#and marry the State

[biggest-gaudiest-patronuses]

Glinda really had an entire musical number expounding on the theme of "success in life is not about being highly qualified or even competent, but manipulating people's superficial perception of you." and then she went into POLITICS. truly the #girlboss representation the world has earned

[a-continuous-cutting-motion]

u may as well just delete that reblog since nobody in their right minds are gonna agree with you defending reposting art LMAO

anyways nice to see you dont give a shit abt us artists who just dont want to see our creations floating around reposted by strangers who dont even both to remember our names. 🖕

Actually I gained multiple followers from that post. Speak and making lightning, ya know what I’m saying?

[misandriste]

ELOISE BRIDGERTON + being mistaken for a suitor

[vyhonella]

just accept it 🙄🙄🙄

DESCRIPTION: Ambrosius proposing to wear couple rings (one black metal with red dramatic stone for Ballister and one gold with blue sad stone on the Ambrosius' finger already) as a sign of his and Bal's "enmity". Bal with incredulousness and suspiciousness asking if these are wedding rings. Ambrosius doesn't want to delve into the topic, so calls him meticulous.

[danandfuckingjonlmao]

“do you know my will says i should be cryogenically frozen if scientifically possible and provable?” “i better fucking die first. i’m not joking.” “are you gonna freeze me like it says?” “i’m gonna put you in the fridge.”

look. listen. it could just be that i’m a fucked up death-obsessed macabre mentally ill grim reaper gloom and doom morbid freakass disturbed weirdo emo goth bitch, but that exchange is the most romantic shit i’ve ever heard. for no fucking reason that was the cutest most married shit uttered by human lips. fuck off.

[sharp-fanged13]

What a wonderful occassion to remember this happened and is canon af:

[huginsmemory]

The one thing led to another night is very much likely hinting at Bill and Ford fucking, but considering Stan's penchant for getting married while drunk, LITERALLY at one point to ol' Goldie, a horrifying gold panning statue souvenir dispenser(?), may mean that Ford would also have a penchant for that. So Ford marrying Bill that night, instead of them fucking (or marrying and fucking) is actually plausible, and also EXTREMELY FUNNY to me. Both of them have such terrible romance track records.

Also like, I know there's a lot of jokes going around about Stanley being like YOU FUCKED A TRIANGLE? Which I love btw, but like. SIR YOU MARRIED A MAYBE CURSED SOUVENIR DISPENSER THATS A STATUE OF A HORRIFYING OLD MAN GOLD PANNING, DO YOU REALLY HAVE A LEG TO STAND ON?

[bevioletskies]

gemini & fourth (in every universe) ↳ li ming vs. gun vs. atom + perspectives on love

"Do dreams carry any meaning without someone you love to share them with?"

[marimeeko]

Why do shonens gotta sell me the most intimate queer masterpieces but then say that Boy 1 ends up with Girl 1 and lives happily and very heterosexually ever after, as if these main boys didn't just spend 430 chapters being emotionally entangled and mortally codependent on each other.

[mischieviem]

Happy pride to them 🥰🥰

[aprito]

sos month day 26: undercover / arranged marriage

based off of the tv show the americans which you should all watch btw

[noyzinerd]

Sterek Rival Lawyers AU

It's A (Court) Date

Imagine, high-class, Ivy League, hot-shot, attorney Derek comes back from New York to the family firm to take over as partners with his sister after his parents decide to step down. He may not be on the level of his mother yet, but he's cut his teeth against Wall Street wolves and ruthless white-collar sharks. Derek's more than proved himself, so he just can't fathom these small criminal court cases his family is making him take "before he's truly ready" to be a part of the family business.

Enter in his first case. Right out the gate, the state assigned defense is, not only late to court, but also arrives in a flurry of limbs and papers, tripping all over himself, and profusely apologizing to the room as a whole. "Sorry! Sorry! Car trouble!"

The guy is out of breath, tie crooked and hair a mess. It makes Derek wrinkle his nose at the unprofessionalism and the blatant disrespect to everyone's valuable time.

The presiding judge, the Honorable Ms. Lydia Martin, only sighs a heavy sigh, as if this sight is nothing new, and says "Mr. Stilinski, I suggest you don't let it happen again."

Derek is honestly getting annoyed by how easy this is going to be. He could've been doing literally anything else right about now rather than being here going against a common rent-a-lawyer with some Podunk community-college degree. The opening statement for the defense is laughably inept. Full of nervous stuttering, backtracking, running tangents, and babbling. He's still apologizing, trying to assure the jury that he's just having an off-day today.

It's embarrassing to watch.

Nonetheless, Derek goes through the motions, practiced and poised. Examines all the evidence, presenting times and dates, prior arrest records, the works.

During this time, Mr. Stilinski is frantically (and VERY LOUDLY) flitting through a cartoonishly large stack of papers and whispering to his client. Derek has to fight to grit his teeth through his presentation.

Finally, it's time for Mr. Stilinski to cross-examine Derek's client and, unbeknownst to him, the beginning of Derek's long, long spiral of madness for the rest of his career.

"Judge Martin, I would like to move to have this case thrown out."

"Oh?" asks Judge Martin. For some reason, there's an amused smirk, almost fond, tugging at her lips "On what grounds?"

A giddy, almost manic, grin takes over the defense attorney's face just then. "On the grounds that the prosecution's client is full of bullshit."

The judge rolls her eyes and an exasperated "Stiles," slips from her lips, seemingly against her will. (Derek's not really surprised by the familiarity between the two of them. With how often state-assigned lawyers are called to the courtroom on small cases, it wouldn't be too big of a leap to suggest they might be chummy.)

"Respectfully, of course." Mr. Stilinski--er Stiles?--winks back at her.

"Objection. Your honor, this is ridiculous."

"Overruled. Make your point, Stilinski."

"Mr. Davis says he saw my client at 12:30 P.M., on August 4th, attempting to take his back-right hubcap outside his apartment. Mr. Davis' apartment complex at that time, on that particular day, would have cast a huge shadow over the back lot as evidenced by the gaudy sundial-art-installation outside the courthouse. Meanwhile, my client's picture, when taken in for questioning, has a sunburn on the entire right side of his face. This would corroborate Mr. Lyle's story of walking home alone, down the upper, unshaded side of Elmore Street, during one of the hottest days of the year, for an hour straight. Also, the fact that Mr. Davis has no realistic idea how long it would actually take a person to steal a hubcap should be evidence enough."

"Uh-huh. And this wouldn't happen to be something you've ever had any expertise in, would it, counsel?"

"I plead the 5th."

And just like that, Derek's case is thrown out so quick, he's still reeling about it all the way home.

For the next two years, this becomes Derek's life. This man, this Stiles Stilinski, keeps showing up like a whirlwind and absolutely puts him in his paces.

Stiles, as he insists Derek call him, is a powerhouse. Relentless and unstoppable. That mouth can filibuster for literal hours (which, for those unfamiliar, is when someone legally cannot be forced to give up their time on the floor as long as they can keep talking), that brain quick as a whip, with a hunger for research, a mastery of the English language svelte enough to trip up even the most well-rehearsed lie, and an attention to detail like nothing Derek has ever witnessed before. It's like he knows every law inside and out. Lives it. Breathes it. It's like he had been raised on the law his whole life. Not only that, it's like Stiles enjoys it. Every case is a new game to get excited about.

All of it makes Derek's blood boil.

However, it's not always about losing to Stiles all the time, because, honestly, that might be less humiliating.

In truth, when faced against Stiles, Derek's bound to win about 60% of the time. Out of that 60%, only 5% of those wins actually feel earned. As for the other 55%?

He knows Stiles is letting him win.

Derek can't prove it, but he knows the asshole is holding back on purpose nearly half the time. Knowing that Stiles could have beaten him if he wanted to, but didn't, is somehow more frustrating than just losing.

He hates Stiles.

He hates that the guy is so chipper and playful all the damn time. He hates that Stiles could probably work at any firm he wanted, could make enough money to get a decent car that doesn't shit out all the time, could buy a proper-fitting suit, but instead CHOOSES to stay here "watching out for the little guy", as he so put it.

He hates that facing Stiles in court is the most challenged, the most motivated he's ever felt in his entire life. He hates that Stiles brings out in him the spark of passion and drive Derek had long thought had died. He hates that Stiles always tries to banter with him during recess or whenever they have to exchange evidence.

He hates finding out that Stiles only loses cases on purpose when his endless amounts of research points to the defendant actually being guilty of horrendous crimes, because Stiles is a good fucking person.

He hates Stiles' constant teasing and he hates that Stiles is somehow able to bring Derek down to his childish level to tease back. He hates how much he looks forward to court-dates with Stiles now. He hates being invited out by Stiles over and over to grab a bite together after a long day, as if Stiles hasn't been wiping the floor with him on this case for the last month. He hates it even more that he always accepts and that now they have their own designated booth at the diner across the street. Derek's so unbelievably frustrated, it makes him want to bite Stiles at the neck just to hear that smartass mouth squeal.

"Hey, I ever tell you I was thinking of quitting before you arrived?" Stiles asks one night as they're walking to their cars.

Derek's head immediately snaps to him at that. "What?"

Stiles smiles distantly at the thought. "Oh, yeah. Things had started feeling like being trapped in a cubicle, y'know? There wasn't any challenge in it anymore."

"What made you stay?"

"Well...you did. You were the first, serious competition I'd faced in a while. It wasn't a matter of winning just to win, anymore. Going against you always reminded me of the reason why it was important for me to win. It gave me stakes, because now there was an actual chance I could lose and an innocent person could go to jail. You, I don't know, kinda reignited my passion for fighting the good fight, I guess."

Derek can feel his heart thumping hard in his chest. He wants to say 'You did the same for me!' He wants to tell Stiles that he didn't think his life could ever be this fun or happy or messy or chaotic or exhilarating or challenging or fulfilling before coming to Beacon Hills.

But just as Derek goes to open his mouth to sing Stiles' praises, he instead finds himself roughly shoving him up against the Camaro and biting hungrily at that mouth and tongue that's been the bane of his existence. There's a surprised little squeak that Derek quickly swallows up, but it isn't long before they're both tearing at each others' clothes and fucking each other dirty in the backseat of Derek's car.

What's crazy is, after they get together, nothing in their careers really changes. The only difference is now they get to fuck each others' brains out after an intense battle in court (and the sound Stiles makes when Derek bites him is exactly what he always imagined it would sound like). They still face against each other on opposite sides in court. They still give it everything they got, no conceding even if they are dating now. Not to mention, Derek wouldn't dream of tempting Stiles over to his firm. Not when he knows Stiles is at his best staying where he's at.

The day Derek's family finally decides it's time for him to take over the firm with Laura is the best day of his and Stiles' lives.

Not only does Derek tell them he's declining, he hires Stiles as his attorney to negotiate terms against his entire family of well-seasoned lawyers.

The entire month-long negotiation results in Derek, not saying a single word, but absolutely beaming as he watches his boyfriend run circles around his mother, his father, his uncle, and both of his sisters on contracts. It's so unbelievably hot, they're banging on whatever flat surface they can get their hands on every time they leave the boardroom. There's even one very memorable blowjob in the empty hall outside the boardroom when Stiles somehow manages to get Peter to agree to a (most likely illegal) clause dictating the firm will pay Stiles a finder's fee for any pro-bono case Stiles takes on outside of Beacon Hills that strikes his fancy.

And, no one says it, but they all know Derek definitely, 100%, dragged his own firm through this negotiation just to show off how incredible Stiles is to his family and preen about it.

--

Fast-forward, Derek is going to be in the audience for the first time for one of Stiles' cases.

While waiting in the hall, Derek sees a familiar face from his New York days. The prosecution has hired the eighth best lawyer money can get, Jackson Whittemore. He's sporting a Rolex, sunglasses indoors, and the face of someone who thinks he's above literally every other person in town.

Well, at least until he sees Derek.

For some reason, Jackson seems to think Derek is all the way out in the middle of nowhere to 'watch a master at work' (which...well...is technically true...).

As Derek goes to sit in the audience, Jackson tells him in passing, "This'll be over so fast, probably won't even get a chance to learn the other guy's name."

Derek chuckles and says back, "Ooh, buddy, you have no idea."

Before Jackson can think more on that, a whirlwind of limbs and papers suddenly hurls through the doors.

Derek sits back, gets comfy, and waits eagerly for the show to begin.

My first moodboard. Hope you enjoy. AU based on a discussion with @casually-eat-my-soul (I suggest checking out their version). This was kind of like a divergence from that (the brain juices just started flowing).

[thali-lemmonpie]

On my world the nights are very long...

[arsenicflame]

happy "our marriage is never gonna recover from this" day

[spacedace]

Reluctant War AU Part 4

Part 1 Part 2 Part 3

Everything I know about Flash and the FlashFam (& Flash enemies) comes from fandom and theflashmuseum on tiktok so fair warning on that lol

Sorry if Barry is out of character or things don't line up with canon. Canon is a stranger I think I passed in a crowded room once, I did not ask for its number lol

Anyway, time to touch a bit more on that whole Ancient of the Speedforce Elle thing yeah? Here be a sprinkle more of that and I promise there's more to come haha

Gonna start posting this on Ao3 soon, probably Monday or Tuesday, so heads up I may stop adding these parts here on tumblr once I do

---

It lived beneath his skin.

For a long time Barry had never believed in magic. His world was grounded, scientific, made of predictable rules and laws. Tools that could be used to explain everything strange or supernatural away as just another odd twist of the massive universe they all belonged to.

It took perhaps a little longer than it should have to admit that magic was as real as thermodynamics and gravity and atoms. That the world was a great deal stranger than even science - for all its own wildness at times - could account for. There were things that went bump in the night. Hells below and heavens above and things that crawled and clawed their way out from the places in between.

It was almost a little embarrassing how long it had taken him to admit to such things, when considering his relationship with the Speedforce.

A force of the universe. Like gravity or time, pushing and pulling everything along. Something that could be explained with all the familiar scientific concepts that had buoyed him along in life for so long.

Except.

Except.

Buzzing, burning, blistering. Not painful but felt. Making his hair stand on end, his fingers tingle and numb. Sliding against his veins, bouncing between scar tissue and freckles. Pressing out from the confines of his sternum, rattling against his rib cage as it shifted and moved. Twining around each and every vertebrae. Coiling over and under itself within his skull, darting along the paths of his neurons and nerves. It hummed in every cell in his body. Darted and danced in the space between the atoms that made up his very existence.

The Speedforce lived beneath his skin.

Lived.

Not existed. Not contained. Lived.

He couched it in terms of science, but science - despite his long time refusal to acknowledge it - wasn’t really able to explain the full scope of what he could feel. Not just the power of the Speedforce, but the…the identity of it. The living part that made it’s home in his body, existing in a way that was separate from him. Distant and indistinct most of the time, but…sentient.

He could feel it. Warm and excitable, delighting every time he tapped into it. Pushing him from behind urging him on and on, tugging him forward from ahead beckoning to go, faster, faster. Joyful in his victories, despairing in his loses.

It lived beneath his skin.

Until it didn’t.

He followed its joyful calls, pushed beyond what he should, what he knew was safe. Chasing that welcoming chant of faster, faster until he was there. In the Speedforce. More even, was the Speedforce.

He was everywhere. Beyond everywhere. In every possible everywhere it was possible to be. Every world, every universe, every multiverse.

To enter the Speedforce, to merge with it, was to become part of existence itself.

He couldn’t remember everything about it once he came back. He got flashes, sometimes, quick moments in dreams of places, of moments. What stuck with him most had been the feeling of it all. That had been the hardest part of returning. The sense of terrible loss, of having been surrounded by such a giddy, delighted, devoted love only to be pulled back from the heart of it. Returned to how he had been before, drifting at the edge of it all, it had been painful, agonizing even.

He…adapted, eventually. The sense of it all was still there, just distant. Something he’d come to feel he’d see again, someday.

It had been different, recently.

His powers were the same, he just as fast as ever, but…there was something…off. Changed. A sense that while his speed remained, the Speedforce had become, for lack of a better word, quiet. Distant.

He’d been having dreams, since it started. Not the quick glimpses of his time where he’d merged with the Speedforce. No, instead they were more nightmarish. Not nightmares exactly, though he felt like they should be with what they contained, but something else. Something that felt unnervingly real, left him confused and reeling when he woke with the certainty that when he opened his eyes he’d see the same as what his dreams held.

In the dream, he was in a room.

Cement and metal, hostile and brutalistic in design. He was bound in place, standing upright with feet and hands spread wide and locked in place within strange devices. Gleaming chrome and brilliant green, a painful thrum of energy surging through his body - not the Speedforce, something else, deeply unpleasant pulsing through every cell of his being and freezing him in place more firmly then the restraints did. Projectors hung from the ceiling, displaying images of landscapes, changing every ten second or so.

The sight of them made him nauseous, body shivering and spasming with the burning, agonizing need to go, but at the same time there was something distantly soothed by them too. Like a gnawing hunger abated with water and crumbs. The need for food not gone but the pangs diminished by the false feeling of being full.

In the dream he felt like he was dying.

In the dream he was afraid that maybe he couldn’t.

That he’d be trapped alive in that state forever, watching places he’d never see in person again as he was trapped in one place. His mind spiraling his Core splintering under the weight of it all, scared so scared. He wanted his brother, wanted to see the cement walls explode into dust and debris and see him there, ready to save the day like he had so many times before.

He just had to wait. His brother was looking for him, would have everyone in the Realms looking for him. He just had to hold on.

Barry didn’t have a brother. He only remembered when he woke, heart hammering in his chest fast even by his own standards, mouth tasting of bile and body aching with the need to go.

He hadn’t been sleeping much these days, even before the King of the Dead declared war.

It was having its effects, as sleep deprivation always did. His mind drifting, catching again and again on the dream, attention far away from the world around him. How many times had he been startled by someone calling his name, touching his arm? How many times had they given him a pinched, worried look that told him they’d been trying to reach him for longer than they should have before he noticed.

He was aware, distantly, of the glowering, stern faces around him. The flinty looks of his friends’ and partners’ eyes as they stared at the image of Waller’s scowling mug.

She’d declined an in-person meeting, hunkering down in some bunker somewhere trying to avoid the consequences of her latest atrocities. Or maybe just trying to avoid the very real possibility that one of the members of JL Dark might try to kill her for what she’s caused.

Or JL light, for that matter.

Bruce and Clark had their rules that they lived by, but Diana certainly wouldn’t hesitate to splatter Waller’s brains across the nearest available wall. In reviewing footage of one of the last battles - she’d been at the other one at the time, trying to contend with a ghost in the shape of an ethereal dragon - she’d recognized the spectral figures of Amazons long dead, fierce even in death as they fought with a warrior’s pride along side the rest of Phantom’s armies. They followed a figure that towered even above the Amazons, four arms and gleaming armor and a name that Barry associated with ruin and forgotten hope but who was so much more to Diana. Heroes long departed to the fields of Elysium, stepping out of their well earned rest to fight once more.

A few hadn’t survived the weapons the GIW shot them with. Barry didn’t know what that meant, for a ghost to die. If they simply returned to their afterlife or -

He tried not to think about the or.

They’d been going back and forth for awhile now. Voices faraway, muffled. The world felt as if it was underwater, blurred and cold. Clark had gotten to his feet at some point, Waller’s grip on a pen so tight on the screen he expected to see if burst at any moment. It was an important meeting, an important discussion. One he needed to be apart of, aware of, but it all escaped him. Sand held too tightly, slipping through his fingers. On the screen, Waller hit a button on the computer beside her and the image changed.

The world burned back to life in sharp relief.

The dream.

The room.

Cold cement. Projections of unreachable places on the walls. Chrome and green machinery in a configuration meant to contain.

It looked larger on the screen.

Maybe it was how small the figure held prisoner inside it was.

She was young. A child, no older than Superboy Jr. or Robin. She looked like Phantom - her father - but there were differences. Her hair was white, but it didn’t look like the spun starlight of her father’s. Instead it burned, the bright hot crackling of the plasma of a lighting bolt striking. Skin the blur of shapes caught just at the corner of the eye as you ran past, Eyes -

Looking at him.

The image had come up, a live feed - he knew it was live, knew he was looking at her where she was at that exact moment - and she’d been as he was every time he tried to sleep. Trembling and shuttering, eyes squinting against the pain, trying to stay open so as not to miss a single moment of the flat images imposed on blank cement walls. Desperate to fill the fathomless hunger burning deep down in the Core of her.

But then a shuttering breath and her eyes - the burning green of an afterimage - snapped up to the camera. Snapped up to look at him, recognition in her young face. And despite never having seen this girl before, he recognized her too.

The Speedforce lived beneath his skin.

She lived beneath his skin.

He could feel her there. Buzzing, burning, blistering. Not painful, but felt.

Not as felt as she used to be.

The image snapped back to Waller’s face, smug and self-satisfied. Talking - lying - about the how the girl was there, what the GIW’s intentions for her were. Barry was on his feet, but so was everyone else. He couldn’t hear what they were saying, could only hear static, the rush of wind, the crack of the lightning bolt. A call for help.

It was then that the alarms began to blare. On the screen someone rushed in to whisper into Waller’s ear. Bruce was running out of the room towards the Zeta tubes and Barry was right there with him and there was so much chaos around them, men in white and Gothamites and Ghosts banding together to rain terror down upon them and something massive and horrible and living towering above it all and Barry let go of that last bits of logic and thought.

Instinct, older than he was. The echo of a voice that had called him for years now, carrying him along, biding him forward:

Run.

Someone might have shouted after him as he left Gotham behind. He didn’t know.

All he knew was the pounding of his feet upon the ground, the wind in his face, the Speedforce lashing and frantic and hopeful burning and sizzling beneath his skin. Calling him further and further away until he stood in a vast, empty field staring at a single, rusted shack near ready to collapse before him.

He wasn’t alone.

Wally. Bart. Max. More still. Not just his family and friends. Eobard. Hunter. Thaddeus. Everyone touched by the Speedforce.

They didn’t speak. Bodies humming and thrumming, crackling with energy and intent.

Minds as one, they focused on the shed, the hidden hatch inside, the base hidden deep below.

The Speedforce lived beneath their skin, and no one was going to steal it away from them.

[harrietvane]

So, in Busman’s Homeymoon, Lord Peter buys Harriet Vane a mink cloak worth 950 pounds (according to the Dowager Duchess’ journal entry), but he buys Tallboys for “only” 650 pounds.

Even bearing in mind that real estate really did used to be cheaper, do you understand how that is possible? Or how to find out more about relative purchasing power? I used an online calculator website which gave me some figures, but it still seems insane that one could buy an entire Elizabethan farmhouse for 2/3 the price of a garment! Very curious to learn from others who understand this better than I do.

Ah, I see my esteemed colleague @oldshrewsburyian has also had some interesting thoughts on this, so I'll link that here as well before I begin.

So, it's a legitmate question, and there's no catch-all simple answer (in the gotcha sense of 'why didn't i know that bit of cultural Truth'), but there are mitigating factors that take it from a ridiculous price comparison, to merely outlandish. Even taking into account that the coat is quoted in guineas, not pounds, and that PW says the bank valued Talboys at £800 via a mortgage (the paid price was a discount, for paying in cash quickly, which is Plot Relevant), it gets us to roughly the same place, value-wise. Or shall we say PRICE-wise, rather than value, as I'll get into below. There's several factors at play here - they mainly relate to class, and spending power:

-The house is Not That Great, in terms of the kind of property that PW would usually be buying. I mean it is still a large-ish house, big enough to have 2 adults and small children in, but it's not what would be on his radar normally. The only reason they know about it, it that it's near a place where HARRIET grew up as a child. It's not getting any high marks in particular Beauty, Convenience, or Quality - the main reason HV's drawn to it is sentiment, rather than anything else. They both know that they will have to significantly add to it, and alter it, in order for it to be a comfortable home. That would usually be out-of-budget for someone in Harriet's position, who would expect to buy something that meets her needs 'as-is'. Most people looking at buying that house would be Harriets not Peters, so it might be a tough sell.

-The house has no power, and limited plumbing: There's dark references to DRAINS by the dowager duchess, it's entirely possible that this house has no modern plumbing at all - they make the comparison that the huge palace the Wimseys grew up in wasn't plumbed until recently, but then again they do have about 800 servants, whereas Talboys is just a regular house: they will have Bunter alone (at first), with an assist from Mrs Ruddle. There's mention of "a cistern" with some basic valves, but the scullery is mentioned as having a copper, from which hot water is "scooped into a large bath-can" - a copper being, simply, a large metal basin over a fire, in effect. No running hot water, maybe no flushable loos - it's a factor. They also talk specifially about having to electrify Talboys themselves - it's candles and lamps until then. It's fancy camping. By the mid-1930s, a lot of middle-class buyers would expect a little more convenience in both water and wiring, unless they had significant support staff, which Talboys would not be expected to house.

-There's probably no farm! It's a farm house - not a wider land purchase. People like PW's brother the Duke are wealthy primarily because they own land, not because of the big palace they have (which eats money, rather than generates it). The land is what gives them spending power, because other people are paying them rent to live on it, farm on it, or both. PW's own personal 'younger sibling' wealth is also mentioned somewhere to be primarily in real estate (assumed to be in London) - sad to say: he's a landlord, and that's why he's rich. Talboys, on the other hand, as a purchase, would not, in almost any way, be expected to generate revenue through either farming, agriculture, or charging rent. Until they invent house flipping in 80 years, or until the motorway goes through in 40 years, there's not much expectation that Talboys would increase all that much in value.

-Lastly, there's a massive disparity in what The Market Will Bear when we compare a basic residence vs a luxury item (like a mink coat) in the mid-1930s. This is not particular to that time, though. Like any first-year economics student will tell you, the price of something is not it's intrinsic value, it's what someone is WILLING to pay for it. If someone is willing to pay such a price, that's the price it will be. So, we're not comapring Objects, we're comparing Buyers: the the main purchasers of a slightly run-down farmhouse located nowhere special are Harriets, and main purchasers of mink coats are Peters. Talboys is priced for Harriets. The mink coat is priced for Peters.

Compare for example, a contemporary parallel: the Hermes Birkin bag. It's a leather handbag with a starting retail price of about USD 11,400. Just for the bag. Then, you have fancier versions of the fancy bag, eg wikipedia tells me one version sold at auction for USD 380,000 in Hong Kong in 2017. Now, the Harriets of today are not buying a Hermes Birkin handbag, but they are probably trying to buy slightly run-down houses outside urban centers for (one hopes) slightly less than 380k. The Wimseys of the worlds are clearly buying Birkin bags. In that way, it's actually pretty easy to get to a place where Person A might buy a single luxury item for X pounds, and Person B might buy a whole residence for X pounds, and neither feel like they'd done something insane. The key here is in a Wimsey/Vane marriage, they run up against this concept immediately, and repeatedly.

There's a good reason the first epistolary section of the novel is almost entirely taken up with money chat - the ring, the purchase of shirts from Burlington Arcade, the marriage settlement, the gift from the bride to the groom, the mink coat, the bitchy exchange between Helen and Harriet about HV being allowed "six free copies of her book" to distribute. These people come from 2 fundamentally different experiences of the world. They might have gotten engaged using the word 'Magistra', specifically to emphasise their fundamental equality (in the context of learning and the mind, to begin with), but it can't be denied: there's gaps that need to be bridged. They both know parts of their married life will be spent in attempting to do that, hopefully to their mutual satisfaction. Mention of a mink coat for 950 guineas is a nice, neat shorthand for illustrating what's still at play between them here.