#long shitty post

[tubbytarchia]

We should support artists and help them recognize their worth but I'm honestly so tired of "Your colored and shaded art is worth more than 10 bucks" and "these prices are too low" etc. Kind of maddening to me that it's treated like a choice when most artists will never have the reach to charge "fairly" for their art on a consistent basis. This isn't a jab at anyone because most people saying this are well meaning and maybe accidentally tonedeaf at worst, but the only choice some people have is either earn a little bit of money or earn no money at all. Idk surely there's other ways to be supportive or tell someone that their art is worthwhile without insisting that they raise their prices. Where and what is the advice once the prices ARE raised as suggested and yet no money is made? Would the advice be to put prices back down? To just be persistent and be better at advertising yourself?

When I started out, I tried to price "fairly", with and without advice from fellow artists (who all suggested prices that never sold) and then just decreased those prices like 5 times because no one would commission me. I wasn't upset when an anon told me "I was surprised to see the prices!", but I am upset about all the "these prices seem too low..." I got years ago in retrospect. When I voiced that I couldn't charge any higher because otherwise I wouldn't get paid, I was often dismissed. And I couldn't help but note that by all the people who got commissioned at least regularly with good pay

I'm not personally too upset about my own commissioning situation anymore, I used to be, but after so many mental breakdowns of trying to earn any money that justified the time I spent on my art and failing miserably, I accepted that it just isn't even for me. (This is why I wouldn't ever want to work with a CC either lol I would kms. As a one-off maybe). I still offer it but with a lot of leniency towards myself, which I think warrants lower pricing and I'm not upset about it. Because who would've guessed, that doing a hobby you love as a line of work with inherent new pressures isn't always going to make you happy and can ruin the hobby for you instead! Wild.

My personal commission meltdown journey under cut, because I want to and I think it'll make me feel better

My awesome commission meltdown happened about a year ago, but boy I have been trudging for awhile. Maybe 5 or 6 years ago now, I used to have a friend, my former best friend, who struck gold. They got lucky. Their art was also fantastic, but ultimately they got lucky, because good art in itself never guarantees that you can earn buck from it. They created a closed species that quickly became very popular to the point that they could draw one design on a whim and easily get 50EUR minimum out of it. That's not even commission work, to get paid well for art that YOU want to make is an absolute dream but even less reliable for most artists than commission work. I created multiple species too with like 0.20EUR prices and followed all the advice my friend gave me. I advertised myself like hell which is something I've continued to do until a year ago with a 100% failure rate. For funsies, some specimens of the species I attempted to sell (I very much detached from my usual preferred monster designs too to try and have wider appeal and gimmicks)

(If anyone wants to "adopt" any Rosebuds (1st rose-like species) or Dumlins (2nd bird-like species) for free then you're very welcome to, I can send the full sheets lol. Only one of them ever got adopted. I'm over it but hey just in case there are any adoptable fanatics in here)

After a few years I think I gave up, didn't earn a dollar with any of them and moved over to commissions because that's way easier to get money for anyway, I thought. And I've done many commissions by now but with most costing 5-20EUR. Very few outliers got any tips (usually from friends) and very few people were willing to pay more to begin with. I think I've done just 2 artwork that I was paid 50 for and those are the only comms I've done above 20EUR, and I count myself very lucky for ever even getting that opportunity. Here's some examples of commissions I've done for 20 bucks or less

(To be clear, I'm not upset about any of these. Jk lol I'm forever bothered by one of them. The 1st one but I will spare the details)

I tried so desperately to advertise myself on Twitter, on Tumblr, on DA, on Reddit, on Discord servers... in the end I got like one commission that wasn't just from a friend or acquaintance , and I'm willing to bet at least a few "friend" commissions I've done were out of pity, and I wouldn't blame them because I was a desperate little teenager. I went through a whole furry arc where I went out of my way to draw furry art because everyone knows furries got the money. I was very open to nsfw art too for very low prices to help me build my portfolio further, and I was again full-throttle advertising every which way I knew how, trying to reach out there, and gained nothing for it

Meanwhile, I just felt like doing this little animation. This wretched thing. This fucking. This little piece of work that came from a place of love and now I want to cry thinking about what this thing did to me

This is a niche Yugioh monster that I animated dancing. Somehow, it got out of the Yugioh circle and popped the fuck off majorly on twitter. Nobody knew what the hell this thing is but they liked it. This shit got reposted on Tiktok, on Reddit, probably many other sites too with zero credit back to me, naturally, with hundreds of thousands of views, possibly millions, I would check if I could still find any of them. So that sucked but guess what else happened? Like 5 people DMed me about commissioning animation work from me. TO THIS DAY despite my twitter being now deleted, people every so often reach out to me about this. And because there was DEMAND I figured, I can ask fair prices. But I'd never been able to before so I still undersold myself A LOT. Fully fledged animation is hard goddamn work. But I accepted 3 commissions, and I made progress on all of them, and then I deleted my twitter. I left all of those people in the dark (I never took any of their money though!!! I never ask for money until my work is completed unless you buy through Kofi)

I just realized how fucking miserable it all made me and how much I didn't want to do this and what a piss poor motivator money is for me to do art for, in the comfort of my home. I love money, I sure would love to have more of it and not have to rely on minimum wage jobs that I dislike but god, all of that made me so deeply upset and with all those years of failure, I suddenly struck gold like my friend had all those years back, and I had so many people wanting to give me money for my work, and it felt like a fucking joke. I was honestly just so peeved and pissed off that this is what it took, and had a meltdown over it and I was also just in the worst place of my life at the time that I've never truly recovered from. All of this just added to how much I wished to be eaten by a wild animal on a daily basis at the time

I don't feel like I got ANYTHING out of all that. The money I got absolutely didn't justify the effort and time I put into commissions and all my self advertising and portfolio building ventures were a waste of time too. The only thing I've taken away from it is that I don't want to repeat that and I will probably never want to work a job doing art or animation even if it could pay more than minimum wage crap. My former friend has a successful Patreon, I've encountered dubs of their comics with millions of views on various platforms, their species even got ripped off by someone who just turned their species nsfw, lol. And I draw minecraft men kissing

I'm not happy but I'm not upset about it anymore, even if I still get majorly peeved by some artists who underplay their immense success whilst others are begging for crumbs. (Again they usually mean well but sometimes I do find these people genuinely dislikeable. Anyway). In a perfect world, artists wouldn't have to work their asses of to get grocery money and be so reliant on luck to pop off once and then never have to worry about it again. I'm sad this is what it took for me to realize it's not even for me, after all these years of negligible profit, and I'm sad I was ever led to believe that getting fair pay was possible without all the work I put into trying to get my art out there, only to eventually succeed via pure luck and then not earning a penny from it anyway. Please support and continue to support small artists. If you can, please tip them too. Share and support their work in other ways if you can't or don't want to pay!

With all that said though, I appreciate anyone who has commissioned me during my time in the MCYT fandom, that means so much to me that you like my art that much. And I'm really sorry for the few people I ended up refunding because I didn't feel up to their requests - that's what I mean by the leniency I give myself. If it ever comes close to stressing me out again, I'll just give it up in favor of my mental health haha. And I hope you guys understand. Thank you as well for anyone who's bought my MCYT merch, you are so awesome and I'm actually omw to earning some profit from it eventually which has made me happier than any other art related work I've done

and with THAT said, man NONE of you have used discounts that I've hidden in my text posts previously..!! I reinforce though that regardless, I'm open to haggling if you're tighter on money but want to get a little something. I love you regardless though and thanks for listening to my shit ted talk

[corseque]

I wanted to collect all my posts about the Magic: the Gathering card that's coming out for Emet-Selch here on Tumblr for posterity

The card is written in such a lore-consistent way that it contains what I would consider to be spoilers for the story, so don't read the card until you've played the game FFXIV if you plan to play the game if you want to remain completely unspoiled.

[magicomens]

Ah yes. Anthony Justdontgetstabbed Crowley.

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[axolone]

Gao YiZhi in Heavenly Tyrant by @xiranjayzhao!

He was my surprise favorite in this book, I loved so many of his scenes, especially the hair cutting one.

[coquelicoq]

how to write a sympathy card

so someone you know recently lost a loved one and you would like to extend your sympathy, but you have no idea what to say. here are some ideas to get the juices flowing. i did not even try to keep this short, so i've broken it up into four sections: general advice, what to include, some example cards i've written, and takeaways.

general advice

first, if you're reading this i'll assume that you have decided to express your sympathy in some way and just don't know how. the thing about doing this is it will always feel inadequate. it will often feel very awkward. you may be worried that everything you say sounds weirdly insincere even if it isn't. i'm here to tell you that that is all okay and normal and to be expected. i've written a lot of sympathy cards and afterwards i've never been like "wow, i nailed it!" and yet i've gotten a lot of comments from people thanking me for showing up even when all i did was send a measly insufficient card, because most people don't do that. it will mean something to the person that you did it at all, even if it's not perfect.

should you send your sympathy in a card or some other method? if you never send mail, if you don't have their address, if you don't even own stamps, maybe sending a card is not for you. but everything below also applies to an email you could send. i personally prefer a card because i like the physicality; it's something they can keep and look at later if they want to, and it's a way of showing a small amount of deliberation and care (i went to the store and picked this out; i sat down and handwrote this). more importantly, i feel like there's less pressure to respond to a card than an email, and a phone call can be overwhelming to someone who is already dealing with a lot of shit, while a card is just there whenever they feel up to looking at it. but that is entirely my own perspective; there are differences culturally as well as personally. you should do what makes sense for you.

do think about what you're trying to accomplish by sending this card. you may not be able to make things better, but you are certainly trying not to make things harder. one example of this might be: if your friend has just lost her mother, you might have a lot of complicated feelings about this that aren't really about your friend or her mother specifically (you also have a mother!), and that's natural and okay, but those feelings would perhaps be best to share with other friends of yours who didn't just lose their mother. another example: it's okay to be worried about your friend and how they're doing, but try not to imply that they owe you updates or that they're causing you a lot of stress by not keeping you in the loop. (of course, if they are instead sharing more with you than you can handle, it's important to set boundaries around that! though probably not through the mechanism of a sympathy card.)

it is okay to keep it really short and generic. again, i think just the act of thinking to get a card, getting a card, writing something in it, and mailing it already means something regardless of what is written in it. if you feel overwhelmed trying to figure out what to say, it is okay to keep it to "I'm thinking of you in this difficult time. I'm so sorry for your loss." i also sometimes add "I don't know what to say, except that [I'm thinking of you, etc.]."

one thing i've learned that makes this harder is that you cannot assume you know how anyone else feels. you may be thinking, "i also lost a parent, so i know how it feels," but you only know how you felt about it. there are infinite ways to feel about losing someone, including:

sadness for the deceased, that their life is over

sadness for themself, that the deceased is gone

sadness for the other people who lost the deceased

fear of their own mortality

fear of dying in the same way

fear of how their life is going to change without the deceased

relief that the deceased is no longer suffering

relief that their caretaking duties are over

relief that the deceased can no longer mistreat them

anger at the deceased for dying or for not doing something before they died

anger at god

anger at others/self for contributing to their death or not saving them

overwhelm from all the logistical things there are to deal with when someone dies

overwhelm from all the emotions

confusion at their own reaction

guilt for outliving the deceased

guilt for not feeling sadder or for feeling other things in addition to sadness (or for being numb/in shock)

this is an incomplete list!!!

i try not to project onto my friend or put words in their mouth, because it can be very isolating to be told how other people think you should feel if that's not exactly how you feel. because you're sending them a sympathy card, there is some baseline assumption that there is something to feel sympathy about. but beyond that i try to be careful not to get super specific about how "you must be feeling" or how hard "this must be". generally i try to avoid the word "must" because it implies that there is a certain way this is supposed to go, when there isn't.

if i know that they are struggling in some way but haven't talked to them much about it, i personally usually feel okay saying "Loss is hard" or "It's hard to lose someone", which might seem similar to "This must be hard", but avoids the word "must" and the direct reference to their situation ("loss" in general vs. "the particular instance of loss you are experiencing"). if i don't know much at all about how they're doing, i might say "Loss can be hard", which presumes even less, or i might not directly mention the difficulty of loss at all.

but also, it's okay to be more specific and personalized if you have been in contact with your friend as they've been processing the situation. it's good to acknowledge specific feelings that they've told you about, but try to also leave room for other feelings and/or ways their feelings might have changed.

what to include

here are some categories of sentiments you may want to include (all optional!):

thinking of you: even though it's kind of self-evident that you're thinking about them, this is something that is always appropriate to say and always nice to hear. examples: You're in my thoughts. I'm thinking of you often.

wishing you comfort/support: comfort and support are very safe things to wish somebody because they don't assume anything very specific about how they're feeling, and they express care for their wellbeing without putting pressure on them to be fine. I hope you can find moments of comfort in the coming days. I hope you're feeling supported by friends and family.

sorry for your loss: this is one of those things everyone knows is a stock phrase, but it's the kind of stock phrase that imo actually communicates something, so i do generally use it. I'm so sorry for your loss.

my heart goes out to you: this stock phrase is a little iffier, meaning it can be kind of a toss-up on whether or not it will sound insincere. it might depend on how close you are to the person. use your discretion. again, even things that sound insincere to you can still mean a lot to the recipient. My heart goes out to you. My heart is with you.

i'm here for you: offer logistical and/or emotional support if you want to and if you're reasonably sure that you could provide it. if you're able to be specific, that can be very helpful; one thing that can be overwhelming in the aftermath of a loss is dealing with lots of people wanting to help and having to come up with ways for them to do that. Please reach out anytime if it would help to talk about it. If you ever need to be distracted, I'm good at that! I'd love to bring over some food/help out with chores and errands; I'll text you to see if that would be helpful and not disruptive.

prayers: if you and the recipient are both religious/spiritual and it feels right to say, you could say "I'm keeping you in my prayers" or similar, in addition to or in lieu of "I'm thinking of you." if you are religious but the recipient isn't (or you're not sure if they are), i suggest not saying this, but use your judgment. some people don't mind hearing that someone is praying for them even if they don't believe in prayer and may in fact expect you to say it if you are known as someone who often expresses care through prayer, but for others, this can be actively offensive. i would say when in doubt, stick to "thoughts" instead of "prayers". You're in my prayers. I'm praying for you.

there are many ways to grieve: this one is harder to describe, but i like to include something that validates whatever the recipient may be feeling, despite not knowing how the recipient is feeling. the downside of a card is that it's not in real time, so you really have no way of knowing how your friend is feeling when they read it, even if you talked to them previously and know how they were feeling during that conversation. so i like to, in addition to not assuming any particular emotions, make space for the fact that their emotions may be shifting in ways that are confusing or distressing. but you have to be kind of vague about it, because you don't even know if that's happening. I hope you have the space to grieve in whatever way you need to/is meaningful for you. I hope you're getting through this time in whatever way is best for you.

you may want to express your own grief over the loss of this person, if you knew them. i think this can be comforting for the recipient to hear, but i suggest keeping it brief and not overwrought. the last thing you want is for your friend to feel they have to manage your emotions in addition to their own. if you can, do the below instead of or in addition to this.

now i will share my LIFE HACK!! for the very best thing to put in a sympathy card. this will not always be possible, because it relies upon a) you yourself having a relationship with the deceased (which is not always the case) and b) you being able to remember things (which i often cannot, especially when i'm sad). but if you can, i highly suggest something along the lines of the following.

say what you will remember the deceased for. (I will remember them for their wry sense of humor. I will remember them as a compassionate/driven/curious person.)

give an example of a memory you have of them in which they exemplified that characteristic.

if you can't do both, it's also good to do just one and not the other. if you have a favorite memory but it's too hard to think of adjectives to attribute to them, just share the memory. if you tend to think of them as [positive adjective] but no specific evidence is coming to mind, that's okay, this isn't a debate. in general it is comforting to people to know that they are not the only ones who will remember their lost loved one.

example cards

i will now give some examples of cards i've written. these all feel really awkward and inadequate to me, and you can see i didn't always stick to my own advice! but they were all deeply appreciated.

[to my coworker. i didn't have much detail except knowing her dad had been in the hospital a lot, and she was sad that he died]

I was so sorry to hear about your father. It seems like the last few years have been hard on your family, and loss is especially hard. I hope you are able to take the time you need to be with your family and cherish your memories of him together.

[to my friend's mother after the passing of her husband. i knew from talking to my friend that her mom was struggling especially with outliving him, because she was sick and had expected for a long time to die before him]

I'm thinking about you and [friend's name] a lot. I'm so sorry for your loss. Losing someone is so hard. Adjusting to their absence is, too. I hope that you're finding moment of comfort and feeling supported by friends and family. He will be missed. I will remember him for his wry sense of humor; I still have a "card" from him on my fridge (he cut out a sample "thank you" card greeting that said "The smallest good deed is better than the grandest intention" from a list of things to write in different kinds of cards (a sample message for a "Get Well Soon" card was on the back, crossed out) and simply added my name at the top and his name at the bottom. It's one of my favorite pieces of mail I've ever received and it's been on my fridge for many years). I am so sorry that he's gone. You are in my thoughts and my heart goes out to you.

[to my close friend and her husband i don't know as well, after a late-term abortion for a baby they had been very excited to raise. in this case i knew some of my friend's feelings, but not her husband's, and while i knew that many things about the pregnancy had been hard (lots of waiting for test results about the viability of the fetus, for one thing), i didn't want to imply that the decision to abort was hard, because my friend said it wasn't]

I'm thinking of you both lots. I'm so sorry for the loss of your baby. It sounds like it's been a difficult and fraught process, and I hope you're getting space and time to grieve and to come to terms with the loss. I hope you're getting whatever kind of support you need. If there's anything I can do to help, whether logistical or emotional, please let me know. I would love to be of service to you. I wish I knew what to say. You've just had such a fantastically shitty year. I do believe that things will get lighter for you both, and I hope that happens soon. Take care, and know you are cherished.

[to my grandmother after the loss of her estranged brother, when i was extremely unsure how she was feeling about it and had my own complicated emotions]

I just wanted to send you a card to say I'm thinking of you. Mom let me know about Uncle [name]. I know things had been strained for many years and I haven't seen him in a long time, but I'm sorry to hear that he's passed. I hope that you and [grandmother's sister] are able to reminisce in whatever way feels appropriate and meaningful to you. I'm not sure what else to say, other than I'm thinking of you, I love you, and I'm sorry. It was really nice to see you at [family member's] graduation the other day. The next time we're together, I look forward to giving you such a big hug! I feel very lucky to be your granddaughter and to have you in my life.

[to my grandmother after the loss of my 38yo cousin, which was hitting me really hard]

I don't know what to say, but I just wanted to tell you that my heart goes out to you and that I'm thinking of you, and [cousin], and [uncle], and [father], every day. It's so hard to lose someone, and I'm so sorry for your loss. My grief is a strange animal that sneaks up on me at the strangest times. I hope you are finding moments of comfort and feeling supported by friends and family. I'm looking forward to the day when I can hug you in person.

[to my close friend on the loss of her father after a long illness. she had been leaning on me for support, as another person who has lost someone after a long illness]

I'm thinking about you lots. I hope you're getting through this time in whatever way is best for you. Loss is hard even when you know it's coming and even when you get to say goodbye. I hope you are finding comfort and feeling how loved you are. He was a special person, and I'm so sorry he's left you. I know part of him will live on in you and the other people who learned from and admired him. It's still so hard to lose him, and grief is a strange animal. Take care. Reach out anytime. I love you so much.

takeaways

it will probably feel inadequate to you, but chances are it will still be appreciated.

remember that though you may not be able to make things better, you are trying not to make things harder.

it is okay to keep it really short and generic.

you cannot assume you know how anyone else feels. there are many ways to grieve. that said, it's nice to acknowledge any specific feelings your friend has expressed to you, while also leaving room for other feelings you may not know about.

if you want to offer support, it can help a lot to be specific in how you are able and willing to help.

it is usually comforting to people to know that they are not the only ones who will remember their lost loved one.

even if you do it awkwardly, just the act of reaching out is meaningful! people don't know you're thinking about them unless you tell them.

and remember to take care of yourself, too! watching friends lose loved ones can be hard for you as well for a variety of reasons. reach out to other friends for support when you need it.

[cup-o-stars]

Relativity Falls Lore Concept- The Oracle and Bill

The Oracle:

I was initially inspired by the Twitter user @SUwu159's depiction of the Oracle in their take on Relativity Falls, and made my own adaptation as I learned about her in canon.

(Assume she can change colors because I couldn't pick what I liked most)

This version of The Oracle isn't malicious per se, and does not desire the same conquest or chaos sought out by Bill. But she likes universes to be organized and quaint (or answers to another high power that demands it), and finds fulfillment in achieving these goals through any means necessary.

The Oracle and Dipper:

(Sorry if this dialogue tastes like a corndog in your mouth. I just needed to write a semi-resolution to Dipper's side of the relationship, ha.)

Getting into the real struggle with the Pines family. Dipper and Mabel don't fight and hold grudges like the Stans (that we've seen of), so my opinion is that they drifted apart in their late teens and twenties, both feeling pressured to be less attached at the hip. My current belief (though I'm very willing to rewrite this section) is that Mabel and Dipper both poured a lot of energy into pretty niche fields, and being very busy meant very short and rare windows to reach out. Both assumed the other was doing bigger and better things and felt self conscious / childish for wanting eachother's company.

I'm still considering Mabel's backstory, since I think she probably hit lower points than Dipper. You know. Starving artist, lol. But Dipper entered into paranormal investigation, pest control, etc. before his ghost + monster catching went far enough for his name to gain some notoriety. Hell, maybe Pacifica's family reached out to him to take care of "rats" that were actually ghosts, cementing his interest in Gravity Falls and giving him a window inter supernatural work.

Dipper was taken on as something of an apprentice to the Oracle 30ish years before canon as word of his good and dangerous deeds spread. However, what was at first a personal dream come true (saving lives with nerd magic) soon became a personal hell as the Oracle began to overwhelm Dipper with knowledge of various futures and universes where everything he cared about could be destroyed. He's always been over prepared and incredibly paranoid, and became obsessed with protecting the world by acting as a partner to the Oracle.

He ends up doing- or not doing- a lot of morally ambiguous things and gaining a lot of enemies. He is too ashamed to face his family- especially Mabel- with what he's done and burden them, giving the Oracle more to use against him to keep him working for her. Basically "you've already done all this and risked it all, there's nowhere to go if you stop now." Eventually this ends in her seeing him fit for her work and convincing him to hide out in and save other universes, which he gets trapped doing for the next three decades.

Little throw away idea: Pacifica could have been an investor or partner, but left as they uncovered secrets about the Northwest family. Maybe she wanted to undo something (debating making any of the Oracle's powers time related just because I hate time travel) or stop a current show of corruption, but Dipper had to stop her for the "greater good."

In the main universe, Mabel goes to Gravity Falls upon news of her brother's disappearance, searching for any loose end to trace back to him.

I love that in canon, Dipper is willing to do anything for Mabel, and Mabel gives it back. Dipper here spends all of his life keeping as many versions of her as safe as he can, and she spends all her life trying go seek him out- maybe even dropping a larger opportunity outside of Gravity Falls for her art and settling on business at the shack. Dipper wants Mabel alive, Mabel wants them both happy. I like the idea that it's Dipper and Mable vs. The Future but the future is a demon, alien thing.

Which leads me to...

Bill Cipher:

I'm actually gonna cover a couple versions of Bill I think are fitting for this AU, because I initially wasn't sure if I wanted him here at all.

Child Bill:

Pretty straight forward. Bill as a baby, child thing is tempting and this is the au where he'd exist. Personally though, I think Ford's friendship with Fidds would be more enriching to his growth, and Bill's personality is so close to Stan's they would likely be competing to fill very similiar roles. (If Bill behaves differenty as kid, I don't know about it.) Honestly, Bill is super similiar to Ford and Stan, and works better as a kind of foil or antagonist because of that (imo). I do find the mental image of Ford carrying Bill around funny. I do not enjoy human bill like, conceptually, so I'm probably never gonna design one as an adult or child, lol.

It would be cool to see a world where Bill didn't accidentally kill his parents though.

Bill - Reincarnated Original

Technically I guess they could all be reincarneted (especially baby Bill), but this version of Bill experienced and holds memories of the original canon events in GF. Beings like Bill and the Oracle can remember recent/soon approaching lives, and catch glimpses of more distant cycles as well.

What I like about Bill's recent role as an antagonist to Ford and Stan is that he constantly describes them in the terms of their worst traits, and sees them through the lens of the roles the world placed on them. In this AU, Bill is the epitome of the past (in this case a past life) coming back to bite the twins. He rattles their progress in communication as well as their sense of inner peace by bringing old Glass Shard Beach issues into Gravity Falls.

(Depicted here-> moments after Ford summons Bill using the same ritual as Gideon.)

The drawback to this is that it feels a lot like covering old ground.

Simply Bill:

This is pretty much just regular old Bill with the same fresh perspective as everyone else, and also the one I'm going with. He tried and failed to get Dipper's trust in the past and had to lay low at the arrival of the Oracle. Once they left, Bill targeted Mabel. I think it could be very interesting for Mabel and Bill to either have a fresh relationship wherein Bill is actively taking advantage of her desperation to find Dipper, or for Bill to be an old betrayal (not romantic, but not dissimilar to the opportunistic exes Stan and Ford have to be wary of and beat back under the rug regardless).

Either he shows himself to Mable early on, or decides that Gravity Falls is both Oracle-free and worth the time after either Ford or Mable summon him. Afterall, 30 years isn't much to him.

Maybe he exists in the background like he's always done, or the kids (being snoopy and disrespectful of Mabel's secrets) discover what Mabel's doing and run into him on their own.

Whether Bill is aware of the original series or not, I think he could be neat to stick in between Stan and Ford again for conflict. My favorite aspect about Relativity Falls is the prospects of the Stans having a larger support system and better tools to help themselves with. Beating Bill faster and better would be the ultimate testament to Mabel and Dipper's skills as functioning role models, even if Mabel is currently blinded by her focus on Dipper.

Stan and Ford will fight and they will make up, but this time maybe they can overcome it on their own.

I also think a good idea is having Ford and Stan's issues be completely Bill free (outside of like an episode or two's worth of relevance, unless he put them into a particularly stinging situation). It would feel fresher and also streamline the plot, lol.

Overview:

- Dipper is stuck travelling the multiverse with the Oracle and keeps himself sane by thinking of Mabel and protecting various versions of her.

- Mabel is investigating his disappearance in Gravity Falls and is working on a portal/portal equivalent with Bill to bring him back.

- The kids may or may not be aware of this.

Looking at the main series of events, I think it'd be neat go back to the apprenticeship conflict, where Ford could be approached by the Oracle (or something else that makes sense) with the promise of being a "hero," but knows better now because of Dipper and his experiences with Bill. It's kind of a more convoluted version of Ford's proposal to Dipper in canon, and they basically learn the same thing, lol. You can hang out with ghosts if you want, but demons are gonna get you. Maybe being a child with siblings is all you need.

(Stan could also be offered this, given the Oracle already knew he- or at least someone with his face- would beat Bill, but I think it's well established he isn't very interested in doing anything without family.)

All in all, things might be a bit crowded with two antagonists. But I do like the concept of Bill's arrival and subsequent chaos triggering Dipper and the Oracle's return to Mabel's dimension. I also love the idea of Bill, the Oracle, and some secret third thing all trying to pull the Pines family apart, and it's like a Man vs. God turned into a Family vs. Destiny thing, idk. Just trying to make it feel bigger.

Thank you for reading all this. It was a lot to draw. Next time I do anything for Relativity Falls, I'm gonna go back to the smaller things like Mabel bonding with the kids and stuff like that.

[escespace]

Arthur: *glare*

Merlin: *glare harder*

Arthur: *glare in royal*

Merlin: *glare in sassy*

Leon: *Concerned*...Should we do something?

Gwaine: *focused on that pair* No, no, I think I'm finally understanding them.

[lillazyboithings]

"So tonight we’re gonna chronicle

A story so astronomical"

This was a vision that I had to fulfill, I spent like more than 1 and 1/2 days on this (im excluding the procrastination, if we include it, its 3 days)

basically im combining my two strong brainrots of this month, tgwdlm and npmd, and ngl im actually in love with the results

[knifearo]

ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story

[redsugarx]

Hanfu in Components: Hanfu Anatomy, Tops (pt 3.1)

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Now that you know about the names of different garments, what about the parts of each garment? There are so many confusing terms!!! I gotchu :>

When looking at hanfu and parts of hanfu, it can help to see how the garment is constructed. To do that, we have to look at the pattern of the garment. Sewing patterns are the templates that tell sewists how to cut their fabric into the shapes that are needed to make their clothes. Hanfu sewing patterns are fairly standard. They look roughly like this.

(blue = shoulder fold line // red = center front // green = center back)

To help you understand how this all comes together, when defining different parts of hanfu anatomy, I'll show it on the sketch above, and also on photos of people wearing hanfu, highlighted in green.

身/SHEN1/BODY

This refers to the body of the garment—the part that would cover your torso. Typically there are two pieces of cloth making up the body: one on the left and one on the right.

Once again, one of hanfu’s main defining characteristics is that traditionally, THE SAME PIECE OF FABRIC MAKES UP THE FRONT AND THE BACK. There is no shoulder seam separating the front and back of the garment.

袖/XIU4/SLEEVE

袖 means sleeve (in both technical and colloquial terms). There are many shapes that the sleeve can take: they can be narrow like normal clothing or they can be big and dramatic like the kind you see in cdramas. Like the body, there is no seam separating the front and back of the sleeve—the sleeve piece is draped over the arm and sewn together at the bottom. Another important characteristic is that the sleeves are joined to the body at the bicep or elbow area, NOT at the shoulder. (Short or half-sleeve tops might not have a separate sleeve piece.)

領/领/LING3/COLLAR

領 means collar (in both technical and colloquial terms). This can refer to two things: one, the general shape of the neck area (round, square, standing, cross etc.) and the actual strip of fabric that is attached at the neck to form the collar.

襟//JIN4/LAPEL

This can be translated as collar or lapel; I choose to say lapel to distinguish it from 領. This refers to the area where an open-front top would open. It’ll look different based on the collar type—generally a 對襟/对襟/dui4 jin4/parallel collar top’s jin coincides with the front centerline.

With a 交領/交领/jiao1 ling3/cross-collar top, however, it would coincide with the outer edge of the collar. (Will have a more detailed post about this later.)

下擺/下摆/XIA4 BAI3/HEMLINE

Refers to the bottom hem of the garment. 下 means down/bottom. Note that 擺 can refer to different things in different contexts. If you see someone talk about the 下擺 of a top, they’re talking about this bit.

The following terms only apply to a subsection of hanfu tops and may have fewer images as a result.

衽/REN4/LAPEL EXTENSION

This one is a little harder to translate. Applies to non-parallel lapel tops like cross collar, diagonal-lapel standing collar, and overlapping round collar garments. It’s an extension of the BODY piece on the front, sewn to the vertical center front seam, that overlaps over the other side. (Will have a more detailed post about this later.)

衩/CHA4/VENT

Also called vents or slits—an optional open slit, usually made on each side of a longer shirt or robe, to allow for ease of movement. Might be combined with the word 開/开/kai1/open to form the phrase 開衩/开衩/kai1 cha4/open slit. Mostly applies to longer robes or tops, where the length reaches the knee, so that you don’t have issues with walking.

襴/LAN2/WAIST EXTENSION

Also a little harder to translate. This only applies to 襦/ru2/Ru tops and 襴衫/襕衫/lan2 shan1/Lanshan robes, plus some varieties that were derived off of those two. The 襴/襕/lan2 is an extra rectangle of fabric appended to the bottom of a shirt/top to extend its length. It can be made of a contrasting fabric or the same fabric, and often has pleats on the sides to allow for movement. (Will have a more detailed post about this later.)

緣/缘/YUAN2/TRIM

Refers to the trim or decorative contrasting bits on a piece of clothing. Specific location goes in front of the character. For example, 袖缘 means sleeve trim, aka the cuff. Some specific trims might have their own special names but that’s for another post.

Later post about skirts/pants to come soon!

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[expatesque]

1930's French home designed by Pierre Petit. Featured in World of Interiors.

[nagitosstolenhand]

Jin Bubaigawara + Wreck It Ralph Speech

[aroaceleovaldez]

What is the PR disaster in question that made Rick announce TSATS? I wasn’t active in the online fandom at that point

Of course! This was awhile ago so it figures people don't remember it/aren't familiar:

Basically a couple years back (2020) the fandom had some posts circulate discussing the ways different characters in the Riordanverse were written poorly or offensively. There was a masterpost that went around tumblr but the two major points people were particularly focusing on were Piper and Samirah (particularly because Piper had featured prominently again in Trials of Apollo recently and the third MCGA book had further emphasized and discussed Samirah being Muslim, since it was supposed to take place during Ramadan). Basically each had multiple posts breaking down the ways they were depicted incorrectly or offensively. The entire fandom for a little bit was VERY intensely discussing this (and it's around this time the "RR crit" tag got very popularized on tumblr - it did exist before, but suddenly was being used VERY frequently - cause it was that wide-spread - though the discussion took over basically every side of Riordaverse social media on different platforms). People really wanted Rick to respond to these criticisms, so he did!

He made two blog posts, one about Piper and one about Samirah. He has since deleted both so the links are to archived versions. The short version: he essentially tried to justify his poor research and double-down that he hadn't written them offensively, actually, people were just being mean to him. The fandom, of course, reacted poorly to this.

[Further elaborated events under the cut since this got a bit lengthy]

(Fun fact, this all happened within a month or so of the time i posted an open letter on aphobic tropes in the Riordanverse that Rick replied to, and then he immediately followed with announcing that Reyna was intended to be ace-coded [which cause a LOT of fandom debate] before Rick dipped for a couple of weeks, and then came back to post the blog posts in response to Piper and Sam stuff. So I like to jokingly refer to this as "The time I imploded the fandom/drove Rick off of twitter." Twas I that set the house ablaze.)

Rick fully left social media after this and the LT Musical social media manager became Rick's social media manager for the time being.

So this all happened June/July of 2020. Tower of Nero would end up being published in October of 2020 and a few months after that Rick would state that he was done with the series and wouldn't be writing any more series installments involving Percy, and also that he wouldn't be writing a Nico quest following Tower of Nero as it "wasn't his place to" and encouraged the community to write their own versions of Nico's story.

The community continued to circulate the tumblr posts and discuss the topics of Rick's offensive character depictions, and this is also where we see the dramatic shift in how the fandom depicts Piper in fanwork (though in most cases it is admittedly not an improvement 😬) because of all this discussion. This is also around the time when the fandom brought Viria under scrutiny claiming that she was whitewashing Piper as part of the same discussions, through the justification that she was drawing Annabeth as having tan skin (which she does canonically), and if Annabeth has tanner skin then Piper then that's whitewashing Piper? Except they were using completely separate images of not fully rendered Piper art versus Annabeth in dramatic lighting, so it's all very awkward and poor logic, and did actually get kind of racist. A lot of people were calling it "Tannabeth Blackchase" (yeah, i know) or similar and a common sentiment you'd see repeated is "Don't draw Annabeth as having darker skin than Piper, because that's offensive/racist/whitewashing." (Note: it was not phrased "don't draw Piper as having lighter skin than Annabeth" - we also won't get into certain offensive depictions of Native Americans, but I digress). But yeah, the Annabeth stuff in all that did not age well at all.

Anyways, in October of 2021 however Rick would announce that he was co-writing The Sun And The Star - with a lot of heavy emphasis on how Mark Oshiro works as a sensitivity reader, and some false advertising from the official social media that Mark Oshiro was the first time a non-Riordan author would be collaborating on the series (disregarding the ghostwriters completely). One of the big criticisms in the breaking down of issues in Rick's writing was his lack of ever seeking a sensitivity reader, and fans claiming that a sensitivity reader could solve a lot of the problems. This was basically Rick's "look! I totally listened!!!!" (though it did little to actually improve things, based on the book) and in TSATS as well Piper gets a large cameo at the end where the text very directly addresses a lot of points made in criticism of Rick's writing of her.

We also then of course got the CoTG trilogy later, explicitly stated to be for advertising purposes for the show.

So basically, short version: Rick came under scrutiny for a lot of offensive writing within the span of two months, made some bad blog posts doubling down about it, left social media. TOA ends. Rick says he wasn't going to continue the series/write what would become TSATS. Community celebrates the end of of the franchise but also continues to discuss Rick's poor writing and the blog posts at length. Rick suddenly announces TSATS and Mark Oshiro's involvement. Everybody gets distracted from being mad. Show announcement stuff also happens and the discussions peter out.

[coinsucks]

He matches now!

[escespace]

Gwaine: Man, I'm fed up with these two, we have to do something.

Elyan: What are you talking about?

Gwaine: Arthur and Merlin and their stupid desperate flirting

Elyan: What? Flirting?

Gwaine: Are you blind?!!! Of course they flirt. If not, what would you call that?

Gwaine: *turns elyan's face to where Merlin and Arthur are being separated by Lance and Leon while they yell at each other*

Elyan: Social incompetence?

[haine-kleine]

I think enough time has passed that we can finally talk about how utterly useless and disappointing the final act of Dabi's arc ended up being.

The most disappointing thing of all is how fucking cool almost every setup was. Enji finally seeing the full extent of the damage he did to his son, his mind almost gone and his body about to blow up, and deciding to sacrifice his own life. Dabi developing an ice quirk, like his mother's. Rei coming there using her powerful ice quirk to save both Touya and Enji's lives, because she felt responsible for her part in driving Touya to this point. Fuyumi and Natsuo following Rei because they couldn't sit idly, while their family members are risking their lives. Shouto going above and beyond his limit to save Touya's life and then praising Touya's natural talent the way no one ever did.

This picture. The eerily happy what could have been, what both Touya and Enji wanted, a happy family where they both are accepted and loved, where Touya is healthy and doesn't hurt himself. Except he is missing an arm now, a new self-inflicted injury transferred from the real world, where the family is as far from happy as they could be. Enji is also missing an arm, the mutual self-sacrifice which was payment to getting Enji to finally fully see Touya and accept him, accept his own role as the parent responsible for this child of his.

This was the exact moment. That first frame is such a masterpiece it's much more thought provoking than the entirety of what followed. Look at your son's disfigured face. See the monster that you created. The fire that you have ignited. It's hotter than your own Hellfire and it won't ever stop burning, as long as either of you is alive. There's no end to this hurt. It's been hurting him since he was a child, and now it has spread to you. You did this to yourself.

And one thing I can tell for sure is that these chapters are going to go hard as hell in the anime. These surrealistic frames, followed by blockbuster-worthy action sequences. But what comes after that? And then nothing. It's like Horikoshi made these chapters specifically to work well for the anime adaptation. Because there is no resolution or even conclusion to any of the things that happened here.

Enji and Dabi losing their arms had so little meaning Horikoshi himself forgot about it and gave Enji the missing arm back in chapter 425. We never get to see the state of Touya's body after the war, so him losing his arm also loses his meaning, as he is covered in a full-body metal restraining jacket. Did they provide him with a prosthetic? If not, are they going to? Is he even going to notice the missing arm, or did it truly not matter? Or perhaps he somehow grew his arm back, the same way he grew his melted eyeballs back? Who even knows.

What about the family? Rei clearly cared a whole lot, enough to risk her own life to attempt to save Touya from certain death because she knew there's no point to rely on Endeavor , but now that the heat of the moment is over, how does she feel about what happened? Does she insist on getting to visit Touya more often? Does she reflect on her own experience of spending ten years in isolation and try to give Touya his freedom? Did Shouto share the story of Touya coming back home after his death with her and his siblings? How does she feel about it? How do they feel about their dearly missed brother willingly choosing to abandon them?

On that topic, how do Fuyumi and Natsuo feel about Touya at all? We do get to hear about Fuyumi's desire to talk more with Touya, but what does she want to talk to him about? Does she want to share her own life with him, to tell him about her old job and the kids she was teaching? About the many family dinners she had been organizing for their family despite it falling apart? Or does she want to ask him about his life? Is she at all curious what he had been up to? Does she want to know how he ended up a villain, why did he keep burning himself despite almost dying from it as a mere child? Would Touya himself want to talk to Fuyumi, or does he still think his sister will never understand him? If so, will she try to push through and repair their sibling bond, try to show him that mending their family is possible and she wants to see him a part of the healed Todoroki family, eating dinner with the rest of them?

Natsuo... I don't even know where to start. Todoroki Natsuo when he first appeared in the manga and Todoroki Natsuo from Dabi's dance onwards are two wildly different characters and the development that made him change so much is skipped entirely in the story.

The entire point of Natsuo's character conflict was being unable to let go of the past, when the rest of the family was demanding he puts the past behind them and looks towards the future. Why exactly was he so fixated on the past? Two reasons. One, his father's neglect of him and abuse of his brothers. He is indignant about what Enji put Shouto through, still angry about Shouto being isolated from his siblings despite the younger freely interacting with him and Fuyumi for quite some time since before the manga plot had started. He outright says that his father had killed Touya. And that's the second reason, his close bond with Touya. While the rest of the family, even their mother, have been able to grieve and let go of Touya, Natsuo has been haunted by him ever since the day of his death.

Their relationship was a toxic one, that is true, Touya was traumadumping his extremely unhealthy feelings on a little kid who was too little to process or sympathize with what the was going through. But from the way Natsuo talks about Touya after his death it's obvious that Natsuo cared a lot about him, still cares. He is indignant about the unfairness of what happened to Touya precisely because he knows the most out of all family members about what his experience was like. It's pretty clear that the reason he stubbornly refuses to forgive and accept Endeavor the way his mother and siblings did, despite genuinely believing himself to be a bad person for it, is not just because Enji was neglecting him as a kid but because since he was a kid he was exposed to the horror of what Touya's life was like. He was watching a person begging to be helped hurt himself everyday and he didn't know how to help him or stop him. Hell, it's pretty straightforwardly implied that his career choice was impacted by his inability to help Touya, who was covered in burns at all times, and Rei with Shouto.

So with all of that in mind, Natsuo's resolution feels fairly... bizarre. As far as his reunion with the dead brother he was bitterly mourning for 11 years, the one who showed up back from the dead expressing the exact same sentiment Natsuo has been trying to express to his family, 'The past never dies', goes, it's this:

This wouldn't even be so bad if there was some followup to this. Natsuo was highstrung with nerves, he was terrified at the thought of both of his parents and his brother dying for real this time (except it's Fuyumi who gets this line). Natsuo apologizing to Touya for saying this, after the climax of the battle is behind them. Anything. Because this framing with no followup at all makes it seem like Natsuo's feelings about his oldest brother is just being annoyed at him for constantly causing trouble to others, because he was venting to him so much when they were kids. If his were any other character, this claim would hold some weight, after all the dynamic was genuinely toxic, but all Natsuo did for the entirety of the Hellish Todoroki family subplot was causing others trouble by his inability to cope with his feelings. You know, the same thing Touya is doing right now, was doing as long as he was in the Todoroki household. Hypocritical much?..

Then we get to look at the final pages of the Todoroki family's conclusion, and it's all about Natsuo once again disrupting the fragile family harmony and peace by announcing he never wants to see Endeavor again. Also he is getting married. For someone who was so held back by the past for 200+ chapters, this sure is a big leap of faith into the future. What caused this development? Touya reappearing back into his life? Did Natsuo make his brother the symbol of that past that was holding him back and decide to abandon him, never see neither him nor Endeavor again?

Maybe so, maybe not. Does he hold hard feelings against Touya, because the real living Todoroki Touya is too different for him to accept as the brother whose ghost had been haunting him for a decade? Is it being a villain that he can't forgive? Or is he simply unable to cope with everything right now and puts off the conversation with his brother because that would be too hard right now? Isn't that the same thing Rei and Enji were doing for Touya's entire childhood?

That's the thing with this ending, you can ask a million questions and make up endless interpretations but you won't get any answers or reasonable conclusions to any of these character's stories, save for Endeavor.

And what is his ending? It's this.

He has moved on! Doesn't matter what happened to his original family, because he's got himself a new one. He is moving towards the future, surrounded by love, support and acceptance. It's the same thing as this picture!

Minus the inconvenient and explanation-demanding children subplots. That would require too much space and effort and the story needed to be finished asap. So? Why resolve the Todoroki family mess when you can give Enji a whole new family of his own? What happened to the other, original children? Who even knows. Who cares? Definitely not Enji, he has new ones.

What about Touya? Well, he was already accepted by his father once, that's enough for him. About his family? As far as we know, they left him all alone, crying, dying. About his missing arm? About his ice quirk? About his relationship with his siblings? With the League of Villains? The living villains, Spinner, Mister Compress, his cousin Geten, Skeptic? Who even cares. Definitely not this story.