I will never understand ppl who hate/anti ANY of the members of the Gaang, or even any of the other kids. coz they are just kids. in the middle of a fucking war. of course they're gonna fuck up and make mistakes and be little shits, THEY ARE 12-16 !! ALL OF THE GAANG (including Zuko but excluding Suki) HAVEN'T HAD PROPER SOCIALISATION WITH OTHER KIDS THEIR AGE UNTIL THEY MET EACH OTHER !!
and yes, you could argue that Katara and Sokka had each other, but that's siblings and siblings are not the same as friends, and also Sokka was the only teen boy left in the tribe and I think Katara was the only teen girl too (might be wrong there tho)
you could also argue that Aang had friends before he got stuck in the iceberg so he did actually have that socialisation, but bro is fucking 12 and he was stuck in an iceberg for a hundred fucking years and had the whole avatar thing weighing down on his shoulders, cut the boy some slack ???
Toph and Zuko were both Rich Noble Kids™ so they automatically did not get proper socialisation with other kids their age. Toph was sheltered from the outside world because she's blind and a young girl, but yes she did go to that underground boxing ring but that was mainly adults, I highly doubt she was hanging about with kids there and definitely not in normal circumstances.
And although Mai and Ty Lee were there, they were Azula's "companions" (not originally meant to be friends but may have ended up as so after the war) and they weren't there for Zuko, they were there for Azula only. I'm pretty sure Zuko spent most of his time with tutors or with his mother before she left, he didn't get any socialisation with normal kids and he definitely did not get a normal childhood.
None of them got a normal childhood, so can you really blame any of them for being manipulative or assholes or doing dumb shit, whilst still being a kid/teen !!! and then being bad parents too, when they literally have no good role model to go off of (love Hakoda but bro was not there for his kids for a good couple of years and that does a lot to a kid)
edit: also Azula deserved a redemption/healing arc because she was a victim of abuse as much as Zuko was. she was in fact just a child, as much as the rest of them were, and deserved better. Thank you for coming to my Ted Talk 🙏
edit 2: Jet also deserved a chance at healing. like bro watched his village burn and was the sole survivor, he probably has mega survivor's guilt that isn't touched upon in the show, like his hate for the fire nation is pretty rational and his actions (to an extent) are justified. all I'm saying is that if he had anybody else in his corner, that wasn't more angsty, out-for-revenge teens or kids, he could have had a much nicer life. one that didn't lead him to his downfall.
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Ah, childhood memories (Patreon)
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Total Drama World Tour Assistant Noah AU…
Where Assistant Noah warns Owen before the London Challenge, but Alejandro had heard him…
Alejandro: So, you think that I’m like an eel dipped in grease?
Assistant Noah: Yes, I do. What are you gonna do about it, pretty boy? I’m not a contestant, you have no power over me, Eel!
Alejandro: Maybe so, but I can still use my charms to mess with you, while you’re working.
Assistant Noah: Don’t you dare! >=O
Alejandro: (Smirks and blows Noah a flirty kiss!) ;)
Wasn't it already a pre-established fact that Alejandro was actively flirting with assistant Noah before London? Why would him upping the ante make any difference here?
If anything, have Alejandro seethe over the fact that, despite his best efforts to seem as suave and charming as possible, Noah sees him as an "eel dipped in grease". He's consistantly pulled out all the stops to get a reaction out of Noah - the same tactics that worked flawlessly on the rest of the competition - and yet his best efforts are rewarded with the one person he's trying to get to like him, actively disliking him.
It's a massive blow to his ego and his confidance. But one he can learn from.
Have Alejandro condeed defeat to himself; if he hadn't won Noah over by now, there's little chance he ever would (at least, that's his justification for giving up). Have him stop flirting with Noah - stop interacting with the assistant completely, since he's so obviously disliked by Noah.
And then. Then, you have Noah notice the emptiness in his day-to-day.
You have the both of them turn to make snide comments or backhanded remarks about the goings on in the competition, only to be met with silence and a blank space at their side. You have the both of them cycle through active denial that the miss each other, until the weight of their loneliness crushes their combined stubbornness.
Have Noah sheepishly apologise to Alejandro in the (relative) privacy of the cargo hold, trying to explain that his distrust of Alejandro doesn't necessarily translate into dislike. And have Alejandro forgive him. Not entirely, but enough for the two of them to settle back into a sense of normalcy.
That is, Alejandro habitually trying to flirt with Noah once more, only to be completely blindsided when the other laughs at his attempts instead of brushing him off.
Because that's a sign of progress, right?
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Im the biggest (one sided) staticradio bitch ever but someone raised the crack theory of Alastor and Vox being actually siblings when they were alive and IM THRIVING sibling dynamics own my entire soul (hehe get it bc /gets shot) ok HEAR ME OUT:
Alastors dad was confirmed to be Caucasian and If I remember correctly there was something kinda confirmed about Vox being white as fuck or something, right??? Okay. Half siblings. Same father, different mothers. Alastor being the product of an affair his father had years before he and his actual wife had Vox, making Alastor his older brother. (I'm thinking an around 10 years age gap ??? maybe ????) Their dad, on Alastors side, appears once every 4-6 months at BEST, mostly to give him and his mother some money solely for the sake of making himself look better and compensate at least a little on his egos behalf for not giving a single fuck. So Alastor doesn't know shit about his father's life even less his whole "other family" thing, neither does he care at all.
The thing is: Vox knows. Imagine a lil 7-8 yo Vox getting curious about where and why his dad does that one trip every 4-6 months, then at some point somehow discovering the "other woman and her son" deal, aka his older sibling. His father never ever mentions anything about it and god forbids trying to ask him, so when he's a little older (around 15 ??) he starts researching, finally finding out about his radio program. Imagine him listening to it out of curiosity ???? Actually liking it and becoming an active listener ????? Maybe getting the inspiration of the informative concept from him and then later wanting to take it to the tv when it got released ???????
Also imagine him later entering hell and HEARING HIS VOICE AGAIN and RECOGNIZING HIM ,
Anyways impossibile purely self indulgent crack theory/concept presented 👍👍👍👍 I'm kinda insane here thanks for putting these thoughts in my head
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Ms. 15.5%
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I've been a bit of a salty spitoon over the recent events unfolding at NYCC so here's some GOOD news (sorta) >:00
I say (sorta) because I'm not a huge fan of mongie's work (or mongie herself) either, but DAMN if this lady doesn't know how to GET SHIT DONE-
Like GODDAMN is there a lot to show for here \( ̄︶ ̄*\)
I don't know what the Let's Play After Dark or Omnibus works are, but it's really cool to see Linda Sejic's art here, I had NO idea what to expect when mongie announced she was going to NYCC and collaborating with Linda. I'm assuming Omnibus is likely a novelization or some kind of complimentary book to Let's Play because it has over 700 pages of stuff which is wild. Unless they just went and re-skinned the Volume 1 cover of Let's Play, I have no clue but it looks great. As for After Dark, yeah, again, no clue LMAO
Let's Play is returning in 2025, AND she's starting up a new series over on Manta (a publishing platform that's open to NSFW material which will definitely be better for mongie's work and will hopefully give WT a run for their money LOL) She hasn't stated yet where Let's Play's new home will be, but I'm assuming if it's not Manta, it might be a new independently-run site altogether, but again, we'll just have to wait and see. I remember her mentioning she wanted to do a fantasy series on her Patreon ages ago so it seems like she's finally getting the opportunity to do so. I have no idea what she's going to do with Let's Play after its S3 jump the shark finale LMAO
She's getting some merch made with BIOWORLD which is neat, though it'll be interesting to see how the quality comes out because the last creator I saw working with BIOWORLD was Smythe and the merch was uhhhh- not great. I posted about it on IG a while back but I don't know if I ever talked about it here so I'll def make that as a separate post for anyone who's curious.
But the BIG one - Let's Play is getting an anime, and it's from an actual animation studio which is a way bigger sign that it's a sure thing.
Again, I'm not a huge fan anymore of Let's Play or mongie in general, but I gotta give her credit where credit is due, she had WAY more to show for herself at NYCC than Rachel did, and the fact that she did all this after burning her bridges with WT, that's gotta sting for WT's and Rachel who still don't have anything to show for an animated TV show after four years. At this rate, there are gonna be more creators succeeding on a mass scale by choosing not to publish with Webtoons than those who did.
And who knows, maybe the anime adaption will tidy up all the problems original Let's Play had. It remains to be seen, but I think it's pretty neat to see mongie making such strides since she left the platform.
Something something, "I don't care if mongie wins, I just want Webtoons to lose" 😂
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sometimes i just sit and think about that how good descendants story could be. how it could be about that not everything is black or white, that there are multiple shades of grey when it comes to morality. but then, i'm getting hit by the fact that descendants is just another classist story
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i think a big reason bo burnham is so popular with people of a younger age groups, especially gen z, is that the views he expresses surrounding social media and technology and how they're affecting the youths are some of the most sympathetic and nuanced i've ever really seen.
as a member of this kind of age group myself, most of the people i know have at least some level of hatred of social media and the way its taken over all of our lives. however, when people start talking about how terrible social media is for us, especially if they start fully blaming us or saying it's stopping us from forming any real connections, i find that most of us (me included) tend to get really defensive about it. and to me, that makes sense, what they're saying doesn't line up with our experiences.
these views are typically very black and white, and very rarely take into account the aspects of social media that those most affected by it find harmful, for instance, the way that the culture that has been established on the internet means a lot of people my age find it very easy to overshare but very difficult to be emotionally vulnerable in any way.
the ideas bo burnham conveys, however, are much more cognizant of the actual root of these problems. i think there are two main aspects of this: his discussion of how this generation's addiction to social media has essentially been manufactured, and his deeper understanding of what the problems with it actually are.
in contrast to the idea that's pretty widely pushed that young people are pretty solely to blame for all being glued to our phones, bo explores the way that being the first generation to grow up with technology having this kind of prevalence in our lives has affected us. for instance, in 'make happy' when he says "the arrogance is taught, or it was cultivated", or in that bridge of 'welcome to the internet', when he says "mummy let you use her ipad you were only two/and it did all the things we designed it to do", for me, at the very least, i felt a lot more seen by those lines than i ever really have in discussions about the harms of technology in the past. i think the fact that he doesn't entirely absolve young people of our responsibility for ourselves and our actions (e.g. the line in '30' about "your fucking phones are poisoning your minds [...] when you develop a dissociative mental disorder in your late 20s don't come crawling back to me") is what, to me, makes it an actually effective critique of social media, because the way he expresses these ideas is actually sympathetic to the problems we face, but it's still sort of saying 'ok, things are fucked for you guys, so what are you going to do about it'
similarly, when he talks about how social media has been harmful, i think it's more empathetic to the difficulties we face as a part of it. for instance, in my opinion, in 'welcome to the internet' the ideas he discusses of "a little bit of everything, all of the time" and "apathy's a tragedy and boredom is a crime" are much more significant aspects of the damage technology has done than a lot of the mainstream arguments against social media. for me, i know as a kid before i had super regular access to the internet, i hated being bored more than anything, but now that i'm a bit older and i can literally do or see anything i want at any time, i'm never truly bored anymore and i miss it so much. similarly, in 'make happy', bo's description of the way social media makes us "perform everything, to each other, all the time for no other reason" actually gets at the core of what has made this generation the way we are and why our relationship to social media is as fucked as it is. by actually discussing the issues that young people view as problems with social media, bo is able to make a truly effective and genuine critique of social media and gen z's relationship with it that has done more to inspire me to distance myself from social media than pretty much any other critique on the same topic
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also why does everybody and their mother KNOW that azriel is the night court’s spymaster? does that not…defeat the purpose of a spymaster?
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its so funny to me when such bad lyrics get thru cause like... if I were a billionaire I would hire people to make sure my songs were lyrically perfect. i would simply not fumble the bag that hard
unfortunately i think shes gotten to the point where no one wants to say no to her. shes so rich and famous that no one is willing to look her in the eyes and say taylor you cannot put that in a song
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I feel like the Experiences part of the Character creation in Daggerheart have a lot of potential to be memes.
Like 'Do Not Perceive Me' or 'the Homer Simpson' as a way to blend in and stealth through crowd, or maybe a nearby bush.
Or 'Hide the Pain Harold' for a warrior who's determined to push through a serious attack
Or 'I Crave That Mineral' for a weird obsession (and knowledge !) about natural salt
Or 'This Is Fine' for hanging on by a Hope in really desperate times
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it's 2:30am and i have insomnia so i did this instead of sleeping so uh. here have my ashrym playlist.
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this mohyo dynamic then BDE momo comes out and tops 😭
https://x.com/rdcbbaby/status/1830134512099234077?s=46
x is suspended in my country so idk what this is about but i agree momo has bde and tops and jihyo is her babygirl !
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