#all are fictional btw

[devil-doll13]

File No. 613

EXTERMINATED

(Tw: Death, Vague Descriptions of Child Abuse, Dog Attacks)

- - -

Alias(es): M*********, ‘Abigail Williams,’ ‘The Kanewich Child,’

Location(s): Kanewich; Massachusetts, Abelton; Ohio

Classification: Demonic, Witch, Humanoid Abomination

- - -

Description:

Subject took the form of a teenaged female human at time of extermination, though It was later confirmed to have also appear as a infant, toddler and child, (200x) mimicking the life cycle of a human. Eye witness (Judith Bell, 20xx) had difficulty recalling exact facial features of subject at this time.

It presented a gaunt, white face and corpselike appearance, similar to an undead or ghoul, as well as black hair and eyes the colour green, described by relations as ‘soulless.’ (200x) Its ability to blend in with the human population allowed It to remain undetected for years as It infiltrated the Williams family and continued Its insidious attacks while posing as an innocent. It was fortunately discovered by our agent Nathaniel Hopkins, (died 31st October, 20xx) and was subsequently destroyed before It could act on plans of ***** ***********

Sightings:

Abelton Report (WIP)

Notes:

Subject was responsible for the Abelton Town massacre on 31st of October, 20xx, an incident known to the public as ‘The Harvest Storm.’

Believed to be the offspring of 013, or ******* and the witch Lucina Williams. Other theories suggest that subject was a fully grown homunculus, (Zuri) changeling, (Oisín) or a demon taking the form of a child. (Margarethe & Johann)

Confirmed to be the subject of a case in ********, Illinois, in which an exorcist, James Connagher, was called in on the 1st of July, 20xx in order to remove a supernatural presence from a sick child who was later reported to be ‘Abigail Williams.’ Urielle Preston (née Williams) attempted to use the method of ************ ***** in order to exorcise the demon herself but was unsuccessful, and is believed to have been attacked by the subject’s black magick, forcing her to fall down the stairs where she broke her neck. Connagher was later found to have died from a heart attack, possibly also caused by subject.

Several animals showed hostility or fear when confronted by the subject, including: dogs, cows, sheep, rabbits and deer. (20xx) Instances of multiple dog attacks including a report found dating back to 200x in which a border collie supposedly broke lead to chase subject into a tree.

Recovered several items after exterminating subject, including The ***********, a sickle and silver knife, a box of ***** and herbs emitting a foul odour, and a collection of disturbing artworks and symbols. These items were suspected to be used for black magick and witchcraft, as well as to communicate with *******, and were therefore destroyed by agent Zachariah Johnson.

CAUTION: DISPLAYS ANOMALOUS BEHAVIOUR A ‘ragdoll’ was later found in subject’s surviving belongings, found to be skewered with various pins and needles. It was unable to be destroyed, see Item 613-1 in storage.

CAUTION: POISONOUS Procured sample of the ‘black ooze’ on October xx, 20xx, see Item 613-2 attached.

Subject did not show up correctly on camera footage or film, but rather appeared to be ‘distorted’ or otherwise malformed, see Item 613-3 attached.

IMPORTANT: The subject had caused irreparable damage to the landscape via reality warping, in future agents must be stationed at these places to ensure civilian safety. The forest area has further claimed the lives of ** ‘missing’ cases. We are currently undergoing investigation of the Abelton cornfields, mines and bogs still riddled with ‘black ooze.’ Corpse cleanup operations are likewise still ongoing, as we continue to extract the dead from ***** protrusions. If you are on site when the sky begins to turn green, you must evacuate everyone in the area immediately.

Assigned investigative agent: Nathaniel Hopkins

Exterminated by: Judith Bell

- - -

Date: November 18th, 20xx

Signed: Zachariah Johnson

[am3ya]

the issue with shipping aro/ace characters isn't putting them into relationships, it's the fact that no one adds how their sexuality impacts the relationship at large. And how it'll always be different from your average romantic relationship in some way.

[psqqa]

yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.

phoenix wright

phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright

phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright

phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright

phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright

phoenix “i sure felt surprised. maybe i had my poker face on” wright

phoenix “looking back on it that was actually a pretty dark period in my life” wright

phoenix “don’t ask me how i got started. i don’t remember” wright

phoenix “only you stood still, your eyes calmly watching” wright

phoenix “sometimes, life just sucks” wright

just

phoenix wright

crunchiest man in the world

and all i wanna do is chew and chew and chew on him

[rnope-c1e]

Hello everyone! I'd like to present to you:

Solarpunk daylight setting system!!!

What is this? This is a way of categorizing and defining solarpunk futures by how far in the future they are by using the natural daylight concept!

The Solarpunk daylight system is supposed to help define your setting, but it's not supposed to limit you in any way!!! It's also supposed to make it easier to search for particular settings in stories :D

🌱Morning Solarpunk 🌄

(Today or Seedling Solarpunk)

Morning Solarpunk resembles the world of today, it resembles the sprouts of solarpunk in societies and our current struggle under capitalism, it resembles the beginning of change.

Morning solarpunk can be happening in twenty-first century or prior.

Defining elements:

Everything you can do today to be solarpunk is what morning solarpunk is! Visibly mended clothing and tools, art on the streets in all forms, guerrilla gardening and permaculture gardens, communities uniting and people joining climate action.

Peaceful Anarchist, Violent World by kayas-kosmos

🪴Noon Solarpunk ☀️

(Tomorrow or Flowering Solarpunk)

Noon solarpunk resembles post-capitalist world or world where significant effort in abolishing capitalism is done. Things are already better, but the scars of the old world are still visible.

Noon Solarpunk is supposed to show us better times and answer the question, what happens on the next day after revolution and in the following years.

Defining elements:

Taking lots of stuff from morning solarpunk and making them more pronounced, repurposed old infrastructure, we can see new solarpunk architecture (sustainable and integrated into nature) appearing, all tech is powered by renewable energy and easily repairable, community gardens everywhere.

Art by mimiitambonne

🌻Evening Solarpunk 🌇

(The day after tomorrow or Ripening Solarpunk)

Evening solarpunk resembles late stage solarpunk world, pure science fiction! This is stories of our successors and how they are living in new refined world!

Defining elements:

Defined by being futuristic, practically unrecognizable from modern age, new hi-tech solarpunk technologies (low tech stuff still exists btw), go as CRAZY as you CAN to show marvelous bright future!

Art by thalieshelen

Things are bound to change and get more refined, please submit your ideas on how this system can be improved! :D

[firedragon1321]

Sometimes I rotate the fact on Star Trek they'll use "whole galaxy" instead of "whole universe". Like, all the weird shit they encounter once a week is within the confines of the Milky Way. And there's still stuff in Andromeda and beyond that's yet to be discovered. So there's always a sense of things to find still out there. They just lack the technology to go far enough to discover them.

I love how the Milky Way just holds the entire Q Continuum. And an alien/energy presence who takes the appearance of a grown ass adult but is really a baby. And Greek gods. And also my beloved horta. And also planets with civilizations thousands of years old, already with ruins which they don't allow outsiders to access. And civilizations on the cusp of warp travel, ready to receive a visit from funny aliens in colorful t-shirts beamed down from a silver disk in the sky. And in the dark distance? Borg Cubes.

Did I mention this is all within our own galaxy according to Star Trek lore? I'm gonna do it again because I think it's cool.

[xinganhao]

so i just finished the hhu soccer manager fic AND LET ME TELL YOU THE THE GIGGLE LIKE SCREAM I LET OUT ON THAT LAST CONVERSATION WITH CHEOL ??!:£: god, you are really spoiling me :”) i think you should know that your account is like the daily paper for me atp and i get really excited when your notifs appear because that means i can giggle to myself while reading your work hihi

HELLOOO i love u so much!?! ( ╥ω╥ ) i am also giggling & kicking my feet (horrendously down bad!) for soccer captain seungcheol so i offer you 🤲 the panel that didn't make it (a text from seungcheol -> wonwoo) (b/c of course he would go to his vice captn) & a nice little somethin somethin <333 user totomoshi u are so very dear 2 me

[reasonsforhope]

"To change our relationship to the physical world – to end an era of profligate consumption by the few that has consequences for the many – means changing how we think about pretty much everything: wealth, power, joy, time, space, nature, value, what constitutes a good life, what matters, how change itself happens. As the climate journalist Mary Heglar writes, we are not short on innovation. “We’ve got loads of ideas for solar panels and microgrids. While we have all of these pieces, we don’t have a picture of how they come together to build a new world. For too long, the climate fight has been limited to scientists and policy experts. While we need their skills, we also need so much more. When I survey the field, it’s clear that what we desperately need is more artists.”" -Rebecca Solnit. Emphasis added.

Artists are so so important. I've had people tell me they feel bad because, as an artist, they don't think they can contribute anything worthwhile to climate change. They're wrong.

We cannot build a future we cannot imagine. Artists are so important. Artists show us what could be - what we could be

[partfae]

Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One

Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.

In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!

Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.

This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:

1. He was not wholly repentant

Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.

2. He was truly repentant

Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).

Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!

(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)

Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.

Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).

But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.

And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?

It comes back to Sauron's pride.

If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.

Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.

The Prodigal Son

This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.

17 But when he [the prodigal son] came to himself he said, “How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)

The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.

His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.

He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.

Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.

Naked in the Garden

His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):

7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, “Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE

The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).

The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.

Instead of shame driving him to contrition, it drives him to isolation.

But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.

Enter the Rings.

Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":

This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.

And this is why he becomes so singularly obsessed with Galadriel.

She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.

She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.

She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).

In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.

His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.

Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.

And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.

I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.

And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.

But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:

Then, by reminding her of all she is losing by rejecting him:

And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.

Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.

In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.

For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.

He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.

And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.

Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.

[comfort-character-central]

Imagine holding your f/o as they find comfort and tranquility in your embrace. Rubbing their back, kissing their forehead, running your fingers through their hair. Doing what you can to reassure them that you're here, and you always will be.

[cinemabuffoon]

If I'm not supposed to have crushes on middle aged men then why are they so hot? Explain that political party of your choosing

[silverlining-ships]

...yeah. I guess I am.

-

I think I find the oddest things romantic, but. A big part of the beginning of my arc with Jasper is I know literally nothing about her. So a big pivoting point in our relationship is after a big argument when she apologizes by swallowing her pride and showing me her exit hole in the beta kindergarten... on Earth. She spent so long absolutely despising earth, and she now finally acknowledges her past as an act of love to me...... ooughh 🧡🧡

Did borrow a screenshot for the view of the beta kindergarten beyond the exit hole but did the rest of the backgrounds.... kinda proud of them tbh, I feel like I'm slowly getting better at them!

[oodlesodoodles]

I couldnt finish. Got too sad.

[throwawayasoiafaccount]

btw what theon went through is what thousands upon thousands upon thousands of slaves still go through in essos. so, do you still feel pity for the slavers that were crucified? do you still pity the slavers killed when daenerys freed the unsullied?

i ask these questions, and yet i know that there are still many people who believe that the violence against the slavers wasn’t justified, or believe that it was simply “too much” or “not fair.” truly… what an insane hill to die on.

maybe these people should spare more empathy for the formerly enslaved instead of wasting time making up excuses (that are not supported by the text) for why the slave masters' deaths were somehow not justified 🫶

[skunkes]

[cabinetofquriosities]

I am challenging myself to write as many Agatha All Along fics as I can before tomorrow. Let me know if any of you have suggestions you want to see for a one-shot!

[lotties-ashwagandha]

rio. agatha. mommy kink. but agatha calling rio mommy. thank you for tuning in im going to explode now.