#again I just woke up

[spam-extemporal]

Dcxdp where Danny has been working with a hero team (did Bruce adopt him? Did he help the teen titans and got told to join them? Idk) for less than a year, maybe they knew eachother for longer, but Danny has been living with them for some months.

Now, I imagined this as a "Danny has to flee to a different dimension after a giw attack/reveal gone wrong" but it can work with other scenarios, the important thing is, death days are important for a ghost's wellbeing, but nobody knows/remembers Danny's deathday or that it's important to commemorate the dead. Maybe he hasn't told anyone yet cause he doesn't want to be a bother, or doesn't trust them enough yet.

So Danny takes the matter on his own hands, each year he goes to a quiet corner of the local graveyard, where he has a piece of marble and a small vase, he usually buys some flowers for his memorial grave and makes some fudge as an offering.

This year wasn't gonna be different, he told his team/family that he was gonna spend the day out, he chose an elegant but comfortable outfit, made some fudge, and saved it on the fridge with a note that said "phantom, do not eat".

The next part might work better with a young hero team, cause despite the note, someone took a bite of the fudge for breakfast.

Danny clearly gets mad, they didn't know, but they just ate an offering, a great offense to the dead it was offered to.

It all ends in a big fight, Danny doesn't want to admit that it was an offering for himself (it just hurts to admit that nobody remembers his death), and the other person thinks he's just having a tantrum over some fudge, like, c'mon, they can make you some if it's SO important to you 😒

And I don't know how to end it cause it came to me while falling asleep and don't remember more T-T

[timelord2024]

“Ever wonder why the amount of time you need for sleep perfectly eclipses the length of nighttime?”

-my nonsense brain

[buttdumplin]

kyle who very early on realizes that you can't fall asleep to silence, putting the pieces together that first time you walked him through your setup on a late night call. he doesn't mention anything, lets you play it off as this ritual you've put in place, picking a movie to put on every night for weeks on end. he says nothing, only keeps track of how often you change movies, unsurprised that it was an early marvel film that kept you the longest. he hasn't spent the night yet and he knows the exact volume and brightness settings you pick for bedtime. he just waits and listens, matching your pace.

and after months of bedtime calls and snuck-in goodnight messages, kyle is rewarded with a gift, one he recognizes in its entirety. you ask him what you should put on.

a couple of weeks prior, you mentioned the light coming from the tv starting to keep you up, so the timing is perfect

what about a bedtime story?

your knee jerk reaction is to laugh, less at the suggestion and more at the words. that's such a silly thing isn't it? it's something a kid does, something a kid needs. and you don't.

you like my voice, you fall asleep on calls with me all the time

you can't even try to deny that, you know you've both kept score and it doesn't add up in your favor. okay, fine, you'll bite. but what if he doesn't have something to read from? what would it even be about?

do you trust me?

you do. you do.

you're nervous that first night, going through all of the motions of settling while on the phone with him. part of you worries that he'll realize that this is silly and he'll back out. which would be fine, you tell yourself. if it doesn't work, it doesn't work. the remaining part of you is scared it will.

the only light left in the room is the glow from your phone when he starts. his tone is low and deep, a slow steadiness you hear most often when you're in his arms. you don't focus on the words, just the sound of his voice, closing your eyes because when you do, you can almost feel the warmth of his body next to yours. slowly, you relax, softening into the bedding, pillows cocooning you all around. you remember hearing a smile in his voice as your breathing evens out.

the next morning comes in a flash and you find yourself in the exact same position you fell asleep in. you scramble to turn your phone, afraid he's disappeared. but there's a text already waiting for you.

sleep well?

he'd be entirely too proud of himself if he could see the smile on your face, but you can't bring yourself to lowball him. better than you can last remember, you tell him.

good. i have another picked out for tonight

a single night is all it takes for kyle to become your nightly ritual.

as your nightly calls grow longer, you're no longer sure quite when they end. fuck, you can't even keep track of the narrative. he could be telling you the same story over and over and you wouldn't even know. you fall asleep too fast to catch any of the details. and still he calls, every night he can

he even records himself for the nights he can't call, sending you a different story every time he has to leave. that way you both know he's still with you, and he knows you're sleeping well.

[doydoune]

something something about mentors and cycles and mentors and cycles

[souenkun]

I need the pokemas anniversary to come soon so we can hopefully see volo go batshit crazy again for the second time!!!

[bizarrelittlemew]

calling it right now that season 3 starts like this

[devil-in-hiding]

https://x.com/narcissistfein/status/1807547097547178435?s=46&t=Z5vzD1xgw3Rer9-Uz3965A

bully!soap (pleasepleasepleasepleaseplease)

- @vgilantee

the hand on the back of the head i’m actually gonna die all over again (🌽 link)

Bully!Soap acting all sweet, holding you to his chest, pressing kisses to your forehead, but then he’s cupping your cheeks, making you meet his gaze. “Who’s my dumb puppy huh?”

“M-me!”

“Mmm are you sure about that? sure looks like you’re using that brain to me.”

“n-no! no no no!”

“bark for me.”

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. This becomes particularly resonant when you realize the symbolism of his role as mechanic: a job that can be deeply unpersonal, tasked with keeping the ship (the machine, if you will) itself going while other roles are more focused on managing the humans inside of it (e.g. nurse, captain). His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[nekrosmos]

Sleepy Nikolai inspired my this lovely fic by @on-a-lucky-tide because this truly rewired my brain <3

And a small blushing Price under keep reading to go with it

[eightyuh]

How does bath time work?

⟡ Story behind this special ask here ⟡ Read @wicksend here

[thatmooncake]

*puts stars in your eyes and runs at you on all fours while you’re not looking*

[backpackingspace]

Okay yes it's romantic and over the top and completely in character and very very impressive that odysseus made a bed out of living trees. However all I can think about is that every single day Penelope and odysseus would have woken up with olives and leaves covering them.

[stiffyck]

Guys why aren't we making Scar a red panda hybrid

[zzoupz]

Luce mascot is racist https://www.tumblr.com/prontaentrega/765692065407533056?source=share

[dangans-ur-ronpas]

was suddenly possessed to draw this future foundation togiri from my post

(shoutout @to-nae-giri for their character style exploration sketches which really inspired how i drew these two lol)

meanwhile, makoto:

[zsagu]

hes insane. love him