#this was so painful what the fuck

[evelynpr]

Kaveh fan song really went from

to

this...

[redpapercraness]

to lose you

[densewentz]

When a cunty witch beats you to death then steals your boy toy for eternal torment 😢 (based on that 'don't you miss her???' meme)

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[gascreates]

a new star

[kelin-is-writing]

This man is ART.

[nocternal]

a moment of silence for all us disabled ones who had to watch each of their friends move on with their lives without you and get jobs, go to school, have partners come and go, get engaged and move house etc.

shout out to my fellow struggling people who are still sitting in the same bedroom they grew up in. the ones who can't get a job, can't make new friends, can't find a partner or partners, can't move house and can't go to school.

I hope one day we can all find someone to at least sit with us in our rooms. I see you and I understand... and I'm sorry we can't be that person for each other

[corpsentry]

a glass sun 1/2

[birdie-ghost]

And on our dates, it's never daytime When she gets playful with a steak knife I need a break, maybe I'll take five Shake it up and medicate, maybe I'll take five

[gomzdrawfr]

Getting creative with recognition

uh not so cute/funny random drabble of the AU:

warning: not proofread and just me rambling, bad writing LMAO

[axoqiii]

☕️🥞 sketch dump

[stark-lord]

Constantly plagued with thoughts of Edwin now knowing he enjoys being courted and Charles (compulsive charmer) with a whole new arsenal up his sleeve (laser focus on Monty’s whole deal)

“I mean, my smile is prett-y convincing” yeah yeah okay I can see where this is heading. Outlook not so good (for me)

[unmaskingdisability]

Cars are a form of mobility aid! Your solarpunk future has to include space for people who still need cars.

Who need to arrive to a parking spot right outside the building ,and not have an alternative of walking a mile if that One Spot is full. Who need safe places to decompress or change medical equipment, who are immunocompromised and risk major health complications from the wrong crowded bus. Who get so overstimulated/in pain/exhausted walking around town that they can't attend the actual event otherwise. Who need space for their medical equipment/backup mobility aids/service dog.

We absolutely need a world where Public transit and walkable cities are the default! And!! There has to be room for disabled people and our needs in your revolution!

[yuwuta]

yuuji’s the friend that’s ridiculously affectionate, but he’s that way with everyone he’s close to, so it’s easy not to pay it any attention. he drapes his arm and his entire body weight across megumi’s shoulders, he plays with megumi’s fingers when he’s bored, lays his head in nobara’s lap while they gossip, on a good day, he can even be found brushing and braiding her hair—yuuji’s even twirled gojo around in a hug on more than one occasion, so it’s nothing out of the ordinary. except, he seems to have a thing for just picking you up. when he’s trying to get by in the cramped kitchen, instead of squeezing behind you, he often puts his hands on your hips, lifts you and swivels and places you right back on your feet before fetching cereal from the cabinet like it’s no big deal. you’re one to fall asleep on the couch, but yuuji’s one to lift you up bridal style and carry you back to your room—or over his shoulder in a fireman’s carry when you’re drunk and want to fight back and insist that you’re sober. there’s a puddle on the ground and instead of helping you hop to the other side, he just wraps his arm around your waist and carries you while he jumps across, puts you down, and continues on walking. you get good news and yuuji’s the first to pick you up and throw you up and down like you weigh nothing to him, like you’re a kid and he’s your trampoline… he’s so casual with all his affection, you know it’s second nature to him, but that doesn’t make it easier for your brain to short circuit in those moments… makes you stop to wonder if he’s that strong unintentionally and attractive without thought, then what can he do when he’s trying… 

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it

[probablyanalienindisguise]

Black and white canvases my beloved