#he has a very “with great power comes great responsibility” mentality

[hypewinter]

Firefighting hadn't been the first job on Danny's list but it was surprisingly well suited for him. Toxic smoke and blazing fires were nothing to a guy who didn't need to breathe and could phase through anything after all. Plus it gave him a way to feel useful without catching the attention of the big bat himself. At least.... it was supposed to. But Danny supposes that ship has sailed considering Batman is standing in front of him at this very moment.

[evilminji]

You knooooowwww... >.>

The only difference, technically, between a school in the Zone? And on Earth? Is the American government won't recognize your Zone diploma...

Not accredited. But like..... I'm JUST SAYING? If you didn't try to pass your school off as some Big Ivy League type? Pulled the "oh yeah, you'd never have heard of it, it's local." And the COMPUTERS say it's legit?

How many people will dig deeper?

If you legitimately have the knowledge, you legitimately have the knowledge. Not YOUR fault you left out the whole "extra-dimensional" part. It makes folk nervous! And nervous folks get stabby.

So like? If you were ALREADY planning to "Move" as you euphemistically put it? Talked it over with your VERY concerned folks and friends? Who do NOT like the look of the steady but concerning rise of Anti-Ghost Powers That Be? Who finally put their foot down and reminded you that you are a TEENAGER and it's NOT your responsibility to fix the world?

Well...

Fuck those guys, I guess. You'll miss the old house, but Team "Taking our ball and going literally anywhere else" makes some good points. Why ARE you putting up with this?

And honestly, you've never SEEN your dad have so much fun. Him and the Reality Realtor just sorta... Vibe. Himbo to Himbo communications. Smatters of advanced physics. Fudge. It's great.

They move the portal. Collapse the old one in a way that makes it impossible to recover or recreate. You... kinda don't want to ask. They had that "mad scientist glint" in their eyes.

And while everyone's checking out brochures to different realities? You? Head off to the nearest College. It's the Zone, so technically you could go to any of endless billions. But you'd like your education some time this century.

Cue! Danny Fenton! Entering?

Academia's wet dream. A sprawling CITY of a college. Where the classes are on EVERYTHING and the price is FREE. People have Obsessions okay?? They NEED to teach. Debate and discuss! Study! Right papers and read them! It's been going on a while! And what happens when you find a subject that's NOT covered?

YOU COVER IT!

It's like if New York was a College. Good fucking luck find the dorms. Sleep on the floor like the rest of us, you casual.

Danny was Not Prepared ™.

He loves it though.

Classes on aeronautics next making the perfect sandwich, shoved next to historical basketry, stacked above alien slam poetry. But only on Tuesdays! Ever shifting. Breaking his Fenton Born Adhd in to a fine PASTE to be smeared upon bread. Happy mental stimulation chemicals go Brrrrrrrr

If it wasn't wildly inappropriate, he would LICK IT to claim it as his then wrap around it and gaurd like a territorial cat. He thought he HATED school! Turns out he just hated high-school. College though? College, or at least ZONE College, is fuckin AWESOME.

He's sit in SO MANY random classes just cause.

Picked up and dropped them at a whim. When they no longer sparked joy. He's been a flighty bitch and for once? No one CARES. No one says "you HAVE to commit and stick with this FOREVER once you choose this" and? It just? It's so FREEING! He's learned so MUCH!

He's probably gonna come back!

Which? Is how a deeply, DEEPLY weird aerospace engineer from supposedly bumfuck NOWHERE, end up working at Wayne Industries. He's.... a lil crazy behind the eyes. Ha ha... CONCERNING ™!

Dude sleeps on the lab floor. Has weirdly spotty knowledge. Can be an unprecedented genius one second and not know who the current president is the next. Doesn't know what DAY it is. Forgets to eat. Tried to make a fusion reactor out of the break room toaster before Sandra from accounting distracted him with pictures of her cat.

It's like he wanders through life blissfully unaware that he is both terrifying and about three seconds from killing them all. Then FUCKING TRIPS because he forgot to tie his shoelaces again.

Who hired this man?

WHY!?

I mean, we KNOW why. Probably to put him on a watch list. But? He's like a terrifying murder puppy! Built like a tank! That's stoned out of its mind half the time. And have you HEARD his college stories? That CAN'T be legal. Was this guy raised in a cult!? Aaaaaaaaaaa!!!!!????

@hdgnj @legitimatesatanspawn @babbling-babull @dcxdpdabbles @hypewinter

[dark-konohagakure2]

If you can, I'd like something dark with gaara and breeding, like a breeding program to preserve the best of his genes.

tw: dub/noncon, power imbalance, breeding, mild misogyny, mating press, domestication, rough sex

All characters depicted are 18+

Gaara has never given marriage and children much thought, he has his desires like any other man, but he largely suppresses them due to his busy life, but after Temari marries outside the village and has a son, a son that could one day become Kazekage, the demands for Gaara to have a child coming from the village elders get all the more frequent and insistent.

While Gaara already has a child, Shinki is his son by adoption, and the higher ups want a child of Gaara's own flesh and blood, initially Gaara doesn't really see the difference, to him blood doesn't define family, but he goes along with the demands regardless, albeit reluctantly.

When the fateful day comes and Gaara is to conceive his heir, he's initially reluctant and even somewhat nervous, a rare feeling for the stoic Kazekage, but when he actually sees the girl he's to breed with (who looks even more reluctant), Gaara's hesitancy fades away, he was worried he'd have to sleep with someone too young or too old, but when he sees that his partner is someone his age and beautiful, he starts to feel all the more eager.

He mostly ignores her cries as he gets on top of her, lifting her legs up next to her as he gets into a position that will ensure maximum deep penetration, but Gaara isn't heartless, and he'll reassure her if she's struggling and crying too much.

"Shhh, there now, it's okay. I'm sure you'll be a great mother for our children, I'm sure of it. Now stop struggling, or I might have to be more forceful."

Being both the Kazekage and a single father is very stressful job, and his rough thrusts will reflect his frustrations, his cock ramming down into her fertile cunt hard and fast, leaving her whimpering and quivering underneath the stoic redhead.

Gaara doesn't understand why she isn't enjoying it, he was under the impression that girls liked it rough, but she isn't liking it at all, in all his inexperience he wrongly believes that he's not being rough enough with her, and that's why she doesn't like it, so he'll pound into her even harder in response.

Once he finally does cum inside of her, which doesn't take too long due to his sexual sensitivity, Gaara makes sure that he's cumming directly into her womb, his body weight pressed fully down on hers as he groans quietly, his pent up seed filling up her insides.

Gaara won't stop his efforts to breed her even after he finishes inside her for the first time, he wants to ensure beyond a shadow of a doubt that he gets her knocked up, both to satisfy the demands of the elders and for his own desires, so he's going to cum inside of her until he can't anymore.

"There we go, good girl... You'll be a great mother, and a good wife too... Now, time for round two, I want my Shinki to have a lot of siblings..."

Gaara makes a mental note to sign some marriage papers as soon as he's finished, he initially thought that all he had to do was cum inside of her and be done with it, but he's found himself quite smitten with the woman underneath him, and plans to act on his newfound affection by making her his permanently.

[astrosamara]

Astrology Observations #2

🩵Mutable risings are constantly changing up their looks because they love experimenting with different aesthetics, whereas fixed risings tend to stick with the same look or a couple of looks throughout their life. They're not as comfortable with outward change.

🩵Mars in the 1st house makes someone a natural athlete and can excel in sports. Also a great placement for dancers.

🩵Saturn in the 1st house and/or Capricorn/Aquarius Rising age like fine wine. They often tend to be late bloomers as well who can feel awkward and uncomfortable with themselves in their early years, but start to grow more into their confidence later in life, specifically after their first Saturn return.

🩵Gemini Venus are so playful and flirty in their relationships. Humor and lightheartedness have to be prominent for them in their relationships to feel loved.

🩵Sun (the father) or Moon (the mother) in the 12th house can indicate that parent dying early in your life or it can represent them being emotionally or physically absent as well. It's spooky how many charts I've seen where this is the case. (I know death is a sensitive topic, so I don't want to freak anyone out by saying this placement is a 100% indicator of a physical death, because it isn't).

🩵I know Taurus' loving food is a huge stereotype, but it's so true! Every Taurus sun in my life loves to go out to eat, cook, or be cooked for and it's their love language. They can also be super big on physical touch such as massages and hugs. They're all about the senses.

🩵Leo moons tend to be the comedians of their family or friend group. They're the ones everyone relies on to bring the fun and playful energy. They really shine a light in people's lives.

🩵Jupiter transiting the 5th house the same time as a Venus return is a super powerful transit for love and romance. I've seen charts where this indicated marriage, meeting a long-term partner, or starting a new relationship.

🩵When it comes to transits, Saturn is the most important planet to look at imo because it's the planet of timing. Looking back on every time Saturn made a conjunction with one of my personal planets or angles, it highlighted a significant event/theme in my life.

🩵Someone having their moon in your 1st house you may notice that these are the people you find yourself easily letting your guard down around. It's easy and comfortable to be with them. This is a great placement for friendship.

🩵You may find yourself feeling soul-bonded to a pet who has their sun as your moon. My cat is a Pisces sun and I'm a Pisces moon and I've never felt such a strong connection to a pet before. He's my actual baby.

🩵Saturn in the 5th house typically aren't interested in having kids. They may feel incredibly overwhelmed by the pressures and responsibilities that come with raising children. If they decide to have kids, their kids can bring out a very karmic energy in them and can exasperate wounds from their own childhood. This can manifest as a positive or negative experience depending on the sign it's in and other aspects.

🩵Check where your 4th house ruler is in your chart. It can further indicate what your childhood was like. For example, I have an empty Gemini 4th house, but my 4th house ruler is in Mercury in my Scorpio 8th house making a conjunction with my Chiron and I had a very dark and traumatic upbringing.

🩵Nobody knows overthinking like a Virgo sun and/or mercury knows overthinking. Their brain is constantly thinking about what can go wrong in any given situation, scanning everything they need to check off from their mental to-do list before they can allow themselves to relax, and will bring up a specific worry you haven't even thought about. I only have a Virgo mars and that's enough Virgo energy in my chart for me. They are the living embodiment of anxiety.

[minhosimthings]

Backstage Notoriety

Synopsis: Chan trying to shush you, as you try not to alert the rest of the boys about what you're doing backstage

Pairings: Bang Chan × Soloist!fem!reader

Warnings: SMUT MINORS DNI, fingering, overstimulation, Degradation (like only a little), praise, gagging kink, necklace is used as a gag, unprotected sex (wrap it before you tap it), pregnancy joke, angry sex, rough sex

A/N: ITS YO GIRL MONA BACK WITH ANOTHER SMUT YALL WOOOHOOOOO I really like this for some reason I had fun writing it. Also Chan has got me in a chokehold rn I NEED THIS MAN TO BREED ME. And yes this is me procrastinating on my ongoing wip.

Dating a fellow idol was something you never thought you'd do in your entire life but here you were. Staring at your boyfriend dancing with the rest of his kids members and watching all his Stays with bedroom eyes. To say you were jealous was an understatement. A very great understatement, that is.

Being a soloist was a lonely job, with the one exception being that you didn't need to follow a packed schedule like other groups did. You could just sit back after your stage, and stare at everyone's outfits backstage, as you wait for your boyfriend to take you home and fuck you into oblivion. Yet as you watched your boyfriend show off his waist in a crop top your favourite colour, you couldn't help but want him to notice you. Stupid horny teenager coded feelings right?

"Haneul how much time till they finish?" You asked your manager who was packing up your things. She looked over at you and smiled. "Just another minute or so Y/N be patient you'll see him soon enough." She bent down and kissed your head "I'm going home alright? Tell Minho where I went or he'll go crazy. You'll come with Chan or should I tell a car to wait?" You shook your head at her. "I'll come with him don't worry. You should worry about Minho though he's gonna go mental when he finds out you left without him." Haneul let out a laugh and patted your shoulder before quickly walking out the door, leaving you all alone.

The sound of thunderous applause startled you, as you saw your boyfriend quickly walking down the stage, seven kids following him like penguins. The first one to enter the room was your boyfriend, suprisingly not covered in sweat and fashioning a towel round his neck. His face was not without happiness as he caught his eye on you and strode over, making adorable grabby hands.

"Baby!" he hugged you tightly, as you did everything in your power to stay mad at him, "Next time I'll make sure they arrange our shows right after one another. I can't stand not being with you for so long." "hmm" you hummed in response, not reciprocating the hug as you usually did. The rest of the members had entered the room by then and you spotted Minho frantically searching for his phone. "Haneul went home Minho." you cried at him, successfully catching his attention as he looked at you with widened eyes, "Don't worry, she's probably waiting for you."

"Oh alright." Minho said, plopping down onto the sofa, "Thanks for the message." You smiled gently at him, and turned to pick up your phone, when warm arms wrapped around your waist, making you freeze in your spot. The offer to sink into Chan's embrace was a tempting one, one that would effectively ruin your plan. "Did I do something wrong baby?" you heard Chan's voice whisper in your ear, tone akin to one he'd use for a child. You were being childish after all.

"Just tired Chan. I need to get home alright?", you briefly responded, wiggling away from his embrace. "I'll drop you off to the car." Chan responded, wrapping an arm around your waist so tightly that you couldn't protest, "I left something in my dressing room anyway so we can just get that on the way hm?" His tone worried you slightly. It was unlike the lovey-dovey one he usually used with you. Lovey? yes. Dovey? Definitely not.

The silence between you and Chan was too loud as both of you walked to Chan's dressing room, which was relatively near the exit point. His stare remained in front of him, not even a glance at you. You, on the other head, were trapped in his hold on your waist. It was tight. Too tight. The Pain kink comes in handy though right?.

"You really thought ignoring me would do anything baby?" Chan suddenly spoke up, when you reached the door to his dressing room. You shuddered as he pushed you against the door, one hand on the doorknob, the other holding your chin to him. "Chan-" "Nuh uh baby." He glared, "You're gonna pay for this."

Chan bombarded your lips with his and kissed you with every inch of pain in him. You would have melted into the kiss had it not been for Chan opening the doorknob and pushing you in.

"Wearing this cute little outfit and ignoring me." Chan mumbled in between the messy kiss, "Stupid little girl aren't you?" You gasped for air as Chan slid his fingers down your panties. You decided to give your stylist a bag of chocolates the next day, for giving you such an accessible dress.

"Ah Chan!" You shout out as Chan moves his fingers around your pussy, touching you exactly at all the spots he knew you adored. Chan slowly pulled off your underwear and threw it on the floor before pulling you into another kiss, fingers still racing across your cunt. His other hand reached up almost automatically to your hair, gripping it hard. You moaned into the kiss at his touch on your scalp as your hands quickly undid his trousers.

He’s rough. Good god, he’s fucking rough. His cock stretches you open deliciously, slamming into the deepest parts of you. The slick sounds of your dripping arousal fill the room with every violent thrust. You were sure your already short dress was about to get shorter as Chan kept such a firm grip on them, feeling the fabric twisting in between his fingers. With Chan continuing to fuck you, It’s almost impossible to keep yourself quiet at a time like this.

“J-Jesus,” you gasp, “holy fuck, Channie, y-you, fuck, you feel so fucking hot.” Your voice wavers in pitch and volume. Chan maintains a brutal pace, which you could swear he does on purpose. He lets out a gruff chuckle.

"It's Channie now is it baby?" He mocks you, "Fucking you so good you can't even speak can you?"

You let out a loud yelp when you feel his hand give your ass a hard slap. You jerk forward, shuddering on his cock. You can feel his towering frame lean over you, pulling you up by the shoulders, gathering you to his chest. He puts his fingers in your mouth, silencing your cries of lust.

You suck on his fingers, moans bubbling in your throat as Chan pistons his hips. It’s almost embarrassing how much you like the feeling of Chan using you like his personal doll.

“Babe,” Chan slows down. “As much as I love hearing what I do to you…” he gently maneuvers you, flipping you to look into your eyes. His hand tucks a piece of hair the fell onto your face behind your ear. His hand cups your cheek, the sweetness of his actions causes your mind to run wild with what kind of degenerate, devious plans he has in store for you. He reaches over to his neck and slowly unclasped the metal chain decorating it ever so wonderfully. "You're way too loud darling.”

"Open your mouth for me darling." He cooes at you as he shoves the necklace into your mouth. You wince in pain as the cold metal hits your tongue. Chan stares at you with an amused look on his face. "That's my good girl." He praises, giving a sudden thrust, which makes you widen your eyes.

You make a muffled cry for more, your soft and loud moans were music to his ears. He breathed heavily along with you as held onto your hips tightly. Skin smacking echoed in the room and you heard his soft groan which sent you coming. He groans louder as you clench around him.

Thankfully, Chan didn’t argue or get you to beg for his cock any more as he jolted his hips into you. “Always so loud aren't you darling?”, he scolded light-heartedly under his breath.

“Cha- Channie no more,” you plead with the necklace muffling your tone, tossing your head back onto the wall, hips bucking up into his despite your words. Chan growls, pushing you down by your stomach and blanketing your body with his own and pressing your knees almost up to your tits.

“You can take it, my dove, I promise,” the words come out choked, hoarse, but you wither under them nonetheless. The necklace had been laying down on the floor, having been detached from your mouth a long time ago. You can feel his cock pulsing deep inside your walls, seed almost spilling out from your entrance from his last two orgasms. You’re sure he’s overstimulated beyond belief, just like you, but he just can’t seem to stop.

“Wait, don’t cum yet; I’m so close, don’t cum”, you begged , not entirely wanting it to end just yet. Chan gasped, his mouth opening wide as his eyes did the opposite as they clenched shut as he concentrated on fucking you and not having another orgasm.

It doesn’t take long to feel the first flutterings of that eye-wateringly beautiful sensation between your legs as you quickly stammer, “I’m cumming! Fuck!”. Chan’s legs nearly gave out underneath him, hearing your sweet words.

As your pussy contracted in wet bursts around him, Chan released every drop of cum inside of his body, deep into your walls so that you could feel yourself becoming full and it beginning to drip out as it became too much. His thrusts slowed to a stop as you both slumped against the wall, bodies covered in a thin line of sweat.

"You alright honey?" He mumbled into your neck as he holds you tightly in his arms. "I'm good." You simply respond, cradling in Chan's warm muscles. Chan quickly deposits your weak figure on the divan before rushing off to find a towel and a change of clothes.

"I'm sorry Channie." You mumble, feeling your face turn red as Chan puts your shoes back on. He looks up at you with an amused expression and hums. "It's alright darling." He chuckles, "My jealous little baby." You slap his arm playfully as he gets you up slowly and walks you to the door, this time the grip on your waist being a comforting one.

"I wonder if your cum took or not." You blurt out. Chan looks at you with widened eyes before giggling. "You wouldn't really have to get used to being called mom do you? What with your seven adopted kids." "Our seven adopted kids." You correct him as he blushes and kisses you on the forehead.

"Seven kids who are probably wondering what their mom and dad have been doing backstage."

[imnotevenusin]

Some of My Favorite Aspects to see in a Natal Chart

Saturn trine/sextile Pluto : Saturn takes out unnecessary things/people in our lives, while Pluto shows us what has power over us, what gives us power, and control. Usually, this aspect indicates somebody who wants to “bring something to the table” to society; Saturn is serious, and practical, while Pluto is impactful and influential. They take huge responsibilities and never try to abuse their power (unless there are other aspects ofc). A great leadership aspect overall.

Jupiter trine/sextile Neptune (I have this one) : Jupiter is expansion and abundance, and Neptune is limitless, perceptive, imaginative, and artistic. Jupiter expands the Neptunian energy, making a person ego-less, empathetic, charitable, artistic, and a visionary.

Two notable Figures with this aspect(/) include : Martin Luther King Jr. & Kurt Cobain

Mercury sextile/trine/or even conjunct Saturn : Mercury is our communication and problem-solving style and Saturn correlates to discipline. I think this is a powerful aspect, since it indicates a person that doesn’t get distracted, only speaks when needed, and takes on mentally serious and challenging tasks—and they usually follow through.

Moon sextile/trine Saturn : The Moon is our emotional state, how we feel comfortable, and our habits, and when it comes in good contact with Saturn, we get a person thats very responsible and in-control of their emotions—which can make you successful in the long run.

Sun conjunct Venus : Wow, how lucky. The Sun is what we like to revolve our personalities around, our ego, and what we shine a light on through expression, whilst Venus is our charming attributes, tactfulness, and what we are attracted too. This aspect indicates a charming and likable person.

Jupiter sextile/trine Saturn : Jupiter being supported by Saturn is promising to say the least; Jupiter is like hope and Saturn brings that hope into reality, through patience and dedication. It can also indicate a structured life, with never too much un-healthy indulgence (Jupiter) or too much delay or feeling like somethings lacking (Saturn).

North Node trine/sextile Neptune (I have this) : The North Node denotes a part of our lives we have to learn to adapt and Neptune can be imaginative and hopeful. Usually, people with this aspect can utilize Neptunian energy/characteristics to reach their life path; this aspect basically says “follow your dreams”.

Sun trine/sextile Pluto : Generally indicates a strong and invincible ego, that deals with change and losses quite a bit. I know Dave Grohl has this placement, and he’s gone through many changes—from being the “awkward” drummer of Nirvana, to being the frontman of the Foo Fighters.

Mercury sextile/trine Mars : Your communication style is supported by the strong, defensive Mars; your words and messages pack a punch, and you aren’t afraid to speak up for yourself.

Neptune sextile/trine Pluto : The ultimate visionary aspect. Our imaginations and creations give us power, and sometimes influence. This can also be a great aspect for manifestation—look at Michael Jackson, who infamously had a manifestation journal that helped him carve out his public image in the 80s.

[kisssaturn]

Follow me to the rabbit hole of the Anuradha Nakshaktra 🕳️ 🐇 🐾

I got inspired by Anuradha threads from Talia🦋 (@Astrotalaya) & @opalblade blade on tumblr

I found helpful posts from different sources I linked them below so you guys can check them out they’re awesome.

Anuradha diety is Mithra god of sun & is the god of friendship.

Anuradha is ruled by Mars & Saturn. Mars is known for survival, aggression, action and courage like a warrior.

Saturn represents discipline, obstacles, lessons and time.

The director of Si-Fi movie “Lucy“, has Jupiter in Anuradha. “Lucy” is played by Scarlet Johansson she’s a Anuradha sun, she’s a Anuradha asc like @opalblade mentions on her post & Claire Nakti.

The lyrics remind me of Mitra as they mention the sun and I also found out Miley Cyrus who is also a Anuradha sun did a cover to this song :)

The article noted that the song is a known reference to LSD. They mention Lucy experience sounds like someone coming down from a LSD trip. It made me recall the Anuradha theme of Alice in the wonderland. Alice follows the rabbit to the rabbit hole. (Anuradha animal yoni is a Hare bigger than a rabbit but similar.) Alice consumes a mysterious cake that has side effects for example making her really tall. The article states in the end “Alice enters the twenty-first century, there’s no sign of her influence abating. She seems to be everywhere at once” Similar to Lucy.

https://x.com/tia_visagie/status/1833259302406209752?s=46

^ She explained the connection between Anuradha and Saturn in detail.

This article “The Hidden Spirituality of Lucy” explained the movie very well and its connection with the evolution of species and human consciousness.

In the beginning of the movie they show clips of animals in the wild, prey vs predator describing the situation Lucy would find herself in. After witnessing her boyfriend being shot dead, she is captured and forced to become a drug mule. Anuradha is a Scorpio Nak the rasi is mars. Lucy was led to intense situations, in need of perseverance and survival instincts. One bag of the CPH drug is sewn into her abdomen for transport to Europe. However, she is kicked in the stomach, breaking the bag and releasing a large quantity of the drug into her system. Lucy’s cells began a process of mutation transmuting her physical and mental capabilities, with time she reached higher levels of consciousness going from 10%-100%. What came in mind was a Saturn quote “With great power, comes great responsibility.” Lucy acquires enhanced physical and mental capabilities, such as telekinesis, telepathy, and mental time travel. Lucy negated her emotions. She was able to regenerate and use the drug to transform herself even her looks.

Themes of phoenix,regeneration, accession & deccession like Talia explains in her posts.

Lucy needed advice on what to do with all the knowledge she has. She asks Professor Norman he tells her she should share her knowledge & ignorance is worse than not sharing it. “The whole purpose of life has been to pass on what we learned, and there is no higher purpose.” When’s Lucy said, “I don’t feel pain, fear, desire, it’s like all things that make us humans fade away, it’s like the less human I feel all this knowledge about everything,quantum physics applied mathematics the infinite capacity of a cells nucleus.” Reminded me about how Ketu feels more comfortable in Scorpio because Ketu is linked with detachment/seperatin & letting go. This article below explains what Ketu is associated with they mention ”Ketu is often associated with the concept of moksha or liberation from the cycle of birth and death. It is believed that a strong Ketu placement can lead a person towards spiritual liberation and ultimate freedom.“ Some astrologers say Ketu exalts in Scorpio because Scorpio is about deep, intense/extreme situations & letting go, surrendering and things related to spirituality. Lucy also says we never really die throughout the movie.

Lucy says in the movie “Every cell knows and talks to every other cell. ”They exchange a thousand bits of information between them per second. Cells group together forming a giant web of communication, which in turn, forms matter.”

https://x.com/maxdemlan/status/1860000754859487578?s=46

Lucy mentions “web of time” & “without time we don’t exist” ,“time is unity” it coincides with Anuradha for its devotion and it being the star of friendship with Saturn being a co ruler of Anuradha along with mars, Saturn rules time. Lucy obtained a venom spider abilities Anuradha has a connection with spiders.

Clairnakti made a post about the actors who play Spider-Man & the girls from Madem Web have Anuradha placements.

The article “Lucy: An Underrated Summer Blockbuster Overflowing With Brains & Complexity” said Lucy is like Spider-Man “Like Spider-Man after the iconic spider bite, Lucy is reborn within her old skin—privately transformed into a fully-embodied mutant. “

Lucy was dragged to a place she didn’t want to be in but ended up attaining higher consciousness. Themes of (descension & ascension like Talia mentions).

A symbol for Anuradha is the Lotus flower. 🪷 Lotus flowers can’t grow without the mud they need the mud in order to grow. The lotus has a connection to the Ajna chakra the third eye, the movie theme was her activating her mind / consciousness.

^The thread is also very interesting.

View this post on Instagram

A post shared by Neven Paar (@wingedshoespublishing)

Anuradha has a connection with kundalini in his post he states, “Once the kundalini rises from the Muladhara, it seeks to leave out the body through the crown, resulting in Sahasrar’s Petals unfolding like a flower ready to receive the Light.” “Sahasrar is named the “Thousand Petalled Lotus” because there are theoretically a thousand Petals, each connected to with countless minor Nadis or energy channels that carry Pranic energy from different areas of the Body of Light that terminate in the head area.”

Talia also posted that Anuradha constellation looks like a serpent.

Claire Nakti also has made an article about this Nak she explains that Anuradha can ”understand the secrets behind scriptures, that are written in code..”

Lucy mentally begins a spacetime journey into the past, eventually reaching one of the oldest discovered ancestor of mankind, Del Rio asks Norman where Lucy is, immediately after which Del Rio's cell phone sounds and he sees a text message: "I am everywhere." Lucy's voice is heard stating "Life was given to us a billion years ago. Now you know what to do with it."

Lucy was able to evolve to her highest potential of her existence in the movie. This relates to Anuradha themes of accession, transforming & evolving. Going through the tough situations & ego death, Lucy was able to bloom admists challenging situations she had a powerful determination like the lotus flower.🪷🪷

Lucy 2 is in the works right now I’m excited I’m hoping it’s just as good as the 1st one.

Hope you guys enjoyed����

[unnamedmedicalprofessional]

The key thing to understand about Batman is that he is a massive workaholic. He has the same "with great power comes great responsibility" thing as Spider-man where being a superhero conflicts with his personal life, but while Spider-man keeps trying to balance them, Batman just gives up and just uses Bruce Wayne for philanthropy and as a distractingly shallow cover story. He should never be a jerk just for the sake of it, but he can sometimes prioritize the larger goals of being Batman over everyday human kindness if they come into conflict. He's very morally absolutist in some respects, like killing, but very pragmatic in other ways, like making contingency plans for his friends.

He lacks humour not because he's so angsty (although he is angsty) but because every second he spends joking around is a second he could spend saving someone's life. He's stoic not because he doesn't care. but because he simply doesn't have time to be emotional. He sees so much horror every single day that he doesn't know how to cope with without repressing it. However, that's not an excuse. He still needs to remember his humanity. He needs people to remind him of his humanity. That's what he needs the batfamily for, but the fact that he struggles so hard with this in the first place does huge damage to his relationship to said bat family. This is not just good for his personal life, but also if he completely sacrifices his mental health to be Batman, eventually he'll be so unstable that it will hurt his ability to be Batman effectively. In the end, repressing emotions will just make them fester.

[alvie-pines]

So, I just want to say something real quick about Wilbur Soot and the expectation fans have of all his friends to come out and immediately make statements and drop him. I particularly want to talk about Tommy because i see parallels between his relationship with Wilbur and my relationship with an adult who made me feel responsible for his wellbeing. I am not saying that their relationship is like this, just that based on what we've seen it could be, and we should be prepared to be empathetic and understanding to Tommy in case it is like this.

So some background. Starting at 13 or 14, I had a friend in his thirties who made me feel responsible for his mental health. I won't go into great detail, but I was constantly reassuring him and trying to keep him from killing himself, which was something he gave me multiple scares about. He would disappear and not respond to messages for days or weeks after posting suicide notes on his tumblr... but he was fine every time, just stepping away. Still, it scared me every time, and I felt like I hadn't been doing a good enough job helping him be happy.

I was friends with him from 13 to 16 and I felt responsible not just for his happiness, but his life.

It was so difficult to end that friendship that it took him blocking me multiple times before i could accept that he wasn't my responsibility anymore.

I defended him, let him get away with shit, let him have way more power over my life and beliefs and relationships than he should have. Because i was so toxically attached to him and believed what he told me, I seriously hurt my best friend in the whole world and I will never be able to fully express how sorry I am for it.

I'm saying this because there is evidence that Wilbur and Tommy's relationship contains similar dynamics. Wilbur has said that he relies on Tommy for his mental health. They met when Tommy was, what, 15? That's not healthy. Wilbur is an adult. I've also heard that Tommy has had to talk Wilbur down from suicide. This is extremely similar to what I experienced, and as much as it discomforts me to be seriously speculating about two ccs' relationship off-camera, I can't help but see the strong similarities to my story.

And Shelby's story corroborates this kind of behavior from Wilbur. She also was made to feel like Wilbur relied on her. For Shelby it was about his living situation--she felt like he needed her to take care of him, like he was too traumatized or depressed to take care of his own house and affairs, and if she stopped doing it it just wouldn't get done. And because she is a kind person, she didn't want to leave him like that.

This kind of behavior traps the victim in a relationship with the abuser by making them feel guilty if they try to leave or even distance themselves. It makes the victim feel like they cant hurt or go against the abuser in any way, for fear of blood on their hands, literal or metaphorical. It drives you to defend them, to try to stay by their side even as they prove themselves a terrible person.

So if Tommy isn't immediate and decisive in dropping Wilbur, I think we should be understanding. In these sorts of manipulative relationships, its really hard to speak badly of the abuser, and its hard to accept when others say they're abusive. That's an aspect of the abuse.

It took me until I was 13 to even be consciously aware of my mom doing this to me, and I only became aware of that "friend" doing it when I hadn't spoken to him in years.

This is the sort of thing that is VERY difficult to process and navigate and I think we should give Tommy, and other people close to Wilbur, some grace in navigating it. They should still drop him, but I think we should let them take some time because dropping an abuser who acts like this is very difficult, and they make it so on purpose.

[pearlsinmyhair]

₊ ⊹ the price of the name.

synopsis: reader has had a hard life, and now she’s an orphan. but someone just as lonely comes into her life to take her under his wing.

warnings: angst. lots of hurt, very little comfort. miguel is a hardass who pushes people away. death.

platonic!miguel x daughter-like!reader. no seriously, reader is eighteen and young. this is found family, not romantic.

the intention is for this to be multi-part. how many parts? idk.

word count: 1.3k

pt i : fate

　　　.   　　˚　　 　　*　　 　　✦　　　.　　.　　　✦　˚ 　　　　 

being a spider person was always unfair. mercy from whatever divine being that controlled their universes was hard to come by.

you were no exception.

your father died early, shot by a man who ran with someone’s purse. you didn’t know him well, you were only three after all. but your mother fought hard to teach you about him, to make sure you remembered some semblance of him.

and all was well for a time. you went to school, made some friends, started working for some extra cash under the table.

you were reaching up into your attic when the sharp sting of a spider bite zinged up from your hand. you killed it with a slap, but nothing could stop the venom that now traveled through your veins.

the rest was history: you became your universes one and only spider woman, learning her trade as she went.

the cannon event hit later, and it was different from the others.

you had no uncle to find dead on the street.

but you did have a mother.

she was working the late shift at the hospital when a spouse of a dead patient burst through the doors and demanded to see a doctor. apparently, the man wanted revenge for the hospitals failure to save his wife, and he had come to instill justice.

your mother had raised her hands and tried to plead for him to stop, to calm down, to lower his gun.

the shot made your spider-senses go haywire, and you practically flew to the trauma center. the security guards had no idea what to do, so you just ran past them to find your mother bleeding on the cold white tile.

it took everything in you to remember that behind your mask, no one knew you were this woman’s daughter, and you’d have to respond carefully. you watched as the officers called the next of kin, and you were thankful that you had had the mind to put your phone on silent that day.

no one noticed the tears streaming from your eyes behind the suit. you swung back home as fast as you could, answering your phone when they called you again.

pretending to not know what was going on was the second worst thing you had to do that day. you had to fight from chocking on tears as you answered the call.

eighteen and orphaned, standing over your mothers open casket. a part of you thanked that you were older, because it meant that you didn’t have to go into foster care. but nothing could truly quell your grief.

and then the universe decided to send you a big middle finger in the shape of a Doc Oc right after the funeral ended.

you knew that you couldn’t keep going like this. no one should process grief this fast. but as the villain sent a tidal wave through the streets of new york city you relized that you didn’t exactly have a choice.

with great power comes great responsibility.

and saving these people was your responsibility, no matter what mental state you were in.

this Doc Oc looked to be from some other dimension. instead of mechanical tentacles like that of your Doc Oc, he had real ones, and he apparently threw actual octopi at people when he was pissed off.

it was no easy task, and at one point he had thrown you against the wall and knocked your head. as your vision swam, he picked you up with one of his suctioned limbs and squeezed.

it all happened so fast.

a flash of orange and yellow swirling at the edge of your vision. orange silk shooting into your captors face. and then someone shot forward and sliced the tentacle that held you.

you sank to the ground as you caught your breath, vaguely hearing someone say “Lyla, run a diagnostic. what’s the best way to take this guy down?”

as you wheezed, a large hand rested against your shoulder, and a soft voice greeted your ears.

“Sit tight, kid. I’ll handle this.”

you didn’t have time to argue when the hand vanished, and you peered up just in time to see a large spider-man in a blue suit throwing himself at the villain.

you stood as you caught your breath, rushing right back into battle to help the man that had saved you. the Doc Oc dragged you both to the bay, sinking down into the water. it was advantageous for him, being a water dwelling creature, and you and the man struggled. it took another spider, a woman on a motor cycle, showing up to help defeat him.

but it was you who dealt the final blow, wrapping the villains limbs to a nearby pier to keep him underwater. when the pair of new spider people got him all tied up and prepared to take away, you just…collapsed.

everything came down on you at once. your exhaustion, your sadness, your loneliness. everything.

you barely heard the spider woman murmur to the brash man across from her, and it was only when you felt a pair of strong arms wrap around you and pick you up that you snapped back to reality.

but just as quickly as you zeroed in on the feeling, your brain whispered sleep in your ear, and you passed out.

₊ ⊹

you woke to a strange bare bedroom and an odd watch that flickered with light on your wrist. noticing the glass of water on the bedside table, you chugged it, coughing when you got too eager.

“You’re awake!”

you screamed, a small voice coming from right beside your head unexpectedly. you turned to see a small woman illuminated in the light from your watch.

“no need to be afraid. i’m lyla.”

lyla. that rang a bell.

“where am i?” you asked as you noticed the clothes folded in the corner of the room. you cast a sideways glance at the projection, and lyla turned to give you the illusion of privacy.

“miguel will answer all your questions. i’ve alerted him of your new condition.”

you slipped on the black sweatpants and top gratefully, relishing the feeling of soft cotton against your skin. as your hands moved over your body, you quickly noticed various cuts and bruises.

that’s right, i passed out.

“where is this miguel?” you asked as you studied the watch, noticing the flickering ‘EARTH-928’ across the screen.

almost immediately, little glowing footsteps were projected from the watch, making you whip your hand away from your face.

“i guess that’s my answer?” you asked lyla, and the woman nodded.

you sighed, figuring you might as well follow them.

fantastic survival skills from the one and only spider-woman.

well, you thought, not the one and only.

₊ ⊹

the man before you seemed almost nothing like he was when you were fighting Doc Oc.

he seemed…infinitely tired. his shoulders hunched, head ducked down. you supposed that you were distracted during the fight.

but his expression revealed much more than his body language. he had deep eye bags, and his cheeks were sunken in a way that expressed not just natural bone structure but also a lack of eating and sleeping properly.

miguel looked drained.

you were still processing what he had told you, about the cannon and the ‘Spider-Society’ and the ‘Arachno-Humanoid Poly-Multiverse.’

you had actually openly scoffed at that one, and he looked dejected by your reaction.

“but i can’t just send you home now. i’m pretty sure jess would actually web me for all eternity if i did.” he was saying, rubbing his brow.

“so what exactly am i doing here, then?” you asked, curious but hesitant.

he turned his back to you, looking forlornly at his screens.

“i’m going to train you.”

“why?” came your response, surprised and uncertain. you may have only known miguel for less than an hour, but you could already tell that taking on a young apprentice wasn’t exactly in his character.

he didn’t turn to you. he just kept looking at a picture of a young girl on one of his screens.

“because you remind me of someone.” he said quietly. then he looked at you, and you were struck with the amount of guilt and suffering that lived in his eyes.

“and because you remind me of myself. and i can’t let you become like me.”

masterlists | part ii

[nightviator]

OK so hear me out. I'm going to tell you how I think they could make the subway scenes without making lila and Five a thing, and also having a really good character arc and making them show trauma signs. It's a bit long.

Like five would be as traumatised as he deserved to be from last apocalypse, having flashbacks and etc. Lila would see what he experienced to end up as the assassin he was and would think about her parents and the way she wanted to kill him because of her family but ended up being ungrateful for having one. And they could have great character arcs.

Lila and Five go to that subway. Five sees that thay lost the way to go back home and is really frustrated. Actually he is using that anger to hide the fact that he is scared. Traumatised. Because he has seen it all before.

He was there before. Lost, without power to help his family. He is scared. That time he had handler and there is now no thing such that. What if he has to wait another 45 years to go back to his family? Does he even has that mental capability? What if he dies before getting the chance?

He really is scared. Scared because all of the thoughts he had in that past apocalypse are coming back to him. But this time it really was his fault. He can't tell that he is a kid just saying no to his father (not that he could use it to convince himself before, the guilt was too much). He can't say he had no idea of what time travel can make. He had promised himself to never do such a stupid thing ever again and he did it. This time he abandoned his family when he knew they were in a bad state.

So he is scared and angry at himself and at lila and everything and ptsd and stuff and stuff and. Lila sees it. Lila can see what made the murder of her parents, the murder of her parents. She can see how traumatised he really was. And she wants to help. She was responsible in this because she wanted to be more than just a wife and mom and she kinda made him to come here.

But as the time passes five is in a way worse situation. He is loosing it. Also the one who wants to help him is the daughter of handler. Five is so paranoid. What if it was all a plan? What if he never really ran away from the first apocalypse and is still working for commission? What if this is mind games of handler? And if not, what says that Lila can't be another handler? The ones that find you when you're at your worst and try to act like they want to help.

So here we have paranoid Five and Lila who wants to help and understands how truly traumatised he is. She is also scared that Five may run away when she is sleep because he can't trust her now,and because of that she has to always keep an eye on him.

This makes him even more sure that something is up with Lila. And when they go to that very first apocalypse, he goes to his young self without paying attention to gun to make sure that its not all just memories made by handler and he is truly seeing this and the things he experienced after season 1 were real. He is gets shot and lila is the one who saves him.

She is like:"you fucking idiot!!! What are you doing?! You literally were the murder of my parents and now you're acting all crazy and are about to get both of us killed?!"

And he looks at her, yelling that he NEVER wanted those to happen, and just for the first time cries because he thinks all of the things he has done was because of handler but also thinks he is making those up to feel less guilty of being a murder for such a long time and also coming to this subway but at the same time he is paranoid and etc etc.

Lila sees how much guilt he had and also feels bad because does she really miss her family? If yes, why wasn't she more grateful this time? Why did she ran away from them then?

And she sighs, tries to stop nagging at such a situation and adds a mental note to make him go to therapy once they are out. If they are out. So he is all tired, and she goes to help him with that wound, and he just stares at her, disgusted and shocked and saying that don't you DARE to touch me.

Lila is so confused buy apparently this made Five really believe that Lila is just like handler and is trying to use him and make him feel like he needs her just to get closer to him. Is he going to let someone else touch him? Even go near him? Absolutely not. No. No way.

So he runs away, and she barely makes it to not miss the subway by using his powers. Five is there, bleeding but still refusing help. He is about to die, and then she won't be able to copy anything and will probably stuck here forever, and she is the one who made this happen. Such a selfish person she is, thinking about herself in this moment when five is DYING, she thinks.

And when they are both at the last level of disappointment, the subway finally stops in were they wanted. Home. Their home.

It's been such a long time, 7 years.

Lila jist picks Five, running out. Five survives and Lila has a emotional hug with Diego (who wanted to fix everything) and her children and they sob and they talk and they really fix problems.

And then one of the siblings makes a comment on Five, saying how stupidly he trapped himself in a thing related to time again as if he is addicted.

Lila is about to just rush and kill that person. She yells that none of them never really cared about how traumatised he was and she realises she was like that too.

Anyways, Five wakes up and siblings are ready for emotional support and things go back to normal or at least a bit good. And him and lila have such a iconic friendship.

Also Diego tries to be the good brother that he told that Five was. Because Five deserves good brother too.

Also, you want romance? Throw a scene when he finds Delores or human Delores there and wants her so badly but Lila has to stop him because they should go and Five just hates this because he thinks she is just using his love for his wife like handler. (Got the human Delores idea from another tumblr post that I can't find now.)

TADA!!!

BETTER PLOT!!!

....damn I wrote a LOT. I may make it a fanfic-

So... yeah. Love to know your thoughts too, because we are all so angry.

[daeneryspilled]

there’s genuinely no point in taking certain fans of That character seriously because they’ll be the first to purposefully misunderstand the story in order to uplift their own useless fav + any other female character with the slightest bit of autonomy is reduced to a girlboss caricature.

it’s basically the ‘masculine’ vs ‘feminine’ women trope and how all of these women suffer from the same system but some have fought their way towards having basic bodily sovereignty and others have assailed themselves within their circumstances, “you desire not to be free but to make a window in the wall of your prison,” and either perpetuate the abuse they deal with OR sit back and take it like a ‘good’ woman, hence the lack of culpability the stans of said character allow her to be responsible for. the mentality at play here is ‘she is a victim but she cannot possibly ALSO be a victimizer’ but both *can* be true at the same time.

rhaenyra is fighting to be the first ruling queen of westeros, a position that has been set in place before (aerea/rhaenys), but never come to fruition. her heirship has been contested since day one simply on account of her womanhood, not her political prowess or the dubious parentage of her first three sons. this is a fact, and the consequences surrounding her ascension have facilitated a civil war all in the name of the status quo. one side is attempting to honor the wishes of a deceased king, the other wants power, and uses the patriarchal standards already in place to further that goal. this leads to the death of rhaenyra, all but two of her biological children (to her only one survived), her former good mother, her husband, and the assured extinction of dragons.

rhaenyra is looked down upon by a certain portion of this fandom because the concept of protofeminism doesn’t exist to them. the idea that a woman being allowed to take a position of power during the medieval ages might lead to greater precedents involving women’s rights, which is exactly on par with westeros relying on the precedence of male preference primogeniture and the ruling made by the great council of 101ac. rhaenyra, obviously, didn’t make significant changes to women’s positions in westeros because she only ruled for a six month period in king’s landing and was beset by betrayal and treachery consistently during this period.

she was involved in a war that annihilated almost her entire family for the baby step progress of ‘daughters can inherit over sons,’ there was no time to help others when she was losing allies left and right to this very war. cases like the rosby and stokeworth situation are used to back up this take, dispite it being agreed upon rhaenyra verbatim chose to pass over them for fear of losing even more allies AND to protect the girls from being sold to violent misogynistic rapists as war prizes, not just because she believed herself to be the exception to the rule (corlys, in fact, is the one to state this). we also have no definitive proof showwise, either, that she truly believes in the system of men come before women -always- when the only thing said in regard to this is a throwaway line of jacaerys and baela’s sons inheriting the iron throne followed by her stating lucerys and rhaena’s children will inherit the driftwood throne, which is most likely a poor writing choice behind the scenes rather than any concrete proof to the latter.

brave baela, named after her grandsire baelon ‘the brave’ TARGARYEN, daughter of daemon TARGARYEN and laena velaryon, who had TARGARYEN ancestry, granddaughter of rhaenys TARGARYEN ‘the queen who never was,’ rider of the dragon moondancer, identifies completely with her targaryen ancestry and it is an integral part to understanding her character. she is of blood and fire, not salt and sea, and believes driftmark should pass accordingly to someone who corlys would value much more than her, the little girl he’s constantly overlooked on account of her gender.

baela is fighting to put rhaenyra on the throne and in turn jace and herself as the future king/queen. it’s not just for herself or for her stepmother, but for those who have now fallen as well. “i grieve my grandmother who loved me, but i carry her on with me. i will see rhaenyra ascend the iron throne, as rhaenys wished. as rhaenys HERSELF should have.” this cause is bigger than baela, bigger than rhaenyra herself, and baela knows this. yet somehow she’s ‘boring’ and ‘cringe’ in her dialogue or ‘nothing but a cheerleader,’ because she does not carry hatred in her heart for her kin over things they themselves cannot control.

what they have in common is their will, their wants, their ambitions; something that can’t be said for the other character because the writers want her to be a lead but don’t know what to do with her. she’s been relegated to nothing more than her hypocrisy, her self righteousness, her victimhood. she sleeps with a man whilst not married, she takes abortive teas against her religion, she abandons her children in their need for comfort, she’s spat on by the men around her and her own sons when seeking to place herself back into a familiar position of power. this isn’t the first time she’s experienced misogyny, but it is the first time she’s feeling the full ramifications of ridiculing and conspiring against the female claimant redirected at her, on account of the same reasons she took advantage of to propagate herself and her eldest son.

in the grand scheme of things rhaenyra and baela wouldn’t even typically be considered ‘masculine’ women, they’re just outspoken, assertive, and proactive; prone to not taking every bad thing that happens to them without at least some type of their own get back, and it doesn’t revolve around abusing other women to uplift themselves and the men they surround themselves with. which isn’t to say that the ‘feminine’ women’s strifes don’t matter, but to certain stans if they aren’t sitting back and being a pretty passive victim their struggles as a woman don’t count, for whatever reason.

[louisupdates]

Louis Tomlinson - does it ring with this name? As a singer of the British boy group One Direction, he was successful in the years 2010-2015. Together, the band decided to take a break. It has remained so to this day. In 2016, however, Louis began to take his own path. On his solo paths, the singer-songwriter has developed a style that takes up influences from British rock, alternative and indie pop. His music is often melodic, with catchy guitar riffs and a rather down-to-earth sound reminiscent of British bands of the 2000s. Already his first single Just Hold On sold 1.8 million copies. In 2020 and 2022, he released his two albums Walls and Faith In The Future. This was followed by two incredible world tours with over 170 concerts in 47 countries on 5 continents.

For this, an idea matured - a live album should be created, but a very special one. Thus, individual songs were recorded during the tour. On the 25th In April, the result was surprisingly published digitally. 14 songs have been released. Each of them was recorded in a different city. So the listener at home can also mentally go on a small trip around the world while enjoying the individual songs. Now the physical versions of the live album also followed, which make the concert feeling in the living room perfect. These include four more, exclusive tracks. In addition to the double CD, a double picture vinyl edition is available and it has it all!

The vinyl edition contains a special tour book. Fans were able to submit personal impressions about their concert experiences. And these are now included in this extra booklet. Louis decorated the recordings with individual hearts, smileys or crosses and handwritten the first names of the respective fans. This recorded, mutual appreciation is truly a magical highlight. The 28-page, regular booklet is no less lovingly designed. In addition to the lyrics, you will encounter the London set list, high-quality backstage photos and touching recordings made during the concerts.

Louis is happy about this release: "I have been lucky enough to tour the world twice in the last 3 years. The feeling I get when sharing these live moments will accompany me forever. The opportunity to record these songs anywhere in the world and release them as an album is something very special and a real tribute to the fans, who make every single show a unique and incredible experience. Thank you! Enjoy!"

Right at the opener The Greatest, you seem to be in the middle of the action with your eyes closed. In addition to the live sound, the fans can also be heard clearly. Louis invites them to tune in with him: "Sing it with me!" And they do! The spirited mood comes across clearly. In the meantime, the fans also get the space to sing alone. You get used to the choruses and the delighted shouts from the audience very quickly. In Bigger Than Me, the British singer gives space for personal growth and self-reflection. In the song, Louis describes how he deals with the changes in his life and realizes that life is bigger than himself. He talks about taking responsibility for his actions and decisions, especially with regard to his career and the people who support him. The song contains a powerful perspective on growing up and taking responsibility.

Holding On To Heartache puts the fans in great excitement. screams welcome the gentle song. This is about how difficult it is to let go of the pain after a breakup. It's about holding on to grief because it's connected with the memories of lost love, and it's not easy to finally finish with the past. The single We Made It is powerful. In the booklet, the single was translated into Filipino - after all, the recording comes from the concert in the Philippines. Although Louis sings the title in English, this hidden greeting is really adorable. By the way, this approach can be found several times in the booklet. For example, All This Time/She Is Beauty We Are World Class, the titles played in Munich, were also translated into German, for example.

High In California, for example, can only be found on the physical editions of the album. This lightness that the song contains is clearly noticeable. This is about escaping everyday life and getting lost in a state of freedom and lightheartedness. The lifestyle and atmosphere of California make you forget your worries and problems for a moment - just as is the case with Louis' concerts. Here you feel protected and can escape all negative thoughts.

Common People is about the appreciation of ordinary people and their experiences. The song deals with life in everyday life and how important it is to connect with the "ordinary" people and understand their perspectives. Challenges and struggles that many people experience should be taken seriously instead of romanticizing them. It is his tribute to the authenticity and reality of life. It therefore becomes gently rocking with All This Time/She Is Beauty We Are World Class. Here you rock with real fun from the sofa. The groovy guitars do the rest:

In Walls, delicate strings underline the song about emotional barriers and the struggle to show themselves vulnerable. Louis addresses the need to dismantle one's own walls in order to enable real connections with other people. It is an honest and personal song about vulnerability, love and the desire for closeness, despite the difficulties that can be associated with it. Louis calls on his fans: "Here we go! Scream" and together the fans sing with their idol: "But these high walls, they came up short. Now I stand taller than them all. These high walls never broke my soul. And I, I watched them all come fallin' down. I watched them all come fallin' down for you."

Out Of My System is then reached harder into the guitar strings. The drums are also picking up speed. With the fast track, the good mood is at a peak. This is about the internal conflicts and the difficulties of freeing yourself from the emotional burdens, while at the same time trying to find yourself and your identity. Overall, it is an energetic track about the process of leaving the past behind and starting over. In Paris, Louis is impressed by his crowd: "This looks fucking amazing!" With a warm voice, he performs Saturdays - a song that clearly reminds you of Oasis.

Silver Tongues is accompanied by a lively piano playing and you can really imagine how the euphoric fans on site shine with shere joy and rock them together again. "Krakow, you have been absolutety incredible tonight. Thank you, thank you, thank you! Sing this next one with me, here we go... as loud as you can!” And the crowd settles in: "You and me until the end. Wakin' up to start again. You and me until the end. Wakin' up to start again. There's nowhere else that I would rather be."

The record ends with Kill My Mind from Santiano. Louis sings of a roller coaster of emotions in a passionate, but also chaotic relationship. It's about the challenge of letting yourself be overwhelmed by the feelings and the inner struggle that arises when you are trapped in a relationship that is both exciting and stressful.

Louis Tomlinson and his crew have succeeded in a truly remarkable work. What is actually the advantage of a live album? You are not terribly sweaty, the way home is not imminent and you do not fall into the aftershow blues like a real gig afterwards, but can simply start all over again. 🙂

Louis Tomlinson's album Live was released on 23.08.2024 as a CD and vinyl via the label BMG.

Tracklist LOUIS TOMLINSON - Live (Vinyl Edition)

A

01. The Greatest - Live from London, 17.11.2023

02. Face The Music - Live from Nashville, 07/18/2023

03. Bigger Than Me - Live from Vancouver, 26.06.2023

04. Holding On To Heartache - Live from Barcelona, 06.10.2023

05. We Made It - Live from Manila, 16.07.2022

B

06. Chicago - Live from Chicago, 15.06.2023

07. High In California , Live from Amsterdam, 15.10.2023

08. Fearless, Live from Rio, 27.05.2022

09. Common People, Live from Sheffield, 10.11.2023

C

10. All This Time/She Is Beauty We Are World Class, Live from Munich, 22.10.2023

11. Walls, Live from Buenos Aires, 21.05.2022

12. Only The Brave, Live from Milan, 03.09.2022

13. Written All Over Your Face, Live from Budapest, 15.09.2023

D

14. Out Of My System, Live from Brisbane, 30.01.2024

15. Saturdays, Live from Paris, 14.10.2023

16. Silver Tongues, Live from Krakow, 10.09.2023

17. Kill My Mind, Live from Santiago, 15.05.2022

Tracklist LOUIS TOMLINSON - Live (2CD Edition)

Disk 1

01. The Greatest, Live from London, 17.11.2023

02. Face The Music - Live from Nashville, 07/18/2023

03. Bigger Than Me - Live from Vancouver, 26.06.2023

04. Holding On To Heartache - Live from Barcelona, 06.10.2023

05. We Made It - Live from Manila, 16.07.2022

06. Chicago - Live from Chicago, 15.06.2023

07. High In California , Live from Amsterdam, 15.10.2023

08. Fearless, Live from Rio, 27.05.2022

09. Common People, Live from Sheffield, 10.11.2023

Disk 2

01. All This Time/She Is Beauty We Are World Class, Live from Munich, 22.10.2023

02. Walls, Live from Buenos Aires, 21.05.2022

03. Written All Over Your Face, Live from Budapest, 15.09.2023

04. Out Of My System, Live from Brisbane, 30.01.2024

05. Saturdays, Live from Paris, 14.10.2023

06. Where Do Broken Hearts Go, Live from Tallinn, 05.09.2023

07. Silver Tongues, Live from Krakow, 10.09.2023

[monsterblogging]

I think it's very interesting to compare and contrast Final Fantasy VI and Final Fantasy VII. These two installments have so much in common, storywise and thematically. (As I understand it, this might have something to do with FF7's production being pretty rushed.)

In the past these similarities kind of annoyed me - but now I think it's interesting to see how these two stories play these ideas out.

I know there's been some amount of debate over whether FF6's Kefka or FF7's Sephiroth is the "better" villain, and honestly? We should not be pitting these bad boys against each other. Each character embodies a different yet realistic response to the same type of traumatic origin.

Both of these characters are the result of an evil empire's attempt to create the perfect soldier. Both were infused with the essence of other beings to give them great power. In being engineered and groomed to be the perfect weapons, both were dehumanized and denied healthy and loving family relationships. And both of them are depressed as hell.

Kefka's ultimate reaction to this is utter nihilism. He has no vision of a better future, but instead lives for whatever cheap thrills his power can give him. But these acts of violence don't fix his depression, and so he seeks more and more power and ultimately escalates to trying to destroy the world.

I've seen people saying that Kefka isn't a tragic villain, but he 100% is. He didn't have any say in what Emperor Gestahl did to him as a child. He was literally just a little kid. Unfortunately, he ultimately makes himself such a massive problem that there is no choice but to take him down. (The characters actually do try to tell him that his nihilistic worldview is wrong, but he won't hear it. He's just too far gone.)

Sephiroth, on the other hand, is actually seeking a better future. He very much wants to live in a better world than the one created by the capitalist empire that created him. But he's effectively a reactionary who (like all reactionaries) fundamentally misunderstands the problem and disregards a lot of very important nuance. Sephiroth concludes that a better world is only possible if he destroys all of humanity, which he's concluded they collectively deserve for harming the being he believes is his mother.

Each character tries to address their problems in different ways, but both end up repeating the cruelty of the institutions that produced them because they're ultimately just doing what they know. As they become gods (not false gods, not godlike, but actual gods), they come to fully embody the essence of the empires that created them. Each one has different mentalities and motives, but together they show us a very simple truth: that the only endgame of boundless greed and powerlust is the annihilation of everyone.

[randomingoftherandomness]

Hello!

I absolutely adore both your MJTY fics, as well as your new Fangs of Fortune ones! I saw that you opened your asks, so I thought I might throw my idea into the mix 👀

In some nebulous timeline, wherein Yichen does in fact become a demon, writing a fic centered around that transition process and how Zhu Yan guides him through the aspects (physiological and mental) of being a demon. Most importantly, coping with the physical challenges of growing wings + plus the ensuing wing grooming (I am a sucker for intricate rituals ✨)

Anyway, I don’t know if you’d be interested in this prompt, but I thought I’d check anyway!

♥️

A/N: Hullo lovely! Sorry for the late response to this prompt... I hope you'll enjoy my kinda short take on it :) I zeroed in on one aspect of your prompt. It's been a long time since I wrote a wing fic.

A little bit of a reading guide, this was the wing anatomy descriptor I was working with.

--

Xiao Zhuo-daren hums when Zhu Yan begins smoothing down his feathers, tilting his head to the sunshine. There's something ridiculously fond in the way his trust is laid so easily at the great demon's hands. Really, he should be more careful.

Zhu Yan works carefully and slowly. Savouring the way Xiao Zhuo-daren is seemingly content to let him be. It has been a while, much too long in Zhu Yan's opinion, since they'd had time to sit down and groom each other, but they're both guardians of the Wilderness now. There are duties to do, demons to wrangle, and in Xiao Zhuo's case, justice to uphold.

He's not complaining. How could he? Zhu Yan's just very pleased that he isn't alone anymore.

And so, he takes his time. Smooth his thumb over the down of a feather out of place and move his touch higher until he is pressing down on the deltoid, pulling a soft gasp out of Xiao Zhuo.

"When did you catch this injury?" Zhu Yan gently unfolds his healing power, pouring it through to knit back the strained muscle and sinew. He keeps his voice levelled, but he knows Xiao Zhuo isn't fooled one bit.

His Xiao Zhuo-daren is sharp like that.

"Mm. Just a little thing. My mistake really, I misjudged the angle of my landing."

Don't go on a killing spree, you old fool is left unspoken but Zhu Yan hears it loud and clear nonetheless. Pouting a little at being denied bloodshed, he continues until he rubs his thumb against the little spot at the base of Xiao Zhuo's wing, smiling big and wide when the touch elicits the most indecent moan as the body under his hands quivers and shakes.

"Bastard.... You could have left that for our bedroom."

Reaching over, he carefully gathers Xiao Zhuo into his embrace, plying his face with a thicket of kisses. "Yes, but I have missed you and I would like to spoil my consort."

The eye roll he receives is expected, but the true delight is in the way Xiao Zhuo-daren smiles shyly at the tail end of it.

"Come on, your turn." Zhu Yan preens a little, excitedly pulling back to take his place in front of Xiao Zhuo for his own grooming.

[lady-shadow-and-darkness]

Why not leave?

I find it interesting how almost all the higher ups in the mafia don't really wish to be there, but despite having more than enough power and resources to leave, they don't.

Kouyou has been an executive since 15 (at least), and throughout those seven years I find it impossible to believe that she never thought about leaving. In fact, this is even addressed in this manga by Mori himself, to which she just responds with something lighthearted. Her earlier escape attempt was a fail, yes, but surely she understands that things are much different this time?

It is not her capability which is preventing her, but rather her mindset. And while this also ties into her responsibility, it is also important to note that she may very well believe that she can never truly be rid of the mafia and its teachings. It took an immense amount of reassurance for her to trust Kyouka in the hands of the agency, and even then, very reluctantly.

To Kouyou, I don't think that's a demonstration to her that she can leave, but rather a reminder of what she couldn't achieve in the past. And now, she most likely thinks that the mafia's influence on her is too deep to be shed off. She says as much herself to Kyouka, who has barely been in the mafia for 2 years at that point. Imagine what she thinks of herself. I do think that her duty to the mafia also makes her stay, she acknowledges that she's an important piece in their operations and jokes that it would fall apart without her. She has accepted her role in the mafia, and knows thinks it's too late to get out.

Mori, the leader himself, despite being...well, the leader, simply views his role in the mafia as necessary. He doesn't want to be the PM boss, his life in BEAST is clearly indicative of what he actually wants (you can't tell me an 'inherently evil person' ends up taking care of an orphanage in some universe), but he knows that he is the person best equipped to handle this role. His strategy of the "optimal solution", speaks to his neutrality and general capability of remaining apathetic towards necessary events which would most likely break someone else emotionally and mentally.

This isn't to say that he doesn't have any emotions, the man has a lot of them, it's just that he's incredibly adept at putting them aside and dealing with a situation completely unbiased. Fukuzawa acknowledges in canon that despite their great differences, a common motive that they share is the well-being of their city. In fact, Mori's making a HUGE sacrifice in his life just to maintain the workings of Yokohama. That's something you have to respect.

Chuuya is more of a complicated case. A lot of people in the fandom seem to disagree over whether he wants to stay or leave, but the answer is a bit more complex than the black and white ones we've been looking at. I'll be addressing this separately later, but for now, about Chuuya : I personally think that it is both, and he has conflicting feelings on this situation.

To start with, unlike Kouyou, we actually know when Chuuya came to be affiliated with the mafia. And that in itself isn't the most ideal set of circumstances, he had just been betrayed by his friends (who essentially raised him) because of a situation clearly orchestrated by the mafia (specifically Dazai, the one person he was coming to trust and resonate with), and more or less forced to be a new recruit. From stormbringer, we know that Chuuya's incentive for not leaving came from his need to protect his friends (who had already betrayed and backstabbed him at this point) from the mafia.

Any sane person would assume that Chuuya absolutely abhors the mafia at this point, but this isn't the case. Despite having his friends' lives hung over his head, he was still able to respect Mori and what he was working for (especially since he considered his own period of 'leadership' to be a failure). He was still able to care about the lives of his comrades and underlings who were also a part of the mafia (depicted in the dragon head incident). And he was still able to remain loyal to the mafia despite the several hardships and burns he faced for it.

Aside from his respect (and possible admiration) for Mori and the mafia itself, Chuuya's a person who's really attached to his relationships with people. He doesn't just respect the mafia, he also views it as his family. He has formed bonds with Kouyou, Mori, Dazai (shhh I don't want to hear anything), Akutagawa, Hirotsu...and even Gin, Tachihara and Higuchi. I mean, is there any known character in the mafia who this man doesn't know? He probably even knew Kyouka before she left. The only exception to this is Kyuusaku, and even that is because of his attachment to people (he's mad because Q, directly or indirectly, caused the death of his subordinates). He talks about burying his subordinates personally and contacting their families, if that isn't care, I don't know what is.

I think his arc with the mafia supporting him unanimously in stormbringer helped strengthen his attachment to it, which is why we've got the epilogue of him seeing his biological parents and declaring that the mafia is his true family in that LN. It's safe to say that he appreciates what he has right now a lot. But does that really mean he doesn't want to leave? In the very same light novel, it is ALSO implied that Chuuya longs for a life outside of the mafia. Hell, we literally have a character who was dedicated to bringing him to the light. And now, there is no risk associated with it either. But he chooses to stay. Or maybe the choice was never his.

With all of that said, I think it's incredible how BSD manages to portray what it's like for someone to lead a life of crime in the dark somewhat realistically in terms of feelings. It isn't some "badass mafia person" aesthetic (even though some people interpret it that way), it actually depicts the complexities that come with being associated with a criminal organisation in a fictional setting (to the best of its ability). Literally nobody in the mafia wants to be there, they just have to be. Sure, it offers them resources and opportunities which is why they choose to stay, but as an ability user, if they don't have the choice of living a normal life with the opportunities offered to an average person, do they really have a choice about being in the mafia at all?