But also... Andreil on the great British bake off (they have celebrity seasons)
Look, I'm gonna be honest.
It's a disaster in two parts.
Neil is there EXPLICITLY because Stuart found out that he had been asked to go do it because he is technically British. Stuart has asked him to be the bane of Paul Hollywood's existence and is willing to do quite a bit to make the man's life hell.
"He knows what he did." is all Stuart will say on the matter.
Neil agrees to come be a Baker on the stipulation that Andrew also gets to come. Andrew has no interest in baking other than what it can produce for him to eat, he has no desire to do the laborious task of baking himself.
Stuart offers him an Aston.
Andrew agrees.
Neil is a nightmare in the tent. He hates desserts. He hates measuring. He has never done a single prep bake. He has no idea what the desserts are during the technical challenge. He just goes with his gut (his iron gut). He produces three straight desserts that Paul will not let Prue eat for fear that she will just straight up die if she eats it. He is a pile of misery upon consuming all three.
When Neil is kicked off in round one no one is surprised. Paul pats Neil on the back as he leaves the tent and Neil just leans in, "Stuart Hatford sends his regards." he says now that the mic has been removed. Paul Hollywood's tan fades but Neil doesn't look back.
Andrew is a nightmare for a completely different reason and that reason is that he very visibly and honestly does not give a single flying fuck about what he's doing but he's doing quite well. He is the most boring man on camera, zero quips, won't interact with Noel and whoever the fuck is the other presenter by this point, just him doing exactly what the recipe requires and then he always makes a point of grabbing whatever Paul and Prue have judged and taking it all back to his station so that he can eat it. He stares straight into the camera as he eats an entire three tier cake. He dedicates every week he is Star Baker to his inspiration: Kevin Day.
Andrew makes it all the way to the Finals with impressive bakes that he basically just decided on 100% by how much he thinks it would upset Kevin to watch him eat it knowing that he SHOULD be doing weight training for the olympics. ("Weight TRAINING not Weight GAINING Andrew! Do you have to hold up two fingers as you eat the entire thing? Can you at least PRETEND it's not to SPITE me?" Kevin wails as Andrew calls him for the post-credit scene where the star bakers call their families usually but Andrew just uses it so everyone can hear Kevin Day lose his mind on Public Access.)
Andrew gets to the finals and his show stopper....it's immaculate. It's gorgeous. It's a work of art. Paul Hollywood is looking at this feat of modern baking engineering in wonder.
He shakes Andrew's hand before he even tastes it and-
"Stuart Hatford sends his regards."
Paul Hollywood is now nervous to eat this cake. Does he look out at the gathered friends and family of the contestants and see Stuart Hatford? Does he remember what he did?
He eats the cake because show obligations and it tastes as good as it looks but he is oddly silent as Prue talks about it.
Andrew Wins and Paul Hollywood stays exactly one entire party's width away from Neil, Stuart, and Andrew during the entire victory picnic.
Andrew gives his post bake-off speech and flat out says it was kind of boring and he wants to go home to America. The next scene is him driving off with Neil in an Aston Martin.
Edit: Thanks @the-inner-musings-of-a-worm for the idea once again!
274 notes
·
View notes
Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.
Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?
And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.
What do you think about it?
no, no, see, you're so right and this drives me wild.
because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)
and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?
river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)
they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.
mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.
they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.
all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.
mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'
god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.
11 notes
·
View notes
Soulmates AU in which when your soulmate is in a situation that can result in their death you get to see through their eyes. Like, I don't know how to explain this- it kind of flashes between what you see and what your soulmate sees. You know those edits where there's a scene going on and there's another one faded in the background happening at the same time? Similar to that. The idea is that you get to see what your soulmate sees too, on top of what you're seeing.
Now, this AU but JeanMarco. With Marco asking the others where's Jean, just for him to start seeing a corpse right in front of his eyes not even a second after asking. Seeing through Jean's eyes as he's trying to get hold of that gear and stuff. And once Jean's safe, once it clicks that you know his best friend is his soulmate Marco can't wait for them to graduate so he can you know tell him that.
Then, you know. That happens. And Jean is so fucking confused because he keeps seeing Annie crying, looking down on him. Only when Annie starts getting off the gear, when his soulmate starts moving around trying to get away he starts panicking, starts moving around faster than before. And maybe he's too late. Or maybe he shows up in time and kills the titan. I don't know. That's not where I'm trying to get, but to the second option AKA Marco pulling an UNO reverse on Annie because he's a smart sneaky bastard like that and being like 'Hey you can't kill me, my soulmate will know it was you' which makes her stop trying to take off his gear. Reiner keeps telling her to do it, Bertholdt keeps yelling about that titan coming closer, but Annie... she has seen things, at some point. Flashes of moments that weren't hers, happening right in Trost- right in that moment. And she didn't give them too much thought until that moment, until it got confirmed that it has nothing to do with her titan powers.
'What do you mean by that?' she asks, because she needs to know more. Because she wants to know more. And Marco starts explaining how it works. Tells them that he has found his soulmate, that they will put all the blame on them for his death. Reiner doesn't believe him, keeps insisting that he's playing them around - he, and anyone born and raised on Marley, has never heard of something like that before, it doesn't exist - but Annie tells him to shut up and to let Marco go. Cue to the plot of any fic in which Marco doesn't straight up die after finding up their secret.
Anyway I don't know man, just,,, We need more soulmate aus for JeanMarco. That's an order.
7 notes
·
View notes