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diacripticcomplex · 1 year ago

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My absolute favorite DL characters in no particular order:

🌸 YUI KOMORI 🌸

Never understood the hate towards Yui. Again the anime is a promo for the game and it did not do her character justice at all. The prequel and sequels for some of the mangas did her character justice. She’s a very kind and compassionate person, she’s HUMAN and grew up in a church, she’s a soft girl who doesn’t like violence so y’all can only imagine what this girl has to go thru meeting a bunch of bloody thirsty horny vampire boys, who have severe parental issues and a bunch of other abusive behavioral problems, but she is very patient with each and every brother in all the routes and I love that about her, she’d be a really good therapist too lmao. She’s an Angel, must be protected at all times. I won’t tolerate any Yui hate on this blog.

❤️‍🔥 AYATO SAKAMAKI ❤️‍🔥

Poster boy for the entire franchise. A lot of people find him to be annoying, he is annoying and we love his Aries self for that. While Ayato is a menace to society he’s got a good side to him as well and for the most part knows right from wrong, more than some of the fandom gives him credit for. I also really like his character design, he kinda looks like a mean little bat. They give him a lot of cute and playful moments with Yui and I think that’s beautiful especially in a dark themed game series, they have serious moments but also a lot of light hearted moments and I think that’s important to lighten up the mood sometimes.

👨‍🌾 YUMA MUKAMI👨‍🌾

First off, I absolutely love his character design, the messy long hair and he’s a giant too plus they gave him realistic human hair and eyes to show that he used to be human, maybe I’m thinking too deep on it idk. I absolutely love the identity crisis he had due to his amnesia and the connection with Shu, it brought that twin flame connection back, I love those best friend tropes a lot, his voice actor also is Mako from Free! So I have no choice but to Stan Yuma. Yuma also has a lot more self awareness then the rest of his adoptive brothers and thinks ahead due to his past experiences, he knows that he’s a vampire now but still has a garden for food and has sugar cubes with him at all times, he uses his past experiences and acknowledges that it happened then moves forward he doesn’t dwell on it too much.

🔪AZUSA MUKAMI🔪

He’s a lil creepy, and socially awkward at times but he’s just so relatable sometimes. He’s very soft spoken and he a lil wild with his pain tolerance and some of the out of pocket shit that he says, but I think he’s such a sweetheart, protect him at all costs as well, even his brothers know to protect him at all costs.

🎻 SHU SAKAMAKI 🎻

Shu will forever be my favorite DL boy, he doesn’t like doing anything but can do everything and do it perfectly too. He has severe ptsd, depression, and detachment issues. No you can’t fix him even Yui realizes this and just accepts him for who he is because that’s the only way it’ll work. He’s also hilarious without even trying to be, he says some mean shit at times but it’s so unhinged like damn Shu you don’t have the energy to eat, shower, wipe your ass but you got the energy to completely disrespect all your siblings with a few words. Also his beef with Reiji is somewhat familiar grounds especially if you have a sibling that is constantly irritating your soul. I always felt like I could relate to Shu the most due to him having a hard time getting close to people after losing his best friend, he can’t just get over it either, I don’t like when people would say “oh it happened a long time ago” yes it did but everyone heals at their own pace and it’s important to acknowledge that as well.

#diabolik lovers #diabolik boys #yui komori #shu sakamaki #dialovers #ayato sakamaki #diabolik brothers #yuma mukami #diahell #azusa mukami #favorite characters

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scorpionyx9621 · 3 years ago

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Should You Fight the Batboys

In general

These dudes are literally trained in multiple forms of martial arts and can/have/will kill again if you piss them off just right.

But you're reading this post. So here we are, discussing the fact that I'm analyzing the anger and rage and fighting of these beautiful boys. Here we go.

Dick Grayson

Dick honestly is probably one of the most cool and collected of the family in terms of facing harassment and people try to fight him with words. Boy can shrug off a lot.

That being said, when he does snap, he goes from zero to Krakatoa in like 2 seconds.

Remember, this is the man who mauled the Joker to death with his bare hands when he thought the joker killed Tim.

The way I see it visualized? Hugh Jackman in the movie Prisoners during this scene. Trigger warning: Violence, blood, and Hugh Jackman screaming at people and breaking things (but hey some people are into that.)

Dick isn't cruel. But he will make sure you live to fear him and his wrath. I'm talking screaming in your face and breaking shit around you.

If you're just someone who doesn't have any clue who he is and you seem like a civie, he'd rather try to de-escalate the situation and talk. If you're physically threatening him he will respond as such but won't try to hurt you. If you threaten his friends/family... Ho boy..

Again, it's not likely you'll see Dick's true anger. But just remember, there is an alternate universe where Dick becomes a fascist dictator after being pushed too far.

but yeah, Dick knows his strength and his power and he'd much rather try to talk to you/scare you away as opposed to actually fighting you because unless your name is Cassandra Cain, chances are you aren't winning that fight.

Jason Todd

"You've met with a terrible fate, haven't you?"

Surprisingly Jason is a lot more rational than people give him credit for. If he can tell you're someone just trying to pick a fight but you're a civie with no clue to the fact that his kill count is north of 80. He'll try to cut you down with words and insults.

Or he won't. Jason's not necessarily known for his predictability. It all depends on mostly his mood but also the what emotional state he's in at the time.

I certainly would not recommend trying to fight this guy. He has abused venom in the past and has been show to be able to literally kick flip BANE on his own. If Jason was angry enough I have no doubt he could either crush your skull with his bare hands ala The Mountain from Game of Thrones (not linking it you look it up) or he can literally crush your skulls with his thighs (what we all want deep down inside.)

Jason's an angry POS on a good day. If you've done something to truly set him off. Jason will hunt you down and make sure you grow a set fear of god before he comes to brutalize you. ("This is hell, and I'm the devil." Jason ~ Injustice 2)

It's hard to tell how Jason will react because of just how unpredictable his nature is. I'd like to think he'd rather try to cut you down with words or insults first, maybe talk you off the ledge if he's feeling really generous, or he could uppercut you/pistol whip you. You gotta roll a saving throw every time you encounter him but automatically have a handicap of negative 3 on a D20.

Overall please don't. It'd be hilarious if you actually tried to fight him, hell pretty sexy even. But there's less harmful ways of getting your ass kicked. I hear Cuphead is rough...

Tim Drake

Now Timberly is interesting. He's the most rational and logical of the Robins. I don't think he'd outright try to fight you even if it can be avoided. Hell, even if you start swinging, he'd rather go for forceful de-escalation.

That being said, when we have seen Tim truly unhinged and angry. It's comparable to Lex Luthor. Ala literally launching friends who betrayed him into space (yes the New 52 is a trip)

Tim internalizes a lot of his feelings and would much rather focus on productive means of anger management and revenge. Aka if you piss him off you better sleep with one eye open but that's still not going to help because he'll create cruel, unreal ways to make you suffer.

Hell even in a physical fight I don't see him rushing out guns blazing. He's much more trying to de-escalate than fight.

Tim also finds it very easy to forgive. But he's not the one to forget. Ever. And he will remember a misstep or an act against him.

Should you fight him? No Tim is still jacked and trained on various martial arts like his brothers. You're likely not going to win. But between the four of them, you're most likely to both survive and win an encounter with Tim.

Damian Wayne-Al Ghoul

Why are you here? Why have you failed so epically in life that Damian is coming for you now? (Granted it's not hard to piss him off. But to make him want to kill you is different)

Again, his bark is a lot worse than his bite solely because Damian will resort to words first, and he has no filter so Damian goes right for the jugular with his words.

That still not enough? You really think you can win against a kid who was literally bred and raises to be an assassin? You're a joke. You aren't a clown, you're the whole damned circus.

Damian isn't necessarily as vengeful as say Jason or Tim, nor is he as explosive as Dick. But Damian does go right for the kill and will do so with a straight face.

Again, if you're just some person looking to fight, he'd rather cut you down with his words as opposed to trying to expend the energy trying to harm you. Should you actively pose a threat, his actions are always decisive and quick.

Things are very black and white for Damian. I don't see him as the one holding grudges or seeking revenge unless you're close to him. It's either you don't matter to him or he just sees you as an obstacle.

#dick grayson #jason todd #tim drake #damian wayne al ghul #bat boys #batman and robin #robins #nightwing #red hood #red robin dc #i was bored and need the notes fam

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themosleyreview · 3 years ago

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The Mosley Review: The Suicide Squad

There's only 1 of 2 ways this film could've gone. It could've gone the easy route and maybe killed off 2 or 3 characters, tell a decent action story that's blinded by the butter glazed popcorn shaped glasses OR go balls to the wall with the amount of gruesome violence the DC villains are known for, have a balanced story that’s full of comedy, heart and will leave you with a satisfying film that defies the norm. What I love about all the DC films is that they don't pull their punches in delivering grittier and more violent stories that fit the DC Comics brand and gives them a unique signature. The past Suicide Squad film had the framework, but really didn't hit the mark since it was a poor plot that was shackled inside a PG-13 cage. This film was not and we finally get to see villains do what they do best and I loved that each one had a chance to shine before their painful and surpising demise. The action in the film was executed in gloriously violent set pieces. You are not supposed to be rooting for these people, but you do because they are you heroic villains for the time being. I can't tell you how much fun I had watching these characters in a story that reminded me of the original 1978 version of The Inglorious Bastards. The slogan is true though, don't get too attached because a lot of these characters die.

There are a bunch of characters and they’re all great, but I'm only gonna focus on the main cast. Viola Davis returns as Amanda Waller and she is even colder and more sadistic than ever. Viola scratched the surface of the character before, but this time we really get to see Waller become unhinged and I loved it! Joel Kinnaman returns as Rick Flag and I loved him more this time because of his natural leadership presence. Flag gets alot more to do here and he shows that he is more of a hero than villain. Idris Elba delivers an excellent performance as Robert DuBois / Bloodsport and even though his story is pretty much the same as Deadshot's from the past film, there was enough of a difference. His motivation was pure and I loved that he cared about his team. Margot Robbie returns as Harley Quinn and she delivers yet again. I liked that she was more violent and you see her moral code in a dark and yet poignant scene. She kicks ass in the film and it was fun to see her do it. David Dastmalchian is a fantastic actor and he was no different as Abner Krill / Polka-Dot Man. I really loved his arc from being the quiet one to a full on hero by the end of the film. He has some psychological issues that are twisted in origin, but are used to hilarious extents. John Cena steals almost all the scenes as Christopher Smith / Peacemaker. Although he was one of the most violent characters in the film, he has some great chemistry and comedic moments with Bloodsport. This character was tailor made for Cena and he was so much fun to watch. Sylvestor Stallone was great and fun as Nanaue / King Shark. He may be a bloodthirsty shark that rips people apart and eats them whole, but he has a sweet and lovable side to him. I liked Peter Capaldi as the Thinker and his version was a bit more under powered this time and I found it refreshing. He was probably the most grounded amongst all of them. Now the real heart of the film was brought to life by Daniela Melchior as Cleo Cazo / Ratcatcher 2. She keeps the group humble at times and I loved her brighter side at looking at the world. She was not afraid to show how much she cares for the team and her chemistry between Bloodsport and King Shark was perfect. I really loved her rat companion Sebastian and he gets to shine in many cute and funny scenes.

The bombastic and badass score by John Murphy was outstanding and introduced a fun theme for Task Force X. The soundtrack of the film was excellent as well and plays over some truly beautiful and gloriously gory scenes. The main big bad of the film is a DC Comics fan favorite and it was perfectly brought to real life. Writer and Director has made a magnificent successor to the first film that is completely unhinged and free of all constraints. I truly loved this action comic book epic and this is definitely top tier DCEU and one of the best action films of the year. There is one mid credits scene that you'll either love or hate for its weirdness and I loved it. This is a must see on the big screen but if you can't make it out, it's also currently streaming on HBO Max. Let me know what you thought of the film or my review in the comments below. Thanks for reading!

#the suicide squad #idris elba #joel kinnaman #margot robbie #sylvester stallone #david dastmalchian #john cena #peter capaldi #Alice Braga #viola davis #nathan fillion #james gunn #jai courtney #DC comics #dceu #daniela melchior #sean gunn

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theglguidetowebcomics · 4 years ago

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Full review: Girly

What’s Pink, insane, NSFW, hilarious, and somehow heartwarming at points? This comic is a ride and a half, and I’m genuinely surprised more people haven’t heard of this one�� I’ve been wanting to talk about this one for a WHILE.

So let’s talk about the elephant in this room… Because I think it just ate someone’s couch.

Slightly NSFW review with spoilers below.

Girly, by Jackie Lesnick was a webcomic that ran between 2003 and 2010, (and really has some of those early webcomic hallmarks). Its monochromatic pink, vertical, with a poppy early cartoon feel. It’s also listed as a romantic comedy, which is… correct, but cuts a whole lot of what makes this comic good, short.

This review was always going to be one of the 4 I really struggled with. And not just because I lost it the first time without a back up in a code glitch, got distracted by a pandemic, then procrastinated my way to finally making a second version in my new backup folder… No, well also yes but no. This was a comic I read when I was younger (and should NOT have read when I was younger), and have always had a soft spot for. I’ll admit as much as this comic has its flaws or weird moments or just weirdness in general, its one of the few comics I’ve found myself rereading in its entirety more than once. And no matter how much I know it's coming, find myself sobbing, uncontrollably, at the final panel. There’s surprisingly a lot of heart in this comic, and a whole lot of honesty in just the direction the author took this weird little thing. But, first let me take of those rose tinted glasses as much as I can… (actually that might not work too well with a pink comic seriously whats with all these early 2000s lesbian comics being PINK?). And give this old comic a look and a bit of a dust. but , first...

Sex.

Getting to the point - page 3 of “Girly”

Girly is a NSFW comic. It’s not shy about it either. It hits the audience (and the main character) over the head with it literally in the first pages. It has sex positive characters, a sex positive world, some characters with… sex powers almost, and Dildos, a whole lot of dildos. Some even with smiley faces on them. It’s a pretty unavoidable part of the comic that makes up a large core of it’s humour and is baked into its wacky world. So if that’s not your thing, and it’s not really skippable in this case, you won’t like this comic.

But, if you’re alright with that part of it this might just be a hidden gem. Moving on.

Art

Artwork is always interesting in webcomics. They’re usually one man shows, have a weird niche / strong influences, and or usually go on massive journeys as the art improves. Girly is no different here.

Girly starts out rough. Some poses are wonky and its a bit scratchy. Technically speaking it has a few issues, which is fine. Its a free webcomic, from the 2000s that didn't copy and paste faces. (Won’t name names, you know who you are). You can’t be too harsh on a free comic, though.

However, what the art style does, even early on is set the style and feel of the comic. Anime inspired faces, bold outlines, and blocky silhouettes that were really popular with 90’s and 2000s cartoons. It has a newspaper, manga comedy strip vertical style, too. It fits the style of story well as a poppy wacky story. It's the perfect art style it could take.

Its rough in the beginning, but moves on from its scratchy days, to loose pen brush, to finally a polished free hand poppy style. It gets more technically advanced as it goes along, but it keeps its core style throughout. It’s fun, a little unhinged, and just pares perfectly.

The one issue I have with the art is it comes off as a bit cramped. It certainly matches the energy of the story, but it also feels like it doesn't let the characters have any breathing room in the frame. It comes off as squashed, and can make some character poses hard to read. That’s the only complaint I can find though. The issue even fixes itself later in the story, but just very very close to the end. It looks great there, but the majority of the comic is a little cramped. Still that’s just a small complaint.

Nitpicking here but some panels need a lil more room

This a humour comic foremost. It's the biggest part of what makes Girly specifically Girly.

Humour

The humour is mostly wacky nonsense, playing off its insane characters, physics defying world, everything being dialed up to 11. It also works a lot like satire, poking at what influences it, and playing with cinematic expectations. The first page has Otra shooting someone into space on a rocket because they annoyed them, the first “adventure” the character’s go on is stealing everyone’s pants because they couldn’t find anything else to do. Then there’s the kidnapping adventures, knight trials, and slice of life shenanigans that happen. All of it as wacky as the last. I haven’t really found any other lesbian comics like it. Its not everyone’s tastes, but it is certainly unique.

If you’re into a willy wonka tunnel of over the top characters and plots, you’ll like Girly.

Characters

Girl is a LONG comic, it ran for 7 years. The art evolved, the story writing, jokes, and themes along with it. It was originally meant to run for only 50 strips... and it ended up with 764.

so, there’s a lot to unpack.

Firstly, the premise of the story is somewhat simple. It focuses on Otra. The kinda straight man to the entire universe. She starts out almost depressed, out of place, and bored of the wacky inhabitants of her world. Until one of those wacky residents smacks her over the head with a giant dildo and won’t leave her alone for the next 7 years of run time.

What follows is the sullen Otra being pulled around by the always cheery and zany nonsensical Winter as the sidekick for bizarre adventures. Otra’s depressive grounded view keeps the bizarreness funny, while Winter cuts through her negative attitude and causes a lot of the over the top plot. Leaving Otra to warm up to the world, and Winter to get less reckless as they balance eachother out. It’s a fun dynamic, and works as an emotional core of the story. No matter how weird the plot and rules of the world are, their relationship keeps the story somewhat focused and rewarding to see develop.

An example of bold wacky character designs from even early on

The comic isn’t just about them, though. As an ensemble comic there's plenty of side characters that go through arcs and beats as well. From el chubacabre, the man that woman find so irresistible that they sleep with him as soon as they see him; detective Clapjaw the street wise detective who is very bad at his job; Officer Hipbone and police guy from the cute P D; captain fist the ever popular bad at his job superhero who gets all the credit; the news reporter obsessed with captain fist; the woman with babies; Steak; the elephants that just… appear and eat buildings; among many many others. A lot of whom also have nicely written character arcs and depth in later chapters. Many of the character however are simple and remain simple, which isn’t a bad thing. For such a large cast, having a diverse range of strange characters with strong identities and looks even if a bit simple stops it from getting bogged down. It strikes a good balance. Plus there’s plenty enough of characters with more depth later on.

All the character’s are insane, and over the top in a way that really sets up the world they live in and how it works... as dysfunctional as it is. There’s something very Cartoon Network about all the characters, but with some wider influences. something about dumb characters, with very specific goals and quirks that work on their own physics to feed into the high energy insanity of the world. Its entertaining to read, and leads to a weirdly charming feel of the comic.

Story and plot

For the bit people actually want to know about. What is it about?

Just a little bit of influences...

For the style itself the comic comes off as a mix between early 2000s slice of life-y anime, 2000s cartoon Network, and a dose of 2000s webcomic sarcastic action/adventure flare. It definitely has one of the most pronounced styles that I’ve seen, and even if it's very much a webcomic of it’s time it also goes a bit beyond that into something that feels personal to the author and honest. Its a batshit comic. But, it wears its influences on it’s sleeve and really plays with tropes and ideas the author found engaging at the time. It somehow comes off as refreshing in just how willing it is to go weird or niche for no other reason but because it wants to. It's what I appreciate most about the comic. It’s honest.

The overarching story of the comic is without a doubt about Otra and winter growing together as people. But with a comic that’s run for 7 years a little bit more happens in the journey, at least you hope it would. Girly runs on chapters, 15 in total (with 15 having sub chapters due to being the story’s climax), and each one of those chapters follows a different plot or adventure with Otra’s and Winter’s developing relationship gluing them together.

The plots themselves are wild and vary a bit in quality. But for a long comic that’s understandable and expected. They go from solving elephant problems, super villains, body swapping, fantasy parodies, and all sorts of strange things. Sometimes a few plots drag and a few character arcs feel a bit bland. It still manages to be entertaining all the way through though. The plots themselves work to get the character’s to play off each other and explore the strange world it takes place in. Exploring evil teddy bears, or an entire town devoted to cheap gags. No matter what, all the plots work in fleshing out the world and pushing character’s out of their comfort zone or forcing them to change. There are some that are less fun than others, but none of them manage to be boring or useless. Which for a long comic such as this, is quite an achievement.

Conclusion

Girly is a hidden gem, Its an insane sex positive comic. A loose style and even looser physics. It’s bold and unabashedly itself. But, at its core it's about the love story of Winter, the wacky insane woman needing to slow down and open up, and Otra, a sullen woman who’s deemed herself only worthy of being on the outskirts of society. It’s two people growing together in a world that’s up to its ears in care bears, sentient dildos, earth shattering cloning, and jabs at 2000’s paste it comics. And somehow it all sticks together.

The characters resonated, at least with me, which may be the nostalgia talking. But by the end of the comic I can’t help but think back on how long it took them to get there. The bits that made me laugh (a lot of them), the stupid parts, and the character’s arcs, as over the top they could be at times. It may not everyone’s cup of tea. But it has a lot of heart at its core. (If you get past all the dildos).

For all it’s flaws and weird bits. I still find myself going back to Girly.

Maybe now, some more people will too.

#girly #webcomics #review #comic #lgbt webcomics #queer #lesbian

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kareofbears · 5 years ago

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persona 5 royal: my thoughts after finishing it five minutes ago

disclaimer: the only reason im writing this is because 1) i have a lot of thoughts and feelings that i need to write down and if i dont ill explode and 2) i want to be able to find this when p5s eventually drops so i can compare my thought processes. if you do not agree with what i’m going to say, that’s cool! just block me or ignore this post.

now for the sake of sanity, i’m going to try and narrow down this entire list into chunks because this’ll probably be very very long and very much about me just screaming about stuff that i liked, loved, and don’t like. i will be spoiling both the original persona 5 and persona 5 royal, obviously, so i hope you finished both!

1) Akechi

so yes. Goro Akechi. Everyone’s favorite murderer. I’m going to by spewing a lot of hot takes, and this is probably going to be the spiciest: i am in the most intense love-hate relationship with this brown haired antagonist because jesus christ is he a complicated son of a bitch. I know i’ve complained in the past about how much Atlus often struggles with utilizing a character well, but that does not at all relate to Akechi in any way, shape, or form.

I’ll say this now: He is a character I genuinely, truly hate, yet he is the one I want to hear from the most. He is someone who is a bad person (yes, he is a bad person) but whenever he comes on screen he makes me sit up, he makes me pay attention to him because that’s just the aura he exudes. He is a character who i would never, ever waste my time defending or justifying his actions, but every minute joker spends with him is a minute i want to stretch out as long as possible because he is just that good of a character. He is interesting, he is well defined, he is smart, he is clever, he is sassy, he’s a motherfucking asshole who’s never had a vibe check in my life and i still hate him. Goro Akechi is what Star Wars wanted Kylo Ren to be, and that allegory may not make sense to many people but it works for me so i’m saying it. It’s to the point where writing akechi in a fanfic makes me sweat because in my opinon capturing the essence of akechi is near impossible unless you know what you are talking about (i do not mean that in anyway to discourage people from writing him, im just saying that I am a coward because i will never be able to write a good akechi). Anyway, bottom line is: i despise him but my eyes are always glued to him at all times.

back to the main point-- Atlus absolutely nailed this character and every single addition they put in for Akechi. I’m so damn thrilled that you actually have confidant hangouts with him because every single time you talk to him, it services not only the plot, but it perfectly does what it is supposed to do: it makes you like him, but also leaves the player slightly unnerved. they do it so casually that I might have trouble explaining it, but bear with me: everytime you hangout with him, he always does or say something that unhinges you just a little bit, it leaves you asking ‘wait why?’ or ‘but how did you know that’ or ‘why are you saying that?’. akechi is constantly playing mind games with you. and not only that, adding backstory to akechi (moreso than in the original) is just fucking fantastic. he’s always been a fully fleshed out character but after playing royal, goro akechi actually exists in my mind, and i still hate him (but also i dont. but also i do. anyway)

2) the ending

just finished the game and this is the point where i am at odds with p5r for the first time. the ending to p5, in my opinion, was flawless; everything was perfect and had meaning. from the shot of akira being shown to not wearing glasses anymore because he no longer feels the need to wear a mask (character development: he was very unhappy at the beginning of the game and now he’s happy with his friends--i love it), to his friends being the one to drive him home (amazing, he left his home town and came to shibuya alone via transit, and one year later he’s now leaving with all of his best friends in a van they rented just so they could stay with him as long as they can--it’s perfect, i love it), and also all of them seeing how large and infinite the ocean is (because now there’s unlimited options for them because they all have a new perspective on life).

But....none of that is there in p5r. it feels impersonal. no one drops him off at his hometown, he was still wearing glasses, and there’s no grand metaphor about what they all achieved.

Now, i am not a (complete) moron. I know why they had to change it: it’s because of persona 5 scramble (i think). they wanted to set up a plot for the next game and i feel like thats the reason why persona 5 royal’s ending suffered for it: they were too focused on the next plot that they forgot to focus on the sentimental ending for p5r. don’t get me wrong, seeing akechi in the train station absolutely made me lose my shit and made me scream at one in the morning, but i think they lost the core meaning in doing the other stuff. i did not like the focus on maruki and kasumi (will be talking about them later), cause i feel like it took away from the ending, and i also didn’t like the fact that the whole joker outfit in the reflection thing (but i will be letting it slide since it was during the after credits anyway). So while i do love one (1) new aspect of the final cut scene, i still adore and stan the one from persona 5.

3) the entire last semester

i’ll be quick: the final palace? the best palace. fight me. it’s fantastic, it’s innovative, it’s interesting, and most of all, the palace ruler is actually the best one in the entire game and i know i wont be the only one to say this. maruki is not a villain: i know for a godamn fact that im not the only one to say that i almost agreed with his deal of allowing the reality (damn i almost agreed twice) because why wouldnt you?? it’s literally a perfect reality! the only reason i didnt agree is because i knew the game wouldnt want me to agree and would force me to have the bad ending! anyway, i love the last section so much. the palace design is interesting, the antagonist is brilliant (who doesn’t love a morally gray antagonist?), and finally, the payoff of kasumi happened and it made me silent for ten minutes. the entire reveal of her being sumire and kasumi being dead is just so genuinely shocking to me that it nearly broke my neck.

what actually broke my neck was the initial incident for the third semester. seeing everyone in this wild alternate reality made me so unsettled that i literally got a stomach ache. i saw morgana as a human and nearly passed out. shiho in the underground? wig. ryuji saying he’s on the national pedastal for running? literally my eyebrows just popped off my head. fucking WAKABA? FLATLINED. brilliantly executed and i love the initial akechi and akira buddy cop movie vibes in the beginning it was just so fun.

one huge part of the third semester for me though, was of course, akechi. seeing him completely throw away his ‘charming ace detective’ speil was the most refreshing and interesting and not to mention, hilarious part of the game. he does not give a fuck about anyone and he is not afraid to let you know. he is the biggest savage and the most insane person on the phantom thieves group. he’ll roast you, he’ll roast your boyfriend, he’ll roast fuckin anyone and it’s fantastic. not to mention his dialogue is killer: he says the most bat shit insults ever and my favorite example is when you go up to him near the end of the game, you know, to hangout with him and be a nice guy, he just does not hesitate to say ‘what, you came just to see me? just the sort of brainless sentimentality i’d expect from you.’ i LOVE IT because why the hell would he try to be nice? the jig is up, he’s got nothing to hide. and he owns it. atlus seriously nailed akechi in this last semester and it’s brilliant and i love it.

4) everything else

- one small thing that pissed me off in both games (but especially this one) is how many godamn fake out deaths there are. Morgana has one, Akira has one, Ryuji has one, Sojiro has one, Maruki has one, motherfucking Akechi has two. it just hurts me!

- sumire is an amazing character who has depth and she is lovely and my biggest complaint is that it feels like atlus shoved her in. like, she feels like a new addition to the game, you know what i mean? maybe its because ive played the original p5 first, but you know, it’s not a big deal. but i love her so much

- on the topic of sumire, i cant say that im completely super duper happy with how different she felt from the other thieves? im sure that’ll be explained in p5s but she just got so much screen time that it just truly made me confused?? maybe im just a horrible person, or that’s just a really hot take. but anyway, yeah maybe im bitter because i really wanted to see extra hangouts/school trips during royal, but didn’t really.

-baton pass? literally orgasmic. it made turn base battles so damn fun and the addition of darts and billiards made me foam at the mouth it was SO SMART AND INNOVATIVE AND I LOVE IT ATLUS I LOVE YOU ATLUS YOURE SO SMART SWEETIE

-small thing, but making spells like ‘dormina’ actually useful just made the game so much more fun and dungeon crawling became something i truly, genuinely looked forward to

-being able to give gifts to my bros? absolutely incredible. thank you. side note: seeing akechi happy from giving him a multi vitamin cracked me up. side side note: giving ryuji a fuck ton of weights and him just smiling made my heart so happy i love that boy so much

- ah this game just looked so GOOD! i thought the original looked good but they really went all out. im not kidding, the smallest details in everyday life or even just normal cut scenes were out of this world. especially stuff from the third semester its just OOF good JOB atlus i love you buddy

-ahhh thieves den! how can i forget? i love it. at first i was a bit iffy with it since it really felt like persona 5 (undoubtedly the biggest game atlus has created) was just jacking itself off. but as time goes on, it became a huge addition to the game and seeing characters’ insights and extra lines of dialogue became super duper interesting and a highlight of the game for me. and don’t even get me started on how much i love love love the photos they added of them hanging out! so lovely, a bunch of them made me tear up

- i know it’s literally impossible, but i feel like the game just forgot that akechi is a person who can wield multiple persona and i just wish that could’ve been messed around with during Palaces

- showtimes are so, so crazy and i get so embarassed whenever they play on my tv because they are just outlandish and unashamed but i love them so so much it just defines persona’s personality

-because i love ryuji: i prefer the final conversation you have with him aka ‘whaddya mean? you’re there’ but there’s still a lot of really tender and sweet moments like akira genuinely telling him that he’ll miss him, and also the fact that ryuji wants you both to send each other your times through the exercise watch so you can still race ahhhh i love him so much yall

so, overall, this game is better than the original p5 because of the extra content we get. if persona 5 was the perfect dinner, persona 5 royal is that same dinner and you get to enter the dessert buffet. it’s brilliant, it’s smart, it’s hilarious, it’s heartwarming, and it’s undoubtedly my favorite game of all time without exaggeration. while i do prefer the final cut scene (and final dialogues with some characters) in the original persona 5, in the overall experience, persona 5 royal is superior in my mind. i would willingly get amnesia to play this game again.

I didn’t get to cover everything, but this is definitely most of what i wanted to say. if you actually get to reading all the way to the end, thanks! it means a lot. i hope we can all enjoy persona and look forward to persona 5 scramble together :-)

#p5 #persona 5 #p5r #persona 5 royal #mine #such a long post but totally worth it

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everythingtimeless · 7 years ago

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Historical Hour With Hilary: 1x03

If you’re interested on catching up on the earlier installments of this feature, they can be found here. Otherwise, I’m guessing you know the drill by now -- grab your Atomic Cocktail and put on your radiation stunna shades, we’re heading to Las Vegas in 1962 and yes, it actually was that crazy...

This week’s episode showcases the ways in which Timeless takes the time (see what I did there?) to tell stories that aren’t as well known: while the Hindenburg disaster and the assassination of Abraham Lincoln are hugely famous, landing the Time Team in ‘62 Vegas, not in the middle of any particular major event, gives them an opportunity to explore something that most of us probably didn’t know much about beforehand: the United States nuclear program at the height of the Cold War and the strange, strange world of the sixties. And if you’re wondering: yes, Vegas has always been that weird, but what happened there at the height of the Nevada Test Site’s operation didn’t exactly stay there. Established in 1951, about 65 miles northwest of Vegas, the site ran almost constant detonations until above-ground testing was banned (at least technically speaking) in 1963. And as you might expect, the rates of cancer and other diseases in the surrounding areas have been, for many years, a major problem.

The innocent world of the 1960s did not care about such things, however. An information brochure published in January 1955 by the U.S. Atomic Energy Commission had this cheery advice for you:

Recovery of people injured by overexposure to radiation depends, as in the case of accidents, burns, or sickness, on the kind of injury and its severity. Many people who were severely injured by bomb radiation in Japan during World War II apparently made good recoveries. The important fact about radiation is that it takes quite a bit of overexposure to cause illness. Only when overexposures are very heavy is recovery problematical.

I don’t know about you, but to me, “don’t worry, some of those people at Hiroshima or Nagasaki were fine!!!” sounds an awful lot like, “don’t worry, not everyone who got the Black Death died!!!” The entire booklet is worth a read-through, because it will give you a sense of how minimal the danger from radiation to civilians was made to appear: both as a combination of limited understanding and purposeful misinformation. (What? you cry, clutching your pearls. The U.S. government lie to us in order to do something legally suspect? Never!) Meanwhile Vegas, always a place on the lookout to make a quick buck, but still a scrappy frontier town in those days, went in whole-hog on its newfound notoriety as “Atomic City.” The Las Vegas Chamber of Commerce published schedules advertising detonation times and the places to get a best view; hotels bragged about windows overlooking mushroom clouds; “Atomic Cocktails” and “Atomic Parties” were big, and “America’s Only Atomic-Powered Singer,” performing early gigs in Vegas in the 50s, was a kid from Tupelo, Mississippi named Elvis Presley. Seriously, go look at some of these pictures, but you might want to take a hazmat suit along with you. (Also look at some of these. It was a strange time. Though, given the existence of the National Atomic Testing Museum in modern-day Vegas, I’d say they’re still doing it.)

Furthermore, in 1962, the U.S government wasn’t just shooting off bombs in the middle of the desert for the hell of it. The Cuban Missile Crisis came very, very close to ending the world for 13 days in October 1962, and Sergei Khruschev’s account of it makes for terrifying reading; as the son of Nikita, he was present at the Kremlin throughout all of it and offers an insider’s view of the Russian side of the crisis, crediting U.S. President Kennedy and Soviet Premier Khruschev with, basically, saving the world from annihilation. At one point, nuclear war was less than a half-hour away, and the crisis was only backed down by Kennedy and Khruschev negotiating personally. (And then America and Russia never had any rivalry again and there were no more nuclear tensions, especially now that we have two unhinged megalomaniacs in charge of both countries... sleep tight, kiddies!) Sergei Khruschev’s perspective is a bit of an antidote to the highly politicized, American-nationalist, “Red Scare” view of the missile crisis that obtained both in 1962 and for many years after, and he remarks, “The press further inflamed emotions; the country lost its bearings; and the Cuban Missile Crisis became primarily an American psychological crisis” -- with which, I think, one must tend to agree with him. In the finale, the Time Team ends up in 1954 at the height of McCarthyism, less than ten years before the events of this episode, and we can see how fear of a supposedly all-powerful enemy was used to justify a massive civil rights crackdown and baseless persecution of any citizen who might be working for it. Boy, good thing we never did that again either!

In 1963, as a result of post-Missile Crisis diplomatic actions, the Limited Test Ban Treaty was signed, prohibiting above-ground nuclear testing (though it didn’t achieve full enforcement until 1980). It’s important to remember, however, that nuclear testing completely decimated the island and lives of those on Bikini Atoll, the Pacific test site, and most of the Nevada Test Site is, in fact, located on sacred Native American grounds. Its history has often been shrouded in secrecy, but if you want to read the very, very long list of the full tests conducted between 1945 and 1992, knock yourself out.

In this episode, we also meet Judith Campbell, one of JFK’s (many, many) mistresses and a considerably enigmatic figure; she claimed to be the mistress of multiple high-ranking Mob bosses as well as JFK’s, and to serve as a point of contact between them, but changed her story several times. She also claimed to have been part of negotiations between Kennedy and the Mob to kill Castro, which, given Kennedy’s obsession with killing Castro, aren’t all that out of the question. Kennedy’s own legacy has become controversial; generally admired for his work on civil rights and the Cold War, his constant extramarital affairs, bad health, and driving political ruthlessness and obsessions, have called into question some of the glow around his halo. Modern biographies range from sharply critical to more even-handed, though they tend to agree that Kennedy’s “Camelot” -- like, one may remark, “Atomic City” -- was a glittering illusion of the 1960s, which warrants a careful and critical look today. At the same time, the Department of Depressed Historians will pour you an “Oh My God We’re Doing Exactly the Same Shit All Over Again” drink (Atomic Cocktail optional). Cheers.

Next week: Big party with the Nazis! This should go well!

#nbc timeless #timeless #timeless rewatch #timeless meta #historical hour with hilary #1x03

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funface2 · 5 years ago

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The Dark Knight: 10 Hilarious Memes Only True DC Fans Understand – Screen Rant

It’s actually strange to think about how many dark and gritty comic book movies have come out in the past few years because that entire style of filmmaking pretty much originated with the astounding Christopher Nolan cinematic achievement better known as The Dark Knight. The Dark Knight was a complete game-changer for a lot of different reasons, and it’s the kind of movie that comic book haters can enjoy almost as much as comic book super-fans because it really is just that good.

RELATED: 10 Ways The DCEU Would Be Different If It Started With The Dark Knight Trilogy

And although now the film and TV marketplace is absolutely flooded with comic book inspired works, The Dark Knight still remains in a class all it’s own. Comic and movie fans alike still hold this film up as the gold standard of comic movies. So even though the film has a few years under it’s belt now, it is of course still the subject of hundreds of internet memes. And here are ten of the best.

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10 At Least It’s Excellent Cosplay

Batman is one of those kind of brilliant superheroes because while he does fit into a lot of stereotypical superhero ideals, he also seems like a complete lunatic sometimes. And Batman’s whole character arc in The Dark Knight seems to embody that pretty well. We mean yes, the Joker is obviously a malicious crazy person, but it feels like half the time that Bruce is pursuing him he’s only a stones throw (or as the Joker would say, a little push) away from completely going off the deep end.

But at least Mr. Wayne can always say that his cosplay is the sickest of all time.

9 There’s A Reason He’s Called The Joker

Look, saying that a penny for your thoughts is an obvious overcharge is rude as hell, but undoubtedly everyone on earth would rather be dragged by the Joker’s insults than literally dragged by the Joker. And let’s get real, this is the internet.

RELATED: The Dark Knight: 10 Hidden Details Everyone Missed In Nolan’s Batman Trilogy

You can’t charge for your thoughts anymore in a world where things like Twitter exist. Almost everyone on earth with working electricity is now sharing their thoughts for free even if no one wants them to, so anyone who is planning on making a living or even a decent side payout off of their brilliant ideas should maybe rethink their life strategy.

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8 Relatable

How are people still asking other people what their plans for the future are? If we’re lucky we’ll wind up in a world set on fire by someone like the Joker, but it seems more likely that we’ll all be eating cockroaches after a nuclear, robot, or zombie apocalypse. But honestly, the Joker should give himself more credit too.

He’s not a big planner to be sure, but he at least has enough personal investment in his appearance to keep up on his makeup and hairstyling. And if everyone is being completely honest with themselves, that still makes him a better planner than half the people on earth.

7 The Joker Was Undoubtedly A Cat Person

Dogs definitely have the kind of chaotic vibe that the Joker really thrives off of, but they’re far too sweet and well meaning to really be the Joker’s type of pet. They’re the chaotic good of the animal world, while Joker is the chaotic evil of the human world.

Cats aren’t so much chaotic or evil, but they do have a clear diabolical attitude along with a misanthropic outlook on life that matches up with the Joker quite well. Plus, there are few things that are more iconic in this world than the greatest villain on earth dramatically petting a cat like a creep.

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6 Maybe No Open Bar Then

There are two types of people in this world. The kind that needs quite a bit of liquid courage to get up and give a speech at a wedding, and the kind who needs to be sequestered from every drop of alcohol on earth before making any kind of public appearance.

RELATED: Every Christopher Nolan Film, Ranked By Their Rotten Tomatoes Score

But if everyone is being real, would having an unhinged Joker-like character at a wedding really be so bad? Most weddings are incredibly boring and unmemorable, but if some drunk dude showed up in full face paint screaming about someone called Harvey Dent then at least that would be some solid and memorable entertainment.

5 You Never Go Full Nic Cage

Heath Ledger’s performance as the Joker in The Dark Knight is one of the most beloved and iconic movie performances in the history of film, and with good reason. His willingness to commit to the role was so intense that he really did come close to going full Nicolas Cage. But you never, ever go full Nicolas Cage!

Only Nicolas Cage can go full Nicolas Cage, and even the man himself really shouldn’t do it half the time. Joaquin Phoenix seems like the kind of actor with the skill set who can at least avoid paling in comparison to Heath Ledger’s Joker, but it would have been interesting to see Mr. Cage tackle that role too.

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4 Gotta Grind Though

You know, a lot of people love the Joker, especially the Joker in The Dark Knight, for a lot of different reasons. But something that the Joker never seems to get his proper accolades for is his pretty solid work ethic.

We mean he talks a big game about creating complete chaos and embracing your inner madness, but he’s always making some pretty big moves. And of course, big moves usually require a lot of planning and work. So next time anyone is struggling to motivate themselves then it’s always good to be reminded of the fact that even the Joker has got to buckle down and grind sometimes.

3 So Kat Stratford = Harley Quinn?

Because honestly, Kat Stratford being the alternate universe version of Harley Quinn is an idea we can really get behind, especially considering how dirty Harley was done in Suicide Squad. Don’t get us wrong, Margot Robbie is amazing and Harley is too, it’s just… her relationship with the Joker in Suicide Squad was lacking to say the least.

RELATED: The Dark Knight Trilogy: 10 Questions We Still Want Answered

And Heath Ledger’s Joker may be a complete maniac, but we don’t think he’d be near the level of abusive creeper that Jared Leto’s Joker was for Harley. Kat Stratford could truly the feminist icon Harley Quinn that we all deserve.

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2 The Hug-xpert

Okay, while we appreciate anyone’s ability to put a good value on their skills and abilities, this particular meme raises a lot of questions. To be more specific, what in god’s name is a deluxe hug?

This is actually a beyond brilliant business plan, because two dollars is not a lot to ask and it seems like a safe bet that a lot of people would pay that two dollars just to learn what in the hell a deluxe hug actually is. And maybe that is supposed to be the joke! So this meme has really achieved some meme-ception here. And Inception is also a Christopher Nolan movie so the meme-ception has been meme-ceptioned!

1 The Sickest Burn

Watching Batman and the Joker square off in The Dark Knight is undeniably one of the most fun experiences that anyone can have in the cinema, and there is a good reason why The Dark Knight is still held up as the be-all, end-all of comic book movies even though there have been dozens of DCCU and MCU films since.

However one thing that The Dark Knight was sorely lacking was a simple game of the dozens, Bruce Wayne versus the Joker. That may have been an unfair fight though, since Bruce is downright humorless and the Joker undoubtedly has decades worth of yo momma jokes saved up for just such an occasion.

NEXT: Every Batman Movie, Ranked By Rotten Tomatoes Score

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Bài viết The Dark Knight: 10 Hilarious Memes Only True DC Fans Understand – Screen Rant đã xuất hiện đầu tiên vào ngày Funface.

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recentnews18-blog · 6 years ago

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New Post has been published on https://shovelnews.com/blood-creator-theres-something-naturally-funny-about-tragedy-den-of-geek-uk/

Blood creator: 'There's something naturally funny about tragedy' - Den of Geek UK

Writer Sophie Petzal struggles with humourless TV drama. “I find it really difficult to watch crime shows where everyone’s bleak and frowny and sad.” We’ve seen too much of it, she says – dilemma-led thrillers full of grave characters whose awareness that they’re in a crime drama saps the entertainment value. “If I don’t get a sense of what you’ve lost and the joy that’s been taken from you, I don’t know what I’m rooting for.”

Besides, she adds, there’s just something naturally funny about the combination of tragedy and family dynamics. “There’s humour in the fact that it’s very inconvenient to be trying to chop sandwiches for your mother’s wake while suspecting your father of her murder.”

There’s humour too, in serving an only-one-left-in-the-bakery children’s train cake at a wake, as youngest son Michael does in Petzal’s drama Blood. There’s also comedy, and pathos, in a pair of siblings sharing a box of Bourbon biscuits—their mother’s favourite—at her graveside. Blood may boil down to “a great tragedy” says Petzal, but it’s beautifully rooted in family banalities.

Blood is the story of Cat Hogan (Carolina Main), a middle child of three who returns to her childhood home following her mother’s death. Very quickly, Cat begins to suspect her father of keeping secrets, and a satisfyingly compact mystery emerges from there. It was envisaged as a family drama rather than a thriller, but its cliff-hangers, question marks and the odd pulpy flourish give it a foot in both camps.

The series, which aired in its native Ireland in October and was stripped across a single week of November on Channel 5 here in the UK, is Petzal’s first solo drama. She’s written previously on The Last Kingdom, Medici, Riviera, Jekyll And Hyde and CBBC’s Wolfblood, but this project belonged to her and producer Jonathan Fisher, with directors Lisa Mulcahy and Hannah Quinn.

It’s been a busy twelve months—Blood was story-lined in a fortnight after being green-lit this time last year, and filmed in Ireland this summer—followed by a nerve-wracking few weeks as it aired. Petzal had convinced herself that the Irish broadcast would be the most anxiety-inducing hurdle to clear and that the UK airing would be “much of a muchness” but found that not to be the case.

“The UK is my home and it’s also one of the biggest players in television,” she explains. Airing on Channel 5 as a quality original drama, Blood attracted press attention for marking a recent shift in the station’s programming. “Suddenly you realise you’re not just going to go calmly under the radar and no-one will notice.” It felt as though there were eyes on Blood, says Petzal. “That Monday afternoon before it went out I was sort of unhinged,” she laughs. She locked herself in her flat and watched Disney clips on YouTube just to calm down. (Which ones? Out There from personal obsession The Hunchback Of Notre Dame. “I’m the biggest fan of composer Alan Menken.”)

The response to Blood was hugely positive, with good reviews appearing across the national press and even, to Petzal’s delight, on Fern Britton’s Twitter feed. “That was a funny moment, we thought ‘oh, we’ve made it now!’” Petzal laughs. She’s saved a screenshot, of course. “Then I just spent the rest of the week madly overstimulated and unable to sleep because it was too exciting and nerve-wracking, because what if the next episode is the one where they realise it’s actually shit?!” she laughs.

“It was the fact that we’d gotten away without being called frauds,” she tells me. “The fact that we’d got through the week without being torn apart by a national newspaper or somebody saying ‘this is naff as old fucking boots. What is this?!’ It felt like we’d gotten away with it.”

That sounds unnecessarily harsh on yourself, I say. “I’m not riddled with inadequacy!” she explains, but this being her first solo project made her feel “brand new all over again, in a weird way.”

“Working on other people’s shows, all you learn from that is that you’re good at working on other people’s shows and turning things in on time. You only start to work out what your style and worth and value as a writer is when you’re doing your own thing. I feel like I’m only just at the start of that.” The critical and public response to Blood, she concludes, validated all the hard work.

In Ireland and here in the UK, the drama owes a great deal to actor Adrian Dunbar, who championed the project. “I really don’t think we’d have got that early exposure and press interest had he not been in it and talking about it.” Dunbar is a deeply beloved presence, Petzal says, particularly for his work on BBC drama Line Of Duty.

Petzal is “a massive,��massive fan” of that show. She and her producer re-watched all four series while filming Blood. “We’re massive fanboys and girls, which is kind of embarrassing but Adrian loves it,” she laughs.

Dunbar’s insights into his character, patriarch Jim Hogan, were a great boon to the Blood, she says. “Adrian approaches his characters with a really forensic, academic head on.” Petzal being on set during the shoot enabled conversations to take place that helped the characters evolve.

“Adrian was always pushing for Jim’s softness,” she explains. He wanted his character to be “a bit more honest and empathetic,” which worked perfectly to the drama’s advantage, says Petzal, because “the more honest and empathetic Jim is, the less people believe him!”

“One news article described Jim as having a smile that never quite reaches his eyes, which is an incredible testament to Adrian’s ability. He was able to play the menace and nuance that we wanted just in the way he stands and looks and delivers lines, which means I didn’t need to go to such an extent to reflect that menace in the lines themselves. It has a far more powerful effect for it.”

She gives “unending credit” to the cast for trusting in the project. “I’m not a known quantity, this is my first gig, I couldn’t point to a load of other things and say ‘my things tend to be a bit pulpy and weird’. Everyone had to hear me say a thousand times ‘Tone. It’s just the tone of it.’ ‘Why am I jumping out at her in a corridor?’, ‘Because it’ll look great, it’s the tone, it’s funny, it’s weird, it’s ridiculous, but go with it.’ No actor likes to be told ‘it’s just funny, do it!’”

The funny moments in Blood build character, helping to bed the drama’s more outlandish genre elements in naturalism and recognisable human behaviour. The aim, says Petzal, was always to avoid having Cat and her family act “like super-clever TV characters.” One trick, she says, was to mine her own behaviour in similar situations. It’s an exposing approach, but one that really pays off in terms of naturalism.

“When characters are arguing—and in Blood there are a fair few heavy conflicts—it’s so easy when you’re writing disagreements for one character to be clearly right and for the other to be clearly wrong.”

“I found I was writing Cat being incredibly clever and battling the family and withholding all this information that she’s learned. She was keeping the cards close to her chest and was going to play it just at the right moment… then I thought ‘That’s not what I would do.’ That’s not what any normal human being would do.”

That willingness to show vulnerability in the writing, and to include sometimes unflattering honesty makes Blood stand apart from some other dramas.

“In my heart I’m thinking, if I’m being honest, if this were me, I’d say this really hurtful thing. But often as a writer you’re thinking ‘no, the character is better than me. They’re a TV character. They’re going to do proper TV things.’ When Cat says the wrong thing, or when any character says the wrong or hurtful thing, that’s usually me putting bits of myself in there and echoing arguments and conversations I’ve had.”

One real-life conversation Petzal had that ended up in the finale in flashback involved the strange mating habits of domestic dogs. On screen, it’s a laugh-out-loud moment between husband and wife Jim and Mary, and it comes after one of the show’s most emotional sequences. The idea was to disrupt the dull cliché about women on TV suffering from serious illnesses being “these saintly frail figures. I wanted to give a sense of how Mary is this bright spark who’s hilarious and has a filthy sense of humour and what an unjust robbery this disease is. Funny bright sparks going too young.”

Making fun of serious things comes naturally to Petzal, she says. She wanted to avoid the tragedy becoming too overwrought or earnest. “It’s in human nature to make jokes.”

Knotted in with Blood’s humour and tragedy is a moral. “Without wanting to sound too pretentious, I wanted it to feel almost like a parable at the end.”

“I’ve had people say ‘why wasn’t so-and-so just honest from the beginning?’ and I have to raise an eyebrow and ask, ‘have you had parents? Are there times in your own family when things would have been simpler if family members had just told the truth?!’

“The moral of the story—which is a rather on-the-nose line delivered in episode five—is “why can’t we all just talk to each other?” and because we can’t, this is what happens.”

Blood is available now on DVD.

Source: https://www.denofgeek.com/uk/tv/blood/62160/blood-creator-there-s-something-naturally-funny-about-tragedy

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samanthasroberts · 6 years ago

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5 Celebrities Who Did Crazy Scummy (And Underreported) Stuff

Maybe you’ve seen a picture of Justin Timberlake eating an apple and thought, “The stars, they’re just like us!” And while it’s true that some celebrities have apples like us — like we normal folk do for every single meal — some of them might be legitimately unhinged. Here are several ludicrous incidents wherein the stars were quite decidedly not like us.

50 Cent Bullied An Autistic Airline Employee

You’d think that after owning more bullet wounds than hit albums, 50 Cent (aka Curtis James Jackson III) would be a little more judicious in his dealings with strangers. But back in 2016, as he was apparently looking for ways to stave off boredom in the Cincinnati Airport, he noticed something fishy about one of the young maintenance workers. He seemed almost high, like the kind you might get from drugs — or as they’re called on the street, reefers.

50 leapt into action! No, he didn’t contact a supervisor to let them know their employee was on drugs; he got out his phone and followed the man around so he could mock him on Instagram. Hilarious, right? A drug user? At an AIRPORT!? It quickly went viral, but not in the way he was expecting.

The employee, a young man named Andrew Farrell, did his best to ignore Mr. Cent as he pointed his phone at him and lamented how “crazy” the younger generation is. He wondered aloud to his Instagram followers, “What kind of shit you think he took before he got to work today?” Sadly, this was the sort of abuse that Mr. Farrell had become accustomed to over the years. Because Mr. Farrell is not a drug addict — he’s autistic. Yes, 50 Cent was harassing and publicly humiliating a stranger because of a developmental disorder, not a drug habit.

Before our president made mocking the disabled a partisan issue, everyone agreed this was terrible. Fans were outraged, and liquor stores threatened to stop selling the faded rap star’s “Effen Vodka” brand of booze.

Effen Vodka“Effen” is, of course, a Dutch children’s game about number guessing. Wait, unless 50 Cent meant it like “Fuckin’ Vodka”? Oh 50, that’s naughty!