#who else loves them both?

[quaintcy]

Oh look its my blorbos in this dank art meme

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[danandfuckingjonlmao]

phyuri 👩‍❤️‍💋‍👩

[theresistanceneverquits]

There’s not enough people talking about how important Stephanie is to Damian’s growth pre-Flashpoint.

Bruce had seen Damian as a beast to be tamed, Tim sees him as a ticking time bomb, and Dick is far better with him but he’s still an authority figure for Damian to combat with. But then he meets Stephanie, a college-aged girl who nobody trusts and he bullies her relentlessly and becomes inseparable from her.

She doesn’t interact with him based on his past, but on what she can see. This 10 year old just threatened to kill her? Wow he doesn’t get outside much. He’s not old enough to have seen Gremlins. What do you MEAN you’ve never been inside a bouncy house before we are fixing that immediately.

They are like cousins to each other. They poke fun at each other for being lame and stupid and Dick has to tell them both to shut up. She doesn’t see him as a project to be molded and redeemed, he’s just a kid with a crappy childhood like her and if he’s nice to her for 5 seconds she’ll do something with him to let him feel like a kid. And he doesn’t look at her and see a liability or a failure or a lost cause, like everyone she’s ever interacted with does. When he’s awful to her, it’s because he’s an obnoxious preteen boy.

And then you get the “there’s room in our line of work for hope, too” scene. Because Damian has gotten to know Steph and he can’t fathom why she’s here. She obviously has had to deal with crap and is still working through being kept on a leash by Nightwing and Oracle, but she isn’t broken like the rest of them are. Damian is surrounded by people who were molded and shaped and torn down and broken to become the monoliths that they are, and then there’s this girl who seems so at peace with herself and is constantly making quips, and it’s so foreign to him.

And she tells him that she’s in his world because she believes people are worth fighting for.

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[eloscore]

impossible minecraft more like. um. uuummmm........ uhhhhhh

[sthilarions]

During a case many years ago, a witch made a poppet (roughly equivalent to the popular conception of a “voodoo doll”) of Edwin. They defeated the witch soundly and got the poppet, but there’s no safe way to destroy it. The only place Edwin and Charles trust as safe enough to keep it is inside Charles’s backpack, where no one but Charles could possibly get to it.

Charles largely forgets about it, buried deep deep down in the bag, until Edwin is held captive, less than a year after their jaunt to Hell, and there’s absolutely no way to get to him until the portal opens again at the next full moon, and he’s going crazy with worry, imagining Edwin in all sorts of misery without Charles not even able to so much as comfort him. He’s digging mindlessly through the bag when he gets to the poppet, and, he realizes, there is this one thing he can do.

He pulls it out with a care he wouldn’t give to a Faberge egg, because this is the most precious thing in the world, in any world, and looks at it for a moment. Then he reaches out ever so gently and strokes its hair. He murmurs reassurances to it - it’s alright, I’m sorry, I love you. He sings lullabies, curls around it and hugs it against him so, so carefully, tilts his head down and presses kisses to its soft curl-covered head.

He doesn’t let the poppet go for even a moment on all the days until the full moon returns, even as he’s preparing for battle, preparing to absolutely fucking obliterate the bastards that are holding Edwin.

Just as the portal opens, he finally places the poppet back in his bag, in the safest, warmest corner. He hefts the arsenal in his arms and strapped to his back and floating around him and charges through.

He tears through the stronghold in minutes, and he does literally mean through - he’s left a trail of smoking rubble behind him where ghost-proof walls used to be - and finally, finally gets to Edwin, and -

“Ah, Charles, there you are. Not to worry, I’m quite alright. There has been some sort of force - “

Charles doesn’t even hear him as he wraps himself around Edwin, and his body follows the same motions it has for weeks now, stroking hair, pressing kisses, murmuring muffled you’re alright I love you you’re alright I’m sorry I love you I’m sorrys into Edwin’s hair, which is even softer in reality than on the poppet, and Edwin says -

“Ah. That was you.”

Charles can’t see or hear anything other than Edwin, at the moment, but he can’t not see Edwin, so he has a very clear view as Edwin reaches his arms out and, with a few words, takes control of all the magical weapons and orbs and so forth that have been trailing after Charles.

And he hears when Edwin says “Well, then, Charles, shall we depart?”

And he feels it when Edwin lifts him as effortlessly as he lifted the poppet, holding him so he can keep his nose buried against Edwin’s neck as Edwin blasts his way out.

And he definitely feels it when, a few very loud minutes later, they’re back in their office, and Edwin’s head turns to meet one of his kisses.

“It’s alright, Charles. I’m sorry I left you alone. I love you.”

[aristhought]

it's just been unreal

[weatherbane]

area Durge willing to experience potentially unrequited love as long as they get to try brand new things such as TouchTM

[epicfirestormer]

Will never get over how Starscream and Skyfire's relationship is always doomed. There's never an iteration of them where they both stay on the same side at the end. They always end up being against each other, tearing each other apart (whether intentionally or not). They always end up losing each other, be it by a snowstorm, by the war, or by death itself. They never receive a happy ending together, one if not both of them is doomed to suffer.

Skyfire is doomed to be an Autobot, by forces out of his control. Starscream is doomed to be an Decepticon, by his own self destructive tendencies. They are both doomed, because of who they are. They always try to save the other, in their own way. But it never works. They are doomed to fail, whether they stay together or not.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[lotus-pear]

rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening

[ladyofthevalley]

People who don’t understand the Arya and Sansa sibling bond obviously didn’t have WWE style brawls in the middle of the living room floor with their sibling.

You can hate each other, say heinous things, full on battle until first blood.

But you’re still siblings,

all the Arya-antis and Sansa-antis are placing too much weight on the events of kings landing.

[rocketbirdie]

here comes trouble (make it double!)

[shoot-i-messed-up]

Was always worried about the angst of unrequited love, had never realized the sheer amount of comedic potential that it has.

Imagine one-sided Superbat where Clark is fully aware that Bruce has a crush on him but is being his repressed self about it, and Clark is just like, “I’m not gonna touch that :) you’re going to figure that out for yourself, buddy, and in the meantime, I’m just going to have a good time and be best friends with you as you inevitably pull yourself together enough to either fall out of love or to confess :) and I’ll just let you down gently because I care about you :)” but he absolutely 100% is using it to his advantage in the meantime. His puppy dog eyes had never been so effective before. He’s gotten out of Monitor Duty three times in the past month.

[myokk]

🥺