#definitely a case to be made there

[seluneclerics]

Spoilers for Netflix’s Tomb Raider: The Legend of Lara Croft

so how are we feeling about ss endurance chat?

how much doomed yuri do you think i can handle before i tap out?

the way in one of the eps lara freaks out and just caves, deciding to call sam even though she’s been avoiding her after yamati situation… they need to reconcile with each other so bad it hurts, i’ll forever hate square for writing out their kiss and retconning their relationship because of dudebro homophobia. after watching all 8 eps, i’d say the series is def a 8.5/10 for me personally!! i love how much they’re leaning into this side of lara, and how much the other characters are willing to call her out lol

i know due to some of the themes it’s definitely gonna get shit on by dudebros and journalists alike, which makes enjoying it so much sweeter. there’s so much queer subtext with lara’s character here (and her relationship with sam) that it’s almost asinine to deny it. since they’re obviously setting up something with sam given the end of episode 8, i’m excited to see what direction season 2 goes, and what the reaction to that will be.

as for the plot, i think the villain of the season was okay, it’s definitely nice that they mirrored his trauma with that of lara’s own, though i think more could have been done with the whole “light organization” plot line. it felt like they were supposed to be trinity levels of bad, but we’re only really told about the bad things they’ve done, rather than shown it. there’s def room for improvement writing wise but all in all it was a good watch, would recommend if you’re a fan of the trilogy

the ss endurance subtext is so delicious. give me 15 of ‘em

[nidbaesenpai]

back at it again with the viet beam feat. jackpot combo against the king!

[moonlight-stalker]

# Dcu x Dp 177

Danny is having mix feelings his parents believed that his powers were the cause of ecto contaminated and was making him sick and slow killing.

While the bat's and birds think that he is also sick they belived that the powers he has have made him think he is dead and have given him something called walking corpse syndrome

The batfam believes that Danny is a meta with Cotard's syndrome and are trying to convince him that he is not dead. While also making sure that he does not die for real because of starvation or injury/infection.

Cotard's syndrome ( aslo called walking corpse) a rare mental disorder in which the affected person holds the believe that parts of their body are missing, or that they are dying, dead, or don't exist

[tha-star]

Batman: I will repeat myself, since it seems that you do not understand. No metahuman in my city.

Green Lantern (Jordan): So what is THIS?

Two kids flying around Batman, laughing, humming "grandpa, grandpa~", and playing with the "ears" in Batman's uniform.

The older one looks like Conner and Tim, the younger is like Jon and Damian.

Batman: Two exceptions.

[momentomori24]

I'm trying to crack the code at the bottom but I can't get away from Ford and Bill being bitter exes XD "Leaving you on read" Bitch I know what you are

[lopsaii]

Ace attorney has been eating up my summer so might as well post the doodles

[wilsonsmcgillsweatshirt]

I will never recover from the knowledge that thymoma generally has a very high survival rate, and in most cases that it becomes fatal, the patient has unknowingly lived with the cancer for years. There's a chance that Wilson was sick for half the series and didn't even know it.

[turtleblogatlast]

Mentioned this before but as much as I adore the medic Leo headcanon, my favorite type of it is when it’s basically just Leo knowing the most surface level of stuff and carrying around a super basic first-aid kit in his pack. So he knows how to use gauze, and he’s got a ton of Jupiter Jim branded bandaids, and if you really needed it then he can hit you up with some ibuprofen but other than that? Nothing.

But. I love the idea that that changes post-invasion.

They’re pretty sturdy, all of them, so they can take more than one beating and really only need a bandaid for the fun of it. But the invasion hit harder than ice packs and “lots of rest” would help with, and I can bet that a post being beaten to a pulp Leo would have a lot of time on his hands to reflect and, maybe, learn a thing or two as he waits to get better.

It’s nothing excessive, not at first, but he watches veterinary videos, and live surgeries, and other videos in that same realm (because the books are, uh, a bit too jargon-y for him) multiple times over. Just so he knows. Just in case he needs to know.

In his pack, there’s a first-aid kit. With the use of a mini portal for extra space, the kit has grown to include everything from scalpels to butterfly stitches to sutures to even fiberglass patches.

And obviously the Jupiter Jim brand bandaids stay too.

[pilkypills]

jewelry

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[charmac]

I hate to defend Rob but seeing Sunny teens on Twitter try to speculate he isn't "speaking up" about voting because he's hiding being a secret Trump supporter is so insanely ridiculous when campaign contributions in the United States is public information:

(Yeah. That's a $100,000.00 donation to a grassroots victory fund, on top of a ton of donations to swing states.)

It's almost like making public political statements on social media is heavily advised against when you're a showrunner/employer to hundreds of people.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[jesuis-assez]

↠ Tim & Lucy ↳ 2x10 - The Dark Side

[paper-is-paper]

In a shell nut, the Carew murder case

[aalghul]

to me, tim and duke occupy a similar position in the batfamily where they're clearly not (or previously weren't, in tim's case) bruce's sons but also clearly have a connection to bruce's children that separates them from barb, steph, helena, jean paul, etc. none of the latter three are dick's siblings, but tim nearly always has been, and then he's cass' too. even if he hadn't been adopted, this would be true. duke is jason's brother, and is implied to have a sibling relationship with cass and damian, and has even shown up in tim's picture of his brothers. this is not changed by the fact that duke should never be adopted.

[anghraine]

Fun fact: Imrahil of Dol Amroth is only ever described in LOTR as Denethor and Faramir's "kinsman", with no distinction ever made between how he's related to Denethor vs to Faramir. It's only later, when Faramir briefly thinks of his long-dead mother, that she is called "Finduilas of Amroth" and we can deduce that the family connection was likely between Denethor's wife and Imrahil, making him an in-law of Denethor but blood relative of Faramir. We're still not told exactly how Imrahil and Finduilas were related, though.

I always had the impression of a certain degree of tension between Imrahil and Denethor, and also of Imrahil being particularly concerned for Faramir, but his exact relationships with them are quite vague in the narrative. A lot of the names, dates, and family connections among the members of the house of Dol Amroth that we now accept as a matter of course are mainly from a separate document published in Peoples of Middle-earth that explains the most probable origin story for the house of Dol Amroth and has an attached family tree. IIRC the entire existence of Faramir and Éowyn's son Elboron is based on his inclusion in the Dol Amroth family tree in POME and he's never referenced in LOTR (and possibly not in anything else, actually?).

Tolkien definitely did imagine Imrahil and Finduilas as siblings regardless (e.g. I think he mentions it when observing that Denethor's natural beardlessness as an Elrosian Dúnadan would be reinforced in Boromir and Faramir by their additional Elvish heritage through Imrahil's sister), but he didn't actually say it in LOTR.

I do think it's important, though, because it's with this later information that Imrahil taking charge of Faramir's fallen body is conclusively revealed to not be simply a prince rescuing a vague "kinsman" of political/military importance, but specifically a man carrying his dead sister's last surviving child from a battlefield.

(No wonder he and Éomer bonded so much, honestly!)