#damn it I put a paragraph in the tags again I’m sorry gang I’m not moving it Tumblr posts

[tempestmothstorm]

crazy how the sanshee plush is one of the few actual direct confirmations on what a non-act 2 Natsuki’s home life is like because of how cagey she is on literally everything. Like this isn’t anything surprising or something you wouldn’t be able to extrapolate from the games but unlike everything else we know about her the implications are right there on the tin.

They literally did the character bio trope where where all the likes are normal but the dislikes are about their very specific trauma it’s just so funny they did that on the plushie card

[sunkissedpages]

instead of you [part seventeen]

pairing: [best friend’s brother] tom holland x college!reader

summary: you didn’t expect to spend your summer pretending to be your best friend’s girlfriend- then again, you didn’t expect to fall for your best friend’s brother, either.

warnings: swearing, mentions of alcohol +sex

word count: 1.5k

series masterlist

The flight from Naples to Tokyo took fourteen hours, not including the two and a half hour layover in Istanbul, meaning you had sixteen and a half hours to sit in awkward tension-filled silence next to Sam. The tension was one-sided, of course, but it was still agonizing to endure.

You had been able to push your anxiety aside during your last day in Italy because it had been so busy. There had been a power outage in the middle of the night, causing everyone to oversleep and miss the ferry for one of your tours that morning. It had been a scramble to get back on schedule and do as much as possible with the time you had left. The boys had been hungover and their parents were tired of wrangling them. You had dozens of photos on your camera roll of Sam and Harry bickering when they were supposed to be posing for a nice picture, and even more of Tom flicking them off. 

But now you were stuck alone with your thoughts, unable to use distraction as a means to escape. You tried reading your book, but found yourself unable to concentrate on the words on the page. After staring at the same paragraph for over fifteen minutes Sam noticed and asked if you were okay and you finally decided to call it quits. 

You almost wished the Hollands hadn’t scheduled in a day and a half to adjust to the time zone change. You’d rather exhaust yourself with the nonstop tourist bullshit than have to cope with the reality that you had gotten off to thoughts about your best friend’s brother. Not to mention living with the secret that the same best friend’s brother had kissed you not long before that. 

If Sam noticed anything was off, he didn’t mention it. He probably chalked it up to lack of sleep, or perhaps was too tired himself to care. 

“Which one of us do you think will be randomly selected in customs today?” Harry asked, stretching his arms above his head. 

You were standing in the aisle waiting to deplane, placing bets on who’d get searched by border agents this time. Somehow each time you traveled to a new place one of you was always chosen to get pat down or have your carry-on searched. Tom had yet to be the lucky winner, and you suspected it had something to do with his celebrity status. 

“Y/n,” Tom answered easily. “She has the U.S. passport.”

You rolled your eyes. “Like England has a squeaky clean record with Japan.”

“At least we didn’t-”

“Bro, you can’t say the b word on a plane,” Harry interrupted.

“Even when the plane’s on the ground?”

Sam shrugged. “Better safe than sorry.”

“Whatever,” Tom continued. “It’s definitely going to be y/n.”

-

“Would you mind stepping out of line, ma’am?” 

You sighed, not even bothering to look back at the boys. You already knew they were grinning like idiots and you didn’t want to give them the satisfaction. The agent ushered you to the side behind a glass partition, but not before you heard another agent repeat the same question to one of the Hollands. You smiled to yourself, happy not to be the only one singled out.

Behind the privacy screen another agent greeted you and asked you to take your sweatshirt off, explaining that it was too baggy and needed to be checked. You saw other people in baggy clothes who weren’t getting pulled out of line, but assumed they didn’t have the red flag of “U.S. Citizen” printed on their identification that would be cause for any additional suspicion. You complied with the agent’s request and pulled your sweatshirt off for them to further inspect.

You were glad you’d worn a sports bra underneath your sweatshirt because you usually didn’t wear anything underneath them. As soon as your head was out of the pullover you immediately met by Tom’s polite smile. 

He averted his eyes as soon as he saw you, pausing his conversation with the official to mumble a quiet ‘sorry’ to you as he was shown to the spot next to yours. 

You zoned out as they spoke, only aware of him again when he started unbuckling his belt. You caught his eye this time. 

“Forgot to take it off,” he explained.

“Sweatshirt’s too loose.”

You both faced forward as the customs officials proceeded through the motions. You were stuck standing there half-naked with your arms wrapped around your chest self-consciously while an agent pat Tom’s legs down. 

“Dad said we can meet them at baggage claim,” Tom said after a few moments of silence between the two of you. “They went on without us.”

“Okay,” you squeaked back in response. 

You knew it wouldn’t take long, but it still made you nervous to be alone with Tom. Sam was like a safety blanket, or a buffer between you and him and without him you were afraid it would be painfully awkward. 

The woman handed you your sweatshirt back and you had to wait for Tom outside of the screening area. He joined you a minute or so later.

“They find any dirt on you?” you asked from where you were leaning against the wall across from the exit. 

“Nope, you?”

“Yeah, actually I’m in custody right now. Can’t believe you missed the handcuffs.”

“Man, what’d they get you for?” 

“Identity theft,” you sighed. 

“Damn, that’s a bummer,” Tom replied, false sympathy rolling off his words. 

He cocked his head in the direction the rest of his family had went, indicating that you should get going, and held out a hand to pull you upright. You took it hesitantly and let him help you. 

“I was actually hoping you could bail me out?” you went on, continuing with the bit. 

Tom made a sound through his teeth and grimaced. “I’m kinda broke right now.”

“Aren’t you an actor?”

“Sorry, but I think you have me confused with someone else.”

“No, you’re definitely the guy!”

“You’re thinking of Tom Hiddleston,” he insisted.

“Remember that IOU you gave me? I’m cashing it in now.”

“That’s not how it works!” 

You laughed. “No, but if I ever actually get arrested I’m using my IOU to get you to bail me out of jail.”

“I don’t think that a kiss and getting bailed out of prison are comparable, but I didn’t put any conditions on that postcard, did I?”

“Nope!” You smiled happily.

“Well that’s on me, so...”

You took the shuttle together to the other side of the airport where the rest of the Hollands were waiting and finally found them with all of your luggage at the furthest carousel from the entrance. 

“It’s about time!” Harry yelled over the crowd as soon as he saw you. 

Sam grinned when he saw you and you couldn’t help but grin back. He wrapped an arm around you instinctively and you relaxed into his shoulder, relieved to be with him again. It hadn’t dawned on you until that moment just how attached you were, but you didn’t have time to dwell on it because the other Hollands were all looking at you expectantly.

“Did everything go okay?” Nikki asked. 

Tom nodded. “They made y/n strip, but it was uneventful otherwise.”

You pursed your lips, cheeks burning. “It was just my sweatshirt!” you hissed to Sam. 

“Yeah, but you never wear anything under your sweatshirts!” Sam hissed back.

“I had a bra on this time.”

“Oh, so it was just another night at the bar for you?” You wrestled yourself out of Sam’s grasp at that and glared. “Am I wrong?”

Sam’s dad cut in before you could respond. He had a habit of calling “family meetings” in the middle of public spaces to finalize plans and get everybody on the same page, which was always an experience. 

“Alright, gather up, gang!” he said, beckoning you all closer. “So we’ll be staying at... this hotel,” he explained and turned his phone around to show you the name of it. “And the thing is, we have two rooms to share between the six of us. One for your mother and I, and another for you four.”

“What?” Sam asked. “You’re going to make us stay with them?”

“I thought we were getting three rooms like every other time,” Tom chimed in.

“We were meant to, but I made a mistake when booking it,” Dom clarified.

“How?”

“The entire website was in Japanese, Sam. I don’t know Japanese!”

“Dad, Google has a translate webpage option!” Harry groaned.

“Well no one told me that while I was booking this entire trip by myself!”

You traded a look with Tom, who looked just as panicked as you felt. But it would only be for a week. You would find a way to manage. You didn’t really have any other option.

“I’m sure it’ll be fun,” Sam tried, forcing a smile.

“That’s the spirit!” Dom cheered. “We’ll make it work.”

sorry she’s short this week :( but lmk what you think i always appreciate feedback!!

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[spindleprick]

Hi! I've loved your blog for awhile now, and hope you’re doing well! I'm a writer/roleplayer too, and currently feel like the characters I’ve written lately (and have a lot of passion for) aren't quite what the rps I'm in are looking for. I’ve had a hard time building plots, and feel like my characters just don’t fit in. I don't have many friends who do group rps, so I wonder if I'm picking cliquey-rps or if it's me, or something else entirely. If you have any tips, I’d appreciate it so much! Ty

hello and thank you so much! i’m sorry for the delay in response, but i really wanted to think over how to answer and help you. i’ll admit that i still don’t feel entirely confident in answering this, as i can’t say i (and i would assume, all roleplayers) haven’t felt this at some point in time at least to some degree or modicum – nor that i won’t ever again. but hopefully i’ve come up with at least a few things you can try moving forward! 

it’s hard to gouge whether you’ve hit a string of cliquey rps or there are other forces - at any given time it could be any mix of things! i haven’t been as active in the rpc this year as i have been previously, i’ve joined 2 rps in the last month or so (providence and tide), and they have been wonderfully welcoming. but i don’t know how long you’ve been feeling like this, what kind of groups you tend to join (lsrpg, semi-appless, appless? large, small? bio, oc, skeleton?) or how many it’s been, which all play factors. that being said, i tried to address multiple facets/causes below!

in your character creation:

be original. or: do something old in a new way. this seems so entirely cliché, but it will never stop being relevant. particularly when i join oc rps, one of the first things i start thinking is what will the popular tropes be and then how do i subvert that. and let me just say, there is nothing WRONG with liking popular archetypes (god knows it seems like i can’t go 3 roleplays without writing a damn femme fatale)!! but, there are times when oc roleplays in particular will become inundated with the same 3 aesthetics/archetypes, and while absolutely none of those characters are less interesting or valid individually, repetition can make the eyes start to gloss over. check through a talk tag or blog roll to see if there are any trends, and if you can, veer away from it! or, just own the aesthetic/trope you want by find a fun funky fresh new spin or plot twist!

note the level of extra you can get away with. lowkey slice of life roleplays may not jive well with a mafia princess whose being chased down by a rival gang -- but other places may thrive on it. you should never limit your imagination, but try and get a sense of the universe of the roleplay and just how much leeway you have in terms of your muse’s backstory. are the pre-existing players or admins playing/wanting something more grounded, or are all bets off? i would just keep this in mind when trying to create a character that “fits.”

tips & tricks:

create a profile page / shipper. make information about your character easily accessible and even easier to read! i would recommend having your full bio (if you have one) somewhere, along with a TL;DR version and a statistics/fact page. many of us can get lazy and don’t always read full blocks of texts, but these things may make others feel less intimidated or drained of energy when getting to know your character!

write out an actual plot page. you can do this in any format you like, whether it’s on the bottom of your intro post or a page on your blog. again you should do whatever you feel comfortable with, but the most successful plot pages that i’ve had or seen are the ones that have a great amount of diversity in the types of the plots they list – and i don’t just mean the content. obviously it’s important to offer various types of connections to attract various muses/rpers, but something i think gets overlooked is the format in which you present your plots. by that i mean: write some more involved, complex ideas that may total about a paragraph from beginning to end! write out more succinct, less detailed plots that offer more flexibility! put bullet points of a list of tropes/archetypes you would love to have! copy-paste prompts/sentence starters on there as a way to jog thread ideas! link gif sets you like! you never know what is going to inspire someone, so nothing is too small

approach people first. i’m sure you’re already doing this, but make sure to put in the effort of reading other peoples intro posts/bios/plot pages and make the first move! if you’re shy about introducing yourself or talking ooc, copy-paste a line from their bio you found interesting or a plot you’re hoping to take up and mention how much you liked it!

be involved in the ooc culture. now, this is one is hard for me to say as i get easily intimidated by ooc groups, but i’m gonna mention it anyway and hope you do as i say, not as i do!! some of the most successful groups i’ve ever seen or been a part of have a very strong ooc culture – because the tighter-knit the players, the more invested they are in their muses and shared space thriving. again, i am the first to say i get really intimidated by fast-moving discord chats (or anything similar) because i am terrible at replying to things – like, my own mother rarely gets a prompt text back. so i can be my own worst enemy there. that being said, the few times that i have been able to engage at a level matching everyone else (or at least, do better than i normally do) have shown me immediate improvement in engagement with others and even muse drive. even if you’ve got a hectic schedule and struggle to keep up with chats like i do, pop in when you can to post a meme, comment on a thread on the dash, make a joke, or otherwise familiarize yourself with your co-writers!

be flexible. don’t get too attached to a strict vision of your character, their development, or connections. that is not to say you should adjust your character to fit other’s needs, but rather to always take into account that you cannot 100% control the atmosphere your character is in. be open to adjusting plots and relationships you may have imagined - even just slightly - or reworking the way in which you achieve your character progression goals.

lastly, it’s okay to leave. if you genuinely have put forth all the effort you can into an rp and do not feel you are getting it back, you can always pack your bags and head out somewhere else! i would recommend perhaps speaking to one of your admins before doing so to see if they can help you in any way, but never feel you have to stay somewhere out of obligation. for every cliquey roleplay, there’s a welcoming one! 

other things you could try:

seek out a smaller-sized group. no matter how hard admins try, things, people, and characters are more likely to get lost in a larger group – that is not to say always, but it is simply more likely. in a smaller group, it’s easier for you to not only know everybody’s characters, but who they are ooc too. while smaller-sized groups come with their own flaws, in my experience they’ve always catalyzed stronger relationships both ic and ooc.

try a biography roleplay with preset connections. again this is not a cure-all, but it sounds like you might be joining all oc groups? that may be a huge assumption on my part, but if you are open to the idea and can find a muse you connect with, it may be worth seeking out a group that comes with fun and/or complex preset connections! this could also be a skeleton rp tbh, but biography may provide you with the biggest established network to work with.

to finish this up, i’d say there’s a very minimal chance you’re the sole cause of your recent bad luck. unless your behaviour is toxic and you don’t have enough self-awareness to figure it out - which i’m sure isn’t the case - there’s no reason for apathetic behaviour from other people. there’s always the chance any of us aren’t putting out the right ic or ooc signals when we join a new group, but so too could it just be a random string of bad luck you’ve had. so my most important point (as with most posts i answer is):

DON’T GET DOWN ON YOURSELF! 

try new things, stay optimistic, give everyone the benefit of the doubt, and try and have fun!! i love you and i hope this helps!!

[groundramon]

I’m bored and I cant focus on my drawing so...

Since I’ve been ratting on Teen Titans all week even tho I insist I like the show (I SWEAR TO GOD I DO...I was off-put at first but? its okay, its hard for shows to immediately hook me), I think it’s only fair to list some of my major problems with some of my all-time favorite shows and some other shows that are currently on that aren’t really my favorite, but I still think are objectively decent and arguably pretty damn good.

I’m not gonna go in order from best to worst but here we go: (keep reading tag because this is going to get really fucking long and ik i dont usually do this with my rants but i feel like i should this time, idk im inconsistent this is a personal blog sorry)

Steven Universe: - I sometimes feel bad critiquing SU because it’s not too far into its run.  I love the show, some of the moments and even full episodes are legitimately mesmerizing, but it...has quite a few problems, yeah.

- The one I bitch the most about is the pacing.  Steven Universe tries to combine serialized storytelling, which is telling an overarching story over the course of several episodes (IE Avatar: The Last Airbender, most anime, ect), and episodic storytelling, which is telling several smaller stories that each fit in one episode with little to nothing connecting them besides the characters (IE SpongeBob, We Bare Bears, most cartoons honestly).  But emphasis on “tries”; Steven Universe, unfortunately, is not very good at blending these two styles.  Steven Universe ridgedly adheres to the idea of having a season that is half filler/”townie” episodes and half “cool alien”/plot-related stuff - and this is something that’s been confirmed, by the way.  So while this was fine in the first season (where the only true overarching plot-related episodes that weren’t just worldbuilding were at the end of the season) and the second season (where the plot episodes can be summed up all-together as “they catch and befriend Peridot and learn, not stop, the Cluster”), it isn’t in the later seasons.  Season 3 has the following plot points: the Cluster is defeated, Malachite is found and defeated and defused, Lapis joins the Crystal Gems, more homeworld gems (rubies) find earth, Jasper is corrupted and bubbled, its revealed that Rose Quartz shattered (killed) someone, and Steven gets lost in space because of a plan gone wrong with the Rubies (and he’s rescued in the last episode).  That is a paragraph worth of plot points.  And, being generous (IE including plot-forwarding episodes that feel more like filler than actual plot, like the baseball episode) that is 13 twelve-minute episodes worth of content.  All of those plot points are addressed in 2.6 hours time.  That is not long enough to visit all those episodes.  And there are a few more I didnt count that /are/ related to the aliens, but Bismuth and Centipeetle currently irrelevant and weren’t related to the plot points I listed so I didnt mention them.

- I’m also still waiting somewhat impatiently for resolution on certain character arcs.  Pearl’s behavior hasn’t been properly addressed for a while and I’m really hoping they dont wimp out of addressing what a piece of shit she can be sometimes.  Like, I love Pearl, but get the fuck outta hear with your Pearl stanning shit.  She’s unintentionally awful and I lvoe her for it.  I’m more patient about Bismuth but.......crewniverse, im starting to get a little impatient with her too.  Bring her back.  You should’ve brought her back in the next episode, because her friends shouldn’t have left her bubbled, but whatever.  It’s fine.  I’m fine.  (I’m not fine).

- Also, Lapis’s character arc.  Wasn’t properly addressed.  One episode she was saying she deserved to be with Jasper and the next she seems fine.  One episode she hates Peridot and two episodes (well several episodes, but two episodes as far as they appear) later they’re buddy-buddy with one another.  I get that there was probably a time gap where they developed closer with one another, but fuck, I would’ve liked to see that instead of Future Boy Zoltron but okay :) (and i dont even hate future boy zoltron, its just one of the few “meh” episodes I bothered to remember the name of)

- SPEAKING OF UNPROPERLY ADDRESSED CHARACTER ARCS I swear to god Crewniverse, if Amethyst was being sincere when she said she didn’t have self esteem issues anymore, I dont think I can call this one of my favorite shows anymore.  Where.  Where did she find the resolve to get over her self esteem issues.  The last time we saw her talk about them was when she broke down in Sardonyx’s room, but, she was speaking through Smoky Quartz (btw, where the fuck has Smoky been? I literally forgot about her because its been so long...).  But still, even if she WAS speaking through a fusion, before then she displayed the same self-destructive mindsets and she was never given the resolve to better herself.  All she did was wallow in her own pity with Steven (which? relatable, but not constructive).  Show us her getting the resolve to better herself.  Show her positively reinforcing herself.  Have her whisper “you can do this, Amy,” under her breath right before she kick’s a bad guy’s ass.  Have her high-five herself, have her cheer for herself, have her be sincerely proud and acknowledging her accomplishments.  Because that’s how you fix self esteem issues and kids should be taught that by someone other than a therapist or the internet.

- Just because a lot of these issues could be fixed with time doesn’t change where they are at this moment.  The past pacing issues might not ruin the show for me depending on the direction they go in, but I feel like they’re going to continuously make the same mistakes over and over - and with the intense direction this show is going now, the idea of having five filler/townie episodes in a row while Lars is in space is terrifying because of how awful that pacing is.  I do not care about Onion, please go back to Lars.  But even if they fix it and the rest of the series is near-spotless, what’s done is done, you cant fix the rushed pacing of the past seasons’ stories and the dumb filler that padded out the seasons in the wrong areas.

- Also, another problem with combining episodic and serialized storytelling is that SU’s story gets WAY too serialized for an episodic show.  There’s so much going on that you can’t just sit down and watch a random episode of the show and start watching the show from there, which is a huge problem when you have episodes like Onion Gang and Future Boy Zoltron that take up 30% of the episodes and offer literally nothing to the story and honestly arent usually even that great as far as episodic stories go.  You cannot have 30% of your serialized show be 100% filler.  That’s bad writing.  And SU is in denial of the fact that it’s too serialized to be episodic.

Gravity Falls: - I generally cite Gravity Falls as one of the best combiners of the traditional episodic and serialized styles.  It’s what Steven Universe dreams of being; it becomes serialized when it counts (the final half of the last season), but up until then, it’s episodic with just a few clues/reoccuring things sprinkled throughout.  However, this show is far, far from flawless.

- Some of the episodic shows, and I mean a lot of the episodic shows, have a tendency to feel rather generic.  Ah yes, a girl whose obsessed with boys and boybands.  Okay.  Seen that.  A nerdy, whimpy boy who has a crush on a cooler older girl.  Again, seen that.  I’m not saying that’s all there is to Mable and Dipper; clearly not.  But a lot of their traits encompass many different stereotypes, and while the characters themselves aren’t bad, the situations they find themselves in aren’t always the most original.  Sometimes I feel like Gravity Falls is a PG-rated Scooby Doo meets Disney Sitcom.  Which is okay if you like Scooby Doo and Disney Sitcoms, but it doesn’t always make for the most eloquent storytelling.  Which is fine for a kids show, but less fine for one of the cartoons heralded as a harbinger of the current cartoon renaissance (then again, I’m not into hardly any of the other harbingers of the “current cartoon renaissance” and I’d argue that we aren’t in a renaissance at all; we’re just finally, finally getting some decent cartoons after the awfulness that was the late 2000s)

- I’m gonna say it; we should’ve learned more about Ford’s adventures in the other dimension.  It’s possible some of the non-animation related materials (namely books) have information about his travels, but as it stands, I havent got a clue what happened to him during those years.  And I want to know.  I should know.  Its a glaring plot hole in all honesty, because we should know what happened to him and how it affected him.  Or maybe im overreacting idk.

Voltron: Legendary Defender: - Hoo boy, where do I even start with VLD

- VLD seems like a show that wants to be character-driven but somehow refuses to.  It wants you to be emotionally attached to the characters, but either it does that and does nothing with it, or it doesn’t even bother to do that.  The only characters whose struggles I care about are Pidge, Shiro, Allura, and only as of season 3, Keith.  Allura I was kinda on the fence about until season 3 but thankfully, if season 3 did one thing right, it was Keith and Allura (and yes I know people are complaining abt Allura’s treatment but I like watching my faves suffer).  That leaves two paladins - and Coran, but I’ll give him a pass because literally the only show that’s done a comedy relief right is ATLA so I’m not expecting him to be superbly well-developed - that I dont give a shit about.

- Lets start with Hunk.  GOD I want to love Hunk so much.  So FUCKING much.  But every time a new season comes out, I feel more and more disappointed.  This show is so obsessed with melding him down to “the fat kid who eats a lot and makes a lot of dumb jokes” and it’s....so disappointing, because there’s so much potential here for something more.  In the first episode of the series, we see Hunk display cowardice (which isn’t an uncommon trait for a fat stereotype) and a prowess for engineering.  Yes he’s a bit of a fat stereotype, but you know what?  I dont care if a fat character is cowardly, makes bad puns, likes to eat, throws up a lot, all that jazz.  I care that they’re more than that.  I hate the idea that a character having a stereotypical trait (assuming its not straight-up a caricature) makes them automatically stereotypical.  Sorry buddy but smart asian people exist.  Preppy blondes exist.  And food-loving fat people exist (hi! i know that last one is true because I am one).  But they’re so obsessed with ignoring Hunk’s other traits - his love of cooking and his engineering skills.  I dont even remember if he used his engineering skills in season 2 and I know he only used it once in season 3.  He didnt even cook in season 3.  And I think the most telling thing in this show is how the show described Hunk’s relationship with Shiro.  As Keith was expressing grief over loosing essentially his big brother figure, Lance thought back to when he viewed Shiro as a legend and a hero, Pidge reminisced about how her father and brother used to praise the guy, and Hunk?  Hunk basically said “uhhhhhh he taught me to pilot my lion.....that counts right.”  Because Hunk has no relationship with Shiro.  Because Hunk has no relationship with any character.  He doesn’t even have that much of a relationship with Lance, and the two seemed to be best friends - or at least friends - prior to the formation of team Voltron.  At best, Hunk is friends with Lance and Pidge.  But all Hunk has done with Keith is make bad jokes while Keith acted all loner-y, and Hunk hasn’t even interacted with Allura and Shiro.

- Now, speaking of Lance, lets talk about him.  While Hunk gets points from me because he’s a sweetheart who deserves better, Lance is a flirter whose too high on his own horse and makes even worse jokes than Hunk does.  Considering Lance is the one we follow in the first episode, I would’ve expected him to be the most centric member of the team.  But first off, fuck me for projecting anime stereotypes/tropes onto a western cartoon (even though voltron was originally an anime kinda but shhh), but secondly he actually is...the most forgettable of all the Paladins.  Yeah I said it.  I legitimately dont like Lance at this point.  Yeah, I said that too.  I basically cant remember anything about him besides the fact that he flirts and jokes around a lot and that Klance is inescapable (like, not that its inevitable that you’ll ship it, but you’ll never escape the fandom for it).  He’s Sokka with all the charm, intelligence, and depth taken out of him, and also bi but that’s the only improvement.  Seriously, what...draws you all to Lance?  I dont want to judge, but he’s just....so stereotypical.  So boring to me, despite being the most lively paladin.  And the development cockteasing.  Oh, the development cockteasing.  I cant tell you how many times I’ve gotten my hopes up specifically because of something the show said about Lance/Lance seeming to be insecure about something, only for them to immediately shoot it down and replace it with more bad jokes or...nothing at all.  Because did Lance even do anything in season 3?  He pilots Red now, he had a funny bit with Blue during the “breakup”, he comforted Keith, Keith comforted him, uhhhh ??? did he even have a line in episode 7??  I feel like there might’ve been episodes where he literally had no speaking parts.  The only good things I can say about Lance so far are: 1. sometimes hes really fucking funny, and 2. it looks like they COULD be building up to something.  But if they’re just cockteasing me all the way through, I’m disowning dreamworks entirely.

- The tone of the show? also shouldn’t vary as much as it does.  The tone of a show varying is fine, but it shouldn’t vary in the way it does in Voltron prior season 3 (I’ll get to what I mean by that in a second).  In season 1 and season 2, the heavy moments of the show were almost entirely carried by Shiro; there was something for Pidge and something for Keith, but even then, Shiro got involved or was there for the entire time.  Shiro, by merely existing, brings the tone of this show down to something almost too serious for a kid’s show (emphasis on almost).  During the light-hearted parts, he just has to keep his mouth shut, because the only time he’s done anything funny (besides ironically funny like with his new outfit and haircut) was when he was yelling at Sven.  Yelling should not be your only source of humor.  But the rest of the show?  Was pretty goofy, yeah it took itself seriously sometimes but it also knew how to have fun.  Which is fine, a show should be able to have fun sometimes.  But that means all parts of the show, including Shiro.  Shiro is physically incapable of having fun and that’s kind of sad.  Season 3 was better about this though; nothing in season 3 felt fun and goofy, like at all, besides Lance taking selfies with girls in the first episode, and that was just one scene.  So I mean, they didn’t fix their problem, but the tone didn’t vary as much.  And I’m not saying the tone shouldn’t vary.  No, it should; you shouldn’t have all serious moments or all goofy moments.  Have some fun, but also take yourself seriously sometimes.  The problem is that parts of the show can’t take themselves seriously (Lance, Hunk) and other parts of the show can’t take a joke (Shiro, Zarkon/any villain too but they get a pass since they’re villains).

- Also we REALLY should know all of the Paladins’ backstories by now, ESPECIALLY Keith’s.  I know his is a mystery, but we need to know what he knows or else we cant get invested in the mystery.  If we dont have the same facts as the characters, we dont know where to start or what to expect.  We should’ve also seen flashbacks to Lance and Hunk’s families - ESPECIALLY Lance’s, since he seemed to care so much about them, but welp now that’s gone :).  We should’ve also seen more flashbacks to Pidge’s family but at least she’s trying to find them.  Nobody else gives a shit about their families and I just.  Aaaaaaaaaa this show infuriates me sometimes.

Avatar: The Last Airbender: - There’s nothing wrong with ATLA, move the fuck along

- I’M JOKING IM JOKING SWEATS okay but it’s no surprise I like ATLA and think its near flawless.  But still, it’s near-flawless, not flawless.

- If you cant stand a little kiddish cheese, you wont be able to stand ATLA.  ATLA takes itself super seriously for something on Nickelodeon, especially something on Nickelodeon in the mid-to-late 2000s (god I wish I watched this show as a kid, my standards would’ve been so much higher and i would’ve known what animation could actually do if you tried) but it’s still written for kids.  Which is fine!  I actually prefer things written for children over things written for adults.  But if you can’t handle something with content that’s clearly written for children, ATLA isn’t for you.

- Ozai fucking sucks.  There’s no other way to put it, his character fucking sucks.  He’s meant to be the embodiment of pure evil, he’s not meant to be sympathetic like Zuko, but for fuck’s sake, we needed his backstory.  And no, The Search doesn’t count; love that comic book, but that’s not enough backstory on Ozai (unless I’ve forgotten an important scene in the comic, idk its been a while).  Azula isn’t a sympathetic villain but we see her reasons and backstory.  Give us something like that for Ozai.  Show us a character that was emotionally neglected and then grew up in a society where killing and genocide were encouraged and praised.  THATS the backstory for Ozai I want.  I want to know where he came from to fuel my hatred for him, to see him as a real person but not as someone who should’ve done what he did, and I want to hate him BECAUSE he feels like a character.  Right now he just feels like the embodiment of evil and that doesn’t make for a good, truly intimidating villain.  A truly intimidating villain is one that you understand and can possibly relate to.  Not...whatever the hell Ozai is.

- Katara and Aang’s romance plot fucking sucks.  I am ace/aro and cannot write romance for shit nor tell when characters have chemistry, but I can still tell this.  It’s not...forced?  It’s not...rushed?  But it’s unnecessary and poorly written and it’s just puppy love and honestly if it was real live I couldnt see their relationship lasting.  Also the idea of seeing someone as a brother and then dating them later is verrrry .... poorly worded to say the least bUT ANYWAYS NEXT BULLET POINT

- Toph and Suki could’ve been developed more.  Like, they were okayly developed, they were great characters, but idk.  Toph didn’t grip me nearly as much as Sokka, Aang, and Katara and I feel kind of bad about it, but thinking about how much development the others got compared to her, it’s not really surprising.  I also am not the hugest fan of rude characters anymore, but I digress.  Also Suki.  Suki had like, little to no development.  I want Suki to be part of Team Avatar.  Can we do that

- General Zhao also fucking sucks.  He’s so generic that the first few times I watched the show, I forgot he was even a significant reoccuring villain.

- Sokka could’ve also been more developed but they could’ve all been more developed honestly?  You can always add to perfection.  I shouldnt complain about Sokka tho, he was finely developed and I love my nonbending son

The Legend of Korra: - Uhhhh the first season’s ending?  0/10 bad, rushed, not good.  I wanted to see Korra deal with the loss of her other elements.  I wanted to see her cope with that.  But no, because Nickelodeon kept screwing over LOK, they had to rush it because otherwise it wouldn’t have been a happy ending for the series if they potentially had to end it after one season.  Fuck Nickelodeon :) but I’m still going to critique LOK for it even if it is Nickelodeon’s fault.

- Bolin and Mako were horribly underdeveloped.  Especially Bolin.  It’s so sad how underdeveloped “Team Avatar” was in this series compared to the last series.  I feel bad complaining about Toph, Suki, and ESPECIALLY Sokka in comparison to LOK.  The only one even comparably as bad is Suki, but she got half a season to be developed and these two got an entire series.  We got some of their backstory and then...that was it, besides the love triangle that Bolin was barely part of.  I guess they were kinda irrelevant for season 2 and season 4, but they had no reason to be missing in the later half of season 4, plus they had season 1 and season 3, so....  God, poor Bolin.  It would’ve been nice to see a nice (fat) comic relief guy like him get the same treatment as Sokka, but whatever....its fine.......ill just sit here patiently waiting for my good representation coughs.  Also all Mako did was do the love triangle and I Do Not Like Him for it.  Keith is a better Mako than Mako ever was because Keith dont need no love triangle and also he already has more development

- Asami also should’ve been more developed, but it looks like there’s potential for more development in the comics so thats good.  From the series alone though, she was pretty flat; better than Bolin and Mako for sure, better than Suki from the original series, but not nearly as good as Toph or the others.  At least she did have some development and a likeable personality that’s relatively original.

- I hate saying this but...Korrasami should’ve been more developed.  I wouldn’t like, take points off of a rating for this point because I mean it was the first lesbian/gay representation in a kids cartoon (from my understanding) and Nick might not’ve even known they were sneaking in something romantic at the end, not to mention they completely subverted the love triangle plot so it actually gains back favor in that way and its great.  Also, I mean, they had that buy-curious joke lmao.  And I’m pretty sure its expanded upon more in the comic; there wasn’t really room to expand upon it in the show because it was just starting.  But they probably could’ve done better than that.  It was still okay though and also, the subverting of the love triangle trope is the greatest thing ever and i long for the day that I can do that plot twist in one of my shows lmao.

- The Villains could’ve been more developed.  Besides Ammon (who is FUCKING AWESOME and you can FIGHT ME) they all had the same problem as Ozai; we dont have many reasons to see them as human or relatable and it makes it hard to hate them as much as we should.  I mean, they do show /some/ human qualities which I appreciate, but I dont entirely understand their motivations half the time and I want to know how they came to view the world the way they do.  But at least unlike Ozai, they do feel somewhat human.  (Except maybe Unaloq, I didnt like Unaloq very much)

And that’s like half of what I could say about each of those shows, and those are just some of my favorite shows I watch.  Dont ask me to go off on like, AOT or something, because I’ll be writing for another three hours lmao (actually feel free to because i wanna INSULT this PIECE OF GARBAGE ANIME that looks rlly pretty but otherwise IS BAD AND IDK WHY I WATCH IT lmao [idk if im joking or sincere sorry])  No show is flawless so I’m going to insult whichever flaws I see.  Fight me.