#also you can enjoy things and still criticize them. In fact that is a good and cool thing to do. Critically analyze the media you enjoy

[glareandgrowl]

you know what?! NO! I WON'T just stop there!

This has really frustrated me as a creator who puts pride and effort into the characters I create. I'm giving myself until the end of this 30 min playlist to put my thoughts together so forgive the mess it will inevitably cause.

I have seen the take many a times about Dangan games and it's characters that fans and enjoyers are upset their special guy didn't get the screentime they deserved due to whatever reason; It's understandable really. You see a character that has such potential in your eyes its a shame its all wasted away. But I have seen the idea thrown around that the lack of care for a majority of characters' deaths and roles in the story is based on the sheer number of bodies and stories to tell. With so many characters there would never be enough room to allow all of them to flourish before they die! That's just the curse of these types of stories.

I am here to tell you that is BULLSHIT! It's bullshit and I refuse to believe it!

I, for the longest time, have hated the writing of the dangan games. It has always seemed sloppy, rushed, and far too drawn out for its own good. And no, that's not because the trials can be a little funky and rough around the edges when it comes to details. Though, that does coorelate to the negativity I have towards them as a whole. No.

I full-heartedly believe what is to blame is the free-time events. In Dangan 1, it was a fun gimick. Theres a large cast of characters, it only makes sense that a select few would stick out to the player as an interesting one, with a desire to learn more about them.

Shoddy writing of THH aside, I do feel it was a bit of a bandaid on the issue of a too-large cast. If there were optional ways to spend more time with certain characters, they didn't need to spend all that valuable plot time giving them exposition and relevance! The players can find the relevance on their own!

Except... Instead of using the plot time they saved for making a better, more cohesive story, all they did was fill it with dead air, bloated trials and a clear favoritism for the few remaining survivors. (IE in THH Byakuya, Kyoko, Makoto (obv hes the mc I can't complain there.)) Instead of focusing on the group as a whole, its dynamics amongst the survivors at the time, the plot instead magnets to favorites in an attempt to make you like them more.

I know its been mentioned a million times, but the game makes it incredibly hard at times to imagine these characters as once being friends.

(I will say from what I have seen of the next two games they do remedy this at least a little bit, with the group dynamic at least being tolerable to borderline good in v3 (yes before you come for me goodbye despair was good too.))(it also does seem, imo, to be a problem specifically with THH, as the next two DO do a better job at characterization, aside from the rogue one or two "mystery" characters that are put WAY too much emphasis on. (cough cough Kokichi, Rantaro, Kyoko, Byakuya to an extent) Most of whom I don't really care for due to that specific emphasis put on them. Not that their characters are bad, the games just reaaaallly want the player to care about these guys. Which makes me not want to.

Back to individuality.

The argument of a too-large cast as the reasoning for characters being left behind in terms of narrative importance, i feel, would be easily remedied by removing free time events entirely. No more backstory exposition dumps and underwear gifts for friendship points. No more mono-mono machine. If the writers were instead FORCED to give each character their time in the limelight, if they were forced to actually give a shit about each individual personification as much as those freetime events lead you to believe, then the plot would grow to accommodate.

Half the shit in the trails is unnecessary. Half the shit in the plot is unnecessary. Half of it is pandering, or shipping bait or funny haha jokes! We're so quirky!

The plot needs to care about your characters as much as the writers do. Which should be as much as your audience does. And if it doesn't. if the plot only cares about giving the audience a reaction, or if it only cares about its surface level motivations and schemes, then all you're going to get is surface level, unmotivated, wasted potential characters.

Now. I've ragged on about dangan for a bit. Does that mean I hate the games, the stories and the characters? Hell no. Of course not. If I did, I wouldn't be here. I wouldn't spend my time making fanart and writing fanfiction. I like the games. They're interesting, funny at times. The writing has its moments of sincerity. It's made me cry once or twice. I LOVE the ending to goodbye despair. I think its the best in the series by far.

I guess what I mean to say in the ending of all this, the TLDR if you will, is that the dangan games COULD have made the characters work. It could have made you believe each one was special and important to the story. If it cared enough to. It's no excuse, though.

(Also yes this is about Taka and how he was robbed. You could say the same about a fair few characters. I just spend hours a day thinking about his character anways so this is it's natural conclusion.

[twinklelilstarkey]

Tutor: Unveil

Words: 9k+ Summary: Here comes another party organized by Rose, meaning you cannot have your parents near people who threaten your peace. You can't even go to the bathroom, for goodness sake! Warnings: Female!Reader. Mentions of secret relationships and hiding things from friends and family (and finally, their consequences). SMUT (MINORS DO NOT INTERACT!! Very quick, literally a quickie, because I am so rusty at smut now. It will include some rough manhandling and clawing at the skin, but nothing too bad). Insults. Slut shaming. A/N.: I'm back!! Please know that I want to keep writing, I really do. But my professors absolutely hate me, because I have so much to do. This is like no other semester. Hope you enjoy this!

Tutor Masterlist

I do NOT give you permission to repost my work. If you’d like to read my stories on other platforms, you can find them on my Wattpad and AO3.

With your hands constantly smoothing down your silk dress, you can’t take your eyes off your reflection. You have touched up your make-up maybe three times since you’ve ‘finished’ getting ready and adjusted the more than adjusted dress for the, hopefully, last time.

You have no idea what it is. You feel weird. You feel nervous. Or maybe just anxious. There is something about going to a party with your parents after everything that has happened that makes you want to crawl into bed and only come out when everything has already happened.

Another sole reason your blood pressure has been sky high lately has to do with the conversation you’ve had with your mother in the car about planning something with ‘the girls’. For the last few days, she always remembered it at the worst moments. You have always found a good enough reason for her to not reach out to Kristy or her mother for said plans, but you’re not so sure that today will be possible to do it, given that they will see each other in person. Your mom and her mom have always been friendly to each other and have always liked each other’s company. They will surely plan something like an evening altogether. That is, of course, if her mother hasn’t heard anything about you yet. She too has never been too enthusiastic with Cameron & Co.

A knock on your bedroom door makes you look over your shoulder, and your father walks in. He gives you a sweet smile once he sees you by the mirror and holds his hand in your direction.

“Got to go. Mom is getting impatient.” He says while you take his hand.

You grab your purse on your way out of the bedroom, reaching for it at the last second as you can already hear your mother pacing around the house. You check the time before reaching her, making sure you are not the reason why she is like that, but, as expected, the scheduled time isn't for another 20 minutes. Therefore, you will get there before everyone else.

Your mother is still pacing when you reach her. She has a cream-colored dress, make-up, and hair done with way too much precision, but the look on her face would be enough to make you run to a mirror again.

“Finally!” she says, waving her arms in the air with a sigh.

Her eyes make sure to look you up and down, and her lack of criticism almost makes you cheer out loud. You know you won’t get a compliment with her bubbling with so much stress, so the fact that she has nothing bad to say about you is enough to let out a breath.

After your mother does her last walk around the house to make sure everything is in her purse and everything is locked, you all start to walk out to get into the car. You reach for your phone when you take your seat at the back of the car, and your father begins to back out of the driveway. The car is in complete silence, just as it usually is.

Now that you are officially done with classes, the graduation ceremony is just days away. Meaning, that not only will you soon be far, far away from certain people without school forcing you to be in their presence, but you also have been bombarded with texts from Patty and Topper, who have shared with you all sorts of ideas for the parties that they will be attending. All those texts are in the weird group chat that you have been added to, but Rafe, much to his confusion, was not.

You smile down at some of the messages and make sure to not leave them on read for too long before answering them quickly. These moments of calmness and smiles don't last too long, given that you get a message from Kristy, making you put down your phone to hopefully not let it mess up with your mood again. But, yet again, you were too late.

The trip to the location of the party is a little over 15 minutes, and you try not to pay any mind to any anxious thoughts after that. Because, maybe, just maybe, there is nothing to worry about. Nothing to be scared of, and no reason to want to lock your parents in a room for the entirety of the night.

It’s fine. Everything is fine. You got this under control.

After some time, and a little traffic, the car finally comes to a stop. Your dad helps you out of the car, and as soon as you all stand outside, you can tell that you were some of the firsts to get there. There are almost no cars in the parking lot, and that would be with counting the workers’ cars too.

Before you can even walk all the way to the front door of the building, Rose has already pushed the door open and smiled to greet you. Rose and your mother exchange the classic two kisses on their cheeks – or better, the air close to their cheeks. A handshake with your father. Yet when she reaches you, she pulls you into a hug. Your mother didn’t seem to be able to look away.

“I am so happy that you could make it,” Rose says to you when you two pull away from the hug. “Seriously, it was so hard making all these teenagers want to go to an event with their families.” She turns to your mother to include her in the conversation with a quick roll of her eyes, but she simply smiles dryly at her. “Anything that just doesn’t include alcohol makes everyone want to stay home, these days.”

“Oh,” your mom exclaims, surprised. “Yes, that is true. Youth, these days. But I do not believe that it would be my little girl’s” and, while still talking, she puts her arm around you in a side hug that is so out of character that it feels nearly comical, “style to do anything like that. These types of events are so much better.”

You offer her a small smile in return, and Rose doesn’t seem to notice how tense everything just seemed to get.

The two women begin a conversation in front of you not too long after. They talk about how good you did in your finals and even how Wheezie was so good in hers. All due to your hard work, of course. They talked and talked, and your mother’s arm did, eventually, come down back to her side. You walk over to stand by your dad as they continue their discussion, all while everyone still stands by the door.

“Is your whole family here, already?” Your mother asks her, making your ears perk up.

“Except for Ward, yes. He had to leave to get something at home. But the kids are all here. Well, except for Rafe, of course,” she chuckles dryly, “He’ll get here in his own time.” Rose says with a shrug before turning back to you and offering you a smile, “And I do believe some of your friends from school have gotten here as well.”

Great.

You fake a smile of excitement, and Rose takes that as her ticket to take you all inside the building. The warm breeze from outside is quickly substituted by the cold AC as soon as you get in, and, only after a few hallways, do you step into the massive room of tonight’s event. One with a tall ceiling and a wall made of windows, all of them facing the sea not too far from the building’s garden in the back. One of the windows is open and some people stand outside, some of them smoking, while others just enjoy the view while talking.

Even so, the room is quite empty. The ones inside stand on the sides and corners of the room, but, due to its size, the room feels empty still.

Your eyes scan the room, looking at each person carefully, trying to see how much damage could be made in the first few minutes already.

A little polite conversation later, Rose steps away with a soft ‘talk to you later’. Having looked around enough, relief washes over you when you notice that the friends that she had mentioned had only been one of the girls and some somewhat known faces from school. Nothing like Kristy, or the rest of the group. You know they won't do a thing when alone, that is, of course, if they aren't Kristy.

Your parents walk over to the table with the drinks, and you follow them, only listening to their conversations to keep you entertained.

The room is indeed fabulously decorated. The walls are decorated with amazing and grand pieces of art. Certainly replicas of sorts, expensive looking, nonetheless. Rose, as she tends to do, filled the room with all sorts of flowers and large tables with white tablecloths and glass dishware. At some tables, there are all sorts of mocktails, juices, and fancy herbal and fruitful waters. Other tables have food with all sorts of snacks, which the younger family members seem to have no shame in already having their fill.

You can see the people out in the garden from the drinks table. You can see Wheezie out with her friends, as well as Sarah being annoyed by Topper, who is beginning to be pulled away by one of her friends. They all are dressed formally. Wheezie in soft pink and Sarah in yellow. You look over to check on Rose which is in a light purple. What kind of color would they make Rafe wear?

You smile down at your own thoughts and hide it by looking around, purposefully ignoring a stare from a family that you do not want to interact with – the only girl and her parents, who might as well just call you a devil from where they stand in the room, given the distaste in their faces.

By the time an hour passes, you notice how slowly time goes by. You sure are in for a night.

(…)

It has been three hours, and you've finally decided that you need to walk away from your parents. You have shaken so many hands of coworkers and possible business partners of both your parents, that your mind has begun to blur their faces into one ever since you’ve met the seventh person. Their conversations have been about business and sales, and you swear that if you hear any sort of vocabulary from their field again, you will begin to rip your hair out in chunks.

So, a walk it is.

Your heels click on the tiled floors as you look for a bathroom. No one is in the hallways, most people just stay in the main room or the outside, where younger socialization is seemingly kept. None which you’ll be able to make today, for the looks of it.

You have thought about talking to someone other than your parents, but the possibility of it upsetting them, given your new crowd, always made you take a step back. There aren’t many people you could speak to. Rafe’s friends, who have naturally become yours too, have all gotten here in the last hour. Most who noticed gave you a simple wave, which you could only nod to because you knew you couldn’t be caught waving at Topper Thorthon by your own mother. You might as well just walk right back into the room nude, and you’ll get the same reaction - in other words, complete horror. Patty, on the other hand, had walked over to you to greet you as she normally would, with a hug, and that sparked the curiosity of your mother a bit too much. That is, of course, because she has no idea who she is.

Other sorts of company, also known as your past best friends, have also gotten here, and each time you notice them walking in the room, you would simply spark a conversation with your parents so they wouldn’t look at the newcomer. But you know it, you’re running out of things to talk about. Especially since some of the girls haven’t gone outside and are still standing by their parents, talking amongst themselves. One is easy to hide from your parents, but a group, not so much. The idea of them already talking to them is making chills run down your spine.

Truly, the only thing keeping you sane is the fact that Kristy hasn't arrived. Therefore, there is nothing that can truly hurt you while she isn't here... right?

You walk through the hallways, letting out a sigh, still looking for a more distant bathroom that doesn’t have a line of women you could possibly very well know at the door.

After looking at many lines, you decide to try upstairs instead, because, realistically, you will need at least five minutes of silence in that room to get back into the right mentality to handle the rest of the night, and you will not be able to do that with a group of women ready to break down a door and run in to pee.

You begin to walk towards the front of the building, where you spot even more people who have begun to arrive at the party and are following Rose as she continues to be her pleasant self to her guests. You spot the two big staircases at the front, and you grab onto the railing before beginning to go up.

Suddenly, a whistle echoes down the hallways and up your staircase and you freeze.

“The party is down here, miss.” The voice says.

If only you hadn’t recognized it, you would’ve actually listened to the observation and made your way down the staircase, hiding your embarrassment and complete horror of being caught. But the fact that you did recognize it only made you want to throw a shoe at your boyfriend for scaring you the way he did.

“What am I, a dog, for you to be whistling at?” You say while turning around to face him, while he stands by the front door, meters away from you and down a few steps.

Rafe tilts his head up at you, and you know the comment is eating at him. You're teasing him. You smile as you see him peek into the hallway Rose disappeared into, and you can’t help but let out a shriek when he starts running up the steps to grab you.

Rose must already be on her way back to the door to welcome the new family coming inside, and you have her stepson ready to tackle you to the ground, so you have double the motivation to grab onto your dress and the railing and try to get away from your man.

You laugh your way up the stairs, but you don’t even get to the last step before he’s able to grab onto you. Now, do you think it was a fair fight? With you in heels and a long dress? Absolutely not, and you make sure to let him know that as he casually puts you over his shoulder and gets you both off the stairs - all while basically making you think you’re going to die for being upside down on the last step. You have screamed twice since he's gotten here. Rose would kill you if she knew.

“Please put me down.” You say, defeated and seriously out of breath from both running and laughing.

You know that Rose must have heard the both of you, you just hope she doesn’t know it is you who was just laughing hysterically. You’re sure she heard the damned loud whistle and rolled her eyes to the back of her head in response, knowing very well whose it was – the only son that is almost 4 hours late to a party his own family is organizing. And now that same man is kidnapping a girl into the upper floor, how nice. You wouldn't blame her if she stopped inviting him. Not at all.

Halfway through a hallway and during your millionth plea, Rafe finally puts you down, making your hair fall in all sorts of directions over your face, getting a genuine laugh out of him. Your hands begin to try and smooth down the strands back into their original place, but Rafe continues to smile down at you.

“Don’t you look beautiful today, baby?” He says in a dramatic tone, making your hands stop working through your mess of hair and giving him a glare, which in his eyes seems more like a pout.

Taking pity on you, Rafe helps you with your hair to the best of his ability, and you begin to look around for a bathroom.

Leaving Rafe behind and knowing fully well that he will follow you without hesitation, you walk over to a door that, thankfully, is unlocked, and the room is empty. Rafe walks in with you, and you only let out a breath when you hear close the door behind him.

Rafe watches you through the reflection as you fix your hair further and then check on your makeup. It takes quite a few moments of silence before you turn and lean back on the counter. With your back to the mirror, and the temperature of the cold stone going through the fabric of your dress, Rafe steps in front of you, and the warmth of his hands on your hips adds a nice contrast.

You look up at him, analyzing his face, but you notice how he leans in for a kiss, making you turn your head at the last second, forcing him to lay a kiss on the corner of your mouth instead.

“I have lipstick on.” You whisper at him, “Don’t you dare ruin it.”

“I would never.” He whispers back but kisses your cheek again instead and then continues to go down your jaw, neck, and then shoulder.

You fight the urge to close your eyes to the feeling of his lips and look at him while he moves, you haven’t taken a good look at him yet. He looks good, like he always does, in a dark blue suit with no tie and a pristine white dress shirt underneath, his hand has his usual gold ring, and his buzzcut looks just made.

“We’re matching.” You tell him, a smile more than evident in your voice, making him raise his head up to look at you. “Why blue?”

“Ask Sarah, she was the one that chose my suit.” He says, creating a slightly bigger distance between your faces.

You lay your hands over his shoulders, but they eventually find their way to his cheeks. Your thumbs caress his skin, and he continues to stare down at your face.

“You look really handsome tonight.” You whisper to him again.

“I do?” He asks, and you nod, making him lean into you again, threatening to ruin your lipstick yet again.

“And incredibly needy too.”

Even Rafe couldn’t hold in his chuckle at your observation.

“Someone ignored my texts for-”

“We texted this morning, Rafe!” You say a little louder this time, with a smile that almost made Rafe’s heart jump out of his chest. “Since when did you become such a sappy boyfriend?”

Rafe did not even have to say a single word, the expression on his face of complete repulse for your choice of adjective is enough to make you smile widely at him. He sends you a glare as a response which only makes you laugh harder. Your hands come down to his shoulders again, and you give him a kiss on his cheek before leaning away from the counter.

“I have to go back down soon.” You tell him.

Rafe leans in closer to you, his hands forcing your body glued to his, making you lose all idea of cold from before. You are warm all over. “Why?”

“My parents are here, can’t have them talk to a certain someone just yet.”

Rafe doesn’t answer out loud, he just continues to look through your face, deep in thought. You watch him as he does it, memorizing every inch of his skin in return. Rafe had noticed your mood while watching you walk the hallway downstairs. You are deep in thought and visibly buzzing with anxiety. Knowing now that the root of all your problems is just a floor down from yours, makes a lot more sense than whatever he had thought of.

“They’re here?” You only nod, kissing his jaw and pulling back to look him in the eyes, “Have they said anything?”

“Not a single thing, only stared for a while.” Rafe pulls you impossibly closer to him, and you let him. “They might already be doing it right now.”

“Why did you leave?”

“I was driving myself insane. Had to talk to way too many people, and I can’t even remember a single name.” Rafe grins at your words, but you sigh before continuing, “I want to go home already.”

“But the party just started.”

You roll your eyes at him and his audacity, and he smiles down at you. Your lips crack a small grin too, and you feel one of his warm hands move from your back to your hip, squeezing it through the thin fabric and holding onto you tightly. Your entire body sizzles at his touch, and you lean closer, completely forgetting your own promise to not smudge your lipstick.

“We shouldn’t.” You whisper against his mouth.

“We really shouldn’t,” Rafe emphasizes with a shake of his head and a big smile, but that is just before he closes the gap between the two of you. Your lips touch, and your hands smooth over to his head, smoothing over his short hair.

Rafe lifts you up to the counter and pulls your dress upwards to your waist to help him stand between your legs with the slit of the fabric. You sigh against his lips at his touch over your smooth thighs, and, under the dress, Rafe grips onto your skin and pulls you directly into his hips, making you moan against his mouth.

His hands look for a certain piece of fabric, your panties, under your dress as he pulls you against him, but all he feels is skin. He brings his hand up and grips your face with the same force as he did your hips, thumb digging into your cheek as he held your jaw.

He pulls you back, noticing just a slight smudge of your lipstick, and you smile maliciously at him, knowing exactly why he’s behaving the way he is. He lets out a dry laugh, not finding any sort of humor like you did, and kisses you a single time before whispering directly into your lips, “You’re such a—”

“Panty lines, Rafe, panty lines!” You interrupt him without being able to contain your smile.

Your lips melt into a kiss again, more aggressive this time due to Rafe’s discovery, and you can’t help but continue to smile into the kiss, moving your shoulders until you feel the dress’ strap slide down your skin. Rafe’s hands slide from your jaw to your neck, and your hands slide down his torso all the way to his belt, currently almost glued to you too because of how tightly Rafe holds you to him.

You pull his belt to get him closer to you and finally pull at the buckle to undo it. Rafe’s hands let you go for a second, he undoes the buttons of his dress shirt, only separating your lips for those seconds and coming back to you.

You finish undoing his belt and move onto the button and zipper, while Rafe’s hands move back to hold your hips. Rafe groans against your mouth, and you grab onto his boxers, dragging your nail over the elastic band. You smile at the way he responds, pulling you roughly towards him and grabbing onto your skin as if it’s his lifeline.

Your hands pull his clothing down, and Rafe is quick to lift a hand and push yours away from him. Your lips don’t separate through it all, and Rafe brings his hand in between your legs. His touch immediately rips a reaction out of you, making you moan louder against his lips while your back stretches with pleasure.

Rafe’s fingers drag from your clit to your entrance, not ever stimulating you on purpose, just moving so, so slow that you consider biting him in response. You turn your head to break the kiss, and Rafe just continues kissing down your jaw and neck, as if unphased. Your breathing is heavy, and your heart is beginning to seem to want to beat out of your chest, but your lips are only able to whisper a single plea, “Rafe, please, we have to be quick.”

“Please, what?” He teases like he always does.

You groan, naturally, and he smiles, “Please, Rafe, just fuck me”

In response to your words, Rafe did not hold back. He glues back your lips to his, and the finger over your clit pulls away, leaving you cold and waiting. His hand goes back to your hip to hold you in the exact position he wants you in, and, right after pulling his hand away again, you just feel his dick lining up with your entrance and sliding into you.

The sensation almost feels like too much, making you pull away from the kiss and bring your hands to his shoulders. Your hands hold onto his skin, underneath the opened suit, and Rafe groans at the feeling of your nails on his skin. He doesn’t move, once he’s able to slide entirely into you, and all you hear for those seconds of no movement is both of your elaborate breathings.

Rafe breaks the silence, “Fuck, you feel so good.” making you chuckle and pull him into a kiss.

As soon as he begins to move, you almost feel as if your body is not your own. The pleasure is too much, and you can’t help but pull Rafe closer to you. His movements are steady and slow at first, but, at this moment, it almost feels like enough. Something about being worried and anxious throughout the night made you feel as if your body is now overly sensitive to everything that Rafe touches.

Your moans aren’t words, just whimpers and sounds of pleasure, never too loud and even sometimes a whisper. Rafe looks down at you, as one of his hands moves to wrap his arm around your back to support your body close to his. Your hair looks perfect again, and your lips only have a slight smudge at a corner, almost unnoticeable. One of your dress’ straps has slid off your shoulder, making his half-closed eyes stare at your jiggling flesh. He pulls you in closer and speeds up ever so slightly, letting the sound of skin slapping and your wet pussy fill his ears and consume him.

You lean your forehead on his shoulder, as one of your hands slides out of his suit and wraps around his bicep. His cock, moving back and forth, his tight hold on your body, your naked chest now glued to his, it seems like too much for you to even open your eyes. It is as if flames consume your body, from your legs to your head, centering around your stomach. It burns at your insides, and all you can think of is how good it feels.

You know you have to be quick about it. Your biggest worries are just a few steps away, so possibly able to find you and what you’re doing, bringing to absolute ruin. But, now, you can't bring yourself to care. And especially not when Rafe moves to grab onto your face and brings your lips to his, making your mind go fuzzy, and your heart flip with love and pleasure for this man.

The kiss starts with form, but it loses it within seconds with some of your moans and Rafe’s groans. Both of you are lost, and getting worse with each stroke and each kiss. You have obviously gotten wetter, you both can hear it, and Rafe can’t help but reach underneath your dress to touch you.

You let out a gasp, which turns into a moan when he touches your clit, and he simply holds your face in place, unwrapping his arm from your body. Your hands reach to hold onto the counter of the bathroom, and the cold stone bites at your skin once you touch it.

Rafe kisses you slowly one last time and lets go of your face before he speeds up his thrusts a last time, making his movements fast and rough, but sloppy. Yet you swear that you have never felt better. His cock reaches deep into you and with each stroke, it touches where it should. His finger slides with ease over your swollen clit, and your pussy squeezes him in response to all of it.

Rafe’s fist closes with all its might as he keeps going and you moan his name, close to his ear. Both of you are beginning to break your first sweat as the peak of your pleasure gets closer and closer. You can almost taste it. Rafe pulls you back to him, maybe a bit too forcefully, but you couldn't care less. You moan into his skin as he gets you closer and closer to your orgasm, and your hands claw at his skin for it.

He leans in close to your ear and whispers, “Come on, baby, come for me.”

After just another two thrusts, you sob out a moan into his neck and Rafe puts your mouth to his in a kiss. Your hands reach for his face, even while still reacting to your too-powerful orgasm, and he follows you right after, pounding into you with a force you know will leave you sore, but for a cost that you could accept any day.

As both your heart rates slow down and your breathing calms, your mouths go back into a normal kiss, your usual slow and loving. Rafe wraps both of his arms around you, pulling your flesh impossibly closer to his, and you relax close to him, ignoring what could possibly await downstairs.

(…)

It took you embarrassingly long to fix your makeup before you got down the stairs with Rafe. No one is walking in anymore, which can only mean that it is finally late enough for anyone else to come in fashionably late.

Your heels click as you walk a little too fast due to your anxiety, Rafe stays a little behind, letting you in the room before he does. You push the door open, and the sound of all the conversations around the room hits you all at once. You look over at Rafe before you walk in, and he nods at you to go.

You walk through a few groups of people and look over at where you left your parents, only to find them in the same place - your father just a few steps behind. You fight the urge to smile a bit and begin to walk towards them, but your legs stop moving when noticing Kristy with her arm crossed with your mother, as her mother stands right next to her too.

All three of them are in a deep conversation, but smiles are all around, which only soothes your soul a slight bit.

Kristy’s mother, Natasha, is another type of woman entirely. In all the years of your friendship, you had only seen her a few times, always out in business. She is a hauntingly beautiful woman. And, yes, even after so many years, you too are scared of her, while your mother never seems to get enough of her.

“Oh, there you are!” Your mother says, noticing you right away. You walk closer to them, trying to hide how stiff your body feels due to the adrenaline coursing through you, “Are you feeling alright? You were gone for a bit.”

“Yeah, just a stomachache, I think.” You tell her, “But I’m feeling much better now.”

“Do you think it’s something you could’ve eaten?” She asks, and your eyes move over to Kristy who is obviously staring at you, hard.

“Maybe.” You shrug at your mom, ready to change the topic of conversation.

“I told you to put the leftovers in the fridge yesterday, but, no, you just had to do it when you felt like it, right, missy?” She teases, looking over at Natasha to make her join in on the motherly teasing session.

But, when you look over at her, you would have to be blind to not notice the way she is looking at you. Different from the way she used to, which could only mean one thing.

“Oh,” She plays along, hiding her staring slightly better, this time. “Kristy is just the same, you know? Always does things on her own time, no matter what I tell her.”

Kristy would’ve rolled her eyes at her mother’s words if she wasn’t occupied staring at someone in the distance. Her silence was so out of character that you weren’t the only one to notice her distraction, because your mother looked faster, and her mouth followed at light speed.

“How can a son arrive so late to an event organized by his own family? A shame, really.” You tense further as she shakes her head.

Kristy tenses too at her words, quickly looking away and down at her feet for a few seconds in shame. Having had enough of her shit, you can't help but continue to glare at her.

Your mother, oblivious, does not notice the tension building up, but you’re thankful for that as she keeps herself busy by bad-mouthing your boyfriend instead.

“No surprise that Rose doesn’t bring him to so many of her parties,” She says, “I would do the same.”

“What a disgrace of a boy...” Natasha says but while directly facing you, almost as if trying to talk to you about him. “Do you know him?”

“What?” You ask her, trying to hold back your defensive tone.

“Rafe Cameron,” She reminds you, “Do you know him?”

Your mother looks at you, intrigued by the conversation. “Oh, no, not at all.” She answers for you.

“Are you sure?” Natasha asks you with a dip of her chin, making Kristy turn her head to her in shock. “He’s not too far from your age.”

“A year.” You tell her, and she nods, beginning to grin at your response. Your mother looks at you in interest but, of course, nothing malicious is crossing her mind, “I’ve talked to him before, yes.”

You can come to very much regret saying such a thing in a few seconds but, at the end of the day, if you ever want your mom to know of your relationship, she better start warming up to the idea that you at least know the guy.

“You have?” Your mother’s interest could not have been more peaked.

“Yeah,” You nod, noticing that Kristy’s shocked eyes have now come to face you too, “Not as bad as everyone says.” You shrug.

“Really?” Natasha asks, humor thick in her voice, but you ignore it and simply nod. “Oh, I’ve heard the opposite, that he and his friends are an absolute horror to talk to. Very rude, weren’t they, Kristy?”

Kristy’s eyes almost pop out of her head once her mother mentions her name and her experiences.

“Oh-oh, uhm…” She hesitates, making your mom almost want to shake her to spit it out. “I didn’t have the greatest conversations, no.”

“How come?” Your mom pressures her, pulling at their crossed arms, urging her to tell all, but Kristy is nowhere near ready to let it out.

“Just some parties, you know.” She shrugs, “He must have been drunk a few of those times, so he wasn’t the nicest.”

“What kind of things did he say to you?” Your mom asks.

“Oh, not to me. But my friends, for example… One day, they were looking for someone.” You fight the urge to punch her, this time, “And asked him- because he is… friends... with her.” She takes a deep breath, “They asked him about her, but he just told them to ‘f’ off and all that.”

“Who were they looking for again, sweetheart? His girlfriend, was it?” Her mother asks, only looking at her daughter in fake curiosity.

Your mother could not even contain her shock, letting out a gasp so loud that some people around you turned to look at her. You, on the other hand, feel as if someone had just thrown you into an iced lake. “He has a girlfriend?!”

“Oh, yes, he does.” Natasha says, “Quite a shock to me too when I heard.”

“Do you happen to know who it is?” She says, leaning in as if to know a secret.

You physically butt in by putting your hand in between them, stopping Natasha from opening her mouth any further and making the two of them look at you.

“It’s his private life, we shouldn’t talk about it.” You say, with a tone so serious that it made your mom notice some of the attention you all were gathering around you.

She smiles at the people, who turn away right after, and, with a lower tone of voice, she says, “Oh, honey, please. That boy has never been private a day in his life.” Your mother insists, “It’s nice of you to try and be civil but with Rafe Cameron?”

“You’re not being fair, mom.” You tell her, letting her continue to think of you as just a nice person trying not to dirty her pure and innocent ears with gossip. “You don’t know him.” You look at the other two women.

Kristy listens to your words and notices her mother’s silence. She did not expect her mother to try and provoke you as much as she did, but Kristy can only blame herself for that. She shouldn’t have told her everything she knew, but it had been a bad day, and she thought she could trust her mother to stay quiet. After all, she had always seemed to like you. Yet, there was something about your words just now that sounded like they were meant for her too.

After all, you were defending Rafe from her. Again.

“You know him that well?” Kristy asks you, after the seconds of silence – and delusion from you, since you thought it had been enough to calm down the conversation and delay it for another time.

You look at her with eyes that could only mean two things to any onlooker, either that you were offended by her words or the complete opposite, that you were pleading with her to just stop whatever she and her mother were doing.

“I wouldn’t say that well.” You say, slowly, trying to measure your every word, so it wouldn’t lead to any misunderstandings. “But I have talked to him and seen him a lot of times. I’m at his home for a lot of hours, remember?”

“That’s right, you tutor the Wheezie girl.” Your mother suddenly remembers, “But, the rumors about him can’t be all that big of a lie. So many people tell them. A new one each week.”

“But... Like you just heard, he just got himself a girlfriend. Even you were surprised.” She nods, not understanding where you’re going with this. “If he can get himself a girl to date after all the rumors about him, maybe he’s not that bad.” You shrug.

You continue to look at your mom, in silence, watching as she slowly bites the bait towards a more open-minded and not-so-horrible mental image of Rafe, but you watch it all burn down in front of your eyes, right as Kristy starts to speak.

“That really depends on what type of girl you imagine him dating,” She says with a chuckle as if finding what you said cute or amusing. Deep down she is boiling in anger with the way you dodge every question with ease, like you've been hiding for so long, you already became accustomed to it all. “You’re imagining him with a well-mannered girl, about his age, a great student, and with great friends that can only be a good influence on him—”

“Kristy,” You warn her.

“But the reality is that we don’t know who the girl is.” She continues in a tone that not even a saint would believe to be truthful, “His girlfriend can very much be like any other slut. Someone who can only match his energy, someone who can only ruin herself further than she has already ruined.”

She looks you in the eyes as she says those exact words, fueled with rage after hearing you say all those things about how everyone just misunderstands Rafe.

“That is…” Your mother says and hesitates, not loving the words used to describe the hypothetical girl just now.

“What’s wrong?” Kristy asks you, not even hiding her tone this time, “Stomachache, again?”

Your breathing is uncontrollable, and your heart is beating rapidly. You’re not sure if it’s adrenaline, anger, heartbreak, anxiety, or everything all at once. All of what is being unsaid is being left in the air, like a toxic cloud, which everyone just watches you seem to be the only one in the conversation to be able to breathe it in.

“Something like that.” You say with gritted teeth with a short smile.

Your mother’s face twists with worry and Rafe is quickly forgotten. She turns to you, but you can’t take your eyes off the two women who appear to be practically orgasming with how they are loving to threaten to ruin your life with casual banter.

“We can go ask Rose if she has something for a stomachache, honey, would you like me to do that?” You don’t answer but try to shake your head, which goes unnoticed. “Or maybe in our car, maybe I have something for you to take.”

“I’m fine, mom, really.”

“What’s happening over here?” You hear your father’s worried voice behind you, which makes you turn to face him.

“She’s feeling sick—” Your mom tries to tell him.

“Sick? Did you eat something you shouldn’t?” He asks you, “Was it those leftovers? Honey, we’ve told you that you should put them in the fridge—”

“You should tell them the truth,” A voice interrupts your father, making you look at the two women again, your heart now at your stomach making you even more nauseous.

“What?” Your mother asks with pure confusion over her features, “What are you talking about?”

You look at the two mothers, both looking at each other, one with a know-it-all look, while the other is lost in absolute confusion.

“If it was my Kristy, I would’ve wanted her to tell me everything since day one.” She says, facing me again.

“Shut the fuck up.” You say to her, your volume low so as to not get any attention from anyone outside of this conversation, but your mother’s gasp might have gotten some looks right after, again.

“Apologize!” Your mother says to you, “You cannot speak to her this way, she’s your friend’s—”

“No,” Kristy says, only making your mother’s frown deepen. “Actually, you might not even know but we haven’t been friends for quite a few weeks, isn’t that right?” She smiles at you.

“What?” Your father asks, shocked to know that the once inseparable childhood best friends are no more.

“Tell them.” She tells you, making your eyes water, from anger, embarrassment, or complete horror that this is finally happening, but you fight the tears. “They deserve to know.”

You bite the inside of your cheek to hold in your need to gasp for a sob that you are holding in.

“Could either of you two just tell us what is going on, already?” Your father asks, leaning his hand on your back to try and offer you comfort, but his touch only repulses you, given what you are being forced to say.

Your panic rises as you’re unable to scream hysterically at the women in front of you to just disappear and mind their own business due to how many people surround you. How many of your parents’ friends and coworkers surround you, and how you would just embarrass them if you even dared to say half of what this woman and her daughter deserve to hear.

“Maybe we should go home,” You tell your dad, “I’m not feeling good.”

Your mother can’t even help but look at the two women in front of you sideways. She has known the women for years and has never seen them behave the way that they are behaving. But, again, she also has known you since you were born. You’re half of her. And she hasn’t seen you talk or act the way you are, right now.

“What is it that she’s talking about, honey?” Your mother pulls at you, worried but frightened too with what could be about to come out of your mouth.

“Let’s just go.” You tell your mom, feeling your entire burn in horror. They will know everything after today. There is no other way around it. “I'll tell you at home, please.”

Kristy's mother speaks again. “Just say it.”

She opens her mouth, but you make sure to speak over her, “You don’t know nothing about me or my life, you have no right—”

“Just like I don’t know your boyfriend, right?” She asks, and everything around you goes silent, “There... See? Not so hard.”

“Wha-what? What do you mean by that?” Your mom says, taking a step closer to her, hoping that she had misheard her.

Natasha does a short smile at your mother, and your father, having not been present during the past conversation, simply brushes his hand up and down on your back. He still does not understand a single thing of what they are saying, but he is worried about you.

No one says another word, and Natasha and her daughter walk out of the conversation. You recoil from your father’s touch and take a step back from both of your parents. Your breathing is beginning to sound strange to you, and your skin feels too hot to the touch even though chills run down your body. Your heart is breaking and being ripped out at the same time, and the world has begun to lose its center of gravity because it is suddenly too hard to stand.

Your mother continues to stand a step away from you, not moving, thinking to herself about how she and her own mind can be wrong. How this is not her reality, and how when she turns to face you, she will find you and Kristy, still as best friends, laughing at her face for being so dumb to even believe all of this. But she doesn’t. She turns, and she finds you pulling away from your father and walking away, ready to get out of the building.

She stands there, watching you walk out of the room, and notices that Kristy is following right behind. She can’t move or speak for a few seconds. Her husband stands beside her, asking her what the hell is going on, and in the corner of her eye, she sees him. She turns her head to him and watches him, with his blue suit just like her daughter’s dress and hair cut short. He has a charming smile on his face as he speaks to a group of men with his father on his side. He is acting unbothered and calm like he always does in these events.

As her heart continues to pound, her husband follows her eyes and stares confusingly at Rafe Cameron, trying to decipher what could be going on, but to no avail.

You forcefully clean your tears with your shaking hands and walk quickly down the hall towards the door to the outside. Right next to the door, you notice three people talking, but before you can even get close to them, a voice stops you.

“I didn’t mean for this to be like this,” Kristy says to you, and your blood boils at the sound of her voice,

“Oh, fuck you.” You exhale out the words at her, knowing the people in the room of the event won’t hear a thing, turning to face her. “You and your mother knew exactly what you were doing.”

“I didn’t want it to be today.” She shakes her head, not exactly sure what she should say to you first, “I just thought that your parents deserved the truth.”

“Oh my god, Kristy, shut up! JUST SHUT THE FUCK UP with your 'could do no evil' attitude!! No one asked you for anything! I was going to tell my parents when it was safe for me to do so.” You try to hold in your tears, even when you know you have every right to cry, “You bitch, I probably don’t even have a house to live in right now, and all you care about is how you could justify your own stupid actions? Fuck you!” You try to turn to walk away again.

“I—” She tries to walk with you.

“No! Stop!” You tell her, holding out your hand, “You have said and done enough today, Kristy. I do not want to ever see you again. I will never forgive you for anything that you and your mother have done today.” You can’t even hold yourself back from both continuing and letting out some tears, “I am an adult, I have been an adult this entire time. I choose my own relationships, and you have nothing to do with it.”

“You know that is not why I don’t approve…”

“Exactly! Because I don’t need you to approve, Kristy. You are not my mother and you sure as hell aren’t my friend anymore. Your approval means absolutely nothing to me, right now. Maybe before you fucked up, absolutely, that is why I didn’t say anything before, but now?” You run your hands through your hair in frustration as you snicker at your own words, “And you called me a slut, for Christ’s sake. In front of my own fucking mother.”

“I didn’t mean it like that.”

“I don’t give a shit, Kristy!” You wave your arms in the air for emphasis, “I do not give a single shit about what you meant or even still want to mean. You have officially and royally fucked me for life, and you think you have the right to run after me?” You ask as you angrily wipe away your tears.

Kristy bites down her tongue and looks at you, “I just don’t understand how you think that what I did was so wrong. I get it, I should’ve let you have the conversation with your parents at your own time, but also look at my side. Why did you hide him? If he is so great, as you say, why did you hide him from us? From me?” She pauses, “We were best friends. I only wanted what was best for you. Of course, I wouldn’t like to hear that you were with him, but I would’ve still preferred to have you tell me the truth.” You turn your back to her and start walking again, “That is why I will never understand this relationship.”

“Do you really want to know, Kristy?” You say out loud, turning to face her again, noticing how she hasn’t moved closer, “Because it was fun. In the beginning, all of this was for fun. I had fun with him. I felt like I could do whatever the hell I wanted with my life without anyone judging me or thinking less of me. And it was a secret because it was all there was to it: fun! And, after everything, he was nice to me, and he was gentle with me.” You take a breath, “And since that moment on, I gave him more of me and, even when he royally fucked up too, he made sure to make up for it and stay by me.”

Kristy opens her mouth to twist your words, but you don’t let her.

“And before you even say. I do not give a shit if he drinks or if he fights, or if he does fucking coke every single day in his life, you know why? Because at the end of the day, he will come back to me and love me, and let me love him like he deserves to be loved.” You sniffle, “Rafe has not mistreated me a day in his life. He takes care of me, and he loves me, and that is all I could ever ask of him… And the fact that you couldn’t even try and get to know him- It really shows who I must choose to include in my life from now on.”

You take a breath and hear the door to the event open again, so you decide to end the conversation.

“Goodbye, Kristy.”

You turn again and walk over to the front door. When you walk closer, you notice that the three people who used to stand by the door have stopped talking, pretty sure right after you started screaming. You almost apologize as you walk past them, but you notice that one of them is Rose. You almost freeze once you realize that now she too knew of your relationship with Rafe, but your body is too locked into the idea of getting the hell out of there, so you simply look away and walk right off into the cold night’s breeze.

What the fuck are you going to do now?

I finally did it! I honestly believe that this was the hardest chapter to edit. Everything just felt so cartoonishly evil, I hated it and had to basically rewrite it. I was so stressed, I really wanted it to be good. Hopefully, it was worth the wait!!

If you're wondering where I've been or if I'm okay, I'm more than okay. I'm just really busy with uni since my professors seem to hate me, and I had no inspiration for the entirety of my summer vacation. So, now, when my life is at the peak of stress, I decided to post this (just to add more stress, but anyway).

I really hope you enjoyed this! I am so sorry that it took me this long <3

[save-a-forest-ride-a-bear]

🗒 ꒰⸝⸝₊ General Dating Headcanons ❛ ✧

Featuring: Astarion, Gale, Wyll & Halsin

# Note: content warning for very brief talk of abuse and general trauma back to navigation ´ˎ˗

🌿┊ASTARION

Talk about touch and attention starved. This guy wouldn't know a healthy relationship if it hit him in the face. Whenever you're nice to him or touch him without any innuendo, he's on edge. You must want something from him. Why else would you be doing this? It doesn't make sense.

Speaking of which, touching him out of nowhere usually doesn't end well. He has a tendency to flinch. He cackles and says he just thought he saw a bug, "Silly me," but you both know better than that.

He grows used to it, however. It just takes some warming up to. Eventually, the discomfort fades, replaced by a yearning so strong he swore he felt his heart beat again. When his brain realizes you don't want to hurt him and it's safe to be around you, he starts craving more contact. He's too prideful to ask, but he's not good at hiding it, either.

He loves any kind of compliment, don't get him wrong, but the ones that have nothing to do with his appearance seem to stick more. He's heard every single little praise possible for his face and body — but for his personality? For his mannerisms? If it ever happened before, he can't remember it.

Insists he doesn't like cuddling and only does it because you want to. But the one night you didn't, you woke up to him clinging to you anyway. He said he must've done so in his sleep, completely ignoring the fact elves can't sleep. Deception: critical failure.

Surprisingly protective. If you get hurt during a fight he goes ham on the enemy while yelling for someone else to take care of your wounds right now. He lost everything he had after Cazador — lost even himself to the hands of that sick, wicked man. He can't afford to lose you too.

The relationship started with him trying to manipulate you, sure, but that's not the case anymore. He cares. He genuinely cares for something other than himself for the first time in two centuries, and he's scared you still think you're being tricked by his charms. Again, he's too prideful for constant displays of affection, but he does say "I love you" more often than ever. Maybe if he says it enough times, you'll believe it.

He stares a lot. There's just something so endearing about seeing you in your own little world, oblivious to everything else, or at least oblivious to his gawking. It's the most honest part of you, the most yourself you could be, and he enjoys it from afar.

🌿┊GALE

So needy. You leave him at camp for a few hours and you come back to him acting like he needs to be sent to the seaside for his health. A year of living as a hermit does things to a man's necessities for attention.

Loves your scent. He doesn't share his clothes with anyone (that fabric is expensive, dammit), but he insists you wear them so that they smell like you later.

Despite being a cat owner, he's very dog-coded. Will do things with the sole purpose of receiving praise or kisses from you and gets extremely pouty when he doesn't.

Speaking of kisses, he takes any excuse conceivable to kiss you. Good morning, good night and good luck kisses are very much mandatory. Doesn't even have to be on his lips, he's more than satisfied with a cheek or forehead kiss as well.

He enjoys being taken care of, even if he complains. When you scold him for not sleeping over some ancient tome, he can't help but feel loved. Will return the favour, of course — especially if it comes to food. He's very insistent with the "three meals a day" thing.

Will read to you, there's no way around it. It's relaxing for both of you, so he doesn't see why he shouldn't. He also says he can pay attention better to the text when he says it out loud, anyway. You having your head on his lap as he does it is merely a bonus.

🌿┊WYLL

If this man has any flaw, it's that he's always trying to make every moment you spend together perfect and forgets to just lay back and enjoy himself. Even then, he only does it because of how much he loves you.

The last romantic! Goes all out with dates and gifts — fancy restaurants and the biggest bouquets you've ever seen. Money is no object when it comes to you. Truly a good old-fashioned lover boy.

Definitely has a saviour complex — the type to say "I can fix them" unironically. He just loved you and wants you to be okay, and if he has to drag you there himself he will.

Will go on rants about how smitten he is with you and how perfect you are on a daily basis. If you have to leave for the day, he'll write it as a love letter instead.

Always holding you close, but there's no possessiveness to it. It's a display of affection, not ownership. He's yours as much as you are his.

Loves taking showers together. Not for any sexual reason (though he wouldn't complain if things ended up going down that path), he just finds it incredibly intimate and genuinely enjoys washing your hair for you.

You're not just another romance to him — you're the love of his life, the person he wants to spend the rest of his life with, if the gods allow it.

🌿┊HALSIN

Despite the whole "Desire flourishes wherever it finds purchase" thing, he genuinely doesn't see himself falling for anyone else as he did for you. It's nice to know he could still indulge if he wanted, but for now, he doesn't.

Loves having his hair played with. There's just something so soothing about it. Or maybe it's his wild shape talking, asking for pets. We'll never know.

Always finds an excuse for you to sit on his lap. Again, not for sexual reasons, he just likes wrapping his arms around you and resting his chin on your head or shoulder.

Even though he isn't one for commitment, he has a constant, extremely severe case of baby fever. He obviously wouldn't push you if you're not ready, but he does make his sentiments on the matter known.

Stepping dangerously close to smut territory with this one, but he loves how small you are compared to him. The way he engulfs you entirely when he hugs you or how your hand disappears under his as he holds it — it's endearing to him.

I cannot go without mentioning how good his hugs are. Like, seriously. He's so warm and gentle but still strong and it makes you feel safe. It's the best thing in Faerun.

Loves how you look like wearing his clothes. It ties into the size difference thing, since they just look huge on you. Also, much like Gale, he has a thing for your scent, so there's really no downsides.

[dalishious]

Alistair vs. Cullen

It really annoys me when people act like Alistair and Cullen are the same character, when they are very different.

Alistair grew up with child neglect. When visiting Denerim, Eamon kept him in the kennels. At Redcliffe, he slept in the stables on a pile of hay. Alistair also recounts a time when he was locked in the dungeons for a day before someone came to get him out. And of course he also talks about how Isolde despised him, and “made sure the castle wasn't a home.” But is still convinced that Eamon is a good person and he deserved all that. Cullen had a very fortunate upbringing with a loving family who supported him and what he wanted in life.

Alistair never wanted to be a Templar; he was forced into joining the Order by Eamon. He is vocal about how much he despised this, and considers Duncan recruiting him for the Wardens as “saving” him from them. The only thing he says he enjoyed about Templar training was the educational component, which he did not receive previously. Alistair was a poor recruit because he frankly did not want to be there, and therefore did not take it very seriously. He saw practices like the Harrowing as horrifying, and deepened his dislike of being a Templar further. And as time goes on, he becomes even less of a supporter of the Order; he outright says Meredith is the biggest threat to Kirkwall in Dragon Age II, if made king of Ferelden. It was always Cullen’s dream to be a Templar, and would even force his younger sister to “play the apostate” for his “training” before being recruited. Cullen was an enthusiastic recruit who considered Templar training “all that he had imagined”, and “did not hesitate” in taking his vows. Even the Harrowing did not waver his devotion to the Order, which by Dragon Age II becomes downright fanatical and tyrannical, practically worshipping Meredith. (Though this was later attempted to be retconned in Dragon Age: Inquisition… just as poorly as all the other retcons in that game, taking the path of “just pretend he never said and did all those things!”)

There is a lot of dialogue from Alistair about how much he dislikes the Chantry. Cullen, on the other hand, is extremely faithful and the only criticism he ever has about the Chantry is that they don’t treat the Templars well enough.

Alistair has a good sense of humour—in fact, it’s one of his biggest coping mechanisms. Cullen wouldn’t know a joke if it hit him in the face.

The player can disagree with Alistair on every turn. He is presented as sometimes being right, and sometimes being wrong, like most people. (Side note: more than that, you can be downright verbally, emotionally, and physically abusive to Alistair. Holy shit, I didn’t even realize how bad it can get until reading through the dialogue in the toolset, because I’ve never picked those options in game. I was honest to god flabbergasted and very uncomfortable through much of it.) The player rarely has the chance to even mildly disagree with Cullen. On the rare occasion you do, the dialogue is painted as if the player is being an unreasonable asshole, and he never even addresses what they say. (Example.)

The only reason I think people are capable of mistaking them for another is because fandom likes to donate Alistair’s personality onto Cullen. That and the the ever-frequent whitewashing of Alistair doesn’t help matters. But I’m not even a Cullen fan and I think it’s a disservice to both of them to act like they’re just Alistair and Alistair 2.0, honestly.

[lady-of-endless]

Risotto Nero romantic headcanons (sfw+nsfw)

Author's Note: Sorry for being an old-school romantic and writing headcanons like these, don't come at me. I wanted to take my time with Risotto as he is so complex. I really hope that those are not too far-fetched. I hope you'll enjoy it! The lovely gif is not mine, I'm thanking the owners for it.

P.S. Prosciutto will be next. I just have to calm down from the feels I have for the husband, I mean Prosciutto.

SFW

- The most beneficial context for your relationship is for it to start off as a partnership, a team. This way, you go through many critical and dramatic experiences together and that will only bring you closer and strengthen your connection. Even after confessing, this dynamic remains, you are still a team, watching for each other.

- Everything about him indicates a slow burn. From obtaining his trust first and then his heart. Even after those two are won, he's still reluctant to the new dynamic. He will never deny those feelings even if he thinks that someone in his position should. Risotto is not just rationally intelligent but also emotionally intelligent so he knows that such desires of the heart cannot be stopped. He doesn't deny the feelings but he suppresses them. He knows how complex those emotions are and that's the problem, it complicates everything around him and you. But little by little, he starts giving in and surrendering to his love.

- At first, he analyzed you only from a strategic point of view (regarding your abilities and how you can work with his team) and in time, it escalated into a deeper and more emotional point of view. Because of this and because Risotto values other opinions and perspectives from his teammates, he seeks advice. No, he won't ask directly but he'll be more attentive when the others talk about you. However, the only one who Risotto might ask for an opinion is Prosciutto because he shares some morals and principles with him. Surprisingly, Prosciutto will put his rational arguments aside a little bit because more than the respect and admiration he holds for Risotto, he wants him to experience this sort of happiness.

- Risotto will not know how to react when receiving your affection, at first. There are many thoughts and morals that don't let him receive affection right. Many of those thoughts are regarding his line of work. He has made peace with the fact that he's not a good man, that he doesn't deserve good things. He's okay with it now, he did what he had to do.

- His preferred love language is acts of service. He's used to doing things for others (but even so he doesn't see how selfless he is) so acts of service are his way to show his feelings. He would do anything for his close ones so for you, his loved one, he would die for you, kill for you, protect you, anything, you name it. Plus, Risotto is always very observant and because his interest is your well-being, he pays extra attention to your needs. About receiving, it can be anything. Again, he doesn't see himself worthy of love.

- He rarely smiles so when you finally catch a glimpse of this rare occasion and compliment him, Risotto is lost. Any sort of comment like this will have him feel things he never felt before, in a good way. As a result, he starts smiling softly more at you in privacy.

- If you get severely injured on a mission, he still keeps his composure in your presence while helping you, patching you up, and even trying to heal you with Metallica. He's serious while doing it but it will be the only time in which his hands start trembling. After helping you, while you rest, he's still there watching over you fully neglecting his need for rest. As you sleep and he looks at your injuries, that's when his composure breaks. The guilt he's feeling is heavy in his heart, thinking how this way of life is not what you deserve and it's his fault.

- He's capable of many things, he's also a strategist but that doesn't mean that he doesn't have moments in which it all gets too much to process. That's where you come to the rescue. He doesn't want to pass his difficulties to you so it will take a lot for him to let himself tell you what's wrong.

- Secrecy and subtility are a must. But he'll get you (he'll make it), a dainty and thin silver bracelet with a charm that resembles some sort of blade. Whenever he's thinking of you and wants to let you know it, you'll feel that bracelet move a bit from his magnetism, as a reminder.

- As subtle as he thought he was, in time, every member of La Squadra will know what his feelings are towards you. Melone was the first to notice the way Risotto looked at you. Since his discovery, Melone couldn't keep it for himself and since then, they all started behaving suspiciously. They smirk every time you talk to Risotto about missions and other formal details, they try to let the two of you alone more, and so on.

NSFW

- Contrary to popular belief, he's not rough (not every time at least) or freaky behind closed doors. His usual and favorite approach is slow and deep. He likes to take his time with it as he sees sex as not just a way to get pleasure but a moment of deepening the connection you have already.

- He never wants to use sex as an outlet for his pent-up frustrations and stress but if you give him the green light, he might give into it when things get too much to bear. But he still holds back a little bit, worried about how rough he can easily get. If you're into this rough approach as well and it's noticeable, he'll feel less guilty but still careful.

- He can go on with the foreplay for hours. Risotto likes to feel the tension build. Enjoying the reactions and the growing desire gives him the most pleasure, more than the act itself. Because of this, he might sometimes slip into trying orgasm denial with you.

- At first, he doesn't see the point of experimenting with kinks because he's so touch-starved. He only needs you. However, gradually he will start asking you for consent about some ideas he has. Watch out for your hands. If you get them close to the metal bars of the bed, your wrists will get caught in metal bindings in the blink of an eye.

- Quiet in the beginning but soon you'll see him losing his composure and start grunting and growling close to your ear as he buries his face in the crook of your neck. Not only that but you'll hear sweet words of affirmation, unheard before as he gets lost in the feeling of you.

- Aftercare is obligatory. It always gets intense, sometimes even rough, and he's aware of his size too so calming you down and taking care of you is both a way of showing his gratitude and also a duty (don't get this one wrong, he sees the act of aftercare as important as the rest of his duties, that's it). The aftercare always ends with him holding your hand and kissing it as another silent expression of his gratefulness and adoration for you. It's his unbreakable habit.

- He has to admit, he likes to mark you. Not in a possessive way, that's why those marks will only be on parts that are not usually visible. But because he loves the image and concept of your skin reacting to his affection. You can leave marks on him as long as they're not visible, again, it's about secrecy and subtility. He might feel a bit proud, just a bit, when he looks in the mirror at the scratches you left on his back.

- Doesn't get bored of being on top. After all of that slow burn and build-up of your deep connection, of course, he wants to look into your eyes when you both let yourselves be engulfed in the pleasure. Might even get a little mischievous with it when he's in a good mood. "If you look away, I'll stop."

The only situations in which you are the one on top are when you simply ask for it or when you tell him you want to help him relax. Hearing those words coming from you while you start touching him with care and warmth is going to be the death of him.

- Not a fan of quickies. He needs the whole thing. As mentioned before, he needs to feel the tension built and loves taking his time with it. But also, above all, he wants to treat you right so a quickie will never be enough for this.

[jaidenk-nox]

Elizabeth midford

Shitty 2AM rant on the Misogyny that Lizzy has faced since the very start but it's the perspective of someone who has witnessed the horrors of Misogyny in Spanish speaking fandom

I should mention that English is not my first language and I'm not very good with it either, so most of this was done with Google Translate and I tried to correct what I could, I hope it's at least readable

I've never seen enough people point out the fact that Elizabeth midford character also defies the "Girlboss" archetype, she is definitely physically strong and can protect herself, but she is A 15 YEAR OLD GIRL, who manages her emotions like someone her age would and also exhibits many neurodivergent traits. I have always been bothered by the way physical strength is misunderstood as a "girlboss" trait, the simplest example I can think of is Ran Mao, she possesses brutal and superhuman strength. but it doesn't make her a girlboss, in case anyone forgets Ran is a girl who barely reaches 18 years old and is exploited by an opium trader who also seems to be involved in human trafficking (implied in the manga). Is she really a girlboss? girlboss when her physical strength is more of a requirement to SURVIVE while working as an assassin and sometimes seductress (which u can tell she doesn't enjoy much)? Obviously Ranmao's social reality is very different as she is a woman of color from the underworld, unlike Elizabeth, who is a white woman from the nobility. However, her physical strength has always been a double-edged sword for herself. Lizzy longs to get married, like any other girl her age, she longs to be protected but says goodbye to it the moment Ociel returns.

I may seem a bit exaggerated, but the way your sociocultural background affects the way you perceive and treat a character has me slightly traumatized, I wish I could give proof of the horrible and degrading treatment that Lizzy has received from the Spanish-speaking fandom.

I am a trans boy of color who grew up watching my female relatives being encouraged to rip their hearts out of their chest from the moment they turned 8yo for the simple goal of caring for and protecting my cis male relatives. household chores, cooking for them, washing their clothes, taking accountability for their actions. Their freedom and childhood as little girls were taken away from them. but none of that was ever valued, I never saw anyone recognize it as sacrifice.

Elizabeth is not a woman of color, nor does she have those demands as a woman of nobility, but she SACRIFICED stuff to try to protect Ciel on her own way, I have seen many people underestimate her backstory in book of Atlantic because "High heeled shoes aren't reason to cry." Everything Lizzy has done for Ciel is devalued, all her suffering has been minimized. losing so many family members in such a short time, losing the boy you were raised to marry your entire life. People truly forget that lizzy is still just a child, that she has the right to mourn everything she lost that day. She had to mourn publicly as a noble girl,she probably heard that she would never be able to get married or would never achieve happiness, I've never seen any adult to stop and think about how heartbreaking and soul shattering that must have been as a 11yo

I have seen how EVERY thing Lizzy does is judged. how her behavior, personality and temperament are criticized. but other characters like Soma just get a pass while doing the same stuff, but this does not just stop at gender, but also at age. people HATE girls and afabs who act like children when they are literally CHILDREN.

How is it possible that Lizzy has faced such harsh judgment from the fandom when there are other characters like Maam red, Lau, Grell, Undertaker who are universally ADORED or atleast respected in the fandom.

I love u Elizabeth midford but ur character makes me violently ill omfg

[bonefall]

the worst parent poll made me realize just how many ppl in the fandom are willing to jump straight into abuse apologia. bc on one hand you have ppl dumbing down crow's abuse to "him just being mean" and on the other end you have ppl saying that curlfeather didnt abuse frostpaw because she sacrificed herself and frost + her siblings love her so she couldnt possibly be an abuser. truly mindboggling stuff take these serious topics away from the fandom asap.

Part of me feels like it's because many in this fandom have a feeling that if a character's actions are abusive, it means you're "not allowed" to like them. Like there's an impulse where if you liked a character, it MUST mean they weren't THAT bad, because you'd personally never like "an abuser."

As if it reflects poorly on your own morality, as a person, that you connected with An Abuser. Understood them, even. Even if it was just a character.

If it's immoral to Like Abusive Characters, of course your reaction is going to end up being abuse apologia. To enjoy something isn't logical, it's emotional, so you will get defensive about it when questioned. When you do, it's not going to be based on logic because you didn't reason yourself into that position in the first place. It's an attack on you as a person.

I feel like that's often the root of abuse apologia in this fandom, and sometimes the world at large; "If I admit that this character/person IS abusive, it means I was doing something bad by liking them, so I have to prove to everyone else that they weren't or it means I'm bad too."

And to that I say... That's a BAD impulse! Grow up and admit you resonated with a character that did a bad thing! If that's an uncomfortable thought, sit with it!

Sometimes abusers are likeable! They usually DO think they're justified in their actions, or doing it for "a good reason," or were just too preoccupied to care. MOST of the time, people who commit abusive actions are also hurt or traumatized in some way. You might even empathize with them. None of this means their actions have to be excused or downplayed.

"Abusers" aren't a type of goddamn yokai, they're people just like you and me. You don't help victims of abuse by putting the people who hurt us in an "untouchable" category.

In fact, all it does is make you less likely to recognize your own controlling behavior. You're capable of abuse. People you love are capable of it, too. People who love YOU can still hurt you.

In spite of how often people regurgitate "It's Ok To Like A Character As Long As You're Critical Of Their Actions," every day it is proven to me further and further that no one who says it actually understands what that means.

All that said; I think it's no contest which one's a worse parent, imo.

They both mistreated their children, but Curlfeather did it through manipulation without verbal or physical abuse. She politically groomed her into a position of power so that she could use her as a pawn. It can be argued if this counts as child abuse-- but it's firmly still under the broad category childhood maltreatment, which is damaging.

(though anon I'm with you 100% at seeing RED when "but she sacrificed herself" is used as an excuse. Curlfeather's death does NOT CHANGE what she did to Frostpaw in life. I think it's a valid point to bring up when comparing her to another terrible parent for judgement purposes, such as in the context of this poll, but I really hate the implication that redemption deaths "make up" for maltreatment.)

Crowfeather, meanwhile, is textually responsible for putting Breezepaw through verbal AND physical abuse, as well as child neglect. His motivations include embarrassment from a hurt ego, revenge on his ex, and being sad because of a dead girlfriend. This abuse drives Breezepelt towards radicalization in the Dark Forest.

You could argue Curlfeather is a worse person for Reedwhisker's murder, but as a parent? It's not even a question to me. Crowfeather's one of the worst dads in WC.

[hwnglx]

this is a request i had planned in the past, but never came around to do it. felt very drawn to read on jk, so 🖤 enjoy

jungkook's real personality behind the scenes

based on tarot. i do not know these idols personally. energies are always changing. what i say is NOT straight fact. pls take it with a grain of salt!

+ jungkook is very likable off camera. he knows how to socialise, make friends and have a good time. there is a very non-judgemental energy to him. he isn't a fan of conflict, tries to continuously seek harmony and peace in whatever environment he is in. if a fight broke out, he's the type of person to just stand there watching everyone argue, he wouldn't ever insert himself in the conflict voluntarily. he truly does not enjoy drama, and just wants things to calm down. i see him laughing while giving in like “알았어 알았어 니가 맞아” translating to “okay okay, you're right”, even if the person is dead wrong. one of the least competitive energies i've read for till now lmao, he's just very chill and despises negativity.

jungkook is an individual, who's careful and considerate about people's boundaries. he has this nice balance between being very caring and compassionate, but still giving the people he loves the space they need. he isn't someone who will rudely dig his nose into other people's business. he just lets them be and is great at adjusting his energy to the desires and needs of the people around him. very people-oriented and polite guy with nicely established manners. huge people pleaser.

in addition, the maknae is amazing at balancing his several priorities, without neglecting one or the other. he's the type of guy who will always have an open ear for you, despite having twenty projects and obligations going on behind the scenes. he's someone who puts a lot of value into fulfilling his responsibilities in a reliable manner, and always keeping his promise. if one day he fails to do so, others would probably be understanding of it due to his busy schedule; but jungkook is likely to feel disappointed in himself. he ties a lot of his self worth to the things he can do for others, to the ways in which he can be of use to other people. he feels like he's his best self when he's had some sort of positive impact on someone else. that's when he can go to bed with a peaceful mind.

jungkook is also blessed with an incredibly passionate nature. his mind is constantly racing and full of creative ideas he'd like to realize. he's the type of person who doesn't do anything in life halfheartedly. he relentlessly pours his entire heart, soul and energy into everything he does, and is extremely ambitious. not a lazy bone in this man.

- he's very peace-loving; however once this man is dissatisfied, especially with himself, he can quickly turn into someone way different. jungkook can get very impulsive and let his frustration out on others, if he isn't happy. once he's fired up, he can lose grip on his temper and lash out on others, because his emotions can get very overwhelming. he has this habit of constantly bottling up his negative feelings and thoughts, always swallowing the criticism in order to avoid conflict and confrontation; until the dam breaks, and his emotions find their way out in a very overpowering manner. i can feel that he hates this about himself, and always ends up blaming himself for the things he said in heated situations.

jungkook is very aware of how his immense perfectionism can stand in the way of not only himself, but his relationships as well. he's very difficult to satisfy, to the extent of frequently feeling discouraged and distressed about the things he does. i can see this stressing out the people around him too, which he can feel guilty about.

he's extremely scared of failure, and disappointing people, or not meeting their expectations. this can often result in him withdrawing and isolating himself. because once jungkook finds himself in self doubt, it can feel like an endless loop, and he struggles pulling himself out of that negative state of mind. he can get incredibly lonely. like very very lonely. jungkook is amazing at putting on a show for people, giving everyone whatever they want, doing everything he has to do and playing the role of this “perfect” man, but there is some emptiness behind the glamour. during the reading, i kept thinking of him debuting at such a young age, and kept seeing this young and clueless kid in front of me. ever since he was only just starting to understand the world, jungkook lived for others. he doesn't know who he is outside of the fame, he doesn't know how to live for just himself.

note; i kept hearing lonely by justin bieber in my head during this reading. i don't know if he knows or likes it, but he seems to connect to the message a lot.

i can truthfully say, that jungkook isn't an idol who enjoys the spotlight. he can often feel disconnected from fame. he feels like it's an extremely shallow and superficial thing, that looks nice from the outside, but doesn't give you the fulfillment you need in life. for a long time, he struggled figuring out and accepting who he is as a human, not just as an idol.

a lot of imposter syndrome for him. (=not feeling like you deserve to be in the position you're in) the entire world being obsessed with you is great, it shoots your ego up to the moon; but in jungkook's head, the idol that everyone is so in love with, is not truly him. he really struggles with the pedestal that comes with being this successful, and can feel like he doesn't live up to the guy that everyone makes him out to be. he isn't the perfect man everyone portrays him as, and i can feel him hating that everyone expects him to be that. you're receiving love, but not for who you are, instead for who you have to pretend to be. it's easy for idols to be under the impression that their raw and flawed self is of little value. jungkook has struggled a lot with his self-esteem because of this.

i recommend looking “imposter syndrome” up to really get an understanding of how he can feel at times. it sums up a lot.

[zuzuzuko]

Thoughts on The Boy Wonder #3:

Under the cut because it got LONG

I really really am enjoying this comic still. This is part of my favorite page from this issue:

Someone posted the Talia panel earlier but I think that panel with the context of the rest of the page makes it even better. It’s kind of a subtle nod to the fact that Talia and Ra’s do NOT fuck with these kinds of people and in fact think they’re a blight on the world. So I really really liked that.

LOVED Tim being all smarmy at the Gala. And I thought it was fun that Damian just thinks that’s how he is. It shows how much Tim and Damian misunderstand each other and how neither of them think very highly of each other at this point.

Glad they showed Tim’s distrust of Damian too because that is a big part of why their dynamic is how it is. Early Damian and Tim interactions are basically built on misunderstandings and lack of trust. I also thought this dialogue was interesting because it is a great reflection of how Damian originally DID stop killing just because his dad told him to and he wanted his dad’s respect. It took some time for him to actually BELIEVE that not killing was the right thing to do. So Tim saying “I can tell you feel bad about killing that guy. But do you feel bad because you hurt someone or because you got punished for it?” Was a very good insight to include in my opinion.

I don’t really have any commentary for this next page I just think it was a really fun silly page:

This next part was so cute 😭 Damian thinks Tim decided to be a better person that makes him believe HE can be a better person too. And in the last panel I post he says “I thought… I thought I was the one who got you to…” meaning he thought he inspired Tim to be a better person. 😭😭😭😭

so it makes sense that he’s upset then when he finds out that Tim was just ACTING like a smarmy socialite and was actually helping Damian with the mission all along. Because he kind of felt like “oh I thought you made mistakes and now were redeeming yourself which meant that I would be able to redeem myself. But you were actually just good all along…”

Completely off topic but Tim breaking in the night before and stealing the Batman statue head is so funny and definitely something he would do.

“He wanted to feel better, worthier than him so badly…” yeah Damian definitely saw Tim as competition when they first met.

Also the last panel I didn’t read as if Talia and Ra’s tell Damian he’s weak but I see it more as an unreliable narrator thing. Like Damian’s own insecurities are presenting themselves as his mother and grandfather.

ANYWAYS

there were so many more panels I wanted to talk about alas the 10 picture limit.

Overall I really liked this issue I think it was a simple story for sure but it also highlighted Tim’s distrust of Damian and them misunderstanding each other. I will say Juni Ba definitely made them nicer to each other which is my only real criticism tbh.

TLDR: it was good 👍

[youremyheaven]

The Severity, Spirituality and Stoicism of Saturnians ✊🏼🧎‍♀️💁🏼‍♀️

I will be criticizing Saturnian men throughout this post, if you don't like that, stop reading right now <3

Saturn is the planet of karma, justice, discipline, and order. In Claire's video about Saturnian men, she observed that "in Saturnian men you will find an exact duality contained here in breaking rules and doing strange stunts, pranks and having outbursts etc but also paradoxically find themselves submitting to ideologies, cults, political parties, motivational affirmations etc"

I feel like I touched upon this a bit in my first post about Saturn and in this post I'd like to go into different manifestations of this tendency along with some other things I've observed with Saturnian men.

Timothee Chalamet, UBP Moon

Full disclosure, I've never liked him lmao,, I think the hype he gets is undeserved and 90% bc of the fact that there is a dearth of young charismatic actors in Hollywood.

But anywayyys, Timmy Tim first attracted controversy for working with Woody Allen even though he's since expressed regret for it or whatever,, then he received flak for having sex in a pool during the height of the pandemic and manyyyy blinds about him giving women chlamydia 💀💀started making the rounds and he was lowkey exposed for being a whore

Then last year he drew criticism for smoking indoors at a Beyonce concert (where smoking is prohibited) and he's literally talking to Kylie and blowing smoke ??? at the same time?? which is sooo filthy?? who tf does that??

His silence on the Armie Hammer issue and pretty much all issues lol have also been criticized. Everybody thought he'd be some woke liberal activist but he's just been dead quiet and pretty self absorbed the whole time. He loves to lap attention and give absolutely nothing in return to the community.

The thing with Saturn however is that, bad behaviour does not go unpunished. Timmy Tim has been getting A LOT of flak and the total rose tinted obsession people had with him is slowly fading (even tho he still has legions of fans). People are now starting to see his true colors.

But anyway, this is a very minor issue compared to all the other Saturnians I'm going to mention next.

Jeffrey Epstein, UBP Moon, Anuradha Rising

I'm assuming most of you are familiar with sex offender Epstein. He has trafficked thousands of underage girls over the course of decades and to satiate numerous high profile paedophiles.

He committed suicide while in prison. One thing about Saturn is that, if you stray, are immoral, unfair, undisciplined, corrupt, foul, evil etc it WILL punish you. The truth is Saturnians know deep down that what they're doing IS wrong, they're not like Moon dominants who are completely convinced their corrupt evil idea is a "good" one. Saturnians know full well what they're doing and they do it anyway and they suffer its consequences.

Inviting Saturn's wrath upon oneself is basically how these natives find "balance", they feel like they get away with too much and they're constantly pushing their limits to see how far they can go before this wrath comes for them.

Epstein had been doing this for decades without much consequence, working with extremely high profile people including politicians and royalty. Eventually, he was caught and the truth of his immorality was exposed for all to see AND he ended his own life.

Salvador Dali- UBP Moon

Dali was known for being an eccentric and a weirdo and you can say that the way he pushed his boundaries as an artist is a more "positive" manifestation of Saturnian individuals and their need to test limits.

However, Dali was also a pretty messed up guy

Dali admitted on several occasions to having sadomasochistic tendencies. As a child he enjoyed throwing himself down the stairs, explaining that “The pain was insignificant, the pleasure was immense”. Shockingly, he once pushed his childhood friend off of a 15-foot bridge – as his friend lay injured, Dali apparently sat calmly eating cherries.

Pleasure and pain seemed intimately entwined. Dali wanted both. One other childhood incident of note included a wounded bat. It was kept in Dali's washhouse hideaway and stayed there overnight. When Dali returned to it was being devoured by a mass of ants. He impulsively bit into the seething mass delirious with pleasure. 

I had briefly mentioned how Saturnians tend to be sadomasochistic in my previous post about Saturn and these examples just confirm it further.

When he is an adolescent a girl falls desperately in love with him. He kisses and caresses her so as to excite her as much as possible, but refuses to go further. He resolves to keep this up for five years (he calls it his ‘five-year plan’), enjoying her humiliation and the sense of power it gives him. He frequently tells her that at the end of the five years he will desert her, and when the time comes he does so.

When he first meets his future wife, Gala, he is greatly tempted to push her off a precipice. He is aware that there is something that she wants him to do to her, and after their first kiss the confession is made:

I threw back Gala's head, pulling it by the hair, and trembling with complete hysteria, I commanded: ‘Now tell me what you want me to do with you! But tell me slowly, looking me in the eye, with the crudest, the most ferociously erotic words that can make both of us feel the greatest shame!’ Then Gala, transforming the last glimmer of her expression of pleasure into the hard light of her own tyranny, answered: ‘I want you to kill me!’

He is somewhat disappointed by this demand, since it is merely what he wanted to do already. He contemplates throwing her off the bell-tower of the Cathedral of Toledo, but refrains from doing so.

George Orwell once described Dali this way:

"The two qualities that Dali unquestionably possesses are a gift for drawing and an atrocious egoism."

Art historian and critic Brian Sewell has also claimed that Dali once asked him to lie naked in front of one of his sculptures and masturbate whilst he watched.

He was also obsessed with Hitler in a perverse way.

While the vast majority of the Surrealist group professed far-Left political leanings, Dali kept curiously quiet during his early career, before being kicked out of the group for being a Nazi sympathiser, which he denied. Dali went on to make artwork addressing the Hitler, including “The Enigma of Hitler” (above) and “Hitler Masturbating”, once detailing that he “often dreamed of Hitler as a woman” and that the Nazi dictator “turned [him] on”.

He was a big old fascist who also supported the Spanish dictator Franco which made Picasso stop talking to him for the rest of his life. Orwell who fought in the Spanish civil war called Dali a "disgusting human being".

At age six, Dalí writes in his autobiography, he pre-meditated a "terrible kick" to his three-year-old sister's head "as though it had been a ball." Not simply childish not-knowing-better, this baseless cruelty continued as Dalí got older.

Here is an article that says more about his shitty behaviour.

Here is another article about his fcked up relationship with his sister

Saturn never fails to punish tho. It will let you fck up but punishment is imminent.

Dali died in his 80s, almost penniless, completely alone, as he had driven all his friends off decades prior, his wife had already passed and he was seriously ill and bedridden. He used button to call his nurse and one day that button short circuited and set him/the bed on fire. He suffered second and third degree burns all over his body. He lived for another four years in severe pain before passing away.

Just because you go a whole lifetime avoiding punishment, does not mean it isn't coming. People who suffer in old age have it the worst because you suffer 100x more

Dali was a Saturn defying narcissistic, violent, abusive person and guess what Saturn did? It saved it all up for the very end and left him without any kind of mercy. Friendless, penniless, bedridden, in excruciating pain, FOR YEARS until he finally died.

Saturn punishes you/is a harsh teacher because it wants you to uphold the Saturnian qualities of virtue, justice, fairness, doing your duty etc, you may never see the rewards of your good actions, so it may feel like a waste of time to keep being so principled but if you decide to just do whatever and disobey, you best believe Saturn will come through with that wrath. You have to keep being virtuous and morally upright even if you don't see yourself being "rewarded" for it. No one may recognise your goodness but keep being good anyway.

Alexander Graham Bell, Venus in UBP in 2h, Saturn in Shatabhisha in 1h

He is the guy who invented the telephone but he was also a very controversial deaf educator in his time.

Bell's father was a teacher of the deaf. His method of teaching the deaf was coined "Visible Speech." Bell's mother was deaf/hearing impaired and he would often speak to her by placing his mouth close to her forehead, believing the vibrations from his voice would help her distinguish speech more clearly.

Although he married a deaf woman, a former speech pupil, Mabel Hubbard, Bell strongly opposed intermarriage among congenitally deaf people. Bell feared "contamination" of the human race by the propagation of deaf people even though most deaf people statistically are born to hearing parents.

Bell applied his study of eugenics to his goal of preventing the creation of a deaf race and presented his paper Memoir Upon the Formation of a Deaf Variety of the Human Race to the National Academy of Sciences in 1883.4

Bell stated, "Those who believe as I do, that the production of a defective race of human beings would be a great calamity to the world, will examine carefully the causes that will lead to the intermarriage of the deaf with the object of applying a remedy."

In this paper, he proposed to reduce the number of the deaf by discouraging deaf-mute to deaf-mute marriages, advocating speech reading and articulation training for an oral-only method of education, removing the use of deaf teachers and sign language from the classroom.

Suggestions were made to enact legislation to prevent the intermarriage of deaf-mute people or forbidding marriage between families that have more than one deaf-mute member. His preventative strategies for deaf marriage included removing barriers to communication and interaction with the hearing world.

I feel like Saturnians often have a tendency to subconsciously make things harder for themselves and for others. Getting things easy is not Saturn's style. And this can manifest in sooooo many different ways. Bell grew up with a father who taught deaf people/children, his mother was deaf, he married a deaf woman YET he believed that they did not deserve to have separate schools that used communication tools specifically designed for them to make their lives easier. He spent his entire life working with deaf people but still somehow did not want things to be easier for them???

Steve Jobs, UBP moon

He had a pretty stellar reputation for being a major asshole. He was an extremely difficult person to work with and often terrorised his employees and was a toxic vile asshole to the women he dated.

Jobs was given up for adoption by his parents and later in life, he abandoned his girlfriend and baby after he got her pregnant.

His daughter Lisa later said that her mother felt uncomfortable leaving her with Steve alone after an incident in which he questioned and teased the then-nine-year-old Brennan-Jobs about her sexual attractions and proclivities.

Once, as Jobs groped his wife and pretended to be having sex with her, he demanded that Lisa stay in the room, calling it a "family moment."

It is well known that Steve Jobs was really good at conceptualizing things and coming up with ideas (touch screen phones, macbooks, iMacs etc) but he lacked the technical expertise to build anything. His partner, Steve Wozniak was the actual brains behind all of the creations to put it simply.

Early in his career, Jobs worked for the game developing company Atari who promised him a bonus of $5000 for developing a game called Breakout. Jobs did not have the know-how to execute this, so he made his friend Wozniak who worked at a different company stay up all night for 4 nights to design this whole ass game. He gave him $350 for it and told him he was giving him half of what the company paid him. Wozniak only found out much later that Steve basically stole his ideas, used him AND gave him a paltry sum as compensation.

Before Apple went public, Jobs refused to give any major shares to the many many developers and engineers who played a crucial role in pioneering the company. Wozniak gave those employees HIS shares so that they could make a profit when the company went public.

I'm not going to detail all the ways he tormented his employees and staff. You can google it.

Eventually, Saturn's karma started kicking in and Jobs was fired from the company he founded and for 10 years, he had to stay away from Apple. This experience humbled him a bit.

Apple really suffered in his absence and they brough him back in 1997 and we all know the kind of groundbreaking work he did in the next decade there. (hint: iphones, ipods etc)

In 2011, he found out he had terminal pancreatic cancer and resigned from his position and died 6 weeks later.

He refused to get surgery and chemo and chose "alternate treatments" until his disease had progressed so far that, there was no saving him.

He would eat a single thing and only that for weeks. Like apples. He'd eat only apples for three weeks. He was convinced that made him superior to everyone else and that it made him have no body odour, so he never showered either. This made it really hard for others to be around him.

Now back to his daughter, he was incredibly abusive to Lisa. She said she was forced to move home over 13 times before age seven as her mother struggled to pay the bills through a series of cleaning positions, while Jobs, then already a multi-millionaire, refused to help.

During one visit she innocently asked if she could be given his Porsche after learning the flashy vehicle had a scratch and needed to be replaced. His scowling response shocked Lisa, then aged seven.

“‘Absolutely not,’ he said in such a sour, biting way that I knew I’d made a mistake,” she remembers. “I understood that perhaps it wasn't true, the myth of the scratch: maybe he didn’t buy new ones. By that time I knew he was not generous with money, or food, or words; the idea of the Porsches had seemed like one glorious exception. I wished I could take it back. We pulled up to the house and he turned off the engine. Before I made a move to get out he turned to face me.

“‘You’re not getting anything,’” he said. “‘You understand? Nothing. You’re getting nothing.’ Did he mean about the car, something else, bigger? I didn’t know. His voice hurt—sharp, in my chest.” (an excerpt from her memoir 'Small Fry')

Saturn may delay punishment but it will punish and whether or not you learn from it, is up to you. Some individuals are not very malleable and they suffer the most. They make the same mistake over and over again and never learn. Steve died of any entirely preventable disease but he refused treatment. He was in excruciating pain towards his end and was completely bedridden. He expressed regret about not having gotten treatment sooner but :/

It's really scary how your karma catches up with you. Its the worst when it comes for you and leaves you with no time to remedy anything, so you just suffer agony knowing there is nothing you can do.

Woody Allen- Anuradha stellium (Sun, Mercury & Jupiter)

He molested his step daughter Dylan Farrow and is currently married to his former step daughter from the same marriage Soon Yi.

There has been a lot of misinformation regarding him molesting Dylan as a child even though the fact that he is literally married to one of his stepdaughters should be reason enough to suspect him

 Allen had been in therapy for alleged inappropriate behavior toward Dylan with a child psychologist before the abuse allegation was presented to the authorities or made public. Mia Farrow had instructed her babysitters that Allen was never to be left alone with Dylan.

 Allen refused to take a polygraph administered by the Connecticut state police. Instead, he took one from someone hired by his legal team. The Connecticut state police refused to accept the test as evidence. The state attorney, Frank Maco, says that Mia was never asked to take a lie-detector test during the investigation.

(Here is a link to the full article)

But again, Saturn's karmic lessons come through. Numerous actors have refused to work with Allen, he has been publicly condemned, lost all his reputation during #MeToo Actors such as Greta Gerwig, Colin Firth, and Mira Sorvino have recently apologized for accepting roles in Allen’s films, while many of his most avid fans have turned against him.

Johnny Cash, Rahu in UBP in 1h

Johnny was a drug addict and very abusive to his first wife. He creepily pursued June Carter while he was still married and despite her rejecting him MANY times, he did not give up. She was in a financially unfortunate position and he gave her the opportunity of touring with him, which she had to take up to make ends meet and finally in front of a live audience, he proposes marriage to her and basically forces her to say yes.

They remained married for 50 years and died within a year of each other so idk if they had a happy marriage or a troubled one but the Saturnian persistence was coming thru.

Cash's whole life is super Saturnian. His career came to a standstill in the 70s after a stellar decade long run in the 1960s, all throughout which he was abusing drugs.

In the early 1980s, Cash had eye surgery, broke several ribs, and damaged a kneecap, all on separate occasions, and again became addicted to pills. He was hospitalized in 1983 with internal bleeding that almost killed him. Upon regaining strength, he checked into the Betty Ford Clinic and remained clean until his death.

In 1994, after a looooong period of zero hits and chart play. He collabed with Rick Rubin (the GOAT) and then released a number of successful albums until he passed away in 2003 and from 1997 onwards he had been struggling with autonomic neuropathy and was frequently hospitalized.

Its interesting to me how between 1954 to 1973, Cash was undergoing his Saturn mahadasha and this period brought him enormous success and also made him completely addicted to substances. In 1965, he started a forest fire that burned off 500 acres of forest land and killed 49 of the refuge's 53 endangered condors. When confronted about it, he said "I don't care about your damn yellow buzzards".

From 1973-1990, he was undergoing his Mercury dasha, and this was a very low period in his career as he suffered major setbacks.

As he's sobering up at the Carter's family ranch, he's walking along a path. One of their ostriches is standing in the path. Well Cash thinks to himself "Hell if I'm moving" and tries to move it, so the bird starts trying to headbutt/peck at him, so he swings a punch at the bird, it responds by splitting his goddamn abdomen open with it's talon, from top to bottom. (he said the only thing that stopped the talon was it got stuck on his leather belt and couldn't go further). So he's laying on the ground, and grabs a branch (or an old fence post, can't remember) and starts beating it from the ground until it runs away.

Its interesting how his major highs in life were during his Saturn MD (He has Saturn in Uttarashada in 11h) and his biggest blows came during his Mercury MD (he does have Mercury in Shatabhisha in 12h 😬).

Mercury is not an inherently difficult dasha the way Saturn is. But what we sow, we shall reap. Saturn gives you 19 years to get your shit together and if you don't really learn during this period, it gets on your ass long after that. Jennie from Blackpink ended her Saturn MD in 2019 and some of her career's biggest moments have come since then but so have the controversies (she's currently in her Mercury MD) and it's as though the lingering after effects of the Saturn dasha really dictates how we experience our Mercury dasha.

Winston Churchill, Anuradha Sun

In 1943 in Bengal, over 3 million people died due to starvation and Churchill was directly responsible for this.

Churchill deliberately ordered the diversion of food from starving Indian civilians to well-supplied British soldiers and even to top up European stockpiles, meant for yet-to-be-liberated Greeks and Yugoslavs (all of this happened during WW2 for context)

He basically said, this is none of my business. Even though millions of Indian soldiers fought for the British during WW2 and were British subjects until India gained independence in 1947. Also btw India was the biggest contributor to the Empire's GDP. they looted and plundered us and left us to starve, basically.

In the book, Churchill’s Secret War: The British Empire and the Ravaging of India during World War II, written by Madhusree Mukerjee, Churchill was quoted as blaming the famine on the fact Indians were “breeding like rabbits”, and asking how, if the shortages were so bad, Mahatma Gandhi was still alive. 😡🤬😠he was a racist imperialist pig to say the least.

Some people are Churchill defenders and genuinely believe that the Bengal famine was a necessary sacrifice to win the war, and that those who critiqued him were unfair and had little insight about WWII. Aka: the colonized are expendable in a war between essentially imperialist, genocidal and fascist states. And they can kiss my ass.

To Indians, Churchill is a Hitler-like figure and rightfully so.

"I do not agree that the dog in a manger has the final right to the manger even though he may have lain there for a very long time. I do not admit that right. I do not admit for instance, that a great wrong has been done to the Red Indians of America or the black people of Australia. I do not admit that a wrong has been done to these people by the fact that a stronger race, a higher-grade race, a more worldly wise race to put it that way, has come in and taken their place."

Winston Churchill to Peel commission in 1937. 

Here is a thread that elaborates the many fcked up things he did.

When I talk about how cruel, brutal and callous Saturnian men can be, this is what I mean. Saturn restricts, limits and binds. This can easily mean Saturnians subject themselves and others to unnecessary rules, restrictions and limits.

Steve Jobs thought he was superior to others bc he only ate one type of food for weeks and months. Just because someone has discipline, does not automatically mean its good to have it. Free range parents can suck because they dont protect you or shelter you but disciplinarian parents also suck. Both Jupiter and Saturn struggle to learn "balance".

An unevolved Saturnian will be stingy af, very partial, biased and ill mannered. They act like cave men.

Churchill struggled with his mental health his whole life. He referred to it his “black dog:” fits of melancholia that followed Churchill throughout his life and often left him bedridden, suicidal and unshakably depressed for months at a time. It may sound cruel to say poor mental health is "karma" for his actions. (He also suffered 7 strokes and the final one, killed him). But the ways in which we are punished are often not materially obvious??? We may see terrible people thrive but often they are really suffering on the inside. Saturn often punishes by depriving you of peace of mind :/

Thomas Alva Edison, Anuradha Rising

In 1884, Nikola Tesla moved to New York City to meet Edison, who was famous for his low-voltage, direct-current electricity. Tesla believed the higher-voltage alternating current electricity was superior and suggested creating an AC-powered motor, but Edison claimed it was too dangerous. Instead, Edison promised the recent immigrant $50,000 (over $1 million today) if he could improve upon his DC generators, or “dynamos.”

After toiling for several months and making significant advances, he returned for his reward, only for Edison to say, “When you become a full-fledged American, you will appreciate an American joke.” Tesla quit—but the bullying didn’t stop there.

George Westinghouse had purchased Tesla’s patents and became the pioneering force behind AC power and its widespread implementation. Edison, who was ideologically and financially invested in his own DC power, began a publicity campaign against AC power. The campaign was ruthless; he wanted to prove that the high voltage of AC power was too dangerous for public use, so he and his cohorts began publicly electrocuting animals—stray dogs and cats, cattle and horses, and even, notoriously, “Topsy” the elephant. (you can hate me for pointing out how unevolved Saturnians abuse animals all you want but it will not stop it from being true<333)

The story gets worse. Edison was asked whether electrocution was a humane method of execution. In reply, he claimed that with Westinghouse’s AC power, it was indeed a humane and reliable execution. Westinghouse of course tried to prevent such an association, but Harold Brown, one of Edison’s employees, was hired by the state of New York to build the first electric chair. Obviously, he used AC power.

The execution—the first use of the electric chair—took place on August 6, 1890. AC power proved neither reliable nor humane. The first, 17-second-long charge failed to kill the man, an alleged axe murderer; after waiting for the generator to recharge and amping up the voltage, the next charge at last brought an end to the horrible, 8-minute long ordeal. Westinghouse, disgusted, reportedly said, “They would have done better with an axe.”

For his last two years, a series of ailments caused his health to decline even more until he lapsed into a coma and died at the age of 84.

Bo Burnham, Venus/Jupiter/Ketu in Pushya and Anuradha Rising

He does have a reputation for being a dick but I wanted to mention him because I think his sense of humour is VERY Saturnian. He has this tendency to humble his audience and its super Saturncoded to me. Like his whole shtick is serving you with a reality check in a slightly condescending way which is extremely Saturnian.

He often makes "ironically" misogynistic jokes or whatever and its laced with that Saturnian bitterness except he's slightly self aware I guess.

Aziz Ansari, Venus & Mars in UBP and Jupiter in Anuradha

Tbh other than the fact that his stand up comedy routines are hella lame, I dont really have much dirt on him.

However, he did sexually assault a woman in 2018 and nobody has heard much from him since tbh. I guess its an example of "instant karma".

Mads Mikkelsen, Anuradha Sun conjunct Ketu

Mads aka the man who made a career out of playing the bad guy

This isn't about Mads but about his most well known role, playing Hannibal Lecter.

Hannibal imo is very very Saturncoded

 He is highly intelligent and cultured, with refined tastes and impeccable manners. He is deeply offended by rudeness, and often kills people who exhibit bad manners; according to the novel Hannibal, he "prefers to eat the rude". Hopkins described Lecter as the "Robin Hood of killers", who kills "the terminally rude".

Saturnians are either extremely refined or very unkempt. There is no in-between. You can always tell when someone has an imbalanced Saturn influence based on how disorderly, messy and chaotic they are.

In the novel Red Dragon, the protagonist, Will Graham, says that psychologists refer to Lecter as a sociopath "because they don't know what else to call him". Graham says "he has no remorse or guilt at all", and tortured animals as a child, (👀) but he does not exhibit any of the other criteria traditionally associated with sociopathy. Asked how he himself would describe Lecter, Graham responded, "he's a monster. I think of him as one of those pitiful things that are born in hospitals from time to time. They feed it, and keep it warm, but they don't put it on the machines and it dies. Lecter is the same way in his head, but he looks normal and nobody could tell."

Hannibal embodies the disciplined, orderly conduct of an evolved Saturnian along with the cruelty and harshness of it.

Charlie Puth, Anuradha Sun & Mars

half of this guy's discography is about how he hates women from LA. He literally has one song called "Nothing But Trouble (Instagram Models)" and it's just about how instagram models make problems. He has another song called "L.A. Girls" about how women in LA are fungible. It's like yeah maybe instagram models do suck but no one made you date them??? 

These are lyrics from the song LA Girls:

"There was Nikki, Nicole, Tiffany, and Heather But there's only room for you in my world But you say that I changed like the east coast weather How the hell did I get caught up? Messin' with these LA girls"

When I tell you the Madonna-Whore complex runs DEEP with Saturnian men. They will fool around with you and think of YOU as "cheap" for doing so and fall for the girl who never gives it up. The double standards of Saturnians are 🤮🤢

They will get frisky and frivolous with you and judge you for it :/

Woody Harrelson, Pushya Sun, Anuradha Moon

When I think of unkempt Saturnians, I think Woody Harrelson lmao

While filming in London in 2002, Harrelson found himself at a bar when two women approached him. According to the actor, the women asked if he wanted to "take a walk on the wild side." To which Harrelson replied, "I guess I do." A third woman joined in the fun, and the foursome returned to Harrelson's accommodations and enjoyed what the outlet described as "whatever-happened-next." Unfortunately for the Rampart star, "a paparazzo was able to snap a photo that soon hit the tabloids." The worst part — his then-girlfriend and future-wife Laura Louie saw these photos in the press. This "led to a good bit of groveling on Harrelson's part," and the couple worked past the incident.

I think I have noticed about manyyyy Saturnian men is that they often have enabler wives who put up with their shit + encourage it. Steve Jobs' wife, Laurene Powell was like that. Steve was such a perfectionist that he did not even buy furniture for their house and yk what?? she was okay with that lol and they remained married until his death even though literally everybody who has ever known him describes him as an asshole.

Woody Allen's still married to Soon Yi who is also entirely defensive about him. Same goes for Harrelson's wife I guess. How on earth does someone work past a foursome??? wtf

"I used to go to bars and fight the guys I thought were bullies. I've got scars everywhere," he revealed to The Hollywood Reporter. His fighting ways continued even after becoming a famous actor. Like when he once punched a reporter and claimed he thought the photographer was a zombie. 

Saturnians never beating the abusive rumours 😩

On a different note, I've noticed how many Saturnian musicians make sad boy music with a ✨spiritual essence ✨

Sufjan Stevens is a UBP Moon

This is from a 2015 interview:

"I still describe myself as a Christian, and my love of God and my relationship with God is fundamental, but its manifestations in my life and the practices of it are constantly changing. I find incredible freedom in my faith. Yes, the kingdom of Christianity and the Church has been one of the most destructive forces in history, and there are levels of bastardization of religious beliefs. But the unique thing about Christianity is that it is so amorphous and not reductive to culture or place or anything. It's extremely malleable."

Tamino, UBP Moon

He said in an interview:

"We like to look at religious texts from all over the world, [and] they always share a lot of similarities. That's not because they necessarily influenced each other, it's more that our inherent experience as humans comes out through storytelling. It's awesome. So that's something that's really interesting: the story that we need to tell. And the stories that we tell will always survive longest. I think it sort of gives them a higher truth, a metaphysical truth, which makes religion quite beautiful to me. You don't have to necessarily believe in every little thing that's described in a book. I'm not a practicing believer—not in the classical sense. But I do have faith. I think a lot of people have faith without realizing [it]. Even waking up and starting your day, we all have like these little acts of fate throughout our lives without even noticing."

Hozier- Anuradha Moon

Faith is a big theme in their work and their lives and I feel like they are some evolved Saturnian men who have embraced the stoic spirituality of Saturn and poured it into their creativity.

In one interview, Hozier described Quakerism as a doctrine which taught him during childhood “to look for the God in each person” and “the spark of the divine that’s in every individual.” In particular, Hozier seeks this spark in his lover.

Its interesting to me how all 3 of them use religious metaphors often to speak of love because the ultimate form of love is devotion and Saturnians who have transcended the grips of limitations imposed by Saturn understand this more than anybody. They know what its like to love like their life depends on it.

Arnold Schwarzenegger, Pushya Sun

Many Saturnians love to talk about working hard and kicking ass. Arnold is one of them, although I will say his preachiness comes from his Punarvasu stellium lmao

Arnold is a good example of a man who has worked very very hard and abided by every Saturnian principle to climb the ladder to the top. Yet he cheated on his wife with his housekeeper. He however did not deny paternity of the son he fathered with her. He has also expressed his regret about cheating and how he lost his marriage.

Kim Kardashian, UBP Moon

She came under fire for her comments about "get your ass up and do the work" but honestly it's just Saturnian tough love

Kim is a good example of someone who has turned every single setback into a career opportunity. She is a true hustler. Obviously she's extremely privileged yada yada yada but she was Paris Hilton's assistant at one point and was at the bottom of the ladder. In 20 years she's built a fortune for herself and her family. Like, if it were Kourtney in Kim's place 🤡they wouldn't be where they are rn. Kim is a worker and its hard to deny that.

Rose- UBP Moon

In her interview with Vogue Australia, she said:

“I ended up fighting for my life, training for my life. Because I couldn’t accept the fact that I’d just be cut and sent back, so I had no time to slack off. I remember I took every minute and every second to work on my craft so that I [could] make it,” 

“When I got [to Korea], I was like, ‘This is quite intense,’” she said of the early period of training. “I notice[d] that there [were] 12 other girls who had been training day and night for about five years. And I had just gotten there.” She feared that if she didn’t catch up to the other she would be cut and sent back to Australia, where she’d already told her school friends that she was dropping out to work on her music. "

“I [had] left and I didn’t want to fly back [to Australia] without having achieved anything,” she said of her worry at the time. “And I think it was a good drive. Just the fact that I had flown all the way from Australia gave me more strength [and] determination to strive.”

Hardworking Saturnians ✊🏼🙏🏼🧎‍♀️making the most of that Saturnian determination and reaping its rewards OOF

[tocomplainfriend]

Oh no

TW - racism and Slavery, power dynamics

really meh. IDK why they went mecha with the cherubs. The energy of the fight and how much it lasted was really lacking. I'm annoyed still by the "GUYS STOLAS IS SO SAAAAAD" bullshit. Why is the thumbnail so bad? I thought it was fake.

There is not an understanding of classism or power dynamics or anything.

Blitz was right, Stolas is a privileged asshole that constantly reduced their relationship into something sexual and belittled blitz, in remarks of him as a lower / IMP. Stolas did a scenario where Blitz job depended on them having sex. The series is creating a scenario where Blitz needs to love Stolas back because Stolas is so UWU sad baby that 'loves' him.

The main reason i hated the re-write of Stolas and blitz meeting-is because is exactly this: (something I've been aware of for a while.)

This exact situation of white slave owners making the kids of their slaves play with their white kids (I originally got introduced to this idea for a long form criticism of the Princess and the frog Story from Disney). IDK why would you make a scenario where there is inequality to the imps and how they suffer racism- if you just want Stolas to be in the right and Blitz in the wrong

I do not care if Stolas is sad and his life (even tho better because he is rich and has a literal book that gives him powers, vs being an IMP that could die, suffer from property and any possible scenario they are exposed to- or be a slave servant to the richer people because they were born imps.) he doesn't get to freed from all his wrong doings. No matter how depressed he is, his power is still higher and over Blitz. And creating a terrible scenario for blitz or any Imp for that matter.

They are really going for the plot line of But Stolas is a good rich privileged person.

Also, a scenario where the discriminated x privileged... There is the direct connection to the "what about everyone else".

If a non discriminated against person with big power is not bigoted to the person, the one they fell in love with. Does only that one discriminated person get saved from their social situation? Does everybody else still suffers because they don't happen to be the one. But what if the privileged person still discriminates against those people, but not their "special one".

Also... if you get a scenario as the discriminated one where you get to be saved from your situation, that's fucked. This person loves you if you say yes to them then you don't have to deal with being poor and as oppressed by the system but only you! Your entire group of people lives in the same conditions as you... If you say no, then you'll go back to being oppressed. This person on power hold power over you still. How much can you wight in with your own problems and boundaries, if the other one can throw you away into your old way of living. Can you leave the relationship? If you leave, you can get all the things you did with the privileged person cause maybe they don't hate you for being from a certain minority group, but the system over all hasn't changed. Can your group of people only get better life conditions by loving the pre-existing group in power? Those that person even like you, or do they like the power they hold onto you? Or maybe they like your race for your race more than you as a person.

Just a thing in the writing of this kind of story.

Also, character can have flaws, but they need to be recognized as flaws in writing.

Stolas are constantly victimizing himself (just like any sad privileged asshole would). He can't take the fact that if blitz is angry at him is for a reason, because he doesn't see his treatment of his as a bad thing. Cause in Stoals pov he enjoyed having power over blitz and calling him an IMP and forcing his romanticized view of the situation on to him- But Blitz was pulling a fast one to get money, This rich guy who he got gifted to as a slave playmate now is holding his job over his head in exchanged for sex, the same guy constantly does sexual advances towards him even when he explicitly says he doesn't want that (remember all of Loo loo land episode?), he gets call plenty of imp based "petnames" (“My impish little play-thing”) from a guy that can literary buy imps as slaves any day, suddenly he has to reciprocate his romantic feelings because he is sad, and apparently he wanted something more even thought he made it entirely empty and sexual all this time.

Stolas fake apologized, got fairly screamed at and victimized himself.

And apparently calling him out is bad for Blitz to do? Victim blaming.

I think by the last episode, they are going to kick Stolas out of the castle, technically putting him in a similar social position to imps with nowhere to go. Even if it doesn't magically work that way. -and Stolas is going to be "more sad and more in the right, so Blitz has no ground to complain now, right!?" ...

The way all of this episode and series is written tries so hard to delete any negative feeling against systemic problems, classism related issues, etc. if it's against a character the series wants you to like. If it's Stolas then he did nothing wrong, the power dynamic doesn't exist... if it is Mammon then he is a terrible person holding his power over others' capitalism sucks... oh but not Stolas tho! If it is Ozzi there is no power dynamic over a disabled imp, constant searching for appreciation from someone he fells is above him (like he tried to get with Mammon, because Ozzie is a good highly privileged person. No bad things to look out for! Fuck capitalism, but I'm one of the good rich people, no criticism is possible!

All that bad stuff could that people in my position of power is awful! But I would, could never do that! Because I'm a good one! Hmm

If you don't see the problem here, you may be a problem or may be justifying something terrible.

Also, funny enough about the short of Millie and Sally... I can't believe you only get content of a female character AND MILLIE IN SPECIFIC in extra side content that Viv didn't even care enough to write herself... and also the short gave me nothing new about her, I got more for Sally (and finally something normal! More than a line and she gets to have a character).

I hope there is a better episode for her.

[sapphic-agent]

Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

[tamtuliko]

I have to mention a few more things about Great and Tyme.

Great said: you were dying for me that night.

But darling, you were dying for him too that night.

Their eye contact here is so much. You can feel need, lust, want, they are dying for each other. I know Tyme did it for recording, but dude was so into it.

Look at his face, for revenge my a$$, he was into it as much as Great. Also Greats hand on his ribcage. Oh boy.

The fact that we see both angles is such a masterpiece.

Like in Greats timeline it's mostly his POV, but here we are watching from both side.

We see Tymes POV and we see Greats as well. The camera work for this is so good.

Small details I think about it.

• Time for their $ex in real timeline and making love in Greats 4 minute limbo. I tried to zoom in and screenshot Great's watch, but I can't clearly see it. But I think it is midnight. This show is all details and the fact that Bible is wearing watch every moment and especially during their intimate moments, makes me wonder if the time was the same.

Another tragic thing:

Greats Timeline, they won Real Timeline Tyme left

Cross road and bridge

Decisions. Hard choices. Encountering a crossroad and not sure which way to go. Why is life so difficult at times? Life is filled with choices, both large and small. Some are minor, but others will be life-changing, one way or the other. We can not avoid them;when you stand in crossroad, you are at a stage in your life when you have to make a very important decision. Turning points & deciding moments. See Tyme leaves Great here, he made choice, not to use him, not to scar this broken boy anymore, because he saw how tragic Great is, and I'm not saying that Tyme is good guy here, or Great is oh so bad guy, they both are red flags, but here we see their characters better. Tyme, who wills to move forward, but refuse to use Great anymore cause he might develop some feelings towards him. Great, who can't go after Tyme because he downs even knows what he wants, just $ex? Hook up and all. Or to be ally and go against his father, let Tyme use him? He does what he can, avoids making choices, and calls his brother to reject him. This kid is all alone.

In Greats 4 minutes limbo, he and Tyme cross the bridge and go somewhere far away.

To dream that you are crossing a bridge signifies an important decision or a critical junction in your life. This decision will prove to be a positive change filled with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage, isn't this sad??? Great wanted to have better future with Tyme, to move to new stage not just to fuck up. Bridge could be symbolic of connection, stability, and progress. Often, when bridges appear it could mean you are encountering a new start, travel, different way of life or a change or transition. It is normally a symbol of hope and commitment. Also, it is a symbol of relationships with others, especially those with whom you have strong, lasting, and deep connections, and I believe Tyme and Great have a strong connection. Maybe fucked up one, but still.

Another small things I'm thinking but can't find the conection:

In Greats Timeline, this ball also fell in a hole when he was calling someone to ask what time it was. And then the time moved.

They show us time here 11:50 pm. Why?? There is no way they are just giving it to us...

<still>, I mean you can do research, but what kind of research this dude did, so he knows about Greats fear of dogs??? Suspicious...

We see these minutes in real timeline as well. Why show it us with so big numbers?

Their meeting at bar, can't see clearly is the watch says 11??

Finally, this Shot is crazy. Tyme you little piece of shit, you did enjoy it 🤣

2 more days to watch episode 7, hoping we will get more answers this time. Cause I need to focus on my actual life, okay???

[what-even-is-thiss]

I think New Vegas and the original fallout team in general have some major and consistent issues with their writing that a lot of people just like skip over. And me pointing that out isn’t me saying the games are bad. Media is a product of the time it’s made in. They write like typical head in the sand don’t know when they’re being offensive 90s era tv writers a lot of the time.

But also this is one of those media franchises where if you criticize certain things about it even a little bit you need to put in five million caveats so the fanboys don’t come crawling out of your walls.

You can see almost everyone online who criticizes Fallout, Fallout 2, and Fallout New Vegas attempting to put up a shield preemptively because the people who prefer those games ooohhhhh baby baby you can feel their fingers reaching for the comment section before you’ve finished your sentence.

But I can’t shut up about the things I notice about the media I consume. I’m a queer writer with an English degree. I’ve been trained to notice things and I think there’s a lot of things out there worth discussing and critiquing even when it comes to media that most people agree is generally good.

Your favorite work of art is not immune to perpetuating biases whether on purpose or by accident. New Vegas for example has a serious noble savage problem. All of these games have issues when it comes to their “low intelligence” dialogue options. Yes they can be funny but the biases within them are also worth looking at. Why do you find them to be funny? Is this game actually truly doing a good job of humanizing the enemy? Is this game accidentally advocating for eugenics? Is this game advocating for torture? What assumptions are the writers making here?

Pretty much everything out there that you’ll ever read, watch, or play has some form of issue with it. Likely my own work has issues in it that I don’t see.

Even if something is good, even if something is timeless, revolutionary, something you’re proud of, in love with, it’s still worth looking at closely. Sometimes you don’t realize when you’re being manipulated. Sometimes you don’t realize what assumptions you just accept as fact.

Critique doesn’t mean condemnation. It’s a part of a healthy media diet. It’s fine to just enjoy things but someone digging deep into the problems with the things you enjoy doesn’t mean that you need to defend those problems or that you’re being attacked. You have every right to turn off your brain when consuming art. But just because that’s how you choose to go about it doesn’t mean it’s not that deep.

[vickyvicarious]

Lucy starts out this letter thanking Mina for her sympathy, but she herself seems to be a fount of it. She feels so badly for the two suitors she has to reject. She not only cries in the moment, but after the fact when she thinks about them again. She laments that she couldn't agree to marry all of them - not even because she seemed to really love all three, but simply because then they wouldn't have to be sad.

However, as much as I do believe Lucy is a sympathetic/empathetic individual who clearly feels things very strongly no matter how little she can express them at times... I think there's more going on here. I think she is self-critical and feels guilty about not being able to please others. Both are traits that seem to go along with her role in society and the likely expectations for her socially: to be pleasant and socially adept. I imagine her mother has taught her how to control her own behavior first. There are several little lines supporting that later on, and also their whole relationship just is suggestive of the roles they feel like they have to embody.

There are a few lines which make it clear that a little part of her is enjoying getting three proposals in a single day. Not in a cruel way, but just kind of an exciting ego boost that you kind of want to giggle about with your friends. But she feels that would be wrong to do too freely, and certainly doesn't want this gossip to spread beyond Mina, because she cares too much about the individuals involved. In fact, another aspect of her tears this entry that I don't think gets enough focus is her sadness at the loss of two friends:

Being proposed to is all very nice and all that sort of thing, but it isn't at all a happy thing when you have to see a poor fellow, whom you know loves you honestly, going away and looking all broken-hearted, and to know that, no matter what he may say at the moment, you are passing quite out of his life. My dear, I must stop here at present, I feel so miserable, though I am so happy.

Even though Lucy clearly didn't seem to view Seward in any romantic light, even in a "what-if-I-weren't-already-in-love" way (her "what-if" for him wasn't for herself but rather for Mina), she definitely seems to have liked spending time with him. She liked him as a friend. And she feels so certain that in rejecting him she has lost this friendship that it upsets her to the point she stops the letter altogether for a while. Quincey made much more of a point of emphasizing that he would be her friend for life and that was a good thing, and she didn't write an outright denial of that one, but she still felt deeply upset about it.

[spaceorphan18]

The Lady Whistledown Papers : 1x01 - A Diamond of the First Water (Part 1)

An Introduction

Dearest Gentle Reader... ;)

Well, okay, looks like there a good handful of you for this idea! Yay!

I did want to preface this with a couple of notes first, though if you want to skip to the show meta, head straight for the 'read more' below...

My intention with this project is to explore the individual stories as well as the romantic relationship between Penelope Featherington (who is my favorite character on the show) and Colin Bridgerton. So, I'll be looking at every episode of the entire show and kind of go through their character arcs with a fine tooth comb. The first two seasons I plan on batching scenes together while Season 3 might end up almost scene by scene because it is so rich and dense with story.

The whole point is that I enjoy meta and media analysis and breaking down stories and looking at stories from every angle possible. I am usually pretty positive, but that doesn't mean even my favorites are not exempt from a critical eye from time to time. And I'm not hesitant to explore character, story, and production flaws when discussing things. I do, however, try to remain respectful.

While this is primarily Pen and Colin focused, I'll probably still end up opinioning on other things I like as well (and do have respect for other characters and ships on the show).

The only book I've read is The Duke and I. I don't plan on doing any book to tv analysis, but I do hope to get through Romancing Mister Bridgerton before I get to Season 3 so I can point out Easter Eggs.

I'm also no historical scholar. So, probably won't be doing any kind of historical analysis either. Sorry.

I'm a multi-fandom blog, and have lots of projects I'm working on, so I plan on rotating through them. Plus, I have a full time job and family and friends, which means please be patient as I work on the project. It's a labor of love! But maybe a slower one. <3

Not here to discuss the actors', creators', crew, etc's personal lives. While I may put in a tiny BTS tidbit I've picked up, I have no intention or desire to talk about anything but the story.

I always enjoy talking with you guys about things, my meta is only one interpretation of what's going on, and I'm always open to discussions! However, I block or ignore any kind of wank, so please be civil. :)

Tag : the lady whistledown papers (in case you want to follow along or black list it away)

Okay, let's dig into some meta!!

Episode 1 : A Diamond of the First Water (Part 1)

So, it may be something that's easily forgotten or overlooked, but the very first thing we hear when we open the show is Lady Whistledown's voice -- which of course, is really Penelope. Since it's the delightful Julie Andrews doing the voice, it doesn't really feel like it's an 18yo girl's commentary about life in the rich part of London society in the early 1800s, but here we are. It's all done to build a bit of mystery around Lady Whistledown.

But what I think is more fascinating is the fact that the show opens -- not with the Bridgertons but the Featheringtons. They are our starting point. They are our dysfunctional family unit that we may closer resemble in our own lives that we get to peek in on before heading over to the esteemed, charming, and seemingly perfect Bridgertons.

The Bridgertons might be the protagonists of the show -- but Lady Whistledown and (by extension) Penelope Featherington is our framing device. She sets up the world, gives us the expository layout of the land and gives us an insight into the world. So it makes sense that we're starting in Penelope's home -- the person, like the audience, who gets to look into the Bridgerton home, but not actually be a part of it (yet).

When we open, we get a great introduction to the Featheringtons, and in a quick few shots - learn a lot about of them.

First of all, the narration -- while I'm not going to take note of every single narration throughout the whole show, it is important to remember that it's Penelope who is ultimately speaking. And when we open the show -- the first thing she does is blast her own family.

Why? Because it's her only way to push back. Look at what's happening in this scene? Prudence is being forced into the tightest corset ever imaginable as Penelope (and Phillipa) look on in horror. Penelope is still young (she is 18yo) and is being thrust into the market earlier than she wants so that her mother can have all of her daughters out in society at the same time.

Unlike what we'll find over at the Bridgerton family household, the Featheringtons are ruled by a seemingly iron fisted mother who only wants her daughters to marry rich so she can retain her lifestyle and place in society while her father is uninterested in anything other than himself.

Later in season 3, she'll mention that this particular issue is her first issue. So, it's no surprise that she starts writing just as she's coming into society. It's her way of coping and her way of expressing herself. But, I'll also remind everyone, while she is incredibly savvy at her craft, she's also still so young, and not entirely aware of the power she's going to wield.

As for Pen herself -- she's genuinely concerned about her older sister. We don't get a sense of their dynamic yet, but at least we get to see Penelope's kind hearted nature. Prudence looks like she's being down right tortured by her 'tasteless, tactless' mama. And nothing about this is appealing to Penelope.

(As an aside -- this also sets up a couple of things for the show -- for one, throwing us into the historical nature of the show, as well as adding a slight bit of comedy to the over-the-topness of Portia's insistence. The show is telling us that, yeah, there are crude and unpleasant things going on, but we're not taking ourselves too seriously, so neither should you.)

Next, we shift over to the Bridgerton household, but I want to point out something first... Notice how the Featherington door knocker from earlier was much more adorned and intricate? The Featheringtons are more concerned with status and money and appearing as if they're better off than they really are, while the Bridgertons don't need nor want to show off in the same way. It's a neat little detail.

Also, the bee imagery for the Bridgertons always is amusing. Symbol of death there ;) In case you were wondering - the Featherington symbol is the butterfly.

So, it's important to note that the Featheringtons are the next door neighbors of the Bridgertons, and it's of no surprise that Penelope would, after disparaging her own family, turn her attention to the family that has captivated her most of her life.

Okay, I kind of love these paintings as an introduction to the Bridgertons. (Are there ones for Gregory and Hyacinth?) I think it's a fun touch to the whole historical setting of the show. And it makes them look as if they're these frozen, idyllic pictures and who are not exactly real. Which is great when combined with the Lady Whistledown dialogue going on how wonderfully attractive they are - because it sets us just slightly apart from them.

Like I said above - Penelope is on the outside, and as we move in, so are we, but we get to finally move in to see real people behind the paintings. (Also - omg, the look on Eloise's face is priceless and I love it)

Also. A+ casting, guys. I really believe they're all related. ;)

I also love the juxtaposition that when we first hear the Bridgertons talking, unlike their perfect, picture-esque counterparts in the paintings, we get Eloise complaining. (Look, I love Eloise a lot -- and she's the third in this crazy triangle, so we'll be talking a bit about her, too.) We also get a bit of chaos as the camera descends the stairs, with Gregory running around them and the banter between the sisters.

It's all great, quick character set up as each of the Bridgerton siblings gets a little beat in this sequence.

And... we get our first glimpse at Colin!

And here's the thing about Colin. He's the third son. Anthony may not be around at the very moment, but he's very much a father figure to a lot of them and is in a different place being the oldest and actual Lord of the Estate. His role is much different. And then there's Benedict - who is that second in command while Anthony is away. Benedict, though is the artsy one and the experimental one and is a bit more aloof in nature. Which brings us to Colin... Who doesn't have the same set in stone sense of purpose Anthony does nor the happiness of just floating through life the way Benedict does.

And so, this scene has a couple of tidbits to kind of illustrate his place in this huge household. He's says he'll go get Daphne (who is currently hiding out in her room, and whom everyone has been arguing about). Colin does like having purpose, and does like to help whenever he can.

And then there's his banter with Benedict about how he's better liked by Daphne than him. It's a great little moment, not only the show again allowing to us to know that we should not be taking this historical show too seriously, not only showing us the beloved sibling antics (which -- i really love all the sibling dynamics in this show), but also showing that Colin has a bit of a cheeky side, and isn't afraid to bring a bit a levity to the situation when he can.

Also, a tiny tidbit in relation to the book, Colin and Daphne (being close in age) are rather close in the book. We don't necessarily see it in the show due to the nature of wanting to highlight Anthony more, but I feel like these lines are a little nod to that, too.

Of course, then, Eloise screams at the top of her lungs, which is a moment I still laugh at. I love that while Benedict's jaw is dropped, Colin is entirely amused by her, as I'm sure she livens the entire household up.

We get both households coming out of their houses, and we get this sweet little moment where we see that, not only are they neighbors, but Penelope and Eloise know each other and are friends.

I love that Penelope is so overjoyed to be looking over to the Bridgertons that she kind of freezes in excitement and has to be ushered along.

Also as the camera pulls back, we see Eloise reading a Lady Whistledown pamphlet! The first time we see someone do so!

You guys remember Disney's Sleeping Beauty? There's a moment when they enter the castle the three good fairies are announced. The dude who announces the Featherington sisters reminds me of that -- introducing Flora, Fauna, and Merriweather! (Don't even come at me, it's my favorite Disney movie)

Anyway... we get LW's narration that this is a pivotal moment for London society at the time -- when the girls are presented to the Queen and enter the marriage mart. Basically, it's a coming of age for young women. And while Prudence might have the most embarrassing moment by fainting (I mean - who's to blame her, really) Penelope looks so awkward going out there -- before her time, really not emotionally ready, and just not graceful in the way that the other girls, including even her sisters, just are.

Okay, so it's not really our first Polin moment, but there is a pseudo moment buried in here.

But first - I want to acknowledge that Penelope, feeling out of place, and at ill-ease with her surroundings, throws a glance over to Eloise. I love Eloise's truly perplexed look as she watches her friend go through something that neither of them really want -- as if trying to grapple how any of this is real. Penelope and Eloise's bond is incredibly important to both their characters and the show (and is something I enjoy as much as I love all the Polin).

As for Colin standing over there in the corner... No, there's not really anything to pull out here. But! There is going to be a moment in season 3, when Colin is writing in his journal, where it's clear that he's thinking about this moment, and describing watching her as she heads towards the queen. It's a cute callback to this moment, and even if we don't really see it -- it's still there. He's still noticing her, even if it's very, very subtly.

LW continues her narration about how important the Queen's opinion is of the ladies of society, and how important it is to make a good impression. But fascinatingly, Penelope is too busy looking at the ceilings and being in awe of her surroundings to really take notice of what the Queen is doing. She's a bit, understandably, shocked. (and another great comedic moment as Portia kind of knocks her back into focusing.)

It's great for setting the atmosphere of the show, but also allowing us, through Penelope, to take in our surroundings and be in awe of what we're witnessing.

It's also, I'll add, to be an awkward contrast to when Daphne comes in and is completely flawless in her entrance. Penelope is our side character. She's not our main character. And main characters are supposed to have a level of perfection to them. (Or so we're been accustomed to believe.) I think one thing I'm happy to see on the show is that, while we're still going to get a lot of romance story tropes, the show does try to dismantle a few of the stereotypes as we go along.

Also, two quick smaller notes... we don't really get to see Colin's reaction to Daphne -- Anthony and the sister are too in the way, and he doesn't have much of a discernable reaction when we do see him. And, the narration makes note that Daphne is going to burn quickly, which honestly made me laugh a little.

And.... that takes us up to the credits! Which is where I'll be stopping for now. Since this is the first episode and an introduction to the world, there's actually lot of both Penelope and Colin in it, so there's a lot to go through... stay tuned ;)