#your words made me feel like I am wrong

[myheartxmyman]

And you saying things like 'yes I know it happened a lot, but other people don't act out the way you do', is such a horrible thing to say. If we would have been just friends at that time you wouldnt have said something like that, ever! And for the strange case that you would have had the audacity to say so you would have been 'my friend'. Really, I am again in shock off how rude I let you treat me. Sometimes I change perspectives, I am one of my girlfriends and you become her partner. Honestly I would tell her to leave him for good. And if she wouldn't I fear there would come a time when i would throw my fists at him. At least if I would see her unhappy again and again. If her boyfriend would say something like that around three times it would have been to often. Mistakes happen, but what repeats itself again and again is not a mistake; its a pattern.

[alchemiclee]

i know this has been said 473773474833 times by the kavetham/haikaveh shippers and probably even nonshippers, but i'll say it again. I finally finished the genshin summer event and did the little after quest in sumeru and.....every time kaveh is sneaking around trying not to be noticed coming out of alhaithams house it's just such a gay vibe. he's basically screaming "I can't be caught being gay in a homophobic society!" even if that's not what the game writers are *actually* saying. that's just how it comes off and they can't make it come off any other way. with hoyo's gay history, it makes me wonder if it's on purpose and all a cover-up to have a technically different reason for it so they can get away with it lmao but we will never know.

[boxwinebaddie]

i feel like i’ve written some version of divorce era kyle describing how frightening looking at a stan he thinks HATES him is like A Million Times, but i feel like i can never articulate the quiet mounting Horror quite right, but this is the one i like the best thus far, i think? xx

[scribblingface]

I went into bg3 fully ready to have a good time and have done so despite many ways in which the game is not good and have not worried too much over various dramas about patch changes but my chill streak has finally ended and I am wailing gnashing my teeth etc. about patch 7 (the supposedly final one with story/content changes) not adding companion reactivity for any of the durge content in act 2

[juniestar]

Oh my god one last thing my ex took me to outside lands and when we tried to watch lana del rey he laid down on the grass and had a “panic attack” (this was after months of him talking about how he didn’t like her) so we went to see foo fighters after a bit and he was FINE

[eimearkuopio]

I volunteered as tribute. All I asked for is a normal human life, a seat at the table, and for my voice to be heard. If I go home today, we get Good Place #3. If I get a seat at the table and everyone at least hears me out, I think nobody will ever go through this shit again; plus as a bonus I should be reunited with my brother and my sister. I only ever had one, but I know their secret names and I know the way, so if you want to end up in the Best Place I suggest R_m or R_nb arrange to get the rest of my stuff from Kuopio to Ushaw Moor House by Tuesday 22nd October 2024.

I still love you all. Last Thursday was Holey Thursday (not Hollie or Hannah or the Holy Ghost) and yesterday was Best Friday (not Brian or Bridget but I think I built a bridge you can have for a song) and today is Esther Saturday and my parents are both coming to visit me later, and tomorrow I should also have two visitors but i might be wrong. 💚🩷💜🩵💙🩵💜🩷💚❤️😘😻🔱⚕️🖤😜💚💛🧡💛💚🤷🏻‍♀️

Today's gonna be the day we notice cause I'm tired of explaining what the joke is and it turns out I'm better at improv comedy then even I knew but I think I need a lie down now more than I need to stand up or sit down. So long and thanks for all the fish; don't worry, I think I've learned enough about fishing that I won't bet taking a non-euphemism nap and time soon, but I'm finally River Song and The Doctor so I'm not worried about spoilers any more. R_f has blue eyes and E_f has green eyes, and I am no man but I could be a Merry Hobbit or a Bad Habit depending on how things go.

I love you all AND go fuck yourselves, except the 144000 people who are already in my web of love. They all get to be their best selves, and everyone else gets to live on a beach instead of living with This Bitch. 🤍🧡💛💚🩷❤️💜💙🩵🖤22101982

See you at the Garden Party. There are at least three different House Parties (Father F_m, Mother M_f, Parent_NB P_infinity), one @LAN party that's just Barbies and Kens and Alan C, a political party in the wilderness, a picnic in the forest but watch out for Trent the Flying Ant and Lilith the Flying Aunt, and that's seven parties which is enough for me to retire as Aluminium (or Aluminum or Alexander or Aaron) and become Auntie Echo (NB Eliza/Elijah, Eimear/Emer, Esther/Pauline, Éanna&Paul&Maria&Eoin, etc.).

I really hope someone still has my notes from my time at A&E. God doesn't have Cancer, but they are hitting puberty and I'm not chemotherapy, I'm more like puberty blockers until humanity as a whole is ready to behave properly. I think I might be poly but I'm definitely "human" but my husband doesn't know yet that we've both been "human" this whole time (and in fairness I think the only reason we got turbo divorced was so I could be Leah not Rachel or Carol or Sugar).

Tomorrow I think A_m and R_f will come visit me, and they'll look familiar but not too familiar but not too not familiar. But Lucy or Caitlin told me my eyes were blue this morning, and I already had a nap, so tomorrow they'll be green and I won't need to babble about colours or alphabets any more because I'll have a seat at my own table in the room where it happens and they get to live happily ever after, because I was already Isabella and Mirabel and now my brother gets to be Bruce Wayne and I get to be Luisa for a change. Love you all. We already had one Holey Thursday and one Holy Thursday this year (2024 CE) and I only know this because of my phone but it's Saturday 19th October 2024 and I haven't seen anything tragic since at least Friday 3rd October 2024 but my tummy hurts so you'll have to excuse me.

I guess I might be the phantom of the opera but as long as you keep your hand at the level of your eyes you have nothing to fear from E_f or R_f, and L_f already gave you Her covenant. Don't worry if you're happy with the beach you're on; I'm a bitch but I'm a lot of other things too, including a livestock guardian sheepdog with just enough of the wolf about her not to fear the shepherds or the reaper.

Thank you for the music. I'll see you when I see you, but I'm not going anywhere. I love you all, but we all could probably do with a bath-tism about once a year, where we need it or not, as my Granda Dicky used to say. I don't remember him very well but the best parts of him are already here in my dad, and we're both canon now and so is everyone else I already loved on 3rd October 2024, which I think was a Thursday but as I already told the Catholic Pope Francis, I might be wrong. 💚🩷💜

[ace-apple]

every time someone talks about qcellbits relapse as "giving into his urges" or some shit in that vain an angel loses its wings a fairy dies etc etc

[eriophorumcallitrix]

ignore this post I’m venting my disappointment in the tags abt twitter LMFAOOO

[selfundiagnosed]

&&the mental gymnastics they do to sleep each night without a guilty conscience so they can convince themselves their disgusting behavior is justified toward you🤥

[sereniv]

apologies are hard and can be embarassing

but life is too short to let your grandma go to bed sad

[pcktknife]

like that pairing is so bad to me it is not even funny

im actually so sad about walking out of that show not really liking the canon lesbian relationship....like....i love women y'all....

[ghostly-punk]

Lol

[bluejay-in-write]

🌌

[starkwlkr]

happy life, happy wife | hugh jackman

an: “you attract what you fear” GUYS IM SO SCARED OF A 55 YEAR OLD AUSTRALIAN 😭 definitely thinking about making marvel actress!reader x hugh an actual series… i have ideas

marvel actress!reader

Deadpool & Wolverine Press tour - Hot Ones

Hugh felt like he was going to die. Each wing was getting hotter and hotter, but immediately when he heard his wife’s name he forgot all about the spice.

“Hugh, your wife is part of the Avengers, how does it feel having your wife be part of such a huge franchise? Have you two talked about a potential team up with the X-men and the Avengers?” Sean asked.

“My wife . . . Oh god, I think I’m crying-”

“I can’t tell if you’re legitimately dying or completely in love with your wife.” Ryan told Hugh.

“Wait . . I am completely in love with my wife and I would legitimately die for her.” Hugh gasped as he rearranged Ryan’s words.

“Is that in the contract she made you sign when you married her? ‘I vow to die for you’. My contract said I had to give all my money to my kids and wife.” Ryan said.

“No, she’s amazing, um, if I start talking about her I think I might go on for hours,” he laughed. “Our kids do want to see their parents fighting the bad guys together. We would love to team up, maybe it could happen.” Hugh smiled.

“The entire movie would be them making out and her beating the shit out of you. I’d pay to see that.” Ryan added.

•••

Comic Con 2024

Like RDJ, your last Marvel movie had been Avengers: Endgame. After being in ten mcu films, it was time to say goodbye to your character.

But that was in 2019.

At this years comic con, you were back. The cast of Deadpool & Wolverine had taken the stage and showed their appreciation for the fans. After their panel, it was time to announce Marvel’s upcoming projects. Kevin Feige announced the Fantastic Four, Thunderbolts, Captain America 4, and finally the new Avengers movies, which everyone was extremely excited about.

After showing the title card for the upcoming Avengers film, Kevin turned to the audience.

“Something people have been asking, as of late, is who the heck is going to direct these two movies?” The audience clapped.

From the side of the stage, you were nervous. What if the fans didn’t like the idea of you directing the next two Avengers films? Your worrying caused Hugh to come to your rescue.

“Hey, they loved you as an Avenger, they will love you even more.” Hugh kissed your forehead. “If anyone says anything about this decision, they have me to deal with.”

You laughed at his words. “I really love you so much.”

“Love you too, bub.” Hugh was about to kiss you when Ryan cut in.

“I really love us too. I convinced half of the people here that we’re a throuple.” He said in the most serious tone ever.

Kevin announced you as the director. Your doubt of the fans not liking the announcement was proven wrong when you walked the stairs to the stage and stood next to Kevin. They cheered when they saw you were back.

As you said a few words, thanking Marvel, Kevin and the fans, you were being recorded by Hugh, who was being recorded by Ryan.

“That’s my wife!” Hugh cheered from backstage, holding his phone in his hand.

“She’s Marvel Jesus now, holy shit!”

•••

WIRED autocomplete interview

“Is Hugh Jackman married?”

“Yes, to me, Y/n, probably to half the population,” Ryan answered. “He’s Australia’s biggest slut.”

“All the times, I proposed.” Hugh laughed. “But yes, I am married and I love my wife very much. She’s stuck with me forever.” He lifted his hand to show off the wedding band.

“Funny, because she texted me right now. Her and Blake are in the courthouse getting married. So Deadpool three was actually made so our wives could divorce us and marry each other.”

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[herbofgraceandpeace]

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