#I'm not too great with perspective lol

[bear-cubs-art-things]

// marcy harm

Okay okay this but as Mr Littlepot and Hop Pop

(Mr Littlepot is Luz, Hop Pop is Marcy)

TW: WEAPONS, IMPLIED BLOODSHED

MY BOY 😭😭😭

[idoodlestuffsometimes]

DRAWING BACKGROUNDS: TIPS AND TRICKS

So many people are afraid of drawing backgrounds and I think it's a shame, so here's some tips and tricks, because I'm not perfect at it myself but I think the hardest part is really just knowing where to start.

First off: Perspective

Yeah, yeah, that's the scary word. But I promise you, once you're familiar with the basics, backgrounds are a LOT less intimidating. Don't get discouraged if WHEN you have trouble with it. Even professional artists struggle with it. I promise you, screwing it up is good and normal. That's how you learn after all!

Now I'm not going to go into detail on how to do it here, because honestly there are a thousand and one free resources online and in libraries that can explain it far better than I ever could in a singular broad-strokes tumblr post. But I AM at least telling you you should familiarize yourself with these basics:

Important Terms: Horizon Line: A horizontal line across your canvas, showing your viewer's eye level and providing a location for most of your vanishing points. Vanishing Point: Integral to drawing in perspective. The sides of a 3D object get smaller as they become farther away from the viewer in space. This point is where the parallel lines of a side eventually meet.

The Basic Types of Perspective: One Point Perspective: Good for drawing things that you're looking at straight on. Two Point Perspective: Good for drawing things at an angle. Three Point Perspective: Good for drawing things the viewer is looking up or down at, especially at an extreme angle.

[Click images for ALT descriptions]

And if you're comfortable with these and serious about improving your skills for use in storytelling, I also might suggest looking up:

4 Point Perspective: Great for extra wide or tall shots and for camera tilts if you're doing an animation or animatic. I think some other names for this in animation include "banana pan" and "warp pan."

5 Point Perspective: Fish-eye lens. Good for all your angsty anime boy slipping into madness needs!

Some perspective tips I wish someone had told me earlier:

Objects' relation to the horizon line is constant. A super helpful tip to remember when placing a character or object in space is that they will always (assuming they aren't changing in size or moving up or down) have the same relation to the horizon line no matter how far or close they are. If your horizon line is at shoulder height for your focus character in the foreground, any character of the same height in the background will still line up with the horizon line at the shoulders.

How to pick the distance between your vanishing points: 2 pt perspective uses 2 vanishing points, 3 pt uses 3, etc, etc, but how close should they be? Well, first of all, for anything that isn't one point perspective, one or more points will usually be off the canvas. Super annoying, I know, but the closer your vanishing points are, the more warped your drawing will become. Second, a helpful thing to know is that choosing the distance between your points is basically the illustration equivalent of picking your camera lens! Photography buffs will know that wider (shorter focal length) lenses show more space and make the distance between foreground and background more dramatic, while longer focal length/telephoto lenses are flatter, and more focused and intimate. The same is true of vanishing points that are closer (shorter focal length) or farther apart (longer focal length).

2 point/3 point/etc doesn't actually mean you're limited to that many points total on your page. this one confused me a lot when I was getting started, lol. A lot of examples will show you drawings of nice, neat cities or something, in which all the buildings are facing the same way in order to demonstrate perspective drawing. But in real life, buildings don't all face the same direction. They're at all sorts of different angles. So how do I do that??? Answer: Just because you're drawing in 2 point perspective or whatever doesn't mean you... have to actually keep your 2 points in the same spot. You can move them around, just keep them the same distance apart, so you're not screwing up your camera lens.

Other Tips:

Use reference! The instant you try to draw a house, you're going to forget every house you've ever seen. That's just how it goes. Buildings are complicated. Do yourself a favor and collect a few reference images first, buddy!

Consider details (like architectural style, amenities, and materials) Your building will look more like a building when you keep in mind that buildings have gutters and door knobs and light switches and paneling and stuff, and aren't just boxes with roofs on them. Again: reference! You will forget electrical sockets and baseboards exist immediately. Art brains are dumb.

Use details and texture to fill in negative space Giant stretches of blank space tend to be boring and distracting. Put a few suggestions of wood grain or something on that wall back there, bud, just don't overdo it.

Line weight Darker, thicker lines draw more attention, look heavier, and look closer to the viewer than lighter, thinner lines do. Take advantage of this to draw the viewer's attention to your focal points, de-emphasize less important details, and imply depth. It's up to you to decide how you want to use this and what your style is, especially once you start getting into combining or replacing it with shading, values, and color, but a helpful rule of thumb is to try reserving your thickest lines for focal foreground characters and use thinner lines on backgrounds, especially details in the far distance.

Perspective guides If you're drawing digitally, take full advantage of any perspective tools you have access to! A lot of art programs lately have begun adding perspective guide features that let you set up vanishing points and then literally guide your hand as you draw so you stay in perspective. Some of these include Procreate, Clip Studio Paint, and Adobe Fresco. (still sadly none in Photoshop as far as I'm aware, what the heck, Adobe!). Check through the settings of yours to see if it gives you any perspective guides or other similarly useful tools. They're 100% worth it! And for god's sake, if you've got any skew or perspective warp tools, draw your complicated shapes flat and then warp them instead of spending an hour on it! Don't make my mistakes!

[mod2amaryllis]

real talk I never wanted kids before and now I kinda want maybe one but I'm. the gross stuff sounds so scareyyy. how do you deal w the loss of control over your body?? Not even saying I have any kind of control right now, I'm not even a fitness girl or anything, body's a body, but do you know what I mean? I'm scared if I get pregnant it will freak me out so bad

well what you said is actually the answer: when do we ever have control lol?

in preparing to have a kid i got decently in shape, ate very well and exercised consistently for several months, and knowing i was doing it with the intention of getting pregnant felt good. like building a mighty forge. then pregnancy hits and.. yeah that physical "control" does go out the window....lmao

the thing that can be freaky is just the SPEED at which your body changes. you can almost watch it in real time, i look and feel totally different week to week. initially this unnerved me cuz it's like,, ok if this were any other situation, these changes would not be normal. but they are normal. so the word that i keep circulating when the changes freak me out is "evidence." it's all just evidence that there's a little dude in there, and that's a good thing.

and it being a good thing is what it boils down to for me. I'm only having an ok time because 1) i am, compared to so many others, having a smooth pregnancy. that's never a guarantee. and 2) I'm confident this baby is coming into a healthy environment where she is extremely wanted. the determination of "i want this kid" makes the physical weirdness bearable.

[telesodalite]

With Krok now on my mind, it's reminded me of like, the whole deal of him coping with the loss of his squad by believing they'd just become separated? Because that bit is such a fascinating aspect of his character to me.

It's vague in a way that doesn't totally confirm whether he truly 100% deluded himself, or if he just kept telling himself that to try and distract from the truth and memories he didn't want to face.

(Which, for some reason this pisses Misfire off? Which implies something really interesting there about Misfire and his own coping mechanisms and issues that we don't get much of a peer into unfortunately.)

Anyway, I spent way too long thinking about it when I was reading through the comics. And it's like, did studying battles and strategy play a part in this delusion/lie?

Like, you're a being that lives for millions of years, in the middle of a war spanning those millions of years. So, at some point, surely those battles are going to start to blur together. So you've got that, and then you go and face a frankly horrifically traumatic fight that quite literally rips the people you cared about most, and felt responsible for, apart.

Presumably, Decepticons aren't the greatest at handling shell shock and other such side effects of war. So they just take this freshly traumatized mess of a dude, take him off the front lines and plant him on a warworld to aid the fight from a more comfortable distance.

With all this, the mind is bound to be fickle when faced with such sudden loss and change. But Krok obviously did his job there, or at least he was very knowledgeable on history and tactics beforehand.

Either way, he studied battle after battle, went through records of fight after fight, planned for what's next and reconsidered what had already happened. Hundreds of wins and losses.

So did it get jumbled there? In having a head full of battles, did some of them blur and mix with the one that took everything away from him? In trying to solve the failures of past battles, did he try and find where a victory could've been had against the wreckers that day? Did he find a solution that would've had his squad still whole and alive?

From there, did it slip into delusion, or a desperate lie to keep himself going?

I feel like his "mental health matters" moment was an interesting insight into it and possibly the average soldier's rough outlook on trauma. But it was still very surface level I think, but I guess going too deep into the why's and how's wouldn't have been important until maybe the Scavenger centric comics that uh, never happened :/

[kuromi-hoemie]

hhhh talking about my writing was fun but 30 tags is not enough.. yes i have 3 major influences but i have minor ones too.. it is a lovechild of my favorite things.. writing is so fun and i have no self control or a concept of pacing myself i will sit there for 16 hours and get hit with every status effect but by god does it all just flow out of me. I've always been a music person yes but i also used to write a lot into early adulthood until The Incident™

but i am ready 2 jump back into it. i think comics are a great middle ground between the two mediums so i don't get As into writing bc i kind of started going crazy last time 🫡 i can take a more structured approach to it that forces me to pace myself and think about it differently. i love art.... i love making things i love knowing how to do things i love knowing how to play things i love having so many creative outlets, even if i don't do a lot of them regularly lol. it is enriching 😳 and nice to know that it's always there to come back to when u want.

[unproduciblesmackdown]

among the boundless billions zaniness like laugh track as it definitely has that moment of expressing "rolling my eyes as The Left makes a kerfuffle of Acting like they have a stance as a veneer over the true belief that [xyz] is cool & chill actually" like what, approximate 0.000% chance wendy isn't, as usual, given the Objective Stance of "yeah yeah ohh we are cancelling involved parties talking about how we Don't watch this But. we all love this damn epic movie & already have it memorized so shut the fuck up, kids today" like. don't wanna really delve into how much billions thinks taylor or anyone is "really" trans / nonbinary like not too much benefit of the doubt in this material including what does provide info abt that specifically

& the general like [head in hands. what do you think any of this could possibly be about (you're the one that made your show at all about Power)] of "yes, it's bad/wrong to be someone that someone has done something to / victim of something" like that to be anti misogyny All Women Must Be Epic Winners b/c there's something to be proved: that they don't Deserve to be victims (of misogyny), not taken as a Given. while when we see some epic winner men stepping on other men (who need not all be guaranteed Winners so as to say misogyny is wrong), that's often Good, well beyond any assumption that various forms of basic disrespect / violation / patterns of emergent/entrenched power difference as Bad (for being things done to people, not for there being people they're being done to), & generally billions has to take an extra step when ppl get shitted on & tell us the Specific Cases when it was undeserved actually & someone was being mean to a specific person who didn't deserve that. & the specific cases when hey guess it wasn't that bad(tm) or when hey It's Okay that you're someone something was done to, in this case. & tell us what we were supposed to know all along like when someone who something was being done to (wrong Of Them, whether b/c they inherently deserve it no matter what, &/or b/c they failed to be someone who could make it Impossible to do anything to them, which, how do you do that besides being The Authority / Superior yourself, exactly? nonrhetorically? what if the in group vs out group / fascism / authoritarianism protected Me?) was actually being treated Too Well b/c ah well the abuse meant you were getting any attention, maybe it meant you were claimed as any superior's property, maybe it meant you weren't Already disposed of, as all Losers were in the end, You're Welcome.

obviously referring to winston where it's spelled out all the abuse towards him was deserved, & More than he deserved in the case of rian having more access & taking advantage of that, all for billions' enjoying its own sendoff there of, again, maximizing violation & violence short of [real violence is physical & leaves bruises / draws blood / Literally kills] which would be distasteful in general But doesn't it make wags look like the winner & winston the loser is that the former's completely unrelated completely impersonal ego blow gets way amplified taken out on winston, the most vulnerable recurring character when spyros as [first & ultimate Everyone Hates Him role] is more entrenched in there & billions still magnanimously pities tuk, as it does winston too, just not quite as much. again that like completely surface level realized power fantasy of forcing the mirror up to the Inferior so they're like nooo my inferiorityyyy & in doing so like, the projection in that lmao, we get it re: the valuing of & need(tm) for such Power Tripping & Reaffirming My Superiority & My Ego Restored; Everyone Claps like good god. & then for all ben & tuk are the slightly softer Two Too Nice Boys duo to the rian & winston quant duo, also like too nice i guess but not as much, ben is in charge of tuk but Any instance of rian being in charge of winston outstrips them in that "yay interpersonal abuse" dynamic, like then in the end billions may be like "yeah it's possible to be mean to them unlike how being mean to winston is actually Nice b/c he deserves everything he gets, we only vicariously enjoy it vs Feeling Bad for tuk & ben sometimes (still magnanimously & it's Not That Bad / just goofin)" like ben & tuk still Fail by not being people it's impossible to do anything to. & not Exceptions who anyone is really being Too Mean to. like if they were women, in which case, no problem surely with a "positive" kind of victim blaming where there is something Inherent that Will be victimized so hey how about to cancel that out there's this special Paternal Protection you Need always, Or Else? :) but instead they are men who are asian & is ben gay & w/tuk & winston nobody mentions glasses or fatness but billions doesn't really do much or very in depth textual mentioning of Anything, even w/nonzero mention that there may be gender & race in this world. a gay man, once. no disability. we just Know who are the inferiors who deserve it when they're treated inferiorly, or if they don't, they start deserving it when they fail to stop/avoid it, but if you start mentioning the factors behind who we all totally agree is inferior like whoa nobody was Saying any of that? being the real agent of oppression on the basis of the factors only You spelled out, much? nonbinary? i never say anything about the Gender Binary when i'm subscribing to it, sounds like You've created & enforced it. obfuscation & deflection onto [so Just Normal nobody has to label, explain, or argue it] couldn't serve a purpose & protect the existing power differences as they are. maybe You're the problem? perhaps you brought it upon yourself & now you're causing too much trouble standing up for yourself while everyone else's criticism is laser focused on you as the prior & continuing negative actions done to you are taken as a given / unquestioned / covertly protected to overtly encouraged?

anyway so wild if the Completely Normal(tm) Victim Blaming is uncritically recreated & oft embraced for "if you're watching this & don't wish you were axe / find him appealing" [billions as a sequence of vicarious power trips] purposes in this series....but a bit wild considering like this is your multiseason show that wasn't just purporting to be those power trips for [enough demographic & apparently specific personal tastes overlap w/creators] & was at all purporting to question the matters of power at play in the material, or yknow, at least to not be completely superficial material while said material is textually & thematically all about power difference being leveraged, how, the consequences, & so on. thus i will have to intermittently talk about it forever like this like lord unbelievable. & the funny little & sometimes less funny less little characters it has trapped in there so that those of us who were never meant to be in the audience can be cursed with this knowledge. like i have some feedback. "imagine not victim blaming" & "imagine adjusting your perspective can go beyond superficial layers added to politely defer to some other ppl while they're present but really like cmon do they deserve that. am i not just saying what we're allll thinking"

[heartmatic]

idk my "type" in fos rlly. smart ? laid back? kind of loser guys? ig so. in my head the main common thread tho is relatability to myself lol. most my fos esp my mains have something i can deeply relate to and so i feel a huge comfort with them

[sebscore]

ARE WE STILL FRIENDS?

pairings: f1 grid x driver!reader (she/her pronouns)

warnings: angst. angst. angst. swearing. like a lot of swearing. i cannot write crashes/contact for the life of me. argument. lando and reader are assholes in this. 

author's note: dont even ask me why i wrote this, i got inspired and needed it out of my system. lol. 

masterlist

''Retire the car. Too much damage. Sorry, Y/N.'' Marco informed her over the radio, sounding frustrated and apologetic over her already finished race. 

The driver took a deep breath before answering. ''Too bad, it was going well. Thanks, guys.'' 

Her race had in fact been going well. She'd made a great start going from P4 to P2, and had managed to keep up with the Red Bull of Max. They weren't even halfway in the race or Lando tried overtaking her, causing contact, causing her to run off in the gravel with too much trouble on the car to continue. 

In her opinion, it had been reckless. The McLaren driver knew exactly she would end up being forced off the track by the overtake, and that her race would most likely be over because of it. 

As she trudged back to the garage, helmet in hand, she could barely contain her frustration. The team greeted her with sympathetic looks, but she didn't stop to talk to anyone. She headed straight for her driver's room, needing a moment to cool off before she could face the media. 

Her hands trembled with anger as she peeled off her gloves, tossing them onto a nearby chair. The season hadn't been going how she had hoped or even expected it to go. Last year she had been the vice World Champion, the undisputed second-best driver on the grid, the only one to essentially have been able to challenge Max's dominance. Now, she got lucky to even end up in the top five of a race. Her team's design of the car hadn't been meeting the expectations the engineers had set, and upgrades weren't helping in the way they had hoped. 

That is why this race weekend had been a great boost for the team's morale and confidence. Qualifying had gone really well, and for a moment they were able to fight for the win even. But the papaya car of No. 4 had shoved their hopes down the drain. 

Minutes later, there was a knock on the door. She turned to see Marco standing there, looking concerned. ''You okay?'' 

''Have I ever been okay,'' she remarked, a sarcastic chuckle leaving her lips. ''I'm just pissed, that's all. I had high hopes for today.'' 

''We all did,'' he smiled sadly. ''The stewards reviewed the incident, but he, uh, didn't get a penalty.'' He said softly, almost as if he was afraid of her reaction.

The young woman let out a bitter laugh. ''Of course he didn't, why would he?'' Her hands covered her face, briefly wiping off the sweat that had formed. 

Marco took a step closer, his expression a mix of empathy and disappointment. ''You drove brilliantly out there. Everyone saw it. The team saw it. It's just... racing politics sometimes.'' 

She dropped her hands, meeting his eyes with a mixture of anger and resignation. ''It's always like that, though. It's always the same drivers suffering the consequences of others, and they don't get shit for it. It is fucking annoying.'' 

Her engineer nodded, understanding everything she was saying. ''I know, we all know. But we keep fighting. We keep pushing. This season isn't over yet.'' 

''Yeah, true.'' She sighed. 

Marco gave her a reassuring smile. ''We'll be ready for the next race. We're all in this together, okay? We're all behind you.'' 

She nodded, feeling a small measure of comfort in his words. ''Thanks, I appreciate it.'' They shared a quick embrace, before he left to join the team again. Meanwhile she got herself ready to go to the media pen. As much as she wanted to hide away, she knew it was part of the job. 

Since she had an early exit, there wasn't much activity inside the area, though there were a bunch of reporters waiting for her. 

''Y/N, tough race today. Can you tell us what happened from your perspective?'' The reporter asked after briefly greeting her. 

''Yeah, it was, uh, challenging, I guess,'' she plastered a smile on her face. ''We had a great start, moving up to P2 and keeping pace with Max. Then, yeah, the contact with Lando. The car had a bunch of damage, and we decided to just retire the car.'' 

''Do you think it was a fair move by him?'' He followed up. 

She paused, weighing her response. ''Racing is always intense, especially at this level. I don't think it was the right move to make, but the stewards saw it as a racing incident.  I'll respect their decision, but it doesn't make it any less frustrating.'' 

''You and Lando are good friends, and have been racing against each other since your karting days. Will you talk to him afterwards or just forget about it?'' 

They had expected a question like this, so the media-trained answer came out very quickly. ''It was deemed a racing incident, so there is not much to say further about it.'' 

''How do you and your team plan to bounce back from this setback?'' The reporter for Sky Sports changed the topic. 

''We'll regroup and come back stronger,'' she answered, injecting as much determination into her voice as she could muster. ''This season has been tough, but my team and I are committed to pushing forward. We learn from every race, and today is no different.'' 

''That's great, thank you, Y/N.'' They wrapped up the interview, and she moved onto a new one. 

Once she had spoken to everyone she needed to speak to, she finally had a moment to herself. She knew the words she had just spoken were the right ones, but they did little to soothe the turmoil inside her. 

It didn't help that Lando managed to take the lead, and eventually get his first win. As she watched the remainder of the race from the sidelines, her emotions were all over the place. On the one hand, she was proud of her friend for finally making his dream come true. However, it had come at the expense of her race. She had pushed so hard this season, and to see her friend and rival celebrate his triumph while she stood there with nothing but frustration was almost unbearable. 

The cheers from the McLaren garage echoed in her ears. They celebrated wildly, the joy of his long-awaited victory palpable even from a distance. He was swarmed by his team as they shouted his name. 

The podium ceremony was even worse. As Lando stood on the top step, the British national anthem playing in the background, she couldn't help but replay the moment that had ended her race. She could see the excitement in his eyes, the genuine happiness that came with achieving a lifelong dream. But all she could think about was the contact, the gravel trap, and the wrecked potential of what could have been her race. 

Under any other circumstance, she would have been there for him. She would have run to the ceremony herself, just like he had done for her when she got her first win in F1 and made history as the first woman to do so. But it just stung too deep. 

''Lando, there was an incident with Y/N that resulted in her retiring from the race. Can you tell us what happened there?'' The Dutch reporter asked the race winner. 

Lando's expression shifted slightly, the euphoria dimming just a bit. ''Uh, yeah. I saw a gap and went for it. It was a tight move, and unfortunately, it led to some contact. But that's racing, you know.'' 

''Have you spoken to her yet?'' 

''Not yet,'' he admitted. ''But I don't think there is much to talk about.'' He chuckled, quickly glancing sideways, but his laugh seemed forced.

''She told Sky Sports that she didn't think you made the right move there.'' The journalist said, instigating a headline for them to be able to use. 

Lando frowned at his words, but recovered. ''Well, that's her opinion. It was just racing for me.'' 

''So you don't regret making the move?'' The reporter pressed on. 

The Brit took a deep breath before answering. ''I regret that it ended her race. But as a racer, you have to take chances. It's a fine line, you know.''

The older man in front of him nodded at his response, knowing they had gotten a glimpse of the tension that was present between the fan-favorite duo. ''Thank you, Lando. Congratulations again.'' 

''Thank you.'' 

With that, the interview wrapped up, and Lando moved onto the next reporter. As he walked away, he couldn't shake the feeling of unease. He didn't think he had done anything wrong, so why was everyone talking to him as if he had done something wrong? 

Y/N was struggling to unwind. The events of the day played over and over in her mind, each replay more frustrating than the last. She tried to distract herself by either watching some TikToks or TV, but nothing could drown out her thoughts. The texts from her friends, family and team certainly didn't help. It was a nice gesture, but she didn't want to think about the race anymore and the messages weren't helping. Finally, she decided to call it a night and climbed into bed, hoping sleep would offer some respite. 

Just as she was starting to drift off, another knock on the door interrupted her thoughts. It was unusual for someone to bother her this late, especially when she was winding down in her hotel room.

She frowned and got out of bed, opening the door to find Lando standing there, wearing his signature grin, acting nonchalant as ever. ''You wanna come celebrate with us? We rented a club.'' 

Y/N frowned at him, confused over his casual behavior. ''No.'' She scoffed, offended by the mere thought. 

It was now Lando's turn to frown at his friend. ''Why?'' 

She crossed her arms, incredulous at his obliviousness. ''Why? Are you taking the fucking piss out of me or something.'' 

His grin faltered slightly, but he tried to maintain his composure. ''If this is about the racing incident then you're being ridiculous.'' 

Her eyes widened in disbelief, her frustration boiling over. ''I am being ridiculous? You were ridiculous with that move you pulled!'' She retorted, raising her voice. ''You ran me off the track knowing how hard this season has fucking been for me. You know how much I needed a good result today and you ruined it for me!'' 

''Y/N, I get that you're upset, but it's racing. These things are bound to happen. I saw a gap and I went for it. The stewards didn't even penalize me, so clearly, it wasn't as bad as you're making it out to be.'' He was restraining from rolling his eyes, she could tell. 

She scoffed, shaking her head. ''Oh, so now you're agreeing with the stewards? Now that it is benefitting you? And there was no fucking gap, you were just being selfish. You knew what you were doing, and you didn't care how it would affect me.'' 

Lando's face hardened, his patience wearing thin. ''I didn't do it on purpose to screw you over, where the fuck are you getting that from? I saw an opportunity, and I took it. That's what we do out there. You know that better than anyone." 

''If that opportunity was ruining my fucking race, then yeah, you really took the opportunity, Norris.'' She rolled her eyes, voice tinged with sarcasm. 

He took a step closer, his frustration now matching hers. ''I'm sorry that you didn't get the result you wanted today, I really am. But I am not going to apologize for racing and doing my job, Y/N.'' 

She simply glared at him, disappointed in how he was acting towards her. They'd never really had an argument before, at least not one where they couldn't see each other's point. They'd been frustrated with each other before, but it was always in reason. 

''If anything, I should be angry with you- not the other way.'' Lando suddenly said. 

''Why's that?'' She sneered, almost in disbelief that he would have a valid reason. 

''Because you didn't even have the fucking guts to congratulate me,'' he snapped back, ''when you won Silverstone, I was literally one of the first people to hug you and congratulate you for your win. I stood next to your fucking parents, Y/N! And today you didn't even bother doing anything.'' 

Her mouth fell open, a mix of shock and anger flooding her veins. ''You are unbelievable… You ruined my fucking race, Lando! How am I supposed to stand there and cheer for you when you cost me everything today?'' 

He rolled his eyes while throwing up his hands. ''This isn't just about today. You're just jealous because my season has been going so much better than yours. You can't fucking stand that for one time I'm doing actually better than you.'' 

''Jealous… of you?'' The words came out like laughter, slightly hurting the McLaren driver's ego. ''You think I can't be happy for you because I'm not doing as well? That's so low, Lando.'' 

''Ever since the start of the season you've been so moody and distant, and now you can't even say or even fucking text me a congratulations for my first win. You're so pissed that I got a win before you this season, you can't even hide it.'' He shot back. 

''Oh, give me a break. Like you wouldn't act the same if you were getting all these shit results. Maybe I didn't congratulate you because I was too busy trying to scrape gravel out of my fucking tires.'' She remarked, throwing in the sarcastic comment. 

Lando looked unimpressed by her remark. ''You're just mad cause I'm outshining you. You can't fucking stand that I'm getting all the attention.'' 

''Outshining me? Are you hearing yourself?'' She mocked him, laughing bitterly. ''You get one win and you're acting like you're a fucking World Champion already. You've been riding Max's dick these last years hoping some of his success will rub off on you. Newsflash Norris, everyone is just fucking laughing at you.'' 

His face turned red, either embarrassment or anger. ''At least I'm not constantly whining about my car and blaming everyone else for my problems. Maybe if you spent more time focusing on your driving and less on complaining, you'd have more to celebrate.'' 

''You're a fucking spoiled brat who can't stand some competition. You think everything should be handed to you on a silver platter.'' She retorted. 

''And you're a fucking baby who throws a temper tantrum everytime you don't get what you want. It's time to fucking grow up, Y/N!'' He shouted, his voice rising with each word. 

She took a step closer to him. ''You should spend less time trying to prove yourself to people who don't give a shit about you, and more time trying to be a decent fucking human being. I'm ashamed to call you one of my best friends.'' 

That last sentence had clearly hit a nerve or several nerves. He shook his head, taking a few steps back. ''Fuck you, Y/N. Enjoy your pity party.'' Lando turned and walked away, joining his friends who were waiting in the lobby. 

She watched him go, her chest heaving with a mix of anger and heartbreak. She could feel the pulse of her racing heart, the adrenaline from their argument making her feel jittery and unsteady. 

A lump formed in her throat as she replayed the last few minutes in her mind. She cringed internally at the words she had fired at Lando, while also trying to ignore the sting from his own harsh words. She wondered how they would be able to come back from this. They had never been in a situation like this before, and she knew that she would never want to be in this situation again. 

The young woman knew that she had let her emotions get the best of her. She had always prided herself on being fair and understanding, but now she felt ashamed of herself. 

Her thoughts were interrupted by the sound of another door opening. George peeked out, concern etched on his face. ''Y/N, you okay?'' 

She shook her head, not wanting to deal with anyone else. ''Mind your business, Russell.'' She retreated back into her room, not before slamming the door behind her. 

As she leaned against the closed door, the weight of the evening pressed down on her. The room felt too small, her emotions too big. She slid down to the floor, pulling her knees to her chest, and let the tears she had been holding back finally fall.

Even when she finally got up, even when she tucked herself in again for the final time, and even when she tossed and turned the entire night, the same question lingered in her mind. 

Are they still friends? 

The question haunted her, gnawing at her thoughts every time she closed her eyes. She replayed the argument over and over, dissecting every word, every expression. The hurt in his eyes, the anger in his voice- it all felt so raw and irreversible. 

As the hours dragged on, sleep remained elusive. The darkness of the room mirrored the uncertainty in her heart. She knew they both needed time to cool off, to reflect, but the thought of facing Lando again filled her with dread.

The first light of dawn began to seep through the curtains, and she felt no more at ease than she had the night before. 

Are they still friends? 

story ideas are always welcome, but remember that it can take a while for me to get to it! :)

[1shirt2shirtredshirtdeadshirt]

Sexism in TOS: Worst Offender, or Progressive in Retrospect in Comparison?

I see a lot of folks claim that TOS was the most sexist of the Star Trek shows by a landslide -- and while I agree that it definitely suffered from the sexism of the times, I also have other perspectives to share to give some food for thought.

I am of course not insinuating that TOS isn't sexist -- it is, but I have to ask folks to consider the breadth and depth of Berman's sexism in his run and ask yourself: Was Gene Roddenberry genuinely more sexist in his storytelling and delivery than Rick Berman?

I'm not telling you to feel one way or the other, but all I ask is that you hear me out and consider some perspectives and make your own balanced assessments. Nobody is obligated to share my opinion, but it means a lot just to have folks hear it and see their thoughts on the subject. So here is what I was originally responding to:

Someone's response to this photo:

"Devil's advocate. This was a part of the popular form of cardio during the production time of TNG. Yes, it was heavily sexualised by men, but so is literally every other way women work out. Men have been caught taking pictures of women while trying to do dead lifts, running on tracks and working on sled machines. They post them online to share too. The fact is, there is no way a woman can be shown working out without it going there. And yeah,t hat includes the combat forms of workout they do in Star Trek. Just look at how Dax dresses when she spars with Worf. Yes, they're dating, but still, same goes when 7 does and any other female.

Aerobics routines like this were made dirty and cringy. This was what women wore then by and large. This is how the workout was done. We make it cringy."

My response to them:

"I respect your take, but I disagree on a few fronts.

The miniskirt was chosen by the TOS female cast, not the male cast, specifically requested by Grace LW and affirmed by Nichelle and Majel who would go on to vehemently defend the miniskirt over the years as comfortable and embraced by them.

Grace said it was comfortable and seen as a symbol of female sexual empowerment during the 60s and thought it would be a progressive garment (and turns out that it was, as it was later adapted and worn by male crew as a skant on TNG) -- FYI those were designed by a gay man and Gene approved them.

This was also supposed to be Spock's TMP outfit:

Literally lingerie.

We saw both Uhura (who saves Kirk in from Marlena Mirror Mirror) and Yeoman Landon (the first to initiate combat with a classic Kirk-esque kick to help the Captain being attacked in The Apple) carry out their combat training in their Starfleet uniforms without ever being made to change into any ridiculous workout gear.

In fact, I'd argue Jim Kirk was sexualized even more than the ladies of the week on the show and I saw his naked body more than anyone else's on a fairly regular basis. He wore red yoga tights while topless in Charlie X while the women wore full length gymnastic suits that covered their entire body. If anything, it went out of its way to avoid sexualizing women practicing fitness in those scenes and instead focused on Kirk.

Gene confessed that he asked to have Shatner filmed in suggestive/provocative ways to "give something to the ladies", so he -- as he said -- liked to "film him walking away" or have him conveniently busting out of his shirts in just about every episode as it were, because Shatner apparently had great assets. LOL

Gene made an effort to at least sexualize both if he was going to sexualize one, and he carried that attitude forward in wanting the m/m and f/f scenes in the background on Risa for TNG. He also insisted that the men and women wear skimpy outfits on THAT TNG planet. You know the one. LOL I mean the dudes even had on less than the women:

Gene also gave permission to K/S shippers to have their conventions back in the 70s when he was asked for permission. Gene and Nimoy felt with all the skimpy outfits they had the ladies wear, why not let the ladies and gay men have their fun, too? It's how we ended up with moments like this:

Yes, those are two people dressed up as Kirk and Spock's penises doing interpretive dance. Gene didn't give two damns. LOL

In my eyes, that was a very progressive take on Gene's part for the 60s. It was actually PARAMOUNT STUDIOS who had the big problem with K/S stories and vehemently tried to shut them down. Gene literally hired slash authors on his payroll and even had several slash stories/writers published in his official Star Trek books (The New Voyages & The New Voyages II).

I feel I saw Uhura and women in TOS engaged in more physical combat/altercations defending themselves that Troi or Bev were shown holding their own.

In fact, Kirk used to get furious when someone would "dress up" his female crew members without their consent (Trelane episode, Shore Leave episode) because like his male crew members, he wanted them to be treated professionally and to also have his male crew act professionally.

Berman brought some of his own personal biases into Star Trek that in some ways regressed it. While TOS had blatant sexism and was called on it time and again, that show was made in the 60s -- a solid 21 years before TNG. We as a modern audience understood why some of it was cringe/sexist due to the time period -- look at any other media coming out in the 60s and Star Trek was miles ahead of what other shows were doing.

Compare that to Berman who was churning sexist stuff out when women like Starbuck and Scully were simultaneously on screen on other programs airing, and we had already had Sigourney Weaver and other strong women in Holywood playing respectful roles.

In my eyes, there was no need of the sexism seen in TNG but especially VOY and ENT. There was no excuse for it when other shows were writing women far better and a number of those weren't even set in the future like Trek was, making it age even faster due to having those dated perspectives frequently highlighted.

In the Center Seat documentary as well as "The Fifty Year Mission" book you will find cast members, writers and other studio alumni who attest to this. Some discussions from "The Fifty Year Mission":

"First, Berman was supposed to have been a real sleaze ball . . . According to Terry Farrel, he would go on constantly about how her breasts weren't big enough, how she should do something about it, and how his secretary was a good example to follow as she had huge breasts. She even had to have fittings to get larger bras, and that was all done at his behest.

Later Berman and Braga developed a name for Jeri Ryan's character prior Seven of Nine. They originally called the character "perineum" which if you look it up it is the area between the anus and the scrotum. Later they floated the name "6 of 9". I mean, what does it tell you about where these two were coming from in the development of this character if they had names like that put forward in all seriousness for her?"

Gene Roddenberry also had some of his own more progressive ideas for TNG cut or watered down by Berman. Roddenberry agreed TNG should have homosexual relationships and representation at a con in the 80s and insisted on it in a meeting with his writers -- something Berman later would not honor. Gene wanted the AIDS episode, showing m/m and f/f in the Riza scenes -- these were some of Roddenberry's requests to include in TNG that Berman later stonewalled.

Berman's era was sadly dated by his own misogynist bias, IMO, to the point that it can somewhat hurt the shows he worked on through his cringe egoism and blatant disrespect toward his female cast.

There is a reason why Gene could keep female actresses working with him and Berman had a revolving door of women that he couldn't seem to keep working for him -- he was abhorrent to women, on and off set. Gene wasn't perfect at all, he had a lot of issues himself -- but Berman was a whole other level. Just look at what he did to poor Jolene Blalock, Marina Sirtis and his toxic commenting on her body weight which exacerbated her struggles with eating disorders, or how he treated and talked to Terry Farrell.

Anyway, just some food for thought. I'm not saying anyone is wrong regarding a take like that, but there are a variety of ways to look at this. Gene Roddenberry isn't a saint by any means, but it definitely bothers me how folks will tote the Berman era as if it were the lesser of two evils or the more progressive depiction of women when I felt there were far more concerning portrayals of women in his era with far less justification.

(P.S: I don't event want to go near the sheer amount of "creepy old dude/villain preys on innocent/naïve/scared young woman or little girl" stories there were in Berman's era, either. But that's a whole other can of worms I can write about in a part 2.)

[sunderwight]

disciple luo binghe, running errands for his shizun one day, somehow manages to be in the exact wrong (right) place at the exact wrong (right) time and catches shang qinghua meeting with mobei jun

in order to keep luo binghe from tattling right away, shang qinghua dissembles in a panic and claims that his clandestine meetings with mobei jun are happening because they're lovers and definitely not because shang qinghua is betraying the sect and handing their secrets over to demons in order to save his own hide. when that almost doesn't work, he also tells luo binghe that he knows he's part demon, and that if luo binghe rats him out then shang qinghua will take him down with him. mutually assured destruction

it works, and even though luo binghe threatens him quite a bit (jeez kid calm down, you might be the almighty protagonist but also you're like sixteen) he agrees to keep shang qinghua's fraternizing a secret. but if ANYTHING BAD should happen to the sect or especially to luo binghe's shizun because of this, luo binghe will take shang qinghua down even if it does ruin his life too

shang qinghua, now sweating even more bullets about the impending immortal alliance conference: cool! cool cool cool sounds great cool yeah

so shang qinghua can add "being blackmailed by the punk ass brat I sort of created" to his list of stress-inducing woes. which gets even worse when luo binghe keeps somehow sensing if mobei jun is around for more than a couple hours and showing up, and picking fights with him?? kind of??

wtf has the protagonist been taking tips from liu qingge or something...?

shang qinghua feels like he's gonna have a heart attack when mobei jun just snorts and tosses luo binghe by the scruff like he's an annoying yappy dog

mobei jun actually knows what's up though. teenage half-demon who has never been around his own kind has become spoiled by the lack of competition on this front, and now his hackles are all up because he wants to claim the whole mountain range as his territory, and his instincts are screaming at him to challenge mobei jun about it so that they can decide who is actually top dog. since mobei jun could easily kill him, especially with his blood sealed, and has been clawing rocks and pissing on trees along the borders of an ding peak since before luo binghe was born, he's clearly got seniority here

and since qinghua doesn't want mobei jun to just kill the little shit (fair enough -- that sealed bloodline does look kind of interesting) that means it's up to mobei jun to teach him how to do things like interact with other demons without making a complete fool of himself. lesson one: what to do when you challenge someone out of your league and they win, assuming they don't just kill you

so luo binghe reluctantly gains another demon tutor

meng mo actually approves. he's been out of the loop on demon high society for a long time, and has lacked a body for long enough too that he's forgotten a lot of the particulars of socializing. it'll be good for luo binghe to pick up some manners that aren't just silly human tea ceremonies and things. maybe he'll start addressing meng mo more respectfully for a change!

(lol no)

luo binghe is partly like "I don't need to learn demon social skills since I'm spending the rest of my life as a disciple of qing jing peak" but partly like, well, if shizun knew about this and didn't freak out about it, he'd probably say that knowledge is power and learning how to handle politics and diplomacy of all kinds is important. and despite himself luo binghe is also interested, because this is a whole perspective on his own nature that he's never really gotten advice about

also, mobei jun is the lover of shang qinghua? mobei jun is a demon who successfully seduced a cang qiong peak lord? does he have any advice about that?

(he does -- all of it very bad)

anyway all of this sort of fucks up the immortal alliance conference developments really good, so the system kind of gives up and settles on some other big transformative achievements that luo binghe has to complete in order to be suitably heroic

but shen qingqiu has no idea and so the reprieve just seems to come out of nowhere until several years later, when he walks in on luo binghe with his claws out and huadian gleaming in the company the demon king of the northern desert, the two of them playing weiqi or something while they wait for shang qinghua to get back from some random logistics crisis he had to rush off to

shen qingqiu: ...?!?

luo binghe, panicking: wait shizun I can explain it's not what it looks like SHIZUN I SWEAR I WAS GOING TO TELL YOU PLEASE DON'T BE MAD--!

shen qingqiu: all this time I thought you were sneaking out to meet a girl, and this was what you were doing instead?!

luo binghe: WHAT?? shizun no I'd never do that I swear I don't even like girls!

shen qingqiu: that's not -- wait what do you mean you don't even like girls?!

mobei jun, unperturbed and still focused on the weiqi board: he's gay

[roosterr]

white flag ✹ proglogue

note: can't believe i'm actually writing for ghost, yes he was the reason i got into cod, but i havent thought about him since like january lol. has this trope already been done? yes. am i doing it anyway? also yes.

pairing: ghost x gn!reader

wc: 2.2k

no use of y/n readers callsign is 'stingray'

summary: if there's one constant in your life, it's that ghost doesn't like you, so when your house burns down and you have no choice but to move in with him, it feels like your life is on a steady downhill spiral.

warnings: slowburn, some angst, your house burns down, ghost is mean, sort of enemies to friends to lovers

ao3

【next】

it's been almost a year since you'd joined the taskforce. nearly twelve months of gruelling hard work, and not for a single second had lieutenant ghost treated you with a shred of familiarity. at first, you thought he'd get over it, that he'd get past his obvious trust issues and warm up to you eventually, but you quickly gave up on that idea.

clearly, you'd been too optimistic.

which was unfortunate, considering how much you'd come to care for the prickly bastard, no matter how dismissive he was of you. it started slow; when you were first recruited, you held a great deal of respect for him because of his reputation, and you'd naively even looked forward to working with him. when you discovered his less than friendly demeanour, to say you were disheartened would be an understatement. he was withdrawn and stoic, never sparing you so much as a passing glance and a barked order,  whether you were in the field or not.

the other sergeants had assured you that he wasn't as cold as he comes across; soap and gaz both told you how he'd acted the same towards them when they first met – he was a lone wolf, not used to having to look out for teammates.

the more time you spent on missions with him, the more you saw of the person beneath the hard exterior. you saw how he seemed to know everyone's strengths and weaknesses, things you never would've picked up on. he always made sure the team had eaten, disguised as a gruff order to stay on your game. when he got angry, it would be because someone put themselves in danger, not because they screwed up the mission. you saw someone who'd been through hell and come out the other side swinging.

before, you'd respected ghost as a soldier and your superior, but now, after spending so much time with him, your perspective of him has changed. he intrigued you; he's quiet, introverted but not shy, more observant than you could imagine, and so closely guarded you wondered if he'd ever be able to open up. you'd only heard whispers of the things he'd been through in the past, so despite his obvious animosity towards you, you treated him with the respect you thought he deserved – like a person, and you'd hoped that with time, he could see you as more than just a soldier too. though he still didn't like you, you liked to think that the two of you have come to some sort of understanding.

and that leads you to your problem; you wanted to know him. every tiny crack in his facade made you more and more curious about the man behind the mask – about simon, rather than ghost, but from what you could tell, he didn't hold the same sentiment about you. where he would banter back and forth with the others over comms, he'd fall silent whenever you join in. every minute little mistake was amplified to him, you've lost count of the amount of times he's berated you for things he's excused for others. it made your heart ache that you just couldn't win with him, and you feared you'd never understand why.

but now, as you sit shivering with a shock blanket wrapped around your shoulders, watching the smouldering remains of what was your home in the middle of the night, freezing and exhausted, you'd never felt more hated.

you could hear them, ghost and the captain, talking in hushed voices a little ways down the road from where you sit. they probably think they're being subtle, discussing what to do with you like you're not even there, like every single one of your worldly possessions hadn't just gone up in smoke, but you hear them as if they're standing right in front of you.

"i wouldn't do this if there were any other options, simon."

"there are plenty of other options, just stick 'em in a hotel for god's sake."

"there's no hotels close enough to base – it'll only be temporary, 'till we can find 'em somewhere else."

"fuckin' hell, why cant they go with one of the others?"

"soap and gaz are already flatmates, you live alone and you're the closest to base. this is the only option that makes sense."

"i'm not fuckin' happy about this, price."

their profiles are momentarily illuminated by the blue lights from the fire engine parked nearby, allowing you for a second to see the withering glare ghost is sending your way, and all of a sudden the last couple hours of emotional distress is crashing down on you; his obvious distaste for you combined with the toll of watching your house literally burning down was too much for you all at once. you could feel the tears start to spill over again, but you can’t find the strength to stop them and just bring the shock blanket closer to your face. you’d lost everything, and even now he couldn’t find it in himself to feel an ounce of compassion for you? why can’t he care for you like he does the others? like you do for him?

as your watery gaze drops to the soot and ash covering your pyjamas, a voice sounds from beside you, the opposite direction from price and ghost. you don’t even realise you’re hyperventilating until they lay a hand on your shoulder and rub soothing circles into your back.

“hey– hey, it’s okay,” it’s gaz, you notice in the back of your mind, sitting on the curb next to you. you squeeze your eyes shut in an attempt to block out the world around you, and gaz brings you closer into his embrace. “you’ll be alright, we’ll get everything sorted, yeah?”

"i– i don't– i can't–" you try to speak, but you can't seem to form a coherent sentence through your sobbing.

"it's alright, just breathe for me." gaz hugs you tighter again, your head coming to rest on his shoulder as he consoles you. for a few minutes you stay like that, your breathing eventuslly returning to normal and the tears slowing to a stop.

price and ghost are still arguing, but you can't hear what they're saying anymore; probably for the best, if you had to listen to ghost complain about you for one more second you might really have a breakdown.

soap's voice cuts through the fog in your mind, "managed to find this, thought ya' might want it." you look up to find him crouching in front of you and holding out a slightly singed photo, a weak smile on his face. "frame's broken, but the picture's still mostly fine."

you take it from him, fingers grasping the card gently as you turn it around to look at the picture. it's from a few years ago, you and your friends from your previous unit, smiling into the camera as if you had no worries at all. staring at the ghosts of your friends starts you crying again, clutching the photo to your chest and leaning back into gaz's shoulder. if anything could've survived the blaze, you're grateful it was this. gaz rubs your arm sofly, whispering comforting words to you again.

you hear another set of footsteps approach and look up again to see price now standing in front of you as well. it's not exactly surprising, but ghost is nowhere to be seen.

"ambulance is here," price says, offering you a hand and pulling you to your feet when you take it. "i'll follow behind to the hospital, one of you two take their car to simon's."

you nod and retrieve your car keys from your jacket pocket, thankful you'd had the mind to grab it on your way out in your frantic state.

"I've got a bag in the boot, it's got some clothes in it." you mutter, handing the keys to soap, who smiles and gives you a pat on the shoulder.

"no bother, i'll grab it for ya." he says, and jogs off to where your car was parked, thankfully untouched out of reach of the fire. he returns not a minute layer carrying your duffle of emergency supplies, something you never thought would actually come in handy.

before you know it you're waving gaz and soap goodbye, the paramedics are guiding you to the back of the ambulance, and you're leaving what remains of your old home in the rear-view mirror.

✹✹✹

you hated hospitals. it was a fact, and it had been that way since you were a child, everything about them just made your skin crawl. perhaps you inherited the feeling from your mother; she always managed to bring up her distaste for the place whenever the topic arose. or, maybe you only hated them because they scared you.

either way, the relief you felt as you stepped out of the front door into the car park with price trailing behind you was palpable. he falls into step next to you as the two of you make your way over to where he parked, his keys jingling as he fishes them from his pocket.

"we're puttin' you up with simon for the time being, 'till we can get you somewhere else." his words make you wince; you already knew he was going to say that, but it didn't stop the anxiety from bubbling up in your chest.

"i heard." a beat of silence passes before you continue. "how long will that take?" you ask, climbing into the passenger seat and dropping your bag at your feet as price settles into the driver's side.

"i wouldn't get your hopes up. might be quicker to wait for 'em to rebuild your old place." he flashes you a smile, but you can't find it in yourself to return the gesture.

"right."

neither of you say another word as he starts the engine and pulls out of the car park. you turn to look out the window, watching the world go by, the quiet rambling of the radio serving as white noise in the background. it's the early hours of the morning now, the sun would be up in a few hours and you'd have to go back to work already – price did say you could have the day off, but honestly the last thing you wanted was to sit around all day with nothing to do but overthink.

after nearly ten minutes of trying to ignore it, the worry playing at your mind becomes too much to keep to yourself.

"you know he hates me, right?" you utter, half expecting price to ignore your question all together.

he clicks his tongue. "he doesn't hate you," price replies, and his voice sounds reassuring but it doesn't bring you much comfort.

"okay, well, he doesn't like me either." you turn your head to look at him, raising your brows. rolling to a stop at a red light, he meets your eyes and huffs.

"alright, he can be difficult–"

"really?"

"–but i promise you, he doesn't hate you." he says. you give him a disbelieving look, and he sighs, looking back to the road as the light turns green. "give him a chance, alright?"

"is he gonna give me a chance?" 

"he will." price says firmly, sparing you a look as he drives down the quiet road. "and if he doesn't, you'll knock some sense into him, eh?"

"sure…" you mutter, looking back out the window and falling back into silence. its only a few minutes until he's pulling over to the side of the road, outside the house number you know to be ghost's.

"sting," price calls out, stopping you as you reach for the door handle, "he'll come around, alright?"

"it's been a year, cap. i don't think he will." you reply, and before he can say anything else you open the door and step out into the night air, grabbing your bag from your feet before closing the door again. you give price a half-hearted wave as he pulls away again, before turning around and gazing up at your – temporary – new home.

it was nice, all things considered; a standard terrace on the end of the row, but the size has you wondering if there was even room for you to stay here. though it's not as if you have a choice. all the lights were off, which had you hopeful that you wouldn't run into ghost just yet.

you drag yourself to the front door, your eyes stinging from the effort of keeping them open, and twist the handle as quietly as possible, closing it behind you and cringing at the clunk it makes. thankfully ghost didn't hate you enough to lock you out for the night, something you actually wouldn't put past him considering how he feels about you.

there's a small side table in the entryway that catches your attention. on top of it sits your car keys – you make a mental note to thank soap in the morning – a new key, and a note. you pick up the paper, using the torch from your phone to examine the scratchy handwriting.

living room's yours. lock the door. – s

it's more than you expected from him. you sigh to yourself and pick up the other key, locking the door and shuffling into the small living room. the pull-out bed is made up for you, albeit quite messily, and you waste no time in dropping your stuff and laying your head down on the lumpy pillow.

with any luck, this arrangement wouldn't last long, but in the meantime you got the feeling you were in for a bumpy ride.

[brown-little-robin]

When Mob exorcises Dimple for the first time, he taps his fingers on Dimple's forehead and says: 僕は最低だ。That gets translated "I'm terrible" or "I'm the worst" in English.

Those are pretty vague words in English, though, so I paused the show to look it up. (took me a hot minute to find the listing for the word 最低, too, which means I'll probably remember it forever, but that's not relevant, lol.) SO. Mob says "boku wa saitei da"— I am 最低. Turns out that "the worst" is a pretty great translation, because it captures both the aspect of "least (lowest in some category)" and "most repugnant" from the original word.

This is awful. Obviously. No 14-year-old should be calling himself that in full honesty. But that's not the point I want to get across:

The exact moment that Mob uses the word 最低 for himself is worth noting! Dimple has just jumped at Mob for a killing blow, proclaiming that in the battle between them, lived battle experience will determine who's the winner. Dimple is judging himself and Mob against each other on a scale of battle skill. The only variable he cares about is power. And when Mob wipes him out, clearly Mob is the winner of their contest. From Dimple's perspective, Mob should be saying he's 最高—saikou, the antonym of saitei, meaning "the best/highest". But Mob is judging himself by a completely different variable—the ability to control himself. That's why he calls himself the worst. It's a moment of self-loathing, yes, but not out of nowhere—he's correcting Dimple and re-contextualizing their fight as a failure on his part, not a victory for anyone.

[natalchartnurtures]

PAC: Mitski, what about me is eternal like the.. moon?

I had so much fun doing this

~~~~~~~~~~~

Pile 1:

'Cause my love is mine, all mine I love mine, mine, mine Nothing in the world belongs to me But my love is mine, all mine, all mine

I'm sitting right in front of your cards in utter awe. I got goosebumps when I laid eyes on your cards, pile 1. Let me begin by saying this: you've seen some DARK and truly terrible times, haven't ya? Even as I say this, it feels like an understatement. There have been times when you were stripped down to bare bones, and you had to "grow back the rest of you." I apologize for the gruesome metaphor (but hey, I'm just the messenger; this ain't really coming from me :p). Maybe you've had to encounter times when you felt painfully lonely, stuck in your head and in your general life too, like your spirit was beaten down. Or maybe it felt as if the universe snatched away something you thought was incredibly precious? But I hear that it wasn't what you thought it was; that's why it had to go. You probably didn't see it that way at all, and THAT'S ALRIGHT because we don't have Spirit's perspective, now do we? I see that you really struggled to put yourself together after that somewhat 'impossible-seeming' loss. It seemed like it came outta left field.

BUT GUESS THE FUCK WHAT. You, my friend, took this PAIN and these fucked up times and turned it into a damn palace of gold. You read that right. What's eternal about you? Your alchemy. Your fire. Your willpower. Your ability to take life by the balls. Your refusal to let it beat you to dust. Your refusal to be small. Literal goosebumps, you feeling it yet? It's your connection to God/Source/Universe. Your faith. Your mastery of your mind, babe. Yeah. You've somehow mastered your mind in this process of putting yourself back together. Acknowledge that ish! 'Cause you really did do that.

Nothing can ever get you to stop dreaming, and much less trying to stop you from achieving them, love. You're a powerhouse of energy, and God bless anybody who ever underestimates that (you included side-eyeing you right now). Not you getting low key called out, haha.

Don't get me wrong, though; being a powerhouse of energy doesn't necessarily mean being in everybody's face trying to assert your dominance, y'know? It can look like silent crying in the middle of the night and waking up the next day determined to overcome the thing that made you cry the day before.

Your light is what's eternal about you. It never goes off. Like ever. Your dedication to learning and growing through whatever, and I mean WHATEVER, life throws your way is what will never die, sweetie. It's like a part of your essence at this point. I hope you're proud of that and know that it's what will bring you to your success in life, whatever that looks like for each one of you beautiful ass people reading this :)

Haha, that's so cute; I just heard Spirit go "you're going places, sweetheart" ><

And with that, let's end your FABULOUS, goosebumps-inducing (btw, I don't say that about just ANYTHING), and awe-inspiring reading here.

Thank you, pile 1, for sharing your energy with me today. I love you guys so, so much and… not gonna lie, I'm low key honored to have been in your presence today. Haha, see ya!

~~~~~~~~~~~

Pile 2:

My baby, here on earth Showed me what my heart was worth So, when it comes to be my turn Could you shine it down here for her?

My god, why is there so much happening as I tap into your energy, pile 2? And I mean it in a nice way, though. I heard T Swift's song "The Last Great American Dynasty" as I was shuffling for you, and I heard Spirit go, "she's sweet and salty," lol. We'll see how all that plays into the reading eventually.

The first thing I noticed was your incredible balance within your mind and heart. It's shocking. Maybe you've been working on getting these aspects of yours to agree with one another and balance each other out, or it's simply your personality, but… pile 2, this beautiful mind-heart balance is what's eternal about you, love. Your peace. Your calm. The childlike innocence of your heart blending seamlessly with your mind's unending curiosity for life. Your emotional intelligence. The way you flow… like water, I heard. Wow! I find that so amazing, ugh, like can we be friends, pile 2? T-T, 'cause I definitely need some of that in my life right now, not gonna lie, haha.

There's that AND then there's a whole other dimension to you where you give 'life of the party' vibes as well. OH, so maybe that's why I heard Spirit say "sweet and salty," like two very different things but produce a wonderful taste together. Complex. Addicting. You make people want to come back for more, pile 2. Mmmmmm! Love that!

You have this laid-back vibe to you as well that a lot of people in your life appreciate. I see that your ability to lighten anybody's day is what's eternal about you awwww. I heard "she's the sunshine of my life." UGH, this is too wholesome for my heart; please save me. You seem to really perk up people's day/week or just life in general. You give, like, Saggi vibes, bro. It doesn't matter if you have that in your chart, but it's just your soul. The eternal aspect of you feels bright, expansive, loving, and so vibrant in energy, my god. You've also got strong feminine energy too… you must be really good at attracting 'cause you're strong in your feminine energy AND you're chill and detached from it at the same time. Effortless manifester, master manifester are some words that come to mind as I describe this.

Your divinity is what's eternal about you. Your 'witchy vibes.' Your embodiment of your highest truth. Your commitment to maintaining this divine connection in your day-to-day. Bro, what's eternal about you is that you can turn any old mundane task/thing into something fun and magical and full of meaning and symbolism. You live life deep, and even though there aren't a whole lotta people who can join you there, you wouldn't have it any other way. It's your raw authenticity, babe. Circling back to "The Last Great American Dynasty" song, maybe you're like Rebekah that T Swift sings about, "the most shameless woman this town has ever seen." People tend to call raw, authentic women shameless, but you couldn't care less. You will forever do what you like 'cause you're a free-spirited divine mystic in the body of a teeny lil human. Love it.

That's all I have for you, pile 2. Thank you for spending time with me! I love you so much <3

~~~~~~~~~~~

Pile 3:

Moon, tell me if I could Send up my heart to you? So, when I die, which I must do Could it shine down here with you?

Ah, my divine activators. What's eternal about you? Your intensity. BS detection might as well be your middle name. Sherlock Holmes who? 'Cause you're the new detective in town, baby, sniffing out illusions, falsities, fake people, LIES, victim mentality. None of that runs free with you around, I'll tell you that. It's your capacity to hold divine truth, lovingly, which is INCREDIBLY hard, btw. You can't stand half-assed people and people who seem to not have their "heads screwed on straight." Lmao, what kinda people are you surrounded by, pile 3? Ooh, I heard that you're divinely planted where you are so you can activate a lot of people into awakening to their true selves, but it looks like nobody wants to actually awaken. Lmao.

-Side note: My heart goes out to you if you've been surrounded by really difficult and chaotic energies that bring you down a lot. That SUCKS so hard, bro. Been there myself too lately, and it's not a fun merry-go-round to co-exist with. Just keep being your amazing cool-ass self, ok? Things will work out eventually. You already intuitively feel that things will get better, so trust that feeling!-

If I could describe your energy, I would use the Phoenix rising from the ashes symbolism to do so. Ohhhhh, as I told you that, I saw a vision of T Swift's music video of "Look What You Made Me Do," where she comes out of the grave and sings, "Honey, I rose up from the dead, I do it all the time." I'm a fan, pile 3. Omg. That's some badass ballsy energy, and I'm so here for it right now. You're the epitome of what psychological death and rebirth looks like. You're the textbook definition. And THAT'S what's eternal about you. No matter where you are or what you end up doing in life, you'll always be able to "rise up from the dead" and do it iconically too. Haha, I literally heard that. Lmao. This ability of yours is an extension of the greater aspect of you - your higher self. Whoa… I just heard you've had this ability for lifetimes and you will take it strongly with you to the next ones as well. Powerful. It's etched in your soul, pile 3. You know what you want and how to get it, even if not immediately; you always do eventually. It's the security you possess within yourself that's eternal, love. Nothing can really shake you at this point. Lmao. You've got a strong-ass foundation.

-Side note: I'm really seeing a healed and fully realized root chakra for you. If you haven't gotten there yet, you're well on your way! Good job! Root chakra work is the most brutal, btw, so… you really have my respect. Haha, moving on-

You have warrior energy present quietly in your personality as well. You give spiritual warrior vibes. You don't prefer to live in it 24/7; it's simply something you tap into when a situation calls for it. Otherwise, I see you being quite heart-centered, full of love, looking at the world with rose-colored glasses. Your inner child is what's eternal about you. Your divine sensitivity and your capacity to hold your emotions without judgment and live big from a place of heart. You embody the energy of water in my eyes, tbh. Life-giving but also destructive if need be, and there's absolutely nothing weak about water. Phew. You are eternal as the oceans are.

Ahhh, pile 3, that was sooo much fun! Thanks for stopping by, and I love you soooo much!

~~~~~~~~~~~

[thighguys]

Phan Fic Recs!!

here's a bunch of my absolute favorites for anyone who needs a distraction from the election <3 i will make a second post with shorter ones as well, this post will just be fics that are over 10k

Inheriting Love by Fictropes (22k)- Dan is a lawyer who executes wills in a small town in the English countryside, and Phil's aunt leaves him a house. One of the cutest fics I've read recently tbh, lots of banter and cows<3

Silver Arrows to the Heart by @evermorepeyton (137k, WIP)- How could i POSSIBLY make a rec list without including this masterpiece??? Dan and Phil are Formula 1 drivers, chaos ensues<3 sooooo much fun (and there are some really beautiful cool women in there too, just as a treat)

dancing on the blades (you set my heart on fire) by kishere (123k)- Dan is an amateur figure skater who scores a spot at the famous Lester training gym, where he meets the legendary Phil Lester and of course they fall in love... this one has sooo many cute fetus moments and wonderful cameos from Kath<3 absolutely love it

Like a Bowl of Oranges by cloej88 (@bitchslapblastoids) (47k)- Phil is a filmmaker looking to amplify queer stories in the media, Dan is a ghostwriter who's been writing a memoir on the side, you can guess what happens next. very VERY fun fic, lots of drama and lovely reflection, as well as the softest scenes between them. love this one (and the author :3)

The Odd Uneven Time by @yikesola (20k)- A 2009 fic from Phil's perspective, falling in love with a boy over the Internet. Absolutely WONDERFUL vibes, so so so cute (and it probably happened in real life ahaha)

Live Incidentally by yikesola (37k)- Phil makes novelty t-shirts and Dan buys them :) really funny, also some great Lester family moments

The Pianist Everyone Is Talking About... Is My Husband by @natigail (25k)- Dan is a famous pianist, Phil plays his songs on the radio, but nobody knows that they're actually married. Lots of chaos ensues, crazy fangirls can feel super represented, and Dan laughs at Phil about it all<3 this fic is so funny lol, highly HIGHLY recommend

Kick Me While I'm Down by jerserker (14k)- Dan and Phil join an adult kickball league! Phil just wants to make friends, and Dan... kicks everyone's asses <3 Really funny competitive Dan, fun times honestly :)

missing the obvious by Fictropes (14k)- Dan plays videogames in an anonymous Discord server at night, and during the day he goes to his boring office job and hooks up with his coworker Phil in bathroom stalls... I wonder how these two things could possibly be connected...

Our House by sierradeux (50k)- Dan is a real estate agent, Phil is a Youtube house flipper, they team up to cohost an HGTV renovation special and fall in love. With the house, obviously. But also with each other <3 this is one of my favorites guys I think it should be required reading for everyone on phannie tumblr

maybe this christmas by blackbirddan (13k)- it's November, im allowed to rec christmas fics now, right??? anyway, this one is HUGE for fans of the Lester and Howell families, just so so so soft and sweet and awesome<3

Strictly Come Dancing but make it GAY by natigail (176k)- i mean this one has a pretty self explanatory title... read for super hot dancer Phil, awkward celebrity Dan, and so so so many beautiful outfit and dance descriptions :3 seriously, I wish I could watch this season irl :( this is for sure in my top 3 fics of all time to be so honest

they grew up so nicely, didn't they? by natigail (15k)- Cornelia pov on meeting the boy Phil brought home, and then throughout the years. SO CUTE!!!!! really big for fans of outsider pov (me)

okie dokie<3 i will be making an under 10k rec list as well, so be on the lookout for that one!

[iznsfw]

Still remember me?

On this day three years ago, I wrote and posted my first ever fic on Tumblr.

Since then, I've improved (I'm proud to say that), took breaks, met beautiful people, and most importantly: I had fun. Although it's just brainrot I was writing, I found joy in it and the people here <3

Things haven't been easy ever since my mother died and I got effectively admitted to a ward—I thought I should be honest with you guys. I'll be spending my birthday in a few days still in a facility where it gets too lonely at times. But I've only found so many things to be thankful for.

I'm grateful. Readers, writers, hate asks lol. I thought I should mention some people who've made my stay here happy, which of course is not an exclusive or ordered list:

@prael , thank you for always understanding and helping me out. When I was panicking and trying not to cry, you were the one who reached out. Saw your Kinktember and it was aaaawesome!! How are you so good?!? Thank you so much for being a good friend, a great writer, and a sweet guy overall. I owe you a lot, I love you!

@sinswithpleasure, thank you for being so sweet, so kind, and so precious. You're so easy to talk to and I love you more than you know.

@firagaarmor, my fellow Gaeul ult 👀 I always love how wise you are with your words. Thank you for giving me advice, offering new perspectives, and supporting me. I love you!

Kaede <3: not here on Tumblr, I think. But I thought you should know your welcoming words and overall cuteness helped bring me out of my shell. I love you, I love you, I love you! Please keep being my friend.

@friskyriskywhisky — your detailed and sweet feedback message was one of the last things I read before getting admitted. It's always in my thoughts and motivate me to get better. I love you and your asks and your creativity. Basically, I love everything about you!

@majorblinks, understand me sooo well. You're adorable and one of my inspirations. My twin, my bestie, and fellow Sophia stan, I love you!

@capslocked, the first thing I did after being given phone access was reread your fics. They're as good as I remember them. Thank you for giving honest feedback, being kind to me, and just getting me going. Love you!

And of course, to everyone! Everyone on Tumblr, everyone on Discord, everyone who's everything to me <3 Love you and thank you.

I'm sorry for going silent and leaving you in the dark. I'm just asking for a little more time. I'm getting healthier and trying harder. I've got some releases in the drafts and stuff I'm working on. I'll come back, but I hope you wait for me. You don't have to, but it's always nice to see you and know you're there <3

Mwah mwah chup chup! Mahal ko kayo, and I'm always thankful :')

[unproduciblesmackdown]

no, More active effort, More conscious consideration