#I tried to show how I think they died in their designs also (:

[foop204]

Got inspired by @applestruda 's art with Pirate!Scar's hats being from the other boatem members and I got inspired :] Here's some cartoony ass ghosts!!

[timelesslords]

thinking about how the hunger games were designed to prove that without society, order, government, someone to rule, we devolve into little more than animals, and how the games themselves prove over and over again that this is not true. We see it in every single game we witness.

Katniss placing flowers around Rue's body in the arena. Thresh sparing Katniss because she was kind to Rue, even though he was making it that much harder for himself to win.

Haymitch going back for Maysilee after hearing her scream even though their alliance had been broken. Haymitch holding her as she dies the same way Katniss did Rue.

Coral's "I can't have killed them all for nothing" when she realizes she's not going home. Lamina cutting down Marcus at great personal risk. And, my favorite moment in tbosas, Reaper collecting the bodies of his fellow tributes, his peers, even the ones who tried to kill him, into a pile. Taking the weapons from their hands. Closing their eyes and crossing their arms in the best approximation of a proper burial he can manage, covering them with the Capitol flag as a makeshift shroud.

The Games bring out the worst in people, yes. But despite the extreme circumstances, despite the exterior pressure of the Capitol, despite the fact that it could mean pain and heartbreak and death, it also shows that people have an enormous capacity for goodness. That even in a situation purposefully designed to make empathy impossible, people can't help but have it anyway.

Snow looks at the Games and all he can see is what's inside himself-- this pure animalistic drive to conquer and defeat. He kills and it feels good and he thinks that everyone else must feel that way too. He doesn't realize (maybe can't realize) that he is the exception, not the rule. He cannot see outside himself, outside his own warped perspective, to realize that the fact that people do show humanity in the games proves his entire worldview wrong.

[bloomeng]

This is my official Batfam Magical Girl AU Masterpost (everyone clapped)

(image updated: 9/21/24)

I’m going to do a brief overview and then go into more details for those interested.

Bruce being from old money (and apparently being connected to Camelot) inherited a mysterious mineral with unknown properties. In its raw form it’s very unassuming, but when cut like gemstones and added to accessories can be harnessed into a tool. By altering the mineral into a wearable item it allows the magic within to be channeled. The magic of the mineral connects with its wielder to create an outfit and (typically) a weapon. These outfits do not grant the wearer special abilities outside of the transformation and the weapon, but when worn the wearer is granted (what is basically) hammerspace and a nearly impenetrable outfit. The uniform granted is not something they can alter the appearance of but will change gradually overtime to reflect how the wielder has grown.

This mineral will henceforth be known as Arcanium. It operates on Kryptonite logic in that it’s— allegedly— super rare but also shows up whenever the plot needs it. (I’m aware it shares a name with a card game, but I wanted my Kryptonite spoof)

Martha Wayne unknowingly started the cycle by turning— what she thought was a rare gemstone— into a brooch. She died shortly after having it made and Alfred held onto it in her memory. Like canon Bruce goes on his journey of self-exploration to train. When he comes back he enacts his plan the way he does in Batman: Year One, where he goes out in basically just make-up, and it goes poorly. He wanders his manor trying to formulate a strategy and is drawn to his parent’s room and finds his mother’s brooch. Cue the first magical girl transformation. From there he alters the brooch to fit his bat aesthetic and the Batman Brooch is born.

Dick comes into his life the same way as canon. Bruce takes him in as a ward, Dick tries to track down Zucco on his own, etc. Bruce decides to use the other raw sample of Arcanium to turn into a second magical artifact. He lets Dick pick the theme, and thus the Robin Pendant is born. The rest is history.

(Before I continue I want to warn that I’m making shit up as I go, so some of this is subject to change as I move forward.)

The Robin Pendant is passed down from Robin to Robin. Each Robin got their own unique look while using it. Following canon, Dick and Bruce have their falling out and Dick gives up the Robin Pendant in a moment of anger. In this au I think Dick, not having the pendant to fall back on, tries to lead a vigilante-free life, but of course falls back into it. During a fight he somehow manages to stumble across Arcanium in its raw form. Recognizing it he takes it with him. Like Nightwing: Year One he has his conversation with Superman and decides to become his own hero. Using his knowledge of Arcanium from his years with Bruce he creates his own magical artifact and becomes Nightwing.

This a good place to interject that I’m not changing any of their hero names. I was asked about it a couple times due to the caption, “Red Bow & Sailor Nightwing” on my Dick and Jason designs. It was was just a silly caption, because I didn’t want to simply state “Jason and Dick Magical Girl au.” But being serious, I don’t really see a reason to change their names, with the exception of maybe Red Hood, seeing as I didn’t give him a red hood. My au operates on Sailor Moon logic where despite the lack of masks no one recognizes them, and it’s just vaguely explained by magic. I think it would be funny if Bruce chose to wear a mask anyway because he’s that paranoid, but we’ll see when I actually design him. Anyway point is Red Hood is lacking a red hood, maybe he secretly has a red hood on his jacket or maybe he really does go by Red Bow, I’ll leave that up to interpretation.

Arcanium does not just accidentally appear. At the end of the day it’s still a mineral and it’s not sentient, but the magic has an element of “the wand chooses the user.” It’s not so much a “chosen one thing,” so much as the magic can sense intention. It doesn’t care about the morality of the user, the magic is more seeking a symbiotic connection. (Meaning yes rougues can in fact wield artifacts.) Simply put, it wants a host that will be able to wield it. In its raw form the magic is dormant but it seeks to be… not dormant, so when it finds those who actually have the potential to create an artifact and use it, it reveals itself. It was not a coincidence that Martha had the inclination to have the brooch made, it was not a coincidence that Bruce was drawn to his parent’s room, and it was not a coincidence that Dick found Arcanium in the alleyway.

Each of the Bats have their origin moments with their own magical artifacts. I don’t have the whole timeline down, but I will say there was a lot of drama between Tim and Damian, because Tim was forced to hand over the pendant. Even though he technically relinquished it, emotionally the connection wasn’t severed. No one was sure if the transition would work, but Arcanium responds to whoever needs it more and therefore who will use it more. Like canon, Tim is having an awful time during that era. On top of all of it he’s had his title striped from him and he can’t even argue because if it wasn’t the right move the pendant wouldn’t have responded to Damian. Dick tries to comfort him by telling him that Arcanium will appear for him when he’s ready, but Tim is furious and impatient. So like a well-adjusted person he decides he’s going to engineer his own magical artifact artificially. It goes as well as his attempt to clone Kon does. It’s not until Tim starts to get back on his feet that Arcanium presents itself to him. My thinking is that while Arcanium finds its users when they need it most, Tim’s case is abnormal. His acquisition of the pendant was unconventional from the start since he showed up and demanded to take on the Robin role. Arcanium is drawn to individuals who will actually use its properties. Tim tends to rely more on his own detective work, which renders the pendant’s properties pretty moot. Especially when he’s going off the deep end, he becomes a hermit meaning a) he wouldn’t really need/use Arcanium’s properties and b) he inadvertently limited his own chances of stumbling across it “in the wild.”

In a similar vein I believe Barbara’s journey is abnormal in that she forged her own Batgirl artifact that operates a little differently than the others, seeing as she made it without Bruce’s influence. After the accident she shelved it, maybe she passed it down to Cass, but eventually she gets it back. She created the Oracle identity without it, and for a long time the Batgirl artifact is something she avoids using, until she gets the idea to combine it with her computer to create a magic computer… sort of. She gets a uniform that is basically connected to the computer.

Going back to Damian needing the Robin Pendant more, its reaction to his acquisition was unique. As I mentioned previously the suits typically provide a weapon, well Damian is the exception. Unlike all the other Robin’s Damian didn’t need more weapons in his life, what he needed was guidance. For the first time the pendant granted Damian a magical animal guardian, which is how he gets Alfred the Cat in this au. Despite being an animal lover Damian is extremely pissed at this development. He wanted dual swords or a scarier animal at least. He can’t formally communicate with Alfred the Cat but he understands him intrinsically, though Alfred the Cat seems to be able to understand human speech somewhat. Only Damian seems to be able to truly understand Alfred the Cat. (Cue the antics of his siblings trying to figure out what the cat means or trying to control him in any capacity.) Besides being an animal, Alfred the Cat is also unique in that he doesn’t dissipate when Damian isn’t in uniform the way that the weapons do. Like the weapons he can be summoned by the pendant, but he seems to have existed prior to the pendant’s creation. (I’m toying with the idea that while in uniform, the cat would also get some sort of uniform.)

Before I get into Duke and his abnormalities, I want to address the Speedsters in this au. It’ll make sense after.

So the Flash. I want to say I don’t know if I will get around to creating full designs for them. I do have plans for Bart and maybe Wally, but I have determined how I want their mechanics to operate in the context of the au. Not all the heroes in this au are “magical girls,” in fact I’ve made the executive decision that you have to be human to wield an artifact. Arcanium may have magic in it, but it doesn’t grant its user magical abilities beyond the uniform itself. The speedsters retain their canon origins, hit by lighting blah blah blah, only with one key difference: they had Arcanium on them when they were hit. Instead of engineering an artifact Arcanium fused with their bodies granting them powers. I want to keep the magic transformation aspect (because it’s not a magical girl au without it), so instead of using a physical artifact as a channel for their powers, it’s instead the act of transforming that serves as a gateway to their speed abilities.

To me it was always important to maintain Batman’s identity of not having super powers and having to rely on engineering, which is why the Batfam have to physically build their artifacts. In a similar way I wanted to retain the integrity of the Flash’s identity of being meta but also still human. Which brings me back to Duke. I know in canon that Duke inherited his abilities, but for the sake of the au I’ve decide that he either had an accident when he was young in which traces of Arcanium fused with him or his parents had it in them and he inherited it from them, but regardless it’s less potent, but operates similar to the Speedsters. For years he couldn’t fully transform or use his powers and it wasn’t until— with Bruce’s guidance— he was able to create an artifact that allowed him to channel his abilities and transform. Even though he is a meta I wanted him to still have some of those Batfam qualities in there.

But what about the Superfam? They’re not human so how do their transformations work? The answer is simple: They’re not “magical girls.” At least not real ones, they’re faking. They’re not human (Kon and Jon are technically half human but they still get their abilities from their Kryptonian DNA), and thus cannot forge a connection with Arcanium. Truthfully I’m about to get silly— even sillier than this au already is— but I have decided that Clark is a fake artifact wielder. I like the idea that Batman has been operating longer than Superman has, so when Clark decided to become a hero in his own right his only example of how to style himself was from the bat themed vigilante, who might as well be a cryptid, operating out of Gotham. Only blurry pictures of him existed, so Clark designed his outfit based on his Kryptonian origins and Batman’s aesthetics. He had no idea about the existence of Arcanium or how it worked. This is also why Kon’s design looks so much like his canon outfit with a few magical girl elements (and definitely not because I think the lines in his canon suit already lend themselves well to a magical girl aesthetic and didn’t want to change much). Later when he gets to know Batman more he learns about the transformations, to which he panics and invents his own transformation using Kryptonian tech (ex: MAWS’s transformation). For years Bruce goes crazy trying to figure out Arcanium’s effects on aliens and if it grants them abilities on top of the ones they’re born with, and if Clark has plans to use it as a weapon, and how he managed to forge the connection in the first place— Clark comes clean as a fake once they reveal their identities to each other.

Side tangent but I find it hilarious that Green Lanterns are— by technicality— already “magical girls,” considering they’re granted magical accessories that give them powers and transform their clothing. Hal is very clear with the JL that he is nothing like Batman and constantly feels the need to assert that he is not a magical artifact wielder. The non-human members of the team still lump them together anyway.

Things I haven’t figured out:

- what each of the batfam’s weapons are

- what each of the magical artifacts are

- what to refer to magical artifact wielders as

Stepping outside the canon(?) lore of the au for a minute, obviously I’m redesigning DC characters using inspiration from a genre, because that’s what “magical girl” is. It’s a genre. This is why I refer to it in quotes and don’t call them magical boys, because I am always referring to it as a genre, which isn’t a gendered thing. However, in universe they wouldn’t call themselves magical anything, the same way the characters of Sailor Moon don’t refer to themselves as magical girls, but rather Sailor Scouts. As of right now I’m sort of just referring to them as artifact wielders, but I feel like Bruce would come up with a better name. On a similar note, throughout this whole thing I’ve been referring to Arcanium in it’s wearable state as an artifact. I don’t know if that’s the best term, but I can’t think of anything better for the generalized form of Arcanium outside of it’s raw state. For now I guess it will be “artifacts” and “artifacts wielders.”

- how the wonderfam fits into this

I really can’t think of a reason why Wonder Woman would be a “magical girl” in this au. She was born with abilities, she’s not human, and I can’t see her altering her uniform to match the aesthetic. A transformation would just be a waste of time for her. I could see maybe Cassie or Donna wanting to match with their respective teams, and perhaps maybe that’s why they would alter their uniforms? All I know is I want see Tim, Kon, Bart and Cassie as a matching “magical girl set.”

Fin… for now.

[I’m just going to put this here preemptively, because I’ve gotten messages about turning my au into fics or tiktok skits. You’re free to use this lore HOWEVER you MUST credit me not just for the designs but for the creation of the lore. I’ve put a lot of time and thought into this and I love that people love it, so I just ask for recognition. If you want to make something that’s inspired by my designs or loosely based on my au, just a simple credit for the inspiration is fine. You’re free to change things this is just how my own au operates. Regardless I would prefer to be tagged so that people can find me but also because I’d love to see other’s work.]

Current designs:

[greenlaut]

the four hunters 🗡🌿

extras + rambles below cut

yipeee i finally finished this illustration 🎉🎉

this is my personal take on the hunters gang (we will ignore that boromir died). honestly, i had a lot of fun thinking of the designs.

had to bring back my aragorn with his silly braid and blue hair ribbon. he's a ranger for most of his life, so he'd definitely go for practicality and what he's already familiar with—so no armour nor gambeson. he probably had a small fight with elrond before they left for the quest; where elrond tried to make him swap his gear for better, newer ones and aragorn just adamantly refusing because he's a lot more familiar (and more comfortable) with his own. which is why he's wearing tattered and worn rags. his red tunic is the only new thing he allowed elrond to swap to a new one. boromir definitely got exhasperated and somewhere down the line, he loaned aragorn his pair of arm bracers.

boromir (and faramir's (not featured here)) design changed a lot since the past years. it's a mash-up of both movie!boromir and lore accurate book!boromir. his hair is a lot darker and he has more of a storm blue-grey eyes as a nod towards his elendil ancestry. his clothing is heavily based off the movie. as for his cloak; since he's The son of gondor and denethor's favourite, i think he'd definitely get the fortune of wearing a fur cloak. the clasp has the white tree engraved on it.

gimli is by far my favourite. i always wanted to draw my take of gimli in his regalia. as a dwarven royalty, i think he'd groom his hair and beard really well, and he would've put on a lot of accessories to show his status. but since he's on a quest, he's not fully decked out in jewelries—wearing very practical clothing: gambeson with chainmail underneath. also, i like the dwarven fighting style they did in the hobbit movie where they go around and knock people off with melee. so gimli got hefty arm bracers and knuckle weights to really punch the shit out of some orcs.

for legolas; i think despite being an elf, he has the factors of being (1) mirkwood elf and (2) lowkey autistic coded. so he doesn't dress "like an elf"—not that the company would've known, with how limited their interactions with elves in general already. this meant that he dressed too casually despite going on a life-or-death quest. very light leather armour to support his speed and agility. he's not even wearing boots; just a pair of tree-climbing canvas shoes that he wrapped tightly. god knows how he survived this far. he's mostly a right handed archer—but since he lived for quite a long while, he taught himself to shoot with left hand too for emergencies. since his left hand isn't as stable as his right hand, he has a left-shoulder-pad.

THEY ALL HAVE SCARS because who doesn't get scars when you're literal warriors be fr. legolas' are more faded out though, because he's old as fuck.

close-ups:

fin.

[campbell-rose]

Hazbin Hotel Redesign - Nifty

My girl, my baby. I'll be honest, I had so much fun figuring out her colors and a backstory

Niffty died in a hoarder house that she desperately tried to keep clean. I’m trying to go for ‘charlie kelly but he does his job’.  

In the show, Niffty acts like a child. I’m not the only one who got that, right? I saw her and how she acted and thought she couldn’t be any older than 16. I’ve seen on some places (like the hazbin wiki) that she is 22 but like, idk. In my version she died as a teenager. I think making her young helps contextualize how dumb she is, because in the show she really isn’t that bright – in my version she isn’t stupid, she’s a child. Specifically, either 14 or 15 in junior high. She is Japanese and lived in Japan all her life. She’s also from the 1970s instead of 50s. 

I’m assigning sins to each human in hazbin, and Niffty’s sins were Wrath and either Sloth or Lust – subject to change. 

I’m basing what led her to sinning and going to hell off what the show presents, and making Niffty in her human life a, for lack of better term, yandere. She had a crush on lots of boys in her school, but one boy in particular caught her attention. She began to stalk him, collecting things of his like pencils and pens and notes, which escalated to chunks of his hair and pieces of his clothes. She would take photos of him and constantly followed him. Niffty eventually became so obsessed with him, she began plotting to kidnap him and keep him in her basement. She tried but hit a road bump when things didn’t go as planned. She tried to explain what she was doing to him, and confessed her ‘love’, revealing she’d been the one taking his things and stalking him. He is, of course, horrified. Niffty, perceiving this as rejection, attacks and kills him in a fit of rage and hysteria but also sustains multiple stabs in the fight, which she succumbed to. She died in her house, surrounded by trash and roaches. 

Her house was a hoarder house due to her mother’s deteriorating mental health. Niffty is constantly cleaning and hates the filth she lives in. I think if an episode was to show her backstory, the state of the house could reflect her mental decline as her obsession becomes deadly – the roaches and bugs become numerous as she becomes so obsessed with that boy she stops cleaning. 

Now for her design, the spots of what looks like blood make sense – in my version of hell the sinner’s wounds that killed them never heal so those blotches are Niffty’s actual blood from where she was stabbed and that are constantly bleeding. I’ve taken some inspo from oni in her design with the tusks. Her clothes beneath the apron are her school uniform, mainly because I want to show she is a child underneath the cleaning lady job she’s assigned to. In hell, she’s a bug, which she hated in life. 

I’m struggling to fit her and Alastor’s connection in this. She still is under a contract with him, and he basically owns her as he does Husk and – since he’s an overlord – torments her regularly. 

[downthe-f4ndom-rabbith0le]

Always Been You (Dick Grayson x Reader) - Prologue

Always Been You (Dick Grayson x Reader) Reader Insert: she/her pronouns Word Count: 7839 Warnings: death, violence, fighting, bloody wounds, angst, infuriatingly oblivious love interest, slowburn Spoilers: Young Justice Seasons 1-3 plot partially, but it ended in 2022 so catch up.

Y/N Prince - miracle daughter of Wonder Woman and Steve Trevor - and Dick Grayson - first adoptive son of the Batman himself - have been best friends since day one. They went to school together, trained together, kept each other's alter ego secret from everyone else, and they founded the Young Justice alongside their friends together.

But as time progressed, Y/N and Dick grew up and Y/N found herself wanting more than friendship with Dick. But he never seemed to indicate that he reciprocated her feelings. And when Wally died and Dick abandoned the team, Y/N realised he never would. So she heads to the one place she knows will help her become a stronger warrior so that one day she can take her mother's place: Themyscira.

Two years after his leave, Dick reaches out to his old friends to help him with a mission. But when he finds out Y/N left too, he chases after her in the hopes to bring her back.

However, when the two finally reunite, it isn't as warm as he hopes. Not to mention Themyscira becomes under siege as they go to war against Echidna, the Mother of Monsters in Greek Mythology, and her army of monstrous children.

Will Dick and Y/N be able to put their past behind them and save the Amazonians' homeland? Or will they fall, unable to tell one another their true feelings?

Long summary I know, but I'm attempting something that I haven't tried to do in a long time and I've had this thought in my head for ages so I've just got to get it out now. This story will cover the plot from Season One to the beginning of Season Three. Apologies if anything is vague or inaccurate, I haven't watched the show in a while and cannot be bothered going back to get it right when the main plot of this story is entirely of my own design and not canon. Also, for the sake of the growing-up-together part, I've brought Dick's family's death up so he is taken in by Bruce earlier than 12 years old. I've always loved this version of Dick Grayson (Nightwing) in Young Justice and I hope I do him justice for those of you who also loved the show and him xx

~~~

(10 years old)

'Don't worry, my beloved,' Diana said in a soothing voice, patting her daughter's head gently as the car pulled up. 'It's not so scary on the inside.'

Wayne Manor was made of grey columns and dark shadows it seemed to little ten-year-old Y/N, who couldn't shake the feeling that the house was full of ghosts. It was an imposing structure, making her wonder how anyone would choose to live in such a cold and lifeless place.

'I want to go home, Mother,' she whimpered, backing away from the car window.

Diana turned her daughter's head to face her, giving her best reassuring smile to alleviate some of her daughter's worries. 'We will, but I need to take care of something first and I can't leave you at home alone. My very good friend has kindly offered for his butler to look after you while we sort our business out. He has a son that I think you will get along with quite well.'

Y/N couldn't believe that a child lived in the scary house outside, but she knew when not to question her mother.

Her mother was always busy, it didn't matter what time of the day or night. Y/N didn't quite know what her mother did, but she knew it was dangerous, as her mother would come home with cuts and bruises, exhausted from whatever she'd just been doing. The partial truth of it all came out just last week, as Y/N and her nanny had been attacked in their small apartment in Washington DC. The nanny had locked Y/N in the bathroom when the men attacked so Y/N didn't see what happened to her. But Y/N had heard her screams, had heard the men laughing at her anguish. She'd heard her mother finally arrive and slaughter the men. And when Y/N was finally let out of the bathroom, her mother's red, white, blue and gold metallic outfit was covered in blood, as was the sword she'd dropped as she pulled Y/N into her arms tightly.

Whatever kind of work her mother and her mother's "good friend" were involved in, if she said Wayne Manor was the safest place to be when she worked, then Y/N wouldn't argue.

It didn't stop Y/N from squeezing her mother's hand to the point of cut off circulation as they walked from the car into the scary house.

'Miss Prince,' a man in a tuxedo said in welcome. He was partially bald and his moustache twitched when he spoke.

'Alfred,' Diana said, giving the older man a warm smile. 'So good to see you again. And please, I am Diana to friends and family.'

'Of course,' Alfred said, a cheeky smile on his face, 'but forgive me if I prefer to be a little old-fashioned, Miss Prince.'

'Very well,' Diana said, turning her gaze down to Y/N. 'This is my daughter, Y/N.'

Alfred smiled warmly down at Y/N, crouching ever so slightly to hold out his hand. 'A pleasure to make your acquaintance, Miss Y/N. Welcome to Wayne Manor.'

Y/N hesitated in taking his hand. She'd always been taught to be cautious around strangers.

'Come on, Y/N,' Diana insisted. 'Don't be rude.'

Y/N, with her free hand, accepted Alfred's outstretched one, giving it a firm shake like she'd seen her mother do with people she had meetings with at work and at home.

'My, you certainly have your mother's strength,' Alfred commented as he stood back up, shaking his hand a little. 'I'll be sure not to mess with you when you grow older.'

Y/N didn't have time to process what Alfred meant when two dark figures walked down a grand staircase into the lobby they stood in. As they drew closer to the light, Y/N distinguished one as a tall and broad-shouldered man with dark hair, neat attire, and a stern face. Beside him was a small child close to her height, also with dark hair and flashing blue eyes. Unlike the taller man, though, his face was bright with intrigue and mischief.

'Diana,' the tall man said by way of greeting as he reached the ground floor with the boy.

'Bruce,' she replied, walking herself and Y/N over to him and the boy. 'Thank you for offering to look after Y/N tonight.'

'Well, it won't be me personally,' Bruce replied, 'but I'm sure Alfred will be able to look after them while we're gone.'

'If I could raise you to be the man that you are today, Master Bruce, I am sure two beautiful children won't be much of a task,' Alfred called out casually as he closed the front door and exited the room.

'I've contacted Clark,' Bruce continued. 'He says he'll meet us at the rendezvous point. We should leave soon.'

Diana nodded. 'Okay.'

To her surprise, Y/N found Bruce's gaze on her, and his stern expression softened as he looked her over. 'This must be the famous Y/N I've heard so much about.'

Y/N remembered her mother's lessons on etiquette and nodded politely. 'Nice to meet you, Mr. Wayne.'

Bruce surprised her again as a small smile broke out, making him look younger and less intimidating than before. 'It's nice to meet you too, Y/N,' he said, looking down to the boy beside him. 'This is my ward, Richard.'

The young boy groaned in annoyance. 'It's Dick, Bruce. You know I don't like it when you use my real name.'

Bruce sighed, but conceded. 'Sorry, this is Dick. I hope the two of you get along tonight, Y/N.'

Before Y/N could reply, Dick stepped forward so that they only stood a step apart. His blue eyes were so bright as they scanned over her, and it took all of her will not to hide behind her mother.

He squinted sceptically at her. 'Do you like sparring, Y/N?'

'Dick,' Bruce exclaimed, eyes wide with horror. 'That's not something you should ask-'

Y/N ignored Bruce's protests as she locked eyes with Dick. She saw the challenge in them, and whatever fears she had about coming here faded away. A fire sparked in her, and she couldn't help herself but grab Dick's unsuspecting wrist and flip him over her and land him on his back. Before he could get up, she pressed a knee to his neck softly as she held him down.

'Y/N!' Diana exclaimed. 'That is not how we treat-'

She was cut off by the sound of Dick laughing, a sound so pure and light it brightened up the gloomy interior of the manor. Dick looked up at Y/N, not even bothered by the fact she was an inch away from cutting off his airway. 'Oh yeah, we're going to get along just fine, Bruce.'

The last of her apprehension to the arrangement disappeared as she released Dick from her death grip and helped him to his feet, a bright smile gracing her features.

'Where'd you learn to flip like that?' Dick asked.

'My mother,' she answered proudly. 'We've practiced for thirty minutes everyday since I was eight. I've also been taking classes back in Washington in judo and karate.'

'Cool!' Dick said. 'Maybe you can teach me some moves?'

'Sure!' Y/N answered.

Without even hesitating, Dick grabbed Y/N's hand and took off running to who knew where, words falling from him like a dam that had just been broken. 'Awesome! And then I can show you some of the cool gymnast tricks I picked up in the circus.'

'You were in the circus? That's so cool!'

The two of them were lost in their own world as Bruce and Diana remained in the lobby, looking after their children lovingly before they disappeared completely. When silence filled the room once more, they turned to each other.

'How much does she know?' Bruce asked.

Diana sighed. 'Enough to know that she will never have a normal life. Not after the incident last week. I thought I had a bit more time.'

Bruce placed a hand on his friend's shoulder comfortingly. 'I'm sorry, Diana. Truly. It's hard enough protecting a child who isn't your own. At least Dick has known death before. He knows everything.'

Diana nodded her appreciation, patting Bruce's hand before he let it drop. 'She will know, one day, what all this means. What her destiny is. Until now she has shown how much of Steve she has in her.' Diana paused at the memory of her fallen lover, feeling the tears rise up whenever she thought of him. 'But I fear she will grow to inherit my power, my responsibilities. I don't know if I'm ready to let her become that for the world. Not yet.'

'Diana,' Bruce said softly, 'she might not have a choice one day. I fear the same thing for Dick. You and I won't be around forever. The world will look to them to help, one day.'

Somewhere in the distance, Y/N and Dick's laughter resonated through the manor, giving it a warmth Bruce hadn't felt in a while. He smiled at the sensation. 'But for now, they have a choice. They can choose to be kids. Until the world no longer needs us.'

~~~

(11 years old)

'Uuuuuuuughhhhhhhhhhh,' Y/N groaned as she flopped onto Dick's bed, textbook flattening over her face in defeat. 'I give up. I'm never going to pass this infuriating maths exam next week.'

All Y/N received was an amused laugh from the dark-haired boy, resulting in her throwing her textbook at his head where we sat on the floor. But Dick had always been quick, dodging the book easily. He was even more quick since they'd started training with each other since she moved to Gotham permanently for school.

She was enrolled at the same school as Dick: Gotham Academy. It was the best school in the area, and when she'd received her scholarship, her mother couldn't refuse her wishes to move. Y/N stayed in the boarding house for the most part, but being friends with the Bruce Wayne's only son certainly had its perks. Such as getting out of the boarding house whenever she needed to study and train without prying eyes.

Dick laughed again. 'Come on, Y/N,' he said, picking up her strewn textbook and offering it back to her. 'It's not so bad. We're just trying to find x.'

Y/N rolled over onto her stomach so Dick wasn't upside down anymore. 'Yes, and it is impossible! I mean, they give us nothing to try and figure out a and b, but we need them both to find out x. How?!'

When Y/N didn't take her book back, Dick put it on the ground and shuffled forwards. He did so until he was half an arm's length away from Y/N's face where it rested in her hands.

'All right, let's have a break,' he said. 'Focus on something else. How about... Ooo, I know! What would your vigilante name be?'

Y/N's eyebrows furrowed. 'What?'

'Your vigilante name,' Dick reported. 'You know, like a code name for ordinary people to refer you by. Like Bruce for example, he's Batman.'

'So like my mother too, who is Wonder Woman,' Y/N added.

Dick nodded. 'Correct. When we start fighting bad guys - and we will some day - we will need alter egos so villains don't pursue us outside of an ordinary mission.'

Y/N sat up as Dick jumped to his feet, pulling out all kinds of ninja-karate moves, many of which Y/N had taught him herself over the last year. 'I think I'll be something winged too. Batman needs to be accompanied by another flying animal, don't you think?'

'That is... logical,' Y/N admitted, though not understanding his motives for the specific topic. 'I haven't given much thought to the matter, honestly. I'm too busy trying to find this dumb x value.'

Dick landed a slam kick against thin air before he took up a normal standing position in front of Y/N. He smiled down proudly at her. 'I was thinking of just bird,' he confessed, taking a seat beside her on his bed, 'but then I thought that was boring. Batman and Bird, yeah sooooo intimidating. So I was thinking maybe Hawk, or Sparrow-'

'Why does it have to be intimidating?' Y/N asked.

Dick paused for the first time in the conversation and looked at her as if she was crazy. 'Because Batman is intimidating. I don't want to be seen as a sissy when I rock up beside him to fights. I defs won't feel the aster, then.'

'But shouldn't a hero be giving people reassurance and hope when they come to save people?' Y/N countered. 'Why would you want to be something that all people dread when you enter the door. I think a hero's name should be strong and encouraging. Something like my mother's.'

Dick rolled his eyes. 'You're just saying that because she's you're mum.'

Y/N shook her head. 'No I'm not. I've seen it first hand. When my mother shows up to lend a hand, the people cry with joy and relief because they know she will do all that she can to save them. I'm not saying Batman - Bruce - doesn't do the same thing, but I just know that when I have to be a hero, I would hope my name inspires people to keep hoping. Not fear me.'

Y/N watched Dick process her words, saw his piercing blue eyes grow distant as he looked down at his hands. For a moment, Y/N worried she'd ruined everything. That she'd overstepped. Dick and Bruce's relationship - it was more of an arrangement, in her opinion - was tenuous to say the least, the two of them always dancing on a very thin line that could snap at any moment when push comes to shove. Either way, it wasn't her place to comment on how Dick should handle his relationship to Bruce.

However, when Dick looked up to Y/n again, she was relieved to find he wasn't angry at her. In fact, a soft smile had bloomed on his lips.

'You're right,' he said softly. 'I don't have to be scary. Bruce has that all covered.'

'Glad to hear it,' Y/N replied with a a reciprocal smile. 'So... anymore ideas on your name?'

'Well, I still believe it's got to be a bird of sorts,' Dick answered. 'But let's steer clear of the birds of prey, shall we? Maybe Jaybird, or Bluebird. No, that's stupid. Raven? Nah, that's going backwards...'

'How about Robin?' Y/N suggested, and Dick's smile broadened to the point Y/N was scared he'd split his mouth right open.

'That's perfect!' he exclaimed, bringing her into a hug. 'Batman and Robin. It's got a nice ring to it, doesn't it?'

'It sure does,' Y/N said, grateful to have helped.

When Dick let her go, he said, 'Now how about you? What do you think your vigilante name should be?'

Y/N thought about it for a moment, but could only come up with one name. 'I like Wonder Woman, but mother already has that. I don't think two of us would make it easy for the public, especially if she is still working.'

'That is true,' Dick replied, turning away from her as he delved into deep thought. Y/N could tell he was thinking deeply as his tongue was poking out ever so slightly - the thing he always did when he was concentrating really hard. Y/N always found it amusing since the day she met him.

Y/N jumped a little when Dick suddenly cried out with excitement. He turned back to her and grabbed her shoulders, forcing her to look directly at him. 'How about we take inspiration from your mother? Use part of her name to create yours. Like Wonder Girl!'

Y/N shook her head. 'No, that's really lame, Dick.'

'Wonder Kid?'

'No.'

'Wonder... Child?'

'No!'

Dick snapped his fingers and his eyes brightened as Y/N assumed a great thought popped into his head. 'I've got it: Wonderess! You know, like Wonder Woman and goddess put together!'

'Wonderess...' Y/N tested it out on her tongue, and she smiled at how easy it rolled off. It was simple, it was to the point. She could just hear the world now, shouting and screaming and crying her name for joy, for help.

She couldn't stop her smile from widening and matching Dick's. 'I love it.'

'Great!' Dick slid back down to the floor and grabbed the forgotten textbook she'd thrown at him earlier. 'Now, oh mighty and powerful Wonderess, time for you to conquer the alluding and difficult enemy that is mathematics.'

Despite her earlier anguish, Y/N felt rejuvenated and took the book from Dick and opened it back to the page she'd failed to understand. 'Then conquer mathematics we shall, oh sneaky and charming Robin.'

Dick flashed her one of his dazzling smiles. 'Oh yeah, I can see it now. Robin is going to be popular with the ladies when I'm older.'

Y/N rolled her eyes, but couldn't contain her smile. 'Don't make me throw this book at you again.'

Dick raised his hands in mock surrender before they both dove back into their respective homework. But after five minutes of work, Y/N had another thought.

'Dick. What does "aster" mean?' ~~~

(13 years)

When Y/N had walked into the Hall of Justice earlier that day, she never imagined that she'd end up helping her best friend and the sidekicks of the Flash and Aquaman break into a top secret and highly secured lab centre, get captured by the mad scientists running the show down there, break out and now be standing in front of the Justice League as a Superman look-alike (that they'd broke into for and out of with) stared down his creation's inspiration.

'Start talking' Batman said, finally breaking the tense silence.

Between Kaldur, Wally, Dick, and Y/N (Superboy, Y/N realised early on, didn't talk much), the story of how they ended up at Cadmus and pretty much destroyed it was eventually told. Afterwards, the blockbuster monster they'd fought was taken away by Green Lantern and some other League members. Y/N couldn't help but peak at her mother as Wonder Woman herself conversed with Superman and Martian Manhunter. For a brief moment, Diana looked her daughter's way then quickly averted her gaze. But Y/N knew from that one look that her mother was unimpressed by her actions today.

'Cadmus will be investigated,' Batman said, after Superman said a frosty goodbye to his younger clone. 'All fifty-two levels. But let's make one thing clear-'

'You should've called!' the Flash finished, crossing his arms, clearly disappointed in his sidekick's efforts.

'End results aside, we are not happy,' Batman continued. 'You hacked Justice League systems; you disobeyed direct orders; and you endangered lives. You will not be doing this again.'

Y/N's heart faltered at the very notion. Despite the wreckage and the stress and the struggles they had faced, Y/N very much liked working with Dick, with Kaldur and Wally too. Even the Superboy was enjoyable at some points. To never work with them again was not something she expected she would miss after one mission.

Kaldur and the other boys must've read her mind, as he stepped forward, standing tall and speaking with a strong voice well beyond his years. 'I'm sorry,' he began, eyes never leaving Batman, 'but we will.'

'Aqualad,' Aquaman started, stepping up behind Batman. 'Stand down.'

'Apologies, my King. But no,' Aqualad replied. 'We did good work here tonight. The work you trained us to do. Together. On our own. We forged something powerful. Important.'

'If this is about your treatment at the hall,' the Flash started, 'the four of you-'

'The five of us,' Wally corrected, looking directly at Superboy as he did, 'and it's not.'

'Batman,' Dick said, stepping to the front of the group. 'We're ready to use what you taught us. Or why teach us at all?'

'Why let them tell us what to do?' Superboy interrupted, pushing past Dick to take the lead. 'It's simple, get on board. Or get out of the way.'

Y/N joined her friends in staring down the heads of the Justice League. It was an intimidating figure they all posed, but Y/N knew she was doing the right thing. That her and her friends had done the right thing tonight.

Diana joined Batman, the Flash, and Martian Manhunter, her face unreadable and voice monotone. 'Are you sure this is the path you would like to forge, Wonderess?' she asked, her voice echoing in the crater they stood in.

Apart from Dick and Bruce, no one else (to Y/N's knowledge) knew that Wonder Woman and Wonderess were related in any manner. Not that either disguised themselves like other heroes did - purposefully hiding their faces to conceal their identities like Batman and the Flash - but neither outwardly acknowledged their true relationship either.

However, Y/N could tell her mother wasn't just asking her as her sidekick, but as her daughter. Was Y/N really prepared to risk all she had trained for, for some... strangers?

Y/N eyed the golden lasso that hung at her mother's hip, and opened her hand to summon the seemingly never-ending rope into her hand. It wrapped around several times, then glowed as Y/N clenched a tight fist around it.

'I am more certain than I have ever been, Wonder Woman,' Y/N replied, feeling the lasso urge her to speak all her truth. 'While I still endeavour to one day be your successor, my place is with my friends right now. We need to walk this path together, wherever it leads. I know this to be absolute truth.'

Y/N sucked in a breath as she let go of the lasso, feeling slightly drained from the power it had over her. Dick put a hand on her back to brace her as she recovered. Once Y/N had caught her breath, she spared Dick a grateful smile, which he reciprocated.

Just as it had been from day one, they would ride this wave together. No matter how rough.

The very next day, the five of them were taken to Mount Justice, the backup facility for the Justice League as Batman explained. Upon arrival, they met M'gann, Martian Manhunter's niece, and soon after Artemis was brought into the mix.

Soon, they were the Young Justice.

~~~

(13 years old)

'Congratulations team, you have won the day,' Red Tornado said as he laid dismembered on the ground.

The rest of the team had just reconnected as the Justice computer phased a date and time code onto one of the glass walls of the Watchtower. It read: January 01, 00:00 EST.

'Happy New Year, Justice League,' the computer announced.

To no one's surprise, Wally picked up Artemis and pulled her in for a long-awaited kiss. M'gann and Connor paired up, so did Rocket and Aqualad surprisingly.

Y/N felt uncomfortable watching them all making out, so she turned to her best friend so they could give them all some privacy. 'Hey Dick, let's go-'

But as she turned around, Y/N saw that Dick had also paired off with someone: Zatanna. This time, Y/N couldn't help but stare as the two of them made out.

Since day one of Zatanna joining the team, Y/N had noticed Dick had a thing for her. Who wouldn't? She was beautiful, she was just a year older than them but that just made her more desirable, and she was good with magic!

Something stirred inside Y/N, something that twisted her guts to the point she thought she'd throw up. Was it jealousy? No, she wasn't the jealous type. Besides, Dick was her best friend, no one could change that. He could kiss whoever he wanted to kiss. At the end of the day, they'd still talk and laugh and spar and go get ice cream together.

...Right?

'Human customs still allude me,' Red Tornado said from his place on the floor.

'You're not the only one...' Y/N mumbled to herself, standing all alone.

~~~

(16 years old)

Y/N was just sparring on a test dummy when Dick entered the training ring looking a little worse for wear, his usual mischievous smile not visible.

'Hey,' Y/N said, finishing up her combo of kicks and punches, heaving in deep breaths. 'What's up, bird brain?'

He didn't reply straight away, instead standing on the edge of the fight ring as if afraid to step out of the shadows and into the light. Y/N raised an eyebrow in confusion. 'Dick?'

When he didn't respond again, Y/N walked over to him. And when she got closer, she realised why he remained in the darkness.

'Have you been crying?' she asked softly, scared to speak too loud in case he ran away.

Dick wasn't an emotional guy. He just wasn't. He was the mischievous gremlin who kept the team together with his witty remarks, charm, and sheer intelligence. And even though Kaldur had been the leader of their team for years now, Dick always wanted to be a leader like Bruce was for the Justice League. He never gave himself room to be emotional.

So for him to stand in front of Y/N with red-rimmed eyes and tear marks streaking down his face, whatever had just happened had to be so impactful it finally broke his resolve.

He averted his eyes. 'Zatanna,' he started, biting his lip to suppress sobs falling out between the words. 'She broke up with me.'

Subconsciously, Y/N had been dreaming about hearing those words for a long time. She didn't quite understand why, as Zatanna was a close friend and Dick was by far her best friend so of course she only ever wanted happiness for them. But now that Dick stood in front of her so broken and sad, Y/N only felt sorry and remorse.

'Oh Dick,' she said. 'I'm so sorry... How can I help?'

Dick shook his head vigorously, eyes still averted from her. 'Can you just... Can we spar please? I think I really need that right now.'

His tone was restrained, as if he were holding back what he really thought. Y/N had half a thought to suggest they just talk, but when he finally looked directly at her, how could she refuse her best friend? After all, she was the only one he never wore his glasses around. Even after all these years with the team, he trusted no one else but her with his identity.

The original members knew, but even then he still wore his shades around them half the time if he wasn't in his vigilante suit. But not around Y/N, though. Never around Y/N.

'All right,' Y/N conceded, walking with him back to the centre of the fighting ring. She stood in her usual starting position, hands raised and feet split ready to fight. 'Same rules as last time?'

Dick nodded. 'No flying from you, no gadgets from me. Just us.'

'Perfect.'

Y/N launched into a heated sparring match, much more heated than any other match she'd had before with him. Sparring matches are usually to practice a skill, usually some punches can be pulled. But not now, Dick was throwing himself into everything, becoming sloppy, opening himself up. While the first few jabs Y/N got in were small victories, she soon grew worried as he grew more and more reckless as the match progressed.

'You're opening yourself up too easily, Dick,' Y/N commented between heavy breaths. 'Tighten up your stance.'

Dick groaned with frustration in answer, throwing another punch at her which she easily ducked and palm-punched his abdomen hard. He stumbled back as he caught his breath, but Y/N took it as her chance to end the fight as she charged at him, crash-tackled him to the mat with a bit more super-strength than she'd been using and pinning his limbs to the ground.

Dick struggled under her, but she refused to let go. 'Concede, Grayson. Now,' she demanded.

She rarely used his last name, only when he was in serious trouble or when she really needed him to listen. So he stopped, and he looked up at her and he nodded. 'I concede,' he said between huffs of air.

Y/N nodded her head in acknowledgement before stepping off him and helping him to his feet. For years they had been the same height, but once Dick had hit fourteen, he shot up fast. He was still lean and more on the skinny side, but he was toned in certain places and he now stood a head taller than Y/N. But she didn't let his new height stop her from locking eyes with him.

'Do you feel... somewhat better now?' she asked cautiously, feeling that Dick was on the brink of an explosion, she was just unsure what kind it would be.

To her surprise, Dick's piercing blue eyes welled up with tears. 'No,' he said.

Y/N immediately wrapped her arms around him, and Dick fell into her and wrapped himself around her as if she were a warm blanket on a cold night. They stood like that - with Dick crying silently into her shoulder and Y/N rubbing soothing circles into his back - for who knew how long. A minute, two, an hour maybe. It didn't matter, Dick needed Y/N'S help so she would stay there as long for as it took.

'She said she couldn't do it anymore,' he said finally, tears finally finished running, but he still didn't break from Y/N's embrace. 'The long distance.'

'Being promoted to the Justice League is a huge commitment, Dick,' Y/N offered.

'It's not just that, though,' he said. 'I think she couldn't take me anymore. Ever since Jason-'

His voice cracked on the mention of his fallen brother, the next ward Bruce had taken under his wing. When he joined the team, Jason took over the Robin mantle, giving Dick freedom to explore a new path of vigilante identity. One outside of Bruce's shadow and the dynamic duo of Batman and Robin. He'd settled upon Nightwing - another name Y/N helped come up with - and he'd taught Jason everything he knew about being Robin and how he could find his own meaning for the role.

But Jason never got the chance to do the same for the next Robin, who Bruce mentioned would never be found after Jason's death. Jason had been killed on a mission with the Batman himself only a month ago, and Dick had secretly been a wreck ever since. He'd learnt from his sponsor who to hide his emotions, but Y/N assumed he had to let it out to someone or someones every so often. Those people were herself, and no doubt Zatanna.

Despite her bubbly and adventurous personality, Zatanna knew death, knew grief. It suddenly angered Y/N at the thought that Zatanna had dumped Dick because he was grieving and couldn't give her the attention he had become known to give her daily.

Y/N held her tongue as she pulled him tighter, though. Now was not the time to rub salt into his open and bloody wound.

'You don't have to explain yourself to me, Dick,' Y/N reassured him. 'I understand.'

He squeezed her tighter. 'First my family, then Jason, now Zatanna. Promise me you won't leave too. Promise.'

'I promise, Dick,' Y/N answered. 'I'll always be here if you need me.'

Dick finally pulled away from her, but only far enough that he still held her in his arms and she had to angle her head harshly upwards to look him in the eye. Despite the redness, Dick's eyes still shone a blue that didn't seem quite real - like the colour of the purest, cleanest ocean.

So beautiful.

'You're my best friend, Y/N,' he said softly, a grateful smile finally breaking through his sadness. 'You know that right?'

Once upon a time, Y/N wouldn't have hesitated in answering. Yes, she would say, because it was the truth. It was the truth still, but a discomforting feeling in her stomach squirmed at the words "best friend". What he meant to her went past the simple label, at least in her opinion. But she just couldn't quite put it into words yet.

'Y-Yeah, I know,' she stammered out quickly. She had paused way too long to answer. 'Just like you're mine, bird brain. Don't think a bunch of tears is going to scare me off so easily.'

She was so glad to be the one to make him laugh then. It was the most melodic sound she'd ever heard, even though she'd heard it a thousand times before. Dick could never be tiring to her.

Finally - and thankfully - Dick stepped out of her arms, allowing her to suck in air that had previously been missing from between them. But he stole it all right back when he flashed her that charming smile of his.

'Guess I'll see you tomorrow, Wonderess,' he said. 'Thanks again for the sparring. I'll be sure to tighten up for next time.'

'G-Great, good, excellent,' Y/N stumbled over her words, unable to breathe when he smiled so causally yet so beautifully at her. 'See you tomorrow.'

Dick gave her a tiny wave as he left the room. As he left, Artemis and M'gann strolled in wearing civvies. They greeted and farewelled Dick before continuing to walk to Y/N, who stood frozen where Dick had left her staring after him.

'You okay, Y/N?' Artemis asked, waving a hand in front of Y/N's face. 'Helloooooo. Earth to Y/N?'

'Maybe she's fallen into a hypnotic state,' M'gann suggested. 'Or worse! A mind ant has taken over her brain! I'll have to go inside her mind to weed it out.'

That finally disrupted Y/N from her stupor. 'No! No need for that. No mind ants here,' she frantically said just M'gann was about to enter her mind.

'Then why were you looking like Medusa had risen from her mythical death and frozen you in place?' Artemis asked, deadpan.

'First of all, Medusa was a real person. Greek Mythology is real, or therefore my mother and I wouldn't be here today,' Y/N countered. 'Second of all... I think I a have a crush on Dick.'

As soon as she said the words, she knew them to be true. She didn't need to discuss it with the girls, she already knew.

Y/N Prince, daughter of Wonder Woman, had a huge, fat crush on her best friend, and son of Batman himself, Richard 'Dick' Grayson.

'Shit,' all three girls said at once.

~~~ (18 years old)

Y/N watched with sad eyes as two of her closest friends walked away under the cover of darkness. Again. Kaldur and Artemis - the latter now legally dead - waved farewell before they entered a small submarine, on their way to continue infiltration of the Light on Kaldur's father's ship.

Two figures stepped up beside Y/N. 'Well,' Wally started, 'I guess that's that.'

'For now,' Dick said. 'I promise, Wally, we'll bring them both back.'

'Yeah, whatever,' Wally said, turning to leave. 'You're my bro, Dick. But if Artemis is really killed because of this, I will never forgive you.'

Wally's footsteps resounded through the empty fishing warehouse as Y/N continued to stare out at the ocean. Soon, it was just her and Dick.

'We should head back to headquarters,' Dick suggested. 'Someone might start to wonder where we are.'

But Y/N didn't turn to leave, still transfixed by the ocean. 'I thought I was okay with all this,' Y/N admitted, her voice barely above a whisper. 'I convinced myself that this was for the greater good. But now I'm not so sure.'

'What do you mean, Y/N?' Dick asked.

'The lying, Dick,' she answered, finally turning to him. 'The secrets, the faking of deaths and undercover betrayals. If we keep this up, it'll tear the team apart.'

'It won't,' Dick reassured her, his voice so certain and sure. 'When this is all over and we explain it all, they will understand. I expect some disappointment and hostility for a while, but one day they'll understand why we did what we did. But this team we've built, Y/N, it is stronger than all this. I know it.'

Y/N shook her head, wanting to believe him but unable to put aside the horrible feeling in her gut. 'I know they are strong. I just wish there was another way for us to win.'

'Trust me, if there was, I would've taken it,' Dick said, and even with a mask on, Y/N knew he was telling the truth. 'I want all of us fighting this together. For now, we've just got to trust in Kaldur and Artemis that they will succeed.'

Y/N nodded, her gaze returning to the flat ocean waters where her friends had long since left behind. 'Maybe you should've sent me like I suggested,' Y/N said half-heartedly. 'You're a great substitute for leader, Dick. Truly. But the team took Kaldur's betrayal heavily, and Artemis and Wally were out of the game. We shouldn't have brought them back in. Wonder Girl is trained up enough to take my place. You don't need me.'

'Don't say that.'

Y/N could barely react as she was grabbed by her shoulders and forced to face Dick, who had crouched so he was eye-level to her and leaned in so she could see the slightest gleam of his pupils through the white mask.

'Don't say that,' Dick repeated, his grip on her shoulders firm and grounding. 'We do need you. You're a founding member too, Y/N. Regardless of if it were Kaldur or not, the team would've struggled without any one of us. And the only reason I was able to lead this team this past year is because I knew you had my back the entire time.'

'Really?' she asked, the one word a struggle to get out.

His expression softened and he loosened his grip. But Dick didn't release her yet. 'Y/N, you are always the one giving hope to the team whenever I can't raise their spirits. You were the one to console them after Kaldur leaving. You are strong and brave and you never give up, especially when the chips are down. And they have been down on us a lot lately.'

Y/N caught her breath as Dick released one shoulder to use his pointer finger to hold her chin up, making her look directly at him. 'It kills me that you don't see yourself how everyone else sees you. Which is amazing, Y/N. Amazing and wonderful.'

Y/N swore Dick could hear her heart thudding rapidly against her chest. In the two years since realising it, her crush on her best friend hadn't faded like she'd hoped. Instead, it had grown and blossomed but Dick still couldn't see how much she absolutely adored him. She'd resigned herself to the fact that he would never feel that way about her, and also if they were to date, then it would just make working together all the more complicated. She couldn't compromise on the team's relationship.

But as Y/N looked into Dick's eyes now, a little spark of hope flickered inside her. He was so close to her, he had to feel her heartbeat. He had to know... right?

A wind of doubt blew out the spark and she stepped away from Dick so her head would stop spinning. 'You just had to get a pun in there, didn't you?' she said, surprised at how calm and casual her voice came out all things considered.

Dick took a moment to gather himself, as if he too had been lost deep in thought. But soon that infamous smile of his stretched his lips and Y/N knew she could never say no to him. 'What can I say? I'm an opportunist.'

'I thought you were a gymnast.'

'I am also your best friend, and so I am legally obliged to slip in puns about you whenever possible.'

'Oh, do you now?' Y/N asked, lightly shoving him as she made for the warehouse door. Dick was right, they needed to head home before anyone started questioning their whereabouts.

Dick quickly caught up. 'I mean it Y/N. You are my best friend.'

'I know,' Y/N said nonchalantly, trying not to let the words sting too much. But she managed a soft smile as she said, 'And you are mine. Always have been...'

Dick flashed her a genuine smile, no charm, no hidden agenda behind it. He held his pinky finger up, to which Y/N linked her own with. '...Always will be,' he finished.

As they went home, Y/N felt better about Kaldur and Artemis' mission, as well as her place in the team. But she was now even more confused about Dick and how he felt about her. They were best friends, had been through so much together, it wouldn't be wise to ruin all that now.

But the way he'd looked at her, maybe there was a chance after all.

~~~

(18 years old)

'You're leaving?'

Y/N and Kaldur couldn't believe what they'd just heard. One minute, the three of them were discussing the team's next move after foiling the Reach's invasion plans and splitting the Light in half, and the next...

'That's correct,' Dick said. 'I just... I think I need to take a break for a while.'

'For how long?' Y/N asked, finally getting over the initial shock of his announcement. It had been a hectic day, full of surprises and sacrifices nobody saw coming. Right now, in her opinion, everyone needed to band together, not... leave.

Dick shrugged his shoulders. 'I don't know. But it definitely won't be quick. This team has been my whole life for five years now. I think it's time I stepped away, let Kaldur take the reins again.'

'The team will not be the same without you,' Kaldur offered.

'The team already isn't the same,' Dick said solemnly, and the slightest crack in his voice indicated to Y/N what he was referring to. 'You, me, Y/N, Wally. We founded this team. Without him...'

Dick didn't need to finish. Y/N had felt Wally's absence since the moment he fazed out of existence. He saved the world, but he'd been too slow to combat the chrysalis' energy. Not even the Flash or Impulse could save him. It made Y/N so mad, because Wally must've known he wouldn't come out of it alive. He knew he was too slow, having been out of the game for so long.

And yet he did it anyway, because that was who Wally West - Kid Flash - was.

'I understand,' Kaldur said, placing a comforting hand on Dick's shoulder.

'Thanks,' Dick said, then looked to the boom tubes of the Watchtower. 'I should probably go.'

'What? Now?' Y/N asked. 'At least see the day through, Dick.'

'There's nothing else for me to see through, Y/N,' he countered, already making his way to the boom tubes to make his exit. 'Kaldur is back, and so is the Justice League. I am no longer needed.'

Kaldur didn't follow Y/N as she chased after Dick. 'At least let the team know personally you'll be leaving. Don't you think they deserve that much from you after all we've done?'

'All I did was sign Wally's death sentence,' Dick answered harshly, not even bothering to turn around and face her. 'Yeah, the team really deserves that from their substitute leader.'

The two of them stopped before the boom tubes, facing each other one last time. Y/N grabbed Dick's wrist before he could dial in his code to exit the Watchtower.

'Dick, please,' Y/N pleaded, voice tight with desperation. 'I know you're hurting right now. We all are feeling Wally's death. But the team needs you right now. I need you...'

It was a last ditch attempt at convincing him that he meant more to her than just a friend. That he was her glue, that he was important to her and the team. That, even if he was nothing else, he was her best friend, and she was his.

Always have been... Always will be.

Don't go, she wanted to say, but the words never came out. It's like Dick had always been a part of her life; she now couldn't imagine her life without his witty remarks, without his odd use of words like "aster" and "traught", without his charming smile and kind eyes. She couldn't imagine life without him. Please, don't go.

Dick's sad expression told her he'd made his mind up before he even spoke the words.

'I'm sorry, Y/N,' he said softly, pulling her into a gentle embrace where he pressed a feather-light kiss to her forehead. 'But I can't deal with this right now.'

As if in a dream, Dick stepped out of the embrace and dialled in his code for the boom tube.

'B:01 - NIghtwing,' the computer announced as the boom tube activated.

Dick was a step away from leaving Y/N behind when she called out, 'Don't be a stranger!'

She knew he had already made his mind up. But that didn't mean the two of them couldn't still be what they had always been. Best friends.

To her joy, Dick stopped and turned back around, a melancholic smile on his face as he held up his pinky finger. 'Always have been...'

Y/N reciprocated his smile as she too held up her pinky finger, imagining hooking it with his. '...Always will be,' she replied softly.

And then he was gone, and Y/N was left standing alone in the Watchtower.

She didn't realise she was crying until Dick was gone, until her senses had returned fully and felt the sensation of tears rolling down her face. That's when she acknowledged she was truly, utterly, hopelessly sad.

Because for the first time in seven years, Dick was no longer by her side. She didn't have Dick to fall back on when things got tough; she didn't have Dick to talk to about her issues with the new recruits; she didn't have Dick to laugh with after a night out at the arcade where he had failed epically at every game; she didn't have Dick reassuring her that everything would be okay, even when the world was telling them otherwise.

Dick was gone, and that was something Y/N had never expected to deal with.

'Wonderess.'

Y/N wiped her tears away before she turned to see who had called her. It was Kaldur, and based on his sympathetic expression, she knew he had heard everything.

'Batman and the rest of the Justice League wants to speak with us all,' he said.

'Right,' Y/N said, composing herself before walking over to join her friend.

Dick was gone, but she was still an integral part of Young Justice, and they needed her more now than ever. Whatever was to come their way now, they had to be strong, a united front.

Even if her heart yearned for someone who had completely abandoned her.

[heretherebedork]

I love these cameos so much because they not only give us cameos they give us important information and show us things that we need to know. Ai Di needs to understand that, before, both he and Chenyi were too close to their own relationship to see what was going on. The space between them hasn't cut them off from each but rather opened the entire world of what they could be open.

But also the masks, the masks, the way they're wearing masks in this scene and the first thing Chenyi does is take his mask off and then kick everybody out to only he gets to see Ai Di. Because Chenyi has realized that he wants to see the real Ai Di, the one he thought he knew but didn't.

I love how Chenyi is constantly capturing Ai Di to talk to him because he isn't going to let this go. He isn't going to let him leave again. He lost him for four years and he's never doing that again.

(But also the jealousy and the way he watches the other two leave holding hands and he wants so much with Ai Di but he needs to know that they both want the same thing still, that he didn't imagine the love they shared even when he was drunk, that Ai Di will still come back to him.)

Ai Di is scared of only seeing what he wants to see. He is terrified that he is going to convince himself that Chenyi loves him when he cannot let himself trust that, when he cannot let him believe that because he will never recover if it's not true this time around. He tried to break their ties after doing what he believed was unforgivable and the idea of opening his heart again is so far beyond him he doesn't know what to do but keep rejecting what he offers.

Ai Di has the most heartbreaking eyes in the entire world.

Chenyi is not giving up. He is determined. He is going to understand what happened and he is going to show Ai Di that he is wanted, trusted and loved and he is going to do anything and everything in his power to do so.

My entire heart is instantly torn to shreds but the way Ai Di ends up hugging Chenyi's jacket when he falls asleep. That isn't being used for warmth, that is nothing but comfort and a desperate reminder of what was and who has always been the most important person in his life.

And then this being instantly followed by Ai Di's obvious PTSD from the prison proving that he's stronger than Chenyi and knocking him over to find his wound and then instantly trying to run away

Ai Di wants to melt into this embrace so badly and he has to keep fighting his own urges and it is heartbreaking to watch because all he wants is to be held in Chenyi's arms but he doesn't not trust anything enough to let himself relax and I cannot wait for the first time he genuinely lets himself relax about Chenyi again. Because he is going to absolutely melt.

Ai Di is terrified because he doesn't know what Chenyi means and he doesn't want this without love, not now just like he really didn't want it back then but was also sure that would be the only chance he ever got.

Now? Now is real. Now is forever. Is this Chenyi seeking revenge? Is this really love? Ai Di is terrified of trusting this and of believing this because he cannot bear to lose this if it's given to him, even for a night.

The way he just effortlessly scoops him up, no hesitation and no work, just boop and now Ai Di is cradled in his arms and Ai Di just freezes because what can he do in this moment? He doesn't really want to escape. He wants this but he only wants this if it means what he wants it to mean.

Ai Di isn't coming back for a one night stand, no matter how much he might mock and tease Chenyi with the idea. He planned on leaving forever and the only way to keep him is to have more than he left behind.

Also, sincere appreciation for the door that can be easily opened with his foot. A+ design choice.

The exchange of power and the way Chenyi is doing his best to be clear that he doesn't believe Ai Di this was just for fun or a one night stand and showing the he doesn't think he loves their boss any more and he does all of that by pushing Ai Di to the limits because he has no other way to express himself.

And then the way he just squishes Ai Di into this hug and does not let go until he chooses and the way Ai Di is struggling not just against him but against himself. Ai Di is going to be a nightmare once they get together, he is going to want so much of this.

Absolute panic in the face of being serious because, how exactly, do you handle that when you've spent four years trying to get over your love and memory of him?

And Ai Di already collared himself right back up again the instant he caught a whiff of Chenyi's feelings for him, even if he's still trying to convince himself he's lying to himself. But he knows.

Ai Di knows who he belongs to.

[rattlebear25]

Since I am an Adam stan and I really hope he returns in the next seasons (I believe in the Sinner Adam theory) I made a Sinner! Adam design:

+ Some expressions

Design Note:

When i was thinking the design i thought about Heaven and Hell colors contrast. Winner! Sir Pentious got a more lightful palette like white and gold when he went to Heaven so i thought Adam would have a black/red/brown palette also because he died in a rocky place. I added more spikes on him, in Hell he is more aggressive and violent.

His bird wings became dragon or bat wings and he got an evil tail like Lucifer or Charlie in their Full Demon form. He wear goat hooves like boots and his battle robe is ripped apart. The jacket is dark because his robe color was deep blue before dying so the jacket is his robe but darker. Some designs that i saw online fuse Adam's human form features like the hair crest and the goatie with his mask and it becomes his real face. His guitar can become an Axe during the fights against the Sinners, but this time his guitar is stuck in the Axe mode and can't return a guitar.

• How he relates with other characters:

Niffty: Unlike the other members of the Hotel, Adam has a scared and panicked behavior towards Niffty and insults her anytime he sees her and he doesn’t even try to touch her (who saw Episode 8 knows what I am talking about)

Alastor: Anytime Adam sees Alastor becomes furious (not as with Lucifer or Charlie) because of Episode 8. He thinks he is a psychopath because his cannibal behavior, ignoring that himself being a sadistic person too. He hates Alastor tastes in fact of musics, preferring rock songs or metal.

Lute: Lute is the only person in this list which Adam really cares for. The main reason he wants to go back to Heaven it’s her and take back his Exorcist leader title. Him and Lute shared the same interests for rock musics/bands, singing, weapons, battling and eating junk food (unlike Adam, Lute is more balanced at eat fries and hamburgers). From Lute perspective, she tries to accept Adam’s death, but she always bring Adam’s halo (the one she showed to Lilith/Eve at the end on Ep 8) as a memory of him. Lute goal is avenge Adam’s death but when she discovered that he returned as a sinner in Hell, her plans changed to save him and bring him back as her Leader and boyfriend.

I was thinking of making a full artwork of him using his Axe and some short comics idk

I love that i drew Adam with expressions that are really similar to the original one lmao

[p0rk-guts]

"Pork you literally posted Charlie a few days ago why are you so Hazbin obsessed rn-" ssshhhhshhsshhs.h........ anyway

VAGGIE REDESIGN! And I changed her name also bc I'm jus like everyone else fr. Meet Verbena :)

BREAKDOWN BELOW!👇🏾+ Exorcist uniform redesign :3

Starting with her name this time. Back when she was still a sinner apparently she was Salvadorian and since she's (apparently?) not a former human at all I decided to take a small creative liberty with her decent and made her Venezualan instead. SOUTH AMERICUH❗❗✊🏾 I'm pretty sure Verbena flowers are native to South America so that's where the name comes from.

Onto the design! I don't have much to say abt her design honestly. It's not egregious, but it doesn't really speak to me either. It looks like simple formal wear or uniform with some strange meaningless accessories attached. And those weird itty bitty shoes that look like they're part of her thigh highs... I'm starting to think all the characters's shoes were a last minute afterthought. All and all it tells us nothing about her character. The hair wings are cool tho so I did steal those

Also the whole deal with her eye is strange to me. Why Is the floating X there??? It's a real physical part of the world, other people can see it. Do pink X's always float over angel wounds? If her arm got chopped off would an X float over it? Was it like. A fucking curse visual placed by Lute as a constant reminder of her disloyalty? Why did Carmilla point out it was an obvious marker for her being an angel???? My brain can't fathom why it's canonically attached to her wound. If she was a sinner I'd kinda understand but. Yeah idk. Weird

Also her missing eye does not look like an empty socket it looks like a purple circle was sticker pasted on to her face. It's very flat. How did we go from this

to this

(IT'S EVEN OVERLAPPING ONTO HER NOSE IN THIS SCREENSHOT WHAT IS THAT THING.)

Anyway. I made her hair resemble Polyphemus moth wings because 1. They have eye looking spots and angels are all eyes and 2. Well. Polyphemus has 1 eye. So . 💀

Her overall coloring however is inspired by a Promethea moth. I could say it's because Prometheus defied the gods and Verbena did a similar thing but the real reason is I made a spelling error while initially looking for a Polyphemus moth reference 💀 but hey they both have eye spots! And Iike their coloring for her way better

I also redesigned the exorcist uniform for her redesign bc I wanted her outfit to have reminiscent elements from it.

I gave way less time to the uniform designs, but I still had some main details I wanted to adress. I don't like how they have no armor save for their helmets. Their arm and leg pieces are made of some flexible material that tears easily. It's not giving soldier it's giving soldier costume from party city. The devil like horns are also confusing to see on an angel and the paradoxical design is never addressed. They can be evil and look imposing, but the horns just seem kinda nonsensically on the nose to show how evil they are. At least to me.

In my designs I gave them actual metal armor on their bodies so you can easily tell they're soldiers and it makes sense for them to battle in armor anyway. I also gave them more light "angelic" colors with gold details bc I wanna use gold as a symbol of angelic nature in my rewrite. I wanted their masks to show completely static expressions with wide grins to show how unnerving they are and to allude to the idea that everyone is happy in heaven, and they're all happy to do what they do.

Verbena's belt and shoulder pads draw visual similarities to the pauldrons and mid section pieces in my new exorcist uniforms to draw a connection between her and her past. The Blazer draping behind her back is also supposed to mimic the visual of folded wings. I also tried to do this with all the gold details in her design. The big hoops and belt we're 80's inspired because I decided to follow how in one of her old designs she died in the 60's (even had the big hoops and everything). In my rewrite exorcists are all former humans but I'll get into that later. Also she's got an eye patch now! Just. A normal one.

Charlie is still taller than Verbena just like in the original and idk how tall Vaggie Is exactly but Verbena is like 5'5 while Charlie is 5'11. Verbena's also got more muscle on her bc unless their muscle mass is hidden magically or they don't gain muscle for stupid dumb idiot lore reasons all the exorcists look way too slim to be military grade soldiers but what do I know

I combined a lot of pointy shapes with boxy shapes bc— more similarly to her pilot self— she can be volatile and fierce but also grounded and impassive. I added the slits to her skirt so she can be a sexy formal lady who can still comfortably throw a few kicks, and the heels— well. Idk I feel like she could slay in heels! She definitely doesn't wear em all the time but yeah. Chunky heels. I like them they're cute. Also she's got her little name tag on bc she takes Charlie's job for her SERIOUSLY! she's uh. Idk what is she. A bellhop? General security/protection? Either way she's locked in.

I imagine she had white irises like Adam and Lute along with brighter more saturated and heavenly colors in her hair (color picked from the Polyphemus moth) that turned darker and more harsh after the fall (color picked from the Promethea moth). Really visualizing her emo phase /j

Also I think the little eyes in her hair can emote with her. In the final design the line kinda makes an eyelid and it'd match her eyelid's movements. Sillay

Alright that's a wrap on my Vaggie redesign! No bonus sketches this time bc they're within the texts! Who knows what I'll do next. Who I will deface. I sure don't. I think I might rename Charlie so there's that. Anywhozies hope you like her <3

[mgc02]

Yayyy! Vox was who I wanted to make a request for so I was thinking what if female reader is an overlord who deals with weapons that can kill sinners and hellborn. Maybe she is also an owner of a nightclub? maybe she died in the 1920s and she knew Alastor as well and maybe she’s had a crush on him but he’s not interested in her so then she goes and she dates Vox but then she catches him positioned with Val and she doesn’t know the extent how Valentino is abusing Vox so then fast forward 7 years later and they meet again because she’s helping Alastor and of course that makes Vox jealous and angry and Vox just wants her back and he’ll do anything to show her that he changed and he just wants her back. And maybe he explains how Val treated him and then a happy ending heheh. 🤭 Also maybe reader is badass and is like doesn’t need a man because she got herself but she also loves when Vox protects her? Kinda like that song on TikTok from Olivia Rodrigo that goes “I’m a feminist obviously but I wouldn’t really mind him saving me”

I'm not on tik tok a lot so I gave that song a listen and DANG she sang fast. Love the beat. Never heard anything like it

Sorry this took so long. I was having a lot of technical issues but I got them resolved.

CW: minor spoilers, swearing, suggestiveness, cheating, mentions of abuse

Vox x Fem!reader

You were an overlord that was well known in hell for selling powerful weapons. You did most of your business through your night club. You did meetings in a separate room. Hell was full of some sexist scum bags and perverts and you were used to running into them occasionally. They would underestimate you and you would quickly make them regret it. Female overlords had to do that sometimes. Even though you dealt with firearms capable of killing sinners and hellborns alike, you weren't afraid to get your hands dirty and you could definitely handle yourself. A frequent visitor of your classy establishment was an old friend Alastor.

You two knew each other when you were alive and you stayed acquainted after death. He was always impressed with how tough you were and loved how you shared a love for the 1920s classy aesthetic which you used as the style of your night club. It was designed to look like an old speakeasy. And although it didn't normally serve sinners as a main dish Alastor grew rather fond of coming there. You kinda hoped it was you that he was there to see. He was handsome, and charming, and stylish and he could really make you laugh sometimes. (And blush.) He even asked you to dance sometimes but you were unsure whether that was just him being a gentleman or if he had romantic intentions. Eventually your crush on the radio demon grew hard to ignore and though you didn't wanna ruin your friendship you decided it was time to confess your feelings. He was taken back by it a bit.

You were surprised since you were getting terrible at hiding it. He told you he was not interested in that sort of thing but he valued your friendship. Of course initially you were crushed and embarrassed but you actually moved on from it faster than you expected. You decided to focus on your work though as expected you were a bit awkward around Alastor after that. So you decided to distance yourself from him a bit until you were ready. You were of course invited to overlord meetings. So when you got an invitation to meet on short notice you actually were pleased for a distraction. You had the time so you made your way there. When you arrived you found that there was few that could make it. Alastor was not even present. Oddly enough you hadn't seen him in a while. You wondered if he decided to distance himself as well. Maybe he was more bothered by it than you thought.

The only people present were Zilla who was a very large feathered Dino overlord, Carmella who usually hosted these meetings and also sold weapons, and one of the Vees... Vox actually. You weren’t very fond of the guy who was your friend's biggest rival so you tried to sit yourself far away from him. You sat next to Carmilla although you guys were competitors, you kept things civil. Unlike Alastor and Vox. She thanked you for all for coming on such short notice. The conversation was going productively despite the very few people present. It was strange though as you felt a feeling of eyes on you.

You turned to catch a certain TV headed demon staring at you. As soon as he realized he was caught he turned away quickly. You wondered if he had stared at you like that before despite how little he came to these meetings himself. He usually sent Velvette. And Valentino had never been to one as far as you knew so you knew practically nothing about him. As you were lost in thought, you ended up staring back at him. As soon as he noticed was when you snapped back into reality and embarrassedly turn your head away blushing. This gave Vox the confidence he needed. He started openly flirting with you at the meeting. you were feeling embarrassed, pissed off and a tad bit flustered. 3 things that when combined made your brain malfunction as you poorly tried to keep your cool. Your reaction only encouraged him more. Luckily the meeting ended soon after that.

As you walked down the sidewalk, you realized he was following you. He told you he had liked for a long time but never had the guts to make a move until he caught you staring today. This was an oddly vulnerable moment for him and as you looked in his eyes you saw he was sincere. you agreed to go out with him. you guys took things slow at first but it eventually became a deep and passionate relationship. He had walls that came down when it was just the two of you. His persona and exaggerated ego disappeared to reveal and sweet and humble gentleman. He could be very protective of you sometimes. Which you sorta liked. Even though you could handle yourself, you didn't mind his protective behavior. It was actually kinda hot.

though you thought it was odd that you still hadn't formally met his business partners. you didn't know much about them especially Valentino. You tried not to question it much. Both of you being overlords with businesses could sometimes make you too busy to see each other. He seemed stressed and overworked lately. So, you decided to surprise him by visiting him at work. You slipped on something nice (and slipped on something naughty underneath) and went to see him. you were he told he might be on the top floor so you took the elevator. And when the door opened... you saw Vox... underneath what you could only assume was Valentino. It didn't take you long to figure out what they were doing. You ignored Vox's pleas and attempts to stop you as you left in tears.

You devoted yourself to your work after that. Deciding you didn't need a man in your life at all. And for seven years things went well. Then one day, Alastor resurfaced. He actually showed up at your club, casually acting like he had been gone less than a day. He went and struck up a conversation with you. You tried to stay mad at him, you really did. But you missed him. And that bastard put on the charm to get in your good graces. Before you knew it you were agreeing to help him run a hotel for sinners he was working on with princess of hell. You after all owned a business yourself so you had plenty of knowledge to offer.

Your involvement with Alastor caught Vox's attention. He was already furious about Alastor's return but hearing you were working with him made his blood boil. He decided he was going to find a way to talk to you. He was going to tell you the truth. He was going to make things right.

When you went out to lunch by yourself you were caught off guard when your long time ex sat across from you. He refused to leave until you heard him out. Vox had never used his powers of hypnosis on you (as far as you knew) but you were still weary so you refused to look him in the eye as you reluctantly listened.

He told you Valentino was an extremely dangerous unstable person and was often abusive. Val knew that Vox was seeing you and was actually jealous at how much time he spent with you instead of him. He threatened to hurt you if Vox ever left him for you. And at the time, Vox didn't feel he was strong enough to protect you. He also knew that if he told you any of this that you were the type to try and pick a fight with Val. And he was afraid you would get hurt. But, he promised that this time he was going to end things with Val once and for all. His power had grown a lot recently and he believed he was strong enough now to cut off Val completely. You looked at him after hearing all this and saw the same vulnerable and sincere expression that convinced you to believe him on that first day. You agreed to give it another try but only if there were no more secrets and you guys were a team. He promised and you two embraced. You were ready now to face whatever struggles came your way together.

[birbs89]

cool things and interesting stuff I saw in the new spooky month episode and just me obsessing over it lol

WARNING!: major spoilers for the new spooky month episode

I really liked Father Gregor because honestly his design is cool in my opinion and I liked that even though he's a priest who in other shows I've seen are almost always made as good and flawless people but in spooky month Father Gregor still has his flaws especial his flaw with how fast he went to blaming Skid and Pump for being the ones who caused Moloch to be freed (there kinda at fault but c'mon their kids)

also Moloch has to have my FAVORITE design for a demon I've seen in media I love how he has the hooves like one's that goats have since how much goats are associated with demons, I adore the furnace type of thing seen on his stomach, and I like how his hands and claws look

and also because Moloch created in my personal the funniest scene in the episode when he panics when his name is revealed to Father Gregor by Pump

also some things about Moloch possession it seems that he can just posses anyone he decides to posses and that he can also posses and control multiple people at a time and when he is not possessing a body he is either in his demon form or in a liquid form

final thing about Moloch is that I kinda feel bad for him for some reason (I think it's just because of how sad Skid and Pump were when seeing that Father Gregor killed him)

also feel incredibly bad for Dexters mom poor girl had to experience the loss of her son and then be lured and killed by the same demon who was the reason her son died

also can we PLEASE give Lila a break poor girl is going through actual hell

Pumps eyes seem to only be blue when he's in a very dark area

and I think from the implications and things Father Gregor said I think Skids father is dead maybe dying sometime when he was in the cult

love how Ignacio just without a second thought shoots Moloch and I think the scene is a reference to Silent Night, Deadly Night 2 specificality the Garbage Day scene since he shoots Moloch right after putting down a garbage can

also speaking of Ignacio I think he might have been an ex cult member since the picture frame where he's holding the birthday cake I think that might be Skids dad also holding the cake with him and if he is a ex cult member it explains why he's boarded up and barricaded his house since they might have tried to kill him in the past

father of the year award goes to John (also Jack) because of how caring this man is to comforting Skid and Pump when they start thinking they aren't good enough and are a problem to their parents and of how much a good father he was to his daughter

love every scene we got with Patty during this episode (also she's very pretty :])

also thought this guy with the briefcase was a reference to Doug from the Fnaf movie lol

also it's revealed in the ending of the episode seen on the NewGrounds version of the episode that the two thief's and the Candy Dealer are apart of the cult so I guess I was right about them having something to do with the cult in my theory

also we get to see the spider monster we saw in a sketch Sr Pelo posted (can't find and if I did couldn't add it since image limit:[) I think it might be the main villain of the next episode and It seems to be in some way connected with the mannequin/Skids dad from the mannequin theory (if it's cannon idk) since at the end of the episode the spider picks the mannequin up and looks at it

we get to see the The Eyes of the Universe in this episode and I was right in my theory that he was located under the cults mansion since we see the cultist take Father Gregor their to be sacrificed in the end of the episode

also Roy seems to be losing it at this point

[chaoticace2005]

Why Sir Pentious got redeemed:

1. He was killed so his soul got re-evaluated (if so what happens to all other Sinners who die?)

2. He got redeemed a millisecond before Adam killed him, the intent of sacrificing himself being enough to get into heaven

3. He was destined to be redeemed when he put his pride away and confessed to Cherri

4. Being in Heaven or Hell is based on whether or not you believe you’re a good person. At that moment his opinion of himself shifted enough to qualify for Heaven.

5. He racked up enough good points to be redeemed, as did Angel, the only reason he’s there and Angel isn’t is because Valentino owns Angel’s soul.

6. Susan owned Sir Pentious’ soul, keeping him tied to Hell. She died at that very moment though, releasing him.

7. Susan is a bad bitch and can’t die. But she saw how stupid he was about to be and was like “I give up”, releasing him.

8. The universe knew that Adam was going to die and there always has to be one Alex Brightman in Heaven. They couldn’t take Fizzarolli because they don’t want to deal with Asmodeus, so they defied their own rules and took Sir Pentious.

9. He didn’t get redeemed. His design was just re-used and this is a totally different Winner, the story just ended like this to give us hope

10. He didn’t get redeemed, this is Charlie’s hope of what did happen because she can’t accept his death

11. All of Hazbin is a story being told by Frank, and he added his boss going to Heaven because that’s what he believes happened (either a conspiracy theory or that’s what the Hazbin crew told him.)

12. Using a war machine to kill people was the last sin he needed to repent for, the fact he was redeemed before Adam’s blast is just luck.

13. Adam’s blast beamed Sir Pentious up to Heaven

14. Adam’s blast is actually a de-Sinner, usually it kills people but because Sir Pentious didn’t have a lot of Sin-juice he was reborn

15. He chose that moment to convert to a born again Christian. He was born again.

16. He sneezed and an angel blessed him

17. This was another “fuck you” from the universe: he kissed the girl he liked and made a family only for it all to be taken away

18. It’s a Good Place situation where he thinks he’s in Heaven but it’s really not and this is just extra torture.

19. He’s in purgatory and this is what he’s dreaming.

20. It’s a test by the higher ups in Heaven “OH you think heaven is good for Sinners? Wrong!” Then they chose a guy who was starting to find happiness in Hell to prove their point that Sinners can’t find joy in Heaven

21. His death was so anticlimactic the universe felt like it had to give him a second chance.

22. Vox is a heavenly official in disguise (the TV is just a mask.) And told him back in episode 2 to kill himself, Sir Pentious sacrificing himself fulfilled that wish, so the universe redeemed him for fulfilling Vox’s challenge

23. Lilith ex-machina came in last minute like a girl boss and saved his ass. Her powers transcend time.

24. That’s Sir Pentious’ clone, which Pentious had programmed to be released the second he died (there may be tons of Alex Brightmans in the world, but there can only be one Sir Pentious.)

25. Charlie learns how to redeem Sinners in the future. She also learns to time travel, so she grabs Sir Pentious at that last second before he died, helps him get redeemed and then chucks him back into the timeline because screw the consequences.

26. Alex Brightman got amnesia and said “H-huh?! Where-where am I?!” during recording. Everyone though he just ad-libbed a line and tried to make it fit in.

27. The Eggs are secretly gods. They blessed and saved Pentious before Adam could kill them.

28. Emily saw what he was about to do and pulled a lever. It was the right lever.

29. Last minute someone realized the play on words with Pentious’ name (Sir Repentious) and added this scene in

30. Alex Brightman was originally not going to return to the show, so Pentious and Adam died. Later things changed and he could return, but most filming had already been done so they took him aside and filmed that final scene separately and added it in.

[linkspooky]

The Death of Kenjaku

So I was planning to write this meta the week that Kenjaku died, but decided to delay until we got full confirmation of his death. Something I didn't believe in even after Kenjaku passed the merger onto Sukuna. However, watching this video about death in Jujutsu Kaisen inspired me to finish this post. Not because I disagree with anything the YouTuber is saying, but because they can speculate on the meaning of so many deaths in Jujutsu Kaisen but can't find the meaning in Kenjaku's sudden death. This has led me to speculate why Gege made the choice to kill Kenjaku in the way that he did. What meaning is there in Kenjaku's abrupt and unsatisfying death?

Who is Kenjaku?

The first step in understanding Kenjaku's death is of course understanding how he lived. We actually know incredibly little about Kenjaku's character by design. Despite the fact he's literally in Geto's body, he's not meant to have sympathetic or human motivations to his actions (though hold onto that "human motivation" in your head for a moment). No flashback sequence shows the audience why this guy is the way he is, no single event seems to have driven him to do what he did.

This is what we know about Kenjaku in brief. He is a sorcerer who is over a thousand years old who was around in Sukuna's day. He once had a friendship with Tengen, but found her original self boring and unambitious. He also contrasts heavily with Tengen, who lives outside of humanity, because he has lived among humanity for 1,000 years. One of those lifetimes was Noritoshi Kamo who violated a woman and conducted heinous experiments. He produced ten children in his one thousand years, the nine death painting siblings and Yuji Itadori. He considers the first children boring, because human and curse hybrids turned out too normal.

He also partially blames himself for how boring they are, because he can't create anything that will exceed his expectations, the only thing that can exceed his expectations is born in chaos. He spent a thousand years organizing the culling games, and wants to use the games to create a merger, because he thinks creating a merger between Tengen and Humanity will create something entirely new and interesting. He also believes the way towards the future lies in further optimizing cursed energy, not in breaking away from it the way Yuki Tsukumo tried to do and Maki has.

The only people whose word we have on Kenjaku's motivations are Kenjaku himself, and Tengen's word and Tengen themselves who claims to not know what goes on in the human heart.

From all of the above Kenjaku seems to be a shallow character who's motivations can be summed up as "because I can" and "I want to see what happens." This shallowness is intentional however, as Gege who once praised the minimalist storytelling of Nasu and Evangelion likes to pick and choose what crumbs of backstory he gives out for his characters. We've never gotten any exposition on the Gojo clan, but we have an entire chapter about Takaba's failed career as a stand-up comic. This isn't a judgement of good or bad writing, this is just how Gege writes as minimalist as possible. This is in line with how Gege writes the ancient sorcerers as well, they are all much more shallow driven by instinct or Freudian Id (I desire) rather than the higher reasoning of modern-day sorcerers. Takaba uses comedy as a means of communication and bridging the gaps between people, Higuruma's backstory is the critique of the modern day justice system. Ishigori apparently lived a satisfying life where he was succesful and had good women, but that wasn't enough so he wants to get into a fight with Yuta to satisfy his hunger and feel like he's eaten desert.

It sounds shallow when I summarize it in text, but in the context of the fight with Yuta, it's a challenge for Yuta who for the most part only cares about his loved ones and sees the world through his love goggles to be more selfish and fight for his own desires. It's also reflective of a more basic and instinctual kind of thinking, as opposed to the higher reasoning and logic that modern-day sorcerers apply.

I'm keeping most of this first part to text for this reason, like go back and read the fight with Ishigori and Yuta. If I summarize Ishigori's character reasoning out of context it sounds stupid, but read the fight and it works because it's ID (I Desire) vs. Yuta's superego in not only having to collect points to help rescue Tsumiki, find a way to protect all the innocent people in the Culling Games, and also collect enough points to take on Kenjaku himself so Gojo won't have to. Meanwhile Ishigori's just fighting to get some of that sweet desert, the shallow works in contrast to the more layered motivations of our heroes.

Kenjaku is a shallow archetype fighting to satisfy his baser impulses (in his case curiosity) in comparison to the main characters who are fighting for more complicated reasons and often people besides themselves.

The question then becomes what archetype is Kenjaku. In that case answering who Kenjaku is is quite simple.

Kenjaku is a clown.

It might be more accurate to say that Kenjaku embodies what's commonly known as the "trickster archetype" but I'mma go with clown.

The most obvious example of a clown villain is what most consider the joker to be, that is a silly little clown man who challenges the straight faced and grim batman and sews chaos where Batman attempts to establish law and order in Gotham and make the city into a better place.

From the book Batman and Psychology:

More than any other villains, the Joker and Two-face reflect Batman himself as funhouse distortions, converses of who and what he is. The laughing, jesting, brightly colored Joker contrasts with grim, dark Batman. The Joker is the Joker. No alter ego. The film's opening bank robbery shows him wearing a clown mask over clown makeup, Under the surface there's only more Joker. He gives no history except inconsistent lies. When he finally considers the impact of his demand Batman unmask, he retracts the threat and demands that Batman's identity remain undisclosed. He wants a batman who has no other self, a Dark Knight whose only deeper layer is further darkness.

Is there a better descriptor for Kenjaku then these words?

Kenjaku is Kenjaku. No alter ego. A clown mask over clown makeup., Under the surface there's only more Kenjaku.

In other words, what you see is what you get.

Kenjaku even mirrors Joker's opinion of Batman, he thinks people should be more like him, not the other way around. He's not the outlier, he's being true to humanity's basic impulses of curiousity and discovery.

A more apt comparison as a clown though would probably be Loki, one of the most classic examples of clowning in the shared mythology of humanity. The character who challenges the common wisdom of gods like Odin who suspended themselves from the world tree for eleven days in order to gain wisdom. Loki, who through his trickery manages to bring about the events of Ragnarok for no deeper reason than because he can. Everyone swore not to harm Balder and Loki goes to find something that can harm him because BET.

Mythological Loki doesn't need a deeper motivation because what he represents in the mythology is someone who challenges authority and brings about a change, because in Norse Mythology nothing lasts forever and no era is permanent. Jujutsu Kaisen is also a story about how things should not in fact stay the same and tradition is bad sometimes.

When Kenjaku finds Tengen's true body he's curled up in a tree root in the fetal position, and he killed what is basically the all-knowing, all-seeing supposedly immortal sorcerer that maintains the status quo of japan, it's not exactly subtle.

Kenjaku is a clown, and clown's gotta clown. We don't need any more explanation that, it's more about what he does for the story. However, what he represents, the deep intellectual curiosity, and also a drive to disrupt the status quo in an attempt to see something more interesting can also be analyzed more deeply because they are human emotions that motivate us as well. The same way that Mahito is an inhuman monster, but he's created and motivated by the fear of other humans, something all of us have. '

Before moving onto his death though, I wanna hammer in how Kenjaku really is just motivated by these two things, a desire to see something interesting, and intellectual curiosity by comparing him to other characters.

The Clown in Fiction

I've already compared Kenjaku to Loki and the Joker, but when it comes to someone who wants to disrupt the entire order of the world simply because they're bored we've got to go to the original girlboss.

So there are plenty of villains who go "I'm evil because I'm bored" but they usually tend to be pretty shallow, either shallowly written for the lulz evil characters who just exist for shock value or just kinda dull. No one has ever done it as good as Junko Enoshima and no one ever will again.

For those who need context DanganRonpa is a death game series where the main villain basically has caused the apocalypse, wiped out most of humanity, and then induces survivors in a bunker to kill each other in a death game, where if someone commits a succesful murder they can escape the bunker, but if they're caught in a trial they're executed. Also, if they're not convicted in the trial everyone else is killed, motivating the jury to find and execute the guilty murderer.

Junko Enoshima the main villain and orchestrator of this death game ended the world because despair. She wants to inflict despair on everyone because despair. Because hope sucks and despair is where it's at.

It sounds shallow and it is and Kodaka has said in interview he wrote Junko to be a villain character with zero redeeming character traits, and no sympathetic backstory to describe why she is the way she is, but there is still something motivating her.

If you go a bit deeper into the lore and read Dangan Ronpa Zero, there is an entire book which explains the lengths which Junko goes to feel normal human emotions. The thing is much like Kenjaku Junko is too smart for her own good, everything is predictable and therefore everything bores her. Once in an attempt to live normally, she literally lobotomizes herself, makes it so that she can't remember anything and has continual amnesia constantly forgetting what just happened to her, because that's the only way she can live without knowing everything that's going to happen and constantly predicting everyone's actions.

Junko has whatever her universe's version of the six-eyes is, but instead of lording it over other people like Gojo and basking in her superiority she wants to feel normal, and connected to the world. If she can't have that she tries to make the world as unpredictable place as possible so she can experience it the same way that everyone else does.

Hope is harmony. A just heart, moving toward the light. That is all. Despair is hope's polar opposite. It is messy and confusing. It swallows up love, hatred, and everything else. Because not knowing where you will end up is despair. Despair is even what you cannot predict. Only despair's unpredictability can save you from a boring future.

I'm still not describing it properly because I don't want to go into a Danganronpa essay in this post about Jujutsu Kaisen, but one example I always use is two characters from American Dragon Jake Long. They're a pair of twins who see the future, one always sees happy things, and one always sees sad things. The one who has happy visions is a goth who's very depressed and the one who sees disaster is an incredibly peppy girl.

Jake is so confused as to why the twin who always sees good visions is so depressed, and she basically tells him to imagine having every good thing, every small little surprise, every pleasure taken out of life.

Kara: When you only see good things, nothing's special anymore. All the pleasant surprises are taken out of life. Sara: But, when you only see bad stuff, even the smallest bit of good news makes you happy!

All of this to say what Junko feels isn't just boredom, or a desire to commit evil for evil's sake, but also a full on existential crisis where she's simply too smart so she doesn't feel any connection to other people or the world around her. In order to feel that connection, that connection that everyone else has, to feel like she is actually a participant in her life not an observer she's willing to go to extremes to make the world a more interesting place, to therefore make her own life feel satisfying.

Kenjaku vs. The World (Kenjaku Pilgrim's sad little life)

To connect all this back to Kenjaku imagine the profound existential despair of a person who's lived for a thousand years, and felt bored all that time. Sukuna is at least a hedonist, he gets his fun by getting into fights, humans might be bugs to him but they're tasty bugs.

Kenjaku goes to similiar motivations and has similiar extremes, he's uninvested in the world around him, he's lived a thousand years but has no attachment to the world, to life, to the people around him. I said that Junko wants to be a participant in life not an all seeing observer and that was purposeful language because to bring back an old post. I rambled on this post about Gojo that part of Gojo's problem is that he only experiences observer-to-object relationships or I to it.

Ich and Du, translated as I and Thou is a book by philosopher Martin Buber. His two main porositions is that we may address existence in two ways:

The attitude of the “I” towards “it” towards an object that is separate in itself, which we either use or experience.

The attitude of “I” towards “Thou” in a relationship in which the other is not separated by discrete bounds.

In Buber's terms, those who only experience the first type of relationships are only observing the world around them not relating to them. Kenjaku doesn't relate to other human beings because they are objects, he only experiences subject -> object relationships and never subject -> subject.

Buber also goes on to theorize that meaning in our lives comes from subject -> subject relationships we form with other people.

Kenjaku jokingly says that to be his friend you have to never bore him and be his equal, but there's no one considers his equal because he's the subject and everyone else are just objects.

He regrets he can't sit down and talk theories with Tsukumo Yuki because she's one of the few people who think like him.

Kenjaku is a paradox of an incredibly brilliant man who is also shallow as a puddle that you can stand in and not get your socks wet. However, he tragically can't really form a more complex identity because our identities are formed by our relationships to other people and Kenjaku doesn't relate to anybody.

That's basically the theme of the whole Choso and Kenjaku fight, Choso is a weird aborted fetus of a curse who still has a strong identity and is able to feel unconditional love for Yuji because of the connection of family and the ideas of brotherhood that binds the two. Kenjaku is a bad father who abandoned Choso because they were "boring" but also never really gave them a chance to grow up or be interesting, he just dismissed them offhand and moved on to the next weird science project.

However, his reason for dismissing Choso isn't Choso's fault but rather a case of Psychological projection. It's not Choso who is boring, but rather Kenjaku himself, he said so earlier.

"What I can create, does not exceed the bounds of my own potential. The answer is always flickering darkly in chaos."

Kenjaku cannot look within to find anything satisfying abput his life because there's nothing inside of him. He doesn't have a fully formed identiy he's just ID, and because he tramples all over other people to form his desires he also cannot ever form a full ego. Just like Sukuna and most of the ancient sorcerers he's a paradox of being all ego, and yet having an underdeveloped ego with shallow motivators.

Kenjaku cannot look within because he's a boring person, and he cannot look for other people to find worth in his life because they're just objects, so instead he looks into the void, he tries to change the world around him by spreading more chaos hoping that it will make something unpredictable happen in front of his eyes - and that will give him the meaning and investment in his life he's deprived himself of because he refuses to form relationships with other people.

It's the Gojo problem. It's the Kashimo problem. It's not the Sukuna problem, because Sukuna admits he doesn't care about and rejects things like love and meaning.

If Kenjaku makes the world around him a more interesting place, he will be able to live in it. It's the same as Gojo trying to raise people up to his level by creating stronger students.

So after going to great length to demonstrate how powerful and all-consuming Kenjaku's boredom is, and how cut off he is from his own humanity, here's the part where I sort of defend his death.

Wouldn't it be funny if the joke character killed the main villain?

Let's be honest it was Takaba's kill here, Yuta just camped and killstole. I think part of the problem with people not understanding the meaning behind Kenjaku's sudden and unexpected death is attributing the death to Yuta cutting his head off out of nowhere, and not Takaba's thematic victory over Kenjaku.

Takaba represents a blindspot for Kenjaku which is why the main characters use him as a weapon against him, and he also calls out in a fashion Kenjaku's hypocrisy. First and foremost, Kenjaku presents himself as an agent of change, but he actually has no interest in many of the modern sorcerers and holds a bias towards the heian era as the peak of sorcery. He even says that he's going to bring back the Heian Golden Age to Sukuna at the end of Shibuya arc.

Because that's what Chaos is Kenjaku, things being the same as they were 1,000 years ago. Kenjaku is an agent of change and chaos and somehow his definition of change is... resetting things back to the past because the sorcerers of the past were so much better than today.

Kenjaku goes out of his way to awaken hundreds of modern day sorcerers, and then dismisses literally off of them except for Hiromi because they don't have enough potential for him compared to ancient sorcerers. He essentially did the same with the Death Painting Bros, he went through all of the trouble to create them, then dismissed them as not having enough potential BEFORE THEY EVEN GOT THE CHANCE TO GROW UP.

Kenjaku has a habit of just going BORED NOW and leaving before he even gives things the time to impress him. He does the same with the Culling Game, he set up the death game to push sorcerers to fight each other and bring out their powers, but he never actually intended to watch the sorcerers evolve. He just wanted to slaughter everyone inside to start the merger.

He goes through a lot of potential to set up these situations and then abandons them before they have the chance to even evolve, because they do not have enough "potential" in his opinion, but like his opinion is often shown to be wrong. Takaba represents that blindspot because he was one of the modern sorcerers that Kenjaku underestimated and dismissed offhand as boring without giving him a chance to shine.

That is the joke that Takaba introduces himself with "Wouldn't it be funny if a random comic relief side character suddenly defeated the big bad?"

He's immediately pointing out a blindspot, because Kenjaku automatically believes himself to be an important character, he underestimates Takaba because he's a side character, one of the people Kenjaku has dismissed as boring and uninteresting (before they even had a chance to evolve into something else). Like that's the other thing Kenjaku wants things to evolve but he doesn't... let them. He abandoned Choso and the rest before they even grew up, they were literally fetuses and he threw them away. Kenjaku is the protagonist of reality, and Takaba is a side character, and therefore Takaba couldn't possibly harm him because Kenjaku and his boundless curiosity are the center of the world.

It's not just about subverting the audience's expectations to have the main villain die in such an anti-climactic way before the final act even starts, but it's pointing out how narrow Kenjaku's viewpoints really were all along. He wants everything to be surprised but he never lets anything surprise him, because either he gets bored right away, or he looks down on others before giving them the chance to evolve, or the third thing he just straight up has to control everything. He can't let the culling game evolve naturally he's going to slaughter all the players by hand so he can move onto the next part.

It's the contradiction between a schemer who needs to control everything and everyone to bring about his intended result and everything needs to be a part of his big plans, to someone who wants to be surprised by others and have things go off the rails. You can't have both of these things at once, Kenjaku cannot have things surprise him if he rigs everything to go his way with his overly elaborate schemes and his tight-fisted control of everyone in the story.

Like, in comparison to Kenjaku the joker just blows things up and sprays people with laughing gas. They're both playing the same game but the joker is having fun and Kenjaku isn't.

Kenjaku wants an unexpected future, but he doesn't care about any of the modern sorcerers and has a bias towards the heiean era that he considers the height and wants to reset things to bring back the heian era. He wants to be surprised but won't give up control.

Kenjaku's boast is that unlike Tengen he's spent a thousand years living on the ground instead of lording up on them from above like some deity, but is that true? Has Kenjaku lived? Has he engaged with the world? Formed relationships with people? Or does he just sit in the corner rubbing his hands together menacingly and scheming his schemes.

Takaba unironically gives Kenjaku what he wants, something he's never seen before in a thousand years, and it's from a place Kenjaku never expected. Some random guy, who he dismissed as one of the boring modern sorcerers with no potential like Higuruma.

Takaba not only exists in Kenjaku's blindspot, he almost immediately points out Kenjaku's second hypocrisy. If he's willing to resort to mass murder just to feel entertained, then if he found something else to entertain him there'd be no reason to get violent and scheme his schemes.

In other words Kenjaku hasn't really gone looking for other places to try to find what makes life worth living, or at least enertaining, he hasn't really tried any alternatives to finding joy in life because Jujutsu is all he cares about. Takaba says that if he found something else even more entertaining than the merger there'd be no need to go through with the merger, and he turns out to be right. Kenjaku could have found meaning and entertainment with the world someplace else, he was just too narrow minded and never looked anywhere else.

As I said from the beginning Kenjaku's existential crisis comes from his inability to relate to other people and viewing them all as objects, but in Kenjaku's mind of course he can't relate to others they're too boring, so therefore it's the world's fault, and the fault of others and not himself.

However, right away one of those boring people starts relating to Kenjaku.

I joked about how we know nothing about the Gojo clan but Takaba gets an entire backstory chapter about his failed comedy career, but this chapter is plot important because jokes are the way that Takaba relates to and forms relationships with other people. Takaba makes jokes to relate to others but has a fallout with a comedy partner and has never been able to form a lasting relationship with a comedic partner because comedy doesn't mean the same to them as it does to him - because to Takaba comedy is about forming relationships with people. Which is why he thinks he's failed if he's failed to make everyone in the audience laugh because he wants to make comedy that will make other people relate to him and understand him.

However, he almost gives up on comedy because he's afraid that he might fail on that endeavor. He gives up on striving to make everybody in the audience laugh, because of self-affirmation and a desire to protect himself. He didn't want to fail so he started distancing himself from the audience under the excuse "Well, I can't make everyone laugh so it's okay if not everyone understands me."

Takaba at some point gave up on trying to use comedy as a means of understanding and relating to others, because of his fear of failure and at that point he nearly lost - but he rallies himself by saying that he won't give up on making someone like Kenjaku laugh. If his comedy is about connecting to others, about understanding others and having others understand him then he can't just give up on Kenjaku and say it's Kenjaku's fault that Kenjaku can't relate to his sense of humor. He's got to try even harder to make Kenjaku laugh.

This is also pretty much the opposite of Kenjaku's point of view. For Kenjaku it's everyone else's fault for being so boring that's why he can't relate to them. Wheras, Takaba takes personal responsibility, he wasn't funny enough, he has to try harder, he's the one who's going to make Kenjaku laugh by improving himself. Takaba looks inward, and Kenjaku looks outwards because there's nothing inside Kenjaku.

This is a parallel to this.

The difference however, is that Sukuna did not betray his ideology. Sukuna lives for the kicks that battle provides him and wants to face strong opponents so he can eventually devoured them and be momentarily entertained.

Like Sukuna is not bored the way Kenjaku is. The world is his playground. He may refer to living as just killing time until you die, but he also says that there's an infinite variety of humans to entertain yourself with. The world is Sukuna's toybox and he's satisfied with just that. In fact he doesn't even care about the merger, until his frustration with Yuji makes him think a little deeper about himself.

Kenjaku is not the Sukuna in this scene, he's the Gojo. He believed he was above others, only to be reminded suddenly that he was just the same as everyone else and brought back down to humanity. I mean, they even die off panel the same anticlimactic way. Gojo's infinity meant nothing in the face of one surprise attack a world-cleaving slash Gojo didn't see coming. All of Kenjaku's backup plans meant nothing in the face of Yuta camping and kill-stealing.

Kenjaku didn't lose because Yuta's plan of camping and killstealing was simply too brilliant for him to prepare for however, we're given the exact reason kenjaku lost - because he was having too much fun with Takaba.

Which meant what Takaba said earlier was true, if Kenjaku found something funnier, something other than the merger that could make him laugh there'd be no need to go through with the merger to begin with.

Kenjaku loses because all along he could have related to people, formed meaningful relationships with others, looked for meaning in life outside of Jujutsu but just chose not to. Which is also a parallel to this.

Sukuna says that Kashimo and Gojo both lost because they were greedy. They already received love in a way, they had the love of everyone who regarded them as the strongest, they had people who earnestly wanted to challenge them and respected them - which Sukuna sees as a form of love, and yet they still wanted more.

They were the ones who put themselves up on that pedestal and decided to stand above all of humanity, they don't get to whine about being lonely on top of that.

To add my interpretation to Sukuna's speech, what he's outlining is a general conflict in Jujutsu Kaisen, you can choose to be all ego to put personal development above everything else but it comes at the cost of not being able to form relationships. Maki's as powerful as Toji now, but the sister she always wanted to protect is dead and basically committed suicide. Meanwhile Noritoshi Kamo didn't participate in the final battle, but he reconnected with his mother and half-brother.

There are plenty of characters who die and suffer in jujutsu kaisen because they chose to value other people above themselves, because Jujutsu Kaisen rewards selfishness and punishes selflessness / having an underdeveloped sense of self.

I'll pick Mechamaru as my biggest example, he lived to protect Miwa, and not only does he die an unsatisfying death, he also breaks her heart.

However, at least Mechamaru experienced love. His desire to protect Miwa is granted, because Miwa is also out of the final conflict. Mechamaru is one of the most miserable characters in the manga, and yet he experienced love in his life for someone else that made his brief life meaningful. The characters who choose love, and other people over strength tend to get stepped on, but they at least had that love in their life to begin with.

It's a having your cake and eating it too situation. Kashimo chose strength over love, and he got to be so strong he was unbeatable and lived to old age, but not only is he unfulfilled but he whines about being unable to relate to the people around him - you're the one who chose to step on everyone like bugs.

Characters in Jujutsu Kaisen don't just experience death when they try to be selfless however, like yeah there's a disproportionate amont of selfless minor characters who die, but like Yuji is the most selfless character in the manga and he's continually punished for it and yet he's the one referred to as a person with an unbreakable will.

Rather instead of Jujutsu Kiasen preferring the selfish side on the scale of selfishness / selflessness, the kind of messy, deaths that get handed out to people like Mechamaru happen when you betray the ideals you were living for. Whether they were selfish or selfless.

It goes back to Toji's internal monologue. You lose when you lose sight of yourself - like there's some deaths that don't fit the mould but for the most part, Gojo, Kashimo, Toji's and then Kenjaku's deaths all follow this pattern. By coincidence they also all take place offscreen for the most part (I suppose we see Yuta cut off Kenjaku's head but it's quick and unsatisfying compared to all the rest).

Kenjaku died because he betrayed what he was living for and he temporarily lost sight of himself. As I said Kenjaku's airtight principles were that everyone was boring and people weren't worth relating too so the only way to find enertainment in life is to cause chaos - but he found himself relating to some nobody he wrote off as a minor character Takaba and having fun with him. Which meant the belief he was false, he could have tried relating to other people all along he just didn't.

He warped his sense of self to reaffirm his identity. Takaba almost did that too, he tried to blame other people for not finding him funny to protect himself, but he moved past that and redoubled his efforts to make Kenjaku laugh.

There's also the added layer of irony that Kenjaku's sudden death brings about, the person who spent a thousand years trying to make the merger happen doesn't get to see it.

However, here's my assertion on why Kenjaku's death before the merger always had to happen.

Because, even if Kenjaku had seen the merger he still would have been bored.

Literally everything about Kenjaku's character and previous actions shows that even if he made his big scheme come true, he would have gone "meh" and moved onto the next scheme because that's how he always reacts.

He got bored of the death painting siblings, he presumably got bored of Yuji, he got bored of all the ancient sorcerers and new sorcerers he made for the culling game, he worked with the disaster curses and got bored of them and dismissed them as inferior primitive curses, he goes out of the way to engineer these chaotic situations and then never feels any satisfaction from them so why would the Merger be any different?

Not only did Kenjaku die before he saw the merger, he was basically doomed to never see the merger, because it would not have fixed whatever is wrong inside of him.

Because it's not the world that's boring, it's Kenjaku himself.

He gets a brief glimpse of what he could have done in life, that he could have tried to forge connections with the people around him and related to them on a personal level - and then he dies the way he lived, in a kind of boring and unsatisfying way.

It's the narrative punishing him in a way, the same way it punished Gojo, and Kashimo, by not letting him see the big explosion after he went to all the trouble rigging the bombs. It's punishing him for the same reason too - by deviating from his true self and showing what he thought were his reasons were shallow all along. Gojo could have always related to people he just chose to stand on his pedestal alone, and Kenjaku could have always found the world to be more enertaining he was the one dismissing other people as boring without giving them a chance to grow.

Takaba confronted his beliefs and then stayed true to his ideology of making everyone, 100% of the people in the crowd laugh. Kenjaku didn't confront his beliefs, he strayed from them because he didn't have the strength of character to evaluate himself the way Takaba did.

Hence, he's finished off by one of those boring people who used their power in a way he never expected. The main villain is defeated by the comic relief character and it's hilarious.

[bloop-bl00p]

Rewriting Sir Pentious justice for the snake boie

Doesn’t anyone find it weird how we’re gonna have the backstory of everyone in later seasons?

Not only do they hardly follow the redemption aspects but they also give us little to nothing about the characters. I can buy that Heaven is corrupt and/or unfair but rather than having Adam throwing curse words and profanities every five seconds, why not show it in elements of the main cast backstory?

Reveal that they were essentially in unjust situations where they had no other choice but sins to survive, the type of stories that’ll make the audience think “Is Heaven fair in its judgment?” then you have the reveal that the system is corrupted. It feels like common sense to me.

Anyway, Sir Pentious wasn’t that much of an asshole in my rewrite, we understand why he acted the way he did but he still fucked up.

Madhav Karmakar was born in 1858. He was an Indian migrant in England who wanted to follow a partnership in engineering. Studying hard and else he worked ten times harder than the other students due to prejudice regarding his origin.

He made his way into a prestigious university and went out with his diploma ready to show off his skill but generally still faced racial discrimination. Throughout his life, Madhav had to do everything in his power to completely suppress anything that tied him to his country, fully adopting British mannerisms and culture, suppressing his accent, and else. At 17, he became an apprentice and started studying Mechanical Engineering, ending officially his studies at 24.

His hardship allowed him to work alongside others to develop steam machines and various ways of transportation. Despite having clearly mastered, and even ameliorated his domain, Madhav still had fewer opportunities compared to his colleagues and was paid less than the other regardless of the amount of work he put in.

What was first jealousy due to the unfairness of his situation quickly became Envy directed at his white counterparts. He started slowly destroying the reputation of his associates mostly by secretly sabotaging their work in various manners, introducing faulty designs, tampering with documentation, sabotaging equipment and tools, and anything really just to make himself feel better.

It lasted for years until one of his sabotages cost him his life. In 1888 at 30 years old, he caused one structure to collapse and the debris fell on him breaking his legs, he died screaming for help under the remains and suffocated because of the dust.

A few years following his arrival in Hell, he used his ingenuity to create steampunk-style machines in order to conquer territory. Problems, most of the lands were already owned by powerful Overlords. Madhav overestimated his inventions a lot so he got his nonexistent ass beaten all the time. He even gained the nickname Sir Pretentious though he still tries and insists on being called by his real surname (nobody does.)

The dude persisted, gaining the reputation of the village fool. Surprisingly for everyone he finally managed to get his hand on a very small portion of a territory… only for it to be snatched away by a punk rookie a week later. It would be easy for any Overlord to step up but they have their own business to take care of and some find it funny to see those two quarrel all the time.

Bit of a fun fact:

→ If I had to redesign him, he’d be fit with a large figure, we’re talking of the man who built this alone…

.. I doubt the egg boys can lift things too heavy considering they are fragile. So yeah, Madhav isn’t a twink.

→ The egg boys aren’t literal eggs just small mechanical robots he built to be his minions, if they were to break they’ll be gears everywhere but he could still rebuild them later. He wishes he could make them a bit smarter.

→ Snakes are very often associated with lies and manipulation and everything related to it. That’s what Madhav has been as a human, an envious liar. But, snakes can also symbolize renewal and rebirth in other cultures, and since he’s gonna be the first redeemed it kinda fits. I don’t know if Viv knew this but shout out to her if she did.

→ Keeping the romance with Cherry, I can appreciate a really good Enemy to Lover but the way it was framed feels like Cherry only got interested when she learned he had two dick, which feels icky and disingenuous.

So, I thought of slowly making their relationship more of a “Are they fighting or flirting” type of thing. That and having Cherry make comments between their fight like “You’re getting better at this!” which flatters Madhav because he never really had recognition for his fighting skills or invention.

He’s still a bit stuck in the old-timey way of courtship, and considering those things could last 3 to 4 years, with him you can expect the slowest slow burn possible. Anyway, he still respects lots of British traditions, being a regular correspondent and sending letters and gifts. I can see him asking to go on a walk or organize Rendez-vous to learn more about Bomb when his rivalry gets more friendly.

→ His obsession with fighting Alastor comes from the fact that he didn't manage to get up the stairs as quickly as the deer did. So he’s envious and seeks to beat Alastor in a battle to prove he’s the superior one, but he loses every time. His last chance is to side with the Vees, but Vox doesn't even bat an eye when he is near. So just imagine how ecstatic he was when Vox proposed to him to be a spy. While the first weeks were fine, he found himself getting attached to the staff more and more. It was a genuine environment where few people actually recognized him as the brilliant engineer he was (I thought he could actually help with the hotel construction since the building is old and all) and they actually called him by his name.

Not siding with Vox will be the first step to his redemption, renouncing to act of his envious feelings and focusing on what he already had rather than seeking to destroy those above him.

→ His lisp gets worse when he’s lying, he obliviously maintains a whole evil British persona in his quest for respect so as he slowly starts to get genius he’ll slowly start to speak with more ease.

→ Regarding how he’ll appear once in Heaven, he’ll be a human. I find it strange that you don't get to get your human appearance once saved. Viv said it herself, the reason why sinners look like that is because their appearance is in correlation with their sins, life, and the ways they die. It’s a way to mock them.

If this dude or girl gets redeemed, they’ll stay on a couch and that’s just sad, imagine you die go to Hell redeem yourself and you're still a furniture. Anyway, Madhav will get his human form back but with hints of his demonic form.

Kinda like Lovesart23 you should go see her videos and rewrite.

[time-woods]

How would you describe the kingdom in your medieval fantasy au? I'm so curious about its rules and society

ok i need to put this down somewhere so im gonna take this as the opportunity to do such bc this things been brewing in my cranium-

The kingdom is a fairly young one, destroyed a few hundred years ago by a falling asteroid, it created a crater in its place. Few survived but those who did instilled the fear of the sky and what dwells in it to those who remained. So anything from the sky is no good, this includes birds. Things that aren't grounded basically. They also blamed it on magic and that a evil magic moon god did this to them, sending one of its children down to tear down their home.

the interesting thing is- they didn't relocate. they cleared what remained of the asteroid, using the stone as their new foundation. They say this is like showing their power over what tried to destroy them or whatever. but yea they built their new kingdom in the crater. Now I hear you saying 'what abt when it rains? wouldn't everything flood?' your right. but you see, they hate what dwells above, they covered the top. its flat. the kingdom is flat up top. (besides those who don't live at the heart of the kingdom- like farmers who need land n such)) Everything is illuminated by thousands of lanterns that carry a flame said to be of the very asteroid that created this pit. This is yet again them taking power over what crushed their kingdom all those years ago. (flame that never dies? doesn't sound very grounded to me mr kingdom..) Those at the crown seemingly hate magic and any form of 'ungrounded' thinking. They are tolerant to those who are half human but if you are deemed too 'monstrous' they lose that tolerance very quickly. rumors are that the kingdom in recent years has started getting double standards for what they allow in their home. aka the head guard being 'half monster' (hes a bug. hes literally a whole bug. there's no human there at all) when the people thought entrusting that care to someone unlike them would be unthinkable, but surprisingly they've been safer these past years with him at the helm.

also yea most of the kingdom is this purply rock cause of this, as well as the flame in the lanterns. despite it being underground it manages to be fairly bright !

OH YEA one of their symbols is a stylized lotus/flame (lotus' can be seen as a symbol of rebirth and that put in place of the asteroid's flames makes for a good cycle like a phoenix sorta)) (this design is seen on Carmine's armor/ alt version on the bg guards))

this is just some stuff thats been in my head as of late that i havent gotten round to writing down.

[isuckatwritingsobenice]

YAYYYYY!!! So Vox was who I wanted to make a request for so I was thinking what if female reader is an overlord who deals with weapons that can kill sinners and hellborn. maybe she died in the 1920s and she knew Alastor as well and maybe she’s had a crush on him but he’s not interested in her so then she goes and she dates Vox but then she catches him positioned with Val and she doesn’t know the extent how Valentino is abusing Vox so then fast forward 7 years later and they meet again because she’s helping Alastor with the hotel and of course that makes Vox jealous and angry and Vox just wants her back and he’ll do anything to show her that he changed and he just wants her back. And maybe he explains how Val treated him and then a happy ending heheh. And if you do nsfw maybe a scene of that hahaha🤭 I love your stories. Also maybe reader is badass and is like doesn’t need a man because she got herself but she also loves when Vox protects her? Like that song on TikTok Olivia Rodrigo’s unreleased song? 🎵 “I’m a feminist obviously but I wouldn’t really mind him saving me”🎵

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A/N: We love a badass reader. Writing for Vox feels like I’m cheating on Alastor sometimes, BUTTT I really like this ask so Radio Pookie can wait for a bit. I also love writing love triangles

Synopsis: After a tumultuous breakup with Vox, a powerful overlord, you, find yourself back in the presence of Alastor, rekindling old alliances and stirring up unresolved feelings. But Vox isn’t ready to let go, and he’ll do anything to prove that he’s changed—even if it means facing his darkest fears.

One and Only

Hell, 1927.

The inferno’s red glow cast long shadows over the city’s jagged skyline. The neon lights of penthouses and lounges reflected off your polished heels as you strode through the streets of Hell, your name whispered with both reverence and fear. You were an overlord, known for dealing in the most lethal weapons Hell had ever seen—devices capable of ending even the most tenacious of sinners.

Alastor was the first to greet you when you arrived in Hell all those years ago. The Radio Demon had taken an immediate interest in you, though not in the way you had hoped. His charm, his wit, and that ever-present smile—Alastor was captivating, and you found yourself drawn to him. But your interest was met with polite indifference. Alastor had no desire for romance, no matter how subtly you tried to win his attention.

Disappointed but determined to move on, you turned your sights elsewhere. And that’s when Vox entered the picture.

Vox was everything Alastor was not—modern, forward-thinking, with a personality that could electrify a room. His presence alone was intoxicating, his words laced with a promise of excitement and danger. You found yourself swept up in his world, a whirlwind romance that made you forget all about the Radio Demon.

But then there was Valentino.

You had heard rumors about Val, the way he controlled his inner circle with a twisted mix of charm and cruelty. But you never imagined Vox could be so deeply entwined with him. Until the night you found them together, Valentino’s hand on Vox’s chin, whispering something dark into his ear. Vox had looked so resigned, so utterly under his control, and it sickened you. Without waiting for an explanation, you walked out, your heart shattering as you turned your back on the only man who had ever made you forget the pain of rejection.

Seven years later…

You had changed in those years, honing your skills, solidifying your power, and moving on from the man who broke your heart. But fate had other plans. Alastor approached you with an offer—help him with a new venture, something about a hotel designed to rehabilitate sinners. The idea was absurd, but the prospect of working closely with him again intrigued you, and you agreed.

What you hadn’t expected was to cross paths with Vox, again.

When you saw him, standing in the lobby of the hotel, the years seemed to melt away. But this wasn’t the Vox you remembered—his confidence was shadowed by something darker, and his usual smug grin was gone. He stared at you, emotions warring in his eyes, before he finally spoke.

“I never stopped thinking about you.”

His voice was strained, desperate even, and it took everything in you to remain composed. “Seven years, Vox. Seven years without a word. And now you want to talk?”

He stepped closer, his hand reaching out as if to touch you, but hesitating just inches from your skin. “Valentino… he wasn’t just some fling. He controlled me. He owned me. And I couldn’t get away.” His voice cracked, and you could see the raw pain etched into his features.

You softened, but only slightly. “Why should I believe you now? After everything?”

“Because I’ll prove it to you,” he vowed, his eyes locking onto yours with an intensity that made your breath hitch. “I’ll do whatever it takes to show you I’ve changed. I’m not the man I was back then.”

You folded your arms, keeping your expression neutral, though inside your heart was pounding. “I don’t need a man, anyone for that matter, to protect me, Vox. I’m more than capable of handling myself.”

He nodded, a ghost of a smile tugging at his lips. “I know. That’s one of the things I’ve always admired about you. But just because you don’t need someone doesn’t mean you can’t want them. And I want to be there for you, in whatever way you’ll let me.”

His words resonated with you, echoing the sentiment you hadn’t allowed yourself to admit. You were strong, independent, capable of facing the horrors of Hell without flinching. But the idea of having someone by your side, someone who would protect you not because you needed it, but because he wanted to—that was something you couldn’t ignore.

“Fine,” you relented, your voice softening. “But you’re on thin ice, Vox. I’m not just going to forget what happened.”

He smiled then, a real, genuine smile that made your heart flutter in spite of yourself. “I wouldn’t expect anything less.”

The tension that had been building between you and Vox over the weeks finally reached a breaking point. The way he looked at you, the gentle touches he’d steal when he thought you weren’t paying attention—it all came to a head one night, after hours of working alongside Alastor in the hotel.

Vox was waiting for you in the shadows, his eyes glowing with a mix of longing and desire. He stepped forward, his voice a husky whisper as he spoke your name.

Without a word, you grabbed him by the collar, pulling him into a fierce kiss. The years of frustration, longing, and unresolved feelings poured into that kiss, and you could feel him responding with equal fervor. His hands roamed your body, as if memorizing every curve, every inch of you that he had missed for so long.

He moved you to the bed, laying you down with a tenderness that surprised you. "I want to make this right," he murmured against your skin, his breath hot as it ghosted over your neck. "Let me show you how much l've missed you."

You nodded, your breath catching as his lips trailed down your body, each kiss sending jolts of electricity through you. He took his time, savoring every moment, every sound you made, as if he was making up for all the lost years.

And when he finally joined with you, it was as if the world disappeared, leaving only the two of you in a haze of pleasure and emotion. He moved with a gentle intensity, his hands gripping yours as if he was afraid you’d slip away again.

But you weren’t going anywhere.

As the night wore on, the two of you finally found a rhythm, a harmony that had been missing for so long. And in that moment, you knew that whatever the future held, you and Vox would face it together.

In the days that followed, things slowly began to change. Vox was true to his word, proving himself over and over, not just through words, but through actions. He stood by your side as you helped Alastor with the hotel, never once wavering in his support. And you, in turn, found yourself softening, allowing him back into your life in ways you hadn’t thought possible.

You were still the same badass, independent overlord you had always been, but now you had someone by your side who you knew would protect you—not because you needed it, but because he wanted to. And for the first time in years, you felt like maybe, just maybe, things were finally falling into place.

As you lay in bed with Vox one night, his arms wrapped around you, you couldn’t help but smile. The road had been long and painful, but in the end, it had all been worth it.

And as you drifted off to sleep, you knew that whatever came next, you’d face it together—stronger and more united than ever before.