#anyway this is aside from the main point of the post

[whetstonefires]

I will say I have no real problem being okay with Chrestomanci being a positive figure who also believes in spanking for extreme misbehavior (iirc the thing Cat gets hit for is having supposedly committed assault on one of the servants and Gwendolyn was also getting spanked for something that could probably get her sent to jail) because the setting is a pseudo-edwardian one where it would be sort of weird if he didn't consider that an option on the table, and he is at no point intended to be read as a flawless person.

In fact, the plot of Charmed Life is in many ways Christopher Chant mishandling the interpersonal situation until it escalates to murder and insurrection.

The physical chastisement explicitly was the wrong thing to do, and achieved the opposite of his aims, and he apologizes later, albeit very casually.

The plot of Lives of Christopher Chant, his origin story, is even more emphatically the story of Christopher making bad decisions about who to trust and communicating very badly, until everything reaches a crisis point. Conrad's Fate also features Christopher largely making situations worse.

He's good at his job and generally means well on the whole, but he's very intentionally written as kind of a dick who's capable of charm but not actually good with people, and is used to getting his way.

On the other hand, the backstory book was written later and one of the few ways his parents didn't fuck up was they never hit him, and no one at his boarding school did either, which retroactively makes the ear-boxing scene in Charmed Life more bizarre. I think he gets hit once in the whole book. Outside of being killed; the cricket bat incident doesn't count.

Also there is internalized sexism in it, sometimes it really pops, but the recurring motif of very fake very pretty extremely controlling women as her main style of female villain is also very much a realistic depiction of what the most effective female abusers act like, and how they get away with it. I'm partway through T. Kingfisher's new A Sorceress Comes to Call that's built around such a villain for the same reasons.

(There are male villains in Jones' books built on the same model, like Uncle Ralph, doing the same things but with slightly different tools because gender affects your practical options in a gendered society.)

Which I think is very appropriate for children's fiction? Children are the people most likely to experience this form of abuse and need perspective on it.

Because a lot of Jones' work is in the same category as like, Steven Universe, where if you forget the intended audience is under the age of thirteen and it is largely concerned with the kinds of life experiences you have as a child, you will have trouble reading it in good faith.

The bit I always struggle with is the bigtime of-her-generation belief that the ideal male love interest is about ten to fifteen years older than the heroine, apparently so he can be masculinely high-handed and confident and mildly condescending, and it's justified by the difference in life experience rather than just his being a prick, a strongminded woman can believably live with it.

And like, this formula is not dead; Naomi Novik has at least two instances of this kind of 'ship in work published since Jones died, although with massively larger age gaps because the annoying men are magic. But it's not usually pursued with intensity anymore outside of contexts where the power difference is being fairly explicitly eroticized, so when you see women of her generation upholding it as aspirational in normal contexts, it is very uncomfortable from a modern feminist perspective.

seeing ppl holding up Diana Wynne Jones as a more progressive alternative to JKR when u know the Terrible Secret (that 1 instance of egregious homophobia) but there's no point bringing it up bcos it's in 1 single instance in a book that's out of print so who gives a shit but also like. you know.

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[mbat]

tfw you have quite possibly the most ambitious idea of your life and it sounds amazing and like a dream but its basically impossible and will quite literally never happen

[timelord-of-the-moon]

......

[snakes-of-the-undercity]

THIS

Behind every 'JINX IS A REVOLUTIONARY' poster is someone who completely disregarded the Firelights and what she did to them.

[sickotheclown]

I played Mouthwashing, and I have thoughts, but any time I go to post something I start to realize my "hot take" is probably a super normal interpretation. I just keep seeing really extreme opposite takes about one character in particular but I think a lot of the people making those takes are actually young people who don't have a ton of life experience and actual children who probably should have never been exposed to a game with very adult themes

Against my better judgment, I'm going to say my thoughts anyway:

Curly is just a normal guy. That's kind of the whole point of the game. He could be a stand-in for your well-meaning friend or your boss or your uncle or even YOU. Especially if you're a cis man, but anyone is capable of falling into the trap of "I know him and he wouldn't do that" or "Are you really going to ruin a man's life over one mistake?" Curly is a cautionary tale of what can happen if you ignore the warning signs because thinking someone you've known a long time and are friendly with is capable of something terrible or incapable of change is difficult.

Similarly I think the idea that Jimmy is a Narcisit or trying to diagnose him with one of the spooky scary mental illnesses, aside from being weird and rude to people with mental illness, also misses the point. Jimmy is also a normal type of guy, that's part of the horror. Many men feel disenfranchised with their own life and try to seek power over others to get a sense of control. Not all of them have done things as bad as the things Jimmy does and has done but ultimately he too is a cautionary tale of what happens when you refuse to take responsibility for your own actions and the ways you've hurt other people.

Most people have not been sexually assaulted. The average person may understand what Anya is going through but might not relate to her, which is a good thing to be clear. I can't claim I know exactly what it's like to be in her shoes. I've never been raped but I have been sexually assaulted. He was a normal guy. That's the worst thing about it. Men don't often think of themselves as capable of doing things, and even when it happens, they convince themselves they haven't

I think that there is intentionality behind the two protagonists. You inhabit their shoes as a way of the developers saying under different circumstances this could be you. You're not immune to justifying your own actions. You're not immune to justifying the actions of others. You are capable of ruining people's lives in ways you can't even imagine

Obviously all that being said I'm not in anyway excusing the actions of Jimmy or implying that litterally every man is like on the brink of SAing someone at all times simply that we are all influenced by society and our society often excuses the actions of awful men which enables people to fall into their worst desires

As a final note I'll just say to the "Curly is actually and abuse victim pre crash" crowd. I think that interpretation shows a misunderstanding of power dynamics. Curly is the captain of the ship. He has power over Jimmy. That's the main reason Jimmy resents him so much. A big part of the game is Curly not realizing fully what Jimmy is capable of until it affects him. That dream sequence of him walking past all of the warning signs until its no longer possible to ignore them is pretty blatant imo.

[txttletale]

saw a screenshot of a post where an anon asked you if abolishing copyright law wouldn't mean companies would steal the work of artists and resell it. Your reply was to give an annoying quip about the bizarro dimension but your main point was that this already happens. True! And we should say it. I have a follow-up question:

Wouldn't it happen *more*? *Worse*, more blatantly, more flagrantly and with more inpunity? That's what I don't get. A lot of liberal solutions like copyright law are middleground states between an ideal solution and some kinda lawlessness situation where grifters and bullies rule. It's a bad middle state, but wouldn't abolition of copyright make things worse and improve nothing?

Obviously UBI would be a solution, making artists not have to depend on income from art to survive. Past that, abolishing money would make the concept of profiting from others' work meaningless. But assuming such solutions are far off into the future, how would copyright abolition help *now*. *Now* how does it reduce harm, how does it make things better *now*?

you are profoundly and deeply misguided about the purpose of the bourgeoisie state--its role is not to mediate between classes but to serve as an instrument of class warfare. copyright law is not a 'middle ground' between the interests of the proletariat and the bourgeoisie, it is a tool of the bourgeoisie to aid in the exploitation of the proletariat. anyway as i've said, copyright violation doesn't prevent people from making and monetizing their art, only copyright law can do that! every time a company hires an artist on a work-for-hire basis (which is how most artists are employed), they are straightforwardly steailng the work of those artists to profit off it. this is the basic business model of every studio, record label, publisher, and entertainment company. this is the current states of things. this is the actual economic reality in the world as is.

that all aside saying "well if we just abolished all copyright right now and changed nothing else then how would that make things better" is like saying "well if we all turned into mothmen how would that make things better" because there is no "abolish copyright forever lol" bill currently making its way through the usamerican legislature, is there? nobody advocating for copyright abolition thinks it is a short-term imminently achievable goal, nor do they want it in the absence of any other meaningful political change, nor would it even ever be possible in any universe in the absence of that change.

[blackcherryflower]

Man, I don't even post opinions about shows and movies like The Bear, but this really pissed me off! I like Matty Matheson, and I was watching some interviews about his new book and at one point he says that Syd has no formal training... excuse!... no formal training!!! What do you mean!!!

Here's the link for who wants to see the whole thing

He implies that she only worked at UPS!? 3 seasons and that's the impression he has of her?! Did he forgot about that?:

I hope they didn't erase her story and that Matty, even though he's a nice guy, doesn't have any part in writing the show. This is the second time I've seen him talking about the characters (I think it was with Drew Barrymore that he said that the idea for the Faks to go talk to Claire at the hospital was his)... I thought this last season was pretty bad for Syd's character development (and the second one too, to be honest). I like her and I feel like there's a lot of cool stuff to know about her but they don't show it (and now with this, maybe they've even forgotten or left it aside). It seems like they don't give us a chance to get to know her and see her grow on her own, her story is always very connected to Carmy, but according to everyone on the show they won't be a couple...but they also don't know how to be friends...or business partners, they live on crumbs, few conversations and unspoken words. While he lives his life, her character is stuck in this limbo without being able to develop, without having important scenes (especially after they changed Ayo to lead actress in the 2nd season for the awards, I thought they would write scenes that would help her. It is not strange to expect more from the main characters right?! Richie had it! We know a lot about him!) I also saw an interview with Joanna Calo (Director, Writer and Producer in the show) where she said that the idea of ​​locking Carmy in the freezer was just to give Syd a chance to shine and run the kitchen, but in the end, the way they filmed and edited, angles and everything, it seemed like it was all about Rich, and the audience understood that he was the one who saved the day, right?! like, come on! nobody saw it coming?

Anyway, just a rant because I realy like Ayo and I had hope for her character in the 2nd season and we only got hints about her life...so there was that hope for the 3rd...and nothing...and now this. It is frustrating, ngl!

[notjustjavierpena]

Te Quiero, a Husband!Javier Valentine’s Special

Series Masterpost | Main Masterpost | Support a disabled creator

A/N: This is for all my readers who have wanted to get an insight into Hubby and Wife’s dynamic, backstory and family life. I hope you enjoy it because I put my heart into this mess of a fic. Thank you @strang3lov3 for always inspiring me, thank you @angelofsmalldeath-codeine for always being a great beta-reader and here’s to @morallyinept who told me to tag her in any V-Day fic I post!l

Summary: Your husband has made big plans for Valentine's Day, beginning with breakfast in bed, but not everything goes as smoothly as expected, and suddenly you are faced with a big surprise. 

Pairing: Javier Peña x f!reader (no y/n)

Tags: +18, hubby!Javier, tooth-rotting domestic bliss, breastfeeding, playful banter, Chucho makes an appearance!!, siblings being siblings, Javi loving you and his kids, negative feelings about your mom-body, insecurity/comfort, spontaneous sex, pussy eating, (Spanish) dirty talk, fingering, unprotected piv sex, creampie, multiple orgasms, silly people in love, LOTS of kisses, lots of i love yous, mention of pregnancy and its symptoms    

Word count: 11.7k (i am so sorry)

Link to this work on AO3: https://archiveofourown.org/works/53757202

Te Quiero

You open your eyes, reaching to rub them as the door to the bedroom opens by Javier using his shoulder and backing into it. There’s a crease on his forehead, between his furrowed brows, from looking extremely concentrated because he is carrying a wooden tray in his hands. 

Most days you are a heavy sleeper. It is a result of having two children without an understanding of the concept of privacy when it comes to their parents. However, what truly wakes you up is the concerning rustle of utensils, plates, and mugs that your husband is balancing as he nears your shared bed. 

Because Javier has his back to you, you close your eyes again and pretend to be asleep, not wanting to ruin the surprise. The tray is placed on the foot of the bed, and you fight a smile as you hear his footsteps coming around the end of the bed and closer to your side. 

“Buenos días (good morning),” he whispers to you, and you roll onto your back and sit up. Javier stands by the side of the bed and waits. 

Like in a movie, you blink awake slowly and lift your arms up over your head to stretch and yawn. Javier looks at you expectantly, and you catch a glimpse of why your son resembles him so much. They both have that boyish charm, the ability to look excited in the exact same way when waiting for a reaction from you. 

“What’s all this?” You ask with a grin. 

“Happy Valentine’s Day, mi vida (my life),” he says and leans down to initiate a kiss.

“I have bad breath,” you point out.

“I have coffee,” he replies and kisses you anyway, “And today’s crossword puzzle.”

“I knew I married you for a reason,” you scoot to sit back against the headboard. Javier moves to get into bed with you, pulling the covers aside to get under them while you reach for the tray. You place it between the two of you as if you are about to have a picnic in bed. 

“Did you check on Seb?” You ask as you marvel at the breakfast that Javier has put together for the two of you. There are heart-shaped chocolate chip pancakes, an abundance of fresh fruit (including blueberries, raspberries, strawberries, and banana), whipped cream, syrup, and coffee the way you both like it; black without anything more which Javier claims - to this day - is still one of the reasons that he fell for you. 

“Still asleep for now but I suspect he’ll want one of us soon because he can hear us,” he tells you and reaches for his mug after handing you yours. 

“I’ll enjoy this while it lasts then,” you take a sip of coffee, humming at the taste. Then, after putting down your mug, you pop a blueberry into your mouth. 

“I think Lucas has a crush,” Javier tells you in a heartbeat later, smirking into his own cup of coffee. 

You raise a brow in suspicion and surprise, looking at him without turning your head. You swallow down the blueberry and go for the pancakes next, “What makes you say that?”

“Well, he got shy when I asked him if they were making Valentine cards at school today. So I figured something was up because he usually doesn’t get quiet about all those things, you know, he’s touchy-feely,” Javier explains. As he talks, you pour syrup onto the stack of pancakes on your plate, “Inés nearly fell off her chair as she talked about what the school has planned. So yeah, whatever, he’ll tell us if he wants to.”

“Well, perhaps, and hopefully I might add, he’s inherited his dad’s charm as well as his good looks,” you tease, tapping your chin as if you are trying to remember something, “What was it Connie called you? Think it was serial romancer.”

“Hold on, you’ve never told me this,” he pretends to look offended, “When was this?”

“At the bar… just after I laid eyes on you,” you sprinkle fruit on top of your breakfast and wipe your hand on your tank top, “She told me not even to think about it but I knew that I was done for.”

“That damn woman,” he lets out a genuine laugh, “Better tell Steve to keep his lady under control.”

“Connie’s definitely the one keeping her man under control. Just like me,” you smirk, taking a bite that is way too big because your eyes can’t get enough. You groan at the taste. Everything is delicious, so you stuff your mouth and thus don’t have to reply to your husband’s outrage.

“Hey,” he says but you just grin at him, showing off each piece of pancake between your teeth. He sighs but there’s a hint of adoration in his eyes and you know he is fighting a smile, “Charming.”

When you finally swallow, he has dug into his own meal. You eat in silence for a moment, simply enjoying each other’s company as it is undisturbed by children. 

“Don’t you have work today?” You ask eventually. 

“I told them I was coming in later,” he replies, stabbing a strawberry with his fork, “They can survive without me until 10-ish. They’re gonna have to.”

You glance over at the clock on your nightstand. It is 8:16. There’s still time to enjoy each other’s company, maybe even have a cuddle or something more if you aren’t too full from breakfast. 

Javier has opened the paper now but he hasn’t gotten out a pen yet which means that he isn’t starting the puzzle yet. You continue eating, and meanwhile, conversation flows naturally around subjects like work, kids, and sweet memories. 

Suddenly, in the midst of reminiscing about your first trip out of town together, the light on the baby monitor comes on and Sebastian’s distraught, unhappy cries sound through the speaker. Javier puts down the paper and gets up before you. 

“Do you think he’s hungry?” You ask, already moving to pull your top’s straps down to reveal your breasts. 

“I know he is, that’s how he cries when he is,” he moves towards the door, already talking to his son throughout the house, “I’m coming, mijo (my son).”

“You’re so much better at the parent thing than me,” you try to remember which of your breasts you nursed from last night but you cannot, and therefore resort to feeling for the fuller one. 

“That’s bullshit and you know it,” he leans down to kiss your lips before heading down the hall. You listen and wait, hearing Javier coo at his newborn and causing the cries to turn into hiccups instead. 

After a moment, he returns with Sebastian in his arms. You hold out your own and he carefully hands him over to you. With a grin, you settle your baby into your arms, “Hi, sweetheart. Hi there, baby boy, ooo, you’re hungry, aren’t you? Look at that big mouth you’ve got — Honey, can you get me a cloth?”

You don’t look up but hear Javier leave the room again but only briefly. He comes back and gives you a muslin cloth which you throw over your shoulder, a thing that always makes Javier joke about you looking like - and kind of being - a bartender if that bartender only served milk. 

Sebastian quickly latches on. He closes his eyes as he nurses, and you look longingly at your breakfast as he eats his own. You frown, “It’s getting cold. My coffee too.”

“Just sit back,” your husband reassures, shifting on the bed without making the tray tip over. He cuts a piece of pancake and stabs it with his fork, “Open up.”

“You’re ridiculous,” you smile happily but oblige. 

“You’re literally keeping my kid alive, mi amor (my love). The least I can do is keep you alive as well, fuel you up,” he feeds you with his own mouth slightly agape. It makes you laugh. 

“What?” Javier chuckles in his confusion.

“You look like a fish,” you tease as you giggle, letting Sebastian grab at your index finger, “I’ve never noticed if you look like this too when feeding the kids.”

“Cállate (shut up),” he laughs, consciously avoiding making himself look foolish again as he feeds you another bite. He purposely pokes your nose with the back of your fork to smear the tip with whipped cream, and you respond by looking shocked while laughing. 

“That’s so unfair, I have an actual baby in my arms,” you argue, looking down at Sebastian to give him the run-down on his father’s behavior, “You know, Seb, it’s a good thing I love him so much. Look at this. Absolutely ridiculous.”

“I think you might have deserved that one, baby,” he reasons, “Don’t think I feel bad. Seb agrees.”

“You don’t know that,” you use the muslin cloth to wipe a little milk off of your child’s cheek and then wipe whipped cream off your nose too, “Now, please, feed your starving wife. I feel weaker by the second.” 

“Always the dramatic,” he replies but follows through. 

The teasing dies down after that. You eat whatever Javier gives you whilst you are breastfeeding and Javier eventually finds the crossword in the paper to do it during your quiet morning. 

When Sebastian is done eating, cooing happily, you bend your knees and place him against your thighs. You hold both of his hands, doing a little dance with him whilst your husband reads clues aloud. 

“Another word for radiance, four letters and beginning with g,” he says. 

“Glow,” you reply instantly.

“You’re so much better at the crossword thing than me,” he winks and writes down the remaining letters. 

“That’s bullshit and you know it,” you smile at him and he smiles back. The morning is perfect. 

*

After a cozy morning, Javier has to leave for work. He kisses you and Sebastian goodbye and takes the breakfast tray down into the kitchen with him so you can sleep more if you want to. 

You protest at first - it really hadn’t been your intention - but seeing your baby yawn and coo in your arms makes you sleepy, and you end up on your side with Sebastian on Javier’s side of the bed. He has his arms above his head, face turned towards you and you rest an arm over him whilst you snore lightly. The few hours of sleep you get like this without any interruption are fantastic, boosting your productivity for the rest of the early afternoon. 

You dress casually and wrap Sebastian in a sling, so he can sleep against your chest while you clean up from breakfast, fill and start the dishwasher, and do a round of laundry before having to pick up Lucas and Inés from school. 

However, when you start to get the car keys from their place in the hallway, you hear the door open and the familiar sound of children’s voices filling the house. You can hear the enthusiasm in their voices as they talk to who you assume is your husband but when you turn the corner, you see that it is, in fact, your father-in-law.

“Hello, mija (my daughter),” Chucho says and takes off his hat. He hangs it by all the coats and scarves, “Javier told me to pick up the kiddos.”

You look a little dumbstruck, having been taken completely by surprise but still, you walk over to give him a hug and receive a kiss on the cheek, “Did he say why?”

Chucho kisses Sebastian’s head too, who only coos quietly against your chest. From below, Inés is trying to get your attention. You run a hand over her hair without looking at her, trying to get her to tone down her enthusiasm as you search for answers. Chucho just smiles. 

“It’s Valentine’s Day, sweetie,” he reasons with a gentle smile, “I think he has his reasons. All I know is that I’m not supposed to bring them back here before tomorrow afternoon after school.”

“Abuelo promised that we could get pizza for dinner,” Inés interrupts again. You smile down at her whilst trying to process having a whole twenty-four hours off from being parents. 

“Ain’t you lucky,” you say with a grin. 

Chucho beckons Lucas over who brings his school bag with him, “But first, I think these two have some things to show you. Lucas, c’mere.”

“We made presents!” Inés says and Lucas glares. He frowns at his little sister, placing his backpack by his feet and throwing daggers in her direction.

“Inés, you’re ruining the surprise,” he grumbles despite still digging into the bag. Inés seems unbothered about his irritation, simply joining him to stick her hands into the bag as well. Lucas continues, “Don’t tell Mom what it is.”

You and Chucho watch them, hiding a chuckle as Inés eventually still states that she wants to show her drawing first and Lucas starts groaning. 

“Mom!” He says with exasperation. 

“Ay, Inés, por favor (please),” you say, “Let Lucas share his surprise. It’ll be your turn soon.”

“Mine is for Papá,” she states proudly. 

“She’s just excited, hijito (little son),” you hear your father-in-law say. He puts a calloused hand on Lucas’ shoulder, whispering quietly, “Show your mom your present. Inés’ll be too busy talking to notice.”

It is true. Inés gets a hold of her drawing and spends her time admiring her work, and Chucho is sweet enough to indulge her to give you and your son a moment alone. 

In his very own gentle nature, Lucas finds the card that he has made for you just next to where Chucho had told him to store Inés’ drawing as well. He blushes as he hands it to you, “Happy Valentine’s Day, Mom.”

You inspect it before opening it; it is a blank card that Lucas has decorated with colorful stickers and glitter, having drawn shapes and patterns along the sides and a big heart in the middle where it says To Mom in his wonky handwriting. 

You open it to reveal a little letter addressed to you. It is framed by another border of glitter:

Dear Mom,

Happy Valentine’s Day! I love you a million billion times around the Earth. You take care of me and Inés and Sebastian. And you always make me happy when you give me a hug. 

Love, Lucas

You find yourself speechless for a moment and out of the corner of your eye, you see the familiar expectant face that Javier sported earlier too. It takes your breath away. 

Carefully, you crouch down with Sebastian still in his sling. It gives you the opportunity to embrace Lucas from the side, hugging him close and kissing his hair repeatedly. You whisper endearments to him, tell him you love him and he gets shy as he reciprocates, using the time to caress Sebastian’s fine hair on top of his head. 

“I love you so much, my Valentine boy,” you say with a soft voice as you pull away, stretching again and running your hand through his dark hair repeatedly. You can feel a few more tears escape your eyes, your heart pinching in your chest from how much love you feel. Could the day become more perfect? You doubt it. 

“Dad asked me about it at breakfast but I was scared of him telling you so it wouldn’t be a surprise because he always does. But then Inés did it anyway…” he grumbles and looks up to see your tears. His eyes widen, “Mom, are you crying?”

“It’s just happy tears, mijo (my son),” you reassure, “Sometimes having babies makes you cry a little more often.”

Lucas seems a little confused by this. You tell him that he’ll understand when he gets older. After all, he only has so many years until hormones will start to rage through his own body. 

Suddenly, the front door opens and closes in the next moment, and Inés giggles loudly as she recognizes the sound of her father’s footsteps. When he enters the kitchen doorway - his steps are way bigger even if Inés is running - he crouches down and opens his arms, “There she is! Mi diablilla (my little devil), how are you?”

Inés throws her arms around her father’s neck, drawing still clutched in her grip to the point where the paper crinkles. You feel like it was a waste of time to try and wipe away your happy tears because the sight makes them well up in your eyes once more. 

“I made you a drawing. Abuelo told me I could give it to you before we go to his house. Did you know we are having pizza tonight? I can have a whole pizza to myself and I want the pizza to have pepperoni,” Inés announces, squealing with delight as Javier wraps his arms around her before stretching to his full height again and picking her up with a dad-groan. He places her on his hip, bumping his nose into her cheek.

“Christ, you get bigger by the second. Pizza? I don’t remember you liking pizza,” Javier teases, walking across the room to the rest of his family. He smiles at his son, reaching out to rub his shoulder with his free hand and winking at him before talking further with babbling Inés, “Hold on, I thought you liked broccoli and spinach the most. Do you really want pepperoni? I think you should get broccoli on your pizza.”

Inés loves it when her father teases her. He’ll act dumb and silly on purpose - her favorite thing a year ago had been whenever he made himself purposely bad at puzzles, and he’d try to piece two corners together -  much to his daughter’s delight. 

“Nooo, ew!” She says with a grin, clinging onto him. 

“She only wants it because I want it,” Lucas says matter-of-factly, still a little frustrated with his little sister. He bounces back and forth on his heels. 

“Then you can have her leftovers, mijo (my son), she never eats a whole pizza anyway” Javier reasons and mouths the last bit of the sentence, moving the hand on his son’s shoulder to put it on the back of his neck. He gently tugs him into his side. Eventually, your son gives in and hugs him around his middle.

“Hi Dad,” he says softly, hugging him tightly even if it’s briefly. 

“Hola,” he smiles. 

“We should get going,” Chucho interrupts gently and reaches for his hat again, “We’ve got a lot of things planned this afternoon. The animals won’t take care of themselves.” 

“My drawing!” Inés yells, squirming in her father’s arms from eagerness and rushing, so much that she nearly smacks the picture into his face. She holds it too close to his eyes so that he has to take it and hold it for her. 

You find yourself tiptoeing up behind them to look at the picture yourself, trying not to distract anyone from what they’re doing. 

It’s a picture of your house. There’s a fire in the chimney but its smoke blows the opposite way of the way that a cloud is raining. She has just started drawing butterflies but they’re as big as the trees in the garden and with multicolored wings. 

In the bottom right corner, she has written I love Daddy but replaced the word love with a heart instead. Underneath is her signature. The S in her name is turning the wrong way but it’s her name nevertheless. 

“This is so good,” Javier says enthusiastically, “Tell me about it. What is it?”

“It’s my house! I drew a lot of butterflies in the garden,” she explains proudly. In the background, you notice that Chucho is carrying bags, which you had no idea were packed, out of the front door. 

“I can see that. You really know how to color. The green one is my favorite,” Javier continues, “Do you want me to put it on the fridge for when you come home tomorrow?” 

Inés nods eagerly. She beams and then turns serious, “Yes! If— if you want to take the rabbit one down that’s okay.”

“Oh, I am gonna miss you, mi vida (my life),” Javier pecks her cheek and she giggles, “So much.”

“It’s only till tomorrow,” you point out with a giggle. 

“Doesn’t mean I won’t miss these rascals,” Javier puts Inés down on the floor again, still holding her drawing and making sure not to crumple it. He ruffles Lucas’ hair, “You too, hijo (son).”

“I love you, Dad,” he says with a shy smile. 

“I love you too, Daddy!” Inés joins in. 

You mimic a wave with Sebastian’s little hand, “I love you too, Papá.”

“Now, now. As much as I love you, say bye to Mom,” he protests, nodding towards his infant son, “Want me to take him?”

“Yes, please,” you say and carefully unwrap Sebastian from his sling. It’s not a difficult transfer, something you have done a million times in the past many years. Sebastian only complains a little, Javier tuts and bounces him and the paper in his hand flaps. 

You hug both of your kids at the same time, kissing them repeatedly on their heads, “I love you very much, my babies. I hope you have a fun time.”

“That’s the car packed,” Chucho announces as he comes back inside, “Come on, kids.”

“Right, I’ll put Seb in his car seat,” Javier replies as Inés and Lucas run to their grandfather’s car. Chucho goes with them to put on their seatbelts. 

“Sebastian is going too?” You tense up. This hasn’t even crossed your mind. 

“It’s just supposed to be us tonight,” Javier says, having put Inés’ drawing on the kitchen counter and already moving towards the front door where the car seat is on top of a cabinet. You hear shuffling around as your husband clicks the safety belt on, and you instinctively follow. 

“We haven’t done that since the summer,” you argue. 

“All the more reason to do it again if it’s been that long,” he responds with a little smile.

“Well, does he have enough milk?” You ask, moving your weight from side to side. 

“More than enough, I packed extra.”

“O-okay.”

Javier leaves the car seat on the floor, steps close to you and cups your face, “He’ll be fine. Just like Inés and Lucas have been in the past. Relax, mi amor, no pasa nada  (my love, it’s okay).” 

“Okay,” you take a deep breath and nod, holding onto one of Javier’s wrists for a moment as you steady yourself. He looks like someone ready to catch you, “Está todo bien (it’s okay).” 

“Now, let’s say goodbye so I can have you to myself, vale?” He smirks, leaning in to kiss you just barely. 

“You have to tell me what you have planned tonight too,” you say and he nods. 

“Claro (of course).”

It takes five minutes to get Sebastian in the car, secure him properly, and wave goodbye to your kids from the driveway. When you cannot see the car anymore, you walk inside and the house gets incredibly quiet after you close the door. The both of you let out a sigh. 

“What now?” You look at Javier questioningly. After all, he is the one who has planned the next 24 hours.

“Honestly? I just want to take a nap,” he finds your hips and steers you closer, linking his arms around your waist. You reach up to rest your palms on his chest, scratching slightly against his shirt. He chuckles, “Do you want to take a nap with me?”

“Just a nap?” You raise a brow. 

“Yes, just a nap,” he confirms with a boyish twinkle in his eyes.

“I’d kill for a nap but only if you tell me what’s happening later. I don’t like surprises,” you remind him when he already starts dragging you by your hand toward the stairs.

Javier waits until the both of you have ascended the stairs before telling you. You don’t say it but there’s a bit of relief following as you thought that he had forgotten what today was, especially because you usually at least get a present from him. He smiles brightly as he speaks, seeming proud that he has managed to keep it a secret from you, “Well, first you are going to wear something nice, a dress, and get all gorgeous for me.”

He continues as you reach the bedroom, toeing off his shoes, “Then at eight, I’m taking you out to dinner at that new place downtown where the portions are fucking tiny and ridiculous.”

“Wait, the gourmet restaurant?” You have let go of his hand to undo the baby wrap, folding it afterward and placing it on your shared dresser, “They’ve been fully booked for months.” 

“Well yeah, and guess whose name is on one of the bookings,” he smirks, crawling onto the bed and waiting for you to follow. 

“You spoil me,” you lay down on your respective sides and turn to face each other. You rest both hands underneath your cheek, grinning at the way that Javier looks so mischievous but suddenly, something in his eyes darkens. 

“What?” You ask.

He reaches out for your waist, “And then when we get home, when you are all giggly from champagne, I am putting a baby in you.”

Your heart skips a beat. All blood in your body goes south. Without thinking, you sling a leg over his body and move closer, “Is that so?”

“Indeed, mi vida (my life),” the hand on your waist goes to rest on top of your thigh. He rubs it once and then twice but doesn’t do anything further, “But not now. Have a nap, wake up, and get pretty for me. You won’t get dick before tonight, lo siento (I’m sorry).”

“Unfair,” you mumble with already closed eyes. 

*

It turns out to be just a nap. You wake a good while longer before Javier, knowing that you need more time than he does to get ready if you want to feel good about going to a fancy restaurant. 

Besides you, your husband continues sleeping soundly. He doesn’t even sense it when the mattress shifts, bed springs creaking a little, as you leave the bed, and you make a mental note to ask him about his day to figure out what on Earth has made him this tired. 

You have a checklist in your head with steps for getting ready to go out. It changes with the details of the event, so you pull out the one that includes what you like to do to look pretty for your husband. However, all the lists always start with a shower. 

The spray is hot and soothing against your skin. You wash your hair and leave in your conditioner while you scrub your body, giving it extra time to work as you top your normal shower routine by shaving your legs. After struggling with balancing your leg against the wall for what has seemed like forever, the last five minutes of your shower are just spent standing underneath the shower head to feel the water cascading down your clean, smooth, and soft skin. 

It takes you twenty-five minutes more to put on lotion, brush your teeth, blow dry your hair, and choose an outfit. When you leave the bathroom to put on your dress, Javier kisses you in the doorway before popping into the shower himself. 

Now the hard part, you think to yourself. The dress you have chosen is from your anniversary a few years ago, consisting of tight red fabric. A part of you knows that it’s a bad idea as soon as you take it off its hanger and start putting it on, stepping into it, and pulling it up over your hips. 

When it hugs your body in a way that feels unfamiliar to you, you step towards the full-body mirror on the bedroom wall with the intention of seeing if it needs any adjustments around your chest and waist. What greets you is not something that you wish to continue looking at but staring into the mirror, you find yourself unable to look away.

A reflection of your post-baby body stares back. You aren’t anymore who you were when you had Lucas, and thus getting back into your usual shape after giving birth to Sebastian has not become a reality despite the pressure from people around you being there. 

There’s not much to say about it except your hips are wider and your stomach protrudes more than it did before. Usually, you haven’t worn a dress before getting down to your pre-pregnancy weight but Javier had made it sound so easy and now, it is so difficult; insecurities whisper in your ear as you try to flatten the fabric in hopes of looking prettier.

However, the scrutiny you put yourself under only intensifies and self-doubt becomes the uninvited guest that insecurity brings to the party. Should you ditch the idea of a dress altogether? You think yes and start to undress again because it’s way too tight around your middle and torso.

When Javier comes back into the bedroom, his hair is still damp and he has put on black underwear. You cannot help feeling the tiniest bit bitter at how well his extra pounds suit him and simply leaves him with a so-called dad-bod. He finds you stepping out of the dress as it has pooled around your feet. You look on the verge of tears at this point, knowing that you are not the woman that he chose to marry ten years ago. 

“¿Que pasó (What happened)?” He is just about to head for the dresser when he stops in his tracks and turns on his heel to face you, noticing immediately the way your shoulders slump when you feel defeated.

You smile at him in the mirror, slightly unsure, when he catches your eyes, and you shift a little on the spot when he goes to stand right behind you.

“What?” You ask.

“What’s wrong?” He inquires once again. 

“Do you think I’m pretty?” The question leaves your mouth before you can stop it, and Javier raises a brow. 

“Is this a trick question?” He continues with a smile, “Baby, you are pretty, so pretty. You look incredible. As in, it is actually illegal or should be.”

Your attempt at a smile falters and Javier seems to realize that he has overdone it. You don’t believe him when he goes too head-on with the compliments. 

“I don’t have anything to wear,” you say in frustration and reach up to rub your face, finally turning around to avoid the mirror completely, “My boobs are too big, my thighs and waist too. Nothing looks good on me, especially not a dress.”

“Ay, slow down,” he looks down at your half-naked body and smirks a little. It mostly just makes you want to cover up again, “First of all, your boobs are great.”

You try to laugh but it just sounds painful. Then he finds your eyes again, watches the pout on your face, and tuts when a tear escapes your eye and rolls down your cheek. 

“I’m not beautiful anymore,” you say as if it’s a fact, “I look so different from when you met me.”. 

He wipes the tear away with his thumb, saying your name gently and you find your eyes prickling with more frustrated tears. 

He lets out a soft aww, baby, and steps closer to pull you into his arms, holding you as he lets you whimper quietly and then cry softly into his shoulder. His hands rub up and down your back. He is so warm.

“How about I choose something?” He suggests after a long silence filled with a bunch of silent tears. He pulls back to look you in the face, “You know I have a favorite, and then it won’t be as much pressure if you worry that I won’t like it. Even if that’s bullshit.”

“O-okay,” you sniffle, wiping your eyes with the back of your hand. 

“Okay, baby,” he smiles genuinely and pecks your hair.

He goes to browse through your clothes and you stay by the mirror, still not turning around to look at yourself but instead looking at your feet like a child feeling guilty. It takes a moment for him to find the dress that he refers to as his favorite but when he returns to you, you look up again and are surprised by the one he apparently likes more than all the others.

It’s a navy blue satin dress that you bought last year when you were pregnant with Sebastian, and it quickly became your favorite dress for the summer because it had to be tied just below your breasts and therefore didn’t sit tight around your belly. It has butterfly sleeves and a flowy skirt that is slightly longer in the back and stops right at your knees in the front. It’s a wrap-around too, which means that it shows enough cleavage to make you feel sexy for him and to top it off, holds your breasts in place so you can avoid the annoyance of a bra. 

You don’t know why it didn’t come to mind but you suspect that given how much you wore it last summer, it didn’t feel special enough. However, the fact that Javier likes it so much seems to transform it into the most beautiful dress you’ve ever seen. 

Javier pulls the dress off its hanger and walks around you. He puts it on you like a coat and then stands in front of you to tie a knot on the front, undoing it and redoing it when he isn’t satisfied with his creation the first time. None of you say anything. None of you feel the need to.

His hands smooth out the fabric in a careful manner, and you suddenly find that Javier making you feel loved is so interchangeable with you feeling beautiful that you don’t have a clue why you had been in tears five minutes earlier.

He helps you into your heels too, lifting your feet one at a time by holding your ankle. The action is so gentle that you forget to breathe, even more so when he stretches to his full height once more and cups your face. 

“Listen to me,” he says and there’s a certain sternness in his voice. Despite this, he doesn’t sound mean or angry, “I don’t ever want you saying these things about yourself again, okay?”

You nod your head as much as you are able to. A whimper wants to escape your lips but you hold it back. 

“You are my wife, mi vida (my life),” he begins, letting his hands smooth over your shoulders and then down your arms until he can hold both of your hands, “I don’t give a shit about what you used to look like, it’s past, it’s not important. Eres tan hermosa (you are so beautiful). Look at the love you pour into our family. You’re the best Momma in the world, patient and kind, and I am in awe of you every day to the point where I can’t stop falling for you in new ways. You make me happy, make it worthwhile to power through at work so I can come home to you and the kids.”

“And you have never looked sexier,” he continues, eyes going down your body to see for himself that he is undoubtedly right. He grabs your hips, rubbing circles with his thumbs, “Your hips, your thighs… You’ve carried my children, for fuck’s sake. Without you, I’m nothing.”

“I mean look at you…” He trails off for a moment, looking down at where his hand is resting on your hip. You cannot help thinking about how warm his strong hand is, radiating comfort throughout your body. He looks lost in his thoughts and licks his lips without thinking. 

“Javi,” you say quietly. 

“Do you understand?” He asks.

“Yes,” you say almost nervously.

But then suddenly, his arms are around your waist and he is pulling you in for a kiss that makes you forget about the dinner reservation, the insecurities, and the time management altogether. You sling your arms around his neck and give in to his lips on yours, following him wherever he goes as he tugs you away from the mirror and towards the bed. 

Before he instructs you to lie down, his hands find the knot on the front of your dress. He undoes it slowly, letting the dress fall open like a satin robe and groaning at the sight of your lack of a bra. He lets his hands go inside the dress, skimming his palms around your waist to pull you close and your head swims from the feeling of his skin on yours. 

“Hermosa (beautiful),” he says, hands going up and cupping the underside of your breasts, You smile shyly, looking down to where he is touching you. Warmth has started to burn low in your belly just like before you fell asleep. 

With newfound bravery, you reach up to peel the dress off of your shoulders. It falls down to your elbows, exposing your chest and tickling your back, until you let it slip off onto the ground in a pool around your feet. Javier looks like he might need someone to tell him to breathe. 

He wraps one arm around your body and reaches behind your thigh with the other to pull your leg up slightly. Allowing him to slip you off your feet, he moves you onto the bed in a swift motion. 

You kick off your heels as soon as you can, crawling back towards the headboard and Javier follows you without having to get undressed. After all, he never got any further because he saw you. You feel like you want to giggle with glee at the fact that you still have this effect on him years later. 

Instinctively, you bend your legs and plant your feet flat on the mattress and without hesitation, Javier crawls between them to look down at you and marvel at the sight. He looks like a child on Christmas Day, hands reaching out to run up your shins, over your knees, and to grope at your thighs. 

“Qué fuerte (unbelievable), are you really my wife?” He muses while rubbing your thighs absentmindedly. You reach for his hands and tug him down to you. 

“S��, mi amor (yes, my love),” you sound drunk on him already, using his own words against him. He is so close to you as he lies on top of you, crushing you so heavenly with his weight.

He kisses you longingly and gently scoops you into his strong arms whilst he does it, holding you flush against himself so you can feel your nipples harden against his chest. When you inhale through your nose to keep the kiss going, his scent fills your nostrils and God, he smells like soap and home.

It takes a minute to move on. You can see how he wants to descend on your body but each time he tries, you want another kiss and he happily indulges you. Like a couple of teenagers, you only stop when both of you have slightly swollen lips and he has a hard-on poking into your thigh. 

“Let’s get these off,” Javier crawls back on the bed with elevated breath, fingers slipping underneath the waistband of your panties. He tugs them down your thighs and you help by lifting your ass off the mattress for a moment. His eyes are glued to your soft, fresh-out-of-the-shower and glowing skin, kissing your ankle as he slips your underwear off your feet and throws it to the side. 

“You are so fucking hot,” he sounds in awe, “Look at you.”

You cannot stop grinning. Even when he lowers himself down on the bed again and gets comfortable between your thighs. 

When he settles, he takes the sight of you in. You can feel your heartbeat in your untouched clit, and it only gets more powerful when Javier looks between your legs as if he is starved. He noses along your knee and then bites your inner thigh, growling under his breath. He moves inwards towards your quivering cunt then finds your eyes just before he dives in, indulges, “Do you know how fucking wet you are for me?”

You do know. It has steadily gotten to the point where you know that when you are going out later, you need to wear a new pair of underwear since the white cotton has probably become see-through and shiny. 

And then his mouth is on you and you throw your head back, nearly breaking your neck and letting out a hah-sound as you stare up at the ceiling.

“You’re so good at that,” you moan, letting your eyes fall shut so nothing can distract you from the way his velvety tongue feels between your legs. It is intense to focus on nothing but the way he can guide it over your clit until your toes start to curl, “Oh my God, baby!”

When he kisses your clit and then sucks on it afterward, you lose your mind. Both of your hands come down to rest on the top of his head and when you feel the first flutters of pleasure that tell you that you are getting closer, you cannot keep your hips still. You move underneath his mouth, pushing your pelvis upward occasionally to let him devour you even further.

He eats you until you are seeping arousal into the bedsheets, pussy aching to be filled and stretched in only the way that his cock can. You twitch, clit pulsing, when his mouth leaves you briefly but you know what is to come - other than you, obviously - so you don’t complain. He does it to concentrate on slipping two fingers inside of you, pressing them upwards toward your g-spot before curling them over and over again. 

His mouth finds your clit again and he is beyond his usual enthusiasm. The hands on his head stop simply resting there. Instead, you thread your fingers through his hair to channel the way you want to scream into something else because oh, mmhm, oh… oh! 

You come on his tongue, shaking like a leaf and with a high-pitched moan that bounces off the walls. Your whole lower body spasms, walls clamping down on Javier’s fingers which still press towards your front wall and make you delirious with pleasure. 

“Fuck!” You cry, “Fuckfuckfuck!”

Javier has pushed himself to his knees to watch you. He replaces his tongue on your clit with his thumb, teasing out the very last twitches of your high by going in circles until you need to yank his wrist away from the overstimulation. 

After a moment, you begin to giggle. Your hand skims over your forehead, holding it there afterward in an almost soothing manner. Javier is looking at you, having wiped his mouth with the back of his hand, and is now trying to decipher whether he can move on to something more or if you need a break. 

At no point do either of you think about checking the time. 

“Happy Valentine’s Day to me,” you say when you finally get your breath under control. You still feel giggly but instead, it comes out as a soft chuckle as you speak. 

“You make it sound like I don’t do this often,” he crawls closer to you again, and you tell him to come here as he enters your arms. He kisses your neck a few times and then looks up at you, “I go down there quite a lot and often, you know.”

“Yes, yes, like a good boy, I know,” you tease him, reaching for his chin to pull him into a soft and lazy kiss. He tastes like you, and you lose yourselves in each other once more until Javier pulls off his briefs with one hand. He discards them without leaving you for too long, throwing them to whatever spot he had aimed your own underwear at. 

“Need to have you close,” you voice what you long for, having grown needy from seeing him undress completely. The sight of his beautiful cock is enough to get you fired up again, clenching around nothing, “Please.”

You spread your legs even further and Javier lies between them, reaching down to ease his cock inside of you. He enters you slowly and with a shaky breath, the both of you staring down to watch as he disappears inside of your cunt. 

You hold onto his arms, breathing hard and trying to relax as it stings slightly due to his generous girth. The second he bottoms out, you whine feebly as if you have been holding it back and it’s now safe to do so. 

“Lo sé (I know),” he soothes.

“You feel so good,” you babble, “I love you.”

“Y yo a ti (I love you too),” he bumps your noses together, looking into your eyes as he moves once and then twice. Your mouth falls open in a gasp and he uses the opportunity to lick into your mouth and kiss you deeply. 

You slide your hands underneath his arms to hug him close, letting them go up along his broad back and each ripple of muscle that flexes as he fucks you until you can clutch onto his shoulders. You rock with him, relishing in the smooth motion of his hips moving back and forth to stretch your cunt open again and again. 

Your fingers dig into his shoulders until your knuckles start to ache. No matter how many times he is with you like this, it will never be enough. It will never be enough because you need him to be this close and connected to you every goddamn day. It’s like a hardcore drug that clouds your brain, like the oxygen that you breathe in daily, like the food and drink necessary to survive. 

Without interrupting him, you move to dig your heels into the back of his legs. With each stroke of his cock inside of you, each roll of his gorgeous hips and pelvis, you can feel the muscles of his calves tightening and relaxing. Your limbs tangling around him allows you to angle him how you want it most, so you mumble something and dig your heels in further. 

Suddenly, his pelvic bone crashes against your clit, and it continues doing so until you know that this is how you are going to come a second time. 

“Oh, just like that,” you let your head fall back into the mattress, “You’re gonna make me— Javi! You’re gonna make me come, baby.”

“Is this pussy mine? Esta cosita linda (This pretty little thing)?” He asks with a growl, sounding so sexy that you know he is determined to make your orgasm approach even faster because his thrusts speed up.

“Para toda la vida (for life),” you say breathlessly, panting as you near your crescendo. It only takes a few more strokes against your clit and then you are done for, coming a second time with a sharp intake of breath and then a cry that could disturb the neighbors from whatever they are doing.

He kisses each whimper from your mouth and slows down a little to give you space for you to return to him. However, you know that this isn’t the end. His stamina today is mind-boggling but you don’t complain, instead take what he can give you even if it leaves you sore until the next day.

“You okay?” He asks when you have calmed down. 

You let your arms and legs fall down to your sides with a blissful expression on your face. You nod, reaching up to rub your eyes as you feel deeply sated, “Just give me a moment.” 

“Think you can take anymore?” He pulls out of you to get back onto his knees. You make a noise. On his shoulders, you spot the little crescent marks that your nails have left. 

“We’re making babies, right?” You note.

“Claro (of course),” he snorts. 

“Then you better screw me silly, Mr. Peña,” you shift slightly on the bed to present your spent cunt for him once more but more obscenely this time by reaching down and spreading your lips open. He groans at the sight, especially when you visibly clench around nothing and silently promise him what’s to come.

“Anything for you, Mrs. Peña,” he almost sounds in pain from the desperation to get back inside of you.

The sweet tenderness and romance are put on hold for something dirtier to take their place, Javier moving forward until the front of his thighs touches the back of yours. He pushes inside of you again with a gasp of your name and places his hands on your hips, holding on tightly so he can pound you into the mattress. 

The sound of his skin slamming against yours fills the room along with your moans, and each thrust sends ripples of intense pleasure through your body now that you are so sensitive. You allow yourself the relief of crying out towards the ceiling because, for the next twenty-four hours, you are completely child-free so who cares?

Javier’s eyes burn with desire at your noises. He is so beautiful, mouth hanging slightly open as he pants and his shoulders looking even broader when he hovers above you. And his noises, he is louder than normal too, you realize, with no intention of quieting his moans down either. 

A particular snap of his hips sends you reeling as he nudges your g-spot just right and makes you grip at the sheets. Javier is on you like a hawk and notices immediately the way that his cock has severed connection to your brain for a moment. 

“You like that? You like my cock?” He digs his thumbs into your hip bones, indulging himself by staring down at where his cock pistons in and out of you. His length is sticky with your arousal, “I can tell you like my cock, God, your come is all over me, baby.”

You bite your lower lip, furrow your brows, and nod repeatedly, “Yes… yesyesyes!”

“You’re on fire today, mi amor (my love), makes me wanna come inside of you like I’m meant to,” he spits filthy words as he goes harder, “Think you can give me one more? Make those gorgeous legs shake?”

The comment about your legs makes you bend them to your chest so you can link your arms under your knees. The position makes Javier swear under his breath, and when you squeeze around your calves, he becomes a tighter fit inside of you and a sob escapes you. 

He is the one to look drunk now, fighting the urge to let his eyes roll back into his skull in case he misses anything you do while he drives into your pussy in this new position. He moves his hands to place them on the back of your thighs and contort your body slightly. He digs his fingers into the extra pounds there and then fucks you with your shared pleasure in mind. 

The squelch of your cunt is obscene and you almost sound like you’re crying from how he pounds your g-spot. A third high, which started building slowly, approaches so quickly that you squeeze your eyes shut and nearly choke as you scream for him, “Yes, oh my God, yes! I’m—“

“That’s my girl,” he sounds close too, “Get it all over my cock, baby.”

The bliss you feel as you come a third time turns your demeanor from pathetic and whimpering into smiling and giggling instead. You look up at him with hazy eyes while you are grinning, moaning, and coming so hard that Javier cannot stop himself from laughing slightly even if it’s interrupted by his own moans.

“Fuck, you are gorgeous coming for me,” he praises with a shit-eating grin, gasping sharply at reaching his own peak a second later because he just cannot hold back any longer. He pulses inside of you, breeds you until you are filled to the brim, and you can feel some of it spilling out onto the bed sheets. 

Exhausted is not the right word. Your whole body slumps when post-orgasmic bliss hits you and you groan as Javier topples down on top of you as well. You melt together and breathe hard, one big tangle of limbs turning you into an octopus. 

“Definitely didn’t have time for that,” you say eventually.

“Stop being so hot then,” he jokes. He lifts his head to kiss you longingly and you allow yourself to lose yourself in it, again forgetting about the time that’s ticking by. 

As Javier reluctantly tears himself away from you, he casually looks at the clock on the nightstand and gets up so quickly that he needs to find his balance. He seems to realize that you are not just fashionably late but actually really late, “Mierda (shit).”

You check the time too and swear as well. It is twenty minutes to eight, and it takes at least fifteen minutes to drive to the inner city. There’s no way that the two of you are going to make the reservation, and you will just have to hope that they are kind enough to hold onto your table the minutes you are going to be late. 

It seems like you turn into the stars of your own romantic comedy, the only thing missing being the laughing track in the background because you move through the house so quickly that you almost forget to put on underwear after getting cleaned up in the bathroom. The rush doesn’t even give you time to ponder your shape in the mirror again.

By the time you actually leave the house, you are laughing at the ridiculousness of it all and looking disheveled. In fact, you have to stop Javier from getting into your car because his buttons are buttoned unevenly and his collar looks like he’s been out in a storm. 

“Right, fuck, what’s the time?” Javier asks when he slams the car door on his side. 

You look at the car radio’s clock, making a concerned noise, “Hmm… Ten to eight. If you speed a little?”

“I’m law enforcement,” he deadpans. 

“You’re also late for a booking you have had for months,” you argue. 

Javier pulls out of the driveway but despite it all, he still doesn’t speed with the mother of his children in the car. 

However, he does use his badge in the window to get a parking spot close to the restaurant. He pulls it from the glove box and you raise an eyebrow at him, to which he simply tells you to shut up with a tiny glint in his eye. 

Your heels click on the sidewalk as you speedwalk towards the restaurant’s main entrance. Javier holds the door open for you, and for a moment, you actually look like a couple who has it all together and is on a date. 

Despite this, it seems that impromptu sex is apparently not good for new restaurant businesses, even if it starts out innocently with an intention of comforting one’s partner, because your table has already been given to someone else. You can see Javier’s fist tightening into a ball at his side as he is told this. 

The man at the front desk looks unimpressed with your husband’s attempt to make him show you to a table anyway, and you even hear Javier saying that he cannot, in good conscience, let you starve. 

You stand a little behind your husband who quietly fumes because nothing seems to work, “I’m sorry, sir, but I’m afraid we’re fully booked tonight and many nights ahead. It is Valentine’s Day after all.”

“Yes, I am aware,” he replies with gritted teeth. 

“Honey,” you reach out to put a hand on his arm and he whirls around, only to look a lot more calm the second he finds your gaze, “It’s fine. Come on, we’ll find someplace else.”

“But you’re starving,” he says helplessly. 

“Then let’s not keep this up. I know a place around the corner,” you smile at him, holding out your hand until he gives in and takes it, “Besides, they can keep their tiny portions to themselves.”

It may just be the last remains of what you did half an hour ago but Javier starts snickering while you guide him through the door and out into the evening air. He only manages to walk down the street with you for a few yards before he presses you against a brick wall and kisses you. 

“No,” you scold him playfully and place your palms on his chest, “I don’t care if you’re Laredo’s local hero. You couldn’t get a table so we’re not wasting time by making out in public. Like you said, I am starving.”

“Descarada (cheeky devil),” he pecks your lips but lets go of you, “Fine, lead the way.”

The two of you start walking. The place you have in mind is only a short walk away and it’s a nice night, so you don’t mind. Especially not when you can walk hand-in-hand with Javier the whole way and not have to say a thing.

You end up in front of a food truck that sells tacos. It is the perfect spot for something low-key which makes your whole night seem even funnier now that you are so overdressed. The two of you snicker together as you wait in line, mostly resembling a couple who have escaped a tedious wedding to get junk food. 

“My treat,” he says.

“You better. It’s your fault we’re here,” you tease.

“I think we have different versions of what happened back home,” he winks, “But fine, order whatever you want. Like always.”

You order your food, telling the owner of the food truck to go heavy on the pico de gallo and Javier follows behind with his own order. After paying, you take a step back to let other people buy their food. 

“This is where we had our first date,” he notices, an arm around your waist as you wait for your food. He tightens his grip around you as he speaks, “Where I knew I wanted to marry you, have kids with you.”

“This is not where we had our first date,” you say with a playful roll of your eyes, looking at him long enough for him to give you a kiss. 

“Yes it was,” he replies. 

“No, you were drunk and we were heading home from the bar a few blocks from here,” you remind him, “We’d only just met. Connie told me not to follow you.”

“Fuckin’ Connie,” he shakes his head, “No, that was definitely our first date. I don’t care what you say. I just don’t wanna think about the disaster that followed even if you want to call that the first date.”

“You were late and we missed our reservation,” you reminisce, “Just like today.”

“Which is why I am not calling it the first,” he lets go of you as the woman in the truck places your orders on the counter. He hands you yours and then takes his own, “We had food, talked for hours and you were wearing that dress with the bows.”

“No more talk about dresses,” you groan as you walk to find a spot, “You’re making me depressed.”

“I’m just saying,” he shrugs with a grin, “I knew then.”

“Well, I knew when Connie told me you were forbidden fruit,” you smile back at him, and there’s something strangely comforting about knowing that he follows right behind. 

The food truck's sitting area is right behind it in a cozy nook between two buildings. As disappointed as you were at not getting to try out the new restaurant in town, the picnic tables, and colorful plastic chairs more than make up for it. It is a lot more romantic than what you assume the gourmet restaurant would have been, and you choose a spot right underneath a blanket of string lights that seem to imitate stars. 

There are a few guests aside from you, and you feel warm at hearing their voices filled with laughter and joy. 

You sit down on the bench and tuck your skirt between your knees, getting comfortable and looking excitedly down at your soon-to-be-devoured food. There’s something uniquely satisfying about a greasy meal after sex, and even more so when your husband indulges you to have whatever you want. 

You pick up your taco and bite into it, doing a happy dance as you chew whilst Javier watches you with a grin on his face. However, the happiness is short-lived because something in the taco triggers a wave of nausea and you soon realize that it is the pico de gallo. 

“What is it?” Javier has caught on because you cannot help but grimace. 

“This tastes funny,” you say. Puzzled, you take another bite but quickly stop yourself before you are stupid enough to go for a third. Your stomach growls but there’s no way you are eating the rest without at least scraping it off. 

Carefully, you place the taco back down on its paper tray and take a few napkins from the dispenser on the end of the picnic table. You spit your latest bite out into one of them because your body does not agree with the idea of swallowing the acidity again. Then you take a long sip of your water and wish you had something to neutralize the taste in your mouth.

Without thinking much of it, you start to rid your food of the salsa fresca. You use your index finger to scrape it out onto the napkin and pick any remaining pieces off too, avoiding the natural instinct to suck your finger clean and wipe it on a new napkin instead. In front of you, Javier has stopped eating and simply watches you. 

You feel slightly judged by him, narrowing your eyes from annoyance, “What?”

“Are you pregnant?” He asks with a furrowed brow.

“What? No way,” you let out a chuckle of disbelief, “That’s not funny.”

“Honey,” he continues, nodding down at the napkin, “You love pico de gallo.” 

“So? The only times I haven’t eaten it has been when I’m pregna—“ your eyes widen, looking down at your taco for a moment before staring at Javier again. He looks just as alarmed by your food which is only two bites down, “There’s no way.”

Around you, people have started to notice a shift in your voice. It probably sounds like you are upset, like Javier is using Valentine’s Day to break up with you. 

“Baby, there’s no way,” you say again and your voice has become a little higher pitched, “I’d only be five weeks along.”

To the opposite of you, Javier is speechless. He has stopped eating his own dinner, sitting with his own taco but is unable to figure out how to react. 

“We can’t have been lucky the first time around. My period is due in a few days. This is ridiculous. Sebastian is only just about five months old,” you are starting to sound frantic, “Javi. Baby, I am freaking out.”

Javier blinks a few times almost as if he is mentally shaking himself out of his trance. He reaches across the table and takes hold of your wrist, “Calm down. Let’s just finish eating and then we can go get one of those early detection tests, yeah? Te prometo que todo va a salir bien (I promise you that everything is going to be okay).” 

“Yes, alright, you’re right,” you feel instantly calmed by his touch, turning your palm upward so he can hold your hand instead. Then you frown, “But I can’t eat this. It’s probably still going to taste like it.”

“Hold on,” he says, letting go of you to switch plates with you without hesitation, “There, now you can eat.”

“Te quiero (I love you),” you sigh happily, smiling at him from across the table. 

“Love you too, now eat, so you can feed my kid,” he starts to load the taco with pico de gallo again. 

*

The late-night pharmacy, just opening, exudes a subtle but steady hum of activity, bathing in the fluorescent glow of overhead lights. Shelves are neatly lined with pharmaceuticals, and you scrunch up your nose at the faint scent of antiseptic. Javier keeps a hand on the small of your back the whole time, steering you gently toward the counter as if this new piece of information has made him instantly more protective.

There’s only a single pharmacist behind the counter, a middle-aged woman with her glasses around her neck in a chain, but she doesn’t blink when you explain your sudden emergency. She beckons you down along the aisles and grabs a few different pregnancy tests for you to choose from. 

“This one is more certain but it does cost a little extra,” she explains and holds up a Clearblue digital test. Javier quickly exchanges a look with you. 

“We’ll take that one, actually make it two,” you say, tapping your feet nervously on the floor, “Can I use the bathroom here?” 

“We’re that eager?” She smiles, “Sure, dear. Let me just get the key.”

Javier pays at the counter, a twinkle in his eyes as he makes a joke, “My treat again.”

“You better; you’re the one who got us into this mess - again,” you giggle and it even earns you a chuckle from the pharmacist. 

“I hope you get the result you are hoping for,” she says when unlocking the door to the staff toilet. She ushers you both inside the door and then closes it behind you.

Silence at last, you think to yourself and even find that the water you drank with your meal earlier has run right through you. You pull up your skirt, twisting it and tying a knot to keep it from falling down again. You go for your underwear next, bending over to pull them down your legs to your ankles. You feel Javier’s palm steadying you without thinking.

Besides you, Javier starts tearing open the Clearblue boxes. He hands them to you one by one, and you finally sit down to pee, angling your wrist awkwardly to make sure you use the sticks correctly. The both of you stay silent through the whole ordeal.

You wrap both pregnancy tests in toilet paper and hand them to Javier who places them on the edge of the sink so you can finish up and get dressed again. He takes a step to the side to let you wash your hands, having crossed his arms over his chest and started tapping his fingers nervously.

While you listen to the sound of the water running, the air in the tiny, poorly lit bathroom seems to hang thick with anticipation. You want to say something but there is nothing you can say that’ll ease your shared, anxious heartbeat. Eventually, Javier beats you to it.

“Don’t be disappointed if it’s negative,” he gives you an uncertain smile. Mostly, it sounds as if he is talking to himself. 

“You know I will be,” you sigh, stepping close to link your arms around his neck. He nods in understanding, cupping your waist and rubbing soothingly with his thumbs.

“Me too,” he lets out a shaky breath.

“I know,” you automatically tighten your grip on him as the minutes go by, knowing that he needs it as much as you. On the sink, the white plastic sticks seem to mock you with their silence. 

Come on… 

A few minutes more and suddenly, you know there is no way back. It seems ridiculous that a stick with your pee on it has the ability to predict your future but here you are. You shake your head after untangling yourself from your husband, “I can’t look.”

Javier bravely takes them from their place on the sink. Your stomach does somersaults as he unwraps them, twisting them so their displays face upward. A slow, relieved smile spreads across his face and he looks up immediately, “You’re four to five weeks pregnant.”

“What?” You grab his wrist to take a look for yourself, “There’s no way!”

Sure enough, both displays show a positive result and an approximate number of weeks. Calculating in your head, you know it has to be that one time in the middle of the night in January. The thought of getting it right without even really having begun is crazy because it’s so unbelievable. 

“That’s so surreal,” you walk straight into his arms. He hugs you tightly, resting his lips on your forehead and you can feel his elevated breathing because you are so close to him. 

“Pop is going to have a heart attack,” he mumbles with slight amusement, although you can hear the tremor in his voice. You look into his eyes, reaching up to cup his cheek and smiling softly.

“We can’t tell anyone yet, it’s not been three months,” you say, lost in just staring at him. He is so beautiful when he is happy. 

“God, I know, I'm just so excited,” he chuckles, a little embarrassed. 

“I’m sure you’ve already figured out that it’s going to be a Halloween baby,” you grin. 

“Oh fuck, forget about Pop; Inés is gonna get so pissed if she has to share Halloween with a birthday child,” he starts to laugh after he has said it. You join in, high on the happiness you feel.

“I love you so much,” you say when the laughter dies down. 

“I love you too,” he kisses you after saying it. 

“And happy Valentine’s Day to us,” you continue, letting Javier pull away to throw the pregnancy tests out and wash his hands. 

“See? Now you’re using it right,” he teases after drying his hands. 

Then he opens the door and waits for you to step outside. Everything seems possible tonight.

.

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If you would like to follow my writing then go follow @notjustjavierpena-fics and turn on notifications 💖❤️

[captainjonnitkessler]

I understand if you want to stay out of it but I’m curious as to you’re thoughts on this discourse

https://www.tumblr.com/dappercat123/737173649266737152/your-arguments-sum-to-in-my-perfect-world-there

Anon, I'm going to be entirely honest with you. I have been waiting for an excuse to put my thoughts about this down. Forewarning that this is going to be long and take a dim view of organized religion.

TL;DR: I think everyone in that thread is maliciously misinterpreting evilsoup's point, which is basically that they think Gene Roddenberry was right about what a post-utopian society would look like re: religion. And you can agree or disagree about whether a post-religious utopia is likely or desirable, but to say that anyone who thinks it is is actively calling for and encouraging genocide is a gross misuse of the term (especially coming from at least one person that I'm pretty sure is currently denying an actively ongoing actual fucking genocide).

@evilsoup can correct me if I'm misinterpreting their points, but as far as I see it there are two main points being made:

A) In a perfect utopia with absolutely no source of oppression, marginalization, or disparity, religion would naturally whither away with no outside pressure being applied.

B) This would be a good or at least a neutral thing.

As far as A) goes - a lot of the responses evilsoup got were basically "well *I* would never choose to be nonreligious, so therefore the only way to create that world would be by force, and therefore you are calling for literal genocide". But aside from the fact that evilsoup was very, very clear that they thought this would be a *natural* event and that trying to force people to be nonreligious would be evil - we're not talking about (general) you. You can be as religious as you want but you don't get to make that choice for your grandkids, or your great-great-great grandkids, or your great-great-great-great-great-etc. grandkids. Just because religion is an integral part of your identity doesn't mean it's something you can pass down, and if you're not comfortable with the idea that your kids might choose to leave your religion, you shouldn't have kids.

I personally don't foresee religion disappearing entirely, but it is pretty consistent that as a country becomes happier, healthier, and wealthier, it also becomes less religious. Religiosity is inversely correlated with progressive values. And the more democratic and secular a nation is, the less powerful religious authorities become - In the 1600s blasphemy and atheism were punishable by death* in Massachusetts and today I can call the Pope a cunt to his face** on Twitter with no repercussions whatsoever. Political secularism is an absolute necessity for true democracy and it necessitates removing power from religious authorities, which has and will likely continue to lead to a decline in religiosity - not just a decline in how many people identify as religious, but also a decline in how religious the remaining people are.

*Blasphemy laws and death penalties for blasphemers/apostates are still VERY much a thing in many places. It's hard to see a path where those places become more democratic but don't become more secular and repeal those laws.

**Well, to the face of whoever runs his Twitter account, but the point remains.

I also believe that many religious communities have been held together for so long via coercion - either internal coercion like blasphemy and apostasy laws, shunning, and threats of hell or other supernatural punishment, or external coercion like oppression from the majority religious group or ethnic cleansings. In a perfect utopia, neither form of coercion would exist and I don't think it's crazy to think that religiosity would drop severely and become a much less important part of people's identities, in the way I think the queer community would not exist in a world where queerphobia didn't exist.

ANYWAY, all this is actually kind of moot. It could happen, it could not, nobody is calling for it to be forced so we'll just have to wait and see. The real point of disagreement is on B).

I'm gonna be honest - I think a lot of the responders are rank hypocrites and are really hung up on the idea of cultural purity, which is something I'm wildly uncomfortable with.

First of all, the idea that a deeply-held religious belief could be diluted until it's just a cultural thing that nobody really remembers the origins of isn't some evil mastermind plot evilsoup is trying to concoct, it's just how cultures work. There's tons of stuff about American culture that are vaguely rooted in what were once deeply-held beliefs and are now entertainment. Halloween is rooted in sacred tradition and now it's a day to dress up and get candy. Christmas is one of the most sacred holidays in Christianity but nobody bats an eye if a non-Christian puts up some lights or decorates a tree just because it's fun. I have no doubt that every culture on Earth has traditions that used to be deeply sacred but are now just fun family traditions. People in Japan use Christian symbology as an "exotic, mythical" aesthetic the exact same way people in the West use Eastern symbology. And if you're okay with it happening to Christianity, why wouldn't you be okay with it happening to any other religion in the absence of oppression?

And there's the idea that if a culture fails to get passed down *exactly* as it is now, it's a terrible loss and the result of malicious outside influence. But . . . cultures change over time. No culture is the same now as it was two or five or eight hundred years ago and I don't believe that change is inherently loss. The things that are sacred to you may or may not be sacred to the people of your culture in the future. That's just the way things work, and I don't think it's inherently good or bad.

And finally, people keep accusing evilsoup of "just wanting everyone to assimilate to your culture", but it absolutely does not follow that a lack of religion means a lack of diversity. Different nonreligious cultures are every bit as capable of being diverse as different religious cultures, so it's weird to insist that evilsoup wants there to only be one culture when they never said anything to indicate that.

[hazshit-hotel-hater]

Moxxie Redesign! (2/4)

You didn’t think I forgot about this did you? ‘,:/

I wanted to base Moxxie off of what his name actually implies, having nerve and determination. Ive almost entirely changed his personality in certain ways. He is still an assassin but he takes his job very seriously and struggles with his inner morals because of this. Being berated by Blitz often leads to him pushing aside his concerns with his job and causing internal conflict instead that he typically only ever talks to these issues about Millie. She is trying to get him to consider therapy but he doesn’t want to lose his “sparkle” (he gives in eventually and goes and it goes fine, this would be around season 2 but definitely after episode 6)

Moxxie also doubles as a medic for any potential injuries at I.M.P (this happens often). Moxxie was also born in greed so he has the more aquatic qualities of a greed imp such as the little headlamp, frills, and gills. And for any fish nerds, yes I know only female angler fish have headlamps, thats the point. Viv has literally no main trans characters so I guess I have to do everything myself. Plus I’m tired of the super straight shit that happened a few years back, Millie isn’t any less straight for dating a trans man. I think Moxxie certainly struggles with his masculinity and also takes his job so seriously as a way to prove to himself that he’s meeting some sort of “masculinity criteria” however he’s fully aware of how silly the mindset is (hes working on it). I think som trans imps may definitely paint their horns like Moxxie, but with certain days I really doubt he gives much of a shit considering it probably gets chipped a lot anyway.

Moxxie still hates his upbringing and the greed ring leaves a sour taste in his mouth, however he prefers to use his knowledge and features from greed in his work. For example, preforming minor surgery under his headlight, it’s goofy as hell and I think any show benefits from some extent of stupid silliness like that. It’s also good for distractions!

Moxxie isn’t always super serious like in this art either, he’s still a bit stupid but still respects himself. Tough nut to crack because of his past but is very kind underneath somewhere.

Heres some notes I went off while working!

- glasses (REQUIRED. Give him those stupid little circle spectacles)

- Get rid of the stupid suit

- Maybe some interesting horn stuff?

- Make him look a bit more like his voice, not sure how to describe this

- Write a boyloser properly

- Probably doubles as a medic? I think he’d be interested in medicine with all that errrm akshully energy he has

- Make him actually look like an adult (I tried)

- More of a fishy tail

- Born in wrath but both parents are greed imps so he has those features + moved back when he was like 6 idk

- Or idk maybe imps change the longer theyre in a certain ring? Could be fun

I have a lot more I could talk about with this guy but I’ll save it for some other posts :3

[dykecadence]

actually im not done thinking about this. marcus's whole thing was self preservation at any cost. he had enough to deal with as a black man in america especially one running in such white circles as the goddamn press, being gay was something he could hide and it gave him some semblance of control. he was safe and that was enough for a while. he was happy to do the same thing as hawk, live with one foot in the clubs and another in his cozy percieved heterosexual home life. but hes not like hawk

as soon as marcus acknowledged he was in love it was over because frankie never wanted the protection marcus so desperately wanted. marcus was content to think of himself as fully separate from the queer community. he ran when frankie defended him from the racist clubowners, he ran again when cozy corner got raided even as frankie begged him to stay. he only went out into the streets after milk got assassinated to try and stop frankie and jerome. he was so CAREFUL. in everything and we see that in how he holds in his rage too. after he gets rejected at the door from the club we get one brief moment of unbridled rage and he YELLS and hits he desk before he seals it right back up again. whatever freedom came with his emotions be they love or anger he couldnt let that show because that honesty put a target on his back as a black man and as a gay man.

but unlike hawk marcus allowed himself some emotional honesty. he allowed himself to love frankie and build a life with him, and he let himself love tim, and let himself love jerome and suddenly he wasnt just worried about his own protection anymore. it wasnt enough to stay home and stay quiet to be safe.

so finally. after years of leaving frankie in the cold and letting remarks slide he cant take it anymore. that love and anger was something necessary. marcus sneaks into that gala with tim, he's the one to open the doors to frankie and the other activists, he chains himself to his friends and that stage and he YELLS the way we only ever saw him do in the privacy of his own office because he cant look away anymore and he refuses to let anyone else!!!

thinking soooo much about marcus's transformation over the course of the series i think watching him chain himself to that stage and SCREAM with everyone else was my favorite moment in the whole show

[temis-de-leon]

Dateables as Single Fathers

Characters: Diavolo, Barbatos, Solomon and Simeon, gn!kid, Luke and gn!MC

Part 1

Main Masterlist

CW: nothing, I think? Correct me if you feel something should be warned, but I think we're good to go. Just like in the other one, these HCs explain the characters' relationships with their kids and a romantic interest in MC at the end.

.

Diavolo

This one has to be the most difficult situation out of all, considering his political position.

He either had a child outside of marriage, who I think would’ve been considered a bastard, or he had the next heir with his wife, who would’ve eventually become the queen of the Devildom beside him.

No matter the option, each one would have had significant consequences.

Fortunately for his country, he’s too respectful and responsible to fool around and risk the chance of leaving his offspring behind, so political marriage it is.

I already used the ‘mother died in childbirth’ reason for Lucifer’s HCs, but I can’t see any other explanation for Diavolo being a single father. Both of them would be loyal and committed to their partners and Diavolo has the additional duty of keeping a kingdom going.

Now, we could do some AUs that could explain the future queen’s absence, but that isn’t what this post is about, so let’s leave it at that.

In the end, Diavolo is left with a child that is deeply loved and well taken care of.

I think Beautiful Boy by John Lennon would describe their relationship perfectly.

Loving his kid is not his only priority; raising him is also as important. He’s a caring parent, very attentive, protective and stern when necessary.

Diavolo is too aware of their duties as royals and future monarchs but tries not to act on them. Since he is already preparing himself to become king, there’s no need for his kid to lose their freedom and their childhood.

However, as occupied as he is, he tries to put his work on hold each time the child calls for his attention. They drew themselves with him and Barbatos? Okay, let him set these documents aside so he can admire the drawing properly. They saw a cool bug outside? Say no more, he needs a break anyway. They had a nightmare? Maybe they should have a sleepover!

The kid just needs to be careful not to do many of those things in front of Barbatos. Otherwise, the butler would chastise both.

He’s highly proud of them when they dive into a friendship with you; seeing their eagerness and comfortability around your presence as a sign for keeping the student exchange program going.

Still, he finds the need to have a somewhat serious conversation with them about you, your purpose in the Devildom and your status as a human; the imbalance in power and biology that makes you both so different.

As time passes and his own friendship with you deepens, so do his feelings. He isn’t obvious about it, or at least he tries, but his kid inherited his observation skills and soon innocent suggestive comments are trailing behind him everywhere he goes.

The situation amuses him and makes his heart flutter with enthusiasm.

With encouragement like this, how could he not try to pursue you?

Barbatos

I like to think there’s some kind of errand boy roaming around the castle. Not necessarily a boy, but still a child doing a little bit of everything and helping whoever gives an order. They’re quick and cheeky, making the staff cheerier and less stressed about their chores, and Barbatos finds them surprisingly charming.

He doesn’t mind them running between his legs as long as they know when to stop and don’t hinder his work and, unlike the little Ds, that turns out to be what happens.

Barbatos tries not to get attached at first and a long time passes until he can’t deny the affection he feels for the little devil.

When I say long, I mean long.

Decades, even a couple of centuries, unable to ignore the lack of parental presence in the child’s life. They’re always in the castle, going from one point to another, talking to everyone and sticking to no one. The few moments they have to rest are spent with the prince’s butler, talking about their day with breathless excitement.

It’s a nice dynamic that Barbatos enjoys more and more with each passing day, but it isn’t until the rest of the staff informs him of every little thing the kid does that he finally realizes how deep he has fallen into the rabbit hole.

He is a father figure.

Again.

He isn’t complaining, not at all, but it still surprises him.

More time passes until he gathers the courage to ask Lord Diavolo for a room inside the castle for the child to sleep in. His cheeks are warm when he specifies he’d prefer if the room were close to his and the embarrassment only grows when the prince laughs out loud with excitement.

By the time you are introduced as the second human exchange student, everyone treats the kid as Barbatos’s and they even call him ‘father’ when they’re alone. Neither are ashamed of their mutual affection, but they’d rather keep it private.

The child likes to tease you harmlessly, joking around, asking pertinent questions under the disguise of childish innocence and appearing out of nowhere when you least expect it.

They won’t mind if you lightly reprimand them for their constant playful behaviour, that’s what their father does after all, but they’ll quickly love you if you joke back.

Either way, he likes to follow you around and Barbatos instantly notices. It piques his curiosity and warms his heart, but with how highly the child talks about you and how much you captivate him on your own, he starts to wonder if he should’ve pulled the kid away from you since the beginning.

His strong feelings for you are foreign, but not unwelcomed. He’s just too vigilant of all the possible outcomes.

Fortunately for you, for every doubt Barbatos has about these feelings, the child has a dozen reasons to make them stronger.

Solomon

How many wives did King Solomon have again? How many concubines? How many children out of all of those partners?

I’m not saying that any of those children succeeded in achieving immortality like him, I doubt that could’ve happened so early in his life, but outliving human partners doesn’t mean that Solomon chose to refuse to have any more partners at all.

I can see him entering a relationship with someone who has a longer lifespan and, regardless of that arrangement being casual or committed, having a child with them.

Maybe the other parent passed away, maybe they didn’t want to be in a relationship, maybe they tried and failed to stay together… who knows, you can choose your favourite. The conclusion here is that Solomon kept the child and raised them alone.

Feral child vibes, I fear.

As devious as their father and completely oblivious to it, they are too curious for their own good. Exploration and experimentation through trial and error are fairly common practices in the family and the only reason Solomon isn’t worried is because he’s sure nothing wrong will happen as long as he is there.

The kid may appear at the front door of their house with an eldritch horror-looking creature and Solomon would be like: ‘You’re doing amazing, sweetie’.

He knows introducing his child to a human infant is not the best of ideas. They would have to move places constantly due to their slow ageing to not raise suspicion and that would be completely unfair to the kid. They’re allowed to have permanent friends their age, after all, not a playmate turned into a babysitter or faceless companions that would disappear in their memories over time.

So they mostly engage with other immortal beings, like witches, demons and fellow sorcerers.

That saddens Solomon in a way; the human part he passed to his child is slowly dying due to lack of interaction.

This is why the human exchange program Diavolo proposes is so interesting to him.

Not only is he going to meet one of his kind in a world he easily moves around, but his child is also going to get the opportunity to be with another human in an environment they feel comfortable in.

It goes as well as you could expect.

Both of them are curious and eager to meet you, but at the beginning of your friendship it feels more like academic research. You stick to the brothers and their antics and they stick to the angels and their kindness.

If Luke is a Chihuahua, then Solomon’s kid is a thirteen-year-old delirious Yorkie.

As time passes and your friendship develops into something more genuine, Solomon can’t help but feel like he’s finally breathing fresh air after being locked in a cave for years.

His child still explores their surroundings, but there’s a new hope in their actions that he knows doesn’t come from him. It’s true childlike wonder and care towards their subject of study. An appreciation of life only a mortal would express.

You don’t understand how much you changed his child’s life.

And you don’t understand how much he loves you for it.

Simeon

I mean.

Luke.

He already is a single father in canon.

I don’t know how angels are born in the game, but they do grow up. Maybe Luke just spawned and was put under Simeon’s direct care, but there isn’t any mention of other parental figures in Luke’s life back in the Celestial Realm (although that may be due to the game being lazy with lore).

We know Michael is Luke’s hero, but not a father figure, so Simeon as a single father makes total sense.

A single mom who works two jobs and loves her kids and never stops.

Jk, jk…

But for real, though.

Simeon is thoughtful, affectionate, careful with Luke’s emotions and conscious about his need to mature and grow up. He treats him like a child, because that’s what he is, but tries not to infantilize him to not hurt his dignity.

While proud of Luke’s morals and golden heart, Simeon wants to make him see not everything is black and white and he’s allowed to have opinions that can differ from what they’ve been taught.

Some demons are good, some humans are consciously devious and some angels need to reevaluate their priorities.

It is a difficult task since Luke is certainly stubborn, but spending time in the Devildom is the perfect opportunity to prove that point.

Thankfully, your presence only helps Simeon change Luke’s judgemental thoughts. You are patient, easy-going and lighthearted and don’t get too stressed when the young angel refuses to reject his views on demons.

They both enjoy spending time with you because your soul is still kind and free of punishment, but for Simeon is much more than that.

He enjoys being with you because it feels natural and because knowing you feels like the greatest gift he has received in a very long time.

Believe him, Luke’s praises about you have nothing to do with the love he has for you. Those are just an additional bonus.

.

.

Taglist: @ilovecandys2010  @ollieoven @kingofspadesdelusion @whimsybloom

[my-rose-tinted-glasses]

Peaceful property is a bl even if it's not. It's also about so many other things although not really delivering on a consistent message.

I thought about adding my thoughts to this thread but it was getting long and I started to get sidetracked so I decided to just make my own post about it and share my thoughts on it. @lurkingshan @bengiyo and @twig-tea all made good point about why this show is faltering with its own themes, and @respectthepetty made a compelling argument that the show knows what its doing.

I think no one is wrong and I land somewhere in the middle with it. As in, depending on what I choose to care about. Much like @respectthepetty, I am bias about this show. For different reasons tho. I like Tay and New a lot so I lead with that instead of my critical thinking. just as a personal aside, I tend to do this when my brain and heart don't align. I ignore when my brain tells me that the show is doing something wrong so that I can enjoy the rest. This works particularly well with QL for some reason. I am after all a person who liked Dangerous Romance even when my brain kept trying to damper my enjoyment with logic. And also sometimes I'm a hypocrite and there's no reason for why I like a show and not another. Ok, there's usually a reason but it's most often not a good one, or a rational one at least. That's just how it is.

Anyway. Because of all the excellent points made by that post I decided to fully engage my brain and I've been thinking about what this show is trying to say and I agree that unfinished business is the main thing in the ghost stories but I would have to shut off my brain completely to not see how class factors into all of it as well.

The ghosts up until now, except the chef, were all lower class and one can argue that it played a part in how they died or what happened after. I'm not including episode 7 for reasons that I will explain in a bit. Even if Ride's unfinished business was about love, the fact that he was the only rider doing deliveries in the rain, at least to me, read as he was driven by the need to make money in the first place. Even in the chef's case, the customer that Peach basically poisoned was rich and it was a part of the headlines about it and the reason for the restaurant getting shut down. Also most of the individual stories didn't get deep into these issues, case of the week usual issues, but it was always an underlying theme. Also as @twig-tea said all the parallels work even better because this disparity also exists between Home and Peach.

All this gets me to how I started this post. This is a bl even if it isn't. The choice to include the tragic bl storyline in the middle of this, in my own brain, can only be explained if I believe this is a bl. (The tragic bit was thematically consistent with this show.) Specifically a gmmtv bl. Cause ultimately they have a tendency to forsake narrative consistency if it stops serving the main romance. It's also the only way I can explain having a bl pair mirroring the other bl pair on screen. So in that way it's consistent with gmmtv. Just brush aside anything that can get in the way of the couple not having a happy ending. This is also how I explain my biggest issue with it. Pangpang. She's the shipper. She's been the shipper from basically the start.

Home basically killed her brother, why would she be the driving force in getting him forgiven? Because of my previously admitted bias, I forgave Home almost immediately. It's New and he didn't mean it, it was an accident and he wanted to call for help and do the right thing but his family interfered and.... I could come up with a lot of reasons because I want to forgive him. So everything else can be ignored. But all this obviously doesn't apply to Pang. So it can only be the bl in the not a bl show.

Now, on full brainy mode, this last episode makes no sense with everything else this show has been saying until now. They used a branded pair to ignore any class disparity between our mains, since the last ghost story didn't really parallel that, and over the forgiveness part, and jump straight into Peach has forgiven Home and will probably now become his saviour. Don't even get me started on the fact that Peach is still broke but saving the rich dude that turned his life to crap will be the most important thing right now. I wonder if gmmtv has ever ignored class disparity between a main couple and instead focused on the richer dude's drama while ignoring the struggle of the other one, all in favour of the main romance and lovey dovey moments 🤔. But I guess I'll reserve full judgement on that until the next episode.

yeah, so basically this is where I am at with this show. My two sides are fighting but come next wednesday my brain will take the back seat for 45 minutes so I can enjoy Tay and New and after that maybe I'll think about it some more.

[omaano]

SW Hades AU September Update

Links and previous updates: May - June - July - August - everything else in this AU

For the month of September I have for you a finished character illustration for not only one but two characters for the Hades AU! One boon giver in the form of Shaak Ti,

and Obi-wan, this grumpy old desert hermit who is still missing shading from his dusty surroundings.

AND below the cut I will show you the designs for all the keepsakes I sketched out for the characters this month :3

But - before I go into some ramblings - let's have another poll:

(I know it's a lot like the last poll, but I'm really trying to work on drawings of the boon giver characters while I still remember all the layer settings I need for their glow and radiant spikes ^^;)

And now on for the ramblings and thoughts behind the process of the art I've created this month:

One last rant about me and replicating the Hades art style

I have touched on my struggles with how I translate the Hades art style into my project in the previous update, and unfortunately the perfectionist in me refuses to let it go... so I'll muse on that a bit more in this one as well. Last time, I promise. I've come to the necessary conclusions that I'll let the topic go once I typed these out.

I found this very interesting video that I wish I'd seen before I started this project.

It is a very interesting breakdown of the Hades art style. Now I have to admit that I am very very bad at observation. Therefore I heavily rely on others pointing out patterns and defining characteristics before I can consciously start building on those on my own. For example: when I started more seriously working on this Hades AU project my main objective was to get better at lineart. The way I saw it Hades artworks had very clean and solid linearts with lots of black (thanks to another video that pointed that out as one of the 3 major definig features of the style) but if I look at it more closely the lines and shading are a lot looser, and more confident than what I ended up using.

I quite enjoy doing it, don't get me wrong, but there is an up- and downside to hunting down single pixels that are out of order (b it for lineart or shading) and 100% zoom in... which is silly and unnecessary, since I have to scale down my art quite a bit before posting anyway, so who would see anyway?

Also at this point I'm very much facing the dilemma of how much I can change in my approach to this style to still keep this entire project coherent. I'm more in favour of coherency at this point, so I'm just trying to soak up these lessons for future references.

One of these lessons was another point that was very fascinating in this video (aside from how this video picks a multiply layer approach to shading... which I had abandoned after Boba and Cobb for whatever reason?) was to point out the one dominant, more saturated colour in a character art, and how all the rest are desaturated to support that dominating character.

Shaak Ti and my babies

And I actually was very consciously trying to apply that with Shaak Ti! (I'm so proud of myself, finally incorporating a lesson into my work, look at me go!) It didn't exactly go as I'd planned, in a great deal because initially I wanted the red of her skin to be the more dominant and defining colour. But as I went about colouring in the baby clones as well I realized that the blue of her montrals and lekku would be a much better choice, and have the other redish and warmer tones of her robe and clothes, and the skin tone of the cadets to play the supporting colour role. Yet again, half my screens keep eating away the hue and saturation of my reds, but I think that this approach worked out just fine in the end. The blue-purple of her stripes, her eyes and lips look nice and pretty, and the blue in the cadet uniforms tie the entire composition of all these characters nicely together.

I'd also switched up the gem sparkle highlight colours for this one (and Obi-wan too, since they worked so well with Shaak Ti) from the very limiting base 6 fully saturated colours on others (that don't really show up in print anyways...).

And lastly why they are little ghosties in the alternate version:

Ahead of that however a brief introduction is in order. From left to right they are Ray (depicted here the last time he was biggest of the bunch), Slider (my anxious little field medic), and Goldie (my silly little goldfish who claimed the name before it could stick to Slider). For the record they all grow up just fine to join the war effort.

In this case they are more of a stand-in for all the clone cadets on Kamino, especially those who didn't get to grow up, the training of whom Shaak Ti ended up overseeing. (I don't remember if canonically there had been any of them on Kamino when the Empire destroyed their facilities.... but I'd bet that there must have been.) They deserve someone to look after them too, after all.

Also I wanted to see if I can make the Hades shade design work for me. The answer is.... eh, jury's still out, but no, not really. Luckily however, before I have to figure out if I stubbornly would want to change that, it seems like I'm done with my semi-transparent or shade clones. Wolffe is gonna be just fine, solid and grumpy as you can imagine.

Obi-wan

I don't have much to say about the grouchy old man, except that he was surprisingly easy to finish once I got over worrying about the pressure I'd put on myself because of this character illustration.

I fear to say this, but I'm pretty sure I should draw another version of him... like how Patroclus stands up from his hunched over pose and stands tall and strong and matching Achilles with his own spear once you reunite them in the game. And call on them for assistance. So I guess it would be cool if he could stand back-to-back with Cody, with his lightsaber back in his hand, and looking like someone who (allegedly) has his life together XD

Oh! There is one thing. It was a last minute change but I'm so pleased with the stained glass pieces of his teacup! It's his keepsake as well :))

Keepsakes

These speak for themselves, I believe. Special thanks to Quatre for brainstorming a few of these with me <3 Funnily enough Cody's snapped of antennae is the one I feel least sure about now that I have the whole lineup. They feel very in character for Cody (and how he gets his entertainment out of trolling Din in this AU) but it feels a little silly, you know? Especially with how little they look like antennae X"D

Cody - antenna from his armor, Rex - one of his DC-17 blasters, Wolffe - a tooth with "Plo's bros" carved into it, Bo-Katan - a medal/locket with the pattern of the throne of Mandalore, Cobb - his scarf, Boba - a black melon surrounded by stained glass and a fistful of sand, Echo and Fives - a domino

Omega - a clone trooper doll, Kit - a shell and pearl, Paz - a nesting doll with a Pantoran on the inside and a Mandalorian on the outside, Shaak Ti - akul teeth, Satine - a calla lily brooch like she wears in her hair, Ahsoka - a glowing feather from Morai, Leia - Lola

Obi-wan - a fancy teacup, Quinlan - whatever is the Star Wars equivalent of a pendrive, Fennec - a handful of bullets, Sabine - airbrush, Ezra - a tooka brooch made of pebbles and snail shell, Maul - Talisman of finding (the one Savege used to find him)

Anakin - multitools, Mythosaur - a mythosaur pendant, Aphra - Spice Dice used for a variant of Sabacc, Luke - toy ship, The Armorer - her hammer

It's a bit wild to see all of them laid out like this i'm not gonna lie :D

So that's it for now. As for the next month I'm hoping to surprise-finish Aphra (like I did with Obi-wan), maybe do something about the surpirse I can maybe do for Fives and Echo and why they haven't gotten their character interaction yet, sketch out a new character and maybe start lining Bo-Katan and her gang. It should be doable, right? XD Also I promise that this was my last rant about my relationship to how I've given up replicating the game's style as close as possible. Cross my heart and all that.

Taglist of anyone who wants to be pinged once a month for these updates <3 If you want to be added to the list send me a message, or just reply to this post (a 👀 would do, nothing fancy required ;))

@elwinged @yeehawgeek @velsayshi @lionsaint

If you want to be taken off the list just message me and I'll take you off, no hard feelings :)

[ask-the-rag-dolly]

okay . while i was writing the essay , i was going on a big spiel about how fandoms often reduce characters to familiar archetypes . then when i finished writing i realized i actually don't know what the Fuck i was yapping about because it all doesn't really apply to the tadc fandom post-ep 2 ? like Cool !! ragatha's an absolute loser of a woman , i think everyone has known that at this point .

basically ragatha's not the Best model for when i want to talk about nice characters being mischaracterized in fandom because i stopped seeing people making her put-together anyway . i can think of other characters that'll fit the thesis better .

i'm only deciding to post what i had down because i think i did say some stuff of note and because people were interested for . some reason ! . just keep in mind that it kind of became a nothingburger .

i'm in the middle of rewriting it to be less about the fandom though and my god it's already around 1118 words what am i doing with my life

also apologies in advance for the walls of text

——— this is not an essay to get you to like ragatha if you’re feeling meh towards her , or even dislike her . opinions are opinions , you have characters that appeal to you and i have mine ! this is just a ramblefest on why i love her , how people characterized her , and commentary on fandom culture as a whole

this is also not meant to bash any headcanons ! like good for you if you see her as the mother figure in the circus found family . the term ‘ mom friend ‘ here is used to describe how people often reduced her and similar characters down to a caretaker role for other characters while ignoring the Depth they have

as i think is clear in this blog by now , my favorite character in a piece of fiction has always been a mentally ill woman . the more complicated the brain , the better . i don’t have a type , but i know more often than not i would gravitate towards characters that are either misunderstood or disliked by most of the fandom

can you guess which category ragatha falls under —

don’t get me wrong , i am NOT generalizing tadc fans here ! the idea of her being a well-put together person lessened around episode 2 which is GREAT because i got to read very cool fics — and i’m not saying you have to know every part of ragatha’s thought processes to talk about her ( though at this point i think i’ve heard enough takes that makes me want to say that — )

‘ nice characters ‘ ( especially female ones ! ) in fandom never have the most pleasant development in my experience . either they will be pushed aside because they’re seen as boring compared to the more brasher characters or they’ll be disliked for the few times they did something seen as ‘ not so nice ‘ . and in the few times where they Are being paid attention , they’ll be put in an arbitrary box that waters down their traits .

in other words , fandoms put characters in boxes . terms like ‘ mom friend ‘ and ‘ cinnamon roll ‘ are those boxes . they're common tropes in media that fandoms typically like . it’s why people were so disappointed to find out that jax is actually an unlikable asshole instead of a ' jerk with a heart of gold ' — these boxes make the characters easy to consume and understand .

as you can tell , i don’t agree with putting characters in boxes ! first of all , how are they supposed to breathe in there ?

secondly , it’s just restricting yourself from genuinely engaging with a piece of media , especially for a character-driven story like tadc . i would be More forgiving of this problem if tadc was a plot-heavy show where the lore’s the main focus , but The Characters Are The Focus , Johnathan . trying to understand the characters personally to extract any potential moral lessons from them Is The Point of those types of stories

thirdly , i call those boxes arbitrary for a reason ; they often don't describe the characters at all , and in some cases , even goes against their characterization . my biggest problem with mom friend ragatha is that it Takes away the things that makes her interesting as a character .

do you know what's so compelling about ragatha ? it's that , believe it or not , she is Not the most reliable . one of the most fascinating things with ragatha in episode two is how it shows her approaching emotions Vs. Pomni approaching emotions .

even though it's unintentional , ragatha can be seen as Dismissive and Overbearing . the way she tried to reassure pomni of not feeling hurt by being left behind can seem Passive-Aggressive . her conversation with kinger shows that she Assumes what the other person thinks without hearing them out . this contrasts against pomni who lets gummigoo speak out his feelings and actually had viable things to say than ' don't worry about it haha '

this contrast is interesting to note because it shows the world of difference between ragatha and pomni's emotional maturity .

you can tell that ragatha can be simple-minded . not in a ' she's a dumbass ' way , but in that she's Reluctant to approach uncomfortable emotions without beaming it with a ray of positivity . like you can tell she thinks that Repressing her emotions to the point she can't feel them is the same as ' processing ' them . all of these are stuff that don't fit the Mature Mom Friend archetype .

and that's Fine !! because she was never meant to be in the role anyway !! there's a common theme of Community and Support in tadc , and that Everyone Has Each Other . ragatha was never meant to be the Glue holding everyone together , she's meant to be a part of the Unit that is the circus .

there's also a conversation to be had about how older female characters — or at least characters that are seen as having stereotypically ' feminine ' traits of being kind and caring — are often being pushed to a reductive , supportive familial role that reinforces gender roles , but you didn't hear it from me !

anyways uh in conclusion ragatha's awesomesauce ok i'm going back to drawing