#something Did Shift

[ahappyphjl]

six months since something shifted

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[ailithnight]

DPxDC Prompt #8

Danny was practicing shapeshifting with Amorpho when he felt the tug of a summoning and heard the distant words drifting into his mind.

Normally Danny would just ignore it. Or if it seems like this was a group that needed some sense scared into them, he'd shift into his Horror form and terrify them into never pulling this shit again. But then he heard them mention live sacrifices, and Danny just had to step in before that happened. So he let the summoning pull him on through, briefly forgetting he was shapeshifted into a... less than ideal form.

Danny lands in the circle right on top of one of the intended sacrifices, a group of people in weird outfits and, is that guy green? Irrelevant. Immediately Danny on knows something is very wrong. His powers feel muted and far away. His form suddenly feels, locked somehow.

He casts his gaze across the summoning circle and, to his horror, recognizes the binding ritual. These cultists wanted to bind and seal him in one of these mortal's bodies after they were sacrificed. But they fucked up the spell. Or maybe Danny fucked it up by coming in too soon? Irrelevant again.

What matters is the spell went sideways. Instead of locking Danny into one of the sacrifice's bodies, it locked him into his own form while pulling most of his abilities just out of reach. Now he's here. In the shape of- He's stuck as-

"Dude, is that a pigeon? Did the Ghost King, like, send you to voicemail?"

[ping-ski]

eclipse and y/n are finally done!! (you can find EBY sun & moon here)

these refs aren't that much different from the old ones aside from small changes :3

(old) EBY DCA ref

(old) Y/N ref

[mywitchyblog]

Message to @alphaltrainreflection

First of all, bitch, where did I ever say anything about "eroticizing inferiority"? Like, be fucking for real. Show me the receipts. Because unless you’re reading between lines that don’t exist, nothing in my post said anything about power dynamics, submission, or “inferiority.” It sounds like you’re projecting some judgmental bullshit that I didn’t even invite into the conversation. So let’s start there—check yourself before you come into my space twisting my words to fit your weird little agenda.

Second of all, and I mean this with every ounce of sincerity, shut the fuck up. Genuinely, if you don’t like what you see, don’t interact. It’s that simple. Not everyone has to match your narrow idea of what shifting is “supposed” to be. Shifting isn’t some gated community where you get to play security guard and decide who’s allowed in. So do us all a favor, take that rigid-ass energy, and keep it to yourself, bitch.

Let’s be real for a second. You said, “sex freaks who insist on eroticizing inferiority are ruining shifting.” Bitch, nobody’s ruining anything��especially not me. All I said was that I want to get fucked. Plain and simple. If my desire to shift for a good time offends you, you’re free to move along. Shifting means different things to different people, and if sex is part of that, it’s totally valid. If I want to shift to a reality for some damn good dick, who the fuck are you to get all sanctimonious about it? Newsflash: your opinion on what’s “appropriate” doesn’t apply here, darling.

And let’s get one thing fucking clear, because clearly, you need this spelled out: even if someone did want to shift to a reality where they take on a more passive, submissive role, what of it? Why the fuck does that bother you so much? Some people spend their whole lives having to be strong, holding shit together, constantly defending themselves, and staying in control just to survive. Maybe, just maybe, they want to create a reality where they can finally let go, surrender, and trust someone who respects them and won’t take advantage of them. Imagine that—feeling safe enough to let down your guard and explore a side of yourself you don’t get to express in this life. For some people, that’s healing. For others, it’s fun. Either way, it’s their choice, not yours. So back the fuck off.

So let’s talk about this “ruining shifting” nonsense you pulled out of nowhere. Bitch, the only thing “ruining” anything is people like you, stomping into conversations uninvited and acting like you’re the gatekeeper of how others should experience their desires. You’re clinging to this imaginary rulebook about what’s “appropriate” for shifting as if that makes you morally superior, but all it does is make you look insecure, judgmental, and way too invested in other people’s business. Spoiler alert: nobody gives a fuck about your approval or needs it to validate their experience.

Here’s the truth, since you seem to need a wake-up call: shifting is deeply personal. It’s about self-determination and freedom, not conforming to some rigid-ass code of conduct set by random bitches on the internet. If someone wants to shift for spiritual growth, self-discovery, sexual exploration, or all of the above, that’s their fucking prerogative. Shaming them because it doesn’t align with your limited, vanilla-ass view of what’s “appropriate” is straight-up pathetic.

And by the way, bitch, sex is a natural, beautiful, and completely valid part of life. If I want to shift for sex, or if someone else wants to shift to feel cherished, adored, or, yes, even submissive, that’s nobody’s fucking business but ours. Maybe instead of trying to drag others down to your level of insecurity, you could take a hard look in the mirror and figure out why other people’s sexual autonomy bothers you so damn much. Because this isn’t about “ruining shifting”; it’s about you being uncomfortable with the idea of someone enjoying themselves in a way that’s different from what you deem acceptable. Maybe some self-reflection would do you some good.

To every other shifter out there who’s ever been made to feel guilty or “lesser” for shifting for your own reasons, listen up: you don’t owe anyone an explanation, and you don’t need anyone’s approval. Your DR, your fucking rules. If shifting for you is about finding love, intimacy, exploration, or yes, even some good dick, that’s your choice. Don’t let some insecure bitch shame you or make you feel like you’re somehow ruining the experience just because it doesn’t fit into their narrow little box. Shifting is about creating the life and reality you want to live—whatever the fuck that looks like for you.

So, here’s a suggestion: take your unsolicited, holier-than-thou attitude and keep it to yourself. If you can’t handle seeing people talk openly about their desires and goals for shifting, then bitch, scroll past and save yourself the outrage. Because at the end of the day, I’m not here to please you, and neither is anyone else. We’re here to live our best lives, however we see fit, and if that’s too much for you, the door’s right over there.

To everyone who’s out here shifting for what they want, keep going. Own your desires, own your reality, and don’t let anyone’s outdated judgment make you feel like you’re doing it wrong. Shifting is your journey, and if that includes exploring intimacy, vulnerability, or sexuality, you’re not alone. You’re valid, and your experience is just as real and important as anyone else’s.

Consider this your reminder that no one’s begging for your approval. I’ll be over here, unbothered, shifting for exactly what I want, and loving every fucking second of it. ✨

[flowercrowngods]

who did this to you. part 3

🤍🌷 read part 1 here | read part 2 here pre-s4, steve whump, protective (but scared) eddie. now with robin!

The number rings in his head, echoing off the inside of his skull and sinking lower and lower until his heart strings join the symphony that leaves him shaking as the memory of Harrington’s slurred voice is drowned out by the dial tone that feels harrowingly like a flatline right now. 

Said I’ll go blind. Or deaf. Or just… die.

Eddie doesn’t really feel like his body belongs to him anymore, or like there’s anything left inside him other than panic and fear and that stupid, stupid shaking that he can’t suppress even as he bites his knuckles. Hard. 

The pain helps a little not to startle too much when the dial tone stops and a female voice begins speaking to him. Still he almost drops the phone, cursing under his breath as he pulls his hair to collect himself and get his voice to work. 

“H— Hi, hello, Mrs Buckley? This is, uh. I. I’m. A friend of Robin’s, could you, uh—“ 

“Oh, of course, dear,” the woman says, and Eddie feels his eyes beginning to prick with how nice she sounds even through the phone. 

Does she know Steve, too? Would she worry if she knew? Would she curse Eddie for not taking him to the hospital right away? Would she blame him if anything happened? 

“I’m sorry? What did you say your name was?” she asks, repeating herself by the sound of it. 

He blanks, for a whole five seconds, before he spots a note stuck to the fridge saying Don’t forget to eat, Eddie :-)

“Eddie,” he croaks. “Uh, Eddie Munson.”

“Alright, Eddie Munson, I’ll see if I can grab Robin for you. You have a good day, dear, yes?” 

No. “Thanks.” 

The hand clenched in his hair pulls tighter and tighter until the tears fall and he can pretend it’s from pain and not from— whatever the fuck is happening. 

He waits, phone pressed to his ear with a kind of desperation he’s never really felt, and never wants to feel again. He doesn’t even know what to tell Robin; what to say. It’s not like they ever hang out or have anything to say to each other, so why would she— 

“Munson?” Robin’s voice appears on the other end, a little too loud for Eddie’s certain state, and he does drop the phone this time, scrambling to catch it and only making the situation worse as it dangles by his knees. 

He drops to the floor, pulling his knees to his chest and reaching for the phone again. 

“Hi.” 

“What do you want? How’d you even get this number? I swear, if you—“ 

“It’s Blue. I mean, Steve. Harrington.” 

That shuts her right up, and Eddie clenches his eyes shut for a moment, hoping to keep the tremor out of his voice if only he takes a moment to breathe. 

The moment stretches. And Robin’s voice is wary and quiet when she speaks again. 

“What about Steve.” 

Eddie rubs his face, leaving more dirt and grime to fill the tear tracks, and clenches his fist before his mouth. 

“Eddie,” Robin demands, dangerous now. Nothing left of the rambling, bubbling mess he knows her to be on the school hallways. “What. About. Steve.” 

“He… He’s hurt.” 

There’s a bit of a commotion on the other end, before Robin declares, “I’m coming over. You tell me everything.” 

“You— I mean, he’s in the hospital with my uncle, so—“ 

“I am. Coming. Over,” she says, enunciating every word as though she were making a threat. Maybe she is. But the certainty in her voice helps a little, anchors him the same way that Wayne’s calmness did. “And you tell me everything.” 

Eddie finds himself nodding along, knowing intuitively that there is nothing that could stop her now. Knowing that he doesn’t want to stop her. 

“‘Kay.” It’s a pathetic little sound, all choked up and tiny. She doesn’t comment on it. 

One second he hears her determined exhale, the next she’s hung up on him and Eddie is greeted by the flatline again. He lets out a shuddering breath and leans his head back against the wall. 

Breathing is hard again, but it’s all he has to do now, all that’s left to do, so he focuses. Inhale. Hold. Exhale. Hold. His lungs are burning and there’s something wrong about the way he pulls in air and keeps it there, desperately latching onto it until the very last second, his exhales more of a gasping cough than calm and controlled. 

It takes a while. Longer than it should. But with Harrington’s blood still on his hands, with his heartbeat in his ears so loud he can’t even hear the words Wayne used to say about breathing in through the mouth or the nose or… or something, he— 

He’s fine. He’s home. Wayne’s got Blue, and Buckley is on her way, and… He’s fine. 

People don’t just die. 

They don’t. 

He’s fine. 

Eventually, Eddie manages to breathe steadily, the air no longer shuddering and his hands no longer shaking. It’s stupid, really, being so worked up over someone he doesn’t even really know. Sure, everyone knows Steve fucking Harrington, and everyone sees Steve fucking Harrington — whether they want it or not. He has a way of drawing eyes toward him even if all he does is walk the halls with his dorky smile and that stupidly charming swagger he’s got going on. Always matching his shoes to his outfit.

Eddie can relate.

Always reaching out to touch the person he’s talking to; clapping their back or shoulder, lightly shoving them in jest, ruffling their hair or chasing them through the halls, moving and holding himself like teenage angst can’t reach him. Like he belongs wherever he goes. Like he’s so, so comfortable in his own skin. Like the clothes he wears aren’t armour but just a part of him; a means of self-expression. 

Again, Eddie can relate. He can relate to all of this. 

It’s almost like the two of them aren’t so different after all. Just going about it differently. 

And now he’s… Bleeding. Slurring his speech. Wheezing his breath. And Eddie feels protective. Eddie feels responsible. Like he should be there, like he should get to know more about him. About Steve. About Blue. 

But he can’t. And he won’t. So he gets up with a groan that expresses his frustration and the need to make a sound, to fight the oppressive silence that only encourages his thoughts to run in obsessive little circles, and he hangs up the phone that’s been dangling beside him all this time. 

He needs a smoke. 

He needs a smoke and a blunt and a drink and for this day to be over and for time to revert and to leave him out of whatever business he stumbled into by opening the door to the boathouse and, apparently, Steve Harrington’s life. 

But unfortunately, the universe doesn’t seem to care about what he needs, because just as he steps outside and goes to light his cig, he catches sight of a harried looking Robin Buckley, standing on the pedals of her bike as she kicks them, her hair blowing in the wind to reveal a frown between her brows. A wave of unease overcomes Eddie, an unease he can’t really place. Maybe it’s the set of her jaw, or the tension in her shoulders, or maybe it’s the worry and anger she exudes. 

It never occurred to him before that Robin Buckley might not be a person you’d want to set off. And not because of her uncontrollable rambles. 

“Munson!” she calls over, carelessly dropping her bike in the driveway and stalking toward him. 

Almost as if summoning a shield, Eddie does light the cigarette. Pretends like the smoke can protect him. 

She doesn’t stop at the foot of the steps, though, climbs them in two leaps and gets all up in his space with that unwavering look of determination — so unwavering, in fact, that it almost looks like wrath. Cold. Eddie wants to shrink away from it, not at all daring to wonder what could make her look like that upon hearing that Steve’s hurt. 

I don’t wanna die, Munson. I never… I didn’t. With the monsters or the torture.

But those are the words of a semi-conscious teenage boy beat to a pulp, they can’t— There’s no way. Eddie misheard him, or Steve was talking about some kind of inside joke, using the wrong terminology with the wrong guy. It happens. It happens when you’re out of it, really! The shit he’s said when he was shot up, canned up, all strung out and high as a kite… He’d be talking of monsters, too, and mean some benign shit. 

But the way Harrington looked, none of that was benign. The bruising all over his face, the blood still dripping from the wound by his temple or his nose, the way he held himself, breath rattling in his lungs, or— 

“Hey!” Buckley demands his attention, giving him a light shove; just enough to catch his attention, really, and just what he needed to snap out of it. Still the smoke hits his lungs wrong and he coughs up a lung, further cementing his role of the pathetic little guy today. 

“Hey,” he says lamely, his voice still croaking as he crushes the half-smoked cigarette under his boot. “Sorry.” He doesn’t know for what. But it feels appropriate. 

She shakes her head, rolling her eyes at him as she crosses her arms in front of her chest. 

“Tell me,” she says at last, and even though there is a tremor in her voice, she sounds nothing short of demanding. “I want the whole story, and I want it now.” 

And so he does. He tells her everything, bidding her inside because he needs the relative safety of the trailer even though the air in here is stuffy and still faintly smells blue. He pours them both some coffee and some tea, because asking what she wants doesn’t feel right in the middle of telling her how he found her supposed best friend beat to shit in the boathouse he went to to forget about the world for a while. 

She stills as she listens to him, staring ahead into the middle distance somewhere beneath the floor and the walls, her hands wrapped around the steaming mug of coffee. Eddie stumbles over his words a lot, unsettled by her stillness, her lack of reaction. She doesn’t even react to his fuck-ups. People usually do.

He wants to ask. Where are you right now? What have you seen? What’s on your mind? What the fuck is happening?

But he doesn’t ask, instead he tells her more about Steve. About how he seemed to forget where he was. About the pain he was in. About the smiles nonetheless. The way he reassured Eddie. 

That one finally gets a choked little huff from her, somewhere between a sob and a laugh. 

“Yeah, that sounds like him alright. He’s such a dingus.” 

There is so much affection in her voice as she says it that Eddie can’t help but smile into his mug. 

“Dingus?” he asks, hoping for some lightness, hoping to keep it. 

But the light fades, and her eyes get distant again. Eddie wants to kick himself. 

“Just a stupid little nickname. An insult, really.”

“Oh.” He doesn’t know what to do with that. If he should ask more or if he should say that he has a feeling Steve might appreciate stupid little nicknames. Especially if they’re unique. Especially if they’re for him. But what right does he have to say that now? What knowledge does he have about Steve Harrington that Robin doesn’t? 

So he bites his tongue and drinks his coffee, cursing the silence that falls over them as Robin mirrors him, albeit slow and stilted, like she doesn’t know what to do either. Or where to put her limbs. 

“Wayne’s got him now. I took him here, after the boathouse, because I didn’t know what to do. He said he didn’t want the hospital, said there’s…” He trails off. 

Robin looks at him, her eyes wary but alert. “Said there’s what?” 

It’s stupid. Don’t say it. 

“Eddie?” 

With a sigh, he puts his mug on the counter and stuffs his hands into his pockets. “He said there’s monsters. In the hospital, I mean. He said that.”

Instead of scoffing or at least frowning, Robin clenches her jaw and nods imperceptibly, her eyes going distant again. Eddie blinks, the urge to just fucking ask overcoming him again, but with every passing second he realises that he doesn’t actually want to ask. He doesn’t want to know, let alone find out. 

He just… He just wants to go to bed. Forget any of this ever happened. But he can’t do that, so he continues. 

“Brought him here and Wayne took one look at him and convinced him he needed a doctor. And, Jesus H Christ, he was right. I’ve never… I mean, those things don’t happen,” he urges, balling his hands into fists even in the confined space of his pockets. “Right? I mean… Shit, man.” He bumps his shoe into the kitchen counter; gently, so as not to startle Buckley out of her fugue like state. 

“You’d be surprised,” she rasps, staring into the middle distance again and slowly sinking to the floor. There is a tremor in her shoulders now, barely noticeable, but Eddie knows where to look. Without really thinking about it, he grabs two of his hoodies he’d haphazardly thrown over the kitchen chairs this morning while deciding on his outfit and realising that it was altogether too warm for long sleeves today. But now, right here in this kitchen, the air tinged with blue, they’re both freezing. 

Because fear and worry will take all the warmth right from inside of you and leave you freezing even on the hottest day of the year. 

She barely looks at him when he holds out his all-black Iron Maiden hoodie to her, freshly washed and all that, but she takes it nonetheless, immediately pulling it on. It’s way too large on her, her hands not showing through the sleeves, her balled fists safe and warm inside the fabric. It would make him smile if only it didn’t highlight her stillness, her faraway stare, and the years he has on her. She’s, what, two years younger than him? Three? 

It seems surreal. Everything, everything does. 

Robin Buckley in his home, sitting on his kitchen floor, swallowed by a hoodie that is a size too large even for him, but it was the last one they had in the store and he doesn’t mind oversized clothes, can just cut them shorter when the need arises or layer them or declare them comfort sweaters for when he wants to just have his hands not slip through the sleeves on some days. And now Robin is wearing his comfort hoodie because her best friend was bleeding in his car earlier and then on his couch and now in his uncle’s car, and they never even talk, but he knows that Robin’s favourite colour is blue, but not morning hour blue because that makes her sad; only deep, dark blues. 

Her favourite colour. Her favourite person. 

It’s so fucking surreal. 

He drops down beside her, leaving enough space between them so neither of them feels caged, and mirrors her position: knees to his chest, chin on his forearms. Staring ahead. 

And silence reigns. 

“Your uncle,” she says at last, finally breaking the silence that’s been grating on Eddie’s nerves and looking at him, really looking as she rests her cheek on her forearms crossed over her knees. “Tell me about him.” 

There is a gentleness to her voice now despite how hoarse it is. Maybe she’s just tired, too. And scared. At least the shivering has stopped. 

Still Eddie frowns, confused as to why she should be breaking the silence to ask about Wayne when everything today has been about Harrington. About Steve. About deep and dark blues. 

“Uncle Wayne?” he asks. “Why?”

“Because,” she begins, and sighs deeply, works to get the air back in her lungs. Eddie wants to reach out, but instead he just clenches his fingers a little deeper into the fabric of his hoodie. “My best friend is hurt very badly and the only person with him is your uncle, and I need to know that he’s in good hands. Or I swear to whatever god you may or may not believe in, and granted, it’s probably the latter, but still I swear I’ll give into my arsonist tendencies and burn down this city, starting with your trailer if you don’t tell me that your uncle is a good man who will do anything in his power to make sure that boy gets the help and care he needs. And deserves.” 

Her jaw is set and her bottom lip trembles, but it doesn’t take away from the absolute sincerity in her threat. 

“So, please,” she continues, her voice breaking just a little bit. “Tell me. Tell me about your uncle.” 

Tell me about your favourite person. 

Eddie swallows, and mirrors her position once more, so she can see his eyes and know he’s sincere. Because he’s learned something about eyes today, about how much in the world can change if only you have a pair of eyes to look into. 

And he nods, looking for somewhere to start. “He’s the best man I know. He’s the best man you’ll ever meet.”

She clings to his eyes. Searches them for the truth, beseeching them not to lie. He lets her. 

“Took me in when I was ten, because my dad’s a fuck-up and my mom’s a goner. Took me in again when I was twelve after I ran away. Makes me breakfast and I pretends the dinner I make him is more than edible.” He smiles a little, because how could he not? “He’s my uncle, but still he’s the best parent anyone could wish for. Writes those little notes that he sticks to the fridge, y’know, the one with the smiley face? Tells me to eat, because I forget sometimes. I tell him to drink water, because he forgets. First few years, he’d read to me. And the man’s a shit reader, has some kind of disability I think, and at some point I learned that he wasn’t reading at all. He was telling me stories all the time, conning me into thinking that the books were magic, and that every time I’d try to read the book for myself, the story would change.” 

There’s a lump in his throat now, and his eyes sting again. But Robin doesn’t seem to fare any better than him if her wavering smile is any indication. 

“There’s no one,” Eddie continues, “who will make you believe in magic quite like uncle Wayne. Or in good things. And d’you wanna know what he told Blue when he said he was scared of going to the hospital?” 

Sniffling, Robin shakes her head. 

“He said, Okay. Then we do it scared. And all of that after he just… with that patience he has, told him everything that was gonna happen. And that he’d be there with him through it all. That he knew the doc and wouldn’t let anyone else near him, and that there’s no need to be scared at all.” 

He sighs, breathes, stills. Swallows, before looking back at Robin. 

“So, if there’s one person who’ll make sure that boy gets the help and care he needs and deserves…” 

“It’s uncle Wayne,” Robin finishes his sentence, her voice still hoarse, but Eddie likes to think it’s for a different reason now. 

“It’s uncle Wayne,” Eddie says, nodding along as he does. 

There is something like understanding in Robin’s eyes now, and Eddie hopes it’s enough. Enough to calm the spiking of her nerves, enough to settle the coil of freezing nausea that must reside in the pit of her stomach, enough to let the next breath she takes feel a little more like it’s supposed to be there. 

He wants to say something more, wants to reach out and reassure her that everything will be okay, but he can’t know that. He doesn’t feel like it’s entirely true, let alone appropriate right now. 

There’s something in Robin’s eyes, in the way she holds herself, like she’s waiting for the other shoe to drop. Like she accepts his words at face value but doesn’t really believe them. Like she’ll only rest when she’s got her best friend back in her arms and hears the story — the whole story — from him. 

And Eddie doesn’t fault her, because the thing is, he doesn’t know what happened. Steve said that Hagan came at him, but that’s really all he got out of him before he started talking about death and shit, and Eddie really didn’t want to ask any more questions then. 

So they sit there for a while, the silence oppressive and unwelcome, clumsy and awkward; Robin’s mouth opening and closing a lot, like she wants to ask questions but doesn’t dare to ask them — and Eddie doesn’t know if he’s glad about it or not. Doesn’t know if he wants to hear the kind of questions asked with that kind of stare. 

It is only after a long while, when Robin’s shoulders start shaking again and she buries deeper into the hoodie and her own spiralling thoughts, that Eddie breaks the silence again, replaying in his head the last moment between him and Steve. 

“He’s not gonna break,” he tells her, aiming for gentle and reassuring. 

What he doesn’t expect is the minute flinch, the jolt shooting through her body and the pained expression it leaves her with. What he doesn’t expect is what she says next. 

“You know,” she begins, her voice as far away as her eyes, and it’s like she doesn’t even know she’s speaking. “Sometimes I wish he would.” 

What?

Eddie blinks, swallowing hard.

“Just for, just for a break. Just so he can rest. Let the rest take over for a while.” 

That… He doesn’t— What the hell does that even mean? 

“Like maybe then the world would… snap back.” She snaps her fingers, just once. This time it’s Eddie who flinches. “And everything bad would disappear. But it won’t. And he won’t.” She swallows. Then quietly, almost inaudible, “He won’t break.” 

And the way she says it… It was reassuring before. And now it feels like a burden. A curse. 

Who the fuck are you, Steve Harrington? And you, Robin Buckley. 

Eddie shudders, knowing he doesn’t want the answer to that anymore. He doesn’t want the questions either. So he buries his face in his hands, closes his eyes, and breathes. The adrenaline has worn off by now, the repeated panicking that added fuse to the fire has ceased now, leaving him worn out and strung out, tired and exhausted. He pulls up the hood, burrowing into the warmth. 

And then he stills. His usually twitching, fumbling, fiddling body falling entirely still beside Buckley. 

It’s like time stops for a while there, even though Eddie knows that it’s dragging ever on and on. He’s inclined to let it, though. He’s too tired, too exhausted to really care about what time may or may not be doing. 

“Why’d you call me?” 

It takes a while for Eddie to realise that Robin’s spoken again, asked him a question out loud, the cadence of it different to the endless circles of questions Eddie’s got stuck in his head since the early afternoon tinged in blue against crimson. 

He lifts his head, tucking his hands underneath his chin, and looks over at Buckley. Her hair is dishevelled now, her mascara smudged and crusty. Her lipstick is almost all gone, with the way he sees her biting and chewing on her lips. 

“I… It seemed like the right thing to do, y’know? He kept repeating your number. In the car, it was like… Sounds dramatic, but it was like his lifeline, almost. Repeated it so often it kinda got stuck.” He shrugs. “Seemed important, too.”

Robin frowns; a careful little thing. “How’d you know it was me?”

“Well, he just talked about you. Y’know. Tell me about your favourite person, I told him, because that’s the thing you gotta do to keep people, like, talking to you. Not shit about what day it is, or what. Just, y’know. Let them talk about things they like. Things they’ll wanna tell you about. ’N’ he talked about you.” 

She’s quiet for a while, letting his words sink in. And Eddie wonders if she knew. That she’s his favourite person. If he ever told her. If maybe he took that from him now. It’s a stupid thing to worry about, really; the boy was bloodied and bruised on his couch just an hour ago, there are worse things at hand for Eddie to worry about. But now he wonders if he just spilled some sort of secret. Some sort of love confession. 

“Did you, I mean… Are you guys, like, dating? Did I just steal his moment?” 

Robin huffs, but it’s more like a smile that needs a little more space in the room, a little more air to really bloom. It’s fond. She shakes her head, her eyes far away again, but closer somehow. 

“Nah,” she says, and the smile is in her voice, too. Eddie kind of likes her voice like that. “We’re platonic. Which is something I’d never thought I’d say. Not about Steve Harrington, y’know?” 

And the way she drags out his name… Eddie can relate. Like it means something, but like what it means is nowhere close to reality. Nowhere close to what it really means. Nowhere close to Blue. 

Robin sighs, the sound more gentle than it should be, and leans her head against the cabinet behind her. “We worked together over summer break. Scoops Ahoy.” Her voice does a funny thing, and her eyes glaze over as she pauses. Eddie waits, his lips tipped up into a little smile, too; to match hers. 

“What, the ice cream parlour?” 

Robin hums, her smile widening at what Eddie guesses must be memories of chaos and ridiculousness. “I wanted to hate him,” she continues. “But try as I might, he wouldn’t let me. Or, he did. He did let me. Just, it turns out, there’s no use hating Steve Harrington, not when he’s so… So endlessly genuine. There’s nothing to hate, y’know? And then he…” 

She stops, her mouth clicking shut as her eyes tear up a little. The Starcourt fire. Eddie remembers the news, remembers the self-satisfied smirk when he’d heard about it, remembers sticking it to the Man and to capitalism and to the idea of malls over supporting your friendly neighbourhood businesses. 

Guilt and shame overcome him as he realises that they must have been in there when it happened. 

“He saved your life?” 

Robin’s eyes snap toward him, wide and caught, and Eddie raises his hands in placation. 

“In the fire? Were you there?” 

“Y—yeah.” She swallows hard, avoiding his eyes. “The fire. He saved me. Yeah.” 

Eddie nods, deciding to drop that topic right there; to lay it on the ground as gently as he can and cover it with bright red colours so he never steps on it ever again. 

“He must be your favourite person, too, then, hm?” he steers the conversation back away into safer waters. 

“He is,” she says, sure and genuine and true. “It’s just. I don’t think I’ve ever been anyone’s favourite. He has a lot of people who care about him, you know? A lot of people he cares about. Even more numbers memorised in that stupidly smart head of his.” She huffs again, burrowing deeper into Eddie’s hoodie, pulling the sleeves over her hands some more. “It’s stupid, to be so hung up on this. Is it stupid?” 

“I don’t think it is,” Eddie says, scooting a little closer to Robin. “Like, I don’t even know that boy, right? But even I know that he’s got some ways to shift your focus or something. Give you a silver lining, or something to take the pain away even when he’s the one who… I don’t know, that’s probably stupid, too.” 

“Nah,” Robin says, scooting closer to him, too, until their sides are pressed together and she can lay her head on his shoulder. “It’s not stupid. You’re right; that’s Steve for you. ’S just who he is.” 

It is, isn’t it? 

You’re so blue, Stevie. 

She’ll say something corny when, when you ask her, jus’ to fuck with you. Sunset gold or rose, jus’ to mess with… But is blue.

Blue. ‘S nice. 

Yeah. Yeah, he is. 

Eddie lets his thoughts roam the endless possibilities and realities that is Steve Harrington, the depths he hides — or won’t hide, maybe, if you know how to ask. Where to look. 

Maybe he’ll find out, one of these days. Not about the terrible things that leave him scared of the hospital, not about the horrible things that have him speaking of death and dying like he’s accepted them as a possibility a long time ago. 

He swallows hard and shakes off these thoughts, because things like that just. They don’t happen. They don’t happen to blue-smiled boys who trust you to be kind even when they’re beaten straight to hell. And they sure as hell don’t happen when uncle Wayne’s around. 

Nothing bad has ever happened when uncle Wayne was around. 

And he wants to tell Robin, wants to make that promise. But part of him can’t bear the thought of being wrong. So he keeps his mouth shut and just sits with her, their heads as heavy as their hearts as they wait. 

The sun is long gone when the phone above him rings again, spooking and startling them out of their timeless existence. 

“Yeah?” he answers, his heart hammering in his chest. “Wayne?” 

“Hey, Ed,” Wayne’s voice comes through the phone like a melody. Calm and steady. Robin is scooting closer, and Eddie shifts the phone to accommodate her so they can both listen. Somehow, they ended up holding hands — and holding on hard. “We’re coming home now.” 

🤍🌷 tagging:

@theshippirate22 @mentallyundone @ledleaf @imfinereallyy @itsall-taken @simply-shin @romanticdestruction @temptingfatetakingnames @stevesbipanic @steddie-island @estrellami-1 @jackiemonroe5512 @emofratboy @writing-kiki @steviesummer @devondespresso @swimmingbirdrunningrock @dodger-chan @tellatoast @inkjette @weirdandabsurd42 @annabanannabeth @deany-baby @mc-i-r @mugloversonly @viridianphtalo @nightmareglitter @jamieweasley13 @copingmechanizm @marklee-blackmore @sirsnacksalot @justrandomfandomstm @hairdryerducks @silenzioperso @newtstabber @fantrash @zaddipax @cometsandstardust @rowanshadow26 @limpingpenguin @finntheehumaneater @extra-transitional (sorry if i missed anyone! lmk if you don't wanna be tagged for part 4 🫶)

[doctorsiren]

Maybe you could call it Reunited Stans AU?

Also, how do you think the gravity falls locals would see those two? I think Ford would end up getting out of the cabin much more because of Stan. Maybe you could draw them going to town for drinks? I don't know.

I like to think the town locals would either be horrified of them and talk about them as cryptids in their own right, or just be annoyed by their shenanigans

I just remembered they’d be in their early 20s when coming to Gravity Falls haha

But yes they’d definitely start out as “those weird twins that live in the forest” but once Stanley starts feeling like he’s actually safe from that old life Ford pulled him out of, he starts going into the town, which then leads to him dragging Ford along

It’s probably a mix of both, where the town sees them as those odd guys and then also get annoyed by what they do, but also I think they’d think of them as a new endearing staple of their town once the whole “newcomer / stranger” title fades from them. It’d be sort of the same way Stan is in canon with the Mystery Shack, where even though people find him annoying, they also always come to the events.

Also Stanley 😭 your brother does not wanna be in that bar, let him go do nerd things

[harbingerofsoup]

hey so i posted this over a year ago as a joke but uhh the vibes coming from 911 indicate a real possibility of the cycle continuing

[mellowwillowy]

LISTEN YOU TWO IT IS ILLEGAL TO BE SO DEMURE AND SEXY. JADE AND HIS HAIR STRAIGHTENER, FLOYB AND HIS SHOULDER. SO SCANDALIS. SO SEXY. ON WHAT BASIS????

You and your stupid bandana or whatever. You and your stupid eel hairpin. You and your stupid bed hair. You and your stupid morning face. Stupid sleep wears stupid morays I'm gonna cook you two.

Yes you guys are stupid and I'm gonna double it RRRAHHHH I'm gonna be the one to bring you guys to bed because you guys are dumbbbbbbbb (melts)

[susie-dreemurr]

“He says his words are just for me, but he wants to ask… isn’t this enough? Isn’t this what you wanted him to do?”

“He says he’s tired. I don’t think he’ll answer anything else you have to say”

HELLO??????

[astradyke]

I would adore a deep dive into your thoughts on Phil’s quiet but wonderful way of showing his love for Dan being through photos

hi, i’m sorry i’m responding so late to this, but i really appreciate you enabling me here because i do seriously think about this constantly. i don’t know if i have the words to articulate it, though, so… bear with me. i'd quite like to try.

nobody loves in just a singular way, that’s the preface to this. when i say that Dan loves through words and Phil loves through photography, i don’t mean that Dan doesn’t use photography as an act of love— because there is a polaroid, in their house, of Phil that Dan took— and i don’t mean that Phil has never said something profound about Dan, because we all remember how he talked about Dan’s book at the end of the haircut video (19:13). i, at the very least, never really left the parts at the end of what Dan and Phil Text Each Other 2 where Phil constantly amplifies the work Dan is trying to do, unmasking his own frustrations at the struggles Dan has to experience, and meets Dan's self deprecation with affection (here's that dissertation) (19:57). Dan may use words in a very abstract, artistic way, professing his love for Phil as a ‘soulmate’, an unmatched connection, but Phil still has a careful, casual way of endlessly maneuvering himself to stand by Dan’s side. etc. and of course, there are five thousand other ways to adore a person. Dan and Phil do a little bit of everything; we are lucky to see a spare few snippets.

all that said, let’s talk about photography, yeah?

there is a permanence to photography, even if it’s not always a tangible permanence. they are timestamps, living commitments; i refuse to accept the idea that photography is somehow a ‘stand in’ to ‘true human connection’, rather than a critical facet of it. ex. i know that my best friend is real even if i didn’t have a photo of him sitting beside me on a wayward bus, but it’s still important that i inscribed that memory distinctly into the fabric of my life by taking a moment to chronicle it.

Phil Lester uses photography as a way to immortalize a thousand different fragments of his forever with Dan. there’s a distinct thought process, right, to see someone you love and decide— i never want to lose this moment. that decision, in of itself, is enough of a love confession, but there’s another layer when you decide, on top of all of it, i want the entire world to see this. when Dan described his love for Phil as "more than just romantic", he opened up a piece of himself to show the world, this is how i love this person. this is how i see him. when Dan calls Phil bubby, or dear, this is him cracking a hard exterior to say this is how i see you.

the two of them, upon first meeting, took a selfie together at the Apple store— Phil was the one to press the button. when they sat at the top of the sky-bar, Phil was the one to take a photo of Dan amidst the golden hour light. maybe he didn’t know that Dan loved him back, yet, but he had a certainty in his own adoration of Dan— that regardless of whether Dan wanted him back, Phil wanted him. the image feels timid but assured, like swallowing down anxiety to look yourself in the mirror; you can feel that through the pixels of it, so transparently. Phil’s love of Dan was not conditioned on anything: it was a terrifying but beautiful thing, and he wanted to preserve it, so even if it all went wrong he could say this is how i loved you. this is how you are loved, to me. you don’t have to want me back, but know that you were wanted, here, crawling into your own head sitting across from me in a city i’d like to call home with you, someday. so let me. and when you look at this photo of heart eyes Howell, cradling a bear, it’s louder than a blood rush: i love you.

[ID: Dan Howell sitting in the sunlight, looking outside the window while holding his phone. end ID.]

[ID: Dan Howell in a fuzzy hat, holding a stuffed bear against his face and looking at the camera with a small smile. end ID]

(sorry. it was necessary to include).

every year, Phil spills this oath into his camera roll. when Dan’s birthday arrives, Phil has a thousand candids to show for it, a thousand of silly and unflattering photos— a “loving” selection (7:41). exposing my heart a little here, but when you are someone who struggles with insecurity at some level, photos of you that are unflattering circling around feels horrifying. you want to be composed, and pretty, and loved— but then, maybe, it settles in that you are loved someplace beyond conditions. Phil chronicles these casual, vulnerable moments with Dan, and he shares them, because he loves Dan to a level past the flat logic of if he is composed, if he is pretty, then he is loved. Dan may be unattractive at points, but he is never unloved. never again.

these photos also demonstrate how much Phil romanticizes the little moments with Dan. watching him play Skyrim in VR; sitting beside him while he plays Elden Ring (3:40); admiring an oddly-shaped tear in his pants (missing citation); taken aback by a large poodle jumping into his lap. there are hundreds of photos of Dan taken by Phil which have escaped. imagine how many more linger. if we can go off of this (admittedly horrifying) tweet, we can envision a camera roll overflowing with him.

when they go on vacation, Phil takes soft photographs of Dan. here’s this love in a new city, just like we did fifteen years ago in Manchester, before i knew the right way to hold your hand, the right way to counter your cynicism, the right way to systemically reject every pet name because saying your name like a promise is enough— i’m putting this love into the world because i no longer live in a world where i go a second without it. Phil saves photos of Dan looking at him like he hung the stars, and he saves photos of Dan walking in front of him— he would never save them, as an Orpheus, but thankfully he doesn’t have to anymore, not after 2019— and he saves photos of Dan happy, because he wants to save that, too. Phil will save photos from every era of Dan’s life, but he wants those photos the most.

Phil has seen Dan perform in front of thousands. he has seen Dan pass out from standing up too quickly in their living room. he has seen Dan stumble home from a unexpected solo walk, he has seen Dan try to hide his fear-to-death in Phil’s childhood bedroom, he has seen Dan try to use a laundry machine, he has seen Dan in every way a person could: i love you.

Dan knows all of this. Dan sends Phil photos of himself when he’s solo traveling for his tour; the two of them almost never call, not unless Dan’s in a cab, but they regularly facetime. Dan winces at old photos of himself, but Phil coos at them.

Phil Lester is a romantic. he likes to hold his love to his chest— sharing photographs, but careful not to share too much. i think we under-estimate the shift Phil had to make, sometimes, in 2019: coming out was a major deal to him, too, even if he had already been out to some. more than that, coming out while Dan was also out is a very different experience. still, he likes to stay private, which is why we’ve not seen what i imagine to be hundreds of photos of Dan in Phil’s arms, or Dan kissing him on the cheek, or Dan asleep beside him in his bed (because we know how often he takes photos of Dan asleep, but i can't even begin to get into that right now).

even still, from what we can see, God, it’s everything, isn’t it? i can’t imagine what it felt like, for Dan, first trying to reconcile all of this. when you go so long without experiencing a safe kind of love, your reality fundamentally shifts. everything is brittle: you have to be hard enough to survive it, but not too hard to break the little you have entirely. half of you is a secret, the other half of you feels like it should be— who you are shifts, when you are loved, so in the reverse: when you go so long without it you feel displaced internally. when you find that love, you throw yourself entirely into it, expecting nothing but wanting everything. you punch a wall only to feel the plaster cradle your touch; you tell yourself you’d never turn back and you hate that need to; you expect to hit the sea but the wax never seems to melt. impossibly, you are okay. maybe i showed too much of my own heart there, but when i look at 2009 Dan, i see all of that. eighteen years old, and for the first time since he was a tiny child, he actually felt safe.

because Phil says Dan like it’s the sweetest word in the world. because Phil has a hunger for everything Dan creates. because Phil held Dan when he dropped out of university, picked up his first radio job with him, moved in with him, and never left. because Phil never treated Dan like an experience to hide away. Phil loved parts of Dan back into life.

because Phil takes photographs of Dan, everywhere in his life, to say: this is my world, now. you can’t take a photo in the daylight without capturing the sun. you can’t take a photo in the nighttime without capturing the absence of it. Phil says Dan’s name in every video, and he takes another hundred photos, because he’s so fucking sure about this love. there’s not even a question to be asked.

this is only a fraction of what there is to say about it, some messily constructed analysis, but it's hard to capture. i'd call Dan a lucky bastard, but it's hardly luck, is it? Phil makes the decision to love Dan every single day, and it might look quiet, but it's so unfathomably loud.

[poorly-drawn-mdzs]

Thank you. I'm sorry.

[First] Prev <–-> Next

[a-realproblem]

i’m still thinking about

“clothes off, face down in the coffin. you can read em to me while I fuck you.”

armand I can’t even shame you for how quickly you started undressing because something in me moved too, like i’m ashamed of myself.

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[falmerbrook]

YouTube link

Happy extremely belated Valentine's Day! I've been struggling to draw these characters of mine for awhile now, so I thought what better way to figure them out than animating them.