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malcolmschmitz · 2 days ago

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#i wonder what your take on Jack Reacher is = @dorotheian

Great question! I normally wouldn't answer it, because I only know Reacher through osmosis- you'll notice, Columbo shows up nowhere in this post? - but I want to use it to touch on something I didn't mention. The Insider/Outsider Detective Framework really only applies to detectives who are working in the mystery genre.

You can have stories with a mystery or a crime in them- stories that even have a detective!- that aren't mysteries. A clear-cut example is Practical Magic- there's a detective character who's trying to solve a crime that the protagonist committed. But he's not the protagonist; he's, ultimately, the love interest. The story's main question isn't "who dunnit" or "how catchem", it's "can Sally defend her sister" and "will they or won't they".

Thrillers can be mysteries, but they don't have to be (and often aren't). I should probably mention that I don't like crime thrillers all that much; I like my mysteries cozy, my detectives under the age of 18 or over the age of 50, and my victims as Pillars Of The Community (who everyone loathes). So if I say anything too bone-thuddingly ignorant about thrillers, forgive me; I mostly know their tropes as examples of what not to do while writing mystery.

The boundary between crime thriller and mystery is... permeable, to say the least, but the key difference is that thrillers are about suspense, whereas mysteries are about solutions. The point of a thriller is to put Blorbo in a tense, suspenseful situation and push him to his limits; the point of a mystery is to give Blorbo a complicated, messy situation and watch him untangle it. This means that you can get away with some things in a thriller that you could never get away with in a proper mystery, and vice versa.

For example, in a mystery, it's good form to signpost all the characters that are going to be relevant fairly early in the story-- you don't have to show every character in the first act, but if you're going to bring someone new in in Act 3, you should have at least let us know they exist before then. In a thriller? Heck, you can add a whole new villain in the penultimate chapter, if it'd raise the stakes in an interesting way.

On the flip side, in a mystery, you can have an entire chapter near the end of the book where the detective sits in a diner and eats pie while Stumped. In a thriller? Good lord, no, that kills the pacing dead.

So like... Jack Reacher, like a lot of thriller protagonists, exists in a quantum state of superposition between Insider Detective and Outsider Detective. because he is whichever ratchets up the suspense at any given time. Is it tenser and more thrilling for no one to believe the weird drifter and have him get thrown into jail for a crime he didn't commit? Then Jack's an Outsider Detective.

Is it tenser and more thrilling for one of Jack's old military buddies to give him a problem to solve? Then Jack's an Insider Detective. Is it tenser and more thrilling for Jack to unroot a conspiracy in the military? Outsider Detective.

A lot of cowboy action hero types are like this across genres. (You see it a lot in superhero comics and stories based off them. Is Batman an Insider or an Outsider Detective? Depends on who's writing him this week and what the story demands.) I don't like protagonists who are written this way, because I prefer it when the protagonist's place in the world is a little more consistent- but that'd be my answer wrt Reacher. Is he an Insider or an Outsider detective? What is the sound of one hand clapping?

The Insider and Outsider Detectives

So there's a lot of discourse about detectives floating around, ever since 2020 shifted a lot of people's Views on the police. Everyone likes a good mystery story, but no one seems to know what to make of a detective protagonist- especially if they're a cop. And everyone who cares about this kind of thing likes to argue over whether detective stories hold up the existing order or subvert it. Are they inherently copaganda? Are they subversive commentary on the uselessness of the police?

I think they can be both. And I think there's a framework we can use to look at individual detectives, and their stories, that illuminates the space between "a show like LAPD straight-up exists to make the cops look good" and "Boy Detective is a gender to me, actually".

So. You can sort most detectives in fiction into two boxes, based on their role in society: the Insider Detective and the Outsider Detective.

The Insider Detective is a part of the society they're investigating in, and has access to at least some of the levers of power in that society. They can throw money at their problems, or call in reinforcements, and if they contact the authorities, those authorities will take them seriously. Even the people they're investigating usually treat them with respect. They're a nice normal person in a nice normal world, thank you very much; they're not particularly eccentric. You could describe them as "sensible". And crime is a threat to that normal world. It's an intrusion that they have to fight off. An Insider Detective solving a crime is restoring the way things ought to be.

Some clear-cut examples of Insider Detectives are the Hardy Boys (and their father Fenton), Soichiro "Light's Dad" Yagami, or Father Brown. Many police procedural detectives are Insider Detectives, though not all.

The Outsider Detective, in contrast, is not a part of the society they're investigating in. They're often a marginalized person- they're neurodivergent, or elderly, or foreign, or a woman in a historical setting, or a child. They don't have access to any of the levers of power in their world- the authorities may not believe them (and might harass them), the people they're investigating think they're a joke (and can often wave them off), and they're unlikely to have access to things like "a forensics lab". The Outsider Detective is not respectable, and not welcome here- and yet they persist and solve the crime anyway. A lot of the time, when an Outsider Detective solves a crime, it's less "restoring the world to its rightful state" and more "exposing the rot in the normal world, and forcing it to change."

Some clear-cut examples of Outsider Detectives are Dirk Gently, Philip Marlowe, Sammy Keyes, or Mello from Death Note.

Now, here's the catch: these aren't immutable categories, and they are almost never clear-cut. The same detective can be an Insider Detective in one setting and an Outsider Detective in another. A good writer will know this, and will balance the two to say something about power and society.

Tumblr's second-favourite detective Benoit Blanc is a great example of this. Theoretically, Mr. Blanc should be an Insider Detective- he's a world-famous detective, he collaborates with the police, he's odd but respectable. But because of the circumstances he's in- investigating the ultra-rich, who live in their own horrid little bubbles- he comes off as the Outsider Detective, exposing the rot and helping everyone get what they deserve. And that's deliberate. There is no world where a nice, slightly eccentric, mildly fruity, fairly privileged guy like Benoit Blanc should be an outsider. But the turbo-rich live in such an insular world, full of so much contempt for anyone who isn't Them, that even Benoit Blanc gets left out in the cold. It's a scathing political statement, if you think about it.

But even a writer who isn't trying to Say Something About The World will still often veer between making their detective an Insider Detective and an Outsider Detective, because you can tell different kinds of stories within those frameworks. Jessica Fletcher from Murder She Wrote is a really good example of this-- she's a respectable older lady, whose runaway success as a mystery novelist gives her access to some social cachet. Key word: some.

Within her hometown of Cabot Cove, Fletcher is an Insider Detective. She's good friends with the local sheriff, she's incredibly familiar with the town's social dynamics, she can call in a favour from basically anyone... but she's still a little old lady. The second she leaves town, she might run into someone who likes her books... but she's just as likely to run into a police officer who thinks she's crazy or a perp who thinks she's an easy target. She has the incredibly tenuous social power that belongs to a little old lady that everyone likes- and when that's gone, she's incredibly vulnerable.

This is also why a lot of Sherlock Holmes adaptations tend to be so... divisive. Holmes is all things to all people, and depending on which stories you choose to focus on, you can get a very different detective. If you focus on the stories where Holmes collaborates with the police, on the stories with that very special kind of Victorian racism, or the stories where Holmes is fighting Moriarty, you've got an Insider Detective. If you focus on the stories where Holmes is consulting for a Nice Young Lady, on the stories where Holmes' neurodivergence is most prominent, or on his addictions, you've got an Outsider Detective.

Finally, a lot of buddy detective stories have an Insider Detective and an Outsider Detective sharing the spotlight. Think Scully and Mulder, or Judy Hopps and Nick Wilde. This lets the writer play with both pieces of the thematic puzzle at the same time, without sacrificing the consistency of their detective's character.

Back to my original point: if you like detective fiction, you probably like one kind of story better than the other. I know I personally really prefer Outsider Detective Stories to Insider Detective Stories- and while I can enjoy a good Insider Detective (I'd argue that Brother Cadfael, my beloved, is one most of the time), I seek out detectives who don't quite fit into the world they live in more often than not.

And if that's the vibe you're looking for... you're not going to run into a lot of police stories. It's absolutely possible to make a story where a cop (or, even better, an FBI agent) is an Outsider Detective-- Nick Angel from Hot Fuzz was originally going to be one of my 'clear-cut examples' until I remembered that he is, in fact, legally a cop! But a cop who's an Outsider Detective is going to be spending a lot of time butting heads with local law enforcement, to the point where he doesn't particularly feel like one. He's probably going to get fired at some point, and even if his badge gets reinstated, he's going to struggle with his place in the world. And a lot of Outsider Detective stories where the detective is a cop or an FBI agent are intensely political, and not in a conservative way- they have Things To Say about small towns, clannishness, and the injustice that can happen when a Pillar Of The Community does something wrong and everyone looks the other way. (Think Twin Peaks or The Wicker Man.)

Does this mean Insider Detective Stories are Bad Copaganda and Outsider Detective Stories are Good Revolutionary Stories? No. If you take one thing away from this post, please make it that these categories are morally neutral. There are Outsider Detective stories about cops who are Outsiders because they really, really want an excuse to shoot people. There are Insider Detective stories about little old people who are trying to keep misapplied justice from hurting the kids in their community. Neither of these types of stories are good or bad on their own. They're different kinds of storytelling framework and they serve different purposes.

But, if you find yourself really gravitating to certain kinds of mysteries and really put off by other kinds, and you're trying to express why, this might be a framework that's useful for you. If your gender is Boy Detective, but you absolutely loathe cop stories? This might be why.

(PS: @anim-ttrpgs was posting about their game Eureka again, and that got me to make this post- thank them if you're happy to finally see it. Eureka is designed as an Outsider Detective simulator, and so the rules actively forbid you from playing as a cop- they're trying to make it so that you have limited resources and have to rely on your own competence. It's a fantastic looking game and I can't recommend it enough.)

(PPS: I'm probably going to come back to this once I finish Psycho-Pass with my partner, because they said I'd probably have Thoughts.)

(PPPS: Encyclopedia Brown is an Insider Detective, and that's why no one likes him. This is my most controversial detective take.)

#insider detective #outsider detective #the insider and outsider detective #on writing #mystery #detective fiction

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dreamingkitsunewrites · 2 days ago

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Finally managed to catch up with it...a wonderful reading experience:this was Brilliant (as usual:) !!

The dialogues and interactions are flawless: I was already kicking my feet when Ijichi and Higuruma were introduced (I always appreciate to see Ijichi involved in fics!)... I lost it completely as Gojo and Nanami made their entrance (I simply LOVE the way you portray them together)

But, as a avid mystery novels reader, the introduction to the case was what striked me the most... Can't wait to see how this amazing plot will develop!

Congrats Rahu on creating the basis for another Masterpiece!!!😍🧡

Synopsis:

"Welcome, Visitor, to Jujutsu Guild Academy, tucked discreetly away in the rolling foothills of the Byre Veld Mountains. Our team of expert sorcerers, now misfits and outcasts from society, gather here to train their talented students, as well as use their exceptional skills to solve cases brought to them by those who know the true nature of the Guild ... much like yourself. We invite you to place your case at their disposal. We guarantee that you won't be disappointed."

Genre: Fantasy AU, mystery, suspense, horror, humour, detective agency

Content warnings: dark themes, murder, violence.

Rating: T

Dividers by: @sister-lucifer

Part 1

“Balance is paramount in the world of sorcery, and yet, not easily understood or visualised. The Magical Clade system, developed in the planetary turn of 214, embraces the diverse nature of magic in all forms. Bitura and Matura; the predictable and the unexplored, the two known aspects of sorcery existing side by side in a tenuously held set of universal scales, cannot be wholly characterised by our existing body of knowledge.

Let us then examine their five known components, the arcane origins of which have, thus far, been the subject of much theorising. Human, planetary, chaotic, contractual and natural, different facets of a world we have only just begun to comprehend … “

~ An Introduction to Arcane Clades, A. Zahari.

At the top of a hill in a small vineyard, near the age-smoothed arc of the stairs that lead to an imposing set of oak doors, an elderly man hesitates.

Jirou has arrived against the will of many in his village, seeking the kind of help he knows won’t be available to him elsewhere. He looks up, at the white-painted walls of the former winery, now converted for the purposes of the sorcerers who call this their base of operations.

It seems … peaceful. Idyllic, even. He can see why this place would be a retreat from the bustle and whispered condemnation of society. Now, if only he could muster the courage to –

The doors swing open, and he takes a step back. A man appears in the cool, dark entrance. He wears a short-sleeved white shirt, ideal for the balmy weather, and smart black trousers and boots. His neatly parted hair and the manner by which he adjusts his glasses mark him as one of the officials who probably run the day-to-day operations of this place.

“Good day to you. How may I assist?”

The tone is polite, clipped, professional. Jirou clutches at his straw hat, rotating it nervously within his stiff grasp. He clears his throat.

“Ah … um. Forgive me for intruding. I’m here to see … well, here for help. For my village. I’m from Setsana, just east of the river.”

The bespectacled man glances him over in frank assessment before stepping quietly back through the door and gesturing to him to follow.

“This way.”

“Eh?”

“You want to meet with the sorcerer’s guild, yes?”

“Well … yes, but I thought – “

Jirou sees a glimmer of humour in the eyes of the dark-haired official.

“You may call me Ijichi. What is your name?”

“Jirou.”

“Well, Jirou of Setsana, this agency does not screen their clientele based on location or status. You are clearly here for some assistance, and you’ve asked for it. Now the sorcerers will hear your case.”

Scurrying up the steps and into the cool foyer, Jirou glanced warily around. It was not quite what he had been expecting. The interior had indeed been re-purposed. The terracotta-tiled floor had been preserved, rustic and slightly dusty underfoot. Comfortable rugs had been placed around the airy space. Eclectic, somewhat mismatched antique furniture added a certain charm to the room.

A large hearth stood dormant against one wall, the exquisite grey river stone banded with wooden shelves. Large glass doors opened onto a walled garden on one side, a small courtyard with a carved fountain placed centrally. A wash of cool, fragrant air entered through here, beckoning languidly as Jirou followed Ijichi out and into an adjoining annex.

Clearing his throat, the farmhand addressed Ijichi again.

“Who is it that I’ll be seeing, exactly?”

“Magister Higuruma. He hears all cases and determines what action can be undertaken.”

Ijichi paused, turning slightly, his eyes kind.

“Don’t be put off by his … manner. He simply wants to get to the heart of the matter. Just answer clearly and truthfully. Try to stick to the facts. Wait here for a minute, please.”

Leaving Jirou stewing in the hallway, Ijichi disappeared behind another door. The faint noise of voices, the rustle of paper and a cough could be heard from within. Jirou contemplated turning around and leaving hurriedly. Not running away, no. A tactical retreat. What if this Higuruma was –

The door clicked open and Ijichi reappeared, all too soon.

“You may go in and state your case.”

And thus, Jirou’s fate was sealed.

Higuruma Hiromi was seated behind a large desk, scattered with papers in what could possibly be described as ordered chaos. Jirou entered with the air of a man braving the den of a vicious mountain lion. Higuruma certainly gave off the according aura.

Dark hair, combed back, but slightly dishevelled from the number of times he’d run his fingers through it. The sardonic set of his mouth, the aquiline nose, and above it all, the deep-set, unsettlingly attentive gaze that traced over one’s form, taking in every detail. Higuruma wore a well-tailored waistcoat, gold embroidery over the sable material, his white shirtsleeves rolled back. That faint trace of disorder spilled over here too, visible in the rumpled collar, the ink-stained hands, the dark smudges beneath his eyes that spoke of inadequate sleep, the symptom of an intellect that raced over the landscape of the mundane, gathering a horde of minutiae in its wake.

“Jirou of Setsana?”

“Yes, sir.”

Higuruma waved a hand vaguely in the direction of the seat before his desk and Jirou hurried forward to comply. On the table was a map of the area, marked with a varied array of ink colours and symbols. Jirou was also surprised to see a farmer’s almanack beside the map. He hadn’t ever expected to see such a humble, worn document on the table of such a sorcerer. The sight steadied him, somewhat.

“Thank you for taking the time to hear my case.”

He received only a nod in reply. Higuruma laced his fingers over the desktop and leaned forward, the only signal that Jirou should continue.

“Ah. Um. Our village has been experiencing … some strange things lately. Animals put out to pasture turning up dead. Lights in the forest. Sometimes … well, that’s beside the point, but I feel uneasy. Like something’s coming up from the earth to swallow us all.”

In any other setting, Jirou would never have given voice to such sentiments. Speaking to a sorcerer, however, erased those misgivings. Who knew what mysteries of the arcane Higuruma had already experienced?

The sorcerer in question unlaced his fingers, tracing them over the faded ink trees on the map, denoting the forest near the village.

“Some questions.”

“Pardon?”

“I need to ask some questions.”

“Oh … oh, of course! My apologies if I’ve not given enough – “

Higuruma cut him off, eyes steady, penetrating.

“When did these animal killings begin?”

“Six months ago … I think.”

“You are uncertain?”

“No, I – There were wolves. We found corpses of wolves. Before that. But obviously we didn’t – “

“You didn’t question when the natural predator turned up dead?”

Jirou shrugged helplessly.

“Sometimes bears come down from the mountain.”

“Hmm. And what kind of animals, besides the wolves, were killed?”

“Horses. Sheep. Cattle. Some chickens. Mainly the cows, though.”

“Who found the beasts dead?”

“Different people. I found a horse in a ditch once.”

“How did the horse appear to you?”

“Slaughtered.”

“I need more detail.”

Jirou shifted uncomfortably in his seat. Higuruma’s questions were coming thick and fast, and the elderly man was accustomed to preparing his thoughts before answering.

“Ah. Disembowelled. It’s … entrails had been removed.”

“And they were lying next to the animal?”

“Oh, no. We couldn’t find them anywhere.”

Higuruma raised an eyebrow, pausing slightly for the first time.

“Nothing?”

“No. It was like … the animal had been hollowed out. Like something had reached in and … scooped everything out.”

Abruptly, the sorcerer leaned back in his seat.

“These lights in the forest. Tell me more.”

“Oh, those are strange indeed. We’ve tried to find a pattern as to when they appear, but … they seem to come at odd times. It’s not firelight. Too bright. Almost white. Dancing. It’s definitely magery of some kind.”

“Above the trees?”

“Among them. Between them. Sometimes the trunks of the trees block the light, so we know that it’s moving.”

“And this … feeling you say you have?”

“Oh, that … “

Jirou gave a sheepish chuckle.

“I think with everything going on, I simply … You know. The imaginings of an old – “

“No.”

“I’m sorry?”

“No.”

Higuruma’s abrupt manner took some getting accustomed to. He raised his quill, pointing it at the farmhand like he was preparing to throw it, to pin him and his problem down to a board for analysis.

“Sorcery isn’t about vague incantations and undetermined outcomes. Everything about sorcery is calculated, precise. It relies on universal laws that we haven’t even begun to comprehend, and so, it seems distant or even esoteric. We try to categorise the arcane, place them into neat little pockets to aid our understanding, but that will only take us so far. Your feelings, your dreams, are all likely symptoms of the same problems that plague your village. It’s a pattern we’ve seen many times.”

Jirou gulped heavily.

“We?”

“Our guild.”

Throughout the brief, intense questioning, Higuruma had never written anything down. Now, he dipped his quill, scraping carefully around the edges of the well, and jotted something down on a scrap of parchment. He folded the note and handed it over to Jirou.

“Give this to ijichi when you leave. Permission from the authorities pending, expect our guild members to arrive within three days.”

If Jirou of Setsana had stayed for a few minutes longer, he might have been party to the sudden descent of chaos into the calm that had once reigned over Higuruma’s study. A large tapestry hanging across the left wall shifted slightly, as though in a stray breeze. One of the greyhounds stitched into the rich fabric of the hunting scene moved, the thread of the embroidered eyes snapping subtly back and forth until its gaze faced ahead once again.

Higuruma sighed heavily.

“Do you really think you’re being subtle?”

The hound peered at him. It looked slightly nervous.

“Gojo, I know you’re listening.”

The hound’s goggling took a turn for the worse, the eyes now comically bulging from the tapestry.

“Is it really this hard for you to behave like an adult?”

The hound’s mouth opened wide and new embroidery emerged from its gaping jaws, spelling out the word “YES”.

“For the love of – “

Higuruma raised a finger, shadowy flame erupting across the tip, and the tapestry suddenly folded inwards, then disgorged three occupants, two of whom stumbled right into Higuruma’s desk, the papers on top shifting across the surface of the map he had been studying. Clicking his tongue, the sorcerer folded his arms.

Bright-eyed, cheeks slightly flushed with embarrassment, Itadori Yuuji reached up and ruffled his pink hair.

“Good morning, Higuruma – “

“It was his idea.”

Straight to the point as always, Kugisaki Nobara showed not an ounce of shame, her finger pointing firmly in the direction of the tapestry’s third occupant, who had stepped out with stylish flair.

Gojo Satoru, Special Grade Sorcerer, gave a bow that included a flowery, if very irritating, flourish. He straightened and eyed Higuruma cheerfully over his shaded glasses, pale hair gleaming like mage-fire in the dim light of the study. As much as Gojo played into the role of fanciful and flamboyant genius, that undercurrent of monstrous power was always present, one that those close to him had learned to bear with. His apprentices, for some reason, always seemed immune to it.

“You know, I couldn’t help but overhear – “

He received a disbelieving snort in return.

“Try another tack. I never know why you can’t just sit in on interviews instead of – “

Gojo wagged a finger.

“Oh, come on. I mean, look at me. How do you think a simple farmer would take to seeing someone like me staring at him while he tried to give testimony?”

As always, Gojo was attired as if he’d stepped right out of the pages of a racy bodice-ripper. His ruffled collar, unbuttoned fashionably low, high-waisted trousers and the long overcoat he wore over it all enhanced the roguishly handsome look only he was capable of pulling off without seeming horrendously pretentious.

Higuruma stared back, unimpressed, before pushing away the papers that had drifted over the map. Yuuji and Nobara crowded around his desk, eyes eager. He turned his attention to them.

“Assuming you two have heard Jirou’s case, what do you think the approach should be?”

Yuuji hummed thoughtfully.

“I think … maybe scout the area? Check out those woods. Look for traces of unknown sorcery.”

Nobara elbowed him aside, not to be outdone.

“And talk to the villagers. Look, I grew up in a village like this, and let me tell you, everyone’s just dying to let you know their neighbour’s business.”

Higuruma nodded.

“Good, but we’re missing something vital.”

Gojo’s hand shot into the air.

“Oooh, pick me, Magister!”

“Come, you two. Think.”

Ignoring Gojo’s pleading look, Higuruma waited patiently. Yuuji’s face had taken on a serious cast, his eyes fixed on the map.

“Uhhh … what about the animals? There must be something about the way they’ve been killed … “

“Precisely. The fact that their entrails were removed tells us something.”

Nobara’s eyes narrowed.

“Some village soothsayers read entrails. To tell people’s fortunes and that kind of thing.”

“Except, in this case, no trace of the entrails was found. You’re certainly right about soothsayers, but they need fresh kills, and for the entrails to be present in the corpse of the animal.”

“So … “

“So you’re going to help with the investigation. With my permission, of course.”

Higuruma finally met Gojo’s gaze and shook his head in silent communication. Gojo gave a small smile in return.

“No need to tell me. You need me for that … other issue. So, who’s it going to be?”

“I’ve already sent a note out with Ijichi. He should be here - ”

A knock sounded on the study door, three sharp taps in quick succession. Yuuji glanced up at the clock and grinned.

“It’s ten o’ clock on the dot. That’s gotta be - ”

If Jirou of Setsana hadn’t hurried home, he might have also witnessed the arrival of the man who would lead the investigation at his village. Brisk, measured pace carrying him across the gravel of the courtyard, Nanami Kento arrived shortly before the stroke of ten.

Formerly a member of the merchant guild, Nanami was always properly attired in formal sorcerer’s robes, a plain, pristine, royal blue waistcoat, trousers and sensible leather walking boots beneath. A yellow patterned cravat formed a slight contrast to the sobriety of his appearance.

To ordinary folk, Nanami looked particularly unremarkable. Like Gojo and Higuruma, however, there was something about him that the trained eye wouldn’t miss; a martial air to his bearing, a certain predatory awareness in his cool glance, a grace in his long stride that spoke of great strength and agility.

Passing through the foyer, he greeted Ijichi, whose communication he had received a short while ago. At the door to Higuruma’s study, he paused, hearing the voices from within. Gojo’s dulcet tones were unmistakeable. Sighing, he checked his pocket watch.

One minute to the hour.

One more minute without Gojo.

He waited, enjoying the brief silence.

At the chime of the clock within the study, he knocked and entered.

“Nanamin!”

“Right on time.”

Nobara tugged at the blonde sorcerer’s sleeve impatiently.

“Come over here. They found some animals with their guts scooped out.”

“Excuse me?”

Yuuji joined Nobara, lifting Nanami’s carry case out of his hand and ushering him towards the table.

“The new case that just came in!”

“We’re going together to investigate.”

“There’s a small village – “

“And they have these flashing lights in the forest – “

“And this old guy has a bad feeling – “

“And Higuruma doesn’t think it’s his arthritis or indigestion – “

“And he thinks bears come down from the mountain? You ever heard of anything like that?”

Raising his hands in long-suffering protest, Nanami finally gained some silence from the two apprentices. Gojo was lounging against Higuruma’s desk with a smile he wasn’t sure he liked.

“I’m out of this one, Nanami. Higuruma needs me elsewhere.”

Nodding Nanami turned his attention to the Magister who had been watching the scene humourlessly over steepled fingers.

“I assume you’ll brief me?”

“Of course. Give me two hours and I’ll have clearance from the USCRC.”

The Utilitarian Sorcery Centre for Regulation and Control was Higuruma’s old stomping ground, the legal wranglings that took place in its ancient auditoriums setting precedents for the dozens of new permutations of sorcery that came up every year. His exit from the same institution in disgrace, and his subsequent fall from grace in the public eye, was common knowledge at the guild.

There were many, however, who understood Higuruma’s decisions better than others, those from within the system who spoke on his behalf and facilitated his establishment in a fully private sense within the Jujutsu Guild Academy. He still maintained those contacts, allowing him full access to the legal records and accelerated permissions to conduct private investigations on behalf of the guild.

Nanami had never enquired as to the nature of Higuruma’s contacts. Nobody did.

Poring over the map on the table as the Magister pointed out the features of relevance, a crease began to form between Nanami’s brows.

“Animals without entrails … Hmm. That’s definitely cause for concern.”

Yuuji peered into his face curiously.

“What do you think it means, Nanamin?”

Shaking his head, Nanami adjusted the shaded glasses on the bridge of his nose.

“It’s too early for me to say. Speculation can be as dangerous as sprinting across a rickety bridge in cases like these. I can say that this probably involves the Matura aspect of sorcery, possibly some form of natural magic, or perhaps, something conceived to look that way.”

Gojo’s crystalline blue glance was also tracing with that characteristic gleam of sharp clarity over the map.

“I think, considering some of the other cases coming our way, that this would be a great opportunity to let the apprentices get their teeth in.”

He clapped his hands cheerfully while Yuuji and Nobara began to look worryingly excited. Gojo tended to have that effect on them.

“What do you say, kids? Tramping through the countryside, scraping cow dung crusts off your heels, breathing in the scent of fermented straw floors and making friends with fleas and other friendly vermin of all kinds.”

He let out a happy sigh.

“I’d love to go myself, but I’ll make this sacrifice for you, and only you, dearest Nanami.”

“How terribly kind of you,” came the dry rejoinder.

Turning to the apprentices, Nanami cocked an eyebrow.

“He does have a point, though. Go to Ieiri and assemble some evidence kits. Tell her to be on standby for receiving samples from us for analysis over the next few days. And then get yourselves prepared. You know the drill.”

“Yes, sir!”

Receiving two sharp salutes, the two over-enthusiastic youngsters scampered out of the study, their voices carrying back along the hallway.

When they were out of earshot, Gojo exchanged glances with Higuruma before reaching into his pocket and handing over a small vial to Nanami. Seeing the contents, the sorcerer met Gojo’s stare with a steady, measured glance.

“And what’s this in aid of?”

“Oh, just a little something. In case things get dangerous.”

“You think it’ll come to that?”

Higuruma stood, gathering his coat and heading for the door. “Take it, Nanami. I have a feeling that we’re going to need all the help we can get if the intelligence we’ve received so far is accurate.”

72 notes · View notes