't find them particularly interesting, I don't think Voldemort was interested in Bellatrix romantically in canon (they might've had sex), and I don't think he particularly respects her while she's obsessed with him. So, I don't find them (be it canon or fanon) compelling to read about. The fact that Bellatrix would be easy for Voldemort to be in a relationship with doesn't mean it's a good thing, I think Voldemort should struggle in a relationship. The most interesting Voldemort ships push him into a character arc, and Bellamort doesn't do that.

11. Ron x Lavender and 12. Harry x Ginny

I feel like canon speaks for itself, but I wrote a bit about Harry and Cho here.

13. Most Dumbledore ships.

Mostly becouse Dumbledore is a character I'm not usually interested in shipping. I'm interested in Grindledore because of its impact on Dumbledore's character, but, he's just not a character I want to read a romance about. This is my personal opinion.

---

I have a lot of other ships I'm indifferent towards. Like, Snape with either Lucius or Narcissa, or Pansy x Hermione, I'm not a big fan, but I don't dislike them, just indifferent.

I'm also sure I missed a bunch, but I tried to hit the big ones I don't like. Though, even with some of these, if the summary is interesting I might read a fic with them.

[ladyluscinia]

What Exactly Did David Jenkins Say?

Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.

But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...

Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.

Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.

(Listed in chronological order from oldest to newest - post contains spoilers below the cut)

Pre-S1

Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link

Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"

Post 1x01 - 1x03

Polygon - March 5, 2022 - with Tasha Robinson - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."

About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."

Mashable - Mar 5, 2022 - with Belen Edwards - Link

About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."

On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."

About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"

Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""

Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""

Post 1x09 - 1x10

Decider - Mar 24, 2022 - with Kayla Cobb - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."

About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."

About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."

Collider - Mar 24, 2022 - with Carly Lane - Link

On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."

Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."

Discusses history and kissing scene

Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."

Is Lucius dead? - "You got to wait."

EW.com - Mar 25, 2022 - with Devan Coggan - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"

Polygon - Mar 25, 2022 - with Tasha Robinson - Link

Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."

Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."

Discusses kiss scene filming and the national moment around gay rights

What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."

TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link

Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."

Discusses historical inspiration

Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.

The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link

Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"

Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"

Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."

Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."

On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."

Discusses masculinity and piracy as an escape from that

Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."

Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link

Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer… and I do think that people are responding to that."

Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like… Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like… And then Izzy does this now."

EW.com - Dec 13, 2022 - with Devan Coggan - Link

Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."

Pre-S2

Collider - Oct 2, 2023 - with Carly Lane - Link

Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."

Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."

Discusses adding more female characters

Discusses S2 needle drops including "This Woman's Work"

Discusses 3-season arc

Post 2x01 - 2x03

Mashable - Oct 5, 2023 - with Belen Edwards - Link

Discusses fandom response to S1

About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."

Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link

Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."

Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases

Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."

Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."

Discusses importance of the mermaid scene

Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link

Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."

Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."

Discusses historical divergence

Discusses matelotage and pirates as weird outsiders

TV Guide - Oct 5, 2023 - with Allison Piccuro - Link

About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."

Discusses playlists he makes

Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."

Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."

Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"

On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."

About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."

Discusses the A Star is Born aspect of seeking fame / retiring

Mashable - Oct 7, 2023 - with Belen Edwards - Link

About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."

About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."

Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link

Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"

Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link

Short tease on leaning into the love triangle

About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]… to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."

Post 2x04 - 2x05

IndieWire - Oct 12, 2023 - with Sarah Shachat - Link

Discusses directing and show creation

"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""

"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"

PopSugar - Oct 12, 2023 - with Victoria Edel - Link

About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."

Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"

Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."

Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."

Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""

Variety - Oct 13, 2023 - with Hunter Ingram - Link

Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."

Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."

Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."

Discusses adding historical pirates

Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."

Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."

Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."

Polygon - Oct 14, 2023 - with Tasha Robinson - Link

Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."

Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"

"The second season is more overtly about romance, and more a relationship story."

Energizing aspect of fan reaction

S3 is about "love is work"

Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link

About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."

Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds… It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."

Discusses the A Star is Born aspect of seeking fame / retiring

Discusses Zheng Yi Sao

Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy… These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."

Post 2x06 - 2x07

Mashable - Oct 19, 2023 - with Belen Edwards - Link

Discussing drag performance in 2x06

"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."

Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link

Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""

Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""

Discusses Jim x Archie

Discusses 3-season arc

Polygon - Oct 21, 2023 - with Tasha Robinson - Link

Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect

Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."

About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. […] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."

Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"

Post 2x08

AV Club - Oct 26, 2023 - with Saloni Gajjar - Link

Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."

Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."

Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point

Discusses parallels, Republic of Pirates, and Zheng Yi Sao

Short bit about fan response

Collider - Oct 26, 2023 - with Carly Lane - Link

Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."

Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."

Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."

Discusses Republic of Pirates / music parallels from premier to finale

Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."

Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""

"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up

EW.com - Oct 26, 2023 - with Devan Coggan - Link

Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."

Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."

Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."

Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."

Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."

Variety - Oct 26, 2023 - with Hunter Ingram - Link

S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."

Discusses the draw of a "Golden Age" and it's ending

Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."

Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link

Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."

"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level… Izzy was right in his hesitations about Stede."

Discussing Con O'Neill & Rhys Darby acting

Jenkins confirms the season was always 8 episodes due to budget cuts

About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."

Teases S3 revenge against Ricky and going to the Americas

Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link

About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."

Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."

Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."

Discusses adding Zheng Yi Sao

Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."

Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"

Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed

Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."

Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link

Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing… I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."

Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."

Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."

Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."

On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."

Vulture - Oct 28, 2023 - with Sophie Brookover - Link

Discussing Izzy as a "father figure" and his S2 send-off being a priority

Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."

Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"

Third season about the work of a relationship between still damaged main characters

Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences

About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."

Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."

Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link

Discusses historical premise of S1 and easing into the romance

Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."

Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."

Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."

Discusses diversity staffing

Discusses performative masculinity

Discusses Izzy's death, happy endings, and openness to S3

[ilikekidsshows]

Hello. :)

Can I asked for your opinion? I've talked with some of my friends and they said ladybug miraculous is exclusively a leader miraculous while I think it's more strategy related miraculous, not necessarily a sign of a leader, just like the snake.

This discussion is started when I want to write a story about Adrien take over as a leader of the miraculous team after Marinette got vetoed as a not good leader by the team (the story take place three years after s5 finale and they're all adults, Adrien also take times to heal and not Marinette boyfriend). so while she remain as a guardian and strategist, Adrien will be the one leading the team and my friends said it won't work because of the reason that I stated above.

I've seen some example where the leader and the strategist are two different people that's why I think it will work, that ladybug miraculous isn't an exclusive leader miraculous. What do you think? I'm confused because while I was pretty confident before about my opinion that any holder can be the leader, my friends keep saying the same thing that only ladybug holder can lead because the lucky charm ability and it make me doubt myself now.

Thank you and take care.

---

You are absolutely correct, the fact that you can find examples of the team strategist and team leader being two different people with the team still functioning proves it. Your friend has simply fallen into the trap of thinking that, since one thing is what we mostly see, it's therefore the only way to do things. The team leader and the strategist being interchangeable is what we more commonly see, which is why I, too, used to think Marinette's strategic thinking made her a good leader back during the pretool era.

Furthermore, the Lucky Charm ability is not what makes the Ladybug hero indispensable, since Luka has also shown that he can strategize with the Snake Miraculous, it's the Miraculous Ladybug and purification abilities. The reason Marinette is the most important member of the team is because only she can purify Akumas and fix the damage caused by any fights. Basically, Marinette has three times the amount of abilities any other Miraculous, outside of the Dragon.

Regardless, post-retool Marinette has repeatedly failed at everything else a leader should do outside of strategy. What Miraculous she's holding can't change that. Who cares that you can purify Akumas when you lead your team like a dictatorship and are inconsistent with what the rules that you yourself alone enforce are? That's extremely stressful for the team members. Who cares that you can fix the buildings after the fight when you play favorites on your team and never listen to any dissenting opinions even when they're absolutely correct? This tendency has caused problems that could have been avoided if Marinette just stopped viewing her teammates as drones.

Her go-to tactic in a fight is “keep my distance and think of a plan while others actually fight the Akuma”, which makes it obvious she should be more of a strategist instead of a front-lines leader. But, I’ve even grown disillusioned with Marinette's strategic ability. It's one thing to, in a desperate situation, after deep deliberation, make the sacrifice play, to sacrifice something or someone else so that more can be saved. Even with the Miraculous Ladybug ability, Marinette treats sacrifice plays extremely casually and she's very willing to make them when they're her idea. Way too often, Marinette comes up with a convoluted plan that can still be summed up as “sacrifice Cat Noir and fix him with my Miraculous Ladybug later”. Backwarder is the most obvious example, but whatever she was doing to him in Reverser is pretty up there too, never mind how casually she leaves him as the sole cambatant every single time she's getting backup and whenever she's busy implementing a plan. Way too many of Marinette's plans rely on having Cat Noir do most of the heavy lifting for her to sacrifice his well-being so casually even from a logical perspective.

Frankly, the only reason to argue that Marinette should still remain the leader after all this is if you want her to keep doing a bad job or shield her from criticism. Like, her tendency to treat Cat Noir as expendable cannon fodder would be brought to question by everyone on the team if Cat Noir was the leader instead of one of her drones. Marinette's standard for leadership can only be maintained in a team where only she's allowed to do any of the thinking, with everyone else going “Well, she's Ladybug, and she can do no wrong”. If she loses this cover, she's far more likely to get called out on her willingness to sacrifice anything or anyone but herself.

Meanwhile, Cat Noir brings a lot more to the table as a potential leader. He’s friendly to new team members even when he doesn't pick them (contrast how these two greet Volpina, who they had no reason to be suspicious of the time), he considers how their team members might be feeling (even when they aren't on the team anymore like Chloé) and he's concerned over things like having consistent rules for everyone on the team instead of playing favorites for his favorite team members (he was appalled when the found out Nino and Alya were being held to a lower standard than anyone else even though Nino is his best friend). He’s also far more open to perspectives other than his own and he'd never hold others to standards he doesn't also hold himself to.

[almacambiondaughterofsaleos]

Helluva Boss's Handling Of Stella and Stolas's Relationship Is Equivalent Of Family Guy's "Screams of Silence: Story of Brenda Q"

I think one of the most criticized elements of Helluva Boss is how the series handles Stolas and Stella's relationship. We see in the Circus that it's been abusive since they have been married and Stolas has been covering up the more unpleasant parts from his daughter. It has been praised by fans for showing male domestic violence, but in my opinion it's very hamfisted. It doesn't feel like it's domestic violence to show how accurate and disturbing it is. More like it's being used as an excuse to justify why Stolas belongs with Blitzo and how he was right to cheat on her. Their relationship reminds me of another badly execution of how to address domestic abuse is Family Guy's "Screams Of Silence: Story Of Brenda Q".

It first came out in 2011 where it was met with divisive reviews mostly because of the fact that it was going to handle domestic abuse seriously rather than as a joke. However, critics of the episode felt it was tone deaf due to how it was going along with the shift especially the episode before that "Seashell Seahorse Party" was encouraged to stay in an abusive relationship for her own family's sake and Brenda and Jeff's first depiction was portrayed as dark comedy like other situations before. There was also the fact that Jeff and Brenda's written as so over the top that you can't take it seriously and that they are very flat characters. Also we never see why Brenda stays with him or drew him to him in the first place. Or maybe even say he's threatened to kill her or even is financially dependent on him since he's a unemployed bum. In other words, they just exist to sell a message and not actually be interesting on their own.

The same thing can be said of Stella and Stolas' relationship since "Circus" there is nothing to her character except Stolas's bitchy ex wife. She never interacts with her daughter and everything we hear about them is through second hand accounts but never anything about how they both feel about each other. In other words, Stella feels like a male Jeff who is just defined by the fact that she's an abusive asshole who lives to torment Stolas and she even admits it. She's not even smart as shown in "Western Energy" she's shown to be instructed by her older brother in order to think anything through. As a result, we see less of a hated tormentor and more like a poorly executed hate sink made with tons of badly written fanfiction tropes found in yaoi fanfiction.

Most of all is the shows' hypocrisy in depictions of abuse. Both state that abuse is not funny, but then in another episode treat another character physically abusing someone as comedy. Again Family Guy's constant abuse of Meg made the episode hypocritical when you keep in mind the narrative tries to depict it as right she goes back to being a punching bag. The same thing with Helluva Boss it tries to depict Stella as despicable for abusing Stolas but allows Loona to do the same thing to her father who saved her from being aged out of the system and thrown on the streets. Again when you are trying to do comedy with serious moments don't get things muddled when it comes to the latter moments because then things can get confused.

[mikelogan]

hey!! would you mind doing a tutorial on how you blend your gifs? they're so perfect! if not, then that's fine but thanks anyway :)

hi there! first of all, thank you for the kind words, i appreciate it so much! and i'm always more than happy to make tutorials! below the cut i'll do my best to explain my process when it comes to creating blended gifs like these:

original gifset

original gifset

original gifset

original gifset

disclaimer that i in no way consider myself an expert when it comes to blending. i actually struggle with it quite a bit sometimes and there are tons of gifmakers far more talented than myself. here's a link to all the blending tutorials i've come across for my other blog @gifmakerresource just in case!

when it comes to blending two or more scenes/shots together, i cannot overstate how important the scenes you choose are. i'll go more in depth on this in a moment, but there have been so many times when i'm making gifs like the ones above where i spend ages testing out different scenes together to see if they'll actually work and give me the desired effect.

so, what should you be looking for when selecting your scenes? in my opinion, what's most important (and can therefore cause you the most trouble) is lighting and contrast. dark on dark is what blends best. now, you can obviously tweak these things using adjustment layers, but i think it's best to set yourself up for success right from the very start.

if we look at my first and last examples above the cut (luke in hill house and pruitt in midnight mass), these are the two that show this the best. the scene of adult luke is high in contrast to begin with; we've got areas of bright highlights and dark shadows and the latter are the areas where the blending shows through the most clearly. luke's hair and shirt are darker as is young luke's shirt and hat. the same can be seen in the midnight mass example. both scenes are on the darker side to begin with, but the shot of pruitt praying is silhouetted and makes for very stark contrast, allowing the shot of the angel's blood to be seen most easily in the darkest parts.

now, a lot of this does and can come down to trial and error and i want to make a point of saying that before i get into the actual process. there have been numerous times when i'm working on gifs like these where i have to try out multiple different shots and scenes until i find something that works. sometimes, i just save what i've done so far as a psd and go work on something else for a while, and then i can come back and look at everything with fresh eyes at a later time -- never underestimate the power of doing this, btw. some of my most popular and most favorite sets have happened as a direct result of taking a break!

now it's finally time for what you came here for! how do you do this? i'll walk you through this step by step and for now, i'm just going to be walking through 2 gifs blended into one. i've done 3 and even 4 blended into one, but they are outliers adn should not be counted. blenders georg, who created photoshop and blends over 10,000 gifs a day -- [gunshots]

step 1: make your base gifs. i'm assuming basic gifmaking knowledge, but if you need some help there, here's a tag on my resource blog with all beginner gifmaking tutorials (and i'm willing to make one of my own, personal process if anyone shows interest).

i'm mostly talking converting them to timeline and into a smart object. each person's process varies a little, but i personally use an action i made that converts from frames to timeline and applies the sharpening settings i use all in one. it's entirely up to you if you want to color your gifs before or after you have them on one canvas. in this case, i colored mine after, so this is what i have right now. two separate sharpened but un-colored gifs.

as an added note, when i'm blending gifs, i almost always keep them at their original dimensions until i bring them to the new canvas. i find it easier to position them where i want them and then crop to my desired dimensions. that way i don't have to worry that i accidentally cut something off. but for the purposes of this tutorial, i'm using my psd from this gif, which has been cropped to 540px x 500px.

step 2: bring both gifs onto a new canvas. as i just stated, the dimensions of this particular gif are 540px x 500px. if you're unfamiliar with tumblr's dimensions, i whipped this up. what matters is the width, whereas the height can be whatever you want. i saw something recently (though i can't find it now, of course) that said the middle gif in the row of 3 was no longer 178px and is now also 177px, but take that with a grain of salt! the gutters (the automatic spaces between gifs that tumblr puts in) are 4px.

so, since this is a single gif in a row, the width must be 540. bear in mind that the larger your dimensions, the larger the gif file will be and tumblr's upload limit is 10mb per gif. with blended gifs typically being on the larger end, i try to keep mine somewhere between 35-50 frames. this particular one is 35, which along with 40 frames is what i most commonly use.

create a new canvas with your desired dimensions and either copy your gifs to it or drag them onto it. you should have something like this now:

for now, ignore the other layers. as i said, using my psd of the completed gif.

step 3: add a black fill layer. this step is personal preference and therefore completely optional, but when blending, i always add an all black layer at the very bottom of all my layers. i find it helps when using layer masks (more on that soon) to make the blends appear more seamless. play around and see if you like it or not!

to create this layer, i use the keyboard shortcut (i'm on pc) ctrl+shift+N and then press G to call up the paint fill tool. once you have the color selected, just click anywhere on the canvas and it fills it. then drag this layer to the very bottom, beneath all other layers.

alternatively, you can go to layer -> new fill layer -> solid color -> choose your color but i heart keyboard shortcuts.

step 4: set the blending mode of each gif layer to SCREEN. right now, we can only see the layer that's on top. when you switch the blending modes from normal to screen, the blending begins! this is also where you can move your gifs around until you find the best placement for each one.

brb, crying about baby luke for the 800th time.

step 5: color! if i haven't already colored my gifs, i would likely do it now. that way, when i go to apply the layer masks, i'll know i'm working with a mostly-finished product coloring-wise. this is what i have now:

you can see just how important the contrast of lights and darks becomes. look at the difference between how visible the right side of young luke's face/hat is before coloring compared to after. when we lighten the highlights and darken the shadows, the blending becomes much more apparent.

step 6: layer masks! before i even tell you how to use them, we need to know how to apply them. you'll do this a layer/gif at a time. with one gif selected, press this button:

and you'll now have this:

that selected white box is our layer mask. now do the same to the other gif layer. you should see this:

now that we've applied our layer masks, what are they for and how do we utilize them? layer masks allow you to, at their most basic, adjust specific parts of a single layer without permanently deleting them. the beauty of layer masks is that you can get rid of a certain area on a gif and if you realize later you want to bring some of it back, you can! all by using the colors black and white and, in this case, a soft round brush.

the most important part of working with layer masks is that you make sure the mask itself is what's selected. in the last image, the layer masks are NOT selected. in the one before, the layer mask IS selected. you can always tell because of the little borders around the corners of the mask. if you find something isn't working quite right, chances are that's your issue (speaking from personal experience).

as i said, we're only working with black and white here. using your brush tool (press B on your keyboard), select a soft, round brush. i personally set the hardness to 0 for the most gentle fade possible. i don't want hard edges in my blends. the size of the brush depends on how large of an area you're working with. sometimes i'll go all the way up to 150px+ and other times, i'll be well below 50px. the smaller the better for more detailed work. black (#000000) erases and white (#ffffff) brings your image back.

for a visual example, with a black brush, i'm going to mask an area of adult luke:

pretty obvious, right? because both layers are set to screen, masking an area of adult luke's gif reveals young luke's gif. because that area of the gif is no longer blending with anything, we see it purely with its coloring. now i'm going to take a smaller brush and switch the color to white (to do this quickly, pressing X on your keyboard will switch between the two colors [foreground and background] on your color picker).

you can see the lines/cuts where i ran the brush through the mask and it brought back the parts of adult luke we'd erased. if we did this same thing on young luke's gif, black would erase young luke and reveal adult luke and white would bring back young luke. i know this might sound a little confusing, and even though i knew a fair bit about layer masks before i started giffing again last year, there was still a learning curve for me.

now that we have our layer masks, we need to identify which parts of which gif we want to mask/erase. for this one in particular, i didn't like that adult luke's ear was smack dab in the middle of young luke's face. to remedy this, i selected the layer mask on adult luke's layer and, using a fairly sizeable black brush, i colored over young luke's face and up into the top-right corner. i wanted to see more of his hat and because that area was so light, i covered that whole part. this is what my gif and layer mask looked like after:

the black on the little layer mask corresponds to where i colored on the gif. now that corner only shows young luke's gif and his face is much clearer without an ear in the middle of it.

step 7: that's it! maybe.

in theory, this could be a completed gif. from here on out, nothing changes as far as blending or layer masks. you could save and export this and upload it and be done. but in this case, i just didn't like the coloring. because mike flanagan wants to see me suffer, his shit is almost impossible to color and i just didn't like the difference in coloring between present day adult luke and 90s young luke. this is also part of a larger gifset with a color scheme.

regardless of that though, i have to confess that i do this almost every. single. time. i make gifs like these. i slap a big fat gradient map on those puppies and somehow they look 10x better to me. i scrolled back through a shit load of my gifs and i only found 2 examples of blended gifs that weren't under a gradient map. oops. maybe this is the easy way out or maybe i just love colors, but idk i think it helps them look more cohesive! if you're interested, read on. if not, that's pretty much it!

if you still have questions or encounter any problems after following this tutorial, PLEASE let me know! i'm more than happy to clarify things or help out if i can! otherwise, check out some of the other blending tutorials i linked at the beginning! if you'd like me to make tutorials for anything else, feel free to send an ask, anon or not! i'm quite literally always happy to help as i don't believe in gatekeeping resources or knowledge!

step 8: i ended up applying two gradient maps on this gif. it's important that these go on top of all your other layers (namely, the gif layers). if you're unfamiliar, you click this to apply a gradient map:

then you'll see this:

photoshop automatically applies a gradient map using your current foreground and background colors. to edit the colors, click on the map itself (my arrow). unless you're going for an inverted x-ray sort of look, your darker color needs to be on the left and the lighter one needs to be on the right. click on the bottom color points to change their colors:

normally, the right one will be all the way to the end, but moving it in will let more white show through and brighten the image, which i wanted in this case.

my second gradient is the green one, which looks like this and goes from #211f20 to #88a188.

i encourage you to play around with gradient maps. as you adjust the colors, you'll see the changes live as long as you pull the window to the side a little bit. i think they're super fun and can completely change the vibe and aesthetic of a gifset.

from here, i added my typography (lyrics, naturally) and then exported and saved the gif! and here we have this gif that literally made me cry while i made it because HE WAS SUCH A BABY

again, i hope this helps and if you have any further or other questions, don't hesitate to ask!

[parentsday]

Hiii! Since you asked about headcanons/analysis stuff:

There's a common interpretation on the fandom about Max's treatment of David in the early episodes coming, at least partially, from trust issues regarding adults/authority figures. And I've seen push back against it, too. People who say it's just because David is annoyingly positive. Nothing else.

And sure, I can see that. But Nikki also acts in a cheerful manner and mostly enjoys camp, and Max doesn't treat her with the level of rudeness he treated David in season one. This could be due to her being his little partner in crime, but idk. I always interpreted it as him thinking that David is some fake nice adult who will just let him down if he allows it.

And, while I was thinking about this, I realized how this interpretation of Max's behaviour towards David adds another heartbreaking layer to Parents day.

Max's perception of David started changing after Order of the sparrow, specifically after the "Somebody fucking has to" moment. For just a moment, the annoying, overly positive persona drops, and Max is able to see a nuanced human being. And it's clear that he starts understanding David a little more, because in Cult camp (literally the next episode), he allows himself to be brainwashed and trusts that David will save the camp (btw, we as a fandom don’t talk about this aspect of this episode enough).

So yeah, his perception of David changes for the better.

But then, parents day happens.

And David spends most of the episode being an absolute jerk, even if he doesn't realize it.

He pushes SO HARD to try and make the day perfect, basically ignores Max when he states that his parents aren't coming, gets way too serious about playing the role of Max's dad for the day, forces Max into the activities and then, at the end of a day that was already shitty for Max, he yells at him.

I think the context of Max's opinion on David finnaly becoming more positive makes this episode so much sadder.

Because it ceases to be just about Max's neglectful parents.

Now it's also about the closest thing he has to a trustworthy adult making him uncomfortable, ignoring his feelings and then yelling at him and telling him that he "has a bad attitude" and "brings everyone else down instead of trying just a little bit to have fun".

(Which are things he must have heard from adults before, if he behaves the way he does at camp in school and other places)

Remember in Friends like these when he said "Life's just one dissapointment after another. I can't belive I let myself forget it"? I think he might have had the same train of thought here: "I can't believe I let myself forget David is an asshole that only cares about impressing Campbell and making this stupid camp look good". Or: "I can't believe I let myself forget that every single adult thinks I'm a bad kid and a lost cause."

And I know it gets fixed quickly, with David apologizing shortly after, but still. I think the idea of Max being dissapointed at David in Parents day, even if it was just for some moments, is so good.

I also think this is the episode that comfirms to Max that David is genuinely a good person trying his best. He spent the entire day having to think about the fact that his parents suck, and then there's David, who is kind, apologizes for upsetting him and takes him to eat pizza and have a little heartfelt talk.

When was the last time his parents apologized to him, or cared about what he wanted/needed, or talked to him so gently?

The contrast between his parents and David is so big, and I think that's what makes Max finnaly go "Yeah, this guy isn't actually that bad."

(Sorry for rambling, omg.)

hi first of all thank u for an ask and such insightful one at it too !! this was an incredibly pleasant read and a lot of the stuff you say i personally find very good analysis of the show and agree with, however i do have some stuff to say abt it soo here we go ^-^ (this will be a long one so sorry about this in advance)

as i said in some previous reply, max is an incredibly peculiar guy when it comes to the way this show treats his trauma and the way he himself behaves as a result of it, and that’s by design! a lot of the thing he says and does in the first two seasons when it comes to david are there for reasons of narrative set up, and are later masterfully recontextualized by parents day later, leaving very little room for interpretation when it comes to how and why he operates. im gonna go out on a limb and say that i don’t think it’s a stretch to assume that most of his actions towards david in the early show stem from the childish born-from-trauma need for attention and also from his need for societal reinforcement of his own ego’s right to exist. when it comes to the first one i see most people agree (bc it’s a basic child psychology fact), but turn their noses in reference to the second one.

contrary to popular belief, max being in need of constant affirmation that he, as a person with little self value, deserves to exist next to other people is something that we see examples of constantly and is not a terrible part of his character that needs to be ignored. max is a neglect victim who from our knowledge is given very little attention by his parents, as a result of it he is a pessimistic asshole kid whose ego suffers from the very thing that made it this way. its in his strained relationship with nikki and neil, its in him arguing with david to put himself in the position of an adult, its him putting himself above others when it’s not needed and its in him putting his own egos safety first when time comes to accept that things are moving forward (two final episodes from both s3 and s4 are good examples of this). its not an inherently positive trait, but it is one okay for him to have by the virtue of being a young abused child with no support system, and denying it will leave him devoid of this characterization. in freudian (ugh) terms, we cannot separate his character’s superego from his id in a way that won’t harm the way he was intentionally written. Id, ego and superego are all influenced by our relationship with our parents, the amount of nurturing of a child's emotional and psychological needs parents does will result in the child’s psychological state forming a certain way, max as a character who is heavily reliant of his lackluster relationship with his parents is not devoid of this and it affects his relationship with david too. and the reason i’m saying all of this is exactly due to this.

david, when put in most simple terms, is a character who’s an adult figure present and mature enough in max’s current social position that it allows him to treat max as a child, something max is not used to. not used to to such an extent that it puts a strain on his ego in the process. david feeds his need for any form of attention, positive or not, just as much as he clips away at max’s need to be seen as socially important and in a position of an adult. it’s arguable if both of these are good or not but the main thing they are in relation to is obvious: max feels that being an adult who meets both of his psychological needs in ways that are unfamiliar to him makes david an untrustworthy person, thats exactly where you interpretation comes in clutch.

max and his behavior towards david cannot be separated from david being an adult, that is made clear with the way he treats nikki as an equal just because she is a person his age, despite her sharing a lot of david’s traits. going through the episodes you mentioned, order of the sparrow episode lets max see david perspective for the very first time. max is allowed to peek into the reason why david acts the way he does, however it alone doesn’t make him see david in a good light, if anything it makes him appear genuine in his actions. it also lets max have something for david that he didn’t have before: trust. it ends up being used in cult camp as a confirmation of it being something david can live up to (you are absolutely right, we really don’t talk abt this episode and it’s narrative weight enough). all of this has been adding onto the way max himself perceives david, parents day, however, lets both of them internalize the sentiment of mutual understanding towards each other together. parents day does this by lampshading max and david parallelism, making this whole episode consist of max seeing his parents in david just as much as david sees himself in max through the whole show and putting them in each others shoes by the end of it. the episode ends with david choosing max as a priority, he is still acting selfishly (once again david is an asshole) but choosing to do so towards max because the situation allows him to understand max the way s1 finale let max understand him. and with the final turning point in their dynamic, max understands that both his ego and need for attention can exist without them being reinforced by an adult treating him like he is an adult too. max was chosen as a priority for the very first time and that alone made him feel of more value than the treatment he initially yearned for would have. above all else parents day makes max see david as someone he can look up to as a person in emotional way, not only in a life or death situations, the shot of david from his perspective in the end making sure that we don’t miss it.

most of this is not me disagreeing with you, on the opposite i think a lot of the arguments you make are nice and are mindful interaction with the media. gold star for enjoying meta analysis to both of us i guess ⭐️. my main problem is, however, the fact that using all of this to basically say ‘maxs parents suck so he has a distain for david because of it’ is a heavy oversimplification that you somehow go against in your initial statement too and that i, personally, just don’t enjoy. this alone does not make your interpretation wrong though, if anything just reinforces your general idea into a more concrete argument rather than a collection of bits and pieces of evidence pointing to it. hope all of this made sense

tldr; man idk no summing up this one as to not take away from the overall statement im making with this. read the post 🫶