#god death is so wonderful

[palarien]

sketched this out at jury duty actually

[mayasaura]

Hey, anyone else think it's super duper suspicious that the Reverend Parents kicked off their abominable baby scheme pretty much simultaneously to Gideon Nav, key to the Tomb, landing on the Ninth? Gideon's more than a year but less than two years older than Harrow. So give it nine months gestation, a few months for prep and planning, and Gideon's arrival lands at exactly the place on the timeline you'd look for an inciting event to the creche massacre

And like, the Revs didn't seem shocked when they heard Harrow had opened the Tomb. They listened solemnly to Gideon spill the beans and then quietly shuffled themselves off the mortal coil, intending to take their pint sized single-serving generation with them. As far as we know they never pressured Harrow to continue the Ninth, either. They checked to make sure she was a powerful necromancer, and that was it. It's almost like they'd been waiting for this.

It's just a hell of a lot of coincidences piling up. Makes me wonder what they knew, who they'd been talking to. How much didn't they tell Harrow?

[odetojupiter]

i see you saying that it’s heartbreaking that wymack set up the foxes to help people with trauma but couldn’t help his own son and i raise you: wymack saved kevin before kevin left the nest, without even knowing. kevin never would have left the nest if he didn’t have somewhere to go, and wymack - with the media attention he garnered with the foxes - became such a trustworthy figure in kevin’s mind that he didn’t doubt for a second that wymack would take him in and keep him as safe as he could. wymack did help kevin, before they had even met each other, by being such a strong beacon of hope that kevin was drawn to him despite the fact that he was raised and abused in a cult and probably found trusting anyone difficult, let alone someone he hadn’t met.

something else to consider: the foxes are still a newish team (if i remember correctly seth’s year is their first year, dan is their second, meaning neil is their fifth), and jean tells neil that kevin only found out wymack was his dad a few years ago when neil is in the nest. this means that kevin will have been aware of who wymack was - outside of wymack having played the sport prior to coaching - and would have seen the type of person he was before he knew they were related. he’d have witnessed from after wymack fighting tooth and nail to support his foxes despite all the mess, the tragedies, would have seen him staying firm in his belief in second chances BEFORE he found out wymack was his dad.

think - kevin saying to jean imagine having that. jean would say it’s a publicity stunt, it’s not real, those types of people don’t exist and kevin would agree and say they’re a shit team anyway, but something about wymack always rang true to him. maybe after that conversation he didn’t bring it up - other than to say i think my mother would’ve liked dan wilds when it’s announced she’s the new captain. but he still sees wymack’s actions in his periphery, and it’s enough to build up a picture of him as someone who is real. and then he finds out it’s his dad

imagine how that would have been for kevin - going from living in a cult, cut off from any family he may have had after kayleigh’s death to suddenly being told he has a dad, and that dad is the type of person who would have risked himself if he knew what was happening to kevin.

[shirecorn]

Tumblr keeps popping up to sell me ad free dashboard. But what it doesn't understand is that me and the ads have a sort of symbiosis at this point.

The guys from the fake gameplay trailers for a predatory mobile app are my blorbos

[asha-mage]

I have largely said nothing about Veilguard because I am not, by nature, a hater and if I have nothing good to say I try to avoid saying anything. And also because watching a beloved franchise (and a huge ground breaker for LGBT rep for me personally and games in general) utterly crater brings me nothing but heartache.

But with the news I feel like this at least needs to be said: this is not the fault of BG3, or "woke", or whatever other excuse annoying chuds want to trot out. To a limited extent it's not even really the fault of the industry- at least no more so than usual. Bioware has been on this trajectory since Inquisition. They had ten years to turn things around and they didn't. Instead they chased trends and fairytales and the pot of gold at the end of the rainbow called "live service" and never considered they might just need to stick to what worked and tell a good story.

All the while they were shedding more talent and more passion until we ended up with Veilguard. The fulfillment of the promise of Inquisition: a cynical triple a cash grab meant to appeal to everyone and so appealing to no one. A game that ignores the most interesting rich parts of it's setting to serve up a calorie free action RPG that manages to say absolutely nothing about the ideas at the heart of the Dragon Age series.

No one deserves to lose their job and layoffs are an unethical bloodletting to please investors, but things didn't have to go this way. The rails had come off with Inquisition but it wasn't too late to prevent a crash.

Instead they barreled full steam ahead. And we ended up here.

[creatively-cosmic]

in loving memory

or: what did @pkmn-monochrome mean by this

[triumviiirate]

i spend a lot of time thinking about the empty space between jim and bones at spock's funeral

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[mcytegg]

planetlord so squishy theyve had mane give them 2 hearts 😭

[kacievvbbbb]

God what even do I do with this chapter 😭 but here are some of my thoughts.

SPOILERS FOR CH. 268

- what the fuck

-“Maybe it’s time to try living for someone else” okay the itafushi shippers really won with that one, I can’t lie. But at the same time it feels like Megumi’s always been living his life for someone else specifically Tsumiki. so it kind of feels like the stronger message would have been to decide to live for himself? Kind of how yuuji’s journey went from finding this greater purpose to live and fight to simply just living is okay as well. But that’s just me. Im interested in hearing other people’s take on the situation

- this is from last chapter but I so really like the parallel of yuuji in this fight for his life with Sukuna and Mahito and being so weighed down by everything that he has lost and everything he is still trying to save and then Kugasaki hits that resonance and Yuuji sees that he’s not alone and god something about it always being Nobara and her insanity breaking him from that sorrow and giving him that last push to fight like he's not alone.

- also I do think seeing Nobara’s resonance after having to be the one to break it to itadori that she wasn’t recovering, really solidified that there where things still worth living for.

- I don’t know something about Sukuna finally after all these chapters acknowledging itadori by finally saying his name is so very Sukuna off him. It’s like the inverse of him going into Jogo’s flashing life and telling him he’s strong. This time he’s the one dying and he’s finally acknowledging the boy that killed him. Say what you want about Sukuna but he ain’t no sore fucking loser.

- God how fucking Yuuji Itadori of the whole thing to after everything all the terror and the torture and the pain to still offer Sukuna a chance to live and live better. A chance to not be a slave to his nature to this curse in their blood. God Yuuji what do I even do with you.

- okay so not even a fucking frame of the Hakari/Uraume showdown. Really 😭😭. It looked like things were happening too. With that final parting it looked like they’d reached some kind of understanding and not even a fucking frame. Gege the way your mind works.

- really not even one punch? Not even one gambling shot. I’d have payed good fucking money to see Hakari explaining how a pachinko machine works to a 1000 year old curse servant.

- the little “you’re just lucky is the best compliment for a guy like me” and the “yeah I guess it is” was a great exchange tho. Which is is why I wonder. Really not one fucking frame😭. I wonder if mappa will just ignore this and give them a fight scene anyway like they elongated the Sukuna vs Mahagora fight.

- and now finally, some good fucking food.

- Gojo’s little I killed your daddy note is so funny. What the fuck is wrong with him

- again. What the fuck.

- Nobara being as rude as fucking always god I love her. She is taking no prisoners. Fuck you mean you aren’t weeping at her feet at her return.

-Them trying to do the whole box suprise for Megumi and him catching them in the act is so stupid I actually can’t 😭. They really only have one braincell

- Nobara not giving a single fuck about her mom like what. Also what did she mean by “Special grade authority”

- crazy that they all got face scars now. They’re a matching set.

- I wonder what Yuuji’s talk with gojo was. I wonder what parental figure gojo exposed for him.

- I dunno this chapter making me feel like he might come back. Gojo Satoru just might make a come back.

- I’m glad that atleast after everything it’s gunna end with the three of them. Maybe a little damaged and worse for wear but together and that counts for something.

-lastly…..what the fuck m.

[dragonfly1302]

Oh, okay. Okay, cool cool cool. So Newt is the first one revealed to be not immune and Thomas has a full on panic attack and almost faints after realizing he loves him how much Newt actually means to him. Okay okay okay. Like, Newt not being immune was kind of an unacceptable thought that never crossed his mind, so Thomas never even considered that he might not actually make it with the rest of them. Okay. Cool cool cool cool

[pissbaby-jones]

reading alan alda’s autobiography and having to get up and exercise to fight off the urge to cry

[isca-rambles]

from jennadewan on tiktok 🙏 oh we are definitely getting some kind of big party. Valentine's Gala? Henry's wedding? Wopez wedding redo/vow renewal?

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!

[theunconcernedembalmer]

I just so happened to have this shitty comic drawn because I'm currently insane over these two specifically

featuring my other bastard @the-bloodline-embrace