#anti kataang

[comradekarin]

when i got on twitter and said if katara had killed yon rha, zuko’s opinion of katara’s core character wouldn’t have changed (we even see that the split second shot of him seeing her blood bend) but aang’s would have- THEY NAILED ME TO THE FUCKING STAKE YALL! they hated jesus because he told the truth!

[illycanary]

Katara's Story Is A Tragedy and It's Not An Accident

I was a teenaged girl when Avatar: The Last Airbender aired on Nickelodeon—the group that the show’s creators unintentionally hit while they were aiming for the younger, maler demographic. Nevermind that we’re the reason the show’s popularity caught fire and has endured for two decades; we weren’t the audience Mike and Bryan wanted. And by golly, were they going to make sure we knew it. They’ve been making sure we know it with every snide comment and addendum they’ve made to the story for the last twenty years.

For many of us girls who were raised in the nineties and aughts, Katara was a breath of fresh air—a rare opportunity in a media market saturated with boys having grand adventures to see a young woman having her own adventure and expressing the same fears and frustrations we were often made to feel. 

We were told that we could be anything we wanted to be. That we were strong and smart and brimming with potential. That we were just as capable as the boys. That we were our brothers’ equals. But we were also told to wash dishes and fold laundry and tidy around the house while our brothers played outside. We were ignored when our male classmates picked teams for kickball and told to go play with the girls on the swings—the same girls we were taught to deride if we wanted to be taken seriously. We were lectured for the same immaturity that was expected of boys our age and older, and we were told to do better while also being told, “Boys will be boys.” Despite all the platitudes about equality and power, we saw our mothers straining under the weight of carrying both full-time careers and unequally divided family responsibilities. We sensed that we were being groomed for the same future. 

And we saw ourselves in Katara. 

Katara begins as a parentified teenaged girl: forced to take on responsibility for the daily care of people around her—including male figures who are capable of looking after themselves but are allowed to be immature enough to foist such labor onto her. She does thankless work for people who take her contributions for granted. She’s belittled by people who love her, but don’t understand her. She’s isolated from the world and denied opportunities to improve her talents. She's told what emotions she's allowed to feel and when to feel them. In essence, she was living our real-world fear: being trapped in someone else’s narrow, stultifying definition of femininity and motherhood. 

Then we watched Katara go through an incredible journey of self-determination and empowerment. Katara goes from being a powerless, fearful victim to being a protector, healer, advocate, and liberator to others who can’t do those things for themselves (a much truer and more fulfilling definition of nurturing and motherhood). It’s necessary in Katara’s growth cycle that she does this for others first because that is the realm she knows. She is given increasingly significant opportunities to speak up and fight on behalf of others, and that allows her to build those advocacy muscles gradually. But she still holds back her own emotional pain because everyone that she attempts to express such things to proves they either don't want to deal with it or they only want to manipulate her feelings for their own purposes. 

Katara continues to do much of the work we think of as traditionally maternal on behalf of her friends and family over the course of the story, but we do see that scale gradually shift. Sokka takes on more responsibility for managing the group’s supplies, and everyone helps around camp, but Katara continues to be the manager of everyone else’s emotions while simultaneously punching down her own. The scales finally seem to tip when Zuko joins the group. With Zuko, we see someone working alongside Katara doing the same tasks she is doing around camp for the first time. Zuko is also the only person who never expects anything of her and whose emotions she never has to manage because he’s actually more emotionally stable and mature than she is by that point. And then, Katara’s arc culminates in her finally getting the chance to fully seize her power, rewrite the story of the traumatic event that cast her into the role of parentified child, be her own protector, and freely express everything she’s kept locked away for the sake of letting everyone else feel comfortable around her. Then she fights alongside an equal partner she knows she can trust and depend on through the story's climax. And for the first time since her mother’s death, the girl who gives and gives and gives while getting nothing back watches someone sacrifice everything for her. But this time, she’s able to change the ending because her power is fully realized. The cycle was officially broken.

Katara’s character arc was catharsis at every step. If Katara could break the mold and recreate the ideas of womanhood and motherhood in her own image, so could we. We could be powerful. We could care for ourselves AND others when they need us—instead of caring for everyone all the time at our own expense. We could have balanced partnerships with give and take going both ways (“Tui and La, push and pull”), rather than the, “I give, they take,” model we were conditioned to expect. We could fight for and determine our own destiny—after all, wasn’t destiny a core theme of the story?

Yes. Destiny was the theme. But the lesson was that Katara didn’t get to determine hers. 

After Katara achieves her victory and completes her arc, the narrative steps in and smacks her back down to where she started. For reasons that are never explained or justified, Katara rewards the hero by giving into his romantic advances even though he has invalidated her emotions, violated her boundaries, lashed out at her for slights against him she never committed, idealized a false idol of her then browbeat her when she deviated from his narrative, and forced her to carry his emotions and put herself in danger when he willingly fails to control himself—even though he never apologizes, never learns his lesson, and never shows any inclination to do better. 

And do better he does not.

The more we dared to voice our own opinions on a character that was clearly meant to represent us, the more Mike and Bryan punished Katara for it.

Throughout the comics, Katara makes herself smaller and smaller and forfeits all rights to personal actualization and satisfaction in her relationship. She punches her feelings down when her partner neglects her and cries alone as he shows more affection and concern for literally every other girl’s feelings than hers. She becomes cowed by his outbursts and threats of violence. Instead of rising with the moon or resting in the warmth of the sun, she learns to stay in his shadow. She gives up her silly childish dreams of rebuilding her own dying culture’s traditions and advocating for other oppressed groups so that she can fulfill his wishes to rebuild his culture instead—by being his babymaker. Katara gave up everything she cared about and everything she fought to become for the whims of a man-child who never saw her as a person, only a possession.

Then, in her old age, we get to watch the fallout of his neglect—both toward her and her children who did not meet his expectations. By that point, the girl who would never turn her back on anyone who needed her was too far gone to even advocate for her own children in her own home. And even after he’s gone, Katara never dares to define herself again. She remains, for the next twenty-plus years of her life, nothing more than her husband's grieving widow. She was never recognized for her accomplishments, the battles she won, or the people she liberated. Even her own children and grandchildren have all but forgotten her. She ends her story exactly where it began: trapped in someone else’s narrow, stultifying definition of femininity and motherhood.

The story’s theme was destiny, remember? But this story’s target audience was little boys. Zuko gets to determine his own destiny as long as he works hard and earns it. Aang gets his destiny no matter what he does or doesn’t do to earn it. And Katara cannot change the destiny she was assigned by gender at birth, no matter how hard she fights for it or how many times over she earns it. 

Katara is Winston Smith, and the year is 1984. It doesn’t matter how hard you fight or what you accomplish, little girl. Big Brother is too big, too strong, and too powerful. You will never escape. You will never be free. Your victories are meaningless. So stay in your place, do what you’re told, and cry quietly so your tears don’t bother people who matter.

I will never get over it. Because I am Katara. And so are my friends, sisters, daughters, and nieces. But I am not content to live in Bryke's world.

I will never turn my back on people who need me. Including me.

[ecoterrorist-katara]

”Aang is the one who reminds Katara to be a kid” PUT SOME RESPECT ON TOPH’S NAME!!! Toph brings out Katara’s inner child, not the sunshine rainbow flower crown inner child, but her internal gremlin. Her pettiness and violence and self-centered mischief. Aang is a ride-or-die friend sometimes, but when they’re together, Katara’s priorities are always 1) the state of the world and 2) Aang himself. Like she can be playful but she’s never really distracted from her sense of responsibility.

With Toph, Katara prioritizes much more childlike things, like having the last word in an argument, and whether her friends think she’s cool, and laughing in a day spa, and petty revenge. Only Toph can drag Katara down to her level of immaturity and I think that’s beautiful

[johnskleats]

I can't, because of this

And this

And this

There are people that still ship The Hero with The Girl of course, but as a coming of age story, Aang is slated from the beginning to be rejected or ignored and rejected, and eventually grow beyond it. It's an established trope outside of these texts as well.

The rage and hate towards ZK shippers, or even people who think no ships should have been confirmed at all, is unique to the ATLA fandom because it lies completely outside of established arcs and tropes. In fact, ATLA BROKE the trope. They didn't circumvent it; if they had, it would have been clean and been narratively satisfying. That's why everyone is mad. That's why KA fans are so insecure. Because they want it to work even though it feels off, and they can't pinpoint why.

KA is structurally fucked from the beginning. It's unfair to the characters, unfair to KA fans, and unfair to everyone else that such a great show would willingly shoot its main character out back like a dog for the sake of ego. Aang deserved to grow up. He doesn't have a flat arc, he has an upwards arc til the end of S2 and then miraculously ends up in a twisted state of where he started: childish, selfish, uncompromising, and a coward.

It's nonsense, and in no world with Aang's completed, narratively sound arc (with or without Katara, even if she ended up with someone else) would Katara get more hate than she does now.

The writers taught us to talk about her that way. Toxic masculinity and the celebration of demonizing Katara comes from the men who wrote her ending as punishment for agency, individually, depth, and ambition. Punishment to us female fans who were never supposed to find a role model in her.

This type of rage is manufactured in the sense it's been excused and justified by the ATLA creators. Katara, ending up with no one, or someone else, in the original text wouldn't make what's going on now (and for the last 15 years) worse. If anything, we'd all be allowed a little more nuance between one another, and the fandom would be more healthy provided Aang was given a true enlightened growth arc.

No matter what direction they go with the LA, I hope, at the absolute bare minimum, they let the characters grow organically in a way that feels right. They won't be the same characters- they already aren't. But I hope they do themselves justice.

The thing is that if Katara doesn't end up with Aang in the LA we'll have plenty of people shouting about how it's not "the real Katara," but if that had happened in the original show, can you imagine the hate she would receive? Even moreso than she already does?

[rifari2037]

The idea of her being mother figure is challenged right from episode one when Aang reminds her that she's still just a kid.

Okay, that's right! That's spot on! I don't deny that Aang makes Katara act like a child again for a while.

Aang reminds her that she's still just a kid.

Katara : Fire Nation. Sokka : We should tell him. Katara : [Yelling.] Aang! There's something you need to see. Aang : [Aang runs to them from the airball court, still playing with the hollow ball. Cheerfully.] Okay! Aang : [Happily runs up.] What is it? Katara : [Innocently holds her hands behind her back.] Uh... Just a new waterbending move I learned. Aang : Nice one! But enough practicing, [Excited as he turns around and start walking away.] we have a whole temple to see! Sokka : [Brushes the last of the snow from his head and shoulders.] You know, you can't protect him forever.

It's only the third episode, but Aang's childish attitude already makes Katara act like a mother protecting her child from reality. Katara also has to calm Aang down when he goes into avatar mode, it happens several times like it's her responsibility to do so.

Aang reminds her that she's still just a kid.

Katara : [Resumed filling the pot with more vegetables.] Watching you show off for a bunch of girls does not sound like fun. Aang : [Disappointed.] Well, neither does carrying your basket. Katara : [Annoyed.] It's not my basket. These supplies are for our trip. I told you, we have to leave Kyoshi soon.

This scene actually piss me off, like, if I were Katara I would mad too! And again, Aang's irresponsible and childish behaviour forced Katara to be responsible for doing the chores. If not her to be mature, who else? Sokka who is busy with his misogyny towards the Kyoshi warriors? Or Aang who is busy having fun with his fans?

Aang reminds her that she's still just a kid.

Aang ran away after someone blamed him for something he actually did a hundred years ago. Katara must find him in the storm, then help him dwelling with his past.

And it happens again in The Awakening. Aang runs away and triggers Katara's another trauma that forces her to grow up, which is being abandoned by the person she cares about (her father). Katara (Sokka and Toph) must find him and save him.

Aang reminds her that she's still just a kid.

Katara : [Disappointed.] Wow... there's hardly any in here. Aang : [Lashes out.] I'm sorry, okay! It's a desert cloud; I did all I could! What's anyone else doing?! [Pointing his staff at Katara.] What are you doing‌?! She returns his attack with a shocked look on her face. Katara : Trying to keep everyone together. Let's just get moving. We need to head this direction.

Katara is the only one who can keep the Gaang out of the desert. If she doesn't act mature and responsible with the Gaang, they might not survive. And what does Aang do? Get mad at her for losing Appa, while Katara is not to blame for it.

Aang reminds her that she's still just a kid.

Katara : Aang, we do understand. It's just ... Aang : Just what, Katara? What? Katara : We're trying to help! Aang : Then, when you figure out a way for me to beat the Fire Lord without taking his life, I'd love to hear it! [Walks away.] Katara : Aang, don't walk away from this. [Walks toward Aang.]

I love Katara, you know, that's why I really don't like Aang pointing angrily at Katara and blaming her every time he got emotional, when Katara didn't do something wrong and just wants to help him. Is this a healthy relationship?

Aang reminds Katara that she's just a child in the first episode, but unfortunately, the Gaang (especially Aang) once again forces Katara to be motherly in the next episodes.

Does she like being motherly? No, she doesn't. She wants to have fun too, but if she did, the Gaang would be screwed. Being motherly is not just her nature, but the Gaang (except Suki) forces her to be more mature than the others narratively.

Actually, that's why I like the idea of Momtara and Dadko. In my opinion, this nickname is not to make her forget she is just a kid. Instead, because the narrative itself always shows Katara forced to act motherly toward Gaang, 'Momtara and Dadko' shows that is not only Katara's responsibility to do all chores.

Calling Zuko Dadko is also reasonable, because he is narratively more mature among the Gaang (except Suki). He focuses on Aang's training and worries that Aang will fail, just like what father usually do to his son.

More than that, Katara doesn't need to act motherly with Zuko - he is the one bringing her things and preparing what they need in their journey contras with what Aang did in Kyoshi Island. And they act more like equal partners toward each other, rather than mother and son.

Oh, it's true that Aang makes Katara child again in first episode. But it's weird to defend Kat/ang and hate the narrative of Katara being motherly at the same time, when the Gaang (especially Aang) often forced Katara to act motherly.

[burst-of-iridescent]

you know what, i still find it beyond weird that atla — the poster show for championing cross-cultural harmony and finding similarities in differences — chose to have katara and aang’s cultures remain not only diametrically opposed but separate throughout the entirety of its three seasons.

you’d think for a story all about understanding and respecting different backgrounds that its main romantic relationship would exemplify that, right? why don’t katara and aang ever bond over similarities in their cultures? why is their huge shared trauma of being genocide survivors forced to carry the legacy of their lost people just brushed under the rug and never talked about, even between the characters themselves? why go out of your way to establish that everything from their food to their sense of community to their moral values are so disparate? why was there never a moment where they found consensus on any of these things, or learned to love each other’s heritage despite those differences?

or if i’m getting to the actual point, why did we never have aang learning to appreciate katara’s culture?

i get that it was supposed to be humorous but it isn’t funny that the only times aang refers to katara’s cultural…anything is either as a joke or with disrespect. he jokes about her food being disgusting twice — once to toph (when she’s trying food made by a genocide survivor who is singlehandedly keeping her people’s culture alive in the land that tried to wipe it out, no less) shows no consideration for the fact that her morals don’t, and have no need to, adhere to those of the air nomads, and honestly is just downright insensitive to bato, sokka and katara in the entirety of bato of the water tribe.

i’m not saying you have to love everything about your partner’s culture, but aang doesn’t seem to love, learn from, or find value in anything. and it would be one thing for him to all but ignore his future wife’s heritage, but another entirely for him to treat it with such condescending superiority — especially when katara has never done the same. why would you make any of these writing choices when they so flagrantly contradict the themes of your story?

in the meantime, the country they do choose to show has cultural similarities with the water tribes in terms of both diet and community is — go figure — the fucking fire nation. oh yeah, there’s definitely nothing to read into there. no implications at all :)

be fucking fr, man.

[the-badger-mole]

What I adore about the idea of Katara ending up with Zuko instead of Aang is that in Zuko she would have someone who would support her in her righteous anger. Had he been there when Katara challenged Pakku for her right to learn how fight, he would've backed her up. He would never have tried to tell Pakku that she didn't mean it. And he would've offered to help her dispose of his body if it came to that.

That's the energy that Katara needs. Someone who understands that she's not jumping into a fight for nothing. If she kills someone, she had a darned good reason.

[kiera-raelyn]

All of this.

I don't have anyone to talk to about my general dislike of Kataang as a ship, so... I thought I'd ramble to you. XD

I actually really like when one part of a ship tends to do a bit more of the caretaking, though never all the caretaking, and I tend to like to balance that with the other partner either being generally more stable and sound or being physically stronger and more of a protector role. But one thing I never can stand in a ship is one part of the ship acting like a full on parent and the other part of the ship acting like their child, especially if it's a mlw with the woman acting in the role of mother (due to the tired 'my wife is a nagging ball and chain / I have three kids and one of them is my husband' stereotypes that I really hate.) And Katara was slotted into the role of Aang's mother figure despite what shipping moments the writers put in that feel awkward as heck. (And on that note, I really feel like laughing when people hold up those shipping moments as proof of the ship's supremacy, because it doesn't prove the ship was ever any good, it just proves that the writers might've had kataang as their baby they wanted to make end game even if it didn't feel natural.)

Kataang is one of those ships that I think makes sense that it happened, but I cannot see them making their relationship work for very long. Aang developing feelings for Katara and Katara developing feelings for him when they're some of the only people they see consistently for a long stretch of time while they go through a lot of trauma makes perfect sense. But then what makes sense at least to me is them starting to argue, struggling in their relationship, spreading it to their friend group some accidentally, and eventually cut things off mutually and decide to just be friends. That's my shit! Katara means a lot to Aang and vice versa, but I don't think that would change at all without a romance element and would actually just make their foundation as friends and as family that much stronger.

okay so this is like 2 weeks old forgive me but yeah; i agree with a lot of this.

a lot of people who have issues with k@taang tend not to have issues with the tropes in the ship, like a caring partner with a childish partner or w/e, but the way it’s applied in ka despite their canon development being portrayed as something romantic is ... weird.

katara is a maternal person, we’ve seen her react motherly & almost smother those around her  —  mainly toph  —  because it’s partly a trauma response & partly the role she was forced to mold into post her mother’s death & her father going off to war. this itself isn’t a bad thing, a lot of katara’s ships have her being maternal & caring towards her partner because that’s who she is!! she’s a caring person. but with a.ang, it’s less a functional choice she’s made in the relationship where she has the option to turn it off when it becomes too much, but more something she has to do because the relationship won’t let her grow out of it.

just look at some examples in the show. a.ang runs off to play with others while katara is concerned about them getting food & surviving. katara is consistently looking out for the group while a.ang is often off doing his own things & a lot of the time, not doing the one thing he’s supposed to do, master the elements. 

hell; a.ang consistently goes into the avatar state & katara is consistently made the emotional band aid to prevent him from going too far & killing people in it, something that is never resolved in the show or even in the comics. in ember island players, he tells katara that he had to actively resist going into the avatar state just because a version of her on stage  —  an actively sexualized, demeaning, offensive version of her btw  —  made out with zuko & he didn’t like that. he doesn’t even care to ask if she was okay when her friends were laughing at her for rightfully being upset about this & then later on, he forces a kiss on her & then acts like a wounded puppy when yet again, katara is rightfully upset.

this also doesn’t change by the time we get to tlok. katara is now the healing housewife who does nothing when her husband actively isolates himself from his two non - airbending children to focus on the sole airbender; which was incredibly harmful & disgusting. this a.ang doesn’t even have the “excuse” that a lot of atla - era a.ang stands give him about his age, him “only being twelve.” well he’s in his 30s by that time so clearly nothing has changed. knowing what we know about katara in atla; how she’s headstrong, how she stands up to her loved ones if they’re doing something wrong, how she’s compassionate & cares & loves with her whole heart  —  does her standing by when a.ang is actively harming two of her children sound like something she would do? no.

but that’s what she was written to do because the writers fundamentally put her character behind the ship they wanted her to be in, a ship that they’ve had incredibly toxic & misogynistic ideals about, including a.ang being the “nice guy” that had to win her from all those “gross dudebros” that dumb girls apparently always fall for.

i really wish that even if they had to become a couple in atla, their marriage or whatever wouldn’t have survived into tlok. not because i ship zutara or i “hate a.ang” but because i love katara, i see a lot of myself in her & she deserved better than a relationship that would consistently treat her as arm candy, something to be won & would fundamentally change her character to someone who just stands by passively as a “caretaker”, rather than acts as a “lover.”

[l00se-can0n]

the reason why i'll never take the argument that "fire lady katara disempowers katara" seriously is because in canon she is reduced to being aang's wife and the mother of his children, which actively disempowers her and a lot of the fics i've read with the fire lady katara headcanon have her being involved in politics which demonstrates that for the most part, zutara shippers care more about empowering katara than -GUNSHOTS.

[longing-for-rain]

Look I know people love to act like Zuko is the most dangerous, toxic, and temperamental character… but there is exactly one (1) male character Katara was canonically responsible for calming down from violent, destructive tantrums at risk to herself and it wasn’t Zuko… 🐸☕️

[allnewalldifferentwildspider]

Having read those bits from the Roku novel makes these moments look even worse.

I know people keep trying to excuse Aang withholding the map to Hakoda, but they never address Aang just casually talking shit about Water Tribe culture.

but like I've said before, it's easy to talk shit when you live on a monastery in the mountain where everything is provided for you instead of one of the harshest environments in the world.

[theweeklydiscourse]

We’re going through this phase of fandom right now where people willfully ignore the sexist implications of female characters being shafted into housewife/mother roles or disempowered by the end of their stories. If you dare to criticize such writing decisions, you will be accused of sexism and be hounded for not “respecting their choices” as though these characters are actual people and not tools of storytelling. As if the cliche of female characters “sacrificing” their powers or having them stripped away exists in a vacuum and isn’t influenced by any larger cultural factors.

They’ll say: “Not every character has to be a girlboss!!” Or “Let women be soft and traditional!!” As if that’s some revolutionary way of thinking and not the norm. It’s an extension of choice feminism, dismissing any dissent about the quality of the narrative to make it make sense and avoid the uncomfortable truth. Diminishing the agency of female characters and cramming them into traditional roles is a common occurrence in many stories, and we should be allowed to criticize them without being silenced.

[cup-cake360]

I can’t see Katara and Aang getting over a fight

I can see Zuko and Katara fighting and being able to discuss their feelings and work things through, each coming to some realization about what they did to cause the fight in the first place. But with Aang and Katara idk.

I feel like they’d be the married couple where one is a bit too laid back and easy going, forcing the other to constantly maintain everything. So when they fight Aang has no clue what he did wrong and Katara just can’t explain it, because it’s not about one thing it’s about the eight little things she let slide over the past week alone, but Aang doesn’t want to fight so he just says sorry and proceeds to keep doing whatever he did.

And Katara just kind of buries it and so there’s always just some resentment, not like they’re never happy and walking on eggshells, just like… she’d get mad at stupid things and not know why it bothered her so much.

[zukosdualdao]

so, this post was originally born from a post i saw a couple of months ago that was deriding people for criticizing katara’s main role in lok being a healer when that was never all she wanted to do but liking the scene where she heals zuko in sozin's comet. at the time i thought about responding directly and decided against it, but i have since scanned through transcripts of every instance (i could find; it's possible i could be missing something) of katara healing someone in the show and how they respond. (you know, like a normal and well-adjusted individual. lmao.)

anyway, aside from katara explicitly stating that she doesn’t only want to be a healer, another aspect of why people don’t like that this is how her story goes in lok is because of the way healing is treated in the atla narrative.

Katara: Aang, you're burned! Let me help you. [Katara heals the burn on Aang's arm.] Aang: Wow, that's good water. Sokka: When did you learn that? Katara: I guess I always knew. Sokka: [Sarcastically.] Oh ... Well then thanks for all the first aid over the years. Like when I fell into the greaseberry bramble. [Angrily.] Or that time I had two fishhooks in my thumb!

this comes, of course, after aang accidentally burns katara and she learns she can heal through her waterbending by healing her own hands. then (after comforting aang despite being the one who got hurt, not that i'm bitter), she heals aang after he gets burned in his fight with zhao. and like... there's not so much as a cursory thanks in this scene.

to be clear, because i can already hear some responses in my head and i am making a preemptive strike: i'm not saying that when other characters don't thank katara for her healing, they're like, the worst people ever for not doing so or there aren't other ways at different times where they show their appreciation. what i am saying is that it feels like this sets up a long pattern of katara's healing specifically being taken for granted, and it makes me especially uncomfortable when i see her healing as a sort of metaphorical parallel to the emotional labor often expected of her in the show, especially because this and being The Avatar's Girlfriend/Wife is more or less what she's relegated to in post-canon.

also, i have to note sokka's line here. i don't want to come down on him too hard for this, because it's obviously being written humorously (and does genuinely make me laugh, for what it's worth, if just for the inherent ridiculous nature of two fishhooks), but his sarcastically saying thanks for all the help over the years when katara says she always knew (which is supposed to be her saying it just somehow instinctively came to her) does feel like another mark in this pattern. but i also really read this as sokka trying to lighten the mood after a Difficult (TM) day, so i cut both him and the writers some slack for it.

Meanwhile, back at the Outer Wall, Katara attempts to heal a member of the Terra Team. General Sung: What's wrong with him? He doesn't look injured. Katara: His chi is blocked. [Stops healing.] Who did this to you?

i find it interesting that katara has sort of naturally fallen into a token team healer role, to the degree that we don't even see them ask for her help or her agree to it; it's just automatically assumed that she will. and i mean, on the one hand, it's fairly standard to have an Assumed Healer in a fantasy action setting like this, where people will get hurt in combat and therefore the narrative needs someone whose job is to help them. the problem for me is that the show kicked up such a fuss about how women shouldn't just be allowed to be healers, and yet it's still the role no one but katara ever fills. aang is also a waterbender! why couldn't she have taught him healing, too? i genuinely think it would have added a lot to the story, but katara is The Girl (TM), so healing is what she (and only she) does, what's expected of her, and again, with very rare thanks for it.

Katara stares open-mouthed at Jet, her hands hovering near her mouth in shock. Snapping out of it, she withdraws water from her water skin, with which she covers her hands, and it begins to glow as she kneels down next to him. Cut to a shot from over her shoulder, with Jet glancing at her while she rubs her hands over his chest in an attempt to heal him. After rubbing his chest three times, the glow fades, the water stains Jet's clothing, and Katara looks back over her shoulder toward the rest of the group. Katara: This isn't good. Smellerbee: You guys go and find Appa. We'll take care of Jet. Katara: We're not going to leave you. Longshot: There's no time. Just go. We'll take care of him. He's our leader. They stare at Longshot in surprise. Jet: Don't worry, Katara. I'll be fine. [Smiles a little.]

Cut to a closer shot of Katara placing Aang's body on Appa. Katara opens the vial around her neck and uses water healing on Aang's wounded back. The rest of Team Avatar, Kuei, and Bosco all look sadly and in anticipation. The glowing from the spirit water stops, and Katara starts crying, assuming that it was not enough to save Aang. Aang's tattoos glow for a second and Aang groans. Katara, overcome with joy that Aang is alive, looks at him, who smiles a little, and she holds him closer.

writing about these together because i have less to say about them. i'm definitely not going to fault jet for not thanking katara when she tries to heal him as he literally lay dying, or aang for not having the mind to do so after she brings him back. but i am still going to fault the narrative for putting her in a position where healing is just inherently expected from her and yet very rarely allowing her to feel the emotional toll of that or to feel constricted by it. and when she does struggle against the weight of it (not necessarily of being a healer, but of being expected to be kind and good and uncomplicated with no room for other aspects of her identity, which are very tangled up in why she is The Healer) in episodes like the runaway or in the southern raiders, she just... does not receive a lot of support from the people she should be most able to rely on.

Katara: Maybe we should go upstairs. [Helping Aang up.] You need a healing session. Back in Aang's room on the ship. Katara bends some water onto the scar left by Azula's lightning attack. Katara: Tell me where the pain feels most intense. Aang: Mmm, a little higher. Uhhh! Aang briefly flashes back to the battle at Old Ba Sing Se where he rose into the Avatar State, then back to reality. Aang: Wow, you're definitely in the right area there.

not much to say here, it's just another instance where it would have been so easy to slip one thank you in, and the writers just... do not. the reason i think it bothers me so much with aang specifically is because katara is supposed to be both aang's physical healer and his emotional crutch in a way that she's not written as being for, say, toph or sokka. he's sometimes shown appreciation for her emotional support, but he still comes to rely on and expect it in ways that do not always feel healthy, and knowing that, it bothers me that he shows even less appreciation for her healing, because it's just what katara is there for.

A figure resembling the Painted Lady glides over the water on a carpet of fog and enters the village. She steps into a hut where several people are sleeping on the floor, and bends over each of them in turn, healing them with a blue glow. Her last patient is the mother of the little boy seen earlier, her son sleeping at her side. He wakes as the Painted Lady turns to go and silently follows her out the door. Little boy: Thank you, Painted Lady.

this is a genuinely sweet scene in which katara does receive appreciation and genuine thanks for her healing, but i think it's also worth noting that katara is not being recognized as herself here. still, i am genuinely very glad that it's included in the episode because (again, unless i am missing something) it is the first time katara gets thanked for her healing.

The scene cuts to show Appa landing on the edge of the battlefield. Sokka and Katara help Hakoda onto the ground, and Katara starts trying to heal him. Katara: How does that feel, Dad? Hakoda: Ah, a little, better. I need, to get back to the troops. [Attempts to stand but is too weak to.] Ahh! Katara: You're hurt, badly. You can't fight anymore. Hakoda: Everyone's counting on me to lead this mission Katara, I won't let them down. [Attempts to stand again but can't.] Ahh! Sokka: Can't you heal him any faster?

they're in a high intensity situation, and sokka is Stressed because hakoda is supposed to lead the mission, so i, like, Get It, but "can't you heal him any faster?" does strike me as another moment in which katara's healing is being taken for granted. i think it's something that would bother me a lot less if this was an isolated incident in the writing, but *gestures vaguely at whole post*.

Sokka: [Brightening.] Dad! [Rising and approaching the two.] You're on your feet again. Hakoda: [Sitting down; somewhat weakly.] Thanks to your sister.

that being said, in the next hakoda and katara scene, there is this very sweet moment, where hakoda might not be thanking katara directly but is showing a lot of appreciation and admiration for her skill in healing (and though she's not in the dialogue i included, she's around to hear it, which makes me happy.)

Katara: It's gonna take a while for your feet to get better. [Stops healing.] I wish I could have worked on them sooner. Toph: Yeah, me too.

once again, i'm not gonna fault toph for wishing katara could have healed her feet sooner, because she's been in pain all night, but the writers could have very easily (as they could have in any of these scenes!) chosen to include a perfunctory 'thanks' here, and they just didn't. i know this is getting repetitive, but i swear it's because it's largely more me being mad at the writers than the characters, lmao.

there are also a couple of scenes in which katara doesn't heal anyone, but her healing gets brought up by aang.

Aang: He doesn't look sick. You okay, buddy? [Appa groans and Aang pulls out Appa's purple tongue.] His tongue is purple! That can't be good. Katara, can you heal him?

to be fair, aang asks here, and it's not like aang gets defensive or angry when katara says appa needs medicine (and also to be fair, appa's not even actually sick, lmao, katara's being slightly trickstery), but it's another instance where katara is automatically positioned as the person who is and should be responsible for healing.

Aang: [Chuckles.] Well, not over over. I mean there's always Katara and a little Spirit Water action, [Turns to Katara.] am I right? Katara: Actually, I used it all up after Azula shot you. Aang: [Disappointed.] Oh.

i actually don't mind this so much as a writing moment, as i think it's a lot more intentional wrt aang not always conceptualizing the reality of the violence he’s facing. still, it’s another instance of katara’s ability to heal and care for him being taken for granted, and i find it especially notable it’s in of the last significant moments they share together (the other being an argument as katara urges him not to run away from the reality of their situation with ozai) before they spend the rest of the finale separate until they’re kissing without a word at the end.

and then there is the zutara healing scene, where katara heals zuko after he interferes and takes azula’s lightning to the chest when she’s aiming for katara.

Cut to Katara as she rolls Zuko on to his back and begins healing him. Zuko opens his eyes, feeling the pain lessen, and smiles weakly at Katara, who smiles back as she sheds a tear.

Zuko: Thank you, Katara.

Katara: I think I'm the one who should be thanking you.

it seems fair to me to say that one of the reasons the motifs of healing in the zutara are dynamic are so appreciated by their fans is because of how it contrasts to a lot of moments where the work katara does with her healing is under-appreciated. for one thing, it happens as part of a mutual exchange—katara heals zuko after he gets hurt saving her. (this also somewhat calls back to their scenes together in the crystal caves in the tcod, where she offers to heal his scar after they are trapped together and zuko extends her empathy.) it’s based in reciprocity. it’s also, as shown here, one of the few moments of explicit, heartfelt appreciation and thanks given for katara’s healing.

[forevermore05]

Katara's storyline and ending are so many WOC's worst nightmares.

Ending up as a yes-man

Raising children alone even while married

Being kissed without her consent (twice)

Being old and alone, with her grandkids not recognizing her

Not given credit for her contributions to society

Not bending into her old age

Being parentified at a young age

Coddling her partner which led to huge problems

Also, want to mention I HATE that Katara was parentified, but what I hate even more is when people dismiss her efforts entirely and give it to Sokka. The fact when women do these things it is seen as the norm but when men do it is Oscar-worthy. She deserves all her flowers.

Me being a Zutara shipper does not make my points invalid.

[ecoterrorist-katara]

the anti-Zutara criticism that “Zutara shippers are teenage girls who only like the ship because they self-insert as Katara” is actually so funny because how does that delegitimize the ship? So…girls who relate to Katara like Zuko, and they think Katara would like Zuko, and that’s bad because…girls are wrong? Girls are shallow? Girls don’t know what’s good for them? Anyway if I were a grown ass man who created a fictional teenage girl that lots of real teenage girls relate to, and these girls believe she would like character B instead of character A, I hope I’d have the humility to say to myself “hmm I wonder why people who relate to this character’s feelings and motivations think she would react this way” instead of jumping straight to “these girls are doomed to like toxic relationships”

(And I know Zutara shippers like the ship for many different reasons, and self-insert is not the most popular by a long shot, I’m just saying that the criticism of self-insert stems from dismissal of what teenage girls like, and that feels kinda misogynistic to me)