#star vs critical

[starlight-bread-blog]

When a there is an outside factor building up to romantic leads not ending up together, while also wrecking the pacing of the ship...

And the red herring's being toxic but the writers just hope you pick up on the vibe without holding anyone accountable...

Is when it's time to check your bias.

[lumastoybox]

Remember when people use to shit on Steven Universe and hype up SVTFOE. That sure was a time..

[almacambiondaughterofsaleos]

Toxic Ships That Poisoned A Show

Because people say it's a straight person thing, but nope as some shows it's an all sexualities thing.

[toaverse]

Couples I wish were written better.

[lilyorchardstuff]

You know, I noticed something...

Solid Lily always, and I mean ALWAYS, personally targets:

.Rebecca Sugar - A non-binary, bisexual Jewish woman.

.ND Stevenson - A non-binary, queer, trans man.

.Dana Terrace - A bisexual woman.

.David Gaider - A gay man.

And her favourite media punching bags are Steven Universe, She-Ra, Star Vs. The Forces Of Evil, The Owl House, Dragon Age, Baldur's Gate III (and now, Arcane); works that champion diversity and inclusion, that always put marginalized people (LGBTQ+ people, people of color, ect) at the forefront of their stories. Yet, for a self-proclaimed, progressive leftist who claims to care about representation and stand against bigotry, I NEVER see Lily go after regressive reactionaries like Trey P*rker, M*tt Stone, Fr*nk Miller, J*hn Byrne, Thom*s Mahler, Americ*n McGee, John Carm*ck, Ethan V*n Sciver, the dev team behind H*tred, the dev team behind Post*l and so forth.*

*(Just for the record, I'm not telling anyone to "cancel" these creators. You can still enjoy their work. Plus, "cancel culture" isn't real BTW)

I have a feeling that Lily is either a barely closeted, far-right bigot pretending to be a woke progressive because she sees it as "fashionable" or is suffering from severe internalized misogyny and queerphobia.

Or both.

[mamawasatesttube]

it always gets me when ppl try to paint timkon as nerd/jock. like i mean you could, but here's the thing. tim is the jock. kon is the nerd.

[alpaca-clouds]

A Rant about Engaging with Themes

When the actual trailer for Castlevania Nocturne S2 was released a few weeks back, a few people were surprised about Drolta being back. And those who have been in contact with me during the last year know, that I have been harping on about it: “Drolta is actually not dead. Drolta will come back in some way.”

And at least two people have asked me so far: “Why were you so sure?” And the answer is relatively simple: “Themes. And the whole thing about Chekov’s Gun.”

But you know, this is a topic that I saw in a lot of fandoms. Because in those fandoms people were surprised – and angry – about endings, while I saw those endings coming several seasons away. And I think it is worth talking about it. So, yes, this is going to be a little essay about engaging with themes in media.

The thing is, that I do not want to go harping on the “media literacy crisis”. Because I do not think the issue is that people cannot understand this ��� it is just that they often do not really engage with themes and the fact that creative people behind media are trying to say something with the media. Partly, maybe, because a lot of media does not get to. I mean, a lot of the Marvel movies recently do not have a whole lot to say. I doubt because the writers all had nothing to say, but because the brand does not want them to say anything about it.

But let’s get back to Drolta. Because here is the thing: Castlevania Nocturne does has something to say. I kinda hoped for it before we had more information on the show – but yes, Nocturne is very much about society, hierarchies and colonialism.

Here is the thing: I love the original four seasons Castlevania, but in terms of theming they are all over the place. There are absolutely some themes about forgiveness, about personhood, about questioning narratives, and about healing and coming to terms with abuse. But it is really all over the place and not quite as concise about that – not in the same way as Nocturne is. Nocturne is quite pointed about it.

Nocturne is about how colonialism and colonial exploitation, but also class exploitation are like vampirism. Colonialism is vampiric – not the vampires are.

And the big difference to the first four seasons of Castlevania are mainly not as succinct in terms of themes, because the different stories kinda have different themes. The different characters are connected to different themes. While in Nocturne all characters are connected to this main theme in one way or another.

It is of course most noticeable in terms of the characters directly affected by colonialism: Annette, Edouard, Olrox. It is also quite clear in regards of some of the bad guys. Erszebeth is a colonizer. So are the vampires actually killed in season 1.

But Drolta is interesting in this regard. Because inherent to her is a contradiction in terms of this theme. She aligns herself with Erszebeth – the colonizer – while her skin color aligns her with the colonized. In fact, the little we know about her does imply a lot in that regard. Because Drolta says herself she was a priestess of Sekmet. And Erszebeth has drunken from Sekmet, which in this regard can easily be read as a colonizer using the colonized religion against them.

However: This conflict inherent to Drolta’s character has not played out in one way or another. It is basically a sort of Chekov’s Gun – and it has not yet gone off. One way or another, Drolta needs to fall into the place in terms of how she relates to the main theme of the show, and because she did not really engage in that metaphorical dialogue, I was fairly certain that she was not dead.

Because here is the thing: Katie Silva is a darn good character designer, who is really good telling you a lot about the characters by the design. And she would not just make her Black just because it makes for an amazing design (though it does). And from the perspective of the writers there is just so much unused storytelling potential in Drolta.

I am not sure on what side Drolta is ultimately landing on. But I am fairly certain that before Drolta is killed for good, we will learn how she was involved in getting Erszebeth Sekmet’s blood, and how exactly Drolta herself relates to colonialism.

I am not saying it is impossible for her to be the sort of character who tries to align herself with the colonizer in the hope to get power for themselves. Because those people have existed in real history. However, she definitely needs to relate herself to the theme before she can be killed for good. Because otherwise her narrative potential has not been used – and I do trust the writers here enough to know they will at least try to use all the narrative potential. I am not sure whether or not Netflix will get in the way of that (for example by not ordering more seasons or similar bullshit), but I am fairly certain that at least the writers have a clear idea where they want Drolta to fall in terms of the theme.

So, this is the point where I pivot and talk about the two other fandoms, where this lack of engaging with the themes really annoyed the living heck out of me. One fandom I interacted with a lot at the time the show aired – while the other fandom I just watched from outside, but went later to confirm that the anger about the ending was really about a lack of the fandom at large not engaging with the themes. And fun fact: Both shows have a central theme about colonialism, just like Nocturne. Just coming at the theme from very different angles.

The shows are Steven Universe and Star vs the Forces of Evil. Steven Universe is the fandom I interacted with a good bit while the show was airing, while SvsFoE was a fandom where I mainly enjoyed the show and just saw the entire anger happen in the end with a lot of confusion.

But let me talk Steven Universe first.

Spoilers for both shows, obviously.

Because I was one of the first “Rose is Pink Diamond” Truthers in that fandom. Literally, the first time we heard about the Diamonds I instantly went: “Rose was a Diamond”. Before we even knew for sure there was a Pink Diamond. And when we saw the reliefs of the Diamonds – but not the one of Pink Diamond – it became even more clear to me.

And yet, big parts of the fandom at the time were calling the Truthers crazy.

Of course, it is now a few years since the show ended. And we all know that the Truthers were right about it.

However, I do remember during the last season. The further it went ahead without confirming that the theory was true, the more certain the Nay-Sayers became in their Nay-Saying, while I became even more certain about the theory being true.

Why was that?

Well, the Nay-Sayers obviously could not imagine how to pull off that twist in a satisfying way and resolve the plot within the fairly few episodes left. Meanwhile I saw the plot and realized, that the only way to resolve the plot while sticking to the themes of the show would be by having Rose – and hence Steven – be Pink Diamond.

To this day, a certain part of that fandom is still very angry about the Diamonds being redeemed. And to that part of the fandom I can only say: “Have you watched the show?” Because the show was very unsubtle about the fact that its main theme was forgiveness and redemption. It was about giving people second chances and talking about issues, rather than using violence. That was always the mission statement. It was about empathy.

And this was why I was so certain that Rose and Steven had to be Pink Diamond. Because I knew from the very beginning that they would not kill the Diamonds. But I also knew that the chance of them resolving that plot within the themes in a satisfying way would not be possible, if Steven was not to gain a certain privilege – like being a Diamond – to put him into a situation where the Diamonds would even so much as listen to him. Hence: Rose had to be Pink Diamond. Because otherwise the plot could not be ended in a way that fit with the themes.

(And yes, I was so fucking smug about it when the episode aired, that confirmed it.)

So, now let me talk about the fandom with the ending that is even more controversial than the ending of Steven Universe: Star vs the Forces of Evil.

Or how I call it: “Yeah, no shit are they gonna destroy magic. Magic in this was a metaphor for systemic privilege and the point of the show was that you can not brute force civil rights without giving up your own god damn privilege! Holy hell, this show was not even subtle about it!” (Yes, I do have some anger about this. Because… I have seen and read too many bad takes about the ending.)

Now, mind you. One thing you need to know about me: One of the historic topics I am kinda hyperfixating on is colonialism. So, when I loved the first season of this show and came to my friend group saying: “I think this is about colonialism.” They went: “With you everything is about colonialism.”

But then season 2 came and made it quite obvious. Indeed, this show is about colonialism and racism, and about how colonialism gives the colonial people privilege.

Now, let me at this point say it clearly: It is absolutely fine to have mixed feelings on how this was executed. Specifically with the show making indigenous people “monsters”. Good monsters, yes, but monsters never the less. I get what the makers were getting at – saying something about how a big part of colonialism was also the dehumanization of people – but I absolutely can agree that it could have probably been handled a bit better.

And yes, I also think that the last season – like so many last seasons in this modern day and age – was very rushed at parts, making some plot points not hit as well was they might have gotten to hit with a different pacing.

However, I did appreciate a lot of the things this show had to say about colonialism. Both with relating colonialism to the entire sexuality/gender thing, and also with being very clear on one thing: Just because you change the laws, does make discrimination go away. That is something I so rarely see being brought up in media – let alone media made by white people. But this show was spot on. We see in the later part of this show a lot of Star and Eclipsa try to brute force discrimination and racism to go away. And it just does not work. Because no law can make the perception of people that they are better than the “monsters” go away. All it does is create unrest among the people, as they do not understand the law changes, despise the new rulers for the privilege they hold over them. “Those up there, they don’t get it,” they say. And of course, yeah, people are pissed if you throw them out of their homes, even if it absolutely is the right thing to do, because they literally stole that home from someone else. But that does not change the fact that now they are homeless. And rather than make the racism go away, it just digs deeper trenches and it is a fucking complicated situation. And I loved that the show decided to actually go to that place.

And this is where magic comes in.

Because here is the thing: This show telegraphed early on that in fact magic is not a good thing. Magic in general was here a shorthand for power that could easily corrupt – and very specifically for a certain type of privilege. And yes, I read a few blogs and saw two or three videos about people also complaining of how stupid the way was, that magic got actually explained in this. Because it felt random.

But that is the thing: That was the point. It is random. Power is random. Privilege is very random. Like, sure, I can tell you from an anthropological and historical perspective, why the people that hold privilege in modern society hold privilege. But in the end it boils down to: it is completely random. History could have gone different in so many places and things would have gone different. There is no actual logical reason for most of it. And especially racism is just a completely stupid ideology, because it assigns value to people based on completely superficial points.

And that is why magic in this show had this very silly, random origin story.

And it is also why in the end magic had to be destroyed. Because magic is the power. Magic is the privilege. And you cannot use privilege to destroy the same privilege top-down. Because for that you have to use it – and the only way you can get rid of it is give it up.

Yes, mind you, you do not have to agree with this thesis. Among the “XY studies” this topic about destroying privilege top-down or bottom-up is something that gets discussed a lot. And not everyone is on the same page. But the thesis this show has is a valid one to have – and the ending all in all was about giving up privilege.

And that, in short, is, why I am very frustrated with people hating on the ending. I am sorry, people found it not narratively fulfilling. But I can tell you: Thematically it was spot-on.

And look, I know at times I sound like a broken record: “Engage with the themes. Please engage with the themes.” Those of you, who read any of my blogs about the punkpunk genre, have read me complain about this a thousand times over. But it is really something that to me is very important, even if it makes me sound like some English literature class teacher. Still, themes are important. Or they should be.

No, not every story out there has a heavy focus on themes. I mean, as I said at the start of this rather long blog post: The original Castlevania show had themes, yes, but it was not fully constructed around them. And again, most of the movies in the MCU for example do not have a lot going on in terms of themes. Some try to have. The Guardians movies and the Black Panther movies somewhat have. So had Eternals. But a lot of the other stuff did not have a lot of thematic layering going on. And that is fine. At times a blue curtain indeed is just a blue curtain because the author liked the color blue, or in case of a movie, because the set decorators had still some blue fabric lying around. That is fine.

But there is quite a lot of media, that does have themes and is trying to say something. No, not all of it is successful in saying the thing it is trying to say, but a lot of stuff is at least trying to say something.

If you have been following this blog at least a few weeks you will know, that I am currently very in love with what James Gunn is doing with the DCU. But times I am wondering: “Is he maybe to heavy handed about the message?” But then I am looking over to how some people misinterpreted The Boys on Amazon Prime – a show that was really not subtle about those themes – and I am thinking to myself: “Yeah, actually, they should probably make more episodes about how fun it is to kill Nazis. Just to make sure everyone has gotten at least that message. You know. The one of us not liking Nazis.”

[mini-minish]

quit ur politics job join our garage band!!!!!!!!!

(note: essek is canonly gay + demi, the jacket with the bi pin belongs to caleb)

[jedi-enthusiasm-blog]

No small part of Legends seems determined to make the Jedi look bad and the Sith look good. Considering the Sith are inspired by nazis and fascists, it's both funny and deeply concerning.

But I digress.

One of these attempts is the character Darth Vectivus, a human male Dark Lord of the Sith during the time of the Galactic Republic, when the Sith are in hiding. Apparently, he's a man with friends, with a family he loves and who love him back, a regular job… He's a perfectly normal guy, a perfectly mundane dude among thousands of megalomaniacs.

His first appeareance is as a ghost (some funky Dark Side thingy he created, btw), when he's trying to convince a Jedi (don't remember this one, I think it was a girl?) to strike him down. This is because these ghosts are connected to a living being, if the ghost is striken down, the being they're connected to dies. Vectivus is connected to Jacen Solo, who's on the edge of falling to the Dark Side. Apparently, Vectivus does not want a galaxy ruled by the kind of Sith Jacen Solo (or rather Darth Caedus) would become.

But, unlike other attempts at making the Sith look good in the EU, I actually like this guy. Why? Mostly for the funnies, not gonna lie. This Dark Lord of the Sith, the ultimate villain of the SW universe… is a perfectly normal guy with the same problems in his life as the rest of us.

Vectivus didn't know he was Force sensitive until his adulthood when, while doing Business™️, he and his employees came across a Dark Force nexus inside one of the mines they were working in. Fascinated by the power he could feel, he disolved his business, gave compensation to his employees, and went to search for the surviving Sith who could teach him. However, despite his Sith training, he remains a perfectly normal guy who lives a perfectly mundane life until his death, when he dies surrounded by friends and family. It's hilarious, can you imagine his Master's face? The sheer dissapointment?

He has restrain and moral standards. For example, he seems to be a decent boss and doesn't exploit his employees, cares for his friends and family and, just by guessing, isn't a complete asshole to his Apprentice since, whoever they are, they opt not to kill him despite the existance of the Rule of Two.

And yet… we find out he's still economically predatory, he still abuses his powers to harm and profit over rivals, and generally win at business. He isn't causing harm to those close to him, but he's still harnessing the Dark Side to hurt others.

That's the whole point, the Dark Side is always corruptive. Darth Vectivus is just less corrupted than most Sith.

That's it, that's what I like the most about the guy. He seems normal, is normal in a way… and yet he's still an evil bastard, only the regular evil bastard we find in our daily lives instead of the murderous crazy no-sense-of-restrain kind of Evil Bastard™️ we're used to see in a Sith.

It's… a bit of a grim reminder that evil is everywhere, in everyone, including you, and it can take many forms. That even the most kind-seeming people can be evil.

On the other side, the people he's murdered are… zero. Nonexistant, zero, nada. He's killed absolutely nobody. It's actually pretty funny. He's the only non-murderous Sith in existance, literally the only sane man in an Order of fascist megalomaniacs and it's hilarious.

I'm rather glad for his existance, actually, thanks Legends. Mostly because now I can say that I've killed as many people as a Dark Lord of the Sith.

[sjbattleangel]

If people talked about ATLA the way they talk about Steven Universe, Star Vs. TLOK and She-Ra.

"So Aang just ran away and froze himself at the bottom of the ocean, leaving innocent people to be conquered by the Fire Nation? What a selfish coward! He has blood on hands!"

"Ugh! The stupid chauvinistic crap Sokka says! The creators are misogynists!."

"Man, Katara is such a Mary Sue! The way she grew into a waterbender was so unrealistic. Bad writing!"

"Toph is blind? But how can we tell? A blind person can never do THAT! Nope, sorry. Not good enough. Doesn't count as real representation."

"Zuko is an irredeemable, imperialist brat, too easily forgiven. He doesn't deserve a redemption arc. He should've been killed at the beginning. The creators clearly have a thing for "Draco In Leather Pants".

"The King of Omashu, Imprisoned, Jet, The Deserter, The Cave Of Two Lovers, Avatar Day, The Tales Of Ba Singh Se, ect. Pointless filler episodes with nothing to add. More examples of sunk-cost fallacy."

"Azula is a powerful young woman who slowly goes insane because Mommy and Daddy didn't love her enough? The creators hate women and want them back in the kitchens!"

"So we're shown that there're innocent people in the Fire Nation who don't support the war yet the Fire Nation are still the bad guys? Trying to earn woke brownie points much?

"Aang doesn't kill the Firelord but drains him of all his powers, ultimately sparing him!?! THE CREATORS ARE FASCIST SYMPATHIZERS!! OFF WITH THEIR HEADS!!!"

[ultra-creepy-fucker-things]

I think I've realized why the "Toffee killing Comet" plot point feels so off.

It isn't just that it's having a character with a point do something evil so the audience can dismiss him, it's also asking us to buy into a series of deeply unserious premises. We are being asked to believe that

A) there is a leader of the oppressive regime who is kind and perfect and everyone loves her, and she has successfully brokered peace and equality and is set to usher in a perfect world.

B) the person mad enough about her brokering peace and equality to kill her is a member of the marginalized group she is, supposedly, benefiting who is upset because he wants mewmens to be his lessors, not his equals.

And the thing about all that, is that this scenario would never happen. Generally, when people who are trying to improve things get assassinated, it's by the people who are already in power, not, like. A strawman minority that wants to be the oppressor. It's a freaking… "What if the world was made of pudding"-type situation, in that it's a made up scenario that would never happen.

Like, there's a reason why some people think that Mina killed Comet, and it's because the narrative we are given here simply doesn't make sense.

[dappercritter]

(Never too late for a) SVTFOE Hot Take

I actually think you could have vastly improved the narrative if this guy was Eclipsa's monster husband instead of Globgor.

EDIT (23/08/23): I probably should have put this upfront but if Toffee was Eclipsa's monster-man instead, let me be absolutely clear that

I WOULD HAVE USED THIS AS AN EXCUSE TO GIVE TOFFEE A SYMPATHETIC BACKSTORY AND REDEMPTION ARC INSTEAD OF BEING JUST PLAIN EVIL LIKE A LAZY WRITER.

[sagesilentfire]

Hello, everyone. It's so strange to be saying this, but the last part of SAMATFOE is imminent, and we're getting closer and closer to the End. It's been a really fun five years. (Four to ya'll, but I've been working on this for longer than I've been talking about it publicly!) The cast of characters has expanded dramatically, I've gotten much better as a writer and artist, and I feel I've grown as a person too. I won't stop stalking the svtfoe tag or talking about svtfoe after this is done, don't worry, but I have a lot of non-svtfoe related plans in the future, so if you like Sílthéy and her weird siblings, don't stop following when SAMATFOE is over. 

But as for the actual contents of s5, well, I've got lots of plans. We've got a dark magic plague that's an incredibly transparent metaphor for climate change. We've got Mina playing the oil barons and trying to stop everyone from saving the world for her own personal gain. We've got Glossaryck (capitalism). We've even got the answers to a lot of mysteries and character arcs. Like, so many character arcs. It has been incredibly difficult to stuff all these character arcs into this far-too-short piece of fanfiction. But I hope I did that adequately. 

On a personal note, while hiring a beta/sensitivity reader for a piece as massive as SAMATFOE proved impossible for someone who does not own their own money, I have done a lot more research than I had at seventeen. I wanted the monsters to be more than just badly-done allegories for Native Americans – I wanted them to be people with their own culture, history, and ideas. People who are inspired by real-world Indigenous cultures, but, because they're literally nonhuman, are distinct from them. Whether or not they could count as Indigenous is discussed in-text, but I do not come to an actual conclusion because I want my readers to draw their own. It's not my place to say whether colonized space aliens could be Indigenous. And their connection to the land and to magic is drawn from their shared knowledge, not mysticism, and their culture is idealized because a caring godlike entity helped them to that, not because they're better than anyone. I hope to demonstrate that they are all people, first and foremost. Because we're going to be spending time in Septarsis! So much time! And Toffee has officially been promoted to main character status! It's Star and Marcie AND the Forces of Evil, babey!

But there's a lot of characters here. So, for the second and final time, 

Dramatis Personae:

Star - Star doesn't know what to do. She has everything she ever wanted, even if she doesn't realize it. She has no future responsibilities, having passed that to Eclipsa, but she is still special and important, being the most powerful magic-user ever to exist and the only one who can fix the dark magic, and Toffee doesn't even seem to hate her. Sílthéy does, though, and that is a sticking point. Star is much less oblivious now, though even her oblivious former self would probably pick up on the bad vibes Sílthéy is actively sending her way. She wants everyone to see how hard she's working to make everything better, but Sílthéy doesn't, and that is unbearable. Add that to Shinjai avoiding her and Marcie growing distant, and she has very little time for introspection, even if that would help fix things.

Marcie - Marcie is done with Mewni. She can't believe she believed the Butterflys' lies for so long. She's going to devote herself to Septarsis as fervently as she did Mewni. She just... she doesn't want to bother anyone, or take anyone's time. Why should she get attention paid to her, when there are stronger and smarter magic users out there who could do so much to actually help the world? Marcie is small and useless, and clearly so easily tricked. Better to work on herself before she brings anyone else into her orbit. Also, Star keeps making bad decisions, and Marcie's boundaries are pushing her away too... maybe it's better to do everything alone.

Ludo - Ludo is having a great time! He's earned the trust of some of the monsters in the Avarius village, his plumbing has been fixed, and Pemma is teaching him how to use the Avarius Beacon! Certainly nothing bad is going to happen to him or anyone he cares about! :D

Buff Frog - I'll confess here: Buff Frog is not a huge part of s5. He'll appear in the finale, but he's not a fighter anymore, and lives a peaceful life in Septarsis. He still has fond feelings for Star, but he's not too worried about her. She's strong, and he has twelve young froglets to take care of. She'll be fine on her own... right?

Toffee - Una'met Co'tzin-Nekohtzaca, Last Child of Old Septarsis, The Forces of Evil, Kéta'cha For the Dragon of Space, is doing FINE. They're definitely not five bad seconds away from a total mental breakdown, definitely not, that would be bad for everyone involved, and they are a calm, peaceful, certified not-doing-bad-things-er. The fact that everyone is almost certainly going to die a horrible death from dark magic is fine. They just have to cram thirty-plus years of training into the rapidly-dwindling time before the entire multiverse is dead. They barely know Star Butterfly, except that she's too good for things like "basic training" and "reading." How are they going to do this? And why won't Sílthéy tell them why she caused this in the first place? Well, they do know one thing, which is they can't tell Star about that.

Jackie - Jackie is done with Star Butterfly. She's talked to... someone, and done some digging, and that only served to verify the book she was given in s4. She doesn't know anything about Mewni save for what the book told her, but she can't believe that she trusted the family that doomed her dimension.

Janna - Janna doesn't like this apocalypse. No chance of survival is boring. So she's going to do what she can to help out. Also, she's been keeping her own secrets, secrets that might hold the key to survival.

Tom - Tom isn't angry anymore. He's not angry at Eclipsa for keeping Miquiz locked up, he's not angry for the Butterflys for spreading the dark magic that's thrown the Underworld into chaos, he's not angry that he keeps being left out of things. He's. Not. Angry. Anymore!

Moon - Moon didn't kill her mother. She didn't. It was Toffee, Toffee who couldn't come up with some loophole, Toffee who couldn't forget a conversation that happened when they were a child, Toffee who aimed the arrow at Comet's chest. And her holding onto anger isn't what's driving Star away from her, it's Toffee. They're the one driving her daughter away from her! But as cold reality and remaining dark secrets loom behind her, her brittle facade is beginning to crumble.

Glossaryck - Glossaryck misses when he and Star got along. Yeah, he's destroying her dimension, and everyone in it, and her, all to win kudos from his family, but it really sucks that Star won't give him the time of day anymore. He used to be her wise old mentor! Geez, she was going to die anyways, that's what mortals do! Might as well get along before it happens!

River - River is tired of being left out of the loop. He doesn't know what's going on. He doesn't know what to do. Moon barely speaks to him, she's always busy with Eclipsa, or whatever. But he might be the thing Moon needs, if she would only let him in.

Angie - Angie doesn't know if she should have had Mariposa. Sure, Mari is wonderful, and she loves her, and she DID NOT have a baby to replace Marcie dear god why were the svtfoe writers like that – *ahem* but the multiverse is ending, and Mariposa is just a baby... she didn't want to bring a baby into this world just to have them all die.

Rafael - Rafael is worried about Star. He's worried there's nothing he and Angie can do to help her. He's worried about Marcie. She seems really stressed about the dark magic. But he's the calm, goofy dad, so he's going to keep being that, and praying it'll help somehow. 

Mariposa - Mariposa is fresh to the world, and doesn't understand much of anything yet. But everyone is worried she won't survive long enough to understand the world at all.

Kelly - Kelly is chilling. Apparently Star and Marcie are off on a trip to Septarsis, but that's none of her business as long as art classes and hangouts with Nova and Jorby go well. She might drop by to visit, though.

Miss Heinous - Saint Olga is dead. Miss Heinous's one reason for existing, her greatest love and greatest enemy, the robot who raised her, is dead. What does Miss Heinous do now?

Meteora - Meteora's doing great. She's won popular opinion, she's training to be a true Crown Princess, or at least a high-ranking official, if Sílthéy's democracy takes off. She's stepped into her role as a leader, far more than her mother could claim. But that's fine. Not everyone is suited for leadership.

Eclipsa - Eclipsa has an albatross around her neck. She is doing her best to ignore it, to be a good queen, to love her people, but... she cannot get away from the child she killed. Would it be easier if she was just always evil, not done one evil act out of rage and grief? Well, she knows what happened to her mother. What does she do now?

Globgor - Globgor is doing his best. He's a little miffed by Sílthéy mistrusting him, as her first big act of s5 will be to demonstrate how little he's valued as a Legitimate Voice of the Monsters, but really, who can complain. There's so much else going on, who cares if he fades into the background?

Shinjai - Shinjai gets the wand. Shinjai does not want the wand, and the circumstances surrounding her getting the wand are ridiculous, but she gets it, and she hates it, and she can't control it. Unlike Star, her inability to control the wand makes her not want to use the wand at all lest she hurt someone with it. Oh, and Star keeps wanting to teach her fun spells now that she's been handed this nuclear bomb of a magic wand, and Shinjai does not want to deal with Star. She hasn't forgiven Star. She doesn't want to forgive Star. She'll ignore Star as much as she can, and focus instead on Alice and the teen militia, which is much more fun. She loves Alice. She loves learning to fight, learning to battle the most dangerous people in the multiverse and win WITHOUT the help of a wand. She'd be doing great, if her past would stop knocking at her door.

Rasticore - Rasticore's worried about his partner. Una is fraying at the seams trying to fix everything, and he has the feeling they're not telling him something. But what else is new? He'll wait. He has friends to make, a new teenage militia to help train, and a Miss Heinous to keep from destroying Septarsis stone by stone. He's endlessly patient. When Una wants to talk to him, he'll be there for them. He just... has... to... wait...

Mina - Mina is trying to destroy the world. She doesn't tell her followers that, no, they don't even know the dark magic is a thing, but she wants Glossaryck to win and the Solarian Age, of which she is the last remnant, to end everything with it. So she'll destroy the world, and fulfill Solaria's dream of taking the Forces of Evil with her.

Lilacia - Lilacia is, somehow, a spoiler. Like, legitimately, the Princess Formerly Known as Ponyhead's role in s5 is a spoiler, and not for magic power-up speech cliché reasons. But she's still her dumb, ditzy self, of course.

Still Unnamed Mystery Character - "Stella" is still mysterious, but I promise you we'll get who she is and her backstory in this part ;)

Alice - Alice is wary of the new Mewman presence on the outskirts of Septarsis. She knows why they're there, but she's still extremely suspicious. She does not want them to hurt Septarsis. But she doesn't know that the true danger comes a little closer to home.

Teyauh - Teyauh is also a spoiler, but she'll be there!

Linda - Linda loves her wife, and will follow her anywhere, but Teyauh will have to accept that her knees don't work how they used to, so Linda will have to follow in a suit of POWER ARMOR, BABY!

Nova - Nova is part of the Nuxalkmc, an Indigenous tribe native to the Northwestern Turtle Island, and she loves that about herself. Now that Kelly and her dimensional scissors are here, she can finally explore the multiverse to find new places and see if they're anything like home. Septarsis is one of those places, and she loves it at first sight.

Dr. Edevane - Dr. Edevane is a doctor. He and Toffee have a lot to nerd out talk about together. He will be useful, too.

Dennis - Dennis is busy reigning in dozens of siblings, including Ludo. It's a busy life, but a happy one. Nothing bad whatsoever will happen to him! (I'm lying)

Chloe - Chloe doesn't know this "Star Butterfly" person, but she's very suspicious. But man, Mewni would be such a cool place to visit... so much magic! ...No, she needs to concentrate on being mad. And she is mad. She wants Earth to be like Mewni, like it deserves to be.

Hekapoo - Hekapoo doesn't like her dad's plan. He says it'll work out, it's fine, but the plan is... questionable. She doesn't like it. And she definitely isn't getting conflicting feelings about puppeteering her brother around, either...

Rhombulus - Ṯ̶̡̧̧̡̧̠͉̻̦̜̭͚̰̪̣̬̠̦̲̹̯̯̮̹̰̺̣̳̬̳̬͙̙̞̹͚͖̼̲̰̼̻̭͇̘̻̹͔̝͌͐̀̇̓̀́̄̇̓̊̚ͅH̶̛̠̽̎̇̽̉̃̔͒̽̈́͌͝Ȩ̸̢̧̛̛͔̭͍̪͈͚̮̘͙̭̳͍̺͖̗͇͍̘̱̉̽͑̆̌̓̆͛̓̌̈́̐̾͑̅͂͗̔̽̌̋̈́̎̈́́̓̓͌̆̄͐̀̋̅͂̒̓̔͗̈͊̊͆̄̒͘͘̚͘͝͝͠͠͠͠ͅ ̷̧̪̰͈̺̯̳̙̳̹̙̣͔̗̜̫̗̲̠̙̝̠̯̻̯̩͈͇͉̞̙͙͈̲̻̹̰̳̣̤̣̀́̐͆͜͜͜ͅͅK̵̨͎̙̩͓̘͇̳̩̲̝̳̼̖̯̘͖̹͙̪̰͙͔̤̭̘͖̖̪̬͓͚̫̦̝̠͍̙̊͛̏̈́͛́̒̈́͂͜͜͜͝ͅÍ̸̡̧̨̨̥͍̮̮͇̟͈͙̩̥͙̥͖͚͉̬̟̻̹̰̟̘͓̪̦̹͈̺̤̜̣̺͉̘͕̮̲͓̳͍͈͍̜̯̯̘̪͙̩͛́̐̆̈́͗͋̔̐̒̌̚͜ͅT̵̨̟̲̑̅̑̕̚T̶̨̨̨̛̞͖̻̖̞̹̜͉̦͓̣̠̗̘̣̺̲̹̘̻͎̤̝̤̜̞̜̳̭͎̲͙̮͓͕̼͇̘̃̈́̑̅͐̆͛͊̎̀̈́̔̐̂͛͒̎̕͜͜Ę̴̟̻͍͓̲̙͙̬̺̖̘͎̺̯͐̍̀͊̊̃̃̐̒̊̽̅̉̒̇̎̒͗͆̓͋͂̍̎̈̓́́͌̈͌̕͘̕̕͜͝͝͠͝͝Ņ̷̡̥͕̞̘͙͇̪̺̯͕̪͖̗̙͖̭̻̳͙͖̯̺̟̳̟̪̼̤̞̘̯̘̥̏́̊̾̓̀͐̑̈́͛͊͜͝͝͝S̸̨̨̨̡̤͕͚͈̻̯̫̯̦̖̣͈͔͉͚̠̪̮͚̳͈͇̯̱̯̙̙̬͎̝̪̬̦̙͇̝̲̤̰̃͒̓͒̾̀̋̎̊̈̀́̐̎̇͜͝ͅ ̵̧̧̛̣͉͕̤̻͔̰̜̺̮̘̞̠͓͚̹̗͒͐̽́̆̈́́̏̀̎̋͌̔́̌͗̎̍̉̀̃͌͂̎̽̿̃͂̎̽̌̈́̄́̀́̓̿̅́̎͆̾̆͑͌̔̿̑́́̕̕̕͝͝͝M̸̢̡̨̭͓̘͙̟̩̦͎̤̟̮̤͍͔̝̑̀̅̊̑̊́̂̈͑̽͋̃̑͋͐̆͆͊̈́́̋͑̋͜͝I̸̡̛̖̺͇͎͕̗̹̦̦̻̻̙͈͔̮̭̤̺͚͙͙͖̱̙͚̣̼̠̺̘̐̄͋͒̒͗̎̓͐͗͛̊̀̓̄̅̆̇̐͒̄̌̔͗̒̎̃̒̊̍̋͐̊͛͘͠͝͝͠S̴̨̡̡̨̲̖̺̭̺̱̰͎͓͇̰̙͙̩̯̺̖̲̥̜͖̦̙̹̜̻͙̠͉͇̲̲͍̞͚̭̯͕͋͐̌̾̈́̄͐̇̔͜͝͝Ş̴̢̨̢̝̬̤̯̗̞̳̟̞̲̠̮͇̻͙͖̻̜̺̘̑̑̆̈́̇͋͗͒͒́̅́́̚̕͝ ̷̨̡̡̛̛͚̩̣̠̠̹̘̟̼̘̤͇͖͓̙̺̙̮͚̫̺͖̠͇͙̏̆̋̆̀̅̓̔͋̐̐͛̃̾̃̿̓́̑̇̏̈̉͊̂̍̾͑̐̈́̀̑͑̈́̏͗̇͋̀̆́̍̊̃̀͐͘̚̚͝͝͝͠͝ͅͅḨ̶̨̧̻̺̟͚̠͍̗͙̗̹͇̗̦͔͕̮̦͖͔̝͚̟̖̖͉̾̔͒̓̋̀̔̅̿̈̑͆̀̇̇̄̈́́͋̿͐͆̔̂̈́͋̈́̊̊̈́̓̈́͋̕͘͝͝͝I̷̡̡̢̨̹͎̼̻̖̗̭̫̩̣̬̻̦̠̗̰̥͕̗̟̯̰͉͙̯͖̦͚̟̖̞͍̦̙̯̲̲̖̲̲̜͚̓̍͜ͅM̶̧̡̢̧̧̙̥̭̲̖̦͙̘̙͈͓͖̩̜̦͍̦̘͍̘͕̳̜̱͚̥̹͓͕͉͔͕̫̺̮͕̳͖͉̭̺͙̠͖̥͕͖͙̜̉͑͛̎̓̈́͐͋̐̀̏̊̀̽͋̈́͊̄͌̋̌̐̓̄̉̓͒̕̕͝͠͠͝ͅͅͅ

Reynaldo - Reynaldo looks and looks and he does and does, but he does not win this bet. It is the thing he wants most, that he will do all sorts of terrible, horrible-things-that-make-him-want-to-throw-up to get. What is it? 

Omnitraxus Prime - Omni will do anything to protect the multiverse. Including trusting zir dad, who is looking more untrustworthy by the day, and trusting Mina, who was never trustworthy in the first place. Mina has much more training than Star, and strong magical ability from spending three hundred years close to the wand, and it's the best option... right?

Necahua - Necahua is a mess currently, and being a mess leaves you more open to mistakes. Uh oh! Una still loves them, though. 

In fact, I made a short story in my creative writing class about the relationships between Una'met, Necahua, and Cayeto, since I feel they got overlooked in the main story. Yes, no one in my class had any idea what was going on. I'll post it next, before chapters 1 and 2 of s5.

Cayeto - Cayeto is also in the short story. He doesn't play a huge role in the main plot, but he is just another reason Toffee does the things they do. He died hoping that Una and Necahua, specifically, survived, and Necahua died, so he does not have the best grip on reality.

Xocochiapal - Xoco is the de-facto ghost leader of the ghosts now. No legislation without representation, right? Toffee does most of the work, but she's in charge when they can't address a thing right away. She was right despite everyone else blindly going to their deaths, and now everyone knows it. She also was the highest-ranked Septarian to become a ghost, and her hatred of the Mewman occupation is a clear and strong motivation.

Tecoloa - Tecoloa is the voice of reason. The good one. She died protecting her elementary school class from the worst of the heat, and that caring nature has translated into protecting everyone she can. 

Sílthéy - Sílthéy is a character now, and OH BOY is she happy about it. She hates Star and will never get over it, and she loves to remind Star of that fact. She feels immense guilt for what happened with Septarsis, and will never get over that, either. She is a mess, but she's been hiding her messiness for 0/0 years, so she's a pro. And it's not like anyone here can stop her from being a mess, can they? So she'll go on being a mess in her corner, and she'll be fine. Her hobbies include storytelling, dissing Star, and doing the most bizarre stuff in the background of any given scene. She owns her weirdness. She's annoying, but that just makes her more fun to write.

Mocel - Mocel is mad at Eclipsa. She's mad at all Mewmans, really. She cares a lot about Miquiz, and she hates that he's locked up while she, with her lightweight ash body, can sneak out whenever she likes. The world isn't fair, and she knows it.

Miquiz - Miquiz is dying a second time. The dark magic wound on his chest is expanding. He doesn't want to leave, not without seeing the sun again, but he may not have a choice. He doesn't want to leave without saying something to Eclipsa, but again, no choice. He doesn't know what to do.

Tecolo - Tecolo is just vibin. He wants to see Ludo again, and he will, but he's mostly busy having fun with his dead and living relatives after centuries floating in the void.

[mingot-studios]

r u fucking kidding me.

so you're just gonna ignore the fact that Star committed actual genocide and Naruto joined a corrupt system that committed genocide against his friend's people?

[darlinglittlemeg]

Character who I relate to OR make up my personality-

Idk what this means for me as a person-

[silver-stargarden]

why give disney any sort of direct attention and support when you can watch jenny nicholson's star wars hotel video, defunctland, and every other youtube video dissecting all the reasons why you should never touch their evil shit with a 39 and a half foot pole