#and I've been thinking about their dynamics for a while

[fatalism-and-villainy]

This is a bigger problem in the fanfic realm as well, because I have recently frequently been running into the problem of being drawn in by shippy fanfics that involve things like captivity, enslavement, and other scenarios that inherently constitute reduced autonomy and thus dubious (at best) consent, but actively refuse to engage with those implications.

And it's frustrating, because these are scenarios that I find compelling, and that have the potential for very rich emotional work. I like the juxtaposition of physical pleasure or emotional fulfillment with feelings of fear and violation, and the shame and self-blame that those feelings bring about. And I like digging into an experience of love and desire that is frighteningly selfish in its negligence towards the personhood of its object.

But I see so many of these fics that are explicitly framed as seeking to avoid these story elements - they'll have an author's note or something at the beginning with something like "I know this is problematic, but I've tried to mitigate the dubcon elements as much as I can!" And I find this... deeply frustrating! Because it's seeking to ameliorate the very dynamics that make this sort of story interesting to me!

And by the refusal to engage with the inherently nonconsensual aspects of these premises, I'm not necessarily referring to fantasy romance plot scenarios in which the characters overcome the violence of their initial dynamic to live happily ever after in a more egalitarian relationship. I can understand that these plots are living inside a sort of non-diegetic BDSM fantasy bubble, and they are still engaging with and deriving their initial eroticism and intimacy from violence implicit in their premises, while using the fantasy aspect to mitigate the actual "realistic" consequences of that violence. (I read some danmei novels that did this in ways I found really enjoyable; I think Hannigram also arguably fits into this mold in certain ways, especially considering that it is a fantasy about the parts of abuse that can feel intensely thrilling and that can make you feel recognized and known in ways no one else can.) What I'm referring to is, well, a refusal to engage at all with that violence and violation; an implementation of these premises that feels like just another pretext for introducing the characters and getting them into a relationship, without attentiveness to the implications of the specific pretext in play.

And there's something worth probing at with these kinds of authors' notes in the sense that... there's a lot of concern in fandom nowadays about "romanticizing" rape and abuse, and the seeming necessity of portraying perfect negotiation and consent in fanfic. And yet these sorts of paratextual framings seem to me to be dangerously mistaken about what consent even is - to be conceiving of it as a magic script with no interpersonal or situational antecedents, one that intrinsically smooths over systemic power differentials or lack of personal trust.

I wonder also if that's actually related to the simplistic approach to textual criticism that I sometimes call "checklist criticism" - the idea that a text can be deemed harmful or not, problematic or not, -ist or not, simply by going through a list of "is x present? check yes or no" bullet points, rather than taking a more holistic approach to the relationship between textual production and broader systems of power, being attentive to the specific premises and genre/stylistic aims of a text, etc. Possibly that's too much of a reach for what is ultimately a complaint about the difficulty of finding really juicy darkfic, but it's worth considering.

[abyssalzones]

okay randomly pulling this one out of my head because I've been trying to figure out how the hell I want to say it for a while: what's crazy about the new wave of gf fans is that I've seen the sentiment (though I also saw it once or twice back in 2016) that shipping bill with ford is "saving" people from the alternative of the most popular bill ship being That Which We No Longer Mention By Name and I have to say that this literally only checks out if your entire understanding of why pedophilia is bad is because It Just Is, rather than the fact that a child by definition cannot consent and the power dynamics at play mean it is always a form of abuse, it's an adult exercising control over a child. like it's the abuse itself that's bad. so by that logic I have to assume people are either 1. choosing to ignore the fact that within canon, ford was coerced/straight up lied to and then had his consent violated repeatedly, Or 2. insisting that this is all okay because ford is an adult. who consented at one point in time (under dire circumstances) (it wasn't even his idea??) even though he revoked that consent later and it was ignored. like it's fascinating to me how bill refers to ford as. hang on actually so you know I'm not just making this shit up

he quite literally calls him a child here (from the website) while explaining Why he went after ford and the thing is you see it reflected perfectly in his behavior: he calls him 'kid' even when he's in his 60's to taunt him, he makes him get rid of a beloved pet he doesn't approve of, he unquestionably acts as a mentor more than a friend on equal standing, fucking etc. point being I think gravity falls does something a lot of stories don't even when they try to cover this type of subject matter where they make it obvious that being a victim of abuse isn't a matter of age or intelligence. abusive people will look for vulnerability in Anyone and I really don't think there's a hard moral line here.

I think the point of what I'm trying to say is that if one is okay and the other isn't: uh. why? what does it say when an almost identical if not more insidious* narrative about a character being abused is okay because it has a more "acceptable" veneer of sex appeal?

*"more" is subjective here, personally I think ford being written as a victim is more obvious/intentional than the stuff going on with dipper because in his case they were in a relationship ("relationship" in big quotes) for multiple years which adds layers to it. both are bad obviously but I think what gets implied in ford's story is worse on purpose. okay back to studying bye

[aceingonthecake]

Very Personal Take on Good Omens

I've always related more to Crowley. It has always been easier for me to understand them than Aziraphale, especially in s1. Don't get me wrong, I've adored Aziraphale since day one too, I just think that, personality wise, we have less traits in common.

However, since the end of s2, I've been able to really feel for Aziraphale and immediately found myself defending them and their final decision. I won't lie and tell you that, at the beginning, I didn't feel angry and even a little betrayed at all, but once I cooled down and thought about it with a clear mind I got it. And, later, I also got the reason why I was feeling so defensive about Aziraphale.

Last year I broke up with my partner, with whom I also had a lot of mutual friends. I was the one to call it off and I did it because there were some dynamics I couldn't tolerate anymore, but I still loved them and I suffered a lot (still do sometimes). Still, I knew it was the right thing to do for the both of us and I never regretted it.

The thing is, the friends we had in common never really bothered to check up on me: I was the one to call it off and I was the one who'd always appeared emotionally stronger, so why would I be suffering? However, they comforted my ex multiple times, sometimes right after I'd gone home, because they just burst into tears in front of everyone. Obviously, I was very sad and cried a lot too, I just avoided doing it in front of our mutual friends to avoid creating sides (when we broke up we promised this to each other).

Connecting all of this to Good Omens, I believe that something like that is happening in the fandom too. A lot of people are hyper focusing on Crowley's pain because it's more obvious and understandable to them, while they're painting Aziraphale as the "bad one" who broke their heart and doesn't care about them just because they were the one who made the difficult decision. And, while I understand it's easier to see it that way, I also think it's not actually that hard to dig a little deeper.

Just because someone's pain is more evident doesn't mean they were the only one to get hurt and didn't hurt back too. Crowley hurt Aziraphale too, even if we might not see it immediately or as clearly as the other way around. They're both suffering, there is no right and wrong side, they both made mistakes and, nonetheless, it's no doubt they love each other and deserve a happy ending.

I hope this makes sense. It's a very emotionally charged analysis so, even if you don't agree, be polite about it please. I know I didn't get too much into what happened in the final 15, but I've already made (and I'll make) other specific posts about it. This one was more of an emotional take.

I'd also like to underline that none of this is a contest about who's hurting more. It's an invitation not to take for granted other people's feelings but actually try and understand both sides of a situation, even if we naturally relate to or understand one more than the other. (Of course, this doesn't apply to toxic relationships).

[generalluxun]

I'm still trying to get my head around Chat Noir's complete sidelining not just in the finale, but pretty much the entirety of the show. Based on some of the tweets I've seen, Thomas Astruc is pretty hostile to the suggestion that Chat should have more of a share of the narrative.

So... why? Why make his family, his very existence, the fulcrum on which the show turns? If you want to be the show to only be about Marinette, with Adrien as a side character and "just" a love interest, then MAKE the show only about Marinette. Don't make the main plot about Adrien, and wonder why people are confused when he's not more involved in the main plot. It's such a self-inflicted wound.

Heck, the least they could have done was give Marinette SOME personal stake in her conflict with Hawkmoth, even if it's as uncomplicated as making Marinette a paragon-type superhero like Superman or Captain American who takes her duty to the people of Paris very seriously and feels deeply about the hurt Hawkmoth's is putting them through. But most of Marinette's personal conflicts are about romance or school dynamics. The closest any of her conflicts come to her actual enmity with Hawkmoth are those that deal with the stress of being a superhero/Guardian, in which Hawkmoth doesn't really feature as a person who is her mortal enemy but as an impersonal cause for the stress she's in.

While the finale tries to summon some emotional weight to Marinette's situation, the final fight, at least on Ladybug's end, feels less like the culmination of an epic rivalry and more like a contractual obligation Marinette needs to meet as Gabriel's assigned nemesis.

I mean, the unsatisfying but true answer is twofold:

1)TA never wanted Ladybug to have a partner. That was a requirement in order to get producers lined up to hand over money. It should be understood that I am NOT trashing the producers for this. It is their money. If you want to pursue your purely artistic goal then you secure other funding or self fund. If you want to get something MADE then you have to make what people want to pay to have made. A portion of the friction here comes from the fact that I don't think TA ever stopped fighting for his original version of the show, and that version conflicts directly with the version he was paid to write for.

2)In the context of the above- Adrien is a TROPHY. Gabriel is the DRAGON, and his home life is the TOWER that the KNIGHT Marinette must rescue him from. If Adrien were a side-character he wouldn't be much of a trophy, investment wise. Is it good to make a character purely a trophy? No. It's not good when it is done ot female characters, it's not good when it's done to male ones either. (Or intersex, enby, nongendered, etc) We've moved past the kind of storytelling TA is selling in his vision of ML. It feels like something out of the early 00's, which when you consider where he started his work, makes a lot of sense.

Should they have connected Marinette to Gabriel more? Absolutely! They both do fashion! SHE could have had an internship right along with Lila. Can you imagine the rivalry there? Can you imagine the conflicts with Gabriel?

At the VERY least they should have let Marinette actually track down abriel. Let her put all her planning and analysis to good use! Instead they just had Felix do it all and then some blind luck at the end. That's LAME, that's cheating Marinette out of a well deserved culmination story beat.

Punching has never been what Ladybug was about, so a final fight could never be a satisfying climax no matter how 'epic' it was.

[butterflydm]

some thoughts on spirits (DAV)

I feel like the game has done a good job making Rook feel like someone with natural leadership abilities. And while I do love the companions in the previous games, I feel like DAV's companions are my favorites (at least currently; entirely possible that a replay of the older games would make me feel different!).

I also really like the different dynamics between Rook and their companions. Just... idk good vibes.

Also, here is Rook being very relatable for me:

I am just really loving all the characters so much -- Lucanis stole my heart as my favorite (he's my 'personal demon' now in the character screen lol) but I'm very attached to all of my companions. I love how the game has made it easier to know when they have something new to say, and I like that they distinguish between 'conversations' and 'outings' in the companion quest section. I've really been enjoying getting to know them and I feel like this game has done a really good job appropriately gating dialogues and areas.

It feels like they found a good compromise between 'open world' and 'mission-based game'. Each of the areas feels really big but it's also gated in natural ways that get unlocked as the story goes on, so you can't bum-rush the Crossroads and do literally everything the first time you're there, for example. In DAI, I would sometimes have to impose my own pacing to make sure that things flowed well for me, and I haven't needed to do that with DAV.

One thing that leaving the Fereldan/Orlais area did is really let us get to know a lot of mages who don't have the same sense of shame and self-hate that mages are taught in the Chantry of southern Thedas (or the even more extreme way they are treated by the Qunari!). We got hints of this approach in earlier games, but getting to dive more in-depth into several cultures who do not have the same "let's toss all the mages into prison" approach to magic that southern Thedas has has been very illuminating! Obviously we've always had exceptions like the Dalish clans, but they were very much depicted as deliberately on the outskirts of society, and going against the Chantry-defined norm.

And to contrast, in DAV, I recently had a long conversation with Emmrich on the potential merits of lichdom! Basically an unthinkable conversation in either Ferelden or Orlais. Nevarra doesn't burn their dead and they don't have such a deep fear of the dead, demons, or magic itself. And it really just to illustrate how much the oppression of mages that was so much at display in the Circles is just... nonexistent in places like Nevarra. The oppression is cultural and it's religious -- it's not actually something that's necessary to 'keep magic in check'. (which, yeah, is obvious from the outside, but always nice to have reinforcement from the actual games!)

I'm also watching a let's play of DAI on the side and the person just got to Solas and Cole's personal quests and, yeah, they resonant so hard after the additional Solas revelations in DAV. And it really does feel so much like DAV is in a strong conversation with DAI (as makes sense). Solas and Varric are talking about Cole but Solas is also talking about himself.

Varric: "A spirit who is strangely like a person!"

Varric: "He came into this world to be a person. Let him be one."

Solas: "We cannot change our nature by wishing it." Varric: "You think?"

Solas: "You would alter the essence of what he is." Varric: "He did that to himself when he left the Fade."

[if Cole is made more spirit]

Varric: "...could have been a person." Solas: "Would that have made him happier?"

Is Solas's endgame becoming a spirit again? Or has he experienced and changed too much? (would it make him happier? is that a desirable goal?) Is it all a matter of perspective? Cole approves of the Inquisitor's choice whether they make him more of a spirit or more human. I feel like Solas would lose a lot of himself if he became a spirit again, but maybe that's a matter of perspective too.

And then Solas's DAI quest is all about dealing with the damage of a Wisdom Spirit being corrupted against its purpose -- the same kind of Spirit that Solas once was. Wisdom vs Pride (but once you're a person and not a spirit, you can be filled with both at the same time).

DAV is really making me want to do another run of DAI, and take Solas literally everywhere, lol. But the conversation about spirits in the 'real' world didn't start there either -- it started back in DAO, with Wynne. It continued in DA2, with Anders. Both DAO and DA2 are more 'standard' than what we get in DAI with Cole, in the sense that they were possessing a body (though with permission) but it's still part of the same conversation.

But the conversation really did explode into something bigger in DAI, with Cole as a spirit who was with us without possessing a body, and with learning that being briefly possessed can reverse Tranquility (via Cassandra's quest). And now, with what had been confirmed in DAV, we know that a spirit that takes mortal form can, over the generations, become mortal, as that's what the ancient elves did, so Cole could have kids who were fully mortal, maybe. And Cole did it without using lyrium (and thus taking something from the Titans to fuel himself) -- at least as far as I understand.

I am also finding myself very curious about where humans come from -- we know that the ancient elves were once spirits; we know that the dwarves are fragments of the Titans. Where did humans come from? Evolution? Or is there a magical answer for them too? Is the Maker a spirit and/or Titan who created humans specifically?

(I think it's implied that Qunari were genetically/magically engineered in some way, and possibly crossbred with dragons somehow?? iirc DAI correctly)

I'm really looking forward to removing my filters on DA-related stuff and reading other people's thoughts. I've covered my eyes and clicked on posts a couple of times so far and have been rewarded by mostly getting fanart and not spoilers, lol. Mostly.

I genuinely have zero critiques of the game so far, if anyone was wondering if I was just holding some back or whatever. I like the quality of life changes they made to a lot of little things like companion banter; I never had an issue with the art style*; and I'm enjoying the story and characters as they unfold.

(*I know that was a big thing with a lot of people but, confession time: I genuinely can barely tell a difference between DAI and DAV's 'art style'. You can change Qunari hairstyles separate from horns now in the character creator? People walk less awkwardly than in DAI? The menus are purple instead of green? idk, maybe my brain just doesn't register whatever it is that makes DAV so different, art-wise?)

I also love that I can literally just throw myself at boxes to break them open to get materials. It's so satisfying. I have a griffon that I can pet. idk, I guess I'm just a simple girl with simple desires. ¯\_(ツ)_/¯

Looking forward to playing more this weekend!

Current progress note: a Dalish clan (at least one) has been kidnapped for potential blood sacrifices, so trying to rescue them is my next main quest. I'm about eighty hours into the game.

[drdemonprince]

thanks for saying what you have about covert incest. I have this memory of my dad that I won't even type out cuz it's just horrible and I haven't been able to determine if it actually happened or if it's a memory of a dream I had but part of me thinks the former cuz I don't think I could've imagined something so horrible. and he died recently and I was determined to find some kind of physical evidence that it really happened but when my mom was moving she got rid of most of his stuff before I got there and I've been so pissed about it but not able to tell her or anyone why and it just reinforces my upset toward her cuz if it really happened then she didn't protect me and goes out of her way to protect him instead but in reading your posts I'm starting to think that whether it actually happened or not doesn't matter, the feelings are there and they're real and I ought to just treat it as though it really happened. anyway sorry to be vague, this has just been a huge weight on me and I feel like finding your blog on here has been such a blessing, especially cuz this has been weighing on me even more lately cuz I've been identifying as a butch lesbian for awhile but have been wondering if I'm actually a bi trans man and have been wanting to explore sexual experiences with queer men to find out if I'd enjoy it but have been really cautious about it and haven't really tried anything yet cuz I'm scared of what it might bring up in me and I'm autistic too so the whole dating and hookup thing is scary to me even without this memory shit and idk if queer men would be interested in me anyway. but yeah I'm gonna explore those resources you shared when I'm ready and I just wanted you to know you're making a difference even through sharing your experiences on your tumblr blog. and also just wanted to confess all this to somebody so thank you for that too

<3 thanks Anon.

Your feelings and traumatized reactions are real, and your vague sense of a memory almost certainly signals that Something was not Right in the dynamic with your father, and you can stand by that and care for yourself as someone whose boundaries have been trammeled upon even if you never get to know the exact facts of what happened. So much of childhood disappears down the memory hole, and there is no easy accounting for it, but as a therapist once wisely said to me, if a person has a fracture that's consistent with a violent attack, you can often see the effects and care for them even if you can't know exactly what happened there.

I'm glad you're feeling open to the idea of exploring your own sexuality and gender identity, too. There are absolutely queer men, both trans and cis, who will be interested in you, and you can move at the pace that works for you. Remember there are no rules to queer sexuality, that's the whole point -- so you never have to try anything you don't want to do. You can have a rich, fulfilling sex life with men that never involves PIV, if you aren't interested in that, or that is completely dependent upon a kink dynamic that isn't directly sexual. or you can just put yourself on the grindr grid and find some guy who wants to give you a massage or eat you out all day. There's so many kinds of very eager people out there, and so you can be as selective and as firm in your boundaries and vetting as you need to be! There's every kind of person out there. I have some guy in my Fetlife DMs right now who only wants to shave my body; another who only wants to jerk off while watching me smell leather. The world is abundant with funny little opportunities.

[cemetegee]

The Tridentarii Power Shift System

Lately, I've thought a lot about the Tridentarii power dynamic. And I've come to some interesting results. My main point I will explain below is: Corona is not a "Third House Twin puppet" and Ianthe is not her "puppeteer". In fact there is no "twin in charge". But it's a little complicated to explain. While I could do it by presenting you my (very confusing) train of thought, I'll do it by first giving you the infos my subconscious apparently had when I started to think about it.

(Fun fact: your subconcious owns 80 % more information than your concious. That means that it's not even a bad idea to follow "your heart".)

To even think about their power dynamic we need to remind (or find out) their negotiating positions:

For Ianthe, it seems to be pretty easy. She has the ability to do necromancy and that's something that Corona needs of her. Maybe it's interesting that she doesn't seem to have interest in it, though.

It's something she needs, but she doesn't want to have it herself.

For Corona it's more complicated. She has no necromancy. But she does in fact have something Ianthe needs of her:

Ianthe doesn't want to be the Crown Princess. Being the Crown Princess is of course more than a title. It's about the whole social & representative aspect. It's therefore understandable that she doesn't want to do that - her social skills are terrible. But it means that Ianthe can't represent (herself and) the twin couple appropriatly and needs Corona to do that for her.

And that makes Corona's negotiating position way stronger than it seems like at first.

With that knowledge we can finally analyse the Challenging scene. Judith challenges the Sixth and Corona tries to offer Third help - and fails. And this moment is interesting:

As it's been pointed out before by others: Corona seems to be surprised about that. Ianthe contradicting her in public is no familar experience to her. She was expecting to get her way. Apparently, Ianthe wouldn't have questioned here before Canaan House.

And that shows us, that Corona has (had) not only pro forma, but in fact the control in public situations. It's not only for show that they tell each other they'd need each other. It was true before Canaan House. What we see confirmed in right the same scene:

Corona can take the lead over the talk and reprimand her. Their dynamic is not "one evil twin in the shadows and in charge" but more a kind of power shift system. Corona takes the public shifts and Ianthe takes the shadow shifts.

Before Canaan House Ianthe would never have questioned Corona in public. The only reason why she can suddenly do it is, that she knows that she will ascend to Lyctorhood and therefore to the First House. She knows, that won't need a Third House Crown Princess there. The scene doesn't portray their usual power dynamic. It's a break point. The power dynamic shifts during Gideon the Ninth.

But it was different before.

[slimejugular]

Did you see episode 14? Did you see Deep Bite's theme video on youtube? Deep Bite saying something towards Red Blitz like "This guy secretly had feelings for me? He's cute!" Is making me want to explode. I've been eagerly awaiting seeing your thoughts towards ep14 lol

yes to all ^_^ I'm genuinely piqued someone is eager to see my thoughts on MCB, so you get a LARGE chunk for your appreciation.

Sort of disorganized and not proof-read, apologies.

For Deep Bite's theme video:

Did he really say Blitz was cute? I mean. I want him to have.

On YT, the auto-translate was along the lines of Deep Bite thinking him soft-hearted. Nonetheless, still wanting-to-explode-inducing for me too…!

I swear, his commentary mentions Red Blitz multiple times. Stop talking about him, sheesh. Joking.

For episode 14:

• Red Blitz noogie-ing Deep Blitz all scathingly is silly BUT,

if you consider that IRL sharks have super sensitive noses, no wonder Deep Bite 180'd in attitude and transformed in SECONDS. Red Blitz must have been overwhelming the hell out of the sensors concentrated there.

Or not! Discrepancies between alt-mode and robot mode, possibly there are no sensors at all, just a fun assumption on my part. But he does get awfully heated quick, it is suspicious.

• Red Blitz switches between calling Deep Bite 물고기 'mulgogi' (living fish) and 생선 'saengseon' (fish you eat) which is funny /sob

• When Red Blitz is downed during that one part, with Deep Bite raising an optic, the dialogue from him there is amusing…"is it already near your bedtime, you baby" something-something. I love the teasing dynamic going on here. Pretty Please pettily insult each other more in the future, guys

• Musclehyde and Blue Cop being a combination of curious and confused—by the trope of fighting for friendship—is a nice detail. I find it interesting it's not a rite of passage on Machina, considering how bots are rather eager to fight instead of discussing matters.

• I was confused as to why Deep Bite was able to move around Red Blitz in his alt-mode, or. It's that his systems interpret the steam from their clashed attack as "being in the ocean". He does not float around past that particular scene and only hops (in my defense).

• Rock Crush's giggle is so gosh-darned cute 🥺🥺🥺and the tape-on brows Peruru pulls off later ugh. The mole analogy being stylistically animated was lovely on the team's end

• Directly quoted from my IMs

"-sad that the first thing deep bite does when he finds out people aren't afraid of him is that he goes in for an affectionate touch"

"…touch-starved"

"Instantly clasps a hand on the shoulder of a stranger"

(self-explanatory)

Also, Deep Bite taking on the guise of an outlaw, and for Glober to have befriended him somewhere at that point in that time, has. many implications. you can ponder.

Maybe, Glober is the only person that Deep Bite has had affection from…a tragedy that I hope fan writers for the show will touch on, too delicate to be handled by me ahaha :(

Another thing. I was amused by the fact that he laughs for so long—no one's even laughing with him after a while—but you know what? It might have been because he's finally found a WHOLE group of people willing to accept him for him and he's exhilarated with the alien idea and thus expresses it by being so awkwardly upbeat for first meetings. I am miserable.

• Why is Blue Cop recording HAHA??>? This play is too important to Jun to not be captured. His first installment in theatre directing.

• Musclehyde's horns with the capability to pop off make me think of Chiyo Mihama pigtail shitposts. He should swap them out to celebrate Christmas, pretending to be one of Santa's 12 reindeer. It's also stylish? If you think about it?

• Deep Bite is specifically very handsome @ when the force of him pulling the crane, causes Red Blitz and Blue Cop to flip upside up?!!!?#R(U! Sigh.

• Deep Bite's tail language…When Red Blitz walks away, it droops a bit together as he groans (in likely disappointment), but THE TAIL WALIGNGGG WHEN RED BLITZ ACCEPTS HIM????! UUUUUUUUUUUUGHHHHHHHHHHHHHH ok he's so cute he's also making little like. Chuffing noises here omg. Omg.

And Red Blitz' tsundere attitude. Turning his back and everything and the hands on the hips, caught red-handed when someone bugs him about being dishonest. Astonishing.

Cough, also if only Dexter's scoop was animated to show off emotion like this.

• I really do value the voice work Red Blitz' VA puts out. His voice has this roundness, it's snarky, it's nasally, it's naive, and sometimes even a bit intimidating. I'm biased. I'm not sure of the exact Hangul, though the way he was saying hurry(?) is something I enjoy; it fits his characterization well!

• Deep Bite being the second guy to peacefully submit to Jun 🥺the 잘 부탁해 'jal bu-tak-hae', "please take good care of me" AUGHHHH!!!!!

Overall. Loved it. 10/10 all characters got a pleasant spotlight.

Thanks for your interest ^_^

[flonbowe]

OK SO AS IT TURNS OUT THERE MAY BE A BIT MORE TO SAY, SO UHHH HERES THINGS I MAY HAVE MISSED AND OR I JUST WANNA COVER MORE

AS ALWAYS, MAJOR BROTHERSHIP SPOILERS, ESPECIALLY RELATED TO ZOKKET

You have been warned

SO NUMBER 1: The Glohm Rays

Im just actually slow on this one my bad In the scene I got those Reclusa screenshots explaining who he is and stuff, it literally says he feeds off of negative energy. The Glohm Rays make people feel negative so Reclusa can feed. Zokket didn't just make the rays just because he's a hater, there was a reason for that too. That being said, how do we make up this void of evidence now? By showing off what I think is the ONLY time Zokket looks happy. This screenshot right here.

Zokket, doesn't smile so the fact that his eyes here are curved in such a way, while he talks about getting more Glohm to "Spur on the revival", while his plans are working out Me personally I think works just as well to show his sadism. (Btw this was from one of the expiring side quests, the one with Connie and Arc trying to get Chilliam's father to go to the wedding) NUMBER 2: Cozette and Reclusa I FEEL LIKE I'VE DOWNPLAYED COZETTE'S ROLE IN ALL OF THIS FAR TOO MUCH Like yes, Zokket and Reclusa are cool, but yknow who's body Zokket is piloting around? Who had to be manipulated and weakened by Reclusa into being a puppet body for Zokket? Who has to live with the knowledge of committing atrocities because she was taken advantage of? Cozette, Cozette, Cozette. Through out most flashbacks involving Connie and Cozette, there seems to be a very interesting consistency. half of the time, she's standing alone, and the other half of the time she's just following Connie around.

Her whole job as a Wattanist is to take care of the Unitree, a monolith to the bonds of Concordia. Its the most important job in all of Concordia, it keeps the world together, there is a lot of pressure on the shoulders of a Wattanist, pressure we see Connie feel through out the whole game, and how she keeps thinking of her mentor, Cozette. Her wonderful, capable mentor, Cozette. That however, doesn't mean Cozette didn't feel those feelings either. In fact, aside from Connie and the Bros once she's freed from Zokket, we don't see her interact with anyone else. This, alongside Cozette standing alone, and all that pressure, creates a very sad reality: Cozette feels alone. The pressure of her job, with everyone looking up to her, its a lonely feeling. She's the one who keeps the world together in a sense, and that pressure clearly gets to her, as seen by this line from her side quest.

This feeling, this despair, is something she doesn't want anyone else to feel or shoulder, especially Connie. She in the flashbacks makes sure Connie knows the importance of bonds, not just since she too will be a Wattanist, but because she loves her, and wants to make sure she feels loved, that she doesn't end up feeling like herself; Alone And that's exactly what Reclusa preyed upon. That's the weakness that let his powers corrupt her, Loneliness is what she feels, Loneliness is what she knows, and bonds haven't done anything for her, so Loneliness is Sublime. Reclusa is a monster, yes, but especially to Cozette. Reclusa took her weakness, and forced it to his benefit. Reclusa transformed Colette's despair and weaponized it by having Zokket control her, by buttering her up for his favorite play thing to take her body, her mind, the sacred knowledge of the Lighthouses, the Unitree, Concordia as a whole, and use that knowledge to try and destroy it all. This also creates an interesting dynamic with Zokket and Cozette, both are incredibly lonely, and potentially jealous of bonds, but Cozette has one thing Zokket doesn't: Someone to care for. Cozette, has Connie. Cozette is lonely, but not enough to harm others. Its a cycle of abuse. Reclusa takes his fury out on Zokket, Zokket takes his fury out on Cozette and the rest of Concordia, but Cozette, despite all of it, still chooses to love Concordia and Connie. Cozette and Zokket both looked into the abyss, but when it looked back. Zokket blinked. NUMBER 3: Ten SPEAKING OF THIS CYCLE OF ABUSE, THE EXTENSION CORPS! MORE SPECIFICALLY, TEN Becuase this twink has such an interesting hidden detail that really changed how I looked at his arc specifically, and his relationship with Zokket. In the Extension Corps's home base on Slippenglide, you can find logs from Ten, and they paint a very interesting picture of him.

Ten already mentions wanting to be in charge when we corner him, but this here expands on that. It shows a disparity between Ten and he rest of the Corps, with him not being as close as you would initially think. He's more selfish here, wanting to be the center, the focus of attention (he has a poster literally hung up of himself) He's the only corps member with a Solo boss fight He's the only corps member who actively Glohms people himself, almost Glohming Bowser if Zokket didn't stop him to go even further. He gets fussy when Ecks messes up his name, but Ecks doesn't when Ten does it back during the Sharpcask encounter. And with the comment about getting a war chest to fund his takeover, its implied he might have wanted to take over from Zokket, or just be in charge before Zokket came along. Its unclear when these logs were written HOWEVER It's not that simple either. The Corps (as shown earlier), still refer to Zokket as Master even when he’s long gone and assumed to be a fake person. The Corps get sad when Zokket misnames them, because they care for him. Not just as their boss, but out of some sort of genuine care for him. The Corps want him to remember them, they want to do good serving him, they want his validation, his praise. They work for him not because they agree with his end goal (no one but Shun even knew what that was either), but because they like the guy! It’s also for a more selfish reason, yes, they do just want his praise for them, but still, this is a core part of them that even gets filled by the time they realize they have bonds.

Especially for Ten

Ten's ambition, his need to be the big boss and be strong, seems to be out of a need to be seen, to be known, to not feel like nothing. This nothing gets filled once he realizes just how important Ecks and Shun are to him, becoming a pride for the Extension Corps, instead of just himself. It also results in their redemption But to think, if he didn't get this realization. If he had stuck more on his War Chest idea, if he had betrayed Zokket, he would of ironically become more like him than he realized. Throwing away his need for bonds and connections, and becoming all the crueler because of it. This again also furthers that cycle of abuse theme, Zokket abusing the Corps and Cozette specifically, with Ten being this close to perpetuating that cycle. (Its also kinda a unique spin on Fawful's arc, what if becoming the big boss wasn't what he wanted at all, but was a cover up for something deeper, but that's besides the point) ANYWAYS YEAH THATS ALL FOR NOW. Im not gonna say I have nothing more to say, there's prolly some other details im not aware of that make even more interesting revelations, but for now that's all I can think of. I LOVE THE EXTENSION CORPS, I LOVE ZOKKET, I LOVE COZETTE, I LOVE RECLUSA, I LOVE THIS GAME

MAJOR BROTHERSHIP SPOILERS, ESPECIALLY RELATED TO ZOKKET!

You have been warned

So they’re like, a toxic relationship right?/hj

OK JOKING ASIDE These two are very interesting to me, and since we've known about Zokket longer, I'll be talking about him first in this thread of reblogs and posts

Zokket

So to get the elephant out of the room, I earnestly don’t believe he is just Cozette brainwashed

Like Aside from small details like the body shape being larger than she is, Zokket's voice sounding very much so different in not just the voice bleps, but in his actual grunts and noises (Especially so before his boss fight), there's things like Zokket's personality, behavior, hell he's even flat out referred to as a separate person a couple times.

Cozette after being freed only ever mentions being under Reclusa's control, and putting on a mask to become Zokket. A mask that breaks once Zokket is beaten.

The way Zokket is defeated, the way the Glohn energy flees off of Cozette's body, coupled with the fact it was specifically a mask Cozette said she donned to become Zokket, tells me outright that Zokket isn't exactly brainwashing, but instead a type of spirit or possession used to carry out Recluse's will. Now All this to say Zokket is his own person, and a very interesting person. Unlike most other Mario characters, he's a very flat character. Intentionally so don't get me wrong, that's the point. He's focused more on numbers than people. He doesn't "misremember" names, he actively doesn't care. His first proper scene is him misnaming the Extension Corps multiple times, with him getting more aggravated the more they try to correct him. He visits Shipshape a couple times through out the game, and most of those visits usually end with him mocking the idea of having connections and overall being very bitter. He's a cold cold man, and even during his boss fight he revels in making the bros hurt each other. There's also some interesting extra details via hidden logs from Cozette while being possessed, and Zokket writing his plans through her body. Quoting from those logs "The egg says its name is Reclusa. Yes, it told me its name, and that makes sense. The egg speaks directly to my brain. The egg has also shared this important truth. Loneliness is sublime . The egg only SEEMS not to move. But it definitely speaks in my brain. I now know my only calling: the resurrection of Reclusa. Loneliness is sublime . All connections will be severed. Reclusa will rule a new era of isolation. Once I have completed my task, I, too, will know the bliss of isolation. Loneliness is sublime . Approximately 284 hours, 56 minutes, and 29 seconds until the resurrection. "Beyond the Glohmatic Ray" "I have distilled the isolate energy from Spite Bulbs. That will be the source for Glohm. I can then focus and amplify it through the Great Lighthouses..." "The So-Called Extension Corps." " I met these buffoons on Slippenglide Island and employed them as generals over my army. They are intensely incompetent but loyal. Do they seek glory, or are simply afraid? They will be superfluous after the rebirth. I will need some means to dispose of them" "Building an Army" "My soldiers, my hands in the wide world, are simply junk repurposed and rebuilt. I gave them language so they might cooperate., but it is absurd to see these junk piles speak. I cannot imagine a place for them in the new world after he is reborn. They will suffer. They may rebel and become ungovernable. No matter--they are ephemeral things." after Recluse was revived, Zokket intended to torture the Zok Troops, his minions, of which HE created. Zokket doesn't just hate bonds, but seems to actively wants to break them. He strayed from his goal of reviving Reclusa by using some of the Glohm to make handheld rays to make people miserable and hate each other, instead of just using the Lighthouses for Reclusa. He threatens the Corps when the revival is almost complete, which would have come to fruition anyway had they succeeded. Zokket seems to fully understand bonds, and despises them. He's not apathetic, he's actively resentful... Except For Reclusa Excluding voice clips, the only time he laughs, is here.

His only use of positive language, and its when he's dying, where he should be at his lowest. Instead, he gets excited, happy, happy to see his Great Inspiration finally return to this world. For a man who hates bonds, he seems to have a great deal of care for his master. A master he was willing to die for, who he was destroyed for. Not even Connie, who he can't forget because of Cozette's lingering consciousness, all Zokket can muster for her is remembering her name, unlike Reclusa. So Who is Zokket? Zokket is a very cruel, bitter person. He's distant and calculating, planning and very exact, very precise ways to revive his master. But he's also sadistic, planning misery for anyone and everyone involved in his plans, for the goal of isolating the world for his master, Reclusa. a master, who he has a deep level of fondness for, the only person he actively shows happiness towards, a person who he spends his alone time with, his purpose, his great inspiration. That's Zokket (At least, my thoughts as to who Zokket is)

[kingdom-stars]

Something, something, throwing up 'bout my AU all over the page, something, something(?).

Wright & Co. Family bussines

So, this past year I've been thinking about an Ace Attorney AU. Nothing original, just the tri-color trio (Apollo, Athena and Trucy) in the original trilogy

You'd think it'd be the most common AU, but I've seen surprisingly few of them

(Unless I haven't searched well, in which case, post links👀)

So I gave myself the task of making one, because if you want something to go well you do it yourself :V

Clarifications before starting:

This OBVIOUSLY has spoilers for both trilogies, so I'll put a cut here

I decided to move some important moments to fit into the AU, such as:

The trial where Trucy's father disappears was taken by Mia and was for the accidental "death" of Thalassa, he is declared innocent but leaves Trucy because he does'nt think he's a good father to her. Phoenix's last case will still pass and Shadi will still be accused of murdering Magnify Graymare, but Trucy will not be the one to give Phoenix the note and she'll not recognize her father (but Phoenix will)

Simon's trial will pass two years before canon. Phoenix, blessed be his heart, adopts Athena because she has no one else and her relatives in Europe have not been brought up yet

Apollo will be found by Mia while she searches for some other relative of Trucy's and tells Phoenix, who immediately contacts child services to make the adoption

Apollo and Athena decide to keep their last names, Trucy is the only one to change it to Wright, but the three are comfortable with being called by Phoenix's last name

Nothing related to the newly formed Wright Family, Edgeworth decides to adopt Kay after Turnabout Reminiscences, just as he adopts Sebastian after Turnabout for the ages (I just saw that's the official name for The Grand Turnabout and it's DOPE AS FUCK)

Some other things:

Apollo will be 12 in this AU, as that would be the age calculated for this point in the series, Athena would follow with 7 and Trucy with 5

The three of them will reference their respective backstories, Apollo having knowledge about the spiritual channeling thanks to his time in Khura'in, Athena missing her mother and paying attention to Phoenix to become a lawyer and save Simon and Trucy having vague memories of when her mother was still with her

Apollo will have a tendency to use his Chords of Steel™ when he gets nervous and will switch to Khura'ines

Athena would still use the sound canceling headphones (or emotions, whatever) but as the story progresses she will take them off more and more

By the end of the second case, Trucy will start wearing the blue cape

Maya will be a kind of aunt/older sister, Pearl will be the cousin that no one can get angry with and Kay the bad influence gremling cousin(?)

Larry, Gumshoe and Edgeworth will be the ✨Cool Uncles✨. Gumshoe and Edgeworth will take a while to get there for obvious reasons, but they will

Each final case will be in some way related to the three children. This would be with Athena

Without further ado, let's go to the first game!

Phoenix Wright: Ace Attorney

The first Turnabout:

There's not much to change here. Character introductions, dynamic statements, the odd clue about the children's talents and little triggers for Phoenix, but small ones, small ones

Turnabout Sisters:

Slight changes but nothing significant. Apollo's discomfort with the Kurain channeling technique is mentioned for being similar to those of Khura'in, Trucy is the one who notices the butler's lies, Athena hears April May's fear of Red White, Red White attempts to blackmail Phoenix out of the case by threatening to take the children away from him, and Apollo testify on Phoenix's behalf, Phoenix has major triggers here

Turnabout Samurai:

I don't know what I would change here. Gumshoe being rude to Phoenix and Trucy defending him, Maya dragging poor Apollo into fan conversations with Cody and Phoenix bringing up the issue of Dee Vazques' threat at trial, on a separate note, Edgeworth finds Trucy in the prosecution lobby and returns her to Phoenix

Turnabout Goodbyes:

Ohhhh boy, this is the one. Kay makes her debut introducing herself as Edgeworth's daughter/assistant, she is the one who asks them to represent him to Edgeworth's mortification and will help in the investigation with Gumshoe, the three children catch Edgeworth's desperation for this case which makes Phoenix more determined to help him. This is practically the final case for Athena, she sympathizes with Edgeworth's earthquake phobia, she hears von Karma's true intentions but doesn't know how to explain them, she is inspired by Phoenix's story of how Edgeworth and Larry defended him as a child and how that act made him become a defense attorney and decides to do the same for Simon, she feels a strange understanding in not wanting to believe that she killed his her father mother (the black psycholocks sound), she stays by his side when he makes the last testimony and explains his nightmare, even going so far as to grab his hand to give him strength and shout at Von Karma in the face when he tries to ridicule them, when Von Karma's breakdown occurs he tries to attack Athena in the purest Tronchatoro style and then she is saved by Edgeworth. In the end she starts calling him Uncle Edgeworth

Rise from the ashes:

Oh yes, the DLC case, I almost forgot. Apollo and Trucy go full on Gant and his tics, Ema and Apollo bond (no Ship here, just friendship), Athena jumps into full scolding when she sees that Edgeworth wants to resign as a prosecutor because "they didn't spend three days stressing for you to then throw it overboard" or something like that, everyone gets scared by the Blue Badger and everyone wants to kill(?) Meckins

Ahhhhh, finally, I took it off my chest

I have olabs for Justice for all and Trials & Tribulation, but I'll make separate posts for those, you say if you want to hear it or not

Byee~!

[spotinthespiral]

Shout-out to Marcus, one of my many ocs with horrible tastes in men 👍

Quick cut just to lore-dump a bit (skip this if ya want).

Marcus got to Ravenwood, calamity happened, Blueflower ran off to solve it. Marcus met Nolan while exploring Cyclops Lane and immediately clocked him as a pirate (cuz his bestie Griffin was a pirate) but said nothing.

Marcus stuck around and managed to befriend Nolan after a *lot* of struggle, but they got super close. Nolan was cocky and rarely did any actual work, but Marcus was willing to help him improve one step at a time, which worked to make them all the more connected. Nolan associated his forward progress with Marcus, and therefore Marcus was a valuable pawn.

Then Marcus suddenly wasn't a pawn, and in the most neurodivergent way possible, Nolan confessed a crush to Marcus. Marcus (who'd had a crush 0.2 seconds into hearing Nolan be obnoxious) returned the sentiment, and in my headcanon lil universe they're a pair.

Marcus is a beloved little pastel goth, and Nolan is still the most hated student on campus, but they're working on their shortcomings together.

[demaparbat-hp]

Zutara makes a statement.

[sysig]

Good skeles, like you lots (Patreon)

[vaguely-concerned]

in his and davrin's banters, lucanis exhibits a certain little shit energy I don't think we see him have with anyone else other than illario and honestly I am living for this

[mostlyvoid-partiallyflowers]

The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.

There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.

This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.

Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.

He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.

He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.

Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.

Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.

[skrunksthatwunk]

never have i ever with the in-laws