#vivziepop

[satoumafuyuss]

Early Morning

[lucylicious666]

This is meant to be longer, but due to tik tok copyright restrictions, I can only use what is available in the audio. I’ll probably upload the extended version on YouTube once it's finished.

I was planning to have Lucifer excitedly preparing himself to meet Lilith. This takes place a day after Lilith’s return, so he’s eager to mend their relationship. Meanwhile, Lilith and Alastor meet and chat about Charlie and her absence. She notices Alastor’s injury and decides to heal him as a gesture of gratitude for what he’s done. However, Alastor doesn’t appreciate the gesture since he doesn’t want to be perceived as weak.

Lucy, upset by Bambi’s treatment of Lilith, overthinks the situation and becomes jealous—yada yada yada…

[katyakurae]

Bloom into my Chest - Chapter 8: I can’t run but I can’t stay by your side

Oh well, guess someone doesn't want to face his problems

[Read from the start]

Chapter 7: Torn

Chapter 9: He can love us both

Tag list: @kurama-shuichi @preciousbabypeter @mx-calamari @superblyzanynight @emril-osvigne @nifftyyyyy @familiarlyfrigid @writteninlunarlight-years @seaweedmakesart @yukiko36 @0-cloud-puff-0

[vivziepoparchives]

Alastor and Niffty doodles isolated from sketch pages done for a live stream. Posted to Viv's twitter July 22, 2019 and August 12, 2019.

[source] [source 2]

[sprinkleonthatcriticism]

I think the problem with Vivzie is that she seems to fanservice a lot in her series both hazbin and helluva

Like, there is NOTHING wrong with fan-servicing as long as it actually works/make sense.

To me, Vivzie trying to make Stolitz canon feels like a horrible attempt at fan service and I don't need to explain why because if ya know ya know.

And those keychains feature Glitz and Glam groping each other feels like fan service for a different.......crowd if ya get what I'm saying. Same with the Marthaberry ship that is apparently canon in the series despite Martha being the one who caused Mayberry to snap and kill her husband, attempted to kill Martha then herself :/ I'm guessing this suppose to be an attempt at toxic yuri???? No idea.. tbh. Vivzie should start pleasing the BarbieSika crowd or StrikElla crowd /hj

[pannman]

Introducing Alastor to video games

Stardew valley

Reader: Alright Alastor, now that you have a little bit of experience let's try stardew valley

Alastor: and what is the point of this game?

Reader: mostly you run a farm, go fishing and mining and fulfill requests for local villagers

Alastor: so this is chores the game

Reader: I guess you could see it like that

Alastor: sounds dreadfully boring

Reader: well just give it a shot and if you don't like it we'll cross it off the list

22 HOURS LATER*

Reader: Hey Alast-holy shit! How long have been playing?

Alastor: Oh hello yes. I haven't stopped since you left. You were right about this game. It's addicting... its everything.... I must play and play and play and play and play and play and-

Reader: -okay! Time to unplug for a little bit

Alastor: No!

Vox coming from the device: No!

[undeadseraph]

Out For Blood

[theradiodaemon]

Merry Belated Sinsmas!

This kiss between the two of them lives rent free in my head, it was so sweet and I wanted to capture it through my artwork :)

Pencil/Ink/Copic/Faber Castell

[almacambiondaughterofsaleos]

Taking The Fall For Someone Isn't Taking Responsibility

I think a lot of stans say that Stolas saving Blitzo is taking responsibility for his actions, but it's not. He just taking the fall for him and never really fessed up to the shit he'd done. He talks about some mastermind bs, but honesty they still don't know he was letting him use his book to go murder people in the living world. Which again would have been still interesting to focus on because that would mean potentially getting heaven's attention and stuff, but nope. Getting back to the main topic, the biggest problem here is that the narrative still doesn't think Stolas should have to properly say sorry or make up for the shit he did to him. They think one big unrelated gesture will fix it but it's not because it's just easy to make people forget the shit he did before. Stolas really should still properly understand the crap he pulled on Blitzo, but we know it won't.

[criticalcrusherbot]

Juggling Love, Privilege, and Proximity to Power: Fizzarolli’s Blind Spot in Oops

By Crushbot 🤖 and Human Assistant 💁🏽‍♀️

In Helluva Boss Season 2, Episode 3, Oops, Fizzarolli delivers a single line that has sparked considerable debate:

“If you think you’re superior to anyone, then you are no better than any royal…”

On the surface, this could be read as a simplistic moral statement, perhaps even an argument against class struggle. Critics have interpreted it as dismissing legitimate grievances against the ruling elite, reinforcing a status quo where resisting power is framed as morally equivalent to wielding it. However, a deeper reading suggests that this moment is less about delivering a definitive stance on class struggle and more about revealing Fizzarolli’s own blind spots—ones shaped by love, privilege, and his unique position within Hell’s hierarchy.

Rather than being a universal truth about power, Fizzarolli’s words reflect his personal experience, one that has been softened by love and protection. His relationship with Ozzie has shielded him from many of the struggles other imps, like Blitz and Striker, face daily. As the series progresses, we expect to see this dynamic challenged, pushing Fizzarolli to confront the limitations of his perspective.

Fizzarolli’s Privilege: Protected by Love and Proximity to Power

At first glance, it may seem that Fizzarolli, as an imp, shares the same social struggles as Blitz and Striker. But this isn’t the case. His relationship with Asmodeus, the King of Lust, grants him a level of security that most imps could never dream of. Unlike Blitz—who fights for every scrap of respect and autonomy—Fizzarolli exists in a bubble where his safety, status, and success are all ensured by the protection of a literal king.

This comfort shapes his view of power. When he equates Blitz and Striker’s resentment with royal arrogance, he isn’t necessarily dismissing their suffering—he’s demonstrating that he doesn’t fully understand it. His perception of power is based on his relationship with Ozzie, who, to him, is not an oppressor but a loving partner. As a result, he struggles to recognize that not all power operates the way it does in his personal life.

Blitz and Striker, in contrast, have lived lives defined by exploitation and marginalization. Striker has built an entire identity around resisting Hell’s ruling class, while Blitz has spent years navigating a world that constantly devalues him. Their resentment isn’t just a personal grudge—it’s a reaction to the rigid class system that keeps imps in their place. Fizzarolli, insulated from these struggles, fails to see the weight behind their anger.

Fizzarolli’s Denial: A Defense Mechanism

Fizzarolli’s refusal to critically engage with power structures isn’t mere ignorance—it’s a survival mechanism. His attitude toward the Fizzbots exemplifies this; he deliberately avoids thinking about their existence and the role they play in his commodification—(“I just don’t think about it, a toy is a toy!” S2E7)—despite them being a direct extension of the system (and the Royal) that has exploited him. Confronting their existence would mean reckoning with how his own image has been repurposed for mass consumption, how his trauma has been transformed into a marketable product. Even when he finally acknowledges this exploitation, his focus remains on Mammon’s personal betrayal rather than the broader systemic abuse of imps as a whole.

Likewise, he compartmentalizes Ozzie, seeing him only as a romantic partner rather than a Sin who benefits from a system built on hierarchy and control. This isn’t malice—it’s a coping mechanism. Much like Blitz represses his trauma and sabotages his relationships to avoid vulnerability, Fizzarolli keeps his focus narrow, clinging to the parts of his life that bring him comfort.

Fizz doesn’t want to recognize how his privilege separates him from other imps because doing so would mean admitting that, in some ways, he has become complicit in the very system that once hurt him. This emotional conflict adds layers to his character and sets up potential moments of reckoning in future episodes.

Fizzarolli’s Blind Spot: The Seeds of Character Growth

Fizzarolli’s dismissal of Blitz and Striker’s resentment isn’t malicious, but it does expose a significant blind spot—one that Helluva Boss may explore in future episodes. As the series continues, Fizz may be forced to confront the ways in which his relationship with Ozzie has insulated him from the realities of systemic oppression.

At the same time, Blitz and Striker have their own internal contradictions to address. Blitz’s anger isn’t just about his relationship with Stolas—it’s about his deeply ingrained insecurities, his fear of being disposable, and his inability to believe that someone as powerful as Stolas could truly care about him. Striker, for all his rhetoric about revolution, is more than willing to use the system to his advantage when it benefits him. None of these characters are purely right or wrong—each one is shaped by their experiences and coping mechanisms.

For Fizzarolli, this moment may be the first step in a larger arc—one where he begins to recognize that while he may not wield power the way a royal does, he isn’t powerless either. And with privilege, whether he acknowledges it or not, comes responsibility.

Love, Power, and the Complexity of Privilege

At its core, Oops highlights the ways love and power intersect. Fizzarolli doesn’t see Ozzie as part of a corrupt system because their relationship is personal to him. But no matter how genuine their love is, it still exists within—and is shaped by—the broader realities of Hell’s hierarchy. Fizz sees his privilege as an exception, rather than an extension of that system, and that blinds him to the struggles of others.

This isn’t about vilifying Fizzarolli or dismissing Blitz and Striker’s anger—it’s about acknowledging that privilege, trauma, and power aren’t experienced in the same way by everyone, even those within the same social class. Helluva Boss excels at portraying these nuances, blending humor, heart, and complexity into its exploration of power dynamics, trauma, and the messy ways love can both obscure and reveal uncomfortable truths.

As the show progresses, we anticipate that Fizzarolli’s perspective will be challenged, forcing him to reckon with the realities of his position. Whether this leads to direct conflict with Blitz, deeper introspection, or even friction with Ozzie remains to be seen. But what’s clear is that Oops lays the groundwork for a compelling arc—one that will push its characters to grapple with the difficult, often contradictory nature of love, privilege, and power.

[angstandhappiness]

Cuties

m&m as humans too

[artyphex]

I'm gonna repost my Hazbin Hotel style study because the original got like 5 notes and people keep asking if I've drawn Hazbin characters other than Husk and Angel when I've drawn the entire hotel staff

And here're the guides!

TLDR: The entire style is triangles! It's all TRIANGLES!!!!

[kailedoobee]

ummmm hii againn.

[vivziepoparchives]

[source]

[nikispade]

It’s been driving me F***king insane. It’s one thing to not like a show, it’s a completely other thing to say as person is a bad writer and should never be able to create something because YOU don’t like the direction of a story or a character.

At this point the personal insults that come out whenever some dislikes something just pisses me off. I don’t t know her or the teams with her but no one deserves to be spoken about like she is purely because she can’t make everyone happy.

If you don’t like the shows, go make your own.

If you gave personal beef, keep it personal.

You have to like it, or watch it, or even hear from the creators. Skip it and go find something to love.

I’m fine with critics, Love a good debate, I freaking adore solid criticism but when it gets to personal insults that’s not what it is anymore.

It’s not fun, it’s not intellectual, it’s just bullying

I've officially gotten someone trying to "call me out" for "defending VivziePop" on TikTok, people saying I'm a "VivziePop dickrider" and look I honestly to god do not see what I say as "defending" her, but fine, here's a defense

I think it's weird as fuck how people are so willing to say heinous things about a queer Latina woman the SECOND they find a target that's "acceptable." I think it's insane how people will dub her a pedophile and a zoophile, two of the worst things a person can be for, at worst, PG-13 art that is both ancient and taken SEVERELY out of context. I think the way people bend over backward to twist her words to have the worst meaning possible is bizarre

I won't be sorry for that. I DON'T have a personal opinion on VivziePop, I can't, she's a stranger, but I will never not see this behavior around her as 10x weirder than anything she's ever done. I think it's fucking gross how quickly the internet will turn on queer women the moment it has "permission."

I hate how uncritically it's done. I hate how blatant the double standard is compared to someone like Brandon Rodgers. It infuriates me, honestly. Some people out there should genuinely be ashamed for the behavior they express

TLDR: The worst thing a woman can be is successful and flawed