#druidism

[boymanmaletheshequel]

Subtle ways to honor Ares 🗡️🩸

- fight against tyranny and oppression in your daily life

- learn to balance anger and joy

- learn to balance hatred and love

- defend those who are under scourge, wether that be online or in person

- learn about the history of war combat

- learn about the Trojan war

- embrace your anger and figure out how to healthily express it

- vote against unnecessary war and battle in your local elections

- visit a battlefield

- visit a war memorial

- embrace your lust

- be respectful and kind to veterans and active duty military members alike

- defend your side of an argument, especially if you know it’s what’s right.

- watch a war film

- learn how to not fall victim to wartime or nationalist propaganda

- take care of your physical body by exercising or lifting weights

- go to the gym or for a run

- embrace your masculine or butch side

- donate to a Palestinian aid or Ukrainian aid fundraiser (or to whatever victimized side of a war or genocide is going on at the time when you are reading this)

- learn how to safely and effectively use a firearm or blade, especially if you are in a country or place that may require you to defend yourself if necessary.

- don’t give up the battles that you personally are facing. Never stop fighting, no matter how hopeless it may seem.

[vox-anglosphere]

Sunrise at 4:51 am illuminates the ancient megaliths of Stonehenge

[aleck-le-mec]

“Where are your pagan gods now?”

Gardening

Comforting your abandoned dead

Reclaiming

Rerooting

[the-hermit-at-midnight]

"Witches' Night" is here!

May Day Eve (Apr 30) is Walpurgisnacht (Walpurgis Night) across parts of Europe.

Known as "the other Halloween", it's a time when witches and evil spirits take to the skies for a little mischief.

[thegoodmorningman]

You like this picture? I "drew it"!

[modark]

Unfinished portraits of Irish gods from 2021

[woundedsoul12]

[aodhan-art]

A commission of Brigid for @bloodtreachery (awww, it was SUCH a pleasure to do it!). I put an emphasis on her aspect as a poet, hence the fire of poetry ablaze! The poem in the flames is a liberal translation of these lines from The Hosting of the Sidhe into Old Irish (courtesy of my wonderful husband):

...if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart.

[jstor]

Seventeenth-century English antiquarians thought that Stonehenge was built by Celtic Druids. They were relying on the earliest written history they had: Julius Caesar’s narrative of his two unsuccessful invasions of Britain in 54 and 55 BC. Caesar had said the local priests were called Druids. John Aubrey (1626–1697) and William Stukeley (1687–1765) cemented the Stonehenge/Druid connection, while self-styled bard Edward Williams (1747–1826), who changed his name to Iolo Morganwg, invented “authentic” Druidic rituals. Druidism has come a long way since. In 2010, The Druid Network was listed as a charity in England and Wales, essentially marking the official recognition of Druidism as a religion. (74,000 called themselves Druids in a recent census.) Historian Carole M. Cusack positions Druidism as one of the branches of the tree of Paganism and/or New Age-ism(s), which burst into all sorts of growth during the twentieth century. Modern Druidism fits into the smorgasbord of what Cusack calls the “deregulated spiritual marketplace” of our times. But there’s a disconnect here. In the popular imagination, Stonehenge and Druidism now go together like tea and crumpets. Historically, Stonehenge, a product of Neolithic Britain, predates Caesar by thousands of years. It had nothing to do with Druids and certainly nothing to do with modern Druidism. “The false association of [Stonehenge] with the Druids has persisted to the present day,” Cusak writes, “and has become a form of folklore or folk-memory that has enabled modern Druids to obtain access and a degree of respect in their interactions with Stonehenge and other megalithic sites.”

Learn more from our friends at JSTOR Daily in “Stonehenge Before the Druids (Long, Long, Before The Druids)” by Matthew Wills.

Image credit: Spectators gather at Stonehenge to watch a group of Druids carry out the Dawn Ceremony on the summer solstice, or longest day of the year, 1956. Getty.

[manesthia]

Thoughts on Halsin as an "atypical druid"

I've seen a number of excellent metas lately about Halsin's atypical druidism (the fact that he does not abhor the undead, does not have complete control over his wildshape, etc.). While I agree completely with those points, I've also noticed a tendency to sometimes frame this as Halsin being a "bad" druid or never really belonging with the druids in the first place. And I strongly disagree with that. I feel that Halsin's druidism is a core aspect of his character and implying that he is somehow "bad at it" robs him of something essential. The fact that he is a unique, complex character with far more depth than just "typical DnD druid" doesn't mean that he is not still a druid at heart - and a pretty formidable one, at that.

I see him as a character who has something in common with the nature deities and magician-priests of ancient myth and legend: Merlin (a mentor whose teachings are rooted in the natural world; who guides kings rather than wishing to rule himself; who mediates between the kingdom of men and animals; and who changes into an animal) and Dionysus (who celebrates multiplicity, fluidity, nature-based wisdom, carnal pleasure, the subversion of unnatural restraints - and who also shapeshifts, by the way). Druidism informs Halsin's entire belief system, ranging from his view on relationships (Halsin never uses the word 'polyamory'; instead, he speaks of "doing as nature does" and explains all of his preferences with nature metaphors - "the bear partners as its instinct dictates", etc.) to the importance he places on community. Halsin is unhappy as Archdruid not because he is just an incompetent leader or can't get along with other druids, but because he is so in tune with nature that he only thrives in communities with a structure more like the branching network of roots or mycelia - like our group of "weirdos" or his rebuilt community in Reithwin. He does know how to guide, counsel, and mediate - all of which are essential leadership abilities. But he needs to be part of an interconnected organism that grows and learns together, not the sole leader of it. To me, this is connected to his shapeshifting abilities and druidism: Halsin is connected to all other beings by literally becoming them (even if he is most attuned to his bear-shape).

Halsin speaks very highly of the grove as a place of worship (let's not forget how deeply religious Halsin is, too), but he also says that life in the grove made him feel cut off from nature. It's ironic that a druid grove runs on politics and power hierarchies (aspects of civilisation that most druids should despise), but it does. This is also a theme in a sidequest in BG2, if anyone recalls. In my opinion, the fact that Halsin feels out of place in a grove that has grown corrupted with politics and power plays actually makes him more true to core druidic beliefs, not less so.

I think the idea that Halsin doesn't get along with other druids gets taken a little too far at times, too. Members of his grove have issues with him primarily because they have been radicalised by Shadow Druids, not because Halsin is just too good-aligned for other druids in general. Note that every single druid in the grove who expresses strong anti-refugee sentiment also supports Kagha and the Rite of Thorns. Halsin welcomes outcasts into the grove because he is compassionate and empathetic as a person, yes, but also because it is part of his druidic belief in harmony, unity, and the value of life. Compare with Olodan's line:

This is not to say that I think Halsin's would never clash with other druids at all, or that I think his relationship with the grove is without friction. Obviously, part of the blame for the infiltration of the Shadow Druids falls on him. Obviously, there would be more neutral-aligned druids who would disagree with him on principle. But the fact that the previous Archdruid chose Halsin as his successor (we must assume that he did, since Halsin obviously didn't sign up for it) strongly indicates to me that the deceased, much wiser elders of the grove valued him greatly. Jaheira also repeatedly refers to him with the deepest respect.

I think it's also worth noting that there is room for nuance in druidic beliefs in the BG series. Faldorn in BG1, Cernd in BG2 and Jaheira in all three games are all very different. In many ways, Jaheira is more Harper than druid, which I think was indicated by her being a multiclassed fighter/druid in the earlier games. It also comes out in her conversation with Halsin about the Shadow Curse:

And if you tell her (speaking as Halsin) that she doesn't have to explain herself to him:

Of course, Halsin has a personal investment in lifting the Shadow Curse that Jaheira doesn't share, namely Thaniel. Only Halsin has a special connection with the very spirit of the land. This is also why he is completely unable to heal and move on until the Shadow Curse is lifted, unlike Jaheira. If the spirit of the land is wounded, then so is his own spirit. Jaheira, as a Fighter-Druid-Harper, is very much a protector of the realms as a whole (nature and civilisation), while Halsin is referred to over and over again by various NPCs as Nature's Steward, Keeper of Groves, Guardian of the Land, etc.

My argument here is not that Halsin is a more "typical" druid than Jaheira or that one is a "better" druid than the other (I love them both deeply). I'm just saying that all of this demonstrates to me how deeply intertwined Halsin's druidism is with the rest of his character. And I really, really appreciate him as a druid along with everything else he is.

I'm not really sure that I understand Tumblr etiquette regarding discussion (what is the polite way to interact with each other here? Commenting? Reblogs with hashtags? I'm too old for this site lol), but I would love to talk about this more. Please don't hesitate to comment, even if you disagree.

[boymanmaletheshequel]

One facet of Hellenistic and Roman, /Greco Roman paganism that I’ve always found extremely interesting to me, is how inherently human and relatable it’s gods, and their correlating counterparts are, especially when compared to deities in other ancient religions. They are divine, of course, this is made clear enough, but they all have aspects and traits to them that are inherently human. Rage, lust, joy, love, conflict. They represent, if nothing else, key elements of humanity and the human condition, which is something that no other ancient religion I’ve studied quite compares to in the same way. And not only that, but their relationship to people and humans as gods is clearly very symbiotic. They rely on their subjects for their fulfillment, interact with them directly on a regular basis, and often times even respect and revere them as not necessarily always equals, but as at the very least, creatures worthy of their consideration and respect, sometimes even falling in love with, and baring children with them. This is something that doesn’t really happen in any other ancient religion I’ve seen, sure, there are aspects of it in them, but not nearly are they portrayed as objectively or centrally as they are in Hellenism and Roman paganism. Each god represents some aspect of humanity in ways that are inherently non-Devine, Aphrodite is a lover, sometimes desperate to a vulnerable degree you wouldn’t expect a god to be. Dionysus is regularly consumed by madness as a result of his addiction and mental illness, and falls into spirals of depravity that are hauntingly ungodly. Artemis hunts even though she doesn’t need to, she respects her body as a goddess woman just as much as any human woman would, and fights back just as violently as well. Apollo finds much of his joy and happiness through the humans he falls in love with, and faces much of his suffering and sadness through them as well. Persephone fucking dies. maybe not literally in the sense of human, medical death, but absolutely metaphorically, and the grief her mother Demeter experiences is so inherently human, and so shockingly, gut wrenchingly tragic, that it is pretty obvious that this is what her story is meant to represent: a divine allegory for death and grief, an element that so many religions completely separate from their deities. Even Zeus, the primary deity, is a father figure who’s connection and relativity to fatherhood as seen in human men is almost identical. and if it weren’t for the pre-established lore and status of him as a an extremely powerful deity, there are moments in his Mythos where you might even forget that he’s a god, an all powerful, all divine, objectively non human god to begin with. I think it’s what makes Hellenism so emotional and so drawing to me, and to many other pagans, it’s a relationship that is mutual, and relatable, which is an element that is lacking in so many religions, even the major ones like Christianity and Islam. Yes, there are still elements of this in those religions, but it always feels like the stories constantly hammer in the fact that they are divine, so divine, so utterly unrelatable, so inherently disconnected from their subjects and their plights as a superior enitity, that there’s a limit to how connected one can feel to them. In hellenismos, this limit doesn’t seem to exist, and that’s something that makes it so much more personal and fascinating to me than any other religion I’ve studied. The gods are us, and we are the gods. At the end of the day, I think that’s what all religions should be about, and ultimately, are about, wether we realize it or not.

[vox-anglosphere]

Spectacular

[daisygreenwitch]

My 3 Favorite Books ~ as a green witch 🧙🏼‍♀️

These three books have offered huge foundations to my practice and are ones I continue to reread time and time again to inspire and revive my practice and to welcome new wisdom by reading the words from a new perspective. They are great for green witches, druids, or anyone interested in nature based magic. 🌲

🌿 The Druidry Handbook by John Michael Greer

🌿 Natural Magic by Doreen Valiente

🌿 Braiding Sweetgrass by Robin Wall Kimmerer

If you have favorites in the realm of green witchcraft, druidry, or nature magick, drop ‘em below! 🌱

[modark]

The Bardic Tradition

I made a long thread explaining in detail all the symbolism in this piece when I first posted it. That's lost to time now, thanks Elon. I'll try to rewrite it to the best of my ability in an abridged form.

The basic gist is that its a visual representation of the ancient Gaelic bardic tradition. Seated in the center is St. Colmcille, composing an old Irish hymn to St. Brigid, "Brigit bé bithmaith". He is holding hazel nuts, symbols of knowledge / inspiration in Irish legend. On the two pillars on either side of him are King David (left) and Orpheus (right), two famous poets from antiquity. Two legendary poets from Irish legend, Oisín and Amergin, are situated above each pillar respectively. The two fish are seen swimming "upstream" (as in the legend of the Salmon of Knowledge) toward a sheela na gig, a architectural feature / grotesque of early Irish churches which some consider to be symbols of femininity, meant to ward off evil. At the top of the image, hands from a cloud (representing God) release a white dove (representing the Holy Spirit) down to St. Brigid. She owes her angelic appearance to her being considered both a pagan goddess and Christian saint. She is guarding a flame, which symbolises poetic inspiration, and which can be seen floating above the heads of all the other figures.