#discussing influence artificial

[fora-h]

Navigating the Global Landscape:

"Unveiling the Top 5 Influential Events Shaping Our World Today".

#For_Human's_Life

https://href.li/?https://forhumanslife.blogspot.com/

[johnbrand]

Sister's New Boyfriend

“C’mon bro, didn’t you miss this?” Scott teased, his giant Size 13 foot plopped onto the coffee table in front of me.

“Cut it out, Scott,” I hissed, knowing my sister was bound to call us into the kitchen any minute now.

“Why should I?” Scott cockily grinned. “We both know you want to.”

I held back the scarlet that threatened to color my face. “That’s not true.”

“It’s only been what, seven or eight years since high school?” Scott’s grin shifted into an exaggerated frown. “Surely you haven't forgotten me, have you? And all the fun times we had together?”

Unfortunately I had not forgotten Scott, or the “fun times” he was referring to. The constant bullying; harassment and name-calling and even a few bouts of abuse. It was painful for me to reflect on, both of us being the same age and yet being emotionally attacked by a man double my size. Since those years, the gym and my therapist had helped me move past those vulnerable times. Even though I had struggled to find a relationship, I was stronger now; a fighter well-off with a supportive network. 

“Luckily for you, I’ve moved on,” I snarked, sizing Scott up.

“I don’t think you have,” Scott’s smirk returned. “Otherwise you would’ve left as soon as you saw me.”

I had not expected Scott to be my sister’s new boyfriend. The man she had been gloating about for months, this “kind, sensible, loyal” being that had corrupted her life to the point that he was all she would talk about. I would have never assumed my sister–my older, highly educated sister–to end up with the malevolent jock who had destroyed my ego all those years ago. And after brief introductions, in which I realized I was still physically smaller than my former tormentor, I quickly sensed the looming danger of the situation.

“I’m not going to abandon my sister,” I retorted.

“You’re not going to abandon your commands, either,” Scott shot back, a bit to my confusion. Scott had apparently dropped out of college, but had become a fitness influencer in the years since, pulling in huge financial figures. It was difficult not to reflect on the fact that even though I had a degree, Scott had still come out on top. “Stop lying to yourself, buddy.”

Instead of another backhanded defense, I felt myself a slow warmth settling in his bones. My frustration subsided as a peaceful, almost artificial calm crawled over. My usual worries were smoothing over, something that Scott recognized immediately.

“Yeah, that’s it, buddy.” Again, the word sent a pleasurable warmth all across my frame, tingling my toes and twitching the corners of my mouth into the beginnings of a dopey smile. “I see a few years apart hasn’t weakened my conditioning on you at all, has it?”

I knew better than to answer. In therapy, I thought I had discussed all my qualms with Scott. Every single memory I could recover was heavily investigated, scrutinized, and then analyzed to create a plan for my future proceedings. But it was not until that very moment, in my sister’s living room reunited with my high school bully, that I realized I had only covered half of the relationship Scott had created for us. The memories my therapist and I had discussed, those were only the ones Scott had allowed me to remember.

“No Sir,” I replied, the title suddenly feeling appropriate. “Not at all. I still jack off to the thought of your magnificence at least twice a week as you instructed, Sir.”

My pupils inflated as Scott’s smirk grew sinister; this truth being revealed to both of us. 

“What, you didn’t think I just let you go after graduation, did you?” Scott’s words cut right to the bone, my embarrassment finally flushing my face. “I guess my hypnosis was better than I thought it was back then. I like to keep all my boys on a leash, in case they ever become useful to me again.”

Before I could respond, Scott snapped his finger and pointed back at his foot. Immediately, I was kneeling before him, my nose inhaling his godly scent and my tongue running across the holy valleys of his sole. Every breath sent another wave of affection across me, the submissive alter ego Scott had created for me back in high school overriding all the defenses I had built up since then.

“Who’d have thought one of them would eventually become my brother-in-law?” Scott commented. Even as my former life and independence was quickly evaporating, his smug victory brought a single tear to my eye. 

“I thought I was going to break the news!” My sister yelled from the kitchen, finally entering the conversation but apparently oblivious to what was actually happening. “Dinner will be set in a minute!”

“Thanks babe,” Scott called back, before searing his eyes straight through me. “Hope you’re ready to be an uncle too, buddy.”

That revelation snapped what was left of my free will. But now, I had more important things to worry about, like tending to Scott’s feet.

[inhuman-obey-me]

Celestials and Saltiness: Lessons 48/49

HAHAHAHA of course while we had irl stuff going on and couldn't go through the lessons for a couple weeks, was when the Big Stuff drops. But we have caught up, and hoo boy, there is plenty to discuss. So let's discuss! Strap in, it's a long one.

(MAJOR spoilers for NB lesson 48/49 below the cut)

The Situation

Let's start with what's actually happening. Hey, remember when the devs decided Simeon is a human now as punishment over the whole stealing the Ring of Light situation? SURPRISE, they've decided he's becoming a demon after all! You know, like all of us fucking expected of what happens to angels when they are punished and fall? Yeah, that.

As it turns out, despite the whole "I'm human now" gradual reveal across two whole fucking seasons, they've now decided this has been going on since basically all the way back to his human world cafe days in OG Season 3 to say he was starting to become a demon even back then, or at least so Solomon theorizes. So...basically the entire length of his "human" punishment thus far. Cool, cool, we're sure that's totally not a retcon due to the devs realizing they wrote themselves into a corner. Definitely had a plan all along, that's why they bought themselves 2 seasons of Nightbringer time travel shenanigans of time before getting into this. Totally.

Anyway, setting aside the salt (for now), we are told that this demonic aura has been starting to appear whenever he feels deep emotions, somewhat similar to how power manifests for the brothers. Solomon tells us that it's because Simeon has a unique ability to access his latent power - which is an interesting little tidbit to note, as it implies that they took away his angel powers but he has his own inherent powers which he was just never able to access until now. We have long held the headcanon that God artificially limits angels' power, so it's very interesting to us to see that it may be suggesting something similar here.

On a related minor worldbuilding note, this does confirm the detail that celestial power has a distinctly opposite feeling than demonic power, meaning that their magic and powers are not neutral. And we also get an in-game reminder that demons do not like angels, so in this situation, it would be expected that an average demon might think an angel deserves to fall and want to torture/kill them if given the chance.

By the way, all of this is going on during the Science Fair Chemistry competition specifically, which is...an interesting parallel to say the least. Chemistry is the science concerned with matter -- including its composition, structure, and how it changes down to the molecular level. We've always been of the opinion that Simeon just turning into a human was odd as it's been established that demons and angels have different physiology in comparison to humans (like how Demonus can get both demons and angels drunk, but doesn't affect humans). Simeon turning into a demon with the absence of his angel powers makes sense.

Celestial Realm Reactions

Now, the consequences.

First, let's look at the political implications. Diavolo, Barbatos, and Lucifer know that this does not bode well for relations between the Realms. After all, what will the Celestial Realm think, having one of their own turning into a demon after they sent them to the Devildom for the exchange program? Especially considering everything that happened with Lucifer and the Great Celestial War, it would be very easy to point a finger at Diavolo and the Devildom for being a corrupting influence.

Lucifer also mentions that Simeon is currently not allowed through the gates into the Celestial Realm without first obtaining forgiveness. However, that status as a human is an ongoing punishment (think of a kid being grounded by parents), not a one-and-done thing, opening up an implication that this transformation is not necessarily intended to be permanent. That's also totally not a retcon, we're sure! If he turns into a demon, that challenges the supposed punishment and calls into question which realm actually has a claim to him -- in a situation where both answers would have precarious implications for Diavolo's peace plan.

So, that's the Celestial Realm as a whole, on a political level. But let's take a look at the individual angels we know too, shall we?

First, there's the big question mark of Michael. We know that he's the one who called Simeon back to the Celestial Realm about the Ring of Light, and we also know that he is in fact the one Simeon stole it from. However, Lucifer assumes Michael is planning to bring Simeon back to the Celestial Realm when he gets the chance, so it seems like he was not actually the one to decide on this punishment and may actually be working to end it. And interestingly, this would not be the first time Michael has acted on his own to seemingly try to cancel out a punishment from God -- as a reminder, he also went off to the Devildom disguised himself as Raphael to try to invite the brothers back at the end of NB Season 1!

Considering Lucifer's insistence that Father would never forgive him, plus his Cocytus punishment at the end of NB Season 2, it does seem like Michael probably didn't have permission from God to go inviting them back. If he's also looking to reverse Simeon's punishment, that would show a surprising rebelliousness from the top angel of the Celestial Realm! So it will be interesting to see how Michael's role in this whole situation unfolds.

Then, we have our sweet baby angel Luke -- who ends up crying himself to the point of passing out when he finds out. He's grown a lot since he first arrived to the Devildom, no longer thinking that all demons are inherently evil monsters -- but he's still very proud to be an angel. He loves Simeon dearly, as the one who has acted as a parental figure of sorts for him this entire time. Luke is adamant about protecting and helping Simeon in any way he can, even if he's not sure what can really be done.

However, this sets up quite the conflict for the poor boy. He was too young to know Lucifer and the other brothers at the time of the Great Celestial War, so this is his first time reckoning with an angel he's known personally becoming a demon. And on top of that, this began with the Celestial Realm's decision to punish Simeon for taking the Ring of Light -- saving MC and Lucifer, and stabilizing MC's "ring" to essentially save all of the Three Realms.

In other words, Simeon is becoming a demon now for saving everyone. So it begs the question -- will Luke, who has unquestioningly believed in the Celestial Realm until now, start seeing his home in a different light after all of this?

Then there's the next-youngest angel, and the newest in the cast -- Raphael. We didn't see too much of him, but we get enough that it's clear he's not taking this news well either. It's assumed he was suddenly called to the Celestial Realm because of this development, though we don't know exactly what they say to him about it, and when he returns, he's in a daze. We see Mephistopheles being the one to actually first run into him and try to talk to him, but he is mainly met with a very out-of-it angel, and he then takes him out to have his family's special Demonus because it's clear Raphael is distressed. In another scene, we see Thirteen run into a now spaced-out Mephisto and he asks her a "hypothetical" -- what happens when an angel reaches their limit? Also, Solmare, are y'all setting up RaphaelxMephisto as a ship?

And then, of course, we have the angel of the hour -- or rather, ex-angel. And Simeon's reaction to this change is...not so bad, actually. It's one of understandable confusion but also a kind of near acceptance. We've always been convinced that the reason Simeon was demoted after the Celestial War was because he stayed neutral and refused to fight. And how Simeon discusses the past in Lesson 49 suggests similarly -- he has always had regrets over not joining Lucifer, because he couldn't. Now that it seems he is possibly turning into a demon, he can't help but wonder how things could have been different if he had.

He mentions how he feels less unsure about this than turning into a human, as he always did want to be closer to the brothers, and didn't like that he was different from them. In that sense, turning into a demon doesn't seem so bad to him -- though he also doesn't have control over these powers yet, so he needs to be careful. And, if you choose the "are you a bad boy at heart" option, he mentions that maybe his loyalty to the Celestial Realm is lacking -- pretty understandable, after all he's seen from them and all they've put him through...!

And Then There's the Shady Sorcerer...

Now, that's all complicated enough for that delicate, delicate balance between the Celestial Realm and the Devildom, but let's not forget there's one more realm in the "Three" Realms, with one very conspicuously powerful representative here in our cast.

And so, where is Solomon in all of this? Well, we know he placed a protection charm on Simeon to protect him when it was thought that he was a "defenseless" human, so that even if a lesser demon messed with him, they'd be in for a world of pain. He was also, it seems, the first one to notice Simeon starting to transform into a demon, but kept that information to himself until confronted about it. Lucifer opens up to us that he can't help but wonder if there's some kind of connection between the sorcerer's activities back in the human realm and Simeon's predicament, feeling some doubts even if it seems everyone relies on Solomon and trusts him. And after all, Lucifer would be a demon with a good reason to distrust Solomon, since the sorcerer has long been after a pact with him, even on top of all the many powerful pacts he already holds with others.

Lucifer brings up some of his concerns to Solomon by asking him why he's been going back and forth to the human world so much -- to which Solomon answers that's making some preparations for unlikely scenarios. He insists it's not important, but we wonder...

Back in OG Season 2, Solomon knew about MC's "ring" which was putting the Three Realms at risk, and he secretly swiped the Night Dagger from the Reaper's Cave as a potential solution. His top priority, as we've seen, has always been protecting humanity from the battling influences of the other two realms. We know that's also part of his mysterious deal with Nightbringer.

So what possible plans and preparations could Solomon be making, and for what unlikely scenarios? Another war? Another imbalance of power? We'll see what awaits with this whole new situation...

[artsekey]

I really hate how ads have taken over the internet. On one hand, I know that hosting a website costs money, right? And ad revenue is one of the simplest ways for free-to-use websites to cover their operating costs.

My question is-- and I would genuinely love an answer-- is this ever going to stop? Tumblr ran for a long time without ads. So did Youtube. I know that the cost of hosting so much media has gone up, but there are a lot of users on these websites that make the content that drives people to use the service that don't see any of the money generated by this revenue. On Youtube, there's at least a way for creators to make some money from what they do. For most, it isn't much, but the opportunity is there. On Tumblr, well... the ability to convert the visibility of my blog into any financial gain practically nonexistent, though they did at one point promise that users would be able to make money from ads run on their blogs (whatever happened to that, Staff?).

"You can pay to avoid seeing ads!" Tumblr says, as if the views on my main blog alone over the past few years have not generated more than enough ad revenue to cover the price they're asking me to pay, the person who is actively making content that brings eyes to their ads.

I'm not mad at Tumblr for hosting ads. I get that it has to happen because it's the easiest way to keep the site free, and honestly, I imagine Tumblr's staunch opposition to monetization has been a real obstacle for the team building Tumblr. But at the same time, it feels like yet another small concession in the usability of the site. I'm tired of ads that auto-play with blaring audio while I'm scrolling. I'm tired of adds that, if I touch them while trying to scroll past them, take me to an external site. Outside of tumblr, I'm tired of looking for information online only to get a webpage that's 95% ads and otherwise illegible. Hell, I recently got an ad on Discord. Was it unobtrusive? Maybe. But it was there, for the first time, and I know that won't be the end.

I know the first reply I'm going to get on this is "use adblock", and yes, that's a solution, but think about how much the landscape for media has changed in just ten years.

Popular forums are basically gone outside of reddit.

Youtube, without Red, is ad hell. You can't watch more than 3-4 minutes of video without getting sent to marketing hell.

Instagram, Tumblr, Twitter-- it's terrible. I firmly believe they've manufactured a worse experience through the implementation of ads to convince you to buy into their premium services.

Just Check out this video of Penguinz0 trying to watch a video on a third-party site.

There's discussion of putting ads into video games.

Remember when games didn't include micro-transactions? Blizzard is charging $70 for one mythic skin. You could almost buy Overwatch 1 twice-over at that price-point.

Influencers make a living by making their lives into advertisements.

Youtube has retaliated against users using ad-block on non-chrome browsers by artificially inflating the load times of it's videos.

What can we do about this? I imagine companies see it as an infinite money hack; users can't stop companies from hosting ads, and the action they could take to voice their displeasure-- leaving the site, using other competitive services-- has been all but obliterated thanks to the homogeneity of popular social media outlets. If someone is truly so incensed about ads, well-- it isn't like they have to engage with them, right? They can enroll in a cheap, auto-renewing service to get rid of ads entirely. Well, wait, the price of premium might just have to go up. Don't worry, it's auto-renewing! You won't even notice it. Oh, no, it's got to go up again, you won't even notice it.

There's no incentive for them to cap this behavior, and no way for us as users to pressure them to do so. We create these spaces; we fill them with color, art, activism, community, and the companies that ride on the tailcoat of the spaces we create tell us to give them more. What comes next?

[koimethehorizon]

Fionna and Cake theory: Simon the Artist

Nothing like a good old creative panic attack.

Fionna and Cake good. Haven’t been excited about a show like this in a long time, though it being a part of Adventure Time does help quite a bit. I was holding on to some cautious optimism for the show when it was announced as yet another big IP series covering the multiverse (still waiting to groan at THAT scene where Prismo has to explain to us about there being infinite universes), but as usual, Adventure Time’s crew continues to surprise me with its creativity, humor, and thematic resonance.

The most striking part about Fionna and Cake so far is just how deliberately the show wants us to differentiate it from the original Adventure Time.

We’re getting shots where Simon pops an artery from his arm, a theme song that explicitly talks about suicidal ideation, discussions of rent and financial problems, and curses no longer disguised with AT’s usual dialogue. Adventure Time has always had violence, thematic density, and juvenile rating pushers, but they were always reserved at small points. Meanwhile, these are factors that are just casually shown and discussed in Fionna and Cake every 3 minutes or so. This is not an all-ages miniseries, it’s for young adults. (hint: this will be relevant later)

Let’s get right into it. This is much less a speculative lore theory and more on what thematic direction the story may be going.

Before we do, let’s get this out of the way first. This theory assumes that the current Fionna and Cake world is all a part of Simon’s head and not merely a separate multiverse, which… I’m certain is fact for the following reasons.

The immediately obvious piece is that Fionna and Cake was always the Ice King’s fanfiction. Now if you’re versed in AT’s continuity you’re probably going to be asking about the red light in Fionna and Cake + Fionna and… I’ve no answer for it unfortunately. It’ll probably be relevant later in the series and possibly age this post like milk but for now, we’re not here to focus on the how, but the why.

Second is that the intro and the ending of Ep 2 literally show Fionna’s world spilling right out of Simon’s head like an animated world out of a frozen brain. If that isn’t clear enough-

Didn't realize this until writing, but these glasses are just plastic made to look like Betty's

There’s no other explanation for this other than that this world is artificial or influenced by Simon in some sense. Fionna even specifies that the statue went under renovation 12 years ago, but nobody seems to know who it is. Considering how Finn looks in the episode, it’s likely that it’s been that long since Betty’s sacrifice in the finale.

With that out of the way, here it goes.

The reason Fionna and Cake exist in the first place is because the creators found Natasha Allegri’s genderswap designs charming and wanted an in-universe reason to use them the Ice King wanted to create trashy, wish fulfillment through art. It was a phase.

Definitely changed that image for publishing.

Simon can argue if they’re good or bad but it’s undeniably his art. It’s not just a portfolio he left behind in a closet, it’s an experience that was shared with a larger audience.

And even if wasn’t liked at first, the citizens of Ooo seemed to have come around to it. And some of them love it!

Whether Simon likes it or not, he has a fan base that is so endeared to the story he made all those years ago that they demand he makes more. Why let a good story, loved by many, go to rest when you still have some life and creativity left in you?

Can't move on in more ways than one.

Except, the problem is that Simon isn’t Ice King anymore. He’s aged out of it.

His real passion is history, he's an adult who who finds passion in the mundane and antiques from the past. And frankly, there isn’t much room for wish-fulfillment and fantasy anymore. Simon has responsibilities. He has a job and a daughter in a world that is moving faster than he can process.

And where Ice King wrote about looking for love, Simon has already had it.

And lost it. His mind isn’t focused on the rosiness of finding new love, it’s grieving the one he already thought was the one.

Wasn't he supposed to be good with kids?

Despite his new life experiences, all his peers seem to want from him is to make more of what they’re familiar with.

A story made from wants and wishes that he doesn’t even have anymore.

A story that was literally made by someone else at a different time. It’s a fiction he cannot connect to anymore, art that he’s embarrassed by. Yet also jealous of. Because at one point, the body Simon used to be in understood what exactly was missing from his life and could express that easily.

Seeing it again is like experiencing a retrospection of a cringey loser you don’t want to imagine having ever been. It’s not you anymore, and you don’t want to be reminded of that.

Because despite him having a new creative passion, no one seems to care about that. All they want is Fionna and Cake. And what is more lonely than other people misunderstanding what you’re trying to express?

If I failed to make it clear somehow, my theory is that: Simon’s relationship with Fionna and Cake is a metaphor for creators growing out of their art. And this new Fionna and Cake world is still comfort art born out of Simon’s current desires and perceptions.

The snippet subtitles this “child holding a phone”. I guess I’m wrong. Essay over.

Episode 1 and 2 both have direct parallels with each other. They’re both about a protagonist who are feeling displaced from their world, living a phase of losing a significant other, leaving a thankless job, wearing a mask of stability in front of the people they care for, seeking a guru at the heart of the forest, and concluding that they no longer belong in their current world.

But more importantly, Fionna and Cake (the characters, the world, and the show) are no longer for an all-ages crowd. Fionna and Cake now feature young adults, curses, gore, alcohol, partial nudity, financial issues, morning routines, mid-life crisis, and overt suicidal ideation. These are the feelings that Simon relates to and possibly desires to express through art. Thus, his story and our new miniseries have warped that way.

Am I overthinking this? No. How dare you assume that.

Is equating the unconscious writings of his dementia-ridden self to Simon as his younger self seem a bit odd? ….Kinda. Again, it’s not the how but the why that matters in this case. I'm NOT crazy, I have proof that there is some acknowledgment of this directly in the show.

Rewatch the bar scene and apply this reading of the episode to what Simon says there:

“Your old stuff, Fionna and Cake, honest to glob my man, is an inspiration to me.”

“My old stuff, I don’t really want to talk about my old stuff…”

“Why not? You should be proud! You wrote an entire extended universe in a fugue state if you think about it.”

"Simon cringes"

If you have ever shared art with a group of people in the past, you’ve had this conversation.

Not likely, not possibly, no perhapses. You HAVE.

And Fionna and Cake being an epilogue to a massive award-winning, near-decade-spanning, cultural sensation 5 years after it ended, might result in its creators feeling very retrospective about what audiences want from them now.

And how difficult it’s going to be to tell new experiences and tones from what’s come before. Also, come on. “Extended Universe?” That doesn’t sound like Fionna and Cake. That sounds a lot like something else.

Again, seems bad with this kid.

One of the more profound shots in the main trailer for the show features the inconspicuously Finn-like kid crouching at her Fionna and Cake book in Simon’s trash. I believe this character is going to have a major role in two ways. Convincing Simon to be proud of what he’s accomplished and/or embracing that Simon wants to move away from his original work in order to create something new, or perhaps more likely, reinvent Fionna and Cake into what Simon relates to now.

We’ll just have to see what Simon thinks of his new Fionna next week.

PS. Talking as a fan now, WHAT IS UP WITH THE 1000+ TREEHOUSE IN THE INTRO?!!! ARE WE REVISITING THIS TIMELINE AGAIN?

SOMEONE TELL ME NOW!!!

[puzzleddonkey]

Forgot to Lore dump about meeks. Basically, they're artificial sentient life designed to rival the short financial success of the Moon Mite franchise during its prime.. being even shorter-lived because of how unstable these critters were (and this would be before the Moon Mite Incident).

" The Pugs of artificial sapient lifeforms. Made for the sole purpose of competing with the moon mite franchise (pre-incident), and instead sparked a very heated discussion on the limitations of creating artificial life, ESPECIALLY sapient life. It didn't help that meeks were designed to be as close as possible to a "living doll, having very "cutesy bodies, fussy tempers, naive minds, small mouths, stubby, weak legs, and weaker bowels. Though the intended result was to make an adorable, empathetic, and intelligent pet that is fully dependent on its owners and can only be produced by the franchise, meeks instead ended up as disgusting, entitled, manipulative, and ignorant critters that breed and die in mass. Now ditched in the streets of shady planets, some meeks have gotten crueler, but some can become genuine companions if patient enough. However, one's patience can easily run thin with these meeks, especially when they can say and do the shittiest things to rile you up. It's one thing to shit on the carpet or destroy clothing, but it's another to insult you for your shortcomings, wish you'd endure graphic scenarios and purposely trigger any trauma response just because you didn't let them finish humping their own pile of shit. They're sapient but built so fucked up that their minds are fucked up, only getting worse as street rats. Which is why other species violently despise them. How else would you respond to a street meek screaming that they'll hump and shit on the corpse of your deceased loved ones? Doesn't help that they're also telepathic, but only capable of reading thoughts which is one of the biggest factors as to why they end up so cruel, their focus is often on the intrusive thoughts, influencing the meek. Very few realize that those thoughts are meant to be ignored."

Also doodles of meek variants that are more cunning, more somewhat civilized than their more pest-like counterparts.

[nostalgebraist]

Steve DeCanio, an ex-Berkeley activist now doing graduate work at M.I.T., is a good example of a legion of young radicals who know they have lost their influence but have no clear idea how to get it back again. “The alliance between hippies and political radicals is bound to break up,” he said in a recent letter. “There’s just too big a jump from the slogan of ‘Flower Power’ to the deadly realm of politics. Something has to give, and drugs are too ready-made as opiates of the people for the bastards (the police) to fail to take advantage of it.” Decanio spent three months in various Bay Area jails as a result of his civil rights activities and now he is lying low for a while, waiting for an opening. “I’m spending an amazing amount of time studying,” he wrote. “It’s mainly because I’m scared; three months on the bottom of humanity’s trash heap got to me worse than it’s healthy to admit. The country is going to hell, the left is going to pot, but not me. I still want to figure out a way to win.”

Re-reading Hunter S. Thompson's 1967 article about Haight-Ashbury, I thought: "huh, this guy sounds like he's going places. I wonder whether he ever did 'figure out a way to win'?"

So I web searched his name, and ... huh!

My current research interests include Artificial Intelligence, philosophy of the social sciences, and the economics of climate change. Several years ago I examined the consequences of computational limits for economics and social theory in Limits of Economic and Social Knowledge (Palgrave Macmillan, 2013).  Over the course of my academic career I have worked in the fields of global environmental protection, the theory of the firm, and economic history.  I have written about both the contributions and misuse of economics for long-run policy issues such as climate change and stratospheric ozone layer protection.  An earlier book, Economic Models of Climate Change: A Critique (Palgrave Macmillan, 2003), discussed the problems with conventional general equilibrium models applied to climate policy. From 1986 to 1987 I served as Senior Staff Economist at the President’s Council of Economic Advisers. I have been a member of the United Nations Environment Programme’s Economic Options Panel, which reviewed the economic aspects of the Montreal Protocol on Substances that Deplete the Ozone Layer, and I served as Co-Chair of the Montreal Protocol’s Agricultural Economics Task Force of the Technical and Economics Assessment Panel. I participated in the Intergovernmental Panel on Climate Change that shared the 2007 Nobel Peace Prize, and was a recipient of the Leontief Prize for Advancing the Frontiers of Economic Thought in 2007. In 1996 I was honored with a Stratospheric Ozone Protection Award, and in 2007 a “Best of the Best” Stratospheric Ozone Protection Award from the U.S. Environmental Protection Agency. I served as Director of the UCSB Washington Program from 2004 to 2009.

I don't know whether this successful academic career would count as "winning" by his own 1967 standards. But it was a pleasant surprise to find anything noteworthy about the guy at all, given that he was quoted as a non-public figure in a >50-year-old article.

[rubra-wav]

Vox HCs #4: Theories about how he works like biologically

Cw: Sfw - but discussion about non-sexual anatomy type stuff

A/N because I've thought way too much about the logistics of him and robotic/tech demons and how they work/could work way too much. 💀 These are just some of the things I've thought about

- The main thing I see people wondering about is his face and how he drinks stuff, kisses people, etc.

- I think that the screen of his face is a full screen in its resting state, but he can influence the way it kind of functions/presents. ie. Manipulating the area around his mouth so he actually does have a mouth and its not just a projection on his screen.

- I don't think his mouth is a constant actual 3 dimensional thing though and is rather something he can change at will whenever he sees fit.

- If you were to touch it just in casual day to do life, his mouth would just be the screen / 2d.

- Also, I don't think his mouth feels like a normal mouth. If you were to kiss him I feel like his lips would not feel exactly like normal lips, and that his lips and tongue would kind of have that kind of static electricity sensation to them.

- Like if he were to lick you, I feel like you'd get that kind of static electricity sensation that makes your hair stand on its end.

- I'm not too sure about the rest of his face though. Maybe he can manipulate the rest of his face to become more 3 dimensional, but I don't think he would do it often as it's not necessary.

- Due to him being seen drinking during season 1, I think it's safe to assume that the way his internal functions are designed are relatively similar to normal humans.

- I believe he'd also have a somewhat similar body system as well. However, it just would be like metal parts, wires and artificial stuff underneath his skin rather than actual muscle, veins, ligaments, organs, bodily fluids, etc. Etc. That mirror those bodily systems.

- Having said that though, I do think parts of him are sensitive to being damaged by water. He may be just fine drinking water and liquids, but if they got in his ports (like on the back of his head), that would be bad.

- Because he prides himself on being up to date tech wise, he'd likely be waterproofed to a degree, but it still wouldn't be good. I can imagine him being damaged by it and bluescreening and forcefully shutting down to prevent any further damage to his less human reminiscent systems. (Do you think he lays down in rice when that happens? 💀)

- Also, I do not think he technically needs to eat or drink stuff. Judging by the fact he can plug into things (like how in the Stayed Gone video he plugs into all the computers and stuff), I think his main energy source would actually be charging using electrical wires and stuff.

- I think that him eating and drinking is just a preference of his, and that other demons who are similar to him wouldn't need to eat or drink. He can still get energy that way, but it's less efficient and more of just a preference/reminiscent of his past life as a human that he's held onto all this time.

- I also don't think he really 'sleeps' in the traditional sense or needs to sleep? He can likely regain power that way, but he wouldn't really need to sleep and could just stay awake all day and night if he's connected to a suitable charging source every couple of hours.

- I do think he would like powering down/switching off for a bit to rest though - just to not go crazy. Even if you wont die from lack of sleep, it's still nice to not have to think about things for a couple of hours.

Now I'm thinking about him laying down in rice after trying to go swimming without water proofing himself properly while bitching lmao.

[sleeplesssmoll]

Reverse 1999 Theory: What is "Perception" and how does it work in arcanists?

Vertin canonically has uncanny perception and a deep understanding for arcanum even amongst arcanists, despite her lack of skill. Arcanists are very sensitive, or rather, vulnerable to emotions. There is another arcanist known for her perception we can look at for more clues.

Mesmer Jr. also has a "acute perception", much like Vertin.

In Reverse 1999, Perception functions like a 6th sense in arcanists. But how does it work? I looked up to see if there is a connection between magnetic fields and emotions. Turns out there is A LOT. Specifically the magnetic field radiated by the heart.

Biomagnetic Communication Between People (source).

We have found there is a direct relationship between the heart-rhythm patterns and the spectral information encoded in the frequency spectra of the magnetic field radiated by the heart. Thus, information about a person’s emotional state is encoded in the heart’s magnetic field and is communicated throughout the body and into the external environment.

There is so much cool information in this article I'd love to gush about, but we're here for lore. Remember my psychube post that I never shut up about? It's actually missing very important information that I didn't add at the time because I could not figure out how it worked.

Polarization:

The different frequencies are triggered by different kinds of emotions and we can see the heart being affected by the electromagnetic fields. My theory is that this is the key to arcanist perception. This is how they "sense" emotions. They are picking up on these frequencies. For a real life example from the same article, look at these graphs showing how the influence of emotions:

Most people tend to think of communication solely in terms of overt signals expressed through facial movements, voice qualities, gestures and body movements. However, evidence now supports the perspective that a subtle yet influential electromagnetic or "energetic" communication system operates just below our conscious level of awareness. The following section will discuss data that suggests this energetic system contributes to the "magnetic" attractions or repulsions that occur between individuals.

Arcanists sense these waves and it can cause distress in them. Mesmer Jr. is a prime example of this. Other people's emotions get to her.

Now how does this tie into our beloved Timekeeper?

What if the reason Vertin has to stay "stoic" is because her emotions can influence the others around her and because she is extra susceptible to other people's incoming emotions. She needs to stay calm even in mental distress. Mesmer Jr. is also like this. She may come off as abrasive and snappy at times but she is described as a "an indifferent and refined machine" (Chapter 3: An Opened Sandwich). These two share a lot in common. They are both victims of trauma yet must operate in many emotionally taxing positions.

They even say "engraved in the heart" (although this could simply be word choice it really fits)!

Both Vertin and Mesmer Jr. struggle everyday to keep the their feelings at bay. Neither of them is "used" to this life but they have to keep up the facade for their sake and possibly for those around them.

The main story doesn't give us as much insight into Vertin's head but the traces do. She is always holding back, just like Mesmer.

Side note, do you remember the heartbeat we heard as Schneider was reversed? It raced. Interesting how later Schneider shows up in one of her dreams during Artificial Somnambulism. This could be an example of HF Polarization which generates strong and temporary mental images with very powerful emotions.

This also adds an extra layer to Vertin's interactions with others. She tried to get through to Druvis and Schneider, but as for Forget-me-not and Arcana, she didn't bother. Maybe their feelings of revenge and hatred are so tangible she knew it was lost cause. However, Druvis was laden with grief and loss. She was not a malicious person. Schneider was desperate and motivated by love for her family. Vertin even mentions she knew Madam Z was not part of Constantine's game by the "look in her eyes" and never blamed her for the loss of her friends.

If anything seems wrong or if I missed something, please let me know! I'd be happy if I could refine it further.

[sunflowersandcherryblossoms]

@quiterambunctious

You asked about the Reishi Pod concept.

I didn't want to make the other post even longer, so here it is...

Me and @mondengel2 had discussed how Byakuya and Ichigo could have kids without falling into the Mpreg trope.

We discussed each of our headcanons for how many kids and their names, and amidst this conversation, the Reishi Pod concept first appeared as an idea.

Mondengel ended up writing a ficlet on that Tumblr post which used the same concept but slightly different construction of pod.

When I begun writing My Dream Has Your Eyes I used that concept as a piece of machinery used exclusively by the Great Noble Houses.

The Reishi Pod is what would eventually spark the Artificial Souls development, with Kirio Hikifune basing her research on them but tweaking it a bit so that they could only develop the Artificial Souls' pills as we know them. Not complete living beings.

The pod itself is a type of reinforced glass, a translucent shield over it and finally a metal shield that encases everything, keeping the pod safe.

It has a dashboard attached with collecting spheres, in which the Reishi donors (aka the parents.) will set their hands on and the machine itself collects the right amount of Reishi from both of them.

There's four Reishi collecting processes per day and although it can be stopped at the seventh month, it's advisable to do so until the very end to prevent any issues with the baby.

It takes about one whole month for the Reishi to fully aggregate and form a fetus, a placenta that holds to the top of the Pod and, of course, the umbilical cord.

Some of the Reishi floats around the baby like amniotic liquid does in a biological pregnancy.

The Reishi Pod can only be used by two people. It will not function with only one person to prevent the Heads of the Clans to simply go on producing what's basically a clone of themselves.

The gender of the parents does not influence the gender of the child, since the Reishi itself can randomly create a boy or a girl, regardless...

The whole process need surveillance from a qualified member of the Fourth squad.

So, yeah... That's basically it.

[zvaigzdelasas]

[TIME is US Media]

U.S. and European officials are growing increasingly concerned about China’s accelerated push into the production of older-generation semiconductors and are debating new strategies to contain the country’s expansion. President Joe Biden implemented broad controls over China’s ability to secure the kind of advanced chips that power artificial-intelligence models and military applications. But Beijing responded by pouring billions into factories for the so-called legacy chips that haven’t been banned. Such chips are still essential throughout the global economy, critical components for everything from smartphones and electric vehicles to military hardware.

That’s sparked fresh fears about China’s potential influence and triggered talks of further reining in the Asian nation, according to people familiar with the matter, who asked not to be identified because the deliberations are private. The U.S. is determined to prevent chips from becoming a point of leverage for China, the people said.

Commerce Secretary Gina Raimondo alluded to the problem during a panel discussion last week at the American Enterprise Institute. “The amount of money that China is pouring into subsidizing what will be an excess capacity of mature chips and legacy chips—that’s a problem that we need to be thinking about and working with our allies to get ahead of,” she said.[...]

Legacy chips are typically considered those made with 28-nm equipment or above, technology introduced more than a decade ago. Senior E.U. and U.S. officials are concerned about Beijing’s drive to dominate this market for both economic and security reasons, the people said. They worry Chinese companies could dump their legacy chips on global markets in the future, driving foreign rivals out of business like in the solar industry, they said.[...]

domestic producers may be reluctant to invest in facilities that will have to compete with heavily subsidized Chinese plants. [...]

“The United States and its partners should be on guard to mitigate nonmarket behavior by China’s emerging semiconductor firms,”

While the U.S. rules introduced last October slowed down China’s development of advanced chipmaking capabilities, they left largely untouched [sic] the country’s ability to use techniques older than 14-nanometers. That has led Chinese firms to construct new plants faster than anywhere else in the world. They are forecast to build 26 fabs through 2026 that use 200-millimeter and 300-mm wafers, according to the trade group SEMI. That compares with 16 fabs for the Americas.

So what's the problem? is it that you suck at manufacturing & want more neoliberalism? That's what it seems like to me [31 Jul 23]

[erriga]

Pathologic and Edward Gordon Craig

In this episode, one very tired theatrology student will try to explain how Craig's ideas about actors and theatre in general might have factored into the way theatre is used in pathologic, especially when it comes to minor changes made between patho classic and 2. We'll talk about puppets vs actors, the role of directors and how it all relates to death. Yay!

SPOILERS FOR BOTH GAMES AHEAD

THEATRE IN PATHOLOGIC

So, anyone who's seen Codex Entry's video essays might be aware that Pathologic very visibly uses and plays with various theatrical ideas and concepts, especially when it comes to XXth century avantgarde movements. So far, Ruby has discussed the influences of Artaud (my boi), Brecht and Beckett, but today we're going to take a little step back and focus on one thinker who might have just been on of the most important theatre theorists ever and whose ideas definitely influenced all those that came after him. We're talking about our favorite theatre malcontent- Edward Gordon Craig

Soo, Craig was a theatre theoretician, actor, director, and founder of the magazine "The mask" back in the 1910s. In it, Craig would talk about his thoughts on theatre, which were largely counter-cultural, at least in comparison to the standard established back in the mid XIXth century. His works are often cited as fundamental to the Great Reform movement, which included among others, Stanislavsky, Reinhardt, and Appia. Their works paved the way towards avant garde theatre and a completely new understanding to it.

Now, why is Craig so important? Basically, he complained a lot and had very cool, albeit sometimes impossible ideas which were later inspired other in creative ways. His main ideas were:

Theatre is not a synthesis of other arts but rather something autonomical, unlike SOME OTHER PEOPLE THOUGHT (im loking at you wagner)

The director>>>>>>>> some dumb smelly actors

The actor shall one day be replaced by the Uber marrionette (tm)

Today we'll focus on those last two, since they are interconnected and most relevant in Pathologic.

The second point is pretty self-explanatory. Craig proposed that the director and their vision is the most important part of any given theatre show. The director should have a holistic vision, knowledge about all the arts participating in theatre and abilities to make their ideas reality. Before that, directors were more like the caretakers of shows, while the main focus was on the star actors. And this way of thinking leads us directly toooo:

THE UBER MARRIONETTE

(project by Oscar Schlemmer)

So, what is the uber marrionette? Basically it's a slightly esoteric idea that somewhere between puppets and living actors exists a form which would be perfectly responsive to the director's artistic vision. Human actors were ego-driven, restricted by their bodies and minds which generally not malleable enough to be a good material, even going so far as to suggest that acting is not an artform at all, since it is driven by chance and not specific intentions.

In contrast to that, Craig explained the nature of puppets- perfectly controlled, humble, objects of worship. And also symbols of death. Which he thought of as perfection. So, in some way, a perfect actor is a ...dead actor. Or, not literally dead, but posseing the perfect stasis of death, one usually assosciated with inanimate objects.

OK, WTF?

As I mentioned those ideas are very cool theories but are rather hard to actualize in the real world, especially since Craig was sometimes vague about what he ACTUALLY wanted to see. He would complain about people misinterpreting his works and declaring that he wants to replace actors with literal machines, while also never specifying what he actually meant. So different artists tried to bring his ideas to life, mostly by "mechanising" living actors, or using some blend of life and artificiality. In practice it was mostly shit like putting actors in giant metal pots and making them communicate in mono syllables to restrict their natural expressions od self as much as possible

OK, BUT HOW DOES THAT RELATE TO PATHOLOGIC?

So my theory is, that by portraying the player character(s) as puppets in classic, and as actors and tying all of this to the idea of death, the makers of PAthologic are playing (pun intended) with the concept of the uber marionnette and maybe even proposing a solution to this impossible problem.

Let's start with classic, because it's pretty straight forward. The characters are dolls/puppets (I'll be using those words interchangibly because fundamentally they serve the same purpose). The theatre itself is specifically said to host puppet shows (which is in itself a nod to the long standing tradition of folk puppetry in Russia and other eastern european countries)

Which in hindsight, are a direct reference to the fact that the very story you are playing is nothing more than a game/puppet performance hosted by in-world The Powers That Be and at the very top by the makers of Pathologic. In that way it is a very straight forward (but ultimately incorrect) use of the uber marionette- the player character is a humble vessel through which an idea is manifested. It's a puppet made out of polygons and lines of code instead of wood or felt. Your role as a player in this performance is two fold- you are both the puppeteer (the one who moves the dolls) and the spectator (because you are being told the story, not the other way around). What you are not is the Director- that role, personified by Mark Immortel and later by the Executor and Tragedian is out of reach for you. So, as you can see it's definitely using puppets, but not necessarily uber marrionetes.

AND THEN WE HAVE PATHO 2

So, the theatre inspirations in Patho 2 are a lot less...subtle than in classic, one of them being literally namedropping my boi Artaud's concept of the Theatre of Cruelty.

But what I want to focus on in this case is the seeming dissapearence of the puppet metaphor from the first game. You are no longer compared to a puppeteer moving a vessel, but to an actor inhabiting a role. A role which is in a way highly restrictive, since there are only four endings, and only two choices that actually impact what happens in the end (what you do with the documents, and whether you take the fellow travellers deal or not) You are faced with the idea that you are replacable, so your personal ego is not valuable to the director in universe and the game creators out of the universe. And finally, to make it even more interesting, you are in-universe faces with the neverending cycle of life and death, through the system of deaths having consequences/being part of the game's continuous timeline instead of just out of universe reloading. I think you might already see where i am going with this.

I THINK THAT THOSE TRAITS MAKE ARTEMY'S PORTRAYAL SIMILAR TO THE CONCEPT OF THE UBER MARRIONETTE

So not the concept itself, but something that heavily resembles the ideal version of what it could have been. Now, does it theory make perfect sense? No, but I thought it was a cool though experiment to do nontheless. The idea of an uber marionnette is onfusing theatrologists to this day, and many people have claimed to having founf a way to realize it, but since Craig himself was unclear about it, we will never know how relevan those tries were. But I still think that the topic of video games and theatre concepts is a fascinating one (that will probably be the topic of my bachelor's thesis lol), and pathologic is a perfect examples of those two ideas working together. If you have any other ideas about it, please let me know, and if you're interested i can make more posts about the theatrological angle of patho!!

[mitigatedchaos]

Election 2024

EigenRobot's opinion for you all this election eve.

I expect that whoever wins this election, I'm going to have to shift my writing towards the other side.

Unless Kamala suddenly becomes assertive and independent-minded, very much unlike what we've seen so far, and starts disciplining the left coalition, the capability of institutions is likely to continue to decline under a Harris administration, with something like an amnesty grant making direct future challenges less feasible. Today's left are off-the-charts conformist - I've never seen anything like it - and with this, there is a tremendous disregard for inconvenient reality in the face of social opinion. (It's anti-agentic, which is bad for the meta-rational thinking needed to update formal systems.)

Their selection criteria for personnel disregard merit in favor of credentials, and use credentials as political rewards. With each round the quality of personnel will get worse. This is not sustainable, so it will not be sustained - alternative institutions will have to grow in the shadow of declining state capacity.

If Trump wins, and they start cutting back on agencies, there is likely to be more economic growth, but Republicans don't have a good stack for actually replacing all of these agency personnel with highly agentic, highly intelligent, mission-driven individuals. In a sense, this limits the potential damage, as they'll have to continue hiring a lot of blues due to manpower shortages, just as they already do.

However, the reduction in agency power may lead to increased corporate power, leading to increased influence suppressing the re-emergence of agency power on a correct trajectory and lead to a cyberpunk dystopia. Today's US left aren't set up to even discuss how to prevent a cyberpunk dystopia, because they're all-in on censorship, to the point that they can't even consider the implications of the science fiction stuff happening all around them.

There are two big changes to the dimensions of human life coming down the pipes during the next 20 years.

The first is the obvious one, artificial intelligence. AI increases the dimensionality, the richness of the response, of machines in production systems. This makes capital, as controlled by AI, more like labor.

It is the opinion of Samo Burja that automation will not arrive fast enough to outpace tightness of labor supply caused by collapsing birthrates, which are falling all over the world.

The second big change is genetic engineering.

While people weren't paying attention, the FDA have approved multiple monogenic gene therapies. The costs are staggering now, running a range from around $500,000 to $3 million dollars, but if it's anything like gene sequencing costs, which fell from $100M to $1,000 per genome over about 25 years, it will fall rapidly towards the price of surgery.

If the price does fall, this means that a gene is no longer a life sentence. Something that's genetic will be more likely to be something that can be changed. Most major ideologies right now are based on the assumption that genes can't be changed. Gene therapy has not yet reached the periphery of people's social networks, so, mentally, people still treat it as "sci-fi."

So that's my assessment. The blue candidate is low-variance short-termism. The red candidate is high-variance medium-termism. You have to decide how comfortable you are with risk. You have to estimate what you think the current rate of burn is.

If you can't bring yourself to accept either of them, you can still vote and leave the "President" portion of the ballot blank.

The good news is, both vice presidential candidates are smarter and more civilized than both presidential candidates. For what it's worth, my read is that Vance is smarter and more focused on long-term issues than Walz.

[a-big-chicken-nerd]

i always imagined the way the forbidden scroll works was it like put artificial ideas and thoughts of assurance and self-righteousness in ur noggin that were indistinguishable from ur own regular thoughts. like it doesnt Talk To You it Influences You from the inside out

anyway ice emperor doesnt know what his own scepter is he has noo idea it messes with ur head at all. imagine if it made him think of something upsetting to him and he didnt know those thoughts werent even his haha would that be messed up or what

A pack of hostile wolves had been reported to have grown defensive of their territory surrounding a lake, one that was an important staple to one of the fisher villages. Several villagers had been attacked and injured by the beasts.

“It is my advice to you that you should send a few of your ice samurai to deal with the creatures there before any more harm is done,” Vex stated conclusively. 

It had taken the Emperor’s advisor several minutes to reach the point, among a decently long list of other happenings and concerns from his kingdom. The Emperor hardly minded Vex’s detailed long-windedness, though. The words were something clear, concise, and trustworthy to the cluttered fogginess of his own mind. 

“Send them then,” the Emperor agreed.

“It will be done as you command,” Vex nodded, unrolling the scroll he was reading from a bit further and moving on to the next point.

Vex was an excellent advisor. He could always be trusted to be on top of things regarding the well being of the kingdom. He would stand to the right of the throne and come up with the most efficient solutions to any issues, and the Emperor wouldn’t have to doubt them for a moment. The Emperor should get rid of Vex.

…

What? That last thought caused the Emperor to pause. Where did such an idea come from? He needed Vex.

Disturbed by his own thoughts, the Emperor refocused on Vex, who was still talking; halfway through a discussion about taxes now. There was no issue regarding them, it was simply a report for this period.

Perhaps he needed Vex too much. When was the last time the Emperor had bothered to gather information on his own kingdom? Or command action without blindly following Vex’s judgment?

It was because Vex’s judgment was always solid and his intel always thorough and trustworthy, that’s what made him such a good advisor.

But was he really just an advisor if he was the one truly running the show?

The Emperor closed his eyes. Taxes, taxes. Vex was talking to him, he needed to pay attention. He could trust Vex’s words.

What if Vex was deceptive in his intentions, and really he was just using the Emperor for his power? He should be punished for his deceit.

That wasn’t true, though. He didn’t believe that, he didn’t want to do that. Vex was his trusted advisor and friend.

Was that actually true? Or was that just what was easiest to believe? The advisor could not be trusted. Be rid of him.

The Emperor gripped his scepter, tilting it away from Vex as if it would give in to the impulsive thoughts on its own and do something regrettable. The tighter he held it, the louder the thoughts seemed to grow.

Be rid of him. Be rid of him. Be rid of him.

“My Emperor?”

The Emperor blinked and realized Vex’s concerned eyes were watching him, scroll rolled up and forgotten. In the same moment he noticed liquid pooling on the edge of his mask, and beginning to run down the front. He wiped the stuff away and it stained his glove a darker shade. His tears were strange that way; water would freeze far before it could come anywhere near his palace. Whatever he cried wasn’t water.

He should just kill that liar now and take back your kingdom. He should, even if it would pain him to do so.

“What troubles you?” Vex spoke again, softly.

Freeze him freeze him freeze him

Clutching his scepter as close as he could and doing his best to shrink away deeper into his throne (as unbefitting of an action as it was for a royal), he closed his eyes tight and hid them behind his glove. He growled out a sigh that did nothing to release the tension in his chest.

“Leave me, Vex,” the Emperor finally commanded.

There was a pause.

“Are you sure? I may be of assistance with whatever disturbs you.”

And now he questions your word. He cannot be trusted. Destroy him.

“You heard me,” the Emperor snapped shortly.

Another long pause before Vex finally responded with a simple “as you command, my Lord.” The throneroom sound doors closing behind him as he left echoed around the now empty room.

[strangenewwords]

If you have a therapist, please discuss with them their AI useage.

Many therapists are turning to various AI products to assist with workload. I am wholly against this, not because of that AI itself, but because I want complete transparency about where information from the session is being stored, and how it is being utilized.

There are a variety of tools, and some are much more worrisome than others.

According to the American Counseling Association:

"Recommendation: Maintain transparency and informed consent. Counselors should clearly inform clients about the use of AI tools in their counseling process, explaining their purpose and potential benefits (H.2.a). Obtain explicit informed consent from clients for the use of AI-assisted tools, ensuring they understand the implications and potential impact on their treatment."

However, this is just a recommendation at this point (the code of ethics is ten years old so they're working on a new version). But ask your therapist. Discuss how you feel about it. Make sure they're open with you.

[saturnrevolution]

2023 major transits

MARS GOES DIRECT - January 12th motivation, pleasure, will

After two and a half months in retrograde, Mars will finally be direct for the whole year. Mars is the planet of action-taking and will. We might have felt rather indecisive or confused, not really sure where to direct our attention during this transit, but as soon as Mars goes direct, we will be able to focus more, be more social and outgoing and open up to new information. However, it’s still in Gemini until March, so don’t expect to have solutions all of a sudden - but rather use this time to research and make sure that you read the right information. Collectively, this transit will help us put into action what we’ve researched, it will allow us to feel pleasure around the things we have been ignoring and we might be more active in our bodies.

SATURN IN PISCES - March 7th imagination meets reality Saturn has been in Aquarius since 2020 and we have finally learned the lessons of it. Starting in March, we will slowly ease into the wisdom of Saturn for the following three years. Saturn in Pisces is here to either bring order to chaos or bring chaos to order. We might learn to be more disciplined in our spiritual rituals, our goals and wishes, turning our art into something tangible and useful and setting emotional boundaries. But until we do so, we might experience a lack of boundaries, overindulgence in unhealthy habits or zoning out into our inner reality. Collectively, there might be more rules and laws that come up connected to art, as well as laws around drugs, alcohol, or mental health. Activism will become very impactful.

PLUTO IN AQUARIUS - March 23rd revolution in a digital world This is huge. Pluto has been in Capricorn since 2008 and will slowly shift into Aquarius for a sneak peek this year, while in 2024 it will go into Aquarius and stay there for the next 20 years. This energy will be one we will get used to. Pluto in Aquarius will look like understanding the reasoning behind pain, behind the world’s most dark doings, as a way to move forward and build a more self-aware environment in which we can live and feel safe. It’s about global warming, artificial intelligence, the darker side of technology, debates and ultimately, using authenticity to evoke greater feelings within us. This also looks like communities built on interests they share, especially in an online setting, but also not following rules. JUPITER IN TAURUS - May 16th money, money, money Coming from the energetic Aries, Jupiter will move into Taurus till 2024. This means growth in anything that has to do with the Taurus archetype. We are already in it with prices, money will be a very talked about subject. However, this also indicates us overindulging, overspending or having more possibility to earn fast. Also, this transit is great when it comes to feeling more stable, but it might make us want to cling onto things, not allow change to occur or overidentify with material things. There will be an increase in self-help books or subjects, self-worth discussions and it’s important to see what resonates with us. Spending time in nature, grounding, sustainability will also be big. It’s all about learning to balance both sides. VENUS RETROGRADE - July 22nd taming the beast within Venus goes retrograde every year and a half and this time it will be in the sign of Leo until September. This indicates a period of analyzing and rethinking our relationships, especially from the perspective of what gives us pleasure, what makes us feel alive and how we can bring more of that into our lives from within us - not from an external source. Once we do find that, we will be able to adjust to the new environment we want to create once it goes direct again. Also, Venus has to do with money as well, so it’s a time of considering how our spending might influence us and trying to bring back the things we were investing in as a kid or investing more in our kids and adopting a rather “spending by the heart” habit. MERCURY RETROGRADES IN EARTH SIGNS April 21st - in Taurus August 23rd - in Virgo December 13th - in Capricorn redirection of perfection

Yearly, Mercury goes retrograde in different signs. This year, the earth signs are being targeted. This indicates the fact that our grounding presence will be a bit shaken by the retrogrades and we will be forced to retrace our decisions, some of which might have seemed pretty stable to begin with. Mercury retrograde in Taurus will ask us to review the way we spend, the way we view our worth and what we value. Mercury retrograde in Virgo will ask us to review the way we talk to ourselves, our habits and eating styles, lifestyle and health. Mercury retrograde in Capricorn will ask us to review our career path and long-term goals. NORTH NODE IN ARIES SOUTH NODE IN LIBRA - July 17th

The nodes of the moon have been in the sign of Taurus and Scorpio and will be until July, when they shift into Aries and Libra. The South Node being in Scorpio has taught us how to embrace the dark, whilst it being in Libra will teach us how to let go of anything superficial and how to speak up instead. This will come in the form of lessons, in which we won’t feel heard or appreciated and so be pushed to speak. The North Node in Taurus till July is getting us closer to the inner stability we’ve been searching for, while it moving into Aries will amplify our need to express ourselves, take action and not let others dictate how to live. Collectively, we will move towards focusing on our body. LUNAR & SOLAR ECLIPSES Apr 20th - Solar eclipse in Aries May 5th - Lunar eclipse in Scorpio Oct 14th - Solar eclipse in Libra Oct 28th - Lunar eclipse in Taurus emotional back and forth The eclipses this year are a way for us to let go of the themes of the past year that have reached an end. We might be done with a project, finish paying a loan, letting go of heavy emotions that do not serve us. Instead, we are going to look forward to taking more risks, getting away from gossip and lower vibrations, we will embrace relationships with a newer light and be more open to mutual understanding. At the same time, we might stubbornly take decisions that we regret, rush into things or be slightly careless. All meant to help us grow.

check my 2023 PDF readings on my website www.saturnrevolution.com