#literally every time. it's like. comical.

[kyri45]

how do you make your comics format?

like sizes and when do you know what color to use for the comic panels for emotions?

I don't use colors for emotions. The BG color is based on the setting of the scene. So it's yellow-ish if it's day, blue if it's night, inside DBK house is orange since it's mostly lit by fire and lava, etc...

the format is whatever is default by procreate on my ipad(1600x2100 something I think)

But now I have a question for you all.

Why does everyone wants to know the size of artists artwork?

Like, I'm literally just curious. I just don't understand why I, and many other artists, get this question A LOT. I absolutely don't mind answering that question, I will do it every time. But, I assume is because you are asking advices for drawing? But I don't understand how the canvas size can influence your art skills. If you need to PRINT whatever is it that you need to print, ok, I get it, there are standards based on the size of the print so it doesn't get pixeleted, but for the web, I never really understood how that like, changes your skills. it might change the quality, yes, but veeeeeeeeeeryyy little.

[mythicalninjas]

@thedl2912 It's been years ago (literally) since you sent this prompt. I hope you're still interested to read what I've written and it is an ask of apologises 🥲 MERRY CHRISTMAS!

Rate/Warnings: SFW, holidays with family, celebration, boys with their crushes

Let's be honest: they’d cobble together a “tree” out of random sewer junk, decorate it with makeshift ornaments, and exchange gifts they made themselves. Splinter told them stories of Japanese winter traditions.

They embraced Christmas movies and made it a tradition to have a pizza feast while exchanging small but thoughtful gifts. As adults, the brothers celebrate with a mix of their old traditions and new ones involving friends.

The lair is decked out with real decorations (thanks to April!), and they exchange gifts in a Secret Santa style to make it fair for everyone. No one is left from their family celebration!

Leonardo

As the oldest, Leo took it upon himself to make Christmas feel special for everyone, even when resources were scarce. He’d create small paper ornaments for their "tree" (usually a pile of junk) and try to teach his brothers Christmas songs. His wish list was practical even as a kid—books, training equipment, or a sturdy toy sword;

He tried to uphold family traditions while dealing with his teenage angst. He secretly saved up to give meaningful gifts to his brothers, such as repairing Donnie’s gadgets or crafting a new weapon for Raph. His wish list expanded to include things like martial arts manuals, music that helped him focus, or items that symbolized his leadership (like a notebook or a decorative katana stand);

Leo organizes the festivities, ensuring everyone gets time to celebrate together. With his crush (you), in the mix, he’s more mindful of personal touches in gifts. He’d give you a thoughtful book, or and a beautiful handcrafted ornament. BUT of course, after the family celebration, he would take you to the Empire State Building to watch the sunrise;

For him, the most beautiful view is you;

His wish lis? The leader would likely include items related to meditation, strategy games, or maybe a simple but heartfelt gift from someone special;

Raphael

Oh, boy. His grumpy face wouldn't help;

"Why is Raph mad?" Casey asked to Mikey, both eating a plate of pizza slice and turkey on the other side of the main space while watching the red-clad turtle;

"Mad? That's his every-day face." Mikey answered naturally;

Baby Raph had a love-hate relationship with Christmas as a kid. He’d grumble about the lack of gifts but secretly made handmade "weapons" for his brothers out of scrap materials. His wish list was all about action—nunchucks, toy weapons, or something adventurous like a kite (even if it wouldn’t fly in the sewers).

As he grows up, our Raph leaned into the "too cool for Christmas" vibe but secretly loved the holiday. He’d participate in his brothers’ antics, like decorating or gift exchanges, while acting indifferent. His gifts were usually practical or funny—he might’ve given Donnie extra screws for his inventions or Mikey a gag gift. Wish list at older age? Leaned toward punching bags, workout gear, or rock band merch.

As an adult, he is still rough around the edges but shows more appreciation for the holiday. He’s likely to make something personal for his friends, like a DIY repair kit for Casey’s gear or a leather bracelet for his crush. Fitness-related items, cool motorcycle accessories, or something handmade by his loved ones.

You here? PERFECT. He might have an angry face, but it doesn't make you step away. And that blush on his big cheeks when you give him simples touches (HEHEHEHEHSJWISNSKSNSJDK) YOU LOVE THAT. Big teddy bear on ACTION;

Michelangelo

Everybody knows that Mikey is the most excited about Christmas, treating it as an excuse to have fun and spread cheer. He made lopsided decorations out of junk and insisted on singing carols, no matter how off-key.

He doesn't care about his age. Give this boy toys, comic books, art supplies, new flying skateboards, an update for his knuchakos (have no idea how to write his japanese weapon correctly) but, mainly among all of it, PIZZAS. BOXES OF PIZZAS. Anything what can make him feel GREAT! MIKEY happy, family happy!

Ngl Mikey was the one who turned Christmas into a party, convincing his brothers to play games, watch movies, and eat pizza. The family celebration wasn't that exciting before his happiness change everthing. He gave hilarious, heartfelt gifts like drawing portraits of his family or prank items for Raph. He ensures Christmas is a joyful celebration for everyone. He bakes cookies, organizes games, and makes handmade gifts like a scrapbook for April or a painted helmet for Casey. For his crush, he might craft a whimsical piece of art (of himself or of his crush. Maybe both together ;3). He is THE own Michelangelo reencarned!

Want a nice celebration? Call Mikey, the party maker! The only who can bring happiness to reallity!

"All I want for Christmas iiisss... youuuu" He sings, pointing at you.

You chuckled.

*The song beat starts*

The orange-clad turtle kept on: "I don't want a lot for Christmas. There ir one just thing I need-And Iiiiiiii"

"Don't care about the presents underneath Christmas tree. I don't need to hang my stocking there upon the fireplace (ah)"

You two dance a lot, soon Leo, April, Donnie, Casey and Vernon join.

"Why don't you join them, my son?" Master Splinter asks softly, looking up at Raphael.

He crossed his arms over his big chest. "Don' know. No mood."

Splinter only lifts an eyebrow

Raph sighs. "Okay. But ya will join too."

Splinter smiles.

Donatello

Your beloved nerd would have been fascinated by the lights and mechanics of Christmas. He spent most of his time trying to engineer blinking lights or tiny motors for ornaments (by Mikey's ideas). He would search for information about this special celebration date and tell every single of them to you.

Of course you are interested!

His wish list, since we was a boy, was full of tech: batteries, screwdrivers, or wires to tinker with. Tech guy, tech stuff! Oh, boy... He does love it!

As a teen, Donnie improved his skills becaming the family’s Christmas tech guru, rigging up makeshift string lights and mini projects to wow everyone. He loved gifting his brothers functional gadgets or tech-enhanced weapons. His wish list was predictable—parts for his inventions, rare tech manuals, or a new soldering iron.

He still brings the tech magic to Christmas. He might build a personalized gadget for April, a hockey puck tracker for Casey, or a thoughtful, techy gift for his crush. His wish list is the nerdiest of them all: microchips, rare circuit boards, or a subscription to a science magazine.

"Did you know that the red suit Santa Claus wears today has its origins in the work of several artists, including: Thomas Nast, Haddon Sundblom-"

You grinned "Clement Clarke Moore and Saint Nicholas Myra. But there are a few others, right?"

"Yeah! Like Norman Rockwell and J.C. Leyendecker. Also, did you know that before Coca-Cola's advertisements, Santa was depicted in a variety of ways, including as a gnome or in different colored suits?"

[novantinuum]

Reformation ref sheet for an AU Steven (named "Astra") who's been invading my brain since like,, April. It's VERY wide, apologies. There's a lot going on here because this man is incredibly old and has poofed way too many times for varying reasons. (See This post for how I headcanon that Steven can poof and still be considered a hybrid being.)

While I will not talk in huge length about certain aspects of his AU on this blog due to some of it involving strong NSFW themes, there is a ridiculous amount of other lore I've developed over time for Astra, and I love him to death. He is my sad, lonely mans who I metaphorically hurl against the wall like a sticky hand when I need to feel something.

This version of Steven will likely never have any kind of full ass fic or comic made about him. Despite that, I do enjoy sharing some art and fun character lore for him from time to time. So, I might as well finally give followers like... literally ANY context for him. I've had this ref sheet for a while and just have never gotten around to throwing it on here, LOL.

Ridiculously long dump about my guy under the cut.

Subnote, this was supposed to be a quick post but I can't help myself and wrote you a fucking BOOK under the cut because I love my guy so much UWU

(Content warning I guess for like, extremely vague mentions of Steven/Steven later on.)

-

The huge tl;dr of Astra is as follows: he's a version of Steven who exists for SO long that he basically transforms into something of an ancient, lonely god.

He's outlived every single person he once knew as a child, and so as a result is starved for affection. At the same time, being vulnerable is the absolute scariest thing for him and he's really shit at navigating relationships, F.

The guy is THE most powerful living creature in his entire universe by the end, and yet remains a soft-spoken, (generally) benevolent soul. He dedicates himself to acting as caretaker for the vast, populous world he exists within, and to maintain the continuing legacy of Gemkind. A big discovery that occurs in this AU is that Gems are in fact susceptible to entropy over the span of millions of years and will eventually fall "inert," (but not him because of weird hybrid biology stuff he honestly sees as more of a curse than a blessing) so a huge plotline early on in Astra's lifespan is trying to either find a "cure" for this issue or to develop a means by which new generations of Gems can be created without the reinstatement of Kindergartens so Gemkind doesn't overtly go extinct.

-

But, to start... this Steven diverges off a point in canon- this is the timeline where he actually takes up the Diamonds on their offer of the throne in the movie, believing he may have a better chance of heralding true societal change working from the INSIDE rather than stepping away. Because he pours himself so thoroughly into his role on Homeworld and his mind is continuously occupied by this purpose, he never experiences the events SU: Future, nor does he develop his "pink mode" (yet...) or corrupt at all.

However, he's also so engrossed in his work that he's... kind of a shit boyfriend to Connie as years go on. (In that he's not terribly attentive... always super busy... their visits are often cut short, or few and far between.) Their relationship never really goes anywhere as a result, though Connie wants it to. To be fair so does Steven, but he's so scared that everything he's worked so hard to organize and set up in this new era will fall apart if he steps aside from his role for even a moment that he can't allow himself to follow that want.

At some point here he learns he can poof through a complete freak accident, and that's where things really begin to change in this timeline.

It takes a good few months for him to reform, but once he does he's back at it with all his work on Homeworld pretty quick.

The thing is... he doesn't have an innate physical need to eat or drink or sleep anymore, because he now consists of entirely hard light. It mimics human biology to an insane degree, so he COULD do all those things, but he doesn't need them to persist. So... he kinda takes this as an excuse to cut those activities out of his schedule entirely so he can spend more time focused on his duties as a diamond.

Connie is NOT a fan of this, and this leads to some debate and tension within their relationship. That being said, they remain an item...

Up until out of nowhere, Connie dies in an accident on Earth while Steven is off planet in a place where he doesn't have any contact with them for a few days. By the time the Gems are able to get in touch with him, it's far too late to resurrect her.

The kicker? In the autopsy it's discovered that she was a few weeks pregnant when she died.

Steven is emotionally gutted by this... and the thought of what could have been... and poofs.

The guy is understandably destroyed when he comes back in his next form, and his form reflects that- his gem flips as a sort of metaphorical severing from his own humanity.

He spends a long while in a deep depression at the loss of his childhood sweetheart... at the loss of any potential for (as far as he sees) a "normal" human life. There's a part of him that resents the choices he's made to end up in this present, but like, there's still work to be done.

And as the years move on, a LOT of that work is mitigating the growing relations (for better or for worse) between Gems and humans as humanity stretches their legs and reaches out into the stars. Humans kinda get... really aggressive in their expansion though, and quite territorial, and it leads towards some inevitable conflict between them and Gemkind. This time, with them more at fault. Things get so spicy that some groups of humans and Gems go to war.

Steven tries to mitigate one of these situations at the front lines- and gets poofed by a disgruntled Gem, speared straight through the back because she (kinda wrongly) assumed he would take the humans' side due to his ancestral ties to them.

When he reforms this time, he is glowing a perpetual pink. The Gems don't really know what to make of this, but he seems to be in perfectly fine health otherwise, so they assume it's just a normal aspect of this new neutral form.

And while this isn't something Steven has context to figure out until like... billions of years later, what's actually happened is that he's entered a permanent pink mode, pretty much. Guy's just got that much bottled up, unaddressed trauma.

He spends a long time in this form, and over all these thousands of years oversees the slow return to peace between Gems and humans... their marriage as a space age federation... and their deeper exploration of the galaxy. Beyond their home solar systems exist a bounty of alien species they've yet to meet... some friendly, some less so. There's definitely some conflict that crops up amidst the local galactic neighborhood when Gems and humans show up on the playing field here, lol.

But all-in-all, Steven develops a fairly peaceful and predictable routine during this reformation- living more like a Gem than ever before. He's still got the Crystal Gems at his side through all of this, and they are some of his greatest confidants.

And then... without any warning... Gems begin to go inert. Amethyst is among them.

Some of them simply stop reforming after they poof... especially those who were older Gems, or who have been cracked before. Steven and the other Diamonds using their powers together are able to "fix" this at first and "jumpstart" their reformation, but it's just a bandaid of a fix- these Gems will fall inert again pretty soon. And the longer they persist without poofing from alternate causes, the more unstable their form, power, and memory becomes. (Think of this as Gem dementia at its late stages,,, oof.)

The bottom line? Just like organics, Gems aren't immune to the forces of entropy. Sooner or later, their gemstones will decay from the inside out. Stubborn to find a way to save the ones he loves as he watches them slowly deteriorate all around him, Steven dedicates himself to trying to find a cure. But deep down, a part of him recognizes the futility of this. What he believes Gemkind actually needs to do is to develop a means of rebooting Gem incubation that doesn't destroy planets, so they can rebuild their quickly dwindling population and keep their legacy alive.

The big problem with this is that Gems take a SHIT load of energy and resources to properly incubate, so that puzzle will take a long ass time to sort out. There's kinda a lot of chaos that happens during this time. The reality of their own blunt mortality freaks out a bunch of Gems, and Steven has to do damage control with the heads of state for a lot of other alien species.

In the interim, all the Crystal Gems and some of the Diamonds (White is still in the picture, though) end up falling inert. Pearl is the last of the CGs to do so.

Steven is understandably SUPER gutted about this, and poofs yet again. (Lol notice a theme? Poor mans keeps poofing from friggin' anguish. Help him.)

After reforming with barely any changes, it's right back to work for this guy. He and the rest of his team of researchers are unable to find any cure for Gems decaying and falling inert, but they do end up making huge leaps and bounds in other kinds of tech. One of these advances allows Steven to finally deep-scan his own gemstone down to the atomic level to check for decay- this was previously a process that was very invasive, and came at the risk of irreparably damaging a Gem, but not anymore.

He expects to find evidence of the same micro decay that's been slowly eating away at the rest of Gemkind within his OWN diamond, but the thing is...

He just... ISN'T decaying at all? Even though the sheer age of this gemstone itself should suggest otherwise? As it turns out though, his existence as a hybridized being makes him kind of... an anomaly. When he first reformed all those thousands of years ago, all the data within his gem- data that would otherwise be susceptible to decay- was translated into genetic material. DNA that's woven entirely out of hard-light... but, DNA that has also been constantly regenerating itself thanks to a combination of all the intricate biochemistry surrounding the human telomere and his healing powers.

In other words, he is incapable of falling inert from natural causes, like micro decay. He's functionally immortal. Unless someone shatters him (or... heaven forbid... he shatters himself) he simply can't die.

Which, all of a sudden, makes his race to save Gemkind from their quickly approaching extinction all the more personal. Because if he FAILS- then he'll be the very last of Gemkind. There will be no one else left in this world who is even remotely like him. (Humanity has mixed and mingled with the galactic locals so much by now that they're very much unrecognizable from what they once were.)

His spirit is very nearly broken by this discovery, and he is severely tempted to throw all his own principles out the window and just sanction the construction of new Kindergartens again, if only to keep the dwindling Gem populations up and birth new generations. Perhaps surprisingly, it's White Diamond- the last Gem left who Steven actually knew since the very beginning- who urges him to reconsider. To not give up on his own morality, to not revert all the miraculous changes he's worked for these long few million years.

The big shift in the tides is when he discovers the means to jump to alternate timelines, and thus the existence of the greater multiverse. This allows him to gather intel and ideas from a far greater spectrum of sources.

And eventually... it's with the aid of many alt versions of himself from other lines across the multiverse that leads to him finding a suitable, eco-friendly solution to his Gem incubation problem. (This is the aspect of this AU I cannot discuss in length for discretion's sake. Use your imagination. Or don't, I don't care.)

The following two sections, I'll be talking more about the broad thematics than anything else. At this point, know that there are now new batches of Gems being created all the time. Gemkind is no longer at risk of any extinction, but now- like any stable organic species- new Gems are made at the same rate that they fall inert.

So, the BIGGEST thing here with this reformation is that this is overtly where this guy picks up the name "Astra." Why a name change? Well, after White finally went inert, leaving him the last Diamond in existence within this line, it basically just felt... upsetting to him, to continue to go by a name that every person he ever loved used for him. Thus, the new name is overtly a means to distance himself from that past, and from that pain. (It's also a name he chooses while thinking back to a meaningful conversation he had with White, back before she went inert, oOF. I'll probably yell about that at some point in another post.)

So, too, is the lack of any tangible facial features. He HAS a face, but others just can't see it. He subconsciously obscures it from almost everyone's sight as a means of avoiding vulnerability. One might also have noticed by now that this guy's proportions have gotten like, really strange and sorta "stretched out" over time the larger he becomes... and this is intentional, as it's yet another way he's just becoming more inhuman in form, yet another way he's internally separating himself from those humble human origins of his.

But here's the thing, though.

Deep, deep down, to be human and to live a simple human life is basically all he's ever craved. It's everything he feels he's lost forever, with the death of his Connie. And instead, he's kinda stuck in a hellish sunk cost fallacy of his own making, acting as eternal caretaker for this world that- no matter what he does to try and make it a better place- will never quite be PERFECT. Thus, in his mind, even though he's literally fixed Gemkind's BIGGEST problem, he can't Stop. He can't Rest. He simply can't allow himself himself to lay down and Sink Away into the unknown.

And even if he could allow himself to do so, he is so, so scared of walking that path alone.

If he's going to die... he wants that end to be at a lover's side.

How, though, is someone who's basically a god supposed to find anyone in this multiverse with experiences they can remotely relate to?

Well... ultimately, Astra finds that it's far, far easier to build up a close relationship with varying versions of himself than anyone else. He's... kinda trash at it, though. This guy has so much bottled up Gunk in his head and is so starved for any form of affection that he has a habit of throwing WAY too much of himself into the relationships he engages in, and expecting that same level of commitment in return. There's one relationship with an alt Steven he's in for a while that ends up pretty unhealthily co-dependent before it fizzles out, and then another where he assumes the individual is committing to this partnership for the long run, but then no... actually Astra was always pouring more into this dynamic than he was receiving in return.

This second relationship, when it ends, is pretty devastating to him- since it was one that lasted for like, a LONG ass time. Unimaginably long. We're talking billions of years, here.

Uh-oh! And now he's even more distanced from other people. Folks can't even parse his actual chosen name at this point- except he isn't really consciously aware of this for a while?? It's yet another silent cry for help, yet another internal defense mechanism specially intended to keep others from truly getting to know him. Because every time he does... stars. No matter what he does, he keeps getting hurt. Almost everyone he knows and loves is torn from his life eventually... if not by death, then by some form of tragedy... and he's just so, so tired.

He wants literally ANYTHING to change in his life. He craves some new form of purpose. He craves the attention of someone who might love him as passionately as he loves them.

For a while, he almost believes he's found that- in yet another close relationship he forges with an alt version of himself- but while this other Steven does care for him immensely, it's only as a friend. Which kinda kills Astra, because he's like, lost in the sauce levels of In Love with this guy. There's a LOOOOOOT of story I have here with this, oh my god. If I am thinking about this AU I am usually thinking about this Old Man Yaoi. The great bulk of it is very NSFW themed though, so y'all getting the cliff notes.

The MOST important thing to know though, is that Astra both makes intense leaps and strides in once again allowing himself to be vulnerable with this man, and ALSO kinda intensely fucks their whole mutually agreed situationship up. It's messy. I am crying and wailing at these two old dumbasses. Jesus fucking christ.

But then, it's in the aftermath of this whole deal that an individual named Orion comes into the picture.

Orion quite literally falls into Astra's world by complete accident, but it's a very lucky accident- because she is a diamond hybrid version of Connie from another universe who- beyond a few differences- has a strikingly similar history to his. The big difference, though? She never found a means to create new Gems without Kindergartens, so she was the last of just a few thousand Gems who existed in her entire line. Part of a deeply endangered species.

This version of Connie arrives in some very deep mental turmoil, and so Astra does his best to give them a stable home and a place to heal. And while a past version of him might've been tempted to throw way too much of himself into the slow building rapport they have, he's blessedly Learned a thing or two from the past few major relationship experiences he's had... and chooses to like, ease up. Just offer himself as a friend first and foremost, should they care for one. Man learns restraint, lol.

And it's a damn GOOD thing that he does, because out of the genuine friendship they foster, Orion is the one who ultimately falls in love with him first. The relationship that's established here is one that's balanced, a true partnership where they simply make each other better people. It's through Orion's encouragement that Astra eventually reconnects and makes up with that last person he had an intense relationship with, even.

In time, Astra truly grows to thrive with Orion in his life. He becomes a far more open, vulnerable person, someone who feels safe to truly exist as who he is, to bare every complicated, battered facet of his past to those he trusts. While he may have taken the LONG road to get here, he too heals. And as a result...

One day, Astra simply stops glowing entirely. Shrinks down to more reasonable proportions. He stops hovering around on automatic, stops subconsciously scrubbing the memory of his face or name from people's minds. He stops denying his truest, deepest self- the reality that he was born an organic being, and raised as a human.

The burred reality that all he's ever truly wanted since the day his first lover died is to be a father.

To live a quiet, simple life with the people he loves.

For so long it was a mirage of a future he thought he'd never chase down, but for how much he made all the wrong choices the first time around, now he has a second chance.

And so in my brain, that's exactly what happens. Astra and Orion start a family together and continue to act as guardians over this universe for many years to come, until- after they are satisfied with the long life they've lived together, and their children have moved on to start forging their own paths- they eventually pass Beyond at their own will in each other's arms, ending their impossibly long godhood at peace.

I really don't know how to end this post lmafo, so I will simply say: if you somehow read all of this, holy shit you are so brave. Thank you for engaging with my insane ramblings. Have a nice day LOL FUIHSNUFSJG

This man haunts my brain so much I missed two off ramp turns on the highway the other day while thinking about him. Help me.

[wyvernspirit]

Cleo is the only non male in third life! It automatically fails the Bechdel-Wallace test!

(Which, by the way, is its full name that I should have used on the tierlist but it was only meant to be a haha funny moment so I didnt do more research into it until after which is my mistake

And again I'm putting this out here THIS TIERLIST WAS/IS A JOKE /light-hearted)

To pass the Bechdel-Wallace test a piece of media must have at minimum two female characters

That talk to each other

About something other than a man

But also since making this tierlist its been brought to my attention that maybe Double Life also does not pass the Bechdel-Wallace test if only because the Bechdel-Wallace test does not seem to account for the vagueity of "Non-male" in gender queer, which Cleo I believe would fall under as they use She/they pronouns

HOWEVER

The original origin point of the Bechdel-Wallace test was that it came from Alison Bechdel's comic strip, Dykes to Watch Out For.

and therefore "The context of the strip may have referred to alienation of queer women in film and entertainment, where the only possible way for a queer woman to imagine any of the characters in any film may also be queer was if they satisfied the requirements of the test." (Wikipedia Dec.24 2024)

In which if we think of it that way ALL the life series' pass because all these bitches be dramatic queer characters lol / j

But again-

"I mean, when I wrote that cartoon in 1985—almost 30 years ago—it was just a little lesbian joke in an alternative feminist newspaper-" Alison Bechdel (Morlan, Kinsee July 23, 2014 "Comic-Con vs. the Bechdel Test". San Diego City Beat)

-if we take it strictly from a sapphic (Non men in love with another non men) viewpoint i.e from queer women looking to find representation third life still can't pass because it's just Cleo

Now Double Life is also questionable because of the soulmates and the two nonmen (Pearl and Cleo) being intricately linked because of Scott (a man) however there is something inherently queer in that dynamic aswell. Like a) Scott and Cleo choosing to literally defy destiny and become each other's chosen soulmates is so queer and b) it's a queer platonic relationship (or it reads that way to me anyways)

And also Double Life is my favourite it gets every pass I want it to get /light-hearted, joke

So Though This Whole Thing Was A Joke

I hope maybe everyone reading this has learned a little about queer history! It's something I'm passionate about and honestly I probably could make a whole paper on the history of the Bechdel-Wallace test and Alison Bechdel and this spefic comic stripe

I won't though, if only because I don't currently have the time, as it's 1 am as I type this 😅

Hope that answers your question!

My life series smp rankings

[girlfriendsofthegalaxy]

tuesday again 12/24/2024

pair of portentous tuesdayposts: this one is christmas eve and the next one is new year's eve

trying something new with the reading section, where i list off a bunch of books i bounced off and briefly explain why. let me know if this is interesting, or if it's more interesting when i finish a book i sort of enjoyed and really dissect what didn't work for me like with that annoying evil wizard book a couple weeks ago.

listening

the true champ of the past few weeks has been friends at the table's (an actual play podcast about critical worldbuilding, smart characterization, and fun interaction between good friends) horror/weird west season Sangfielle, and i know i have listened to about sixty hours of it bc i have played about sixty hours of stardew valley. i am currently on ep 49, one before the last finale episode, and it feels like it is wrapping up in a very rushed and weird way? maybe i will feel differently after listening to the six coda episodes wrapping up everyones' characters?

the song of the week is fleet foxes’ white winter hymnal, which is morbidly festive without being strictly christmas-y and is not salting the open emotional wound within my chest that is The Holiday Season. album released 2008. christ im old

-

reading

the concept of this gag award is EXTREMELY funny to me. i wish the EFF sent them a little physical trophy. perhaps a challenge coin.

bounced off a lot of stuff. the six larger books and the far top right are all from my absolute favorite thrift store with the worst vibes, who regularly has a 8/$1 media sale bc they actually want to be more of a kitchen goods and home decor thrift store and don't really want to constantly be overflowing with records no one buys. yet here they are.

i really do need to find a good indie used bookstore around here that will take books and give me back slightly more in store credit than in cash. bc i would like to fill some missing chunks of trilogies/fill out the star wars shelves a little more. but every time i have gone to half price books i have had an unpleasant time.

lumberjanes/bravest warrior/adventure time were not making me feel nostalgic and in fact made me quite sad instead (more in a memento mori way than in subject matter) so they're going to a friend's kid

glad i looked up Heartthrob (despite the really good premise of woman haunted by her heart donor) on my library's comic app bc the third one seems to mostly take place in a mental hospital which is really never a vibe i want

GRIFTER has art i don't love and a bland storyline about an ex-marine who is the saddest boy in the world and can also detect literal space aliens living among us. no thank you

tangle's game has a close-call near-sexual assault in the first chapter. no thank you! cool dystopic social credit score premise but no thanks!

gil's all fright diner is about the king of vampires and the duke of werewolves but they're hicks. the narrator hates that they're dumb hicks. did not jive with the authorial voice on this one

i bought Two Tickets to Tangiers in high school bc it looked cool and have only cracked it open now, almost fifteen years later. fifteen year old kay did not yet have the context clues from the cover that it would be a very racist travelogue

i need to stop trying agatha christie. i am never going to like agatha christie

-

watching

somehow i have seen the first tinker bell fairies movie three times this week bc that's all my bestie's toddlers want to watch. a really stupidly stacked cast??? how did all these people have free time in 2008???

-

playing

finished the community center in summer 2 of stardew valley (wildly popular and very intense farming sim) and would have finished it in winter 1 if not for the FUCKING pufferfish. i hate fishing minigames and i especially hate the fishing minigame in stardew so i am excited to leave it the fuck alone for a while.

my cauliflower got stupid mchugelarge?? i do not know why they did that. also a meteor fell on my farm and gave me a bunch of really valuable ore, just like real life meteors.

i do kind of regret picking the beach farm bc so much of my day is spent watering, but i am trying to lean harder into animal products and being more of a fun silly flower farm instead of the intense agriculture i find myself doing. i have the greenhouse, i have a small patch of sprinklerable land, i will simply make sure to buy some of every seed each season and if i really need something i will toss it in the greenhouse.

-

making

people are being very gracious about their mediocre colored pencil portraits. most of my gift budget this year was two flat rate boxes to my siblings. silly little pet portraits are very cost effective if you already have art supplies, nice paper, gumption, and very cheap small frames.

[mrmanbat]

Saw that you reread Red Robin and wanted to ask abt ur thoughts on it all :3 that whole series is some of my fav comics ever- plus I own the full set lol. Favorite part? Something you didnt like? Thoughts about Tim's development and character throughout? Thoughts on the whole Ra's situation? Tim being passively suicidal lol. Or how Tim gets. Just so many bitches. All the bitches. Tim Drake canonically gets bitches. They really look at his failboy swag and go "Yeah I'd hit that" 😭 wheezing.

Anyway yeah, they're like my fav comics so what are your thoughts on them?

And Happy Christmas! Or Happy Holidays if you do not celebrate. Merry ChristmaHannuKwanzaa!

Happy Holidays! (sorry if this does sound cohesive- I wrote right after finishing a 17-page essay, and my brain is actually fried)

The RR comics are so nostalgic to me; they were literally the reason I even picked up a comic in the first place.

The comedy in them gets me every time like Damian accusing Steph of stuffing her bra, gold. And the unintentional stuff like giving Tim an ungodly amount of rizz is just so funny, I can't. Bros is literally a Casanova but can't enjoy it bc, yk, he's busy trying to bring his father back from what is essentially death.

He's just in a long downhill spiral, yk? And he just progressively gets worse throughout his run as RR. The scene where Tims accepts death but Dick swoops in to catch him, and Tim has to lie his ass off, saying that he "knew his brother would catch him," just really brings that point home.

It started off as "No one believes me about Bruce, I'll just have to take. things into my own hands," then it goes to "I barely believe myself about Bruce, but it's too late to turn back now," to "Fuck this, if I die I die- womp womp, too bad I won't be able to tell Dick 'i-told-you-so"'

Tim is self-aware of his self-destructive nature; he knows that all his friends and family are trying to get him to seek help, but he just doesn't care. To him, the mission is more important- batman is more important.

(Side note- Dick trying to get Tim to see a therapist is a lot more impactful than how Fanon twisted it into Dick-trying-to-send-time-to-Akham.)

I'm split on the Ra's thing. I love the concept; I think he was a good choice for the main 'villain,' and I think there was so much potential with Tim reluctantly having to work with Ra's. I just don't think it was done all too well by the writers. A good chunch of Ra's motivation didn't align with his character- at least, I don't think so. And the whole thing with his sister just feels so unnecessary and gross.

Overall, though, I flipping love these comics. They would be better if DC didn't, yk, undo all the cherecter development by making Tim Robin again, but whatever. You win some, you lose some.

[superman86to99]

Zero Hour: Crisis in Time #4 (September 1994)

It's... CRISIS TIME! Listen, we're not in the habit of covering every issue of every crossover event Superman appears in, but we're making an exception for this one because: 1) Superman plays a prominent role (as do the characters in my other blog), 2) it's by two of the most iconic creators from this era, Dan Jurgens and Jerry Ordway, and 3) we just like this comic a whole lot. Still, we'll do our best to keep these posts shorter than usual so we don't spend forever in September 1994.

Fittingly for a series that begins at #4 and counts backwards, this issue starts at very end -- as in the literal end of time, when all that exists is the entropy crushing the universe (and Doomsday, but looks like he was too busy being crushed by entropy to appear in this comic). We see The Time Trapper, a hugely powerful villain with a control over time, being easily taken down by a mystery character who says he's going to "make things right."

(That's what you get for being an old villain in a comic where a new one needs to be established as a badass, TTT.)

Next, we see weird time-related things happening all over the DCU: Batgirl shows up in Gotham City with her spine intact, Dick Grayson is back to wearing green undies, Hawkman is now multiple Hawkmen, Flash is suddenly in the far future (historically, not a very good time for a Flash to be during a crisis), etc.

Superman's frenemies the Linear Men, the time police, notice that something is erasing time, starting at the end and moving backwards, as if God had said "screw it, let's start over" and was holding the backspace key on the universe. Linear Men Waverider and Hunter are sent to the 64th century to find out what's going on and, once there, they run into Flash -- and also a big wave of entropy eating the universe. Flash attempts to stop the wave of mutilation by just running really fast at it (which is how he solves most of his problems in his own comic), but the wave just eats him too.

A Flash died? Oh, now it's a real crisis.

The Linear Men's next stop is 58th century Star City, whose hero is a time-displaced younger version of Green Lantern Hal Jordan (we know he's younger because he doesn't have greying hair, and also he isn't homicidally insane). Before he and Young Hal are eaten up by the entropy wave, Hunter yells at Waverider to look up the word "crisis" in their archives. Back at Vanishing Point, the Linear Men's HQ outside of time, Waverider basically reads the Wikipedia article for Crisis on Infinite Earths and becomes one of the few people in the current DCU to learn the forbidden knowledge that there used to be a multiverse that got wiped out, leaving a single existing universe. The "existing" part might not last much longer, though...

While all this Linear Men stuff happens, we see a repeat of the scene from Man of Steel #37 when Metron of the New Gods comes to see Superman about the time crisis. Together they go off into Green Lantern #55 to ask for new Green Lantern Kyle Rayner's help in producing a hologram of Superman that Metron can forward to the DCU's other heroes. Green Hologram Superman gives everyone a little speech and asks them to come together to figure out what to do about the whole "time is literally ending" issue.

Metron personally visits The Spectre to ask for his help, since he's one of the most powerful beings in the DCU (and did come in pretty handy during the previous crisis), but Speccy is only interested in fighting evil, not "natural disasters" -- even universe-ending ones.

Meanwhile, Waverider learns that time is also being erased from the beginning, not just the end, and goes to warn the geezers at the Justice Society about it, I guess since they're so old and at risk of being erased any moment. Plus, they have a Flash in their team, so he's probably the most endangered being in the DCU right now.

As Waverider shows the old Flash what happened to his young namesake (he doesn't take it well), we see that someone has invaded Vanishing Point: this comic's villain, Hal... I mean, Hall, Hank! That is, Hank Hall, formerly Hawk of Hawk & Dove and Monarch of Armageddon 2001, and currently known as Extant.

And he's totally working alone, with no more dramatic revelations about heroes-turned-villains to come, nope. TO BE CONTINUED!

Poll-Watch:

The results for our Zero Hour Batmen art poll are just in (okay, they were in a few weeks ago, but we hadn't made a post since then), and the winner by a pretty decisive margin is: Neal Adams Batman! Don Sparrow will get working on that artwork -- which reminds me we have a winner for Don's original Maxima art giveaway, too: our old pal Chris "Ace" Hendrix! Congrats to Chris and whichever wall in his home is about to be blessed with a Maxima! To take part in future giveaways (including the Neal Adams bat-art), you can become a SUPporter via Patreon or our newsletter's "pay what you want" mode.

And speaking of Don, obviously he wasn't gonna miss the chance to gush about the art in this issue, so keep reading for that:

Art-Watch (by @donsparrow):

A short personal anecdote: With a September 1994 street date, the first issue came out on September 10th, and while I was reading the Superman books at this time, it was also summer, so I lost track a little bit of what was going on in comics.  I knew from the in-house ads that Zero Hour would be big, and with the pedigree of Dan Jurgens and Jerry Ordway—1/2 of my personal Mount Rushmore of comics greats—it was a series I wanted to pick up.  So imagine my shock, after a busy summer, when I stopped in a comic shop (a new one that had just opened up, called Amazing Stories) to see Zero Hour #4 on the shelf!  Sure, it was a busy summer, but how could I have missed three whole issues already?!  I asked the store clerk if he had any copies of issues 1-3, and he said he didn’t, and I certainly didn’t want to pick up the fourth issue without the other three.  So I went to the other comic shop in my town, 8th Street Books, which in those days was much more my regular store (I would later work at Amazing Stories, but that’s a tale for another time) and they set me straight—I hadn’t missed ANY issues, this series was numbered counting down, from 4 to zero, on a weekly basis.  I wonder if any other kids were as thrown with the unique numbering system!

We start now with the cover, and it’s perhaps a strange one.  Sure, the presence of some of DCs biggest heroes, namely Superman and Batman let the reader know it’s a big issue, but having an empty mask as the focal point for a first issue is not the most intuitive choice, even if it’s an arresting image. 

Shining a spotlight on the art in this series is a difficult task, because honestly, top to bottom, it’s gorgeous.  I could easily fill up pages admiring this team, which to me is about as good as superhero comics get.  Jerry Ordway, as regular readers know, is my favourite comic artist of all time, but his observed, photorealistic finishes over Dan Jurgens’ tight and dynamic layouts is just such a treat—every page looks like a poster.  So in the interest of space, I’ll just focus on the absolute best images of all these amazing images. The first such amazing image is of the MIA Barbara Gordon Batgirl lassoing the Joker, in stunning rim lighting from the lightning in the skies.  This version of Batgirl hadn’t been seen in costume since March 1988’s Batgirl Special, which was hailed at the time as the last Batgirl story, being released one week ahead of the tragic events in the Killing Joke one shot where the Joker’s actions left Barbara Gordon paraplegic. In the hands of this art team, the reader can really see what a great design this character is.

Ordway’s texture rendering is stunning throughout but the Wally West Flash’s shimmering costume (and determined expression) on page 10 are certainly worth singling out.  The various echoes of Hawkman is a nice bit of showing off, as Jurgens gets to draw several eras of the character as well as alternates unfamiliar to me.

The “getting the band back together” sequence of heroes reacting to Superman’s holographic message has lots of great details, like the little glimpses and backgrounds (like Superboy being in Hawaii) and I love the subtle Justice League shield that makes up those panels.

The faces in this series are all so well drawn, they consistently look like real people, few more prominently than the world weary Green Arrow, who, with his pompadour and prominent forehead wrinkles, looks like Luke Perry in a van dyke.  Just a page later, Jurgens and Ordway do a terrific job of keeping their own style, while blending the swirly, liney loose inks of Tom Mandrake, which defined the Spectre at this time.  I love how throughout this series they draw the Spectre as though all his lines are hissed through clenched, angry teeth.

Lastly, the Pieta-like callback to Crisis on Infinite Earths #7 with Jay Garrick Flash holding the empty costume of Wally West is a great image, made all the more arresting by the minimalist colouring. 

SPEEDING BULLETS:

It’s only natural that this storyline be compared to the original Crisis on Infinite Earths, which had only taken place nine years previously, though that’s a lifetime in comics time.  But honestly, from the jump, it improves on some of the mistakes Crisis made, classic though it was. The original Crisis focused on new characters it introduced.  So readers had to deal with familiar beloved characters play second fiddle to relatively new (and to me, far less interesting) characters like Lady Quark, Harbinger and the loathsome Pariah.  Yes, eventually household names like Flash, Supergirl and Superman took to the fore, but in those early issues, there was a looooooot of world building, from people in whom we had no investment, and little interest.  Zero Hour wisely jumps in with some of their most recognizable characters—Darkseid, Batman & Robin, Joker etc—right off the bat.  Even Waverider had already been established in the line-wide Armageddon 2001 storyline 3 years ago, so he was at least somewhat familiar to readers, and also had a much cooler name than The Monitor. 

I dig the Joker revealing that he knew that Azrael Batman wasn’t the real Batman.

However, there is something downright hilarious about the World’s Greatest Detective™ deducing “helicopter!” when he sees a helicopter. 

The bewildered Flash on page 10 to my eye resembled another beloved redhead, a young Ron Howard!

But, why is the Flash running around in the 64th century?  Was that something happening in the Flash books at the time? [Max: Yeah, Flash #94 is about Wally fighting Abra Kadabra, and it ends with both of them being transported to Kadabra's original time due to Zero Hour's time shenanigans. Kadabra is also suddenly wearing his old costume -- he did NOT look like this in the Flash comics at this time. He was even uglier, believe it or not. Anyway, off you go to read Mark Waid's Flash, Don!]

I know we already saw it in Man of Steel #37, but there’s something satisfying about Batman and Superman acknowledging the "Knightfall" and "Doomsday" storylines.

I didn’t get this whole scene with Green Lantern Hal Jordan until years later when I read some early Broome/Kane GL comics.  For some reason, the people of Star City in the 58th century would periodically abduct and mindwipe Hal Jordan to serve as their superhero—named Pol Manning—when crises would arise.  When I first read it, I thought that the old guy was Pol Manning, being addressed by one of his council members.  But no, he was referring to the title of Pol Manning, like James Bond or something. [Max: Whoa, I did not know that until know! I always assumed some future people randomly brought in Young Hal to fight the entropy wave. Side note: I like how Not-Pol Manning's facial hair continues the idea that the van dyke is a common look in Star City and that's why Green Arrow's secret identity isn't immediately obvious.]

There’s something a little amusing about all the different heroes speaking back to Superman’s projection, when we’re given no indication he can hear them back. 

Not exactly a GODWATCH segment, but it’s interesting that God’s instrument of wrath, the Spectre appears to be hiding out in a Church.  There’s also a part of me that likes that a ‘New God’ like Metron can be so summarily dismissed by someone as legitimately godlike as the Spectre.

It’s a clever bit of writing that we don’t see what Waverider sees as he plays back images from the Crisis on Infinite Earths, since it’s still a bit vague just what all happened in the present continuity, and what is remembered.  By seeing only Waverider’s reaction, they aren’t nailed down with any details that might be contradicted by present-day continuity.

Some good misdirection by showing Extant at the end of the book, which makes the reader believe that was him at the beginning of the issue, dispatching the Time Trapper. [Max: What do you mean, "misdirection"? He's the villain of the book, right?]

Missed an issue? Looking for an old storyline? Check out our new chronological issue index!

[wickedhawtwexler]

i swear my mother and i have some kind of psychic link. she can just sense when i'm having a bad time, even when we aren't talking, and thinks to herself "hmm, i should make this worse"

[fanaticalthings]

POV: You're on Gothamtwt

just gothamite things

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[mirensiart]

pain sharing curse au feat wolfie :)

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I hc that every time he transforms into wolfie (and back to a hylian) he feels the same pain he felt during that one cutscene in twilight princess when he first transforms, but he’s so used to it and also he’s built his pain tolerance a lot because of it, that he doesn’t mind it anymore

anyway, wolfie is banned

also I know four shrinks and splits in canon but like, he doesn’t look to be in pain during it… TIME THOUGH…TIME RELATES

[reds-skull]

Both me and price looking at that pic of them sleeping: do it for them...

(This was supposed to be like. 2 panels rip)

[cozylittleartblog]

cringe is dead because rouxls is carrying the weight of it all madoka style

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[freefallintothevoid]

I believe in my heart of hearts that the Lego Batman movie exists in DC and that it was created by the batfamily as a way to throw off the conspiracy theorists

Maybe the superhero forums were getting too close to realizing their identities again. maybe one of their injuries had accidentally gotten spotted by the paparazzi. maybe they were just running out of plausible alibis. maybe they just wanted to be funny.

Bruce gave the world the "do the butts match" meme. His children give the world a cinematic masterpiece.

[shoplifting]

Your silent protagonist doesn't have to use sign language btw. They don't have to write things down, either. They don't have to use language at all. Not every single person who doesn't talk can use words the same as you, or use them at all, so your favorite silent character shouldn't have to use what you consider a grammatical language to communicate in your fanart and fics. AAC exists. Drawing exists. Gestures and body language exist. Btw.

[deoidesign]

Ray of sunshine

(pre-launch page for their comic)