#We still tell their stories and remember their names

[samw1se]

I was born blind in my left eye. It never got fixed. Many of these points are true in my experience, except I still have an eyeball. Here are some additional fun facts from my realm of experience:

-my elementary school knew I was blind in one eye but did not tell my parents. I started to get a little farsighted in the 4th grade so I went to get readers and the eye doctor told me, a nine year old girl, that my life was forever fucked and I’d never be fully independent, never drive, never go to college, because I was disabled and it was too late to fix it. We got a second opinion. And then a third.

- (you can try to fix my kind of blindness up until about the age of five because the brain is still really elastic and capable of fixing the broken shit. They fix it by putting a patch over your good eye to force your bad eye to see. They tried it when I was nine but it was too late, so I essentially spent a year having my life ruined by being suddenly completely blind all the time and it sucked ass.)

- you make a great marksman and baseball batter once you figure out how your lack of depth perception works. Not a great outfielder though.

- things sometimes just kind of vanish on you. I got a massive concussion as a kid from running into a pole head on. The pole had been there as long as I could remember. I interacted with the pole every day. But one day I was running and the last thing I remember is thinking, hey, where did the pole go? Like the equipment holding it up was still there but the pole just seemed gone. This also happened several times to me when trying to catch pop flies or headbutt soccer balls. They’d just go away.

- people will indeed forget all the time and throw shit at you from the blind side and hit you in the head, or hug you and scare the shit out of you. A boy asked me out once after he hit me with a frisbee on my blind side.

- and then some people will always think of you when they encounter one eyed things. When I was an RA in college, some of my residents were so very pleased to bring me a one-eyed goldfish they’d found in the feeder tank at the pet store 😩 we named him one eyed Willy and he lived for like five years and survived two cross country trips in a car (in a Nalgene bottle both ways)

- I don’t have a traditional lazy eye (my eyeball can see but there is no connection between it and my brain so the message goes unrecieved) so I don’t really have much of a wandering eye, unlike other folks with amblyopia. I can also only cross my good eye, I cannot wink with my good eye without moving my entire face (and I had to learn how to do this by pushing my cheek and forehead muscles together with my hands until I could do it on my own so I look very stupid) and my good eye also tends to have trouble when looking at blue light for too long since it gets all the strain.

-additionally, the only times my eye seems to look lazy is in the occasional picture. I call it my googly eye.

- re writing advice: I took a writing class in college where we spent a lot of time journaling about our own bodies and then writing stories with what we had learned… my wonderful teacher guessed that I was blind in my left eye because of how I described things. I never used left or right when talking about objects being around characters’ bodies, only front and back. She fucked me up with that one.

- I get a lot of bruises on my left arm because I struggle with depth perception when walking around corners/doors on that side

- they gave me glasses as a kid to try to fix it after patching didn’t work (leading to the discovery that I don’t have a traditional lazy eye) and the left side was the biggest and thickest fucking lens you’ve ever seen and the right side was just normal glass no rx. It made the glasses sit crooked on my face so I stopped wearing them.

- they test you for amblyopia during your drivers license test and I cheated both times I’ve had to go take it 🙃 they put a ball on one lens and a box on the other and they ask if the ball is inside or outside the box and I didn’t see no goddamn ball but the man next to me said it was inside so I did too.

- if I hadn’t cheated, I could still get a license, just with a special note on it, which i didn’t know both times I cheated.

- and yes, cannot agree more with being a safe ass driver. People get frustrated because I follow so far behind other cars and give people so much room all the time but I have a clean ass driving record.

- following that, I have a hard time sitting in the front seat when someone else is driving, especially if they are tailgaters because I feel like I am always about to crash. My husband, a notorious tailgater, says I have an invisible break I hit whenever he’s too close to someone.

- my parents made me go to a chiropractor as a kid to see if the reasoning for my blindness was a pinched nerve. It did not work.

- a redditor once told me he would end himself if he were ‘as cursed as’ me because the idea of being blind in one eye was so insanely distasteful to him. I tried explaining to him that it’s literally the only life I’ve ever known and he kept trying to tell me it was disgusting and unnatural and I lived a hideous life. I was like, dude. Go to therapy.

- if you are blind in one eye but still have an eyeball, you have one fun fact for Two Truths and a Lie always directly on hand and no one will ever guess that’s a truth.

- I am especially clumsy, and sometimes when I get up to do something and start knocking shit down, my husband plays the Godzilla theme song in his phone and it always makes me die laughing.

- when my parents found out, they demanded to know why I didn’t tell them, and I had to explain to them that it was literally all I’ve ever known, how did I know it was wrong? I thought everyone could only see one side of their nose.

Sorry this got long. I can’t sleep lol.

writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.

[prettycottonmouthlamia]

I harp a lot on how I don't think the current episodic release structure for Arknights does it many favors in how it wants to tell its stories, and how it's story manifests for us, but there are some benefits to this type of long form structure, and it's moments that get better with hindsight. It's not impossible to do this in a more contained medium, as this is often a staple of the mystery genre of literature and film, but it is uncommonly employed in video games to great effect, with their contained stories often being played much more straight.

One of the benefits of releasing longer-form content is the ability to both make callbacks and to give additional details that change the meaning in earlier scenes. The most famous in Arknights, at least for me, is the scene in Wei's office in Chapter 2.

In it's original context, this is Wei Yenwu being aloof to the threat of Reunion, not even bothering to properly remember their leader's name. Once you learn though that Talulah is not just Reunion's leader but Wei Yenwu's niece, and suddenly the scene has new context. This is the scene I point to when I want to talk about how much of a slimeball Wei Yenwu is at this point in the story. This isn't him being aloof, this is Wei deliberately holding back information in order to manipulate for himself a better position. By not revealing his stakes, he wants to hold more power at the negotiation tables with Rhodes Island for Lungmen.

Of course he knows the name of the leader of Reunion, how could he not? How could he not remember letting Kaschey go and take her away, prioritizing Lungmen over the safety of his dead brother's daughter? But he's not going to show that to Rhodes Island, a bunch of strangers he intends to use in poor faith.

Now let's talk about a conversation in Chapter 10 you likely haven't thought about in quite some time!

That's right! We're here to talk about Nezzsalem's confrontation with Kal'tsit when she docks with Londinium. This is a really interesting scene that primarily serves initially to offer even more mystique to Kal'tsit and Theresa's assassination. After all, Kal'tsit and Nezzsalem knew each other, they even fought together at least once. The King of the Nachzehrer! He was there when Theresa was assassinated, and here he is now, inquiring about the death of the last pure Wendigo. None of this seems out of the question, but with some more time, it's possible to find this scene strange.

How did he know? Sure, the Nachzehrer thrives off of life and death, but they're more focused on war. The passing of lives to the Myriad Souls is the concern of the Banshees, not the Nachzehrer. Patriot is also not a Sarkaz hero, at least not directly, since he was a Patriot for Ursus, not Kazdel, and he was a supporter of Theresa at that. Given everything we know now, it's pretty unlikely that Patriot would have followed Theresis to Londinium. But it's still not completely out of the question. Babel reveals that the Military Council in its fledgling state knew about where he was.

This is a pretty small aside after Nezzsalem defeats Logos, but it managed to hit me like a brick, because the first thing I remembered was Nezzsalem confronting Kal'tsit about the death of Patriot. Patriot was not just a Wendigo to Nezzsalem, he was something of a son to him. Sure, he might not have been Nezzsalem's only student, but the Nachzehrer are not shown to be a particularly sentimental bunch pretty much ever, so the Sudaram going "Yeah. Your kid" is impactful here. Nezzsalem stands, having beaten Laqueramaline's son in combat, after Aefanyl had proven himself worthy of respect, as an old man thinking about his own son.

This reframes the conversation in Chapter 10. Nezzsalem knows Kal'tsit, it's implied he's known her for a very long time, and it's likely he's seen the different lives of Kal'tsit and likely knew of her involvement in the invasion of Kazdel a couple hundred years ago. So it's now also got that added element of the King of the Nachzehrer coming up to the landship and shaking Kal'tsit by the shoulders going "WHAT DID YOU DO". It provides new context for his anger. Kal'tsit was directly involved in the death of his foster son, just as she was directly involved previously in the destruction of Kazdel and one of the figures behind Babel.

It also adds some depth to Nezzsalem's acceptance. He died a warrior, maybe against one of the most fitting opponents upon all of Terra, and knowing that Patriot chose Kal'tsit quells that anger.

It's all neat. There's more that can be extrapolated from this, such as this providing something of an explanation for Patriot's military ability and potentially even his witchcraft, but those aren't as important or interesting to me. Chapter 14 is a story in a number of ways about the burden and threads of individuals who have lived an immensely long period of time, individuals who have found immortality in one way or another, and the ways that these lives ultimately intersect and weave with one another, and Patriot is another one of those patterns weaved through time.

[sarahreesbrennan]

I remember reading in one of your blog entries (years ago??) that in the new book you were writing, the main character's *sister* had cancer. Does that mean that Alice was originally the main character of Long Live Evil? Was she going to go into the book to save Rae, instead of Rae going in to save herself?

How extremely kind of you to remember!

No, that was actually a YA murder mystery that I wrote while ill, revised while recovering, and sent out into the world where it died on submission. (Which means we sent it out to about 12 editors and the editor either said no, or said yes and took it to acquisitions - a group of people at the publisher including sales and marketing - and acquisitions said no.)

One editor told me she really wanted and really tried to buy it. Another person who worked in publishing (and has since changed jobs, or I wouldn’t share this) said the response at her acquisitions was - if you like this writer, find the next her (implications about health and youth were made).

I was terrified my agent was going to ditch me too, but she said ‘We’ll sell that one day, for now let’s write the next thing.’

I remember another writer telling me she missed my work that wasn’t a tie-in, and I felt ashamed to tell her it wasn’t that I wasn’t writing other things - it was that I couldn’t publish them.

The tie-ins meanwhile were paying the bills (they still are tbh!) and I was and remain so grateful for them. But I also really loved writing them - especially my Sabrina tie-ins, you don’t forget the first, and it reminded me I want to write horror and poly one day - and how they got me to love and sympathise with so many fandoms.

I see the burnout of caregivers all around me, and I wanted to write the story of one. But maybe I also wanted to take a step back from cancer. I didn’t think I did, at the time. I had a whole lot of things I tried writing before Long Live Evil, and I think some of them were really good. One of my critique partners gave me a lipstick with the same name as someone in the murder mystery. There was a romance novel another critique partner said was her favourite thing I’d ever written. But none had someone with cancer at the heart of the story.

And even though Rae isn’t much like me, maybe I had to start there. You can’t make real magic using someone else’s liver. Maybe I had to wait to be brave enough to use my own liver.

I do get requests for advice on how to cope with rejection of your writing, and I always worried I didn’t have anything else to say, but I suppose my example says - if you can, (and I know it’s hard, you feel so terrible at writing and so useless) (and you love the work you’ve done so much and you don’t see a way forward to loving the next thing) (but still, if you possibly can) write the next thing.

Even if the first thing sells, you’ll want the next thing one day. Writing the next thing is more writing practise, so it’ll make you better. Write the next thing.

Ultimately I’m really glad Long Live Evil was my comeback book. I think it needed to be. It took the time it took.

But maybe it was a shade of that past book (where the heroine’s sister with cancer was six, so not much like any of the Time of Iron characters) that made me think of the YA version of this book, which I always had in my mind as something I was intentionally hewing away from - a more straightforward book, a book that might have sold better - in which shy reader Alice was the hero. She’s the one with the suggestive hero name - Alice through the looking glass - the heroine looks, and the more projectable-upon personality. She’d get called annoying less often (though still some, because she’s a girl), partly because she is (with love, Rae knows I’m right) a genuinely less annoying person. Much kinder, much sweeter, and much better at in-depth reading! Her sister being in trouble would’ve been a backstory, a catalyst point, and - you’re totally right - a great motivation for her to get the Flower. Saving a family member is a much more sympathetic and heroic motivation than saving yourself and one I do love (the Hunger Games, Labyrinth, Mahy’s the Changeover, and I write it a lot!). I think Snarky While Tragically Dying Rae would’ve been a pretty popular side character, too. I think it would’ve been a good book! Just not mine.

I love your question because I love thinking about POV, and all the decisions that are the building blocks of a story. To me, the Alice centric Time of Iron is a version that exists. As are several versions of the Lia centric Time of Iron. And versions centring other characters exist to me, too. (Eric, absolutely.)

Speaking of POV musing, I think Rahela the wicked stepsister featured more in the musical than the book. If the Time of Iron series ever became a TV show (and at this point in time I think I’d rather a movie because it wouldn’t… get cancelled…) and I got to write it (don’t know why I would…) I would start with the beginnings for three characters about to go on a journey to somewhere strange to them: Key in the Cauldron, Rae in the hospital, and Vasilisa in the icelands. There are so many possibilities! And I really wanted the sense that there were so many possibilities, too.

But I wanted the chronically ill one to be the centre of the story, and for it to be her villain origin story, and to ask a lot of questions (hence a lot of villains!) about who gets villainised and why. And I thought hers, to my mind, would be the most fun of all the possible stories.

So that’s the one I made. But Long Live Evil has a lot of origins. Thank you for remembering one of them! I don’t think I would’ve dared tell the story, if things hadn’t worked out for me (so far, fingers crossed).

And I also tell it to be clear my publisher was taking a RISK with me and Long Live Evil, and I really appreciate that, and I’m so happy it’s worked out for them (again so far, early days, fingers crossed, etc).

I hope some writers - whether in the process of submission, rejection or making the choices that are the building blocks of story - find this helpful, and some readers find it interesting.

Let this be one of the universes in which your story is told.

[jikooklove9795]

Was going through ur last post it was amazing. I am curious though! What was *that* moment of realization to u?

To be honest I am in this jikook shit for years now and feel very refreshed and happy when I see more and more people share and celebrate their relationship

Lots of love❤️❤️

Hi Sweetheart! Thanks so much for your kind words.

The first ever video I watched of BTS was their Dynamite MV. In 2020. I loved it! Everything. The beats, the choreography, their outfits, their voices, their sync. Everything! I started watching everything related to Dynamite. And that's how I stumbled upon the behinds of their MV. I loved how loud and fun the members were. How enthusiastic they seemed about their job.

By this time I was able to tell which members were which. It took me almost a week 😅 It was my first time watching anything Korean. So, I kept getting confused about who was who. However, Namjoon was easy to spot. Maybe it was his blue hair at that time. But by the end of a week I could comfortably identify all of them and got their names correct too.

While I was watching a behinds video of Dynamite I chanced upon this video here. And what struck me was the way Jungkook kept staring at Jimin. He was so into the staring that I doubt he heard anything what was being said until Taehyung had to tap him to get his attention. Not only that but I also noticed that Jimin felt Jungkook's stares on him and was trying not to look at him directly but still looked like he enjoyed the attention.

I got intrigued by what I saw and tried to dig into it to see if it was just a one time thing or if there was more to it. I watched a few Jikook videos on YT. And sure there seemed to be something but I realized all the members are touchy feely and super close with each other. But still the way Jungkook kept looking at Jimin in the above video was something else. It cannot be explained away with normal skin ship, affection or friendship. So, I decided to watch original content cause then I can get the proper context instead of compilation videos.

I saw all the big, loud Jikook moments: RB, GCFT, GCFS, MMA 2018. But what made me realize that Jikook are different, that they're a couple was when I started watching og content in chronological order. Starting from the pre debut days. I could see their story slowly unfolding.

Them being best friends and being find of each other. Jungkook going up to seek Jimin's advice regarding him wanting to pursue a career in dance. We need to remember that Jimin was the last member to get in the team and Jikook knew each other for just 6 months at this time. But Jungkook still felt comfortable going upto Jimin for that talk and nobody else.

Both of them having a soft spot for each other. Jimin being loud and open about his fondness for Jungkook. But for me the more telling was Jungkook's behavior. Jungkook's constant teasing of Jimin (this is something I have seen a lot of teens do when they have a crush, want to get the other's attention but still not ready to admit that there is a romantic interest). Seeking him out, wanting to be next to him, wanting his affection and attention. All of it.

I could see the realization of feelings, the acting on it. By this time in almost every video, let it be backstage or even award shows Jikook were glued at the hip. They were constantly together all the time by their voluntary choice. Jungkook started openly enjoying Jimin's affection, he became more daring and outgoing in seeking out Jimin. He started enjoying his effect on Jimin. And was always coming up with ways to get more of that reaction out of Jimin.

There were grand gestures, most of it from Jungkook. Sometimes it's impulsive but most of the times its because he wants to show Jimin openly how much he's in love and cares for Jimin. He wanted everyone including us, fans to know that he sees and treats Jimin differently.

There's the living together theories (if I'm being honest its not a theory to me cause there's so much evidence pointing to it). Since we are talking about living together how can we not talk about sharing rooms in hotels. They're the only ones doing it. None of the other members are sharing rooms unless its decided by games that they have to share. The others are more than happy to have their own space.

By 2020 they gave an established, secure in their relationship vibes.

So, yeah for me it was all the og content when watched in that order which cemented my belief that they're a couple. A long term one at that. Who cherish what they found unexpectedly when they came to Seoul for their careers.

Once again thank you so much for sending this in 😊

Lots of love to you too ❤

[do-androids-dream-ao3acc]

It hurts to feel, to think, to know I may be nothing

(a kind of fix-it for 8x06)

The knocking on his door is insistent, almost angry. 

Tommy looks at the alarm clock next to his bed. The glowing digits, the only and quite pale light in the room, show 2:45 am. Who would knock on his door at this hour? There's this little tiny heart stumble that gives him a name in response, which he immediately suppresses. Tommy, who is lying on his bed fully dressed and can't sleep anyway, just hopes it's not him. Not … Buck. He couldn't bear that, not now. No pleading from those Bambi eyes, no broken voice with a stutter worse than ever. He wouldn't be able to look at the man and think of him as detached as he had called him when he left, he wouldn't be able to see anything other than Evan, and that would be wrong. Tommy weighed this thought back and forth in his head, trying to make it somehow more correct. 

The knocking is still energetic, it just won't stop. Tommy sighs. He considers just lying there, playing dead and staring at the ceiling until whoever is at the door leaves. But if it's Evan, if it really is him, then he can be trusted to knock all night. Or to try to break down the door. Although... No, he wouldn't do that. Unless he was drunk. Tommy remembers the story of when the Bachelor party got out of hand and a door was kicked in. His thoughts go round in circles, and he sighs again. It sounds theatrical in his empty bedroom, but that's the way it is. He slowly gets up, swings his legs out of bed and shuffles to the door. 

This little stab in his heart, which is not relief but disappointment, is pathetic. It’s not Evan, of course not.

It’s Eddie.

Definitely, the first thing Evan would do is go to Eddie. Then, probably in the early morning, to Bobby. Or to his sister. Heck, he’ll see all his friends because he can; and that thought somehow hurts even more. Tommy isn't afraid that Evan will make him look like a bad guy. He has every right to grieve and seek comfort. It's just that he can. From whom does Tommy find comfort?

In any case, Eddie, who looks a little disheveled and a little drunk with his red cheeks, doesn't exactly appear like someone who wants to console him. 

“Have you checked the time?” Tommy asks gruffly. 

“I did, but have you checked your brain?”

Eddie taps him on the forehead with two fingers, then pushes past him without being asked, casually dropping onto the couch in the living room. 

“This isn't the best time, Eddie,” Tommy says wearily. Yes, he is tired, even if he can't sleep. 

“Might be. But that's what this is all about, isn't it?”

That hurts, and Tommy feels anger building behind his forehead, which will be a decent headache in a few hours. Unshed tears, that's how Abby used to call it. Abby, with whom everything began and somehow everything ended. All the shame and anger about himself make Tommy's muscles tense. 

“Don't think you’d understand.”

Tommy stands there with his arms crossed, defensive, as he has been all his life, but Eddie is not impressed. Of course not, why would he. Eddie has told him stories of Afghanistan and the dirt he's been through. One man’s defensive attitude hardly impresses him. 

“Why not?”

“Because you've never been in that situation, quite simply.”

“Oh, so you want to use my non-existent queer experience against me, do you? Shallow.”

Tommy lets out a long breath and growls, “What exactly do you want, Eddie?”

“I want to know why.”

A simple sentence, a simple statement, but Tommy feels like he's been deflated. He searches for words, but they are hard to find.

“Listen,” he finally says, ”I know you're here as E… as Buck’s friend. That’s sweet, but…”

“That's true,” Eddie replies surprisingly soberly, ”but I'm also here as your friend. Sometimes we need our people to tell us we're being silly.”

Of course, he speaks from experience. That's kind of the point, and now it's bursting out of Tommy. 

“I managed well on my own for years,” he says, the words tumbling out of his mouth. “I've been through it all, the self-denial, the shame, the half-hearted relationships. Evan will never have to experience that, and I'm grateful for that. But still... this guy just stumbled into my life, no, rather rolled through it like a steamroller.”

"He broke your barriers," Eddie interrupts him. 

Tommy gives him a look. Eddie actually understands. Why is he so surprised? Tommy doesn't give away his friendship lightly, and Eddie is more profound than he pretends to be. Or even than his friends sometimes think. Which, by the way, is also true of Evan, which is where he starts chasing his own tail, right?

“He did. And he comes with a lot of luggage.”

“Oh yes,” Eddie laughs. Then, he narrows his eyes, watching Tommy intently. “Wait, you don’t  mean his past and all?”

Tommy drops into the armchair opposite the sofa and shakes his head. 

“We... actually didn't really talk much about the past. It was more like...”

“The heat of the moment?”

Tommy doesn’t have to ponder about that, because it’s true. Every new relationship is like this, everything is exciting and full of icing. You don't use the time you have with questions. They didn't have much time, that's the curse of shift work and a life as a first responder. 

“Suddenly, half a year has passed,” he says with wonder. “And then he says he wants to move in with me.”

“Were you afraid of the next step?”

The way Eddie phrases this question tells him that Evan hasn't fully understood what happened. He's sorry for that, but he's sorry for so much, it's just more grief on top of a big pile of sorrow. 

“I'm just afraid of losing my heart,” Tommy returns, and strangely enough, Eddie laughs again.

“Do you think that's funny?”

Eddie raises his hands defensively, “What I actually find funny is that you lost your heart a long time ago, Tommy. You left the man standing outside the restaurant and gave him a second chance anyway. You’re the first contact in his phone. You're the one with the ice packs, the one who buried his stupid curse with him.”

“You would have done all that too.”

“Sure, except for the part about the funeral maybe, but only because Buck and I are on terms where you can tell your friend that he's being stupid. You, on the other hand... you have heart eyes when you see him. You stroke his hand in passing, you hold back on the kisses when anybody is around only to protect him.”

“You noticed that?”

“I noticed a few things,” says Eddie. “Especially that Buck feels the same way about you. There comes a point in every relationship when you take off your rose-tinted glasses. The only mistake you've made is convincing yourself that this will end anyway.”

“But it will,” Tommy replies dispassionately. 

“Because you're his first? That's stupid, Tommy.”

“What would you know about it?” Tommy replies heatedly.

Eddie tilts his head, “Didn't you listen when I told you about Shannon? I married my first love. I know what you're thinking, of course, it didn't end well, yada yada. But it wasn't because we didn't love each other, Tommy. We were very young and very stupid, and it hurts me to see two grown men like you, who also love each other very much, behaving so stupidly.”

Tommy sinks down in his chair.

“He acts impulsively,” he interjects. “He doesn't know what he's getting himself into, and in the end, when he understands that he needs more, he'll leave. And that will hurt a lot more.”

“Maybe,” Eddie says and stands up. As unasked as he came in, he steps up to Tommy's fridge and rummages through it for a can of beer. Then he points it at Tommy and says, “But not having loved will hurt more. Being too much of a coward hurts.”

“I'm not a coward.”

“Yes, you are, because you're running away from your own feelings. And not even giving Buck the chance to prove to you that he's worth brightening up your lonely life.”

“Now you sound like a guy in a soap opera,” Tommy says sourly.

“Nah, I sound like someone who has screwed up so much in his life that he should be the last person to give advice to others. But this is Buck we're talking about, and he's just a whining misery sleeping on my couch. And it’s about you, a friend I’m fond of.”

He takes a deep sip and grimaces.

“I think you've had enough for today,” says Tommy. 

“Guess you're right.”

Eddie gets up, and to his credit, it has to be noted that he doesn't sway. Or just a little bit. 

“Let me summarize the whole mess like this: you fucked up, Buck doesn't understand why, and honestly I don't quite get it either. But what I do understand is that you should work it out together. Tomorrow morning… no wait, in a couple of hours. Sleep, then come over, and bring breakfast.”

“I don't know if that's such a good idea.”

The worst part is that there is a certain hopefulness in Tommy's voice, it almost cracks. Evan hasn't done anything wrong, and it's probably only right that he at least tells him that. Even if it hurts. Because Eddie is actually right - it will hurt no matter what, and it's better to love than to grieve over a love that could never evolve. 

“But I do.”

There is so much confidence in Eddie's voice. Something has happened to him, and one day Tommy will ask him about it. Now he holds on to his own door and nods weakly.

“Let me sleep on it,” he says. 

Eddie winks at him as he leaves.

[smilesatdawnmain]

ETERNAL LMK AU (Part 6) (Interactive Story)

Time for some answers

The rules are simple.: I will give the written passage, and then at the bottom there will be a vote on how the characters act next!

Story: Eternal Au

Ships: Shadow Peach

Digging his heels into the dirt to try and slow his speed, realizing the farther Wukong went so did he, Macaque called back angrily to the collectors,

“What is going on? What isn't good??" he demanded.

The collectors cringed, glancing at each other. Rushing to keep pace with Macaque, wearily eyeing the sky in case somehow Wukong did spot them, they nervously smiled. Normally they would never fear, but that golden vision of his- it was rumored to even view the dead if he was looking close enough.

One of the collectors, a stout figure with a chipped jaw and a nervous twitch, cleared his throat. “You see,” he started, his voice wobbly, “That connection you’re feeling? And uh, seeing? It’s… complicated.” He shuffled back a step as Macaque glared, spitting out words like venom.

“Complicated? Explain! I don’t have time for riddles while that fool flies off with me!”

The second collector, a more slender figure, leaned in closer. “It’s the bond,” he whispered, as if saying it too loudly might make his presence known to the flying King above. “Remember before how we said souls can get held up from moving on? One being, their soul is stuck or trapped like yours was?"

“Okay?” he grumbled, slipping his hand just a tad through the ropes these collectors insisted on keeping to hold onto him. Shifting between them he grasped the golden string around him. As much as he tugged and wiggled, it wouldn't loosen. It felt hot to the touch.

It felt like Wukong- his very essence and power.

It gave a strange sense of both comfort and discomfort considering Macaque’s own emotions were torn by the man.

The burly collector continues, "There are other reasons that can stop a soul from moving on. The other two are they have some lingering connection to this world that is preventing them from leaving. Or... a living connection is tethering them down. Honestly, it could be both cases for this one." the two nodded knowingly to each other.

"What does that mean?!" Macaque snapped, standing to try and pull and remove this rope from him, only to gag as it dragged him further rightward to follow after Wukong.

The Collectors followed, “Soulmates,” they summarized.

Macaque blinked, confusion flashing across his features before morphing instantly into indignation. “Soulmates? Are you out of your minds? Wukong and I?” He spat the name like it was poison. Such a thing would once thrill him. Perhaps even now it… still kind of did.

A soulmate was something rumored in the demon community. The thought of something so pure and wonderful was a dream he himself had when he was just a cub. But now, tainted by blood and betrayal, the very idea sent a shiver of revulsion coursing through him. It was horrible. It was impossible!

Something so sacred couldn’t possibly be. A soulmate came once. Not just in a lifetime. As the name implied, it was the one intended for your very soul. To find this person took more then luck.

Wukong was his soulmate??

Wukong was… his?

And he didn’t want you.

The thought made him seethe to avoid the pain that followed, “If that fool is my soulmate, then I’d rather be bound to the netherworld!” With every protest, the golden thread seemed to pulse brighter, almost as if responding to his anger. The more he wrestled against the bonds, both physical and ethereal, the stronger the connection felt. It tingled through him—a sensation that flickered between distaste and a kind of reluctant warmth. Ignoring it was becoming increasingly difficult.

"Well this doesn't often happen with mortals but well uh- demons are a little different." the smaller collector admits weakly, "Certainly makes our job harder, let me tell you. As a demon you live a long time, thus the connections you make are always stronger. Sometimes the magic of demons and their soul mates even mix together making a literal tether-" they gestured to the rope.

Macaque slowly looked down, his eyes flarring. NO.

No no no.

“What does this mean for me? Is there any way to remove this?" he couldn’t be Wukong’s soulmate. He couldn’t continue to be forever tied to that King- that jerk. The man who cared so little for him he would choose everyone else over him!

One of them shrugged, nonchalant to Macaque’s despair, "Soulmates are tricky? Honestly, maybe not until he moves on."

"Moves on??" Macaque repeated. "That doesn't- eleborate!" he barked, kicking his feet.

They held up their hands, "Chill! Chill man." they sigh. "Regrets, lingering desires, many of these things some people can let go once they come to terms with their death. A trip you never got to take, a hobby you never got around to trying- simple things that could easily be put aside. Love and soulmates, that is where it gets tricky. People could mourn all their life and never truly move on or let go of those they have lost. A person soul knows who they are destined to be with, and tend to have an issue with letting go."

Macaque's mouth felt dry. "What does that mean for me?" his mind was reeling, "Are you saying that until Wukong "lets me go" or whatever bullshit like that, I can't move on?"

The two stepped back out of Macaque's range when he tried to swipe at them, "Basically?" they offered sheepish smiles. "Same could be said for you. Sometimes those who are dead can't let go of the living people they are leaving behind.”

Macaque felt his face heat, quickly barking, “I have no issues letting that man go!”

They blinked once, then at each other, not believing him for a moment. “Rightttt.” they trail off. “Either way, usually this problem can be solves by the person eventually moving on, or... the person keeping the tether dies."

They all glanced at the very much immortal Monkey King. Macaque's eye brow twitched. He rushed over to Wukong, yelling, "Move on from me you son of a-!!”

The diyu collectors covered their ears as Macaque let out a long set of slurs.

"I wait and wait and wait- and you never had any problem letting me go before! Ditching me for years- and NOW suddenly you got an attachement issue?!"

He held onto the string attached to his waist, feeling it pull him in different directions like a puppet on a string. Peng had always made fun of him, asking if there was anything Wukong could do to break his grip over him. Well, murder sure felt like it should have done the trick!

So how was he possibly still tied to him??

….he knew how…. But he would rather no say.

Previous

[artist-issues]

I also think sometimes we’re losing the art of simple lessons in kid’s movies. Probably because of the whole self-focus thing. Adults make the movies. Adults use the movies to get through whatever they’re going through.

But like no 6-to-12-year-old kid really needs to jump over “how should I handle a big change” and land straight in “THIS IS WHAT HAPPENS WHEN YOU GROW UP, YOU FEEL LESS JOY”

Like what? Where are we? What happened?

I am not saying that kids don’t experience anxiety or prejudice or whatever. I’m saying—

—nope, one more time, because you weren’t reading, you were responding in your head before the post is finished, without understanding—I said, I am not saying that kids don’t experience anxiety or prejudice sometimes.

I’m saying stop trying to use a kids’ movie to teach an adult lesson, because the majority of kids aren’t there yet. And sometimes when you expose a kid to a problem that never even occurred to them, even in the name of solving that problem, or “telling the truth?” You know what you give them then? Uh, anxiety. Or confusion. Not a real solution.

Kids in a healthy environment, and even kids in an unhealthy environment, are not ready to have an existential crisis about their purpose or the way all of society sees them because of their race/religion/sex/age. They’re usually still figuring out the difference between “sharing” and “selfishness.” “Fear” and “respect.” That sort of thing.

Snow White and the Seven Dwarfs is a good movie for kids and adults to watch because kids know what it’s like to get carried away by fear and selfishness. Snow White can’t just sit and cry because she’s surrounded by scary trees. The Dwarfs shouldn’t be beating each other up over who gets to use the one pillow. They should share their bed with the lost princess. Simple. True. Good. Kids can understand, kids can relate, kids can absorb. And adults? Adults need to be reminded of the simple stuff because we’re too “intellectual” for our own good and we overcomplicate stuff and stop realizing when we’re giving in to fear and selfishness.

But these movies, and these shows, that say they’re meant for kids…when really they’re just meant for people who have the taste for kids’ visuals and kids’ media design, but are actually grown adults obsessed with mental health jargon? They’re walking a dangerous line.

Good parents know not to “awaken” considerations in evil and hard stuff before it’s time in a child. They already have enough to deal with just figuring out how to move on after they scrape their knee, or how to be okay even if their little expectation about their friend coming over to play isn’t met. You don’t need to add on top of that “what happens if nobody needs me” or “what is a panic attack.”

…unless your kid is already having panic attacks. They happen, I know, I was 9 years old. But you get what I’m saying. Kid’s movies should remember that they’re for kids, and simple truths make the best stories. Because usually truth is simple, and it’s our desire to have control over it that overcomplicates it to the point where it’s not true anymore.

Anyway.

[ak319]

Lovesick Village Boy x Fem civil servant reader

《Beloved's Veil》

PART VI

➺ Part V

"Rahim, please… say something," you tried again, your patience stretched thin by the gnawing worry in your chest. This was the third time you'd asked, and with each unanswered attempt, your resolve to get to the bottom of things only grew stronger. If he didn’t speak soon, you were prepared to go straight to his family’s home yourself.

"That's it." You rose to leave, but before you could take a step, a small hand gripped your sleeve, halting you. Rahim’s expression was haunted, his eyes wide and pleading. His hand trembled, clutching you like you were his only anchor in a sea of terror. The fear in his gaze didn’t diminish your anxiety, it only sharpened it, tightening like a vice around your heart.

"You’ve got to say something, kiddo," you murmured, leaning close so he wouldn’t feel pressured. "You’re making me worry here."

Finally, after a silence that stretched unbearably long, Rahim’s voice came, barely a whisper. "U… uncle…"

You leaned in, gentle and steady. "Habib?" you prompted softly. "Are you talking about him? Yes, tell me, Rahim… what happened?"

He hesitated, the words hovering at the edge of his lips, but then, as quickly as he’d started, he fell silent again, retreating into himself. His eyes shifted away, shadowed and unreadable, as if something unspeakable lay hidden just beneath the surface.

You let out a quiet sigh, knowing that pressing him further wouldn’t help. He needed time. Placing a reassuring hand on his shoulder, you signaled Odai to come closer. "Odai, stay with him," you instructed, casting a final, lingering glance at Rahim

"B-but what about you, ma'am? Where are you off to?" Odai's voice trembled slightly as he watched you prepare to leave.

"To his house, with Maha," you replied firmly, glancing at the clock on your desk. It was 7:30 a.m., too early for peace but not for action.

Odai shifted uneasily. "I should go with you, and Maha can stay here."

You silenced him with a look, then took the gun from your locker, its cold weight in your hand grounding you with the resolve you needed. "I can handle it, Odai. Just watch over him and call me if anything changes."

Odai nodded reluctantly, his eyes flickering to the unconscious Rahim. And with that, you left, setting out with Maha, who looked more unnerved than usual, her hands twisting in her lap as you drove.

"What if… what if it’s related to the story I told you, ma’am?” Maha's voice was small, hesitant. “And from what you’ve told me about Rahim, and everything… what if Habib’s… possessed again? I warned you, didn’t I? It’s not right to get tangled with him, or that family. The way his brother insulted you…” Her hands clenched in her lap, remembering that day, the bitter words she still hadn’t forgotten.

“Maha, we talked about this.” You kept your voice calm, though tension simmered beneath. “Habib needs help. This… this might be something worse, yes. God, I have no idea what we’re going to find there or how deep this goes. But if this is connected to him, I’m stepping in, Basim’s objections be damned.”

Maha looked at you with renewed determination. Her gaze shifted to the gun secured in its holder beside you, her expression hardening with resolve.

“Yes, ma’am.”

═════ ◈ ═════

When you reached the house, the air was thick with an unsettling silence, the kind that seeped into your bones. There was something about it that felt wrong, like an invisible void, as if you had come to collect the fragments of something lost. The house, once a familiar place of comfort, now felt like a hollow shell. You shook off the feeling, attributing it to the paranoia caused by Rahim's cryptic behavior and the events of the night.

"Ma’am, he... he’s very sick. He wouldn’t stop saying your name..." Kadir's voice faltered as he stood beside Habib's bed. You looked down at the unconscious man, your grip tightening on his hand as his body trembled. His mouth was dry, letting out soft, pitiful whimpers that seemed to grow quieter, calmer, as if he found some semblance of peace in your presence.

"What did the doctor say?" You asked, keeping your voice steady, despite the deepening sense of dread gnawing at you.

"He has a high fever, and he's under extreme stress..." Kadir responded his voice a mixture of concern and exhaustion. You glanced at Dana, who was sitting beside Habib, her eyes filled with a motherly worry that was almost suffocating. She didn't need to say anything, her gaze spoke volumes, each one filled with unspoken fear and you couldn't take it anymore.

"I’ve had enough." You stood abruptly, your voice hardening with resolve. "I’m taking him with me. And nobody here is going to stop me." Your stance was unwavering, your eyes locked with Kadir's, whose face paled at the weight of your words.

Kadir seemed to hesitate, but the look in your eyes made it clear you wouldn't be moved. He nodded slowly, his expression resigned, knowing full well what you meant.

"I just..." you continued, turning your attention to them, "Do you both know where Rahim is?"

The couple exchanged a glance, confusion crossing their faces. "Rahim? He must be in his room... You want me to call him?" Dana’s voice was tentative, unsure of the sudden shift in the air.

"No, no." You cut her off. "He’s not in his room. He’s in my bungalow." You watched as realization hit them like a wave, their faces draining of color as you explained the strange events that had unfolded, the boy's frantic running, the collapse, and the chilling connection to Habib. Their expressions grew ashen, the weight of the situation settling over them like a suffocating fog.

Kadir blinked in disbelief, his voice a low whisper. "I better go... inform Basim of this."

"No." You turned, cutting him off once again, your tone sharp. "Not until I leave with Habib. I am not in the mood to deal with him right now. Trust me, you don’t want me to." Your eyes flickered to the unconscious figure of Habib, then back to Maya, your resolve unshakable.

Maya, who had been quietly observing the situation, nodded in agreement, her eyes meeting yours with understanding. She didn’t need to ask any more questions. The decision had already been made.

"In fact, you both are coming with me, I think... Rahim might not mind it." You said with a touch of certainty, even though your mind raced with the implications of the situation. The bruises you had seen on the child’s body were unmistakable, and they burned in your mind. You were certain they were from Basim. You had seen his cruelty before, and this was no different. A gut feeling told you the two were somehow connected, and the thought churned uneasily in your stomach.

"Um, yes, definitely." Kadir’s voice quivered slightly, his worry for his grandson and son making him agree without much resistance.

"Good," you responded briskly, trying to push the anxiety down.

The air between the five of you was tense, the weight of unspoken words hanging like a heavy cloud as you made your way back to the bungalow. Your eyes were drawn to Habib, his limp form resting against his father in the backseat, his chest rising and falling weakly. The image of him like that, vulnerable, fragile, almost lost, was a stain in your mind that wouldn't fade.

By the time you arrived at the bungalow, the place felt more like a sanctuary and a prison in equal measure. The heavy silence from earlier still clung to the house, but now you didn’t have time to dwell on it. Dr Ali was already there, pacing in front of the door, looking visibly tense. He was here to check on Rahim and Habib.

═════ ◈ ═════

it had been three days since the atmosphere in the bungalow had turned so heavy, each day thick with the silence of unspoken fears and unanswered questions. Habib, thank God, was showing signs of improvement, but he was still too weak, refusing to eat and constantly haunted by nightmares. The only time he seemed to find peace was when you were by his side. His vulnerability clung to you like a weight, and no matter how many times you tried to shake the unease off, it lingered.

In the other room, Rahim was still as quiet as ever. He hadn’t spoken a word since you brought him back, and every day that passed without him opening up felt like another failure, a missed opportunity to get to the root of whatever was haunting him. Still, his grandparents’ presence did seem to calm him in some way, though you couldn’t help but wonder if that was enough. You prayed for his voice every night, hoping he would say something, anything, to give you a clue about what he was going through.

Kadir had told you that Basim and his wife had gone to visit some relatives for a wedding, which felt... odd, to say the least. How could a wedding be more important than their son’s condition? And why hadn’t they been told about what was happening? Kadir, of course, insisted that it was better they didn’t know yet, but you couldn’t shake the feeling that there was more to it. His reasoning didn’t sit right with you. And then, there was Samir and his family, who had moved out of the village with no warning. Something didn’t add up. Why would they leave so suddenly, just as things were escalating?

Maha’s voice broke through your thoughts, her tone tentative but insistent. "There is... I just... feel fishy, ma'am. I mean, all the Rahim fiasco and how Kadir insists on you marrying-"

You held up your hand, cutting her off, your voice steady but carrying a weight of finality. "It was my decision, Maha. I want it to be done."

"But, why, ma'am... why so fast? Shouldn't we wait for things to settle?"

You let out a slow breath, your fingers tracing the rim of your coffee cup as you gathered your thoughts. "Maha, I can't have some man in my bungalow..." You trailed off, hoping she understood the gravity of what you were saying. "Y'know, try to understand."

Maha was silent for a moment, her eyes dropping to the floor as she processed your words. Then, without a word, she nodded, her expression softening with understanding.

"I have... talked to my parents," you continued, your voice low but resolute. "And they agreed. Fortunately. Tomorrow, go find the cleric. Bring him, and in the afternoon, the ceremony has to be done with." Your parents were shocked to hear your sudden announcement but as you kept the details about the current situation mostly vague they agreed, somewhat happy and given our urgency they agreed to be on a video call during the ceremony. It was going to be a small one, Habib's parents, Rahim and you both.

"Yes, ma'am." Her tone was firm, her eyes momentarily drifting to the hallway. You followed her gaze, only to catch a glimpse of Rahim standing by the corner of the hallway before he quickly disappeared out of sight. You sat there for a moment, your heart thudding against your chest as you absorbed the subtle shift in the room

"Rahim..." You stood up, your mind heavy with worry, and moved toward the hallway. You quickly were on your feet and stalked in the direction, Maha, following behind.

With a gentle knock, you entered the room, your eyes falling on the boy sitting quietly on the bed. His back was turned, half of his body facing the door, but his posture was stiff, unnatural, like someone trying to brace against something they couldn’t see or understand. The atmosphere around him was thick with tension, his usual mischievous energy nowhere to be found.

"Um, Maha..." you said softly, and she nodded before stepping out of the room, leaving you alone with him.

You stepped forward slowly, the floor creaking faintly under your weight as you sat down beside him. For a long moment, you said nothing. It seemed there was nothing to say, no words that could bridge the silence between you both. You just sat there, letting your presence speak for itself.

Finally, after what felt like an eternity, his voice broke the stillness, soft and hesitant. "You... are going to marry...?"

At first, you were unsure whether it was a question or a statement, the words hanging in the air like a fragile thread. You glanced at him, his face still angled down, avoiding your gaze, but the emptiness in his eyes struck you hard.

"Yes... I am... isn't that a good thing?" You gave him a soft smile, one that didn’t reach your heart, but you tried. Gently, you reached out and rubbed his back, trying to offer comfort, though you knew he wasn’t the same boy who had always bounced around, full of life and questions. "You getting this cool aunt." You chuckled to lighten the mood.

But his response was far from what you expected.

"Don't."

"You...don't...want me to marry Habib?" He stayed quiet. Once again.

"Rahim…" you whispered, though you knew he probably wasn’t listening. But you couldn’t stop yourself. "Talk to me, please."

"They...they...always...just didn't let me tell you. I wanted to." His leg started bouncing and you immediately held his hand, the other on his leg to calm him. "Take breaths, I am here, you are safe. No body is going to do anything. So, talk freely, and fully. Whoever it is about. Even if it's Habib, if he's done something to you, tell me that too. I won't say a word to you, or anyone about this to anyone. Even if it is about... the thing regarding your uncle being possessed and all...I know the story...Habib himself told me, so don't think of me as a stranger. Alright?"

He nodded and wiped a tear. He took moments to clam down and with a heavy breath continued. "My...uncle...he..." He breathed in a breath.

"Was never possessed."

“He’s known for his extraordinary beauty. I have not seen him myself though. So, up until he was about sixteen, everything seemed fine. But then, he suddenly vanished from his friends’ lives and stopped attending school. Despite the family’s best efforts to conceal the issue, it eventually came to light that he was... possessed."

"When I was younger—around sixteen—I... went through something. Something I can’t fully explain, even to this day."

"It was like... something else had control over me. I was sick...and I was dangerous. I hurt people--people I loved, hurt myself too. My family didn’t speak about it much after it was over. They believed it was better left forgotten. But I can’t forget. I’ve tried to move on, but..."

No...those...those are all stories? He gave you and himself to catch a breath then continued.

"When I was a child," he began, his voice barely above a whisper, "I thought...what everyone thought that...indeed Uncle was. He was praised for his beauty, and my dad... hated him for it. Every chance he got, he'd tear into him, beat him, humiliate him. It only made Uncle more closed off. He stopped going out, hid from everyone, saying he was cursed by his own looks." Rahim’s voice cracked, his gaze distant as if seeing those memories unfold all over again.

The words tumbled out of him, fast and desperate, as if he had held them in for too long. "He started saying someone was using black magic against him, someone in the family. And my dad, he... he enjoyed it. He fueled those fears and made Uncle believe he was haunted and cursed because he was angry at Uncle for rejecting my aunt's hand and just y'know jealous. Everyone around started to believe it too because he started to act...like...he was. It became this... rumour that swallowed him whole. Even the cleric knew it wasn’t true, he told everyone but no one listened. And my grandfather, even he started believing it."

Rahim’s shoulders shook, his hands clenching into fists as he struggled to contain his grief. "We live in a village where nobody talks about mental illness. People don’t understand, they don’t want to understand. They just accepted that something was wrong with him and left him to rot. But I knew… I knew it wasn’t magic. I researched on my own, in school, and I just can't figure out what's wrong with him but I know there is....there is something psychological. I wanted to help him, I tried to, but nobody would listen."

Tears streamed down his face now, his voice breaking as the words poured out like a dam finally bursting. "Dad would beat me whenever I tried to bring it up. And Grandfather who has always been helpless against my dad always said that he will be fine once he gets married… he just wants to marry Uncle off because he thinks marriage will fix him like that’s some kind of miracle cure. Especially getting him married to you.... someone of your status. But it’s all... it’s all bullshit! Marriage won’t solve anything! The medicines he takes are just mostly sleeping pills and--and some herbal stuff my grandfather gives him which are not what he needs! He needs a proper treatment...proper treatment."

Rahim’s outburst ended in a sob, his chest heaving as he broke down completely. He was no longer the reserved, cautious boy you knew, he was vulnerable, raw, and heartbroken, carrying the weight of years of pain and helplessness on his young shoulders.

"When you came here and even better, took interest in my Uncle, I thought that maybe marriage wouldn't be bad because he would be free and you would get him treated, I would tell you about it myself when the time is right. It was...about to happen but...again my Dad...he ruined it, I thought it was over, you were out of his life, but I still hoped, he loves you so much and I know you do too so...I was ready to help my uncle run away but.."

You were too shocked to even ask him why he had stopped speaking and simply let out a questioning hum.

"My mum and dad… they… they tried to…"

"Tried to what?" You were both startled by the sudden ringtone of your phone. Seeing Odai's name on the screen, you quickly answered, bracing yourself against the possibility of more bad news.

"Ma'am, I checked the footage from the village gate. Samir left last night with his family around 4 a.m. But Basim and his wife… they never actually left the village."

Your eyes widened. "What? Are you saying… they’re still here?"

"Yes, ma'am," Odai confirmed before you ended the call. You turned back to Rahim, whose face had gone pale, frozen in place as if dreading the implications of this revelation.

"Rahim…" you said slowly, your voice soft yet urging. "They tried to what? And… where are they?"

(AN: Did you guys expect that ʘ‿ʘ? Do comment and lemme know! Also, I know I should have mentioned it earlier but the story is set in 1990's due to which especially in the village people don't use much tech, like wifi and all cuz not everybody has computers etc that's why Rahim did whatever research he could in his school's library and computer.)

[tomorrowxtogether]

TXT Debut a Sparkling New Chapter — and Reveal Which Previous Era Their New Album Is a Throwback to (Exclusive)

PEOPLE spoke to Soobin, Yeonjun, Beomgyu, Taehyun and Hueningkai about making "The Star Chapter: SANCTUARY"

Tomorrow x Together's latest release is an evolution and a nostalgia play all at once.

The Star Chapter: SANCTUARY (out Monday, Nov. 4), is officially the start of a new era for the K-pop group's five members — Soobin, 23, Yeonjun, 25, Beomgyu, 23, Taehyun, 22, Hueningkai, 22 — who spoke to PEOPLE ahead of its release.

They're moving out of "The Name Chapter" — two albums that reveled in the freedom and occasional chaos of youthful indiscretions — and into "The Star Chapter." Represented by a bright, shining logo rebrand, it carries messages about finding true love and lasting happiness.

“To some extent, I think it really reflects us growing up,” says Hueningkai.

"In our past installments, it was more of those magical moments, like ‘Run away together with me,’ or something that could be a little bit less responsible," adds Taehyun. "But this time around, it's romantic, but in a sense that it's grounded and more realistic.”

Sonically, SANCTUARY has a sweetness that recalls some of the group’s earliest releases.

"I think you're spot on about talking about how you thought of The Dream Chapter when listening to this album," Huengingkai confirmed while discussing their influences with PEOPLE in October. "It's something new, but it's something that also provokes nostalgia as well," he adds.

The lead single, "Over the Moon," is dreamy pop but includes some very grown-up themes with lyrics about living under one roof and planning for the future. Other tracks, like "Danger" tip into funky Bruno Mars-like territory, or in the case of "Forty One Winks," more upbeat R&B.

While there's no real rock or pop punk moments (something they've leaned into with great success in the past with songs like "LO$ER=LO♡ER"), "Higher than Heaven" does have a romping pop-rock bent.

The album's sound isn't just a reflection of the group's shifting tastes. “We have this big narrative that overarches every installment in our musical journey," Hueningkai explains.

Their discography, and the larger lore of the group, incorporates a sprawling fictional backstory that can feel intimidatingly complex for the casual fan. But the themes — the pains of growing up, the reality of facing adulthood, and the heartbreak that so often goes along with it — are universal enough that they come through easily in their earworm singles.

While TXT has shared in the past that their music is often informed by personal experience, they often keep a distance from speaking about their own relationships, instead telling the song's stories of crushes or lost loves as the tales of a “boy” (representing all and none of them) directed at “you,” an embodiment of their fans.

Explaining the meaning of their latest album, for example, Beomgyu says, “It’s a chapter where the boy finally recovers his name and remembers the promise he made with you. And they finally reunite in this album. So it's the rejoicing that they all feel with this reunion.” 

All five members wrote lyrics and music on SANCTUARY, something they've been increasingly passionate about over the six years since their debut.

Taehyun admits to doing most of his writing in the car and on planes, amid their busy schedules. They still find space for collaboration though. "We tend to work separately on lyrics, but when we get stuck, we ask for help from the other members," says Soobin.

Seemingly non-stop promotions can be draining, but they're candid about how they keep their minds and bodies healthy. "Sleeping well is the best thing you can do for yourself," says Beomgyu. Adds Soobin, "We eat a lot of supplements, too, and try to work out a lot so that we can stay healthy and keep up our stamina."

That work ethic has gained them a mountain of accolades in relatively short career.

In 2023, they headlined Lollapalooza in Chicago, then performed at the VMAS in New York, where they also took home the award for Push Performance. Their last album debuted at No. 3 on the Billboard 200, making them only the second K-pop group to enter the chart 10 times, with the only other being their label mates BTS.

Asked if that sort of accomplishment is exciting or intimidating, Yeonjun explains, "We feel both. We feel both elated, and also we feel a sense of responsibility. And I think both are needed, because only when we feel that responsibility can we grow as artists and evolve as artists. So because so many people are giving us love and support, It's our duty to grow and evolve, and show new sides of ourselves as artists."

Adds Taehyun, "We are eternally grateful to Global MOA who always provide us with a lot of love and support. And with this album and the albums going forward, we're going to pay back to them by providing really good music and performances."

The Star Chapter: Sanctuary is available to stream now.

[wrenkenstein]

OC creation musings + Juno retrospective

I was rewatching this video by Rea, and it struck me that this exact phenomenon happened to me in 2022, with the first inklings of Juno's design - back when I couldn't decide on whether or not her name would be "Juno" or "Kite", and desperately trying not to make her a scientist. She's obviously come such a long way since then, having now become a very well-known character in the fandom, but I often think of the fact that had she not become on of my artistic passions, I probably wouldn't be anywhere near where I am today.

Juno is absolutely everything to me. She is a representative of my passion for storytelling, and she connected me with so many of my now closest friends - one of which is currently living in my house! How crazy is that, man! All of which I can attribute to simply becoming so fixated on my own OC that I couldn't stop thinking about her, or drawing her.

Of course, that's come with some highs and lows. She's getting a professionally done cosplay, a 3D model and potentially a Battlefront mod - but she also has her own dedicated group of haters who think she represents the 'wrongs' of fandom, lol. I certainly have recieved my fair share of 'Juno hate' in my 3-4 years here, but the positivity and support make it well worth dealing with a few rotten apples. It's radiant and outpouring, like a warm ray of sun, and it keeps me going deep into the night.

Anyways. Total tangent. Want to see all her design iterations? Yea you do ;) Here's the first ever Juno ref!

I made this on my phone in 2022, at the tale end of watching TCW and back when TBB was just one season. You can definitely see that the idea was always there, just a bit disjointed in its application. That gas mask on her helmet ended up causing a lot of confusion, so I removed it in later iterations - but to this day, I think this one picture is what really captivated me. Something about the aura, man,, she scary lookin

Then, of course, I had to draw what her face would look like - if it hadn't been for a RP, I don't think I would have.

Woah - she's like a whole different person! And you can see the beginnings of her white hair streak, though back then, I wanted i to be really subtle. And I was soooo adamant about this lol. She also was almost beat for beat Ellen Ripley, and you can see me paint over a picture of Sigourney below with her OG faceclaim haha.

Then we have the Juno-ing... part two. Where I went darker!! Both in themes, and in her color scheme. This one still has so much personality, and I remember being obsessed with how I drew her eyes and face back then. Nowadays, I think it's hideous. xD This was also around the time I was phasing out her gauntlets and oxygen mask, but both still remained for practicality purposes, even if they didn't serve anything to the design. Oh, and the hair streak. Now it's a Thing :tm: but it isn't really flowing well with the design - not yet, anyways!

We finally get to a point where I, begrudingly, accept the fact that her white streak is going to be her facial focal point - and at this point I'm laughing about how much I tried to avoid it LOL. But here, we also see her get more and more refined. Her face is still a bit wonky, but the stern vibe and posture are starting to come together and tell more of a concrete story, even if the reference doesn't have as much color or personality as the last one. I also did this one for my senior year of college!

I even designed her some totally BS civvies - and I gave her a s2 paint job, which admittedly looks hideous LMAOOO but we ball regardless. The second design was scrapped anyways almost immediately. The civvies stayed!

And then, of course, THE FINALE! Her face went through so many iterations with her current ref, but thus far, it's been the longest standing and most accurate one. It atually started out just as me goofing off with a marker pen in CSP, that quickly changed to "hey... this could be something good." And I was right! This is the Juno that's currently circulating today, and I've been polishing and refining her as I go, since I still feel as though I could perfect things.

And then, of course, her various outfits, which I posted about a while back. Oh - and have you seen Baby Juno?

Well now you have. :)

I think it's so cool to see how someone can fixate on a character and pour so much love and thought into them, that this character becomes their entire brand. Juno inhabits every part of my brain space and is what I think about 24/7. I'm so proud of how far she comes, and she reminds me about how incredible fandom can be and continues to be! Something about her is just so intoxicating to me. I can't get enough of her, and I can't wait to keep developing her over the years to come.

Which then begs the question - what is your equivalent to this entire thread? Do you have an OC like Juno, who you're fixated on and who dominates your creative pursuits? Do they have multiple artistic iterations? Because if you do, share them!! I WANNA SEEEEEE.

Anyways, that's Wren's Ramblings for today ~ I got bored haha

SHARE YOUR OCS!!!! >:0

[amurder-ofcrows]

incase anyone needs to hear this tonight:

people miss you. they do. even if you haven’t talked in years. even if they are only a distant memory from a time that you didn’t have a major impact on their life, they miss you.

my parents went to a tech meet up tonight and they came home telling me they met a friend i went to school with and they said her name. i didn’t remember her to begin with. the last time we talked for longer than a comment on each others instagram was 6th grade (we’re both juniors in college). but she remembered me. she remembered even when we didn’t have classes together or during all of my absences in high school. she remembered and she told my parents “i hope he’s doing okay now, he had it rough when we were in school but i’ve always hoped he made it out the other side.” the most time we spent together was some after school stuff in middle school and now, almost 11 years later, she still cares

moral of the story, if you think no one will miss you when you’re gone, that you don’t mean anything to anyone, someone will notice. the universe just sucks at showing us just how many people do

[travelers-ward]

I wish... I wish we could get the chance to tell G'raha how loved he is.

Romantic headcanons of each player (which are valid) notwithstanding, he is loved so deeply by so many people in canon, yet he is so singularly-focused on his mission that he doesn't seem to notice. This man, who sought to sacrifice himself for the sake of the world and us and intended for neither us nor the world to ever find out. This man, who asked if he would merit a footnote in our story someday. I just wish we could make him see.

How Rammbroes talked about him after he shut himself in the Crystal Tower. The final letter from the Ironworks crew in the alternate timeline, locked away in the depths of the Tower, addressed to him, entrusting him with all their hopes. How contrary to his expectations, WoL remembered him, and cried out his name desperately when he was about to sacrifice himself. The city that he watched over for a century, generations of people who loved him so very, very dearly. Does he know how they cried when he left? How Lyna cried? How she worries about him still? (that part, at least, we did tell him). They way Alisaie teases him like he's family, her absolutely devastated scream when he sacrificed himself at Ultima Thule.

This man who constantly devotes his all to helping others, because he can't help but love the whole world, yet thinks his efforts are insignificant in comparison to everyone else, thinks he won't be remembered by others even as he gives all he has to save them, never seems to notice that his kindness has mattered to so many people, who care so deeply for him.

I just wish we could tell him, you know?

[jean-meowreau]

Ohhh maybe something jerejean for jeans birthday???? - @sirfatcat-mccatterson

Jeremy quietly clears his throat.

Jean grimaces and peeks open a single eye, directing all of his nastiness at Jeremy with one gray eye bursting with malice. "Quoi, Jérémy?" he asks, voice raspy with sleep. He shifts beneath his blanket onto his side, shivering and tucking the material up to his chin when it falls and exposes his chest.

He watches the blond nervously bite at his lip and shift on his feet. He sighs, and Jean closes his eyes to fall back asleep, when he hears, "Joyeaux Anniversaire," in shoddy French.

This time both eyes fly open to glare daggers at Jeremy. "Did you tell the others?"

"No. I know how you value your privacy," Jeremy says quietly, suddenly looking unsure of himself.

He sits up, wrapping the blanket tight around himself, before scowling as he asks, "How did you know? Was it Kevin?"

Jeremy shakes his head no. Jean perks his brow, prompting an answer.

"You remember that last weekend I went back to visit my family?"

"Yes," Jean grimaces. "You were very sad and quiet when you came back. It was annoying. I like your smile." Jeremy lights up at the words and Jean's scowl deepens. "Do not read into that."

"I'm illiterate!" Jeremy says quickly, and maybe a little too loud. He covers his mouth with his own hand on Jean's behalf.

"Why is your family important to this story?"

Jeremy shuffles around on his feet for a few seconds before quietly saying, "I have a trust fund."

"Okay?"

"And I am allowed to use my money however I want."

"Jeremy, you did not buy me something stupid, did you?"

"Well, I was going to buy you a car, and then as I was looking into transferring the title I found out you have a conservatorship and and anything I tried to give you would be automatically given to--"

"Do not say a name," Jean mutters. His voice is flat. He already knows. He does not wish to hear it aloud.

"So, I..." Jeremy shifts his weight between his feet a few more times before producing a file folder he'd been holding behind his back. He crosses the room and holds it out to Jean, who takes it while still glaring him down. "I bought... you."

Jean's face pales. He stares at the blank front of the manila folder, a thousand thoughts racing through his mind at once. He swallows thickly, fingers trembling as he picks at the edges of the folder. "You own me, now," he says quietly. Kevin said Jeremy was supposed to be good people. Maybe they had different definitions of what that meant.

"What? No, wait--" Jeremy laughs awkwardly. "Nobody owns you. I paid off your family's debt and you're a free man."

Jean furrows his brow, staring hard at the folder in his hands. "What is this?"

"Your medical history, birth certificate, and the deeds to some property in France and some property in West Virginia."

Jean frowns, picking at the corner of the folder. "Did they mention someone named Elodie?" he asks quietly.

"They said that's who the property is from. It's uhm-- it was a death transfer," Jeremy whispers.

Jean nods, staring still at the blank vaguely yellow paper holding every notation of his entire life up to this point. "I should thank you, shouldn't I?" he asks quietly.

Jeremy drops to his knees in front of where Jean is sitting at the edge of his bed, warm hands settling against his thighs right before his knees. "I don't want your gratitude. It's everything you deserve just to be yourself and live your life."

"Jeremy--"

"No. Your present will come later today. This just happened to be delivered this morning. Finish sleeping in and meet us downstairs for some protein pancakes and then we will go to the gym. Just you and me."

Jean nods shakily. "Can you ask if Cat will let me ride her bike?"

"You should ask her. She has something for you."

Jean narrows his eyes at Jeremy's smile. "You said you didn't tell anyone."

"I may be a liar. But it's only them - how else could I float a random pancake breakfast for you?"

"You're on thin ice," Jean mumbles. He reaches for the hem of Jeremy's shirt before he can leave the room, unable to make eye contact. But he tugs at the material twice before looking from the blond to the folder in his lap.

Jeremy smiles, taking the gratitude for what it was, before brushing his knuckles against Jean's cheekbone. "Anything for you." He doesn't tell Jean how pretty he looks flustered this way, much as he wants to. He instead leaves the room silently once he is released, smiling invitingly at Jean before he shuts the door.

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[rexscanonwife]

Happy Mexican heritage day, by the way! Thanks to my whitewashed-ass mom I didn't grow up with that much of the culture, but I'm proud to be a part of it nonetheless!! 💖🇲🇽💖🇲🇽💖🇲🇽💖🇲🇽💖🇲🇽💖

To celebrate I'm gonna imagine showing my f/os things from Mexican culture where applicable > u <