#between them ~for their own good~

[see-arcane]

Van Helsing: “Mina you should not be involved any further for safety’s sake—“

Jonathan, thinking: Yes, she shouldn’t be put in Dracula’s reach, good good good—

Van Helsing: “—helpful as you’ve been every step of the way, you do still have a chronic case of Being a Girl and so cannot be trusted to keep up with us men and our man-work.”

Jonathan, personal heroes including Mina, Scheherazade, and Mina again, grinding his teeth into dust: …That Is. :) A Way to Frame It. :)

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)

[ninyard]

fox tweets (pt.2)

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[starry-bi-sky]

danny and officer martinez's relationship in "late at night, when the nightingale sings" in a nutshell:

Martinez: FREAK! GET YOUR FUCKING KID!

Battinson, on the other side of the crime scene: he don't bite

Martinez, with Nightingale firmly attached his arm, visibly biting him: YES HE DO!

*points at them* Danny is the Bugs Bunny to Martinez's Elmer Fudd.

Another Officer: i can't believe you're fighting with an actual twelve year old. Martinez: i swear to god that is not a twelve year old, that is a little hellion that crawled out of batman's shadow one dark and stormy night and decided to dedicate his existence to tormenting me. Officer: Are you really that mad about him putting a sticky note on your back-- Martinez: thats not the point

in danny's defense: the word "freak" is. a mini beserker button for him for.... obvious ghostly reasons, so like, even if its not directed at him, he still very much unappreciates Martinez's insults at Battinson. Danny may or may not be projecting.

he's not going to hurt the guy! not in any serious or permanently disfiguring way at least! But he is going to leave mean sticky notes on the square part of his spine that he can't reach, and stick salt in his 3AM Late Night Crime Scene Coffee, and kick the bottom of his heel while he's walking so he stumbles. And other petty, infuriating things that tally up and boil over, over time.

[nathanbellamy]

I'm not another wounded creature for your collection, Charles. I don’t need to be fixed.

Giffing notable moments from the xmen scripts, pt 8

(*, 1, 2, 3, 4, 5, 6, 7, 9, 10, 11)

[kitamars]

hello. um. sorry for disappearing for like two months. imagine me getting hit with a truck called “The Worst Creative Block In Your Life” and getting thrown headfirst into the gintama rabbit hole. it’s quite cozy down here. i think i need help.

anyways, have a bunch of accumulated doodles plus this terrifying kagura as apology tehe :3

[eveningrainstorm]

assorted psychonauts doodles

a close-up of this one, because i think it might actually be my favorite:

[haveihitanerve]

I believe, in my heart of hearts, that Bruce teaches all of his Robins to go for the kill. If its between their life and someone else's? Its going to be the other person. Their life is not worth the mission, their life is not expendable. Dick, Jason, Tim, Steph, Damian, even Jarro were all taught that if there is no feasible way to get away without killing the person, then go for it. If they’re being strangled and they are near a brick? Use it to beat the dudes head in. A knife is at their throat? Push them backwards onto that jagged shard of metal. Save yourself. Bruce? Hypocrite. Because his life is worth the mission. If theres no way for him to take someone down without killing them, he just accepts that he’s going to die. And then of course Robin swings in and saves him, but in a life or death situation for them? Choose life. And kill the other person. 

[covertdismalness]

idol shouritsu doodles

[poorly-drawn-mdzs]

Remembrance and Forgetfulness

[First] Prev <–-> Next

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[evelynpr]

"You know, that animated show's main antagonist who's a man born hundreds of years ago, grew up incredibly protective of his brother since they only had each other. "

"Whose brother then left them for someone else who proceeded to emobdy something they will forever despise- leading to them killing their brother and those like their partner, and doing inhumane experiments to try to bring this brother back to life?"

"Their brother replica then growing up as their personal servant, then coming around to be part of how they are defeated in the end by the protagonist"

...which one?

[coolnonsenseworld]

A little promo with my little obsession on the side...........

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