#idk if I should tag all the characters...

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[eemamminy-art]

Just thinking out loud.. I think the ships I'd wanna explore for stardew are:

m!farmer/alex (duh lol, got that covered already)

penny/maru

haley/leah

sam/sebastian/abigail

harvey/shane

emily/sandy

caroline/jodi

(I also like elliott/m!farmer but that's more of like a blorbo in law situation ahaha)

I really like the canon ships of Robin/Demetrius, Lewis/Marnie, and Evelyn/George too but those are just like. A given, I feel like ahaha. (Not that I wouldn't want to wife Robin with a female farmer if given the chance BUT 😩 they are sweet together)

Expanding on them a little... :3

m!farmer/alex

Childhood friends reunited but then Alex is SO different from how he was as a kid. In a bad way. He's trying very hard to be someone he's not, and it takes a connection from his past and a lot of sweet persistence to knock some sense into him. Alex deals with comphet and accepting himself when he starts falling for another guy.

penny/maru

Maru takes an interest in Penny and very persistently tries to befriend her. Penny realizes she's absolutely head over heels for her... They're both very smart women but with very different circumstances, so Penny never even considered how much they might have in common until now.

haley/leah

Leah sees Haley taking photos in the forest and offers to share her lunch with her, asks to look over her photos. They connect right away about art and photography, Leah modeling for Haley's photos and Haley modeling for Leah's sketches. Haley becomes a lot more down to earth when she realizes how nice the simple life can be when it's spent with Leah. I want to think Haley also struggled with comphet, and feels so much more liberated now being with Leah.

sam/sebastian/abigail

The three were always inseparable and as they got into their teenage years, friendship turned into more. I hc Abigail as being transfem so I'd like to think she was terrified of losing the two of them in coming out, but they both supported her and she was pleasantly surprised to find them being even more doting on her after the change. I'd like to think Abigail is kind of bratty, Sebastian is a little stern but sweet, and Sam is very flexible with the both of them.

harvey/shane

Hear me out on this one, after Shane's wake up call moment where he's left hospitalized, he and Harvey have a serious heart to heart. That leads to an unexpected friendship, which Harvey is very pleased to have as he otherwise keeps to himself mostly. Shane can be really sweet when he wants to be, and the way he's so gentle with children and animals stirs something in Harvey he never knew he wanted.

emily/sandy

Self explanatory I think, but. Fashionable, kinda weird girlfriends. They love drinking together and traveling and trying new foods, and they share clothes with each other whenever they can. I think it started out as an experimentation between friends and then they realized their friendship was already so much more than they thought it was. Long distance relationship though, given Sandy living in calico desert.

caroline/jodi

They both are so unhappy with their lives but find so much comfort in each other. Caroline seems to enjoy good cooking but doesn't enjoy cooking it, whereas Jodi is always making new recipes... I'd like to think she makes every excuse to bring something delicious to Jodi. I want them to run away together one day and leave everything and everyone behind, just have each other and that's all they need. 🥺

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[anh0ff]

[B O U Q U E T :3]

[kyouka-supremacy]

BSD Official Guidebook Tenkaroku - characters profiles

Profiles from the season 3 guidebook. I heavily relied on automatic translators for this, so if you notice any mistake, please feel free to bring it to my attention. I'll be posting the Japanese original text in reblogs not to make this post too long. Other guidebooks profiles: Shinkaroku; DEAD APPLE; Gongeroku.

Fifteen arc

Osamu Dazai Age: 15 years old Height: 155cm Weight: 51kg Impression when he met Chuuya for the first time: “I'll never feel positively about him again” Places he would like to visit if he went travelling: Famous suicide (by drowning) spots What are the qualities of a “king”?: The ones of people like Mori-san

Chuuya Nakahara Age: 15 years old Height: 150cm Weight: 53kg Impression when he met Dazai for the first time: “There's trash all around” Places he would like to visit if he went travelling: I want to go to a trip overseas with my friends What are the qualities of a “king”?: Being strong

Arthur Rimbaud Age: 27 years old Height: 185cm Weight: 68kg What he believes are his strengths and weaknesses: Strength: having a useful ability / Weaknesses: being sensitive to cold Favourite type: A woman who can warm him up Motto: Always put the mission above everything else Something he wants right now: His lost memories of the past

Canon

Osamu Dazai Something they've been into recently: Showing everyone the footage of Kunikida going insane because of Q's ability Something at which they think they can't lose to anyone: Since Ranpo-san is here, there can't be a “can't lose to anyone” What they want to overcome: Nothing at all

Atsushi Nakajima Something they've been into recently: Checking the bankbook page with his salary Something at which they think they can't lose to anyone: He doesn't have any confidence in himself, so there's no such thing. What they want to overcome: I want to learn to have the common sense of and behave like a member of society.

Kyouka Izumi Something they've been into recently: Research on cooking for Atsushi Something at which they think they can't lose to anyone: Gratitude towards Atsushi and the Detective Agency What they want to overcome: I want to become less startled by thunders.

Doppo Kunikida Something they've been into recently: Education for the increased number of new employees Something at which they think they can't lose to anyone: Ability to plan, and passion to carry it out perfectly What they want to overcome: My own imperfections that sometimes prevent me from carrying out my plans

Junichirou Tanizaki Something they've been into recently: Visiting western pastries shops with Naomi Something at which they think they can't lose to anyone: I'm embarrassed to say it, but supporting and protecting a certain woman. What they want to overcome: My indecisiveness

Kenji Miyazawa Something they've been into recently: Teaching farming to the members of destroyed gangs Something at which they think they can't lose to anyone: Love for nature What they want to overcome: I want to be able to use a computer

Ranpo Edogawa Something they've been into recently: Initiating Kyouka to the deliciousness of cheap candies Something at which they think they can't lose to anyone: I can't lose to anyone in anything What they want to overcome: I am perfect like I am now

Yukichi Fukuzawa Something they've been into recently: Showing up at a Go club Something at which they think they can't lose to anyone: Excellence of subordinates What they want to overcome: The mistakes of the assassin from the past

Akiko Yosano Something they've been into recently: Collecting photos of dissected patients' internal organs Something at which they think they can't lose to anyone: Human body dismemberment skills What they want to overcome: If possible, I want to save patients who have no choice but to die.

Chuuya Nakahara Something they've been into recently: Enriching his wine cellar assortment at home Something at which they think they can't lose to anyone: Hatred towards Dazai What they want to overcome: When buying a big motorcycle, I want to stop checking whether my feet can touch the ground

Ryuunosuke Akutagawa Something they've been into recently: Searching for Dazai's house Something at which they think they can't lose to anyone: I would rather have something that no one can beat. What they want to overcome: My nemesis, the man-tiger.

Ougai Mori Something they've been into recently: Coming up with new strategies to recruit Dazai Something at which they think they can't lose to anyone: Organization management techniques that request rationality and logic What they want to overcome: Buying too many clothes for Elise

Fyodor Dostoyevsky Age: Unknown Height: Unknown Weight: Unknown What he believes are his strengths and weaknesses: Strength: wishing for world happiness / Weakness: low blood pressure Favourite type: He loves all human beings equally Motto: Happiness in this world Something he wants right now: Someone to talk with who has the same brain as him

Katai Tayama Age: 23 years old Height: 175cm Weight: 53kg What he believes are his strengths and weaknesses: Strength: his life is not expensive (no expenses for transportation and socialization) / Weakness: if left to himself, he won't change his clothes Favourite type: A refined, dignified and gentle woman Motto: There are many dangers outside the house Something he wants right now: Faster communication networks

[khaotunq]

TYPECAST: First Kanaphan edition

[vextik]

an excuse to draw a bunch of guys i like that ive been pecking at slowly for a couple weeks

[ghosts-and-glory]

Series of wips, sketches and unfinished art I found in my files.

Also there’s literally no through line includes Cult of the Lamb, my dnd characters, lots of grievous, some studies and ocs.

[ube-bluebay]

i would like to thank papa louie 2 when burgers attack for cementing these 3 as a trio in my mind even though they arent

[zeroshadows]

Elden Ring NPCs!

I'll be drawing the shardbearers next 👀

[meteor752]

What the fuck is up with Hook

Why is he at some random prep school? He’s already got the hook hand, so Peter Pan has already cut it off meaning he’s been to Neverland, also he says he’s a captain so like why the fuck are you here

I hate this movie so fucking much, nothing about it makes sense to me, why is Hades a teenager, why did they make some fankid of a Sofia the first villain instead of using one of the many Disney Villains that exist, why is Maleficent a lackey, why am I devoting so much of my time to try and make sense of this movie

[millidew]

rip lucy and mina you would’ve loved farcille. rip marcille you would’ve loved westenray (falin lost interest and fell asleep before finishing the book)

[emikomusubi]

hello one punch man fandom

[arsenicflame]

i Do Not Trust people who make Mary the bad guy in their stories when the show went out of its way to specifically show us how she was suffering just as much as stede was in their marriage and that shes, yknow, a good person

[ssidebloggg]

Why is Jax so upset at the end of Episode 2?

He’s disappointed for the lack of violence, sure, but in the end he looks truly down. I wonder if he feels disconnected from the group? He was the only one not present at Kaufmo’s funeral and he doesn’t seem to really value anyone else in the cast - he moreso just uses them for his own entertainment and ends. While this is at least partially his own fault for being such an asshole man-baby, it can’t help with the feeling of isolation and rejection, feeling like he’s the only one worth his salt on the team, and that he has nobody to relate to or connect with, even in a situation where it’s natural to grow closer as a result of shared traumatic experience and living quarters. Essentially - he might feel like he’s the only one truly alone while everyone else seems to become dearer to each other, even if that feeling is because he views himself as superior.

His lack of ability to connect could also be because he feels like he doesn’t deserve it, of course. He clearly has issues with his ego; this could be because he thinks so highly of himself that the real him can’t compare, causing him to defend his status as “better than the rest” in order to protect himself from recognizing the difference between his perceived status and the reality of who he is. This could also be because he’s self aware that he’s an asshole and doesn’t know how to change or cope more healthily, so he just pushes everyone away and continues hurting them instead of improving. In the first case, he seems to struggle with some real narcissistic traits and clearly needs help - he also needs help in the second case, but it seems like his behaviors there stem less from blatantly narcissistic beliefs and more from his response to the trauma of the circus. Both cases could exist within the same character as well, even if only at different times.

Either way, he clearly needs a lot of support, a better outlet for his feelings, and some sort of reality check that actually gets through to him. He’s very young still, only being in his early 20s, so I think it’s a real possibility that his more cruel behaviors stem from lack of experience and knowledge about other people/social relations rather than from pure malice. We also don’t know how long he’s been trapped in the circus - if he already had some of these ego problems before he entered, it can’t have helped his mentality. I hope he realizes he needs to change and improve himself to improve his life and that he gets the support he needs throughout the show! I can’t wait to see more of him and his character development.

Anyways, I loved episode 2 and I want to see Zooble’s figurine collection