#no bc when i tell you im *obsessed*

[gayaristocrat]

Drew Starkey, Harry Collett, Zane Phillips, or Andrew Garfield if you’re reading this please marry me?

[kitamars]

high school joui 4 shenanigans

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[casualavocados]

Ai Di manhandling Chen Yi for @grapejuicegay (& me)

Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[ghostofsnails]

so did you guys know theres this character called tristan vik disventure camp and

[faunandfloraas]

It is kinda funny seeing people talk about Seungmin lately because he definitely has gotten more bold and confident for sure. He's also just getting opportunities to be perceived as an individual on his own as well for the first time in a while but it's still jarring to see people be like Aw he was always such a quiet goodie two shoes little nerd and it's like...... he was the one to leave and seek out his own vocal coach and blatantly talk about it, which of course lead to I.N and Lee Know also doing the same, he was the one to go on bubble and tell off sasaengs who used to camp outside their old dorm for invading members privacy but also because it effected other residents and staff at the complex, something that i'm certain upper management wouldnt have been happy about, and he wasn't curt or nice about it either. like he's never actually been a wallflower, he's always had a pretty strong backbone and seems to stick to his principals, its not really new.

[moomeecore]

im actually really good at admitting when i dont know things its just that people keep talking to me about things that i know a lot about and am objectively correct on

[moeblob]

I unfortunately picked up Bravely Default 2 again (I bought it back when it released) and then started over since I last played it in June 2021. And. You know what. I like these silly beans. And then I saw concept art for Dag's expressions and I am not the same. Why did they decide to give him huge fangs in it.

(also I'm trying so hard to avoid spoilers less for plot but more for characters so if you know anything that happens to characters shhhhh. also the expression concept is below the read more so you can see what I mean.)

[skrunksthatwunk]

idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.

the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.

yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.

but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?

this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.

yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.

i think yusuke is gifting each of his friends an honorable warrior's death.

so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.

because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.

he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.

but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.

yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.

[toxooz]

omg i literally love wheelbitten as a comic and ur art is amazing

random question but how long have u been drawing as an artist and do u have advice.............

thank uuuu and I've been drawin my ass off since I could hold a pencil and I'm 24 (25 next month) now so this shit wasn't overnight by any means lmfao idk the way i did it was have A Thing that you like drawing and just draw the fuck outa it and eventually you'll get better for sure whether it be the desire to get better at drawing said thing makes you do research and study something to become better at it or just literal muscle memory from drawing said thing so much. I had lil spouts of taking time to get better at specific things like anatomy, shading, ect. by studying it but overall i just subconsciously got better by mentally picking up new things everytime i draw and analyzing the world around me. Even recently i got to see that with drawing tactical gear (that ive never really drawn before and never wanted to draw in my life) soley bc i just REALLY fukkin love Ghost and Konig

i went from being terrified and intimidated of drawing tactical gear (even trying to put a gun in front of it as if that was any better lmfao) it used to be vague as hell and my brain would shut down just trying to look at the references(i remember having a ''shit man am i even gunna be able to draw these characters???'' moment of dread the first time i was drawing Konig pffft) to absolutely loving drawing tactical gear and seeing how much more detailed i can make it with every new drawing, so a complete 180 but that's bc im just totally obsessed with the characters and drawing is how i express that sO thats mainly what i mean by just have a thing that you love and want to draw and the rest should follow with time, patience, and practice. I think it's about training your brain and motivation to pick up on details or a certain way something looks in lighting (or lack thereof) bc my brain is probably wired a certain way after art being like a centerpiece of my development to the point to where drawing is just What I Do and at this point if i dont draw for even a few days i start getting vaguely antsy and fidgety it's crazy lmfao SO idk if this is worded like i need it to but yeah art and the act of drawing can be frustrating as hell but it should be enjoyable and rewarding above all else at the end of the day!

[sakitenyoyo]

*drops one of my ride kamens agent ocs at u*

Here is one of my Ride Kamens OCs, Asahi Nakagawa! She has a super nice older brother who was the original heir of Cosmos Conglomerate (before he went missing 4 years before the events of the game. I wonder where he went..). Now Asahi has to juggle both company and Kamen Rider Agent duties as the company's new heir. (having a presumably dead dad & missing older brother probably doesn’t help with that)

She looks up to her older brother a lot and being more like him is the main reason she wanted to be an agent in the first place. But she often gets compared to him at work. So she has *A LOT OF INSECURITIES*  (she often overworks herself just to help others, looks down on herself and all that jazz)

She's not based off of anyone in particular but I did give her a trenchcoat like shin kamen rider ruriko and named her after TV Asahi because thats fun!

more sketches of her because i like her a lot :)

[skitskatdacat63]

The true old man fucker behavior is simping over historical figures

[suffercerebral]

me having gone to bed at 6 am every day for the past week and generally spiraling mentally while rotting in bed waking up this morning: a 4 mile hike in the heat is a really good idea right now, and while we're at it let's start like 3 art projects

[the-gayest-show]

Sherlock and Co has no right to be this funny

There's this funny scene in I think The Gloria Scott Pt2 where Sherlock and John are discussing some kind of phrase and John explains it something like this (bare with me I don't have this thing memorized)

"[...] For comedic effect."

"But nobody laughed."

LIKE I WAS GONNA BREAK DOWN LAUGHIBG IN THE FUCKJN TTC YOU CANT DO THIS TO ME SHERLOCK

I was listening to this bc I had to take a bus down for a field trip we were going on but I heard this and a laugh just escaped me oh my God.

Also you can never get enough of the existentialism in Gloria Scott Pt2 like bro. They had me thinking about memory and identity and I'm like 🧍‍♂️bc I'm walking to the place we're going for the trip (it was a film festival btw) and I hear this and I'm like. What. What the fuck.

Also nothing beats hearing Sherlock Holmes describe exactly how you see the world but in words. Nothing will ever top the validation from canonically autistic Sherlock

-

In other news, Sherlock and Co remains to be the ONLY podcast I can actively say I like (ever), I'm not a podcast guy and baaaaarely an audiobook person but man. Nothing beats the atmosphere of that podcast and the editing is tip notch. You know it's a good one when *dramatic violin*

The theme song is so catchy hekejejdjdkdkkdkr

Uhhh yeah pls go listen to it and or read the transcripts bc it makes for a good accompaniment but yall. This podcast is FIRE. Sherlock Holmes is great but I've genuinely never related to a character more wtf

Anyways, falling into that fixation phase again!

[comradecowplant]

so things are not going well with my new elderly socdem friend unfortunately.

[twilight-good-yall-dumb]

Sometimes I feel like we don't talk enough about the romance of being perceived. For me at least, it is the ultimate form of romance. When somebody is so utterly infatuated with somebody that they can't help but notice all the intricacies of them...??? YES! I've started to notice how much I crave that and how much I adhere to it in my writing. So many of my favorite love songs are the kind where somebody just lists things they've noticed about the person they love. And when this happens in a book or a movie or any kind of story???? Kill me! Like literally put me down because I've gone rabid!!!! When the love interest points out the MCs endearing nervous habit, when they comment on the color of their hair in the sun, when they talk about how much they love the sound of their voice, etc etc etc!!! Like to be loved is to be perceived, to be observed, to be paid attention to! That is adoration!!! Y'all don't get it because you want the grand gestures and the sex and the expensive dates and the Instagram face sexy looks, blah blah blah! I just want for people to dissect and discover the person they love and to find endearment in all that makes them! It's so GOOD!