#this isn't even a depressed post it's just... true

[carolzukii]

Ren hana obsessed

Analyzing ren hana

I've been thinking so much about ren hana this Past days, I just love lots how his character works, the several trauma he got to bare thanks to strade and the way he turned out years after makes so much sense to me!

I'm not a psychology student, but my brother graduated as a psychologyst and I have gotten to know myself better thanks to therapy (lol, still have lots to discover)

BUT THAT'S EXACTLY IT.

When you're going through a traumatic event, or got pass it, is like your mind resets, in an attempt to get over it our mind re-makes a puzzle to keep us alive, is a dramatic way to write about it, but it is true.

In ren case, he already had things to carry in the back of his psyche, the little or non existent love her mom gave him, and the rejection his clan had gotten him through, since he is a human-beast kind, and they got repulsed by humans .

We all need love to "live", to have a motivation, to have a reaction,to grow with tools that we can use in new stages of our lives, but little ren almost had non of that.

So when Strade found him and kidnapped him, he twisted his thoughts into thinking that the pain that strade Inflicted on him for his own satisfaction was love, after all he was the only one ren had, at least we can see his thoughts go that way in btd1 and 2,yet that writting can change lots in gatobob's new game ykmet, but I'm writing this with that I can take.

He obviously got Stockholm syndrome as result of having to stay with stade for God knows how much, and yet left him to die when he was left out to bleed.

In the back of his mind, he knew he deserved it, but did nothing in a shock.

Ren after that, was and felt severely lonely, proof of that is having too much time talking with strangers, and finding solance seeing gore (snuff, strade homemade videos) because it somehow sticked a sense of nostalgia and the obvious morbid liking he had gotten from it firstly because he is not human, and Secondly because his way of seeing things after too much blood, abuse of strade, and assassination sighting ,was a blow to his psyche.

He got to know lawrence, he also knew he had an attraction to blood, and he wanted him to be his new companion, but we stepped in and that's another story.

Our decisions really affect how ren ends making up the puzzle on his mind, letting the feeling of power to guide him, or finding a way he can grow up as a person with a little of help (sadly this isn't canon in tpof as we could see)

The feeling of power.. The rush of having a life in your hands, the excitement and the soft embrace of the voice that whispers in his ear that he won't be hurt anymore.. That he was the control..

Was the only left piece of the puzzle that he needed to find true solance...

In a path filled with blood,but not his anymore.. He is now strong.

Also I have to say if I were to give a psychological diagnosis to ren(this is not exact of course, I'm nota professional, but at least I could imagine what were MY diagnosis before even getting them in a paper, lol)

I'd list him with:

Bpd-Borderline personality disorder

why?, because I think he fears abandonment as a result of what he has been through his emotions just flows if you're not giving him the answer he wants, and the first escene we have in btd2 when he escaped the bar just leaves me thinking, he felt anxious or overthinked about doing the kidnapping or not after we stepped in or he felt like he wasn't supposed to be there (very much the same)

Depression [I can't tell the level of this at all]

(I think is pretty self explanatory)

Anxiety disorder [I can't tell the level of this either]

Ptsd-Post traumatic stress disorder

(I forgot to write this at first, but it is pretty self explanatory, some words and actions we as a player make, trigger him, and makes him to take different actions, from feeling anxious and scared of us, to kill us or hurt us)

And other diagnosis that are derived from lack of empathy, he is very very unstable ofc just as our other beloved psychos ♥️

Oh and anime and anime girls, they're just so cute, I'm pretty sure he has lots of comfort characters >

(well I don't think I wrote something most of the fandom didn't knew, but well.. I think I wanted to share a little of my thoughts even if no one is going to read this lololol, also English is not my first language so writting this is like training, my grammar is ofc not the best sorry!)

[atinystraykid]

Every couple weeks or so I'm hit with the shattering realization that I have an genuinely unlikeable personality and then go on to change absolutely nothing about it.

[eastofedean]

8i've been thinking about the last asks i got today. and i think it's better for me to take a step back from this account. i know the anon didn't mean anything by it, but i still feel like i am being a negative presence on here and weirding people out with who i am is nothing i want. so, i am not deleting or anything. i am just gonna be less present with sharing personal things or leaving tags. I'll probably be more active on my second account where i don't have that many followers :)

[navree]

'feel free to find a necktie and test how tall your doorframe is...' good lord, man. I'm not even anti-Dem but what the hell is THAT supposed to do for enthusiasm or turnout?

If your enthusiasm and ability to show up to fill in a bubble on a piece of paper hinges singlehandedly on a college student on the Internet who spends most of her time talking about niche historical figures, television shows, and comic books, you were never going to vote anyway and I don't need to modulate my language to accommodate your sensibilities. My being blunt that the "both parties are the same" equivocation is not only stupid but makes you a bad person unworthy of respect or decency on my part as someone who will be severely negatively impacted by a return to power for Trump is not going to affect anyone who was ever remotely serious about this election or the democratic process.

[rigaudon]

Since the ratfucking has quintupled since the debate last week, here's a reminder that comments like this only exist to depress voter turnout.

these are all comments on the post I just reblogged. from within the last month.

Not every comment like this is part of an astroturfing psyop (and I'm not saying that the people in the screenshots are part of an astroturfing psyop), but we need to remember that the whole point of the astroturfing psyop is to flood your feed with certain ideas or claims in order to make it seem like a lot of people are talking about this so it must be serious and also true!

The thing is, it doesn't matter whether it's an outright lie, a half-truth, or even actually true. Because the goal isn't just to make you believe the lies. The goal is to make you proliferate them. To distort the truth just enough. To use empathy, outrage, fear, and (most importantly) urgency to convince a few regular people like me and you to believe This Thing is important enough to repeat.

And it only takes a few. Because once the idea is coming from someone you know and trust --your friends, your family, yourself-- it becomes the truth.

If the people I trust believe it, that must mean it's true.

If it's true, why is no one talking about it?

If no one's talking about it, they must not know about it.

If they don't know about it, I have to tell them.

If they don't believe me, I have to convince them.

If I can't convince them, I have to shame them.

You are not immune to becoming propaganda.

[cy-cyborg]

Disability Tropes: The disabling change of heart

When a character in a story becomes disabled, they'll sometimes experience a trope that I like to call "the disabling change of heart". This is when the character goes through a massive change in their outlook, their personality, their goals or even roll in the story, specifically because they became (or are about to become) physically disabled. Sometimes, this will be in relatively small ways: the happy-go-lucky comedic relief character might become bitter, angry and jaded after getting into an accident that caused a spinal injury, or the severally depressed and nihilistic character might suddenly start acting more cheerful and hopeful, stating that loosing their leg has "put things into perspective and showed them what really matters". In other cases though, the impact is much larger, the heroic character you've been hearing about looses an arm thanks to the main character's actions, causing them to become consumed with anger and self-loathing which they take out on everyone else, eventually becoming an antagonist as they seek revenge for what the main character did to them. The morally grey or even villainous character is injured by their own scheme, giving themselves a permanent disability in the process, which prompts a change of heart and leads them to turn their lives around and become better people, maybe even deciding to team up with the heroes.

Now, having a character go through a personality and goal change due to a major life event, such as becoming physically disabled, isn't inherently bad. A lot of writers are told to tie major shifts in your character's development to major life events, because realistically, something like becoming newly disabled will at least impact how you view the world around you. I very frequently talk about how if I didn't loose my legs, I would have become a vastly different person, but the issues with this trope depends on how it's used and the reasons behind these developments, and whether or not the change suits the character in question.

Before we get into things, I would like to specify that in this post, I'm only going to be talking about how this trope is used with physical disabilities and other easily visible forms of disability. It does show up with characters who develop disabilities under the mentally ill and neurodivergent umbrellas, and is actually a bit more common than what I'm talking about today, but the specific ways its utilised are so different that it's more or less a separate trope, and one that deserves much more attention than I could give it here as this is already going to be a pretty long post. So for today, I'm keeping to it's use with physical and visible disabilities, and we'll talk about how this trope is used with neurodivergence and mental illness another day.

The main thing you need to be mindful of is ensuring that you, as an author, are not including your ingrained biases about disability into the reasoning behind the change. Let's look at one of the examples from before, an evil character who, after loosing their arm (because it's almost always loosing an arm for some reason) becomes a villain and wants revenge against the main character. In a story like this example, the character who became an amputee often views this new disability as something that has ruined their life. It's something that has caused them to suffer, and they want to make the main character (or whoever has "wronged" them) suffer like they did. Stories like this example portray disability as something that is not just horrible, but life-destroying, especially with villains who become all-consumed by the misery this disability has brought them. Many stories that utilise this version of the trope also often perpetuate the idea that if you become disabled, you'll have to give up all the things you love and your goals, even when this wouldn't necessarily be true for the character in question.

Let's say your character was a knight, and the main character cut off their arm in a training accident. obviously you can't be a knight with only one arm because you can't fight anymore, so they left their order. Now this character has become a villain and has found power that "makes up" for their disability, perhaps magic or some other force that doesn't exist in the real world, and are back to get revenge on the character for ruining their lives. Here's the thing though, the loss of a limb, or at least, the loss of an arm specifically, often isn't the career ender people think it is, even back then. In fact, there are many historical records of real amputees continuing to serve as knights and other similar military roles after loosing an arm or at the very least, continuing to fight in other ways. One such example was Götz of the Iron Hand, a mercenary knight who lost his arm to a cannon. Götz had fought as part of the Roman empire's military in 1498, but shortly after left to form his own mercenary company. He lost his hand in 1504 and continued his career as a mercenary with the help of an iron prosthetic capable of holding his sword and the reigns of his horse, among many other things such as writing, for another 40 years. Götz wasn't unique in this though, several suits of armour from the same time period have been found with integrated prosthetic hands, though the names of their owners are unknown. There was also Oruç Reis (aka Aruj Barbarossa), A privateer admiral who served the Ottoman Empire in and around the Mediterranean who lost his left hand - earning him one of many nicknames: Silver-Hand, thanks to the colour of his prosthetic. Oruç, like Götz, continued his career for several more years until he was eventually killed in 1518.

My point in bringing this up, is to highlight how important it is to double check that the reason your character's whole motivation for turning to villainy, isn't just based on your ideas about what a disabled person can or can not do. Actually double check it, research it, especially if it's important for your plot.

Even in the cases where the disability in question actually would stop someone from being able to do something, the incorrect assumptions can still occur and cause issues in different ways. For example, a character in a more modern setting who looses their arm due to an accident the main character was responsible for while serving in the military would be discharged, ruining the character's plan to become a general some day. This absolutely would be devastating for a character like that, and they realistically could struggle to adjust, both in terms of getting used to their disability and finding new goals for their life. They may well feel anger at the main character, however, if you are portraying just living with a disability, in the case of this example, living with an amputation as inherently "suffering" for no other reason than they are disabled, it is still perpetuating those really negative ideas about disability. I've said this a few times in other posts, but villains who are evil or even just antagonists purely because they're disabled or are trying to avoid becoming disabled is a trope all its own and one that is best avoided if you yourself aren't disabled, as even outside of spreading these negative ideas about life with a disability, it's just an overdone and overused trope.

But what about when this trope goes in the other direction? when you have an antagonistic or even just morally grey character who becomes disabled and this is the catalyst that turns them into a good guy?

For the longest time, I knew I usually disliked this version of the trope too, but I couldn't put my finger on why. With disability being the reason someone became a villain, the underlying reason it's there is often able to be boiled down to "I, the writer, think being disabled would be terrible and life like that is inherently suffering, so this character is angry about it," which is obviously an issue (the "inherently suffering" bit, not the anger). However, when a character becomes good due to becoming disabled, the reasoning is usually more along the lines of, "this is a big change in a character's life that has caused them to reconsider and revaluate things" (or at least, that's what I thought). This isn't bad, nor is it necessarily unrealistic. Hell, as I already said, I do consider my disability to be a catalyst that made me into who I am today. I also know plenty of people who, after becoming disabled later in life, did have a big change in how they viewed themselves and the world, and who consider themselves better people since becoming disabled. It's far, far from a universal experience, mind you, but it does happen. So why did this version of the trope still not sit right with me?

Well, I think there's a few reasons for it. The first being that there's a tendency for non-disabled people to think real disabled people are just incapable of evil deeds, both in the sense that they aren't physically capable of doing them (which is bad and not even always true for the reasons we already discussed), but also in the sense that there's this idea that disabled people are, for some reason, inherently more "good" and "innocent" - As if breaking your back or loosing a limb causes all evil and impure thoughts to be purged from the body. This is a result of many folks viewing disabled people as child-like, and thus attributing child-like traits (such as innocence) to them, even subconsciously. This is an incredibly common issue and something disability rights organisations are constantly pushing back against, as this mentality can cause a lot of unnecessary barriers for us. With how often I and many other disabled people are subjected to infantilization, I would be honestly shocked if it wasn't at least partially responsible for people thinking becoming disabled is a good reason to kick off a redemption arc.

This infantilization isn't unique to physically disabled people by the way, in fact it's way, way, more commonly directed at people with intellectual and developmental disabilities - or at least, people are more open about it, but as I already mentioned, how that is reflected in tropes like The Disabling Change of Heart is vastly different and deserves a post of it's own.

That's mostly just speculation on my part though, since that infantilising mindset does show up a lot in media, but not usually as part of this trope specifically.

However, it's not the only reason I wasn't a fan of it. When the disabling change of heart is used to fuel redemption arcs, I think, once again, that the disability itself being credited with causing the change directly is another factor. When this happens, it's usually because "it put things into perspective for me and showed me what really mattered."

This sounds better than our previous example on the surface, but stories that use this logic are often still portraying disability as an inherently bad and tragic thing, something so bad, in fact, that it makes all the other (legitimate) issues they thought were massive before seem so small by comparison. This is a type of inspiration porn: content made to make non-disabled people feel inspired or just better about their own situation. It's the mentality of "well my life is bad, but it could be worse, at least I'm not disabled like that!"

In a fictional story, this might look like an athlete character who dreamed of making it big so they could be famous and get out of poverty. They were a dick to anyone who got in their way but only because they were worried about not being able to make rent if they don't constantly win. One day though, they overworked themselves and got into a car accident on the way home because they were too tired, and now they're in a wheelchair and can no longer walk, which is (supposedly) absolutely tragic and way worse than anything else they were already going through. But they end up becoming a better person because it has put things into perspective for them. Yeah they were struggling to make ends meet, but at least they weren't disabled! Now that they are, they know they shouldn't have cared so much, because money doesn't matter when compared to not being able to walk, right?

As well as portraying disability in a negative light, these kinds of stories dismiss and diminish the other struggles or challenges the character is experiencing, placing the status of "not disabled" above all else.

There's also the fact that, when a lot of real people say their disabilities had positive impacts on their lives, they don't usually mean the disability itself is directly responsible for the change. There's exceptions of course but for myself personally, and most of the people I know who say they are better people because of/since becoming disabled, the disability has been more of a neutral catalyst than the actual cause of positive change. Meaning, it opened the door to allow those changes to happen, but it wasn't the direct cause. For me personally, becoming physically disabled at a young age didn't make me a nice person like people expect, I was still a little judgemental asshole for a lot of my childhood. However, because I was disabled, I had to travel a lot, initially because I needed medical treatment that my local hospital wasn't equip to provide, and later, because I started competing in disability sports. because of both of those things, I met people I never would have otherwise who made me reconsider what I'd been taught on a wide range of subjects, and made me question where those beliefs had come from in the first place. When I say my disability played a part in who I became, it wasn't because my disability itself change me, but it helped me meet people who were positive influences on me and my life. but when creatives make characters who experience arcs like this, they ignore this, again, defaulting to the "this was a bad thing that just put all my other problems into perspective" reasoning.

Some iterations of this trope also use disability as a kind of "karmic punishment" where the disability is portrayed as a rightfully deserved punishment for an evil character's deeds - usually something relating to the disability they acquired but not always. An example might look like an evil tyrant who punishes the rebels they captured by cutting off their hands. Eventually, this catches up with him, maybe the friend or a child of one of the rebels is able to capture the tyrant and cuts his hands off as payback so that he gets a taste of his own medicine, a taste of the suffering he imposed on others. Now facing at least one of the same realities of the people he subjugated, he realises the error of his ways. With some pressure from the main characters, he has a change of heart and surrenders himself, steps down to let someone else take his place, or perhaps he decides to start changing policies to be more in-line with these new morals until some other character usurps him, becoming an even bigger threat than the previous former tyrant.

Once again, stories that use a disability like this are still portraying the disability as an overall inherently bad thing, but there's the added layer at play in this example. The thing is, there are a lot of people in real-life who actually believe disability is a punishment from God. I remember one time when I was over in the US, an older lady came and sat down on the seat beside me on the bus and started asking me about my disability and specifically, how I became disabled. This isn't an unusual interaction, it happens fairly regularly whenever I use public transport, but on this particular day, the conversation suddenly shifted when I told her I became disabled when I was very young. This woman, despite the bus-driver's best efforts to get her to stop, ended up lecturing me for an hour and a half (during which time I couldn't move due to how my wheelchair was held in place) about how my disability was punishment from God for my parent's sins. She then tried to convince me to attend her church, claiming they would be able to heal me. And the thing is, this isn't an uncommon experience.

A lot of disabled people are targeted by cults using this same method: they'll convince people their disabilities are a punishment, make them believe they deserved it, that they just weren't good enough, but don't worry, if you repent and come to our specific church we can heal you. There was even a case in Australia recently that uncovered a cult called Universal Medicine, who taught that disabled people were reincarnations of evil people, and that being disabled in this life was their punishment, as well as that parents who have disabled children were being punished for other sinful behaviours. They were found to be operating a disability care service named Fabic that was being paid for by the NDIS, a subsection of the Australian government funded healthcare system that specifically aids disabled Australians by paying for and subsidising treatments, technologies (such as mobility aids) and other services relating to their disability. Fabic was found to be stealing excessive amounts of funding from their disabled clients under the guise of therapies and carer services, but was not actually helping their clients at all. Whether it's just taking advantage of them to get their money, or actually using this logic as a justification to mistreat them, this mentality of "disability is a punishment" actually gets real disabled people hurt or worse, and so seeing it come up in media, even if there is no ill-intent, can be very distressing and uncomfortable for disabled audiences.

So with all this being said, is the disabling change of heart a trope you should avoid in all it's forms and versions? No, but it does need to be handled with extreme care. I do think it should be avoided as a reason for a character becoming evil for the most part. If that really can't be avoided in your story though, at the very least, ensure that you foreshadow the change. Your happy little ray of sunshine, embodiment of sweetness and innocence type character probably isn't going to turn murderous and want revenge for an accident for example. A character who is likely to be driven to that kind of extreme of wanting revenge for their disability, so much so that they become a villain, probably already had at least a few traits that would predispose them to that line of thinking already, before becoming disabled. As for when it goes in the other direction, and you have a character becoming a good guy, avoid using the reasoning that "the disability put things into perspective for me". Instead, if you must use this version of the trope, use the character's new disability as the reason they encountered other people and situations that challenged their views, things they wouldn't have encountered otherwise. No matter the reason though, be very careful to avoid inspiration porn, and as always, try to find a sensitivity reader to give your story a once-over, just to make sure something didn't slip under your radar.

[Thumbnail ID: An illustrated image showing the same elf character twice. The picture of her on the left shows her laughing evilly, two tiny horns protruding through her brown hair. She is wearing a black dress and red shoes. On the right shows her in a yellow dress, sitting in a bright pink wheelchair with her head held eye and her eyes closed. The horns have been replaced with a glowing halo. In the centre is text that reads: "Disability Tropes: The disabling change of heart." /End ID]

[cosmereplay]

If you are having strong negative emotions about Wind and Truth after you finish it, and you're having a hard time expressing why, consider: maybe you are sad about the stuff around the book.

Let me explain, because this happened to me over the last week.

Sanderson's books are known to be emotionally pretty rough, and it's hard to read my favourite characters going through it. The ending is the end of an arc, not the whole story, so many things are left open-ended. On top of that, the characters grow and change, so the characters I have grown to love are different now! AUGH CHANGE!!

On top of that, for me personally I have relied a lot on the Stormlight fandom to help me laugh and distract from my shitty life, so to go through a month minimum where people are avoiding social media for spoilers purposes, or not posting, or have info that they can't share yet, is isolating and frustrating. Even though it's not anyone's fault, it's just change! (More change. Fuck)

Change brings its own grief. Many people will be moving on to other fandoms after this, or thinking about characters in different ways than I might want to. I might have to rebuild my community a little as people develop different obsessions or ideas. It's normal, and it's okay to be sad about it!

Anyway so after I finished reading the book I had a real depressive low for a bit. It's commonly known as post-vacation blues, the time after the thing you looked forward to, when you have to go back to regular life. That just by itself is a well known cause of temporary sadness/depression. No wonder I was having trouble getting out of bed 😅

There can be a temptation, especially for those of us who like to project our feelings onto characters, to take umbrage at this or that characterization, or pick the book apart to find things to be upset about. But if the critique is based off projecting emotions, then it won't be a solid argument and you'll probably end up having a bad time in a conversation with someone who is enjoying the literary critique.

I just started coming out of it today and realized hey, maybe the book isn't bad. Maybe I was just sad, for all these reasons. It'll still take months for me to digest it but that's just me, I'm a slow learner for literary stuff. At least now (after a couple good mopes) I can start thinking about my true opinions not clouded by grief.

So I thought I'd pass it on in case others might relate! If you don't relate that's fine. (ie This is a mental health post, this is not the place to tell me what you didn't like about the book, that's not what this post is about.)

[hamliet]

Excited for your thoughts on the bnha ending

Also I’ll be honest I dropped this like 200 chs ago and I’ve just kept up through your metas because I was so disillusioned with the manga 🥲 I even sold my copies

it's a bit bittersweet to see bnha handled this way. sometimes i think we'll get a promising continuation from the author which is major cope for me T.T

fix its are otw but damn it doesn't mend that it ended this way rn

Diff asks, answering together.

Not saying too much because there's not much to be said besides that a friend who wrote a meta who won't post it (to all our detriment!) said it best last week: this story is cowardly. It's afraid to say or do anything because it wants to make everyone happy and realized it can't, so now it just wants to make no one upset, but everyone's upset.

I feel sad for Horikoshi. His recent interviews are quite depressing, and he seems burned out and done with his own manga in a way that makes Gege look enthusiastic about JJK.

Like, he doesn't confirm Touya dead or alive--which frankly I will take--but leaves it up to the reader to decide. Is the doctor's word final, or is Touya crying a symbol of healing since he previously couldn't? I know which one I choose to believe, but this way people can choose to fit the manga into their personal beliefs. He's trying to say nothing to avoid rocking the boat. And that's just sad, especially when we consider what likely contributed to that.

Which is to say, on a purely story level, the story has no power. There's being open to other perspectives and then there's not having a message. This is sadly the latter. It's a mess. Deku "heroes save" doesn't save, but he's still heroic, but that line isn't demolished or destroyed. AFO may be dead, but he won in the end because what he used to taunt Deku came true. Deku's character is nothing more than a vehicle--no struggle, no emotional climax, no principles. The ships are not even confirmed because the story can't even commit to the obvious Ochaco/Deku (which I dislike even!) for fear of angering other loud shippers. Society is the problem, but also the answer. The hero system is the problem, but also the answer. It's not a paradox because it doesn't explain the layers at play here. It's just noodles that have cooked far too long and turned into a congealed mess.

The only message I can take from it is "yay authoritarianism" which I'm going to hope Horikoshi is saying accidentally (and most likely is). It's as meaningless as GoT season 8, and TROS, and that's not good company to be in.

[kyracooneyx23]

Waldosia

Leah Williamson

summary: Leah still isn't over the fact that you're gone and can't help but looking for you in the crowd every game, even though she knows you'll never be there.

warnings: mentions of death, slight angst, depression, just lots of yapping at the end, not a happy ending. (cringe warning)

waldosia: /wawl-doh-zhuh/ n.  a condition in which you keep scanning faces in a crowd looking for a specific person who would have no reason to be there, as if your brain is checking to see whether they're still in your life, subconsciously patting its emotional pockets before it leaves for the day.

You'd had Leah Williamson hooked from the very first time the two of you had met. You'd caught her attention with you're bright smile and warm laugh. She couldn't get enough of you, you were like a drug.

Leah Williamson had brightened up your world during some of the darkest moments in your life. You'd lost your mum to cancer and your sister had stopped speaking to you. When all seemed lost, she gave you a reason to keep pushing even when you didn't think you could.

You were a wreck but that hadn't stopped her from loving you.

The two of you shared a love so special, you were the first person she'd run to when celebrating a win, but also the first persons arms she'd fall into after a tough loss.

She was there to hold you when you missed your mum, and bring back your smile when your sister consistently ignored your calls.

You and Leah had found each other when you were both most in need of love the most.

But it was all a secret.

A love too good for the rest of the world to know.

You feared what would happen if the fans found out. Scared that Leah would be ashamed of a girlfriend like you.

You're insecurities screamed at you, that small voice in your mind a constant reminder that you'd never be good enough for the one and only Leah Williamson

But Leah thought you were perfect, you were real and that's what she needed.

She needed someone who wasn't afraid to talk about their emotions, someone who was there when Leah needed a shoulder to cry on. Someone to keep her head on straight.

And eventually the two of you started to break out of your little shell, finally brave enough to show a little PDA, even if it was only holding hands when the two of you went out together.

You'd even started allowing Leah to kiss you after her games, no longer restricting her to just a short hug.

But of course just as you started to think that everything was going to be good, it began to go downhill.

Down a hill so steep that not even the most powerful breaks could stop the fall.

Fans were too nosy for their own good, trying to get involved in people's business that didn't concern them.

They'd call you ugly, saying that Leah should break up with you and find someone better.

Leah said it was fine, she promised to never stop loving you, no matter what anyone said. You were her world and she swore it would always stay that way. She wasn't going to let this affect her.

But you could tell it wasn't true, you noticed. And so did everyone else. Her performances on the pitch were lacking the quality they used to have. It was clear to everyone that her mind was elsewhere.

And it was. You were all she could think about. Your broken face when you'd look online and see another post dissing you. The tears you'd quickly rub out of your eyes whenever she'd walk in the room, trying to pretend you hadn't been crying.

The guilt was eating you up, and as much as you despised the thought of it, you knew that the only way to fix things was to leave.

And while it would obviously hurt for a while, you'd both get over it. Maybe Leah would find someone new. Someone better. That could give her the love and life she deserved.

You're bags were packed a note left on the side.

That was the last time Leah had ever heard from the love of her life.

She'd tried hard, so hard, to get you back. She'd called you so many times that she'd had to pay unreasonable amounts just to get more data, praying that you'd pick up.

But you never did. Every single time it would ring to voice mail, and she'd leave the same message, begging you to come home.

but her speech would always be cut off by that annoying beeping noise, signaling that she'd run out of time and she'd once again be left alone. No clues to tell her if you'd listened to her and all she could do was cry.

A year later she was still not fixed. It seemed that when you had left, you'd taken part of her with you. She no longer had her favourite person to celebrate with, and suddenly winning the conti cup was no longer as special.

Her jokes were lacking, her eyes not shining as bright as they used to. And everyone noticed, they noticed the change in Leah's demeanor and how talks about you were no longer a usual part of Leah's chats. All that was left was a crack in her voice and tears welling in her eyes from the mere thought of you.

Currently, she was walking around the emirates stadium. Waving to fans who were wildly celebrating the win. But she wasn't paying attention any of them.

She had made a habit of unintentionally looking for you in every crowd, a small part in the back of her mind hoping that one day you'd be there smiling back at her just like you used to. But you never were, and every time Leah would be left alone, but sleep would not come without your arms holding her until she dozed off.

The English captain was doing a pretty good job of keeping everything to herself as she did a lap, until she saw a familiar flash of brown hair in the stands. And that's when her mind went into shambles. She momentarily stopped walking in her tracks and stared at the girl, for a second being convinced that it was you. And then another girl came into view this time with darker brown hair, but she once again was convinced this was you. It was like her mind was playing tricks on her. You're not fucking here...

She brought her hands up to her face and rubbed her eyes harshly, hoping that by doing so she'd slap some common sense into herself. But when she lifted her head, she couldn't stop herself from looking around again, from looking for you. It was as if her brain had set its mind onto something, and decided on finding you in the crowd of 60,000 people. But seeing as it was impossible to actually find you, she just felt as if she was going mental.

Lia, who noticed Leah's fidgeting, looked up at her and grabbed her hand, shooting a warm smile at her friend who was clearly distressed. It wasn't the first time the English had acted this way after a game and it was clear to all the girls the reason why.

'There's someone here to see you.' Lia Walti whispered, causing Leah's stomach to flip.

Was it you? Had you finally come out of hiding?

Lia began leading her towards the crowd of excited people.

At this point, Leah's hands were shaking and her free hand was fumbling with the untucked hem of her jersey. Her heart was racing faster than it ever had before and her breaths were becoming shorter, feeling as if she were starting to lose herself.

What if it actually was you? What would she do if you were here in the stands right now?

Lia lead her towards where Beth Mead and Alessia Russo was already standing, but before they could even reach it Leah abruptly stopped walking. Her eyes snapped up to the girl who Beth was chatting with, eyes narrowing as she couldn't believe the sight before her. It was you, it really was you this time. The long brown hair, which looked a lot darker now (but Leah just assumed that you'd dyed it in the time you were gone) the laugh that made her eyes light up, the jersey with the number 6 on the back that you always wore to her games. And although she couldn't see your face she was sure it was you.

'Y/n?' Leah whispered so quietly, still at least ten meters away, thinking no one could hear her, but of course Lia did.

'It's not her.' She said sadly looking over to Leah who's face fell, her hopeful expression now replaced with a broken one. 'It's just Alex.'

Her eyes filled up with tears and she quickly dropped her hand from Lia's, suddenly feeling a wave of nausea run through her as she responded, 'Fuck, I-I'm... I...,'

Her sentence trailed off as she looked up at the concerned face looking at her, but she couldn't finish her sentence. Her heart was pounding in her chest and she felt like her throat was closing up, quickly inhaling and exhaling in short breaths. She was scared, terrified, of the way she was feeling. The tricks that her mind kept playing on her, giving her hope only to crush it ten seconds later.

'I can't be here anymore, tell Alex I said hi.' Leah tells the Swiss girl before sharply turning around and leaving the stadium, not caring what the fans or players would say.

It was only once she finally got into the car that she let her emotions fully take over, tears streaming down her face as she slammed her face against the steering wheel.

Why would you do this to her? Why would you leave in attempts to make things better when in reality it was just making Leah spiral. A sudden surge of anger coursed through her veins, she was mad at you for causing so much pain when all she did was give you all her love.

She was mad at the fans, and all the other people that had made you feel like you weren't good enough, when you were more than that. You were the best human being she knew, you had a heart too big for this cruel would and nobody had the right to take that away.

Nothing could hurt Leah anymore, so for what felt like the millionth time since you'd left she picked up her phone and pressed on your numbers in her contacts. She couldn't care less if you didn't pick up, no amount of pain could ever hurt someone as numb as she was.

The phone rang for a solid thirty seconds, and Leah was about to give up and just go home when she heard a soft voice coming from her car speakers.

'Hello, who is this?' Your voice rung out and Leah could almost cry from happiness and relief. You were actually talking to her, you were still there and you sounded almost happy.

'Y/n... Is that you?' Leah asks softly, not hearing the gasp coming from your lips. She was shocked that you picked up for once, not knowing that the only reason was because she'd had her caller id off from earlier in the day.

You wouldn't have picked up if you had known.

'Leah?' You're voice was full of shock, the buzz from before gone. 'What are you doing?'

'What do you think I'm doing.' The defender exclaims, 'I've been worried sick about you for a whole year. I have no clue where you are or why you left. was it me? Did I do something wrong?' Her voice trails off as she leans back into her seat running her hand through her bleach blonde hair whilst anxiously biting the nails off her fingers on the other.

'Leah, you shouldn't have called.' She can hear the nerves in your voice but it doesn't stop her from getting angry. 'I've really got to go.'

'No.' She snaps into the phone 'You're staying on this call until you tell me why you left.'

'You know perfectly well why I left Leah.' But she didn't, ever since you'd been gone that was the one thing the Lioness wanted to know the answer to.

'I don't, I wish I did but I don't.' A sigh is heard over the phone line and Leah can hear papers rustling about before you speak again.

'I don't know why you care Leah. You've seemed to move on perfectly, you have Lia now and I'm not there to bring you and your career down with my mess of a life.' At first Leah was mad, mad that you'd ever think you were bringing her down, then confused what were you talking about when you said that she 'had Lia now'.

'Lia?' She says softly voicing her confusement.

'You don't have to act innocent Leah. I'm happy for you and Lia, you're great for each other and as long as you're happy so am I.' It's funny how well Leah knows you, even though you were only together for a short time, she could sense the small smile that you were obviously faking as you said this.

'I'm not with Lia.' Leah says, louder this time to make her point clear, 'how could I ever get with someone when you still have my heart. You had it from the very first time I laid eyes on you, and I'd like it back. Almost as much as I want my girlfriend to come back home.' She laughs lightly, although there is nothing humorous about the conversation the two of you were having. 'You can't expect me to love someone when I've already given you all the love I had.'

'Leah, you need to move on. It's better that way. It's better for you and your career, like I said before I'm not letting myself bring you down anymore.' You say firmly, trying to ignore the ache in your heart knowing after this conversation you might lose the best thing you've ever had, and never get her back. 'You know how much I hate goodbyes, and I would much rather this be hello, but it really is time you move on.' Tears were spilling down your cheeks now and you couldn't stop them.

'I can't move on, you know that.'

Silence filled the car Leah was in and the small office where you were sitting matched that silence. No one daring to speak not knowing the right words to say any more, there was no clear way that this conversation was going to end. You wanted to give Leah the life she deserved whereas the Brit was adamant that you were the one she wanted.

'You messed me up y/n/n, you really did. You left when things got hard, because it was easier for you to walk out than fight for us and I thought you were stronger than that. I lay awake at night, every night, wondering why god brought you into my life, only to take you away from me and leave me a broken mess. I make mistakes, we all do, and if you're a mistake then you're the best mistake I've ever made. But it's still left me broken and I guess that I'm sorry. I'm sorry for caring too much, sorry for feeling joy when I'm around, sorry for feeling safe in your arms, sorry for getting so addicted to you that it feels like I can't think right when your not around, sorry for all the calls and thinking they were a good idea. But most of all I'm sorry that I'm never going to stop loving you and I'm never going to stop trying until I get you back.'

A sob escaped from you, you couldn't hold it back. It was the most heartfelt thing you'd ever heard anyone say, Leah was never going to stop loving you and you would never stop loving her. And maybe in another life where you weren't as depressed and could keep your shit together without pulling down other people with you, you and Leah could've had the happily ever after that are always written in children's fairytales.

Because maybe all along your love story really was just a case of right person, wrong time.

And that was the most fucked up joke the universe could ever play on you.

[olderthannetfic]

I accidentally killed my own desire to write, and I need some advice. To be really blunt about it, what's the point of writing? When I would spend lots of time laboring over making a good story with a plot and characters who were in-character and connecting all the dots narratively so payoffs were satisfying, my reward was dead silence and virtually no clicks. I posted some mindless smut to my side account one day and got more hits in a day than most of my other works combined got in a year. I know, I know. "Write for ~*~yourself~*~" is the common response. It's the "be yourself!" of writing. It's supposed to be a magical phrase that'll make everything okay. But... I don't like knowing that something I spend months working on won't be read by anyone while something I write in a car while bored got thousands of clicks. I don't like making something I'm proud of and then no one ever looks at it. That's not fun for me. It's not fulfilling.

For a solid decade, I've tried to ignore how the level of interactivity in fandom is falling. Fewer comments. Fewer kudos. No comments in the bookmarks. You put your tumblr and Discord in the AN and get a handful of asks and one person who adds you, talks to you twice and then ghosts you. Most of the comments are "well, actuallys", made even more annoying by them being wrong as opposed to actually correcting an error. I avoid fandom drama, wank, and infighting. I don't engage with things I know will make me unhappy. I try to be happy over in my own little corner. I comment on every single work I read. I want people to enjoy fandom. I used to.

Some dumb smut I wrote in 40 minutes gets five times the hits of the writing I'm most proud of, and it gets it in just under three months. I am not a great smut writer. I haven't stumbled onto an incredible talent I had that makes it so the issue is that I'm so amazing my smut brings all the boys to the yard. People just don't like what I write and put effort into. It's very likely that despite 20 years of writing fic, I suck at writing. And people enjoy my writing most when they don't have to put up with anything substantial and can just skip to the sex.

So for the last eight months, when I write, I just sort of give up. Close the Word doc without saving. No one will read this. No one cares about this. There is no fan eagerly awaiting every update like I await updates from my favorite authors. There's not even someone saying, "update soon!" Close the Word doc. Delete old WIPs. There's no point. I do not tell stories worth reading. I used to. In the FFN days people genuinely enjoyed my work. I'd never have had an opportunity to do the 'I won't update until I get 3 reviews' thing because getting that many on a chapter was usually something I'd do overnight. Post before bed. Wake up. Read the reviews before school. I peaked in high school, I guess.

And now I'm just sort of lost. I still have lots of ideas. Ideas for fics fall into my head all the time. That's never been a problem. What I don't have is any motivation to write them. What's the point of writing? If no one else is reading, I guess the point would be so I could go back and read my own story and have fun with it. Write for myself. But I can review the story and have fun with it in my head without writing it down. It's substantially faster and more importantly, isn't incredibly depressing.

So, at the risk of definitely being calld the second-coming of True Art Anon or a troll or validation-seeking or haha mentally ill haha... what's the point of writing?

--

Okay, so write porn in a car while you're bored.

Look, you can whine all you want about my response, but what you've written here is blatantly about depression.

Lots of people in fandom are still interacting. And no, it isn't just on fics that are objectively written to some pro fiction standard or whatever. Teenagers still breathlessly review poorly spelled cracky masterpieces about this year's big anime and so forth.

Yes, there may be reasons why you in particular are in a slump when it comes to fandom friendships or "plz update" comments. We can talk about that. But this ask is all gloom about fandom in general. That's not realism: that's you having a problem.

--

As for why a person should write: because the actual hours you spend doing the writing are fun.

If they aren't pleasurable in some way, find another hobby.

--

But if you want an answer to the age old "Why did my 5 minute fic get 1000000x more asspats", I've seen meta about this for literally decades.

The most likely reason is that the fic we write quickly and without much thought often feels fresher and more fun. The things we labor over endlessly can feel overworked. Even in cases where they don't, they're often heavier subject matter or more niche subject matter. On top of all that, we just care more, so even a high level of feedback doesn't really feel like enough for the effort and care we put in.

--

Do you really need me to tell you why you don't feel the same as in high school when things were fresh and new?

Go read up on combatting burnout or dealing with post-college anxiety or managing stress in a dead-end job in your 30s or finding meaning in your 40s or whatever is going on.

Everyone goes through fallow periods in fandom and in life.

Feeling reinvigorated has to do with internal factors and some general life circumstance stuff. It doesn't have that much to do with number of kudos. That's just the surface trigger for a mood that was already there.

[elenthyaolyenths]

Ok, it's time, isn't it? My first "Art Versus Artist"! and always, my complete Good Omens Art Gallery if you are curious!

Hello my dears! Your little Frenchie wing-addict here! 2024 has been a hell of a ride, so many great things happened since I decided to join the Good Omens fandom ! What a ride, yeah, from my first Red Art sketches in January to my most recent full-colour tries and experimentations - most of them still secret, sorrryyyyy. My wrist surgery and the physiotherapy still going on, depression and health problems hitting hard again... BUT I KNOW I wouldn't be here without the fandom and without your wonderful support.

The constant research of my own art style, while i was granted the chance to work with amazing writers and artists. The pleasure to share my improvements with you all, dear followers and friends!!!

Thank you so much, for everything. Wishing you the best for 2025, I hope I'll be able to make you smile and dream even more!

Linktree - Masterpost - Ko-Fi - Prints of my Art here!

And, here, I'll have to stop a minute and try to remember ALL of you dear people I'd like to thank even more personally... with all my love and my gratefulness. (!long text under the cut!)

@vavoom-sorted-art dear M'am, I have already told you how one of your Tumblr posts litteraly saved me in the beginning of 2024 and gave me back the courage to continue to make art. It was probably a very small thing for you, but for me it has been a life-changing thing for the best. Thank you again, thank you so much for your kindness, and your advice about my art during this year. I wish you the best for 2025, for your studies and everything else <3

@malohkeh-main My dear, you're the first one who encouraged me to do this personal Red Art Daily Challenge in January. Thanks for your wonderful support and our translation teamwork, life happened between us but I'll never forget our discussions.

@floscrap-blog, my dear frenchie friend I have met on international GOAD sub, while we were living almost right next door, how was it even possible?? Dear Hun, thank you so much for your kindness, I'll treasure our friendship forever.

@kotias, the one and only! I can't even say how much I'm grateful for you finding me and dragging me into the wonderful behind-the-scenes of this awesome fandom. Because of you (and it's a compliment) I was suddenly drawing even more, writing again after a 3-years-blank-page-syndrom, meeting so many new people and collegues and friends. My life has definitely changed the day we started to talk, and I discovered what the tag "found family" might mean. Thank you so, SO MUCH, Madame.

Thanks to @goodomensafterdark for creating the best goblin nest ever. Your whole community supporting me when I was about to get my wrist surgery and when I was scared as hell? Probably my best wonderful memory ever of this summer. Still crying about it. Thank you so much, for everything.

@demonsandpieohmy, dearest, I still remember this comment on my art on GOAD, mentioning your fingers tingling... and then, "To Shreds" was born, and it was just the first of our several collabs together. Thank you so much for your trust and your support on my very first NSFW artworks! Thank you for your friendship, we might have talked less these last months but it's always a pleasure. Wishing you the best for your ulterior writings!

Thanks to @the-bentley and @cassiecasyl for choosing me on the Reverse Bang Minisode and for our wonderful teamwork!! I have been uncredibly lucky to have you both.

Greatings and many thanks to the people who supported me on Ko-Fi and/or commisionned me this year. It's been an honor and a true pleasure. <3

Hugs, love, and big thanks to my dear friends and fellows artists/writers: @daneecastle (your kindness and your advice still help me everyday, dear), @gribouli (tellement heureuse d'avoir pu te rencontrer, merciiiii pour tout!), @nosferatini (Thank Mama Nos for everything, can't wait for 2025 ;-D), @sweetmascherari (the "BIG" project was so much funnier by your side!<3), @eybefioro (my dear I'm so happy to finally be able to work with you!)... and I probably forgot people and I hate it but be sure I'm so so grateful T.T

Thanks even more to all my lovely friends from the TNAN discord - and specifically to @itsscottiesstark, my dear friend and co-moderator. I love what we have created there and even if this BIG BABY of a network is sometime a little bit overwhelming now, it's always a pleasure to co-event with you and having fun during your Story-Times.

And, last but not least, thanks to my dear internet Spouse, @captainblou. Writing and arting by your side has been one of the most wonderful things I was able to do this year. Thank you for that, and for everything else, each day, every day.

Happy NYE everyone! See you in 2025!

Tag-list (ask in comment to be add if you want to be notified next time I publish my Good Omens arts and WIPs! A lot of secret work is almost done and is coming!!!)

@goodomensafterdark ;

@floscrap-blog ; @demonsandpieohmy ; @amagnificentobsession ; @captainblou ; @mamamissy

@ineffable-hyperfixation ; @itsscottiesstark ; @moralsofanalleycatsposts ; @featheredboaconstrictor ; @lenareadly

@fearandhatred ; @eybefioro ; @crowleys-bentley-and-plants ; @ashfae ; @crowleys-hips;

@paperclipninja ; @silverdphantom ; @neverlet ; @naturallyteal ; @goodoldfashionedlovergirls-blog ;

@madaims; @daisydimple20092 ; @seraphhiim ; @rebeccakatmauri ; @cobragardens

[voidsquidd]

Octavia's character is actually so well written like

The first time we see her is her having a nightmare about not being able to find her dad in the palace no matter where she looked. Her fear is already clearly shown in her first appearance, and from then on every time we see her is her having that fear re-instilled

In loo loo land, Stolas is unable to understand how she is feeling, that she doesn't want to go to the circus with him (this is a trait Stolas has throughout the series where he cannot tell what other ppl feel, and viv has made posts hinting at this being an intentional character flaw). So not only is he dragging her somewhere she doesn't want to be but then makes it worse by inviting blitzø becuz he wants to spend time with him. We know Stolas could defend himself, it's clear he wants him there not as a body guard but becuz he genuinely wants him to be, ignoring how via may feel, ignoring why he was doing this to begin with. He just invited the guy he cheated on vias mother with to spend time with them while they went somewhere to try cheer her up, and via puts up with it the whole time.

And remember, she was awake when Stella was screaming abour Stolas cheating, she knows what's going on already. They didn't do anything to try and hide what happened from their daughter.

It's also implied that Stella has always yelled and been like this, since we see a picture of younger her in s2ep1. This is important to show how via has always been living in a dysfunctional household. Her mother reacts to issues by yelling and throwing things, potentially physical violence too, and Stolas has needed anti depressants since before he met blitzø again. While Via doesn't know about that, his depression is going to have affected the way he raised Via.

Both her parents are unable to cope with emotions in a healthy way and that will have caused her to struggle as well.

When she finally has enough during the ep and runs off, Stolas goes after her and talks to her but isn't able to tell her the real circumstances for the marriage, she doesn't know why her parents act the way they do, or why they don't love each other. she doesn't know why Stolas cheated with some other guy or why he invited him just to flirt with the whole time. She's scared her nightmare will come true, she always has been due to her unstable environment and now there is someone Stolas could leave with. That is terrifying for her, that is where she starts to hate blitzø.

And all Stolas can do is promise he won't, but he repeatedly fails to change his behaviour. It's shown in all episodes we see via play a large part in: Stolas does something wrong without thinking about via, ignoring her feelings, forgetting important dates, he apologizes but then goes on to do the same again and again.

That is not enough, that makes via lose trust in him, makes her wait for the next time he fucks up, for the next apology, for the cycle to continue. It is meaningless if he doesn't change.

But that's all Via has, Stella is shown to be mostly absent, not wanting anything to do with Via. If her dad leaves then she will have no one and she constantly feels like he could leave at any moment.

In loo loo land, he paid more attention to blitzø than her.

In seeing stars, when she saw him again after running away becuz of the divorce she was also now having to cope with (which she could easily blame on the cheating and blitzø), blitzø is there, and had been with Stolas the whole day

In sinsmas, blitzø is there when she went to find her dad, blitzø who was the reason this was happening to begin with in her mind, was the one Stolas was now spending all his time with

And let's talk about the divorce a bit more.

For 17 yrs she has had both parents present, even as toxic to each other as they are, Via had always lived with both of them. And now she won't. Now she has to get used to both of her parents separating, living away from each other, all the moving their stuff out, the arguments, procedures and the legal side.

Suddenly everything has changed, her fears are getting worse, nothing is stable in her life anymore. And at 17 too.

When a divorce happens when the child is young, they get used to it, their memories of it get vague over time, even if having seperate parents will always have its own issues, they get used to it and adapt better since young children are overall better at adapting to changes like this, they haven't developed their emotions properly yet and are unable to understand what's happening.

But she is 17, she has always had 2 parents, she isn't used to it, and by that age she is old enough to understand, to feel those emotions. She is dealing with a lot and her fathers continuous issues are getting to her.

And then mastermind happens

Stolas thinks he is going to die when he goes to save blitzø, when he claims to have committed crimes he never did.

Via watches him do this, she probably saw how they were about to sentence blitzø to death, and now her dad is taking the blame, believing he would die; she believes the same.

Her father, after promising he would never leave, after repeatedly messing up and leaving Via last, after prioritizing blitzø and getting carried away with him and focusing on him so much, after being unable to do anything but apologize only to do the same again until those apologies mean nothing.

He is going to permanently end his life, leave his daughter behind forever, for the guy Via was always scared of losing him to.

Her nightmare that she has always has is coming true.

Her dad is leaving her for someone else, we dont even see him think or speak about her while he is doing it, she doesn't cross his mind.

Her not being able to find him was her fear all throughout her life and she had told him multiple times, ask if he would, and he was still going to die for someone else.

And then he doesn't even remember to call her till the next day, and they can't even speak becuz Stella doesn't allow via contact with him.

She has to deal with not having her dad there, for a month. She is with Stella and Andy and unable to speak to her dad all month. He tries to call her but she can't answer and she feels more abandoned than ever. Her mother still seems uninterested in her. The only one who cared even a little bit about her is gone and she's all alone having to cope with how she feels, how much has happened.

She was right, after everything, after all her fears, after constantly feeling like he was close to leaving, the insecurity she dealt with her whole life became true and she was proven right. All her fathers promises mean nothing, they were empty and his actions never reflected what he said he would do.

She clearly misses him, but she expected this, she was just waiting for it to happen.

Then she finds the pills, realises how unhappy he was in the relationship and she goes to find him.

And when she confronts him, this is what she says.

"You lied to me, you said you would never leave me, you promised . . . It was your choice. You chose him . . . You don't love mother, you don't love me, you love him . . . So does that mean you just stayed miserable because of me? Was I some fucking obligation? Is that why you didn't even hesitate when you got a chance to leave?"

When Stolas asks to explain she just says she can't. This isn't her genuinely blaming him, she isn't mad at him really. She just can't handle that conversation. So much has been changing, her life's been more unstable than ever, she never had ppl in her life who could manage their own emotions and she is a teenager and struggling to manage her growing emotions already, and that lack of guidance only makes her ability to worse. She was never taught how, she cannot deal with how she is feeling and simply cannot stand to hear the explanation. Seeing Stolas is hard for her.

And what I think makes this scene even sadder is what Stolas says in s2ep1 to Stella:

"You and I were arranged for one reason, to birth a precautionary heir to the Goetia family . . . The only reason I have endured your constant insults and cruelty was for that girl to have a normal life . . . And the only thing the Goetia family wanted out of our marriage is already 17, so it's over, I'm done."

Via wasn't even wrong. Stolas said exactly what she is accusing him of, even if he didn't mean it like that, even if she didn't hear. Even if it was for him to explain to Stella why he was finally thru with it, why nothing she did could change his mind. He still said those things, he still left once he had a chance, he still chose blitzø.

He didn't leave Via once he got the chance, he left Stella, but in the end his actions still had an affect on Via, one that he once again failed to realise.

And Via doesn't have the full story either.

All she knows is her parents never loved each other and it always seemed like her dad would leave and she was always scared of that happening. Then suddenly he cheats and starts spending more time with the guy until he eventually almost dies for him without even thinking about her. And she finds out he needed pills, that he was miserable. And she's just so upset over it, so scared over the fact he almost did die, the fact everything she thought would happened did happen. She almost lost her dad and he didn't even say anything to her before going to get himself killed. He admits to being sad in the marriage, to Via being the only good thing, but Via's grown up in such a toxic environment, she misinterprets what he said, she feels like it's her fault he felt this way, and she doesn't even wait for any more apologies.

She's heard his all her life and they never meant anything, they were never a sign he would change, so why should she listen to another one while knowing it was just another lie?

She can't listen to that again.

[gildedphoenix]

During the great depression, somebody made a wish. Fueled by desperation, powered by the pure dumb luck of being in the right place at the right time to be heard by an ancient Djinn (it was totally Desire) with a sense of humor. 

After the wish, everyone had a red string hanging off their left pinky. It dangled down a few inches and then just faded into non-existence. Nobody knew what it was for a few years but then stories started coming out. People finding their perfect match after feeling a tug at their string and following it. The string would twist and twine and lengthen as you got closer to your fated mate, your strings eventually connecting together. 

Most people’s strings just hung limp. Maybe listing in one direction or another. But 8 Billion people in the world and only one is your soul mate? Most people didn’t meet theirs. It was true that your soulmate was always within 10 years of age as you. But 10 years older to 10 years younger still gave you a 20 year range to work with. Everyone’s string appeared by the time they were 10. Some babies were born with their string already spun, a small red thread fading off into a wisp after a scant inch. 

Nowadays, it was common to go on a “string chase” vacation after graduating high school. Some people were close enough to their soulmates that they could just follow the leadings of their string, which would become longer and more opaque the closer you got to your mate. If your string gave you no leads, there were all kinds of "methods" to help pick which direction you should go.

Tucker and Sam were determined to go on string chase journeys post graduation. Tucker because he loved the excitement of an adventure, Sam to find someone who would truly understand her.

Danny was not so hopeful. At one point they'd all agreed to go together, but Sam felt like she was being led to the west coast while Tucker was just going to start in Metropolis, the nearest big city and go from there, hopping the next train out of town after a few days if he still had a slack string.

After a lengthy discussion of pros and cons, they decided that Tucker was more likely to get himself into trouble than Sam, so Danny found himself packing light and on a Greyhound to Metropolis. It was a shitty trip. Objectively the worst way to travel. Walking, or even hitch hiking would have been more pleasant. The bus was late. They had no way of making their connection in Chicago, and the vent fan in the bathroom was broken, making the bus reek of sewage.

Danny has shit luck and just doesn't believe he'll ever find his soulmate. The universe just doesn't like him that much.

Jason has, somehow, always had a leading direction on his string. When he was younger, there was nothing he could do about it. And now he had baggage and didn't want to pursue romance or relationship. (Even though he's a total sap for soulmate meet stories)

While in Gotham, both their strings keep tugging and lengthening and then falling slack again.

----

I know this isn't much but I promised myself I would post whatever I had and it's almost 1 am. So there. There's that fucking thing. I'll try to flesh it out more tomorrow, Enjoy red ♥️🧵♥️

[a-land-lacking-sleep]

A brief thought on the parallels of the Subway Bosses, The Tao Trio, and Warden Ingo's place

@waywardstation just made an amazing post on her thoughts of Warden Ingo's parallels to Kyurem. Nothing in the game directly connects the two, just like nothing in the game connects the Subway Bosses to the Dragons in Generation V. But the connections are still there regardless, because Game Freak made sure to fill Unova with so much symbolism.

These are the basic thoughts that connect each Man to their Dragon.

Subway Boss Ingo - Ideals; Aspire to greatness, never give up in your journey

Subway Boss Emmet - Truth; You are who you are, there is no need for a mask

Warden Ingo - Void; What is there when you lose who you are? No drive for greatness, nothing to mask. Ideals, Truths, nothing matters except the ground beneath your feet.

In each game that they appear, Ingo and Emmet are relatively flat characters. In Gen 5, they have enough personality to stick in your mind, and nothing past. And in PLA, Ingo's whole personality is "I lost my memory and am depressed, but have hope". Instead, we end up looking at word choice, and in the Subway Bosses cases, other media.

Subway Boss Ingo, across most media, embodies Ideals. He has his eyes to the future, always pushing himself and others to continue onwards. He frames battling and training as a journey ("What can I see after winning, winning, and winning? Where is my destination?"; "Your talent has brought you to the destination called Victory!"; "There is no terminal called End in your life!"), most often when he is victorious. He seeks to create his Ideal self, and wants to push others to do the same.

This comes up in Pokemon Masters EX as well, where the "no terminal" line returns (in an appropriately spooky tone), he also spends time in the Day With Ingo story event talking about how he seeks to better himself and "break through the mold of [his] past self". This event is also the first time he mentions the phrase "greater heights", which appears another 6 times in various snippets in Masters. And finally, we have a triple whammy of travel metaphors for growth in his level up lines.

For Subway Boss Emmet, his connection to Truth is admittedly a bit more tenuous. He doesn't have any tendency for truth-seeking or investigations (outside of the famous behavior in the manga where he likes to eavesdrop on drama, which gossip isn't exactly truthful), but what he has is a strong showing of being truthful, even if he ends up being blunt or disrespectful.

As a consequence of his writing in Japanese giving him a very casual way of speaking, the English translation has him speak in shorter clips, just the bare essentials. The naked truths of his thoughts. He doesn't seek the Truth, or give a Universal Truth; Emmet is True to himself and to those around him. (As a side note, I love when people give power to other usages of the word True through Reshiram. I did it in my fic with a turn of phrase, but I've seen it done beautifully in other works too).

In Pokemon Special, Emmet doesn't hide the truth of why they asked White to train on the Battle Subway ("We're studying you as an example of a Trainer who gets overwhelmed and loses every battle!" "That's not nice, Emmet."), not because he is intending to be rude (Ok, a little bit), but because that *is* what they are using her for. In the games, he speaks of how Pokemon battles can be decided on luck ("I won against you. But I think I just got lucky."), because the Truth of the matter is, you can be highly trained and just have a bad day or get hit by a critical hit. But, most importantly, he believes that battles must be serious for them to be fun. Because what fun is there in putting up a fake fight, when you could just be True to yourself?

Now, to speak on the connection of Warden Ingo to Kyurem, we must first understand what Kyurem is to Zekrom and Reshiram. On a surface level, it is a Husk, a leftover revenant that can be reassembled into a simulacrum of the Original being. But looking into the actual symbolism of them all is where you find threads of connection to the Warden.

Reshiram, the Dragon of Yin, is representative of a more static element, receptive of change but passive in how it does so. It is a recursive existence that reaches out and pulls back towards itself - Everyone has an individual Truth, but that is still able to be changed by The Truth. However, one does not go out and change The Truth, only altering the perception of it while it passively exists. You cannot change what is already there, only create something new. In comparison, Emmet is never really shown to focus on the future, but rather on the present. He knows of the Truth in his life, and while it can be changed by present actions, he knows that he cannot go back to change it, so there is no need to try, or to hide it.

Zekrom, the Dragon of Yang, is active, ever expanding, and pushes up against those around it in it's search for Ideals. Ideals cause you to seek out a goal, to leave your home, your comfort zone, and push away from the past. To represent Ideals is to be in constant flux; Settling into a form makes you into a Truth, as an Ideal is a goal, something attainable, yet unreachable. We've gone over Ingo's future-forward gaze, constantly thinking about what is to come. Life is a journey, and every step you take in life is a step to self-improvement.

Kyurem is a Husk, a Shell. According to Bulbapedia, it is representative of Wuji ("Without a roof"), the absense of Yin and Yang, or "The Ultimate Nothingness". For this reason, I personally also attribute to it Mu, a concept of non-existence and negative space, specifically the lack of something normally there (modern Japanese actually uses "mu-" as a prefix the same way English has the suffix "-less"). Interestingly, the Japanese transliteration of Wuji is "Mukyoku" (lit. Non-polar, another translation of Wuji), connecting the two concepts neatly. In short, Kyurem represents Nothing and Everything.

Kyurem was supposedly the Original Dragon, the deity of Unova that represented Truths and Ideals in unison, a embodiment of Yin and Yang's harmony. In a sense, the Original Dragon was an embodiment of Everything, Unova's spirit of unity. Then, with the war between the Twin Princes (another pair also frequently compared to Ingo and Emmet, in case you think I forgot my boys), it was split into 2, but secretly 3, parts. This third secret part became Kyurem, a being lacking in its original qualities, leaving Nothing but the Husk.

Now, finally, we can get to everyone's favorite uncle, Warden Ingo. His connection to Kyurem is probably the least intentional of them all (which is saying something, because I'm honestly convinced that the Subway Bosses' own connections aren't intentional, but rather just a result of how Unova games were written with Truth vs. Ideal being ingrained heavily), but there still is one. As Wayward says in her fateful post, "Warden Ingo is an empty husk of who he once was ever since he was separated from his life, and from Emmet." Ingo as the Subway Boss may not have embodies the Everything that the Original Dragon has, but pairing with Emmet so closely still meant that Truth and Ideals mixed so cleanly that it might as well have been Everything.

However, the most important connection for Warden Ingo are the concepts of Wuji and Mu. To be "the Ultimate Nothingness" or "Non-Polar" means to be devoid of Everything, yet still have the capability to be far more than Nothing. The singular concept of Mu may mean that Warden Ingo is missing who he is and was, but that is not who we grow know in the game; We connect with a man who is slowly piecing together his sense of self, remembering facets of his past and growing happier with who he can be. Thus, the Mu transitions into Wuji, a void that isn't Empty so much as lacking.

The importance of distinction is that Mu is by nature Empty, while Wuji is Empty and Everything, limitless and confined. Similarly, Ingo is devoid of what made him him (His drive for self-improvement is impaired, even while he pushes the player to climb to greater heights), but becomes something new in the meta-narrative of the story. His actual, plot-related story ends when you quell Electrode and he becomes a challengeable NPC at the Training Grounds, but he becomes something of a kindred spirit in the greater plot of the game. He's like you, a Faller who has lost themselves, and also like you, an avid battler who pushes the system to it's limits (especially in the Path of Solitude).

In short, the connection between Kyurem and Warden Ingo isn't anything in the text, as Kyurem has no explicit in-game theming attached to it like Zekrom and Reshiram, and Warden Ingo doesn't have strong philosophical points that seeps out of the words he says to you. But when you look at the meta-theming for Kyurem, and subsequently Warden Ingo's meta-narrative, the connections become clearer.

Does some of this make no sense? Of course! A lot of this is extrapolating what was said in Wayward's post, and what came from my head as I thought of it. A lot of the connections of the twins to the Dragons has been discussed since 2010, but for all intents and purposes, Warden Ingo is a different character from Subway Boss Ingo. Narratively, he is the same person, hence why his appearance is a tragedy in Legends Arceus, one which we never get to solve. But on a meta level, he functions so differently, and lives so differently, that the themes he inhabits do not match up to the Subway Boss in any way. To end this on a sad note, Warden Ingo is exactly like Kyurem - Broken. He has lost what made him whole, and we've been shown that just reinserting Ideals isn't enough. Hopefully, if Game Freak decides to touch upon the Warden once more, we can find a way to reinsert his Truths as well.

[mullermilkshake]

Heeey, I few days ago i found your blog and I'm absolutely obsessed with your Yakuza!AU, and I was wondering if we can get more of Yakuza Suguru <3

Love your posts btw💞

Thanks so much!!! That's so kind of you to say, I'm literally so obsessed with the AU and there will be TONS of content to come over the next year.

I love Yakuza!Suguru so much it hurts XD

Enjoy some fluffy stuff <3

A gold band

Yakuza!Suguru x Wife!reader Tags: Yakuza AU, Wife reader, Fem reader, twin children, daughters, fluff, guilt, established relationship.

<- Back to arc masterlist

Suguru fiddled with the gold wedding band on his ring finger as the car pulled up to the house outside of Shinkuju. He was running far more than late than he anticipated, by now he was sure the girls were tucked into bed and you were waiting up for him fuming for missing dinner.

How on earth was he going to make up for this?

"Anything else you need before I go, sir?"

"No, that'll be all for tonight Miguel. Be sure to pick me up in the morning to visit the Nanami office though, you know how he likes punctuality."

Suguru opened the car door by himself and slipped out, eyeing the dingy night sky behind a torrent of dark stormed clouds just waiting to unleash its pressure over Tokyo.

Miguel leaned over and wound the window down. "Of course, should I bring breakfast?"

"No, I think I'll have breakfast with my girls in the morning, so just get what you want and head over after. Thanks for everything tonight."

"Sure thing, goodnight."

As the car drove away, Suguru drew in an anxious breath and adjusted the cuffs of his suit. By the time on his watch he had neglected to read on purpose as it would only make things worse, the time read way past the appropriate time to eat.

The depressive point being that by now, Suguru wasn't even hungry any more.

She's going to kill me for this, isn't she? Maybe. But that wouldn't be all that bad, because then he wouldn't have to deal with all this drama currently within the Ryomen clan to his name.

It couldn't be so bad to have his neck squeezed he supposed.

When he approached the front door, it was already unlocked. That wasn't ever a good sign. The lights were off besides the low table lamp in the living area, amber in the corner with warmth, and there you were sitting on the sofa with Mimiko and Nanako resting their sleeping heads on your lap.

"They wanted to wait for you to get back. Nanako threw an absolute fit because you weren't there to read them a story, so I compromised that they could wait."

"I'm sorry, dear. I never intended to be this late."

He knelt down in front of you and took your hand, feeling the same gold band on the same finger. Your body warmed it through, practically burning away at his guilt for leaving you sitting there in an empty room for dinner.

"It's alright, Miguel is quite the charmer when he wants to be," your smile was devious, more likely enough to show that Suguru wasn't in the dog house.

Thank goodness.

"I bet he can, I told him as much to tell you in person that I would be late. I'm counting on that he got his fill of dinner while he was here?"

You nodded slowly, watching the girls sleep. "He spent a little time with he girls before he was called away to the club."

The club was something he didn't need reminding of. The break in, the calculated theft and all round fuckery with Ryomen Sukuna's expectations.

Not tonight.

"So he was fooling around when he should have been working? I'll have him reprimanded immediately."

You stifled your laughter at his sarcasm, pressing your finger to his lips. "Leave the poor man alone."

The fact was Miguel loved the girls. Mimiko and Nanako adored him just as much and by this point in Suguru's life, Miguel was far more than just a fellow Yakuza.

He was true family.

"Daddy?" Nanako rubbed her little eyes and yawed, shifting her head from your lap to sit up and dangle her legs over the edge of the sofa.

"Hello Princess," He opened out his arms and pulled her into an embrace as she leant forward into him. "I heard you gave Mama a hard time when you had to sleep."

Her sleepy little head drooped suddenly as she fought to stay awake. "You were far away... and you promised to read us our book."

"I did, didn't I? I'm sorry I couldn't be there."

"So I ate your cake."

"My cake?"

Scooping Mimiko up who was long since passed out in her heavy dreamed sleep, you watched Suguru stand with such a nurturing smile. "I made cheesecake. The girls demolished it and almost nipped Miguels fingers off. He was lucky to even get a slice."

"I missed cheesecake?"

He missed your matcha cheesecake for that travesty at the club? Your special cheesecake that was his absolute favourite?

Nanako stretched sleepily and clung to his neck. "Uh huh..."

Maybe it was time for Suguru to leave his Yakuza life behind and just beg you to open up a sweet shop so he could taste your baking every day. It was a hell of a lot safer. Though one shop wouldn't pay for this house or the best of everything for his girls.

A pipe dream was better than nothing.

Suguru led the way to the stairs and took each step with you following close behind him. "How about this then? I'll make sure I'm home really early tomorrow and we'll go to the children's park."

"I love the park..." Mimiko's eyes rolled open, she clutched her little doll and snuggled into the crook of your neck.

"I know you do sweetheart, if you two sleep well then maybe you can do that with Daddy tomorrow. But only if you both go back to sleep and be good," you nuzzled back into her and brought your lips to her hair for sweet consecutive pecks.

"We are good... Mama," Nanako's words began to slur.

And by the time you and Suguru reached the girls bedroom, they were out in dreamland once more. They clung to their blankets and toys sprawled across their covers and balled up close with delicate snores and breaths.

Suguru could have watched them all night snoozing away innocently, totally unaware of the horrors and disgusting shit out in the Shinjuku district.

All the unspeakable things their own Father had done.

"Don't do that."

"Hmm?" Suguru turned to see you leaving the bedroom.

"That thing you do when you feel guilty about what you do for a living. Whenever the time comes and they find out, they'll still love you. Just like I do."

"I know you do, just like you always have. I just can't help but wonder what we'll be like in fifteen years."

Will the Yakuza still be the height it had been for the last decade, or would it shift completely? Suguru had two twin girls to think about.

That wasn't to say he didn't enjoy his lifestyle. He did. He grew up alongside his sworn brother and became a man in a way that was respectful. He evolved with you right there next to him.

Still, this wasn't the life he wanted for his girls.

And it was obvious to him that you knew that too. "We'll still be a family, Suguru. That's all that matters, right?"

He only nodded and closed the gap between you to hold you close to him. "I'm sorry I was late, Dear. You and the girls are what matter most to me."

"I know, and there's still some of the night left," you pulled away just a fraction to look up at him. "I managed to sneak a slice of cheesecake away from the girls when they weren't looking."

"You know the way to my heart, don't you?"

"That's one way to your heart for sure. I just so happen to know to you like the back of my hand."

Suguru leant in and pressed his lips to yours, so short and sweet it would have melted the very foundations of the house. "I can't deny that. You're best at reading me like a book when no one else can."

"Besides Satoru I suppose."

You often joked that Satoru was a third member in this marriage. Just the thought made Suguru hide his chuckle into your shoulder as he leant down.

"Yeah, Besides Satoru."

On a night like this, Suguru knew that whatever happened, things would be alright.

Because he had his family.

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[sicklyseraphnsuch]

Simon is sad.

Ice King is a joke.

Winter King is a threat.

So, I kinda love how much further we explore into the differences between Simon and Ice King and all the parts in between.

With the Crown, Simon's personality gets injected with boundless, reckless, thoughtless confidence - which appears to have its roots in Evergreen or specifically, Gunter's perception of Evergreen.

However, Simon also infused the Crown's influence with his weird quirks, his desperation for love, and his immeasurable grief.

In a different post, I wrote that the root of the Crown's curse latched onto Simon's love, which in its own way is his grief as well. These powerful emotions were decentralized so that even if Ice King couldn't quite understand the source of them, he felt them hard. And moreover, these emotions clouded his capacity to function.

So aaaaaall that infinite confidence tempered and sabotaged by Simon's sorrow, making Ice King into a joke. Oh, sure he's manipulative liar like the way he lied to Finn when he was trapped in the spirit world. But he's quite incompetent.

His intentions aren't any less selfish or destructive but he's just So Bad at the follow through. Absolutely dysfunctional. That makes him easier to laugh at even when he's doing stuff like slapping tape on PB's mouth as she's sleeping because he "breaks up with her" in the next minute.

Winter King wouldn't need tape. That's the difference. Winter King is frightening because he can in fact follow through on all of his selfish and destructive impulses. When he lies, he can get away with it because he's a *good liar*. He's charming without being sad. He's confident without being annoying.

Winter King has Evergreen's strengths and Simon's charisma and wields it with deadly intent because he also lacks Simon's conscience and Simon's fixation on love and connection - true love and connection that isn't something he made in a lab. The fact that Winter King can be satisfied with hollow dolls that resemble his loved ones is TELLING.

Winter King and Ice King are fundamentally separated by their levels of lucidity and competence. And that's pretty much it. Even Winter King's memories remain frosted over and nothing like the original Simon Petrikov's

Which leads me to the original Simon Petrikov. I truly enjoyed the way Simon is differentiated from Ice King and Winter King simply by showing his compassion - which both lacked. Simon immediately plead for Bubblegum's life whereas Winter King was like Nope.

That was so good. Just emphasizing how the Simon and Ice King aren't a 1 to 1 reflection or transformation. Or in other words, that Ice King is not entirely Simon and Simon isn't entirely Ice King.

Also the subtext of Simon secretly resenting Winter King, being unsure if he wanted to be just like this weirdo who just goes around calling himself radical. This chuunibyou motherfucker. He really wants to be that? Really?

But again! Simon's vindication at learning that the Crown can't be fought! Because also fighting is such hardwork and he spent a thousand or so years trying to do it, failing to do it. The way he almost whined at the Winter King, "but it's just so hard to fight the Crown", and he's just so tired. He's just too sad.

In the same way that Fionna wanted an easy, fun, no consequences adventure - Simon wants an easy, quiet, no consequences solution to all his depression. Simon doesn't want to be happy because happiness takes hardwork. All the shit that the Winter (Willpower) King was shilling? That's a lot of elbow grease.

Simon just wants to opt out of existence. Let the Crown take the wheel. He's done driving.

But therein lies... his curse. Winter King is euphoric because it came at the cost of the compassion that defines Simon Petrikov. Love and compassion is at the root of Simon's sorrow, but it's also the thing that keeps him here. Because Simon simply can't *not* help someone - even Fionna who has been a straight up dick to him this whole time.

Simon thinks that there's a "right way" to be cursed because he's holding onto the belief that he could stop existing and not hurt or harm anyone by choosing to do so. And this will keep him on the search. This will keep him as himself for another sad and hurting day, until he can find a way to run - flee without hurting anyone.

Spoiler: It's impossible.