#which was only 6 issues (and he was just a side character in it)

[arabian-batboy]

Just got hit with the realization that Batman and Robin (2023) will be the first comic to have Damian be fully stationed in Gotham City since the previous B&R book ended in 2015. Every other on-going book he had since then either had him traveling the world while barely touching Gotham or San Francisco for some reason (Teen Titans).

So that’s 8 whole years without (the real) Robin being present in Gotham while a certain manbaby is impersonating him.

[medusaesque]

Kim's itchy trigger finger

So, Kim reaches for his gun often. Very often. sometimes for the most ridiculous reasons- opening the bear fridge, the experiment in the church, a note from Klaasje.

This one is just from being anxious going into the communist reading group. Kim doesn't want to be the kind of cop who draws his gun constantly, who shoots instinctively, but he is, or at the very least it's very difficult for him to stop himself from becoming one.

Perhaps the most horrifying example is with The Pigs-

Even if he KNOWS the gun isn't loaded, even if he knows it's safe, the instinctual muscle twitch could have ended in an unnecessary death. Kim is very well aware of that fact, and it's horrifying to him. @shufflerock-jam has this really good post about it, where they wonder how many of Kim's kills were unnecessary. "Something about a pair of traumatized cops, one fighting against shooting himself and one fighting against shooting everyone else".

At the end of The Pigs exchange, if Harry says she tried to kill him, Kim begins to interject, but stops himself and agree this situation could've been very bad. Then Empathy chimes in- 'He's trying not to think about how bad it could have been had the gun been loaded.' Which is the heart of the issue, right? that leads us to Eyes-

This is such a fascinating background to give Kim as a character- not just losing his partner, which gives him the trauma and survivor's guilt that lead to this unhealthy relationship with his gun and frankly with death in general, but losing his Eyes, and having that not interfere with his shooting. Kim doesn't need to see well to hit, he doesn't need to think. It's all in his hands, a reflex. A reflex that nearly took an innocent life. That might have taken one before.

His awareness of looming danger, to him and to his partner, is fueling his version of Hand/Eye Coordination to have him constantly on edge, his whole body is like a loaded spring, always prepared to make sure it doesn't happen again. Then it does-

In his nightmare scenario, leaning over his partner's bleeding body, Kim only needs one word to shoot without a second's hesitation. He's never not ready to take that shot. He doesn't need his Eyes.

Harry is distraught to discover he's killed before- his body remembers it. He wants a drink to soften the feeling. Kim however is impressed with how little he's killed- especially coming from the bloody murder unit. He wants to be 'one of the good ones' (Kim's adamant belief in the possibility of a Good Cop is a whole other can of worms) the kind of cop he would think highly of. Kim is disgusted by cops who kill like it's a game. Espirit gives us a vision of a cop exactly like that, who kills so often it doesn't feel like anything anymore. In a way that is completely mechanical- no thought, no feelings, just a thing your body does. Not unlike the way Kim shoots- like a spring unloaded. Kim has 6 confirmed kills before the tribunal, double the amount Harry has. He doesn't react the same way though-

It's doesn't bother Kim that he has killed, even if he declines to elaborate on it, and he seems to frown upon (or worry about) Harry's destructive coping mechanism. If they're unable to save Ruby, he says "Control your emotions. We did our job. This won't be the worst thing that happens on this case… believe me. You can't let this break you." When you wake up after the tribunal, he doesn't dwell on the lost lives on either side. Harry's skills call him a killer, a bloodstained killer, but when he tells Kim he also killed he simply nods. He's smoking though. I'm not saying that Kim is heartless or careless, he's rattled by nearly blowing The Pigs' head off, very sorry for the lives lost during the case, and clearly hunted by death, having been surrounded by it for his entire life. But I do think death is a part of the job for him- not just possible civilian causalities, but his own potential death. He speaks plainly about how he might die in the lie of duty, and he narrowly avoided it more than once, with others dying in his place..

He walked into the line of fire with harry expecting for of them to die, and his quick fingers on the trigger made it so they lived another day. Even if more ghost joined the list that hunts him in his sleep, he is alive. He goes on. He can't afford to fix this habit, as much as he wants to.

So it's so horrible and so touching that when Dros asks "What have you done?" Kim says-

It's a tragedy, really. A wartime orphan who wanted to be a revolutionary pilot and played with Franconigerian knights, who grew up to be a cop, a job that slowly shapes his body into a killing machine. And when you ask what he does, what you both do, he says keep people alive.

[johanna-swann]

I actually have sooo many issues with 911 lately that haven't even got much to do with any ships.

Like. They wrote out almost all of the side characters. Chris is gone, Linda and Sue are gone, Athena's kids are gone (even though Harry just moved in with her and Bobby again? Seriously, where is Harry?), Ravi is gone, Carla is gone. I know the GA maybe don't care that much, casual viewers might not even have noticed that this many characters have just vanished from the show, but in my opinion this is one of the things that give a show running as long as 911 life. Having a big cast is a good thing. Otherwise things are going to get very monotonous very soon.

Actually, that's my second point. They keep repeating storylines! Every season Hen and Karen have to fight a custody battle over one of their kids.

Every season Eddie ends up realising he has a lot of repressed trauma and issues which keep him from leading a healthy happy and free life.

Every season Bathena realise that they have communication issues and they fight about it, but then something traumatic happens and they forgive each other without ever really talking things out.

Every season we are reminded that Maddie's most prominent character trait is "traumatised", the writers just alternatingly bring up Doug again and sometimes the ppd arc.

Every season we see Buck being somewhat restless, looking and searching for something that will bring him true happiness and cycling through love interests that never stick around and each time when you think "oh, there it is, he's getting somewhere now" the writers go "BEEEP! WRONG!" and we start all over again. [This is not just about recent events aka Tommy, the break-up and Buck potentially going back to his 1.0 ways, this also happened in season 6 when he had his "it doesn't matter what other people see in me, I'm enough" revelation only to suddenly be like "omg, Natalia just sees me".]

And Chimney- he had his moment last season with the wedding episode, Kenneth Choi really ate that episode up, but his most prominent character trait is "Maddie's supportive husband". There's really not that much going on with him otherwise.

Another point I briefly touched upon above is consistency. Like Harry moving back in with Athena and Bobby and then just vanishing. Or Gerrard being more like a slightly unfriendly grandpa than an actual antagonist in season 8 when he was still spouting slurs in season 7.

And the timeline! We talked about this before ("last March", Mara's fostering to adoption timeline, Tommy tranferring to harbour "5 years ago"), but the newest "Tommy was actually Abby's Tommy" twist just adds to that. Tommy was with Abby for over 2 years. They were engaged. This was at a time when he was still at the 118. Tommy dated Abby presumably because he was in denial or maybe because he was hiding. In either case, wouldn't his team at least have heard about his fiancée, Abby the dispatcher? Wouldn't that have rung a bell when Buck eventually brought her around only a year or two later? Tommy did talk about his private life at least a little at work, even under Gerrard. It just doesn't make sense. (Not to mention this seems wildly out of character for Tommy who around the same time also said about himself "being single is easier".)

Then there's the pacing. This was a huge issue in season 7. They jumped from one personal soap opera drama to the next without taking any breathers, had almost no procedural in their drama the whole season, still somehow decided to spend one third of the entire season just on the opening disaster and also squeezed in a "Bobby begins for the third time now" episode. But okay, it was a shortened season, there were strikes, they switched networks, they were under a lot of pressure - I'll cut them some slack. At least they set up a bunch of interesting stuff for the following season.

But we're in season 8 now. The renewal was announced very early, they had a lot of time to plan this time. Also they have almost double the episodes they had last season, there's really no need to rush any of the major plots. I am done cutting them slack.

They wanna do a 3 part opening disaster again? Okay fine, you have the time now. I feel like they could've easily done it in 2 episodes (especially 8x02 felt a little "eh"), but okay. Better than the breakneck speed you were going at befo- Oh, what's that? 8x04 flying in with a steel chair. You resolved 70% percent of the plots you set up last season in one single episode with no build up, no emotional pay off and no lasting consequences? And you also squeezed in multiple unrelated calls at the same time? Damn, okay then. Good-bye potentially interesting storylines. Fuck me for being invested I guess. I thought there would at least maybe be some follow up in 8x05, but no.

Now that Halloween episode wasn't bad, it was actually the best episode of this season imo, but instead of following up on previously established conflicts and developments they just hit us with new Wilson family trauma and conflict that was also immediately fixed again. And now 8x06 has speedrun and dumped another storyline that had potential to go to deeper and interesting places. Not gonna talk too much about that though because this post is about the show as a whole, not ships.

And I am not yet convinced that there will be much more to come on the only thing that's left from last season: Eddie's deep dive into his trauma and repression. It's totally possible at this point that being told "you deserve nice things" by a random stranger actually solved all of his problems, it would be very in tone with 911's new style.

What are they even gonna do with the rest of this season? Revisiting the Hotshots set sounds fun, but ultimately inconsequential. You know what's great about a regular old procedural drama with ~20 episodes per season that comes on weekly? You have time. You can let the viewers sit with their emotions and thoughts for a week and keep them engaged by stretching things out a little.

But why should I bother getting emotionally invested in problems the characters are gonna solve within the same episode anyway? Or rather, even if I wanted to, how am I supposed to care if you don't give me the time to develop any feelings about anything that's happening? "Henren lost in court and are now completely forbidden from seeing Mara at all!" Damn, that must be so har- "JUST KIDDING! Ortiz is exposed and everything is perfect again now." Oh. Okay then, I guess.

Bottom line: The characters are all stuck in their own hamster wheels, they keep cutting side characters that could bring a breeze of fresh air (I'm honestly surprised they even kept Josh until now), they rush through all the storylines a such a ridiculous speed that I don't even have time to feel any sort of way about it, they don't even try to keep a consistency or sensible timeline going and they seem to strongly prioritise random funny bits that'll entertain the very casual viewers right now in this moment (tiger call, Billy Boils, Bee-nado, the 'Stache tm, "wait, it's the same Abby?", Gerrard being a fangirl at heart) instead of playing the long game and catering to people who actually pay a little attention to the show.

[On that last remark: I'm not talking about hardcore fans who analyse every single frame here, I mean casual fans who've watched the show on and off again for a while and who may not be involved in fandom but genuinely care about the show.]

I mean. What am I even still doing here? The show is treading water and I end up disappointed more often than not. I'm still holding out a little hope that they actually will do something interesting with Eddie and his sea-monkeys, but I wouldn't be surprised if they didn't.

[ayamari-no-goshi]

I’d like to clear up some common misconceptions about the Attack on Titan Tower, aka when Jason infiltrated it to attack Tim

If you want to read this for yourself, here are some links: readallcomics - I have the best luck with this site on destop zipcomic readcomicsonline - this site can be temperamental

1) Jason did not go there to attempt to kill Tim

Jason seems to have 3 separate goals for this: - size up the new kid. - make sure he knows Bruce just sees him as another soldier - prove to Tim just how dangerous the job is (heavily implied, in my opinion, especially after Tim tried telling Jason he was wrong about how Bruce saw him) He also voiced his anger over being forgotten by everyone. Depending on your interpretation of Jason and his character, this could also be a reason. To me, this feels more like an afterthought because they moved to the Hall of Fallen Heroes before he said this, and Jason likes to be dramatic.

Side note on this. Jason never says anything about being replaced.

2) none of Tim’s injuries were life threatening

Once again, Jason was not attempting to kill him. He beat him up pretty badly, but it was designed to prove a point

3) Jason did NOT cut Tim’s throat.

That happened during Hush which predates both Under the Red Hood and Titan’s Tower. Jason was pretending to be Hush, put a knife to Tim’s throat, and put enough pressure to make him bleed (it was not an actual slice) to get Bruce to react to him. That injury was not life threatening either

4) Jason developed a respect and a bit of envy for Tim after fighting him

At the end of the issue while he’s leaving (while outside the tower), Jason acknowledges Tim’s skill. Jason also wonders if he could have had a life more similar to his, where he had friends and a better support system, if he could have had a different life.

5) Tim was NOT a damsel in distress during the fight, and he did NOT develop a fear of Jason.

Tim was making quips and dissing Jason the entire fight. Tim was not afraid of him nor did he bat an eye at being attacked by Jason. He also vocalized just how much he had to work for his cape because of how Jason's death affected Bruce

Also, the next time Tim saw Jason after this, he made sure to kick Jason in the groin

6) Jason wrote "Jason Todd was here" and signed it with a hand print on the wall.

It looks like it could be in blood, but Tim's not injured enough for there to be that much... and blood darkens after a while. There's a bit of time between Tim getting knocked out and the rest of the Titans finding him and the writing so it's probably paint. Again, Jason likes to be dramatic

7) more Robin!Jason slander by Raven

Once again, we get the mention that Jason was "aggressive". I swear, this is the only thing writers remember from Death in the Family and not the point that that behavior was out of the ordinary for Jason. This is a personal pet peeve of mine in the comics.

8) almost forgot to add the most important part, Jason made a homemade Robin costume and wore it under his Red Hood outfit because he could

Again, Jason is a dramatic bitch.

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[physalian]

7 Misused Tropes (And How to Improve Them)

Tropes in isolation aren’t inherently bad, but a lot of them are prone to poor execution. Each one of these probably could have a whole post by themselves. A few of these used to be good but have since fallen by the wayside as their original meaning has been lost.

7. Dramatic Miscommunication

You know the ones. I think it’s worse when the story is otherwise good, the writers just could not come up with a better way to get X alone or send Y off on the necessary side quest than the lowest of low hanging fruit.

Two essential ingredients for fixing this trope: Precedent and consequences

Precedent–have the character doing the missassuming already be prone to jumping to conclusions, already suspicious or insecure, or misled by a third party so this looks inevitable, instead of pulled out of your ass.

Consequences–usually these are big blow up fights that fizzle out without any impact on the plot once they fulfill their purpose, but if it’s a nasty enough fight, characters shouldn’t just forgive and forget. While they might not completely ruin relationships, it should have characters taking a step back and either second guessing where they stand, or using this blowup to fix an underlying issue in said relationship.

6. Love Triangles

Good Love Triangle for the first 3 seasons: Elena/Stefan/Damon (TVD).

Bad Love Triangle for the entire series: Bella/Edward/Jacob (Twilight).

The difference between them (besides time to flesh out both candidates) is that both brothers brought valid pros and cons to Elena’s life, both got the chance to be with her, and Elena’s whole arc wasn’t solely focused on the agonizing choice of which brother she should pick. Regardless of which camp you’re in, Stefan brought stability, that classic cliché high school romance, mostly all good vibes. He never challenged her or talked down to her or got aggressive with her. Damon did the opposite, for better or for worse, and we know which direction the show went.

On the other hand, Jacob never for one second stood a chance with Bella and the narrative wasn’t kidding anyone. They never so much as went on one date (unless you count the motorcycle ride) and it seemed like Bella was only letting him hang on for pity’s sake. Theoretically he brought pros to the table that Edward couldn’t (like, idk, being alive), but the narrative never explored what could be done with him. He just ended up being the Nice Guy friend who then decided it’d be hot to lust after an infant.

5. Agency-less Chosen Ones

These tend to be wish fulfillment characters that bring nothing to the story and have no discernible skills, yet are constantly in the middle of the action, have all the love interests fawning over them, and are Important and Critical to saving the world… because the narrative said so. They don’t make a single choice the entire plot except to move forward or stagnate, chosen by the gods or a prophecy or fate and destiny.

The problem: These characters walk with the crutch of “I’m the chosen one thus I don’t need a reason to exist in the story” and that’s just not a satisfying narrative shortcut. So? Give them agency. Even if they’re chosen by some ancient prophecy, you still have to convince the reader why the Universe wasn’t just talking out of its ass.

Good example: Emmet from Lego Movie literally says he’s useless and has no skills and cannot think outside the Lego box. He’s supposed to be as generic as painfully possible and when he does have creative ideas, they’re supposed to be asinine and stupid. And yet. He might be physically dragged around by the other characters, but he has plenty of choices, plenty of opposition to what’s happening, plenty to say about the state of his world, and his ideas do matter and his intimate knowledge of the instructions and playing by the rules is how they win.

4. Bad Boy Love Interests

These guys were supposed to be counter-culture icons, standing up to The Man for the little guy because he knows the system is broken and rigged. He’s an affront to the stereotypical nuclear lifestyle, he resents a robotic and soulless office job and wants to create art or music or in some way benefit his world and isn’t going to play nice just to get his way. He exists in contrast to the nuclear female protagonist: Conservative, demure, rule-following caged bird who falls in love with him because he shows her that life isn’t meant to be lived in The Man’s cage. He respects the authority that deserves respect, the teachers who actually give a shit, the janitors, the librarians, but probably not the principal or the police or the local politicians, because he knows they don’t respect him and respect is a two-way street. He’s probably a mama’s boy or at the very least loves his parents (if they’re alive) and while he might engage in a little property damage like graffiti, it’s for a good cause.

This dude is NOT SUPPOSED TO BE: Abusive, controlling, aggressive, or condescending to his love interest. He’s not supposed to be an overprotective stalker or plagued by insecure jealousy over any other man in his love interest’s life. He’s not rude to his friends or arrogant about his own smarts and doesn’t think he knows best about every little thing in the world. He’s not sexist or racist just to make himself feel better and he doesn’t pressure his love interest into sex because she owes him or whatever.

Ahem.

Please bring back classic bad boys. That is all.

3. Major Character Death (for shock value)

I remember the implosion of the Walking Dead fandom after they killed Carl, one of the very few characters who was supposed to make it to the end, for… various sketchy reasons and I could never figure out what was true. Some theorized that his actor was aging out of the ‘child actor’ payscale and they didn’t want to pay him as an adult and while I have no proof, it wouldn’t surprise me at all.

Carl died after getting bit in just one of those hectic moments where he got unlucky, while doing something noble and stupid. In isolation, it fits the nature of the “anyone can die” show but man did it just come across in poor taste.

Obviously “for shock value” shouldn’t be the reason you do anything in your story but there is still a way to pull it off without it causing a riot: Make sure they get killed in a non-contrived way. If you plan on killing off one of your heroes suddenly, either make it bitterly ironic, or make it a situation that this character would absolutely get themselves into. The more it “fits” the less likely audiences will see the hand of the author coming in just to break the character’s fictional contract.

2. The Power Inside You All Along

This trope is usually disappointing because it tends to melt a character’s whole arc down into something pointless—this whole adventure was apparently useless if they didn’t actually need to grow or change or challenge their conceptions of the world. They could have got up off the couch as joe shmoe and beat the villain day one.

While that’s probably not what their creator intends, ‘it was inside you all along *wink*’ tends to feel that way, as it discourages internal conflict. Usually, their creator is likely trying to convey the message that one need not change, that it’s what’s inside them already that makes them special.

I present to you once again Kung Fu Panda’s “there is no secret ingredient” i.e. “the power inside you”. The difference is. Po still has plenty of internal conflict: his own self-confidence. He begins the movie eager but inexperienced and a bit oblivious, fanboying it up around his heroes. He and Shifu both insult his weight and his lacking kung fu skills, and his arc is learning self-confidence, learning how to use his weight and the body he has to fight in a way that the villain isn’t prepared for, to where Po can shit-talk him to his face during the final fight.

Most failures of this trope don’t bother exercising their protagonist. They’re pissy and resistant for the entire story and only win when the narrative agrees they were right all along. Therefore, no change, no conflict, no resolution.

1. Strong Female Characters

So many of these read like "slapped boops on a male character". They don’t work for many reasons (usually being very preachy with their agendas), but they especially don’t work when by trying to be pro-feminist, they’re still reinforcing masculine standards. A lot of people, when Captain Marvel came out, said “you didn’t have any issues with Tony Stark being an asshole but now you do when he’s a woman” which. No.

Tony was an asshole, but being an asshole was the whole point of his character, and he got humbled right quick by getting blown up and held hostage. “Proof that Tony Stark Has a Heart” and all that.

Carol was an asshole with nothing to substantiate it, and never got a reality check. She had amnesia so we didn’t get insight into who she was before to understand this transition into dickishness and was so OP, she wasn’t ever physically or emotionally challenged like Tony was.

But the other thing is this: Slapping boobs on a male character with a slew of toxic masculine traits also says that to be a successful woman, you must behave like a man. It swings so far from the femme fatale sexy leg lamp that it comes around and eats its own tail. These characters are just mean and insecure and build themselves up by tearing down the men around them.

So. Calhoun from Wreck it Ralph is this exact trope done extremely well. She’s aggressive, arrogant, loud, rude, and cynical. For about 10% of her arc. The movie immediately throws her into a situation where her strengths are basically useless—she’s stuck in Candy Land and has to rely on someone who is the antithesis of her game and character to make it out. The movie also shows you why she’s cynical via her tragic backstory.

Not only that, she’s more than just a heap of toxic masculinity in a pixie cut. She laughs, she cries, she admits when she’s wrong, she has a soft side, a gentle side, a caring side, and remains a badass through and through.

Or, once again rolling out Tigress from Kung Fu Panda: Proud, aggressive, the snubbed chosen one, cynical, mean, and overconfident in her abilities. Tigress nearly gets her entire team killed in her arrogance. She’s allowed to be wrong, very wrong. She also has her soft moments and, like Calhoun, has a very valid reason for being jaded, and is still shown to be capable of softness and nurturing during the evacuation.

Third example to hammer home that I don’t hate badass women: Andromache. Jaded, overconfident, short-tempered, aggressive, and a little mean-spirited. Tragic explanatory backstory? Check. She is also caring and loyal to her team, allowed to get emotional, allowed to be wrong and fail and lose, and kind of the surrogate mom of the team, who can also laugh and joke around and have light-hearted moments.

Whether the character is a man or a woman, being an arrogant asshole who takes zero accountability and refuses to admit when they’re wrong and never loses, audiences aren’t going to like them.

[lassify]

Damian Desmond: An Attachment Perspective

**Spoilers for SxF Chapter 106 Below**

I loved this chapter for so many reasons, but the one I really want to highlight today is that Damian may be insecurely attached, but he still has hope. And that he is so brave, in his own way.

Exhibit A: When Damian knocks on Demetrius' door and asks for help, I am 100% positive that Damian wasn't truly expecting a response from Demetrius. He's used to being ignored, especially by his own family.

But he tried anyway.

This is important, because most children of Damian's age who fall under the category of avoidant attachment wouldn't approach a situation like this where there is a possibility that they would be rejected. It speaks volumes to me that Damian has a sense that he would be turned away, but still he tries.

"I was hoping..."

Exhibit B: There is also this moment where we see that Damian wanted to say something, and then he silences himself before he can say anything.

(Don't cry, Lass, omg dont cry 😭😭😭 )

Damian is initially afraid, so he silences himself, but then there is this moment, where he pulls himself together, and tries again.

Endo is so brilliant at drawing out moments of important decisions for characters. You can see Damian making the decision to say something, and gather his courage, but he only falls short once he actually succeeds at getting Donovan's attention.

Under the heavy gaze of the head of the Desmond dynasty, I'm not surprised that 6-year old Damian felt his resolve crumble.

But!

He reverts to another option: find support. Which leads me to...

Exhibit C: This one makes me sob, actually. In response to his wavering confidence, Damian looks to his mother for support. The woman who should be his primary caregiver, and therefore his primary attachment figure.

And she turns away.

(Tears, tears down my face, my boy doesn't deserve this 😭 )

This is the third moment in this chapter alone that Damian does something that no other Desmond would dare: he seeks connection.

Damian tried to connect with his brother, his father, and his mother, all in the same chapter. He is the sole character that links them all.

All through Chapter 106, these are the moments that stood out to me the most, because it truly shows to me that Damian still has hope. Demetrius and Melinda are very clearly ingrained in their roles, and their behaviour is crystallised into what we see as the reader. It's obvious that this isn't the first time that Demetrius has rebuffed Damian's requests; and this isn't the first time that Melinda has ignored Damian's emotional needs.

I hear you wondering: Does Damian still have hope because he's still just a child?

Maybe. It's certainly possible. But I also want to highlight that Damian is insecurely attached; specifically showing an insecure-avoidant attachment style.

Children with this style of attachment typically experience high levels of emotional neglect, where their primary caregiver consistently does not meet their emotional needs. This leads the child to value independence, autonomy, and self-reliance, and to generally see others as untrustworthy.

We see this in Damian. He believes he is better, usually weaponising the Desmond name to place himself above others, but there is also an element where he believes he is better, because he ranks highly in the social hierarchy, and he achieves brilliant grades on his own merit, demonstrating his own self-reliance.

(Side note: Issues stemming from an avoidant attachment style can still coexist with self-esteem issues, but I'm trying not to complicate this post lol).

My point: Damian has experienced enough rejection in his childhood that he shouldn't even be trying with his own family anymore. But he does. He keeps trying. Damian still hopes that he can connect with his family, and I think that this is because this is a part of his actual personality.

On the inside, Damian is complex; he struggles with the weight of his identity, he is trying to find his place in the world, he yearns for attention and validation (specifically from his father), he finds comfort in believing that he is better than other people (even his friends), he struggles to handle big emotions, he prefers to work things through independently, and struggles to be vulnerable and ask for help, and he lies to himself about his big feelings so that he can avoid feeling them.

And my favourite thing about him: he still keeps trying. He gathers his courage. He gets back up. Time and time again he feels afraid, and time and time again he feels the fear and he tries anyway.

Damian is so brave, in his own way.

[absolutebl]

Best & Worst BLs of 2023

My Top 15 BLs of 2023 are (in order)

1 Our Dating Sim

Korea Viki

Nerds in love, deadlines, gaming, teasing, pining tiny idiots, casual affection, linguistic oops, ADORABLE. If you haven't watched this, it's a must. A perfect short form KBL, an office set reunion romance featuring geeks that really suits 8 eps with no fluff and no chaff. Just comforting and yummy.

I adored every aspect from the casting to the pristinely simple premise to the quietly smooth execution. Sure it’s low stakes, but that makes it high domesticity and extremely warm and gentle. This is a fuzzy blanket of a story - a cozy BL. It lives in my rewatch pile and you know what’s best about it? Every single episode is in that pile. There’s no skipping with this one, it might be good natured and calmly sweet but it’s tight and the pacing is excellent.

Also recieves my 2023 award for best giggle.

2 I Cannot Reach You

AKA I Can't Reach You AKA Kimi ni wa Todokanai

Japan Netflix

This classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen.

Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way.

This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen.

Also wins the best thirst award.

These were the 2 BLs that got 10/10 from me in 2023. The rest of these got 9/10 from me.

3 My School President

Thailand YouTube

GMMTV gave us a classic high school set Thai BL with tropes like messy boys singing their feelings that made this one Love Sick for the modern age with all the gentle sweetness and pining ache, but none of the dated damaging tropes or issues. Who let my BL be this wholesome and funny? My favourite GMMTV BL offering to date. And yes, I've watched them ALL.

Received the Namgoong award for best wingman 2023.

4 I Feel You Linger in the Air

Thailand grey

IFYLITA is an exquisite BL, from filming techniques to narrative framework. Steeped in history and family drama this is an elegant and classy BL. The main couple (both as a pair and individuals) were excellent, particularly Bright (Yai) whose eye-work acting style is a personal favorite of mine. It's a marker of how great it was that it's so high on my list despite the ending which was very much not what I wanted.

Additional accolade, sexiest moment of 2023 - (the oil scene).

You could try to fight me, but you'll have no grip.

5 Kiseki: Dear to Me

Taiwan Gaga & Viki

The plot is totally ridiculous and slightly unhinged. There’s a gum-ball machine of cameos, elder gay rep, great chemistry from all pairs (everyone is queer), and a KILLER side couple. It involves all the tropes under a very offhand framework of gay mafia gangs + food = love. As a result Kiseki is a poster child for Taiwanese BL, and I happen to love Taiwanese BL. Bonus? They also managed to END IT WELL, which we cannot expect from Taiwan.

Best side couple 2023!

(thank goodness Taiwan made this list!)

6 Jun and Jun

Korea Viki

A delightful office romance about an ex-idol who joins cubical life only to find his new boss is his first love. With a snappy (sometimes even raunchy) script, enjoyable sides, a pretty as peaches cast, and descent chemistry this show made up for in style what it lacked in substance. I like fluff. I loved this. I smiled every moment I was watching.

Best flirting 2023.

AKA "the tongue knows" award

7 The Eighth Sense

Korea Viki

This one is a bit chewy and sticky and less perfect than most KBLs. It’s got a bit of an age gap, country boy/city boy, stellar acting, complex characters, and leads with great chemistry and tension. This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a BL the darkness of the content left me feeling unsettled (which is the only reason it didn't get a perfect score) but it has a glorious ending and that counts for a lot.

2023's most likely to appeal to non-BL watchers.

8 Unintentional Love Story

Korea iQIYI

The lead, Gongchan (maknae of B1A4) is a fucking GIFT, who carried this show. He was luminous with extraordinarily expressive eyes, which he used to carry a killer plot and challenging role. Forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the eyes EMOTING at us in PAIN. Driven by external conflict, social tension and pressure this story seems simple but it's actually refined and quite complex. I loved this show.

Best story structure 2023.

9 My Personal Weatherman

AKA Taikan Yoho

Japan Gaga

This is classic yaoi of the kind that really only works from Japan. Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. It's high heat is well done, but it leaned into the "why don't they just talk for fuck's sake?" which is exacerbated by the fact that they're already fucking. Sure is sexy tho.

Best use of props 2023 for the shower of sheets.

10 Our Dining Table

AKA Bokura no Shokutaku

Japan Gaga

Lonely salaryman and talented cook gets accidentally adopted by a college kid and his little brother. It’s a quiet & cozy little parable of found family alleviating loneliness. It's lovely & sweet with the romance beats used to build a family relationship, not just couple intimacy. Special.

First prize for domesticity.

11 Laws of Attraction

Thailand iQIYI

This is a great gay suspense thriller with several solid couples, fun plot, killer characters, queer rep, and a happy ending. It’s tons of fun and I had an absolute blast watching it.

Charn wins my favorite character of 2023.

12 La Pluie

Thailand Viki

This BL takes to task the fated mates trope and what it means to have love chained intimately to predestination. It’s about how faith in destiny before choice diminishes the authenticity of emotion, relationships, and connection. This is a high concept to examine through the lens of a BL. With good chemistry and decent acting all around, plus some excellent high heat and representation of consent and a few other rare tropes, this one has to (like it’s sibling show My Ride) earn high marks.

Most interesting concept 2023.

13 The New Employee

Korea Viki

So good, SO QUEER, so soft, a near pitch perfect office BL with conflict derived from that setting. Also found family and a lesbian bestie. This is what I wanted from this new crop of office set KBLs ALL ALONG. Rainbow rice cakes forever!

Best overall queer rep from Korea.

14 Step By Step

Thailand Gaga & YouTube & Viki

This was Thailand’s answer to The New Employee, and everything I loved about that show I loved about this one. This was an office romance between stern boss and sweet subordinate that felt more authentic to an office environment than previous Thai BLs of this ilk which added tension to the narrative and character development.

Chot wins best queer character 2023.

15 Love Tractor

Korea iQIYI

Most of this country-set BL had me feral for the beautiful broken city boy and his hot young farmer. Hyung romance, puppy/cat pairing, open frankness meets jaded reserve, language play, water hose frolicking, only one bed = all my favorite silly tropes.

Biggest "he so pretty" gasp of the year award.

10 Worst BLs of 2023 (that I watched)

My Blessing

My Universe: Casanova Begins

Boyband the series

Cafe In Love

Chains of Heart

Hit Bite Love

Only Friends

Senior Love Me

The Luminous Solution

The Promise

Yes, you read that right. I know I'm against the flow but I really did not like Only Friends. Everyone's taste is different.

However I DNFed faster and more BL's this year than ever before, so that means my 10 worst probably aren't quite reflective...

10 Probably Actually Worst BLs (I dropped 'em)

My Story

The Day I Loved You

Beyond the Star

Crazy Handsome Rich

Dinosaur Love

House of Stars

Mr Cinderella 2

Love Bill

Stormy Honeymoon

The Star Always Follow You

Codicils in General

I only carefully track/watch Thailand, Taiwan, Korea, and Japan. Other countries are not fully represented.

My Numbers

So my spreadsheet chronicled 138 BLs that finish airing in 2023.

101 = watched & reviewed

2 = still in the docket (WDYEY2 & Love Syndrome III)

15 = CNF (could not find)

20 = DNF (which also accounts for how few very low scores I handed out in 2023 as opposed to previous years, I just stopped watching). Speaking of which...

Ratings spread

(# of stars. #of BLs given that rating)

0 (see the DNFs instead)

2 - IT'S DEPRESSING they killed the gay, save yourself

7 - I DON'T KNOW WHAT I AM WATCHING AND NEITHER DOES IT

7 - FATALLY FLAWED but still basically BL, however… do we want to support this kind of behavior?

9 - WATCH IF YOU HAVE NOTHING BETTER TO DO but don’t expect much, it’s a total hot mess

17 - WORTH WATCHING BUT FLAWED probably around the ending or in narrative structure/cohesion or censorship

14 - RECOMMENDED WITH RESERVATIONS i.e. isn’t quite BL, convoluted, not strictly HEA, too short/long, or chemistry issues

30 - RECOMMENDED some concerns around tropes (like dub con) or story structure but still satisfies as BL

13 - ABSOLUTELY RECOMMENDED probably a few pacing issues or one flaw

2 - HIGHLY RECOMMENDED faithful to tropes, happy ending, good chemistry, few flaws, high rewatch potential

(source)

[doctorofmagic]

Doctor Strange's disability: a (much needed) chronological review

In view of recent ableism and drama on the other social hellsite involving Doctor Strange's disability, here's my response, based on *CANON* material. (link to the thread on said hellsite here)

Stephen disability is established since 1963, back in Strange Tales #115. The story is focused on a flashback which portrays his journey from the decay of his medical career because of a car accident to his path towards the mystic arts.

Note that, in this very same issue, the Ancient One never says he would heal Stephen's *hands*, but perhaps Stephen would find the cure within. In other words, Stephen was supposed to heal his heart and soul from arrogance and egoism through magic, not a physical cure.

Also note that there are limitations within every aspect of comic books' universes. In this case, we're talking about magic. Magic is not a miracle thing. It demands training and, most recently as established by v4, a cost (Doctor Strange v4 #4).

Another clue that "magic can heal anything because it's fantasy" is not a valid argument within Marvel's magic world, as seen in The Oath. Stephen had access to the Otkid's Elixir, which could heal any disease, but the formula was lost in order to save Wong's life.

One last example comes from Spider-Man Family #5 (2007), featuring Morbius and Spidey. It establishes that healing demands the exact same price when it comes to magic.

Long story short, it's clear that the magic side of Marvel does not offer a solution to diseases through magical miracles. So this argument is totally invalid ~within~ this established universe.

Now back to Doctor Strange... No, he isn't using magic to heal his hands unlike some misleading accounts are claiming. In fact, there are several panels which show that he's actually in constant pain. Here's some examples:

- Doctor Strange - Sorcerer Supreme #48 (1992).

- Captain Marvel v10 #6 (2019)

- Doctor Strange v4 #1 (2015)

He also struggles to hold a pen and write, relying on magic to do so, as seen in the Book of the Vishanti.

Then comes the stupid argument I saw.

"Oh, but Google says his hands are healed!" is not a gotcha moment you think it is. We had FOUR MAIN BOOKS after that (Surgeon Supreme, DODS, Strange v3 and current v6). Allow me to clarify the details in chronological order.

Stephen indeed made a "magic" gamble and healed his hands. That much is correct. But it's not all (panels from Doctor Strange v5 #19 - 2019).

Waid continued this storyline in a new book called Dr. Strange (Surgeon Supreme), which would portray Stephen's duality as the Sorcerer Supreme and a brilliant surgeon. Except the book was cancelled at issue #6 (2020), leaving the character in a kind of limbo. Now enter MacKay.

MacKay kept a little bit of the former storyline as seen in Death of the Doctor Strange #1 (2021). On top of that, his hands appeared healed. However, that lasted only until Kaecilius murdered Stephen and stole his hands.

Stephen's temporal duplicate used a regenerative spell to bring original Stephen back through Kaecilius' body and the stolen hands. In here, we can see that his hands are scarred just like after the car accident (DODS #5 - 2022). OG Stephen died a second time with scars as well.

Stephen is indeed seen writing in v6 but it's not clear if he's using magic or not. Besides, he's not working as a surgeon anymore. Moreover, MacKay considers Stephen disabled as seen in this recent issue of v6 (#7 - 2023): "My own connection to the aether, the magic of the world, the power of the Vishanti, the power of the Sorcerer Supreme... Gone. Without all of that? I am just an old man with useless hands and a blade in his stomach."

In conclusion,

As of CURRENT DOCTOR STRANGE RUN by Jed MacKay and Pasqual Ferry, in the year of our lord Vishanti, 2024, Stephen Strange is a disabled character and no magic or ableism will erase that. Thank you very much.

[googledetective]

my thoughts about the new drdt episode...

I want to start off that this episode has not left me in a great mental state and this piece of fiction is starting to effect my reality in a negative way, currently. I do suffer from mental health issues, so please be sympathetic. If something I say seems too emotional or a bit off, that's likely why. My therapist will be hearing about drdt, lol. No hate towards drdt, it's an amazing project, and I'm amazed at how the piece of fiction is able to make me react in such a way.

1. I am not educated on ASPD or anything like that, so if I say something wrong feel free to correct me. I had a feeling that Levi likely had it from his secret, but this is a cool confirmation. I like that this is represented in a really great way, and that the reactions to his confessions are also very realistic. I like Levi a lot, but now I understand him so much more, and it makes me really appreciate him.

2. I find it interesting how Levi is so detached, as Veronika said, to everything. Even if I was not capable of remorse, I would've remembered killing my own father. I wonder what his father did to be so looked down upon.

2.5. OKAY SO HES KINDA JUST LIKE ME FR. like I stated previously I've had some bad mental health issues in the past to the point I've kicked windshields of cars in and attacked people. It is not my proudest moment, but holy shit I can relate to this a lot. It makes me so good to see someone who's done shit like I've done who's trying to change.

3. Ace really did care about Levi and considered him a friend, which warmed and broke my heart at the same time. I really hope Ace finds another friend, because he deserves to feel some comfort and joy. I hope he learns about Levi's ASPD and realizes Levi has no malicious intent towards him. I find it nice that Ace did really trust and look up to Levi though, it proves him capable of friendship and deeper feelings that people usually overlook. Great complex character.

4. I was shocked that Levi sided with David, but honestly I do too. David is a good person, and we see that later in the ep where he doesn't tell Eden what Arei said.

5. J CALLED OUT HU??? UNEXPECTED. called her a stupid argument moderator. Interesting. I love you J, but watch it.

6. Veronika's secret isn't the worst thing she's ever done- interesting. I think it could be the thing she's the most ashamed of, but you never know. It really breaks my heart for Hu, and I hope we get a backstory on her soon.

I'm coming back after point 14 and adding this: these secrets don't seem to be any of the worst things they've ever done, nor relevant to the killing game (besides "Xander's"). These secrets are personal. I think they each have worse secrets but they are too related to the killing game so they couldn't give those out.

7. Excuse you, David. Freaky ass.

8. that is NOT Teruko's secret 😭😭😭

9. This is seriously rich coming from J, as she usually escalates the situation.

10. Eden's monologue broke my heart. I am so glad David lied to her at the end, or I think Eden's heart would've been broken. This just makes me so sad.

11. "That maybe there would be a world in which we would be friends." I'm sure there would be, since your fans have created worlds that you're dating her.

12. Arei needs to genuinely shut up. This is where I get very upset and irrational. I am so fucking mad at Arei for lying to Eden. For the rest of Eden's life she's going to be wondering what she could've done or if her friendship was enough. Why the fuck would you lie and say you believed you could change, only to come back and admit you know you can't. My heart breaks for Arei though, because I believe she could've changed. This especially makes me so upset because as a previously bad person who relates to Arei and tries to change, I feel like I'm going to give up hope to do so too. Obviously I gotta overpower and not let fiction effect my reality, but it really hurts.

13. Arei's worldview that nobody is a good person mirrors David's (though David excludes Xander). Makes me really sad. I can hope, but there's really no hope left.

14. Well we know who attacked Xander (what the actual fuck). I hope we learn how that ties in later. Eden's hidden quote, "you can never go back, no matter how hard you try." maybe it's referring to this incident instead of the situationship with her friends in the past.

15. Love this.

16. WE HAD A JRUKO MOMENT!!! So happy about this!!!

17. Why the actual fuck does Whit know so much about how that hanging mechanism would work. You're making yourself look so suspicious. High and low were highlighted, which was interesting.

18. Whit said this murder would've been hard if Arei wasn't a willing victim. If she was, this just makes this case even more tragic. She may have convinced herself to give up hope and cooperated with the killer, which pains me a lot. I think this was due to David's secret.

19. I love the carousel bit! And the banter between Arturo and Whit. They had banter last trial too, so that's a continuation. Maybe they'll have a confrontation in the future.

20. NICO FUCKED BRO

21. At this point my only logical conclusion of who I think the killer could be is J.

22. Everyone is bringing up Ace's friend- Taylor! It's seriously throwing me for a loop bc that's my name!

ENDING:

To clarify, I think it's sad that Arei believes she can't change and even started doubting Eden.

[violetswritingg]

Main Masterlist

-----------------------------------------------------------------------------

Imagines

Coming soon!

------------------------------------------------------------------------------

Series

Twisters

Thunderstruck

Tyler Owens x OFC!

Description: When cowgirl meets cowboy after a year of no-contact and chaos ensues during storm season!

Rating: M (Mentions of blood and death in Tornadoes and storms alike, angst and loss of loved ones, car accidents, Tornado aftermath, and injury to characters, slight age gap (5 years))

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 17 (Coming soon)

-------------------------------------------------------------------

Young Justice

Canary Cry

Robin/Nightwing (Dick Grayson) x OFC!

Description: Her violence was silent. Until it wasn't.

"I'm fine."

"Fine is just another word for drowning."

Rating T-M (mentions of blood, child abuse, mental health, cannon situations of violence and the like. Loss of parents, hard of hearing/deaf character, poorly written fight scenes lol)

Act-One

0: Creation

1: He Left

2: Birthday's and Nightmares

3: Drop-Zone A

4: Drop-Zone B

5: Disappointment

6: School'd

7: Trash Go Boom

8: Home

9: Infiltrator

10: Outfiltrated

11: Truces and Text messages

12: Denial

13: Downtime

Act two

14: Bereft

15: Mortal Wounds

16: Home Invasion

17: Alpha Male pt.1

18: Alpha Male pt.2

19: Plant Subterfuge

20: Revelation

21: To be determined

22: To be determined

23: To be determined

24: To be determined

25: To be determined

---------------------------------------------------------------------

Titans

Only in Darkness

Jason Todd x OFC!

Description:

"Only in Darkness can you see the stars."

Or

Marlowe Knight stumbling upon a girl prophesied to end the world and going on the adventure of a life time.

Rating: M (Blood, cannon typical violence, sibling rivalry, scars, torture, trauma, angsttttt)

0.5

1: A New Chapter

2: Crime Scenes and Cafés

3: Dodged Calls

4: Cop Killer

5: To The Rescue

6: Blueberry Pancakes and Rooftop Memories

7: Phone Calls

8: Panic and Motel Conversations

9: Old Friends

10: Second Chances

11: Leaving

12: Nuclear Family Drama

13: On Edge

14: Different Places

15: On The Move

16: Training Season

17: Seriously? These Guys Again?

18: Chicago, She-cago

19: The Three Musketeers

20: TBD

21: TBD

22: TBD

---------------------------------------------------------------------

Peacemaker

Stargazer

Adrian Chase x OFC!

Description:

Back in 1939 the Court of Owls set out to create the first Talon, they called this initiative the Ghost protocol. Their product? everything they ever wanted in a solider for their nefarious schemes to keep their power over Gotham City.

Roberta Harris, Bobbie if you don't want to get shot somewhere important, never wanted this life. A 'criminal' to the world and a legend in the world of spy shit and black ops project's. The bomb in her head keeps her compliant with Waller's demands until Project Starfish wins her her freedom. What will she do now?

Or

A world in which an elderly lady moves to a small town in Washington state to get away from the superhero bullshit only to get pulled back in against her will. Growing along the way as a result.

Rating: M (For obvious reasons, it's Peacemaker)

1: Freedom

2: TBD

3: TBD

4: TBD

5: TBD

6: TBD

7: TBD

8: TBD

9: TBD

10: TBD

--------------------------------------------------------------------

Invincible

Valkyrie

Mark Grayson x OFC!

Description: In which two superpowered teens meet and fall in love amongst blood, death, and betrayal

Rating: M (Canon typical violence, betrayal, mental health issues, abandonment issues, child neglect, angsttttt)

Too Good To Be True

Carnage

Aftermath

Attacked From All Sides

Outer space

Nightmare

Burial Plot

Compromise

Shit Show

Shit Show pt.2

TBD

TBD

TBD

TBD

TBD

---------------------------------------------------------------

More coming soon!

[sacredindigos]

i say this as an el stan. a hardcore el stan. and i am able to say this bc i know how to admit when a character i love does some not so nice things. just keep that in mind.

el is not a good girlfriend to mike.

sure she puts his pictures up in her shrine and whatever. but those are miniscule things in a relationship. those are just flashy little things you do for show. but when you dig deeper into their relationship and look at things like how they connect emotionally, their overall behavior towards each other, how they communicate, accountability, and etc .... el falls just as short as mike does in those categories. maybe even more for some of them.

i mean like with the accountability thing. at least mike attempts to apologize to el when he fucks up. el on the other hand has hurt mike but has never apologized or attempted to apologize to him.

for instance, she broke his trust in s3 and invaded his privacy when she spied on him. and instead of apologizing when he was clearly upset about it, she just played it off as something she was allowed to do bc "she makes her own rules." making her own rules is totally fine and an important lesson she learned from max, but not when it comes at the expense of other people's feelings and privacy. and that is what happened. she didn't take mike's feelings or privacy into consideration at all and she got away with thinking what she did was ok. and then in s4 she consistently lied to mike for 6 months straight. and he was mad and hurt when he found out she lied to him for 6 months out of their relationship and she wasn't actually the person she was said she was. and yet she never apologized for that either. when he politely tried to figure out why she had lied to him and he apologized for how he treated her, she spun all the focus onto him and started grilling him abt how he never says he loves her. which yes is something she should have done bc that was clearly an issue between them, but that could have waited til after she apologized to him. mike deserved an apology for that as well. they both should have apologized but mike was the only one who ended up saying the words "im sorry." that isn't ok. relationships take accountability and effort on both sides !!

mike's "apologies" to el are definitely not perfect and they have their issues. like a lot of issues. but at least he tries. he makes an attempt at apologizing to her and fixing things between them. el doesn't. she has never really made an attempt to make things better between them when they are having issues (that they both cause). she just pushes all the blame onto mike and all the pressure of fixing things onto him. and she's never apologized to mike for her mistakes that have upset him or taken accountability.

i think it just shows us that mike is really the one who cares more abt their relationship and puts in more effort. el definitely does not care as much as he does (granted, i don't think he cares for the right reasons but that is for another day) or puts in as much effort to fix their relationship. mike ends up having to do it all and that isn't fair to him. mike deserves better than that, despite what the people who think his character revolves around el think.

el is a bad girlfriend to mike just like mike is a bad boyfriend to her. not enough people want to acknowledge that.

[thethiefandtheairbender]

a few disclaimers before i get into this post:

I have not watched anything past the halfway point of JWCC S4, but I do have a general gist of the plot

I've watched the final s2 scene and a few of the flashback scenes / other scenes from JWCT and S4/S5 of JWCC

I was never a fan of Kenji/Brooklynn, and always preferred Brooklynn/Darius

So I may get things wrong / have missed other lines or opposing sentiments in canon — please feel free to correct me in the comments/replies!

That said, thinking about what I do know, story framing, and the themes it seems like they're setting up... I think it's very likely Darius/Brooklynn will be endgame, and here's why.

1) Having Darius be in love with her at all

This is the biggest one I think, but not perhaps for the reason you may think. For starters, this is noteworthy purely because it's not really 'necessary'. There were a lot of other paths to get to the same place, re: Darius not going to see Brooklynn when he said he would and subsequently feeling guilty about her death. He could've even just been busy (maybe something with the anniversary of his father's death) or even more reserved and upset over Brooklynn and Kenji being broken up, perhaps on Kenji's behalf.

Instead, they chose to have a main character state that he's in love with another main character, and that it's accordingly complicated/messy. However, in the current framing, Darius and Kenji's relationship had more of a fallout over Darius not being there than Darius being in love with Brooklynn being an issue. It's heavily impacted him as a character, but for the other two people in the 'triangle', less so (though we see more of Brooklynn's side of things in S2 of JWCT).

We also see from JWCT that Brooklynn does not, as Darius tells it, make it clear that she doesn't have feelings for him. She doesn't say that she doesn't like him, she doesn't even say no, nor does she let him have an easy out from his accidental confession. Instead she seeks to clarify and only fumbles when Darius asks if she feels the same for him, which is understandable given she's semi-recently (3-6 months?) gotten out of a long-term relationship with their mutual best friend.

B: Did you just say 'love'? D: Oh that? No, I mean, I love all my friends the same way. Well, not the same way, but e-equally. The same amount of love. Even if... the love is different. B: And is the love different with me? D: Maybe. But our friendship is too important to me, and Kenji's my best friend, so let's just forget about it. Unless... B: Darius, I just don't think... I'm not really ready for—

Which makes sense. In Brooklynn's head, she's had one relationship fail because of her drive/work, and getting into another one wouldn't be smart with that in mind. And again, she's left a 6 year long relationship, moving on is going to take time even just in terms of figuring how to be single as a person in their early 20s.

However, we know that Brook and Kenji had been broken up long enough, and she'd been staying with Darius long enough, for him to develop feelings.

D: But when she came to stay with me, things started to change.

And we also see more than once that Kenji thinks it's plausible that Brooklynn could've loved Darius in return:

K: So my best friend fell in love with my ex-girlfriend. Did she love you back?

There's also the way this is tethered directly to Darius' character arc. If his 'origin point' in JWCT is that he feels like he failed Brooklynn and blames himself for her death, routinely framed under the language of 'needing,' then that sets up a character arc where he comes through for her (even though he's let go of his self-blame about her death "I couldn't have changed what happened" in the s1 finale).

'Being there,' or rather not there, is also a crucial aspect of what led to Kenji and Brooklynn breaking up.

K: I can't be with you anymore if you're not going to be with me.

(Which, Kenji trying to show Brooklynn something beautiful with the caveat "it doesn't last long," and then they break up? Yeah.) And we see that Darius is committed to being there simply because he's called her, sometimes multiple times a day, for months.

Even down to it being ultimately his idea to get on the ship, and everyone else following his lead (Kenji most reluctantly of all), when getting on the ship and going in deeper is identified as

So Darius being there for Brooklynn is something that has to happen in the future, which does not seem to be a part of Kenji's arc, and also works in tandem with Brooklynn needing to let people in / help her (which Darius can also relate to, as they are both fiercely independent and "keep trying to do everything alone"). He's become the person she Needs, narratively, and that's a very hard thing to undo and one that lends itself well to the idea of a future romance.

2) Darius vs Kenji as partners

This is not to say that Brooklynn is a perfect partner, even before things got bad.

She decidedly wasn't for Kenji at least in in the final stages of their romantic relationship, but merely that we routinely see her put her faith in and seek out things from Darius that she never seeks out from Kenji or the rest of the group in the same matter, and they know it. (The fact that Darius' boss Ronnie is also the one who tends to her, and the only person at the point in-universe, to think there's something between the two, also stands out to me.)

For example, the biggest actual issue with Brooklynn being so distracted is that for months (years?) she refused to tell Kenji anything about what she was doing with Dark Jurassic:

For a multitude of her own personal reasons, she didn't trust him with it. That doesn't mean Darius and Kenji are never in the same boat — she faked her death and left both of them, alongside everyone else in the group, in the dark — but that Brooklynn was pretty clearly going to bring Darius into the fold in ways she was never going to do so with Kenji, previously. It's not as though Brooklynn's obsession with the possible smuggling was the healthiest thing in the world, either, but she is 1) an investigative reporter, and 2) that drive to Know things is what sent her to Camp Cretaceous in the first place. If she'd approached things as a team (like she was trying to do with Darius, albeit very belatedly and likely because it felt like she didn't have other options), it wouldn't have been so unhealthy. It was that she was so routinely distracted without really sharing how and why, and therefore not letting anyone help pace her or help her at all, that was the problem.

In a lot of ways then, it's not so much "who's the better partner for her between Darius and Kenji" (though there is some of that), as much as it is "Which one does Brooklynn treat like a partner," and uh... I'd say Darius; her coming and crashing at his place semi long term immediately after her breakup only lends to this, tbh.

Speaking of which, next to the framing of it within Darius' plotline, this is the 2nd most 'damning' piece of evidence to me that they're, at the very least, not going back to Brooklynn/Kenji:

Identity theme

Initially pinged by the S2 trailer's big line of "I'm not the same Brooklynn you knew," it was clear that they were going to explore Brooklynn going on a tumultuous series of changes (possibly reflected by a change in hairstyle) and the idea that she no longer fits / belongs with her old life and her old friends.

This idea of "I'm not who I was / you're not who I thought so we can't be together" is not a new idea in terms of Brooklynn and Kenji falling apart, as we see it in S5 quite prominently:

They, of course, come back from that, as Kenji chooses Darius / the group over his father, and swears to never abandon them again. Nor does he abandon Brooklynn in breaking up with her, even if it leads to a much larger distance between them, with neither being physically or emotionally present with one another. It can be easy to chalk up Brooklynn's sentiment here, then, as being similar:

They can leave without her, because the Brooklynn (the 'you') is one she thinks no longer exists. As Brooklynn immediately follows up with, "I have a job to finish," showing that her determination and willingness to do anything to expose the smuggling ring is the 'one thing' that has stayed intact from Before everything went down (pre-breakup and fallout, etc). She also still gives the team Bumpy's egg, showing that she won't actually fully forsake them and that she does still care.

And, in some ways, I think Brooklynn is sort of right. The person they all deeply new is not who she is; she has become someone new because of her experiences, her loneliness, and trauma. She can't go back to being the old Brooklynn who hadn't lost an arm or cut her hair or hadn't faked her death.

This is pretty similar to what Darius worries in S5, after all:

B: Trust me, Kenji is the one who lost his way, not you. D: What if I'm changing? All the "life or death" situations, the choices between this bad thing or that even worse thing, it's turning me into someone I don't know. Someone I might not like. B: You know why we all look to you? Because your light burns bright, Darius Bowman. No amount of terrible choices can put it out. And I'll follow you anywhere.

So at Darius' biggest moment of doubt, Brooklynn affirms that she knows and sees the real him underneath the terrible choices he's made or their even worse circumstances, and that she sees him as the hero he is, and one that she'll follow. We also know throughout both shows that Darius thinks highly of Brooklynn ("Darius thinks the world of you!"); this doesn't mean idolization or idealization for either of them, but that what might be flaws for other people is not for each other. The scene where they discuss what happened with the breakup is not Brooklynn being entirely fair to Kenji, nor is Darius' tale of what happened ("She was really sorry, for not paying attention, for not appreciating all of this") since it was never discussed in that way. Instead, Brooklyn states that Kenji:

Brooklynn will possibly have an arc where she puts her friends above her mission, much like Kenji had to put his friends above his father. The push and pull of whether friends or dinosaurs' safety is worth more has been a frequent issue, with S3 and S5 notably making it clear that Brooklynn and Darius will both put dinosaurs first, and Kenji won't. This continued into JWCT for Brooklynn as well. I don't think her solution is to not be as obsessive but to allow others in on helping her. She's not being entirely fair to Kenji in her assessment of why they broke up, but the fact she tethers it to identity, something she is wrestling with all the more in S2...

If you feel on a fundamental level that your partner wants you to be someone other than who you are, it is extremely hard to come back from that. The fact that Brooklynn doesn't feel ready to face her friends because of how changed she is, and facing their potential reactions, reflects this uncertainty that she might be someone they don't recognize or no longer love. (Cue literally looking at her own changed reflection and citing what she had said to Darius: "I'm not really ready for...")

This uncertainty has made Brooklynn into someone who runs. She runs away from her friends, she runs away from her feelings, because she's not ready for potentially drastic changes. Therefore in order to grow, she has to trust Darius to be there for her again, he has to make a different choice... they're not the same as they were, maybe, but that doesn't mean they're totally different, or that she's a Brooklynn that he no longer loves.

The way she says "I'm not the same Brooklynn you knew" is also framed as being to the group, yes, but with a specific emphasis on Darius. I'm not the Brooklynn you think is so dedicated and wonderful, tackled onto I'm not the Brooklynn you'd do anything for, because you didn't.

They both have to meet in the middle in order to grow characters; Darius has to affirm that his devotion and love/loyalty for her is unchanged, and Brooklynn has to accept that she can still be a Brooklynn he's in love with, someone who's dedicated and wonderful and accepts his help.

Everyone over and over has reiterated that she needed him. It's not surprising, therefore, if the series decides to go with a romance, and say that she still does.

[a-confused-spoon]

TDP s6: Soren, Viren and missing the point (2/2)

(jesus christ did I write a lot for this one...)

SPOILERS FOR THE DRAGON PRINCE S6!

*sigh*

I want to make a little disclaimer here: my feelings towards Viren were always a bit mixed- I loved the writing of him, but I loved to see him suffer more.

I would have been fine with him dying just as well as living, even if I didn’t love how quick his flip was in s4 (particularly ep2), the same way I’m not in love with how the most recent season seems to gloss over the weight of what the man did in book 1, 2 and 3, even in the scenes where he tries to take accountability: it’s not just the use of dark magic, misleading Claudia or the mistreatment Soren; he got 2 rulers killed, forced a fiery-transformation spell on thousands of soldiers who didn’t want to partake in it, was willing to put an egg before his son’s life, sealed the souls of people in coins etc.

Even if his redemption had continued (as in, had he kept breathing), I personally would have preferred for him to not get a happily forever after with his family, but something more of a "open ending" or whatnot.

However

I can't shake this feeling that The Mystery of Aaravos has a tendency of prioritizing very well-built and executed single scenes with intense emotion over overarching thematic consistency and overall character growth (the number of shenanigans that amounts to nothing in said two regards being exhibit A, but of course those two things don't exclude the other), and while it's a MASSIVE improvement over book 4 and 5, book 6 still has its issues.

While indeed apologizing to who he has hurt isn’t nearly enough for his journey to be (nor feel) “complete”, it’s also true that Viren isn’t given the possibility to do much else to begin with, despite being the first (and so far only) villain to do a complete 180 and check all the boxes of the ‘big no-no’ list the story presents us with when it comes to morality and/or ethics.

I want to explain my point of view the best way I possibly can, so stick with me for a minute:

The characters of the series (or, well, those who don’t belong to the cosmos) exist in a historical context led by a narrative of power that chains them to a never-ending cycle of violence; the use of dark magic plays a big role in said cycle, not only as an active part of it from the human side, but also because the very practice is on its own an incentive to use it more and more frequently, which is a very similar relationship people have with power in general.

What the “good guys” of the story do, as a matter of fact, is break the cycle by putting an end to the narrative of power and replacing it with one of love, ‘cause as we learn in book 2, real strength means being able to choose love, vulnerability and forgiveness, even if that’s not what they’ve been taught all their lives. Only then they can break free of the chains of history; additionally, for said history to not repeat itself, dark magic needs to be abandoned, even in tough circumstances (unless Sol Regem pulls up in Katolis, but I digress) given the detrimental effects on the long run- and with Xadia and humanity at peace with one another and ideally living in harmony, it wouldn’t be needed at all.

Therefore, the list of ‘big no-no’ here is: don’t do dark magic, don’t pursuit power as opposed to love, don’t let history define your perception of the world.

All the “bad guys” of the story are either unwilling or unable to do one or more of those things: Karim can’t for the life of him look past history, Claudia isn’t able to give up dark magic (for now, at least not without guidance), Finnegrin had no intention of giving up the power he held over his crew- and Aaravos deliberately chose to find purpose in the immediate anger he felt during Leola’s trial (consequently engaging in the centuries old cycle of violence in all its ugliness), instead of giving in to the love he has for his daughter and pass away alongside her, resulting in Leola being left alone and scared throughout the horrible process (and also the whole world going through some crazy shit).

Then there’s Viren, who used to rely on dark magic (unlike Karim), pursue power (unlike Claudia) and look at things through the lenses of history (unlike Finnegrin), so he was a bad guy in all possible aspects.

Eventually though, he manages to successfully give up dark magic and choose love over power and refuse the chains of history (as shown both in his relationship with Terry and his willingness to serve King Ezran), with no expectations of mercy or forgiveness... and literally nothing comes of it because the other characters don’t give him the possibility to act on any of said changes, aside from doing one thing that gets him killed.

So it’s “we gain nothing if we don’t give the chance to learn and grow” (or whatever Amaya said in s4) until...? It's "it's never too late if you quit" or whatever Rayla says in ep3 unless...?

I’d love to agree on the “it’s too late” argument, but aside it going against the very principle of the story, even the awful things he did that I mentioned don’t really matter by the time s6 ends: Lain and Tiadrin are happly together and got to say goodbye to their daughter, and she herself chose to save Runaan instead; the fiery-transformation turns out to be temporary, no one seems to even remember that Eveneere and Del Bar exist etc. The only thing that still has an effect is Lux Aurea becoming unhabitable, yet the only character who gives some weight to said tragedy is portrayed as an idiotic bitter nobody (aka Karim) who should just look past it and take a chance on the elven-human camp. So exactly how am I supposed to care? *

I already talked extensively about the theme of forgiveness in part 1 of this essay (if I can call it that), but the point is that the story shouldn't pick and choose who gets rewarded and understood when acting according to the moral of the story and who doesn't even get a chance at getting a second chance while trying to do the exact same thing, not when the very thematic premise of said story automatically puts EVERYONE into perspective- because if it's the lies of history that chain them to a narrative of power, misleading them, and those started way before the characters were even born, then the conversation unfortunately but necessarily needs to include the perpetrators of violence too; they too were misled, therefore they too can unlearn what they've been taught (which Viren does) and should get a chance to really live a life spent on being a better person, not because they may “deserve it” or because it might not be "too late", but simply because they have the CAPACITY to do good, if they choose to.

A show that really nails this point (to me) is She-Ra and the Princesses of Power, which frankly I'm not even that big of a fan of... speaking of which, if Viren was always meant to die sacrificing himself without no one's recognition, it probably would have been better for him to pull a Shadow Weaver ftom the beginning.

(I don't mean this as a comparison, it's just a way for me to lay down all the elements that I belive ultimately don't work or don't help)

For those who aren’t familiar (MAJOR SPOILERS), Shadow Weaver in She-Ra is for the most part what a lot of Viren haters think Viren is in The Dragon Prince: a magic user that loves power, traumatizing the children she grows and nothing else. She doesn’t even have a greater good she intensely believes in to explain her actions and behaviors like Viren does- she’s just a massive bitch. And she doesn’t really grow or learn during the series, it’s just that at some point hanging around the good guys becomes more convenient for her... if I’m not mistaken, she doesn’t even do much unless someone comes to her spontaneously, aside gardening. At no point in time she becomes really trust worthy or good, and it’s always looming in the air whether or not she’s even beginning to be, or will ever be for that matter.

This goes on for like, 3 seasons, until at the very end- and I mean the very end (like, last episode very end) she does one good thing, sacrificing herself to save the two girls she abused the most throughout the series, which leads to her death.

What really sells the scene (leaving out the music, the animation, the dialogue, the voice acting- all of it is just *chef’s kiss*), it’s the fact that:

Her final words to Catra, who she abused the most, really feel like they put a period at the end of a sentence; it feels like closure, you feel that both her and Adora can now move on;

It’s a deliberate choice, because she had the option of staying safe and not do it, and still did;

She dies at peace with herself, and seemingly proud of herself for making that good action too;

Her death isn't the conclusion of an arc nor it comes out of nowhere, because of the general uncertainty regarding her character that precedes that moment

I talked about closure and 'moving on' in the first part of this essay when talking about Soren (which I'm now realizing was a lot shorter, lol), so I’ll move on to everything else.

The point of him dying can’t be about being selfless, because Viren always was selfless for what he thought was right: he was willing to swap bodies with Harrow, he went back to fight Avazandum when the Queens of Duren went to face the dragon alone, when Aaravos tells him he might die going in Lux Aurea he went anyways etc. Not to mention how Soren, of all people, asks him to do dark magic, of all things, so that he can… help… people… mh, now where have I heard this before? I’m sorry- wasn’t using dark magic for the sake of protecting humanity literally what got most problems started? The source of so much conflict and pain and death? A practice that wasn’t worth doing due to the detrimental effects on the long run, even when if people were going through tough times? Literally what Viren did and received a lot of shit for when he was a full-on villain? By all means, if you find it poetic, that’s great! In my opinion it’s a bit weird: if the show wants to make a point, then it should stick to it;

Viren's literally a shell of his former self, from the very moment he steps into the castle. Sure, knowing about Claudia’s state and the part he played in it wouldn’t make anyone sleep at night, but to have him so desperate, unseen and unheard once he finally picks a path "of truth" as opposed to one of darkness really wasn’t... the best. Like, my own bias against the “redeemed character dying/character searching redemption dying before getting to the end of it” trope aside, not even while dying he seems to reach some kind of inner peace. And when Soren comes into his cell, even then, when it’s his chance to prove that he is committed to this new life path he’s still unsure and scared- Soren had to insist for Viren to step in and help. As if he didn’t really know what to do with himself;

I didn’t hope Viren could build a better life for himself because the idea felt right to me, but because for two whole seasons and a half that’s the direction his character was taking, and the fact that his journey ultimately doesn’t come to a proper end isn’t even drìirectly on him just pisses me off. So much time spent on showing Viren’s progress for what feels like nothing... if not setting up Claudia to be Aaravos's new daughter and giving Soren even more trauma to deal with :D

I didn't want Viren to receive a mere slap on the wrist of course, but I also didn't want his journey to be... this. It feels incomplete, partial, and we didn't even get the final conversation he has with Soren about sacrificing his own heart instead of his son's before saying goodbye- which may have single handedly fixed most of what I said (in part 1 more than here, but still).

[ edit: I’m adding this part because I’m only now thinking about this, and I believe it’s worth mentioning.

As I said at the beginning, I do take issue with how Viren’s journey only considers the damage he made on an interpersonal level as opposed to what he caused on a macro-scale. Had his progress continued only with what the second act of the show bothered to explore so far, I’d still have many complaints, just of different nature.

Because of what I mentioned here though (*) and, again, after two seasons and a half of giving all the impressions that there was a light at the end of the tunnel for him after all, I think that it would have been nice for said things to at least be acknowledged once he got back to Katolis, instead of just making a vague matter of deserving or not deserving mercy, as this is the very logic that keeps cycles of violence going. I do know that’s what they are referring to of course, but I still think it should have been an actual part of the conversation; I briefly mentioned this in part 1/2: I would’ve loved for Soren to be the one to call him out on it, especially the ‘leaving Claudia behind’ bit, in a “You can fool yourself into thinking that you’ve changed, but you can’t fool me, not anymore” fashion of sorts.

This still doesn’t mean that a redemption was impossible to begin with imo. I think that there might be a common assumption that redeeming a character means having them join the main team, which isn’t always the case, it just happens to be the most recurring one.

Idealistically, what I think could have been an ‘okay’ solution (I am talking only in utopistic terms here, though I don’t think it would’ve been impossible to pull off in the actual show- but it would have been admittedly very difficult considering the number of episodes per season) would have been for 2 episodes to be mostly focused on choosing how to go about it:

The first one having the main team arguing with each other before coming to the agreement of sticking to their principles despite not liking the situation one bit (but you know, had it been an easy choice then the efforts at peace would’ve started a lot sooner than the actual events of the show);

The second where the pentarchy, the Sunfire Queen and the Dragon Queen have a meeting, so that they can all have their say on the matter, given that they too were directly or indirectly affected by the man; the meeting is full of tension, there’s shouting, there’s calling each other ‘traitors’ and ‘hypocrites’- generally it really puts to the test how much of the world really is committed to the cause and how much of it isn’t ready to move on, but ultimately they begrudgingly come to the conclusion that there’s obviously a series of restrictions that need to be imposed on the man, while still not completely preventing him from doing his part if he truly means to prove his change. Things like: he cannot put foot into Xadia without the surveillance of dragons (preferably Phyrrah plus a couple more) and/or maybe the drake tamers of s4 lead by Rayla (who Viren is terrified by, so she’s perfect for the job), and when he’s in the human side of the land he still must be guarded 24/7 by at least 5 trained guards; he must find a spell to try to undo the corruption of Lux Aurea, but he’s not allowed to touch any source of magic without being openly granted the possibility to by Callum (who’s now in a higher position); anything he might suggest will be discussed among the council etc… how much of this changes in the course of time and how much people are willing to trust him can either change or not change, depending on whatever follows (even if this list is just hypothetical).

Also, in light of this very recent interview:

I want to be very clear: all I’m saying in these two posts is limited to the immediate effect of s6, and if the following season (or, hopefully, seasons) manages to handle things in such a way that it’ll make me eat my words, I’ll be unbelievably happy. This show means so much to me, and I’m only critical of it only because I feel like the second act of the story doesn’t do quite justice to all that the first one laid out: TDP used to be a hyper-fixation for me and it was the saving grace that got me out of the depression loop after Voltron’s ending, so anything that can get me back into that level on investment will make me cry happy tears.

This being said

I do wonder what the whole point of Viren’s journey of this season and the prior two was if the character is deemed irredeemable by the creators themselves, especially since Soren doesn’t get closure, Claudia only gets more trauma, and Viren doesn’t even die somewhat proud knowing that he did what he could manage to in the little time he had in Katolis after so long (as I said earlier), so no one gets much out of it if not more angst… which is always welcomed, if done with a valid point.

If said purpose was just so that his passing could influence his children’s arcs and therefore being there in function of other characters, the entire thing in retrospect feels like a bit of a waste of time, given that the same exact outcome could have been achieved without him being around in this last season at all: just have Claudia come back home to figure what to do next instead of seeing her dad again; she even has the Sunfire scepter thingie to do the spell from s3, so no one needs to die of poorly executed surgery. And then she can just, find the pearl and cave to Aaravos’s temptation, as he does claim he can revive him again anyways. That, plus I’m dying to have Claudia and her brother talk again after in s4 ☹.

…so yeah, like, on a scale from a VLD Lotor frustration to an MLB Chloe Bourgeois frustration, I’m sort of in the middle with Viren. But I do like that there’s a lot of conversation on the topic ]

CONCLUSION: Despite everything, s6 is the first season I actually enjoyed since s3, though it is still not quite at the same level to me, and while I have my problems with it and I'm very saddend that the Viren and Soren thing is among those, I'm acutally very happy that a lot of people enjoy it and that the fandom is ecstatic. It just wasn't for me- but I still had a fun time writing this two parter :)

Thanks to anyone who got 'till the end of this, I really appreciate it! <3

[baronessvonglitter]

Cherry, Cherry 🍒 Chapter 6 🍒

"Daddy Issues & Dads With Issues"

pre-outbreak! AU!Joel Miller x f!Reader

Word count: 1,906

Summary: after Joel's admission, the following day is rife with possibility, and a path is set for the future. (Basically a breather chapter)

WARNINGS: 18+ Only! Mature and Explicit, talk of reader 'needing to get laid' (said by friend at work), talk of side character having hooked up with a teacher when she was presumably underage, mutual pining, finding out Joel was your dad's best friend (stumbling into dbf!Joel territory, but it's glossed over in this chapter), Joel basically agrees to be your first, age gap (reader is 18, Joel is 35), reader's race not specified but she is tomboyish, story takes place in summer 2003, no outbreak, no use of y/n

Series Masterlist

You wake up feeling like shit.

Your head hurts, your stomach hurts, your mouth feels like cotton. But then you remember the very best part of the night.. the end of it. You made out with Joel Miller. And that is the thought that puts a big silly grin on your face and turns those aches in your gut to fluttery little butterflies. At least momentarily.

You're stuck with the late shift at work, for which you are only mildly thankful. You have time to try to sleep off the effects of the party last night. But then you get a call which jolts you awake. It's Sarah.

"Are you okay?" her whispered, worried voice comes over the line.

"Yeah, not too bad. Kinda feel sick. What about you?" Closing your eyes you lay back on your bed. And then a terrible thought occurs to you. Does she know?

"I'm okay too. My dad was pretty pissed, but not as much as I thought he'd be. He seemed to have calmed down once he got in. But I'm still grounded. Was he pretty mad at you?"

You remember Joel's hands on you, how his tongue devoured your mouth, the thrust of his hips into yours, mimicking what you both really wanted in that moment.

"Uh, I don't think he's mad.. per se.." you answer.

"Yeah, you're not his daughter, he can't ground you," you hear the sarcasm in her voice and you laugh a little.

"I feel bad that you're grounded, even though you shouldn't have come along in the first place you little twerp," you tease her. "Listen, I have to work today but I'll bring you a frappuccino since you won't be able to leave your house until school starts."

Sarah giggles. "It's the least you could do."

You feel somewhat better when you finally get to work, and of course Hailey's there, commenting on your arrival. "Wow.. you look like shit."

You give her a deadpan stare. "Thanks. I feel like shit." You tie on your apron and get to work.

"Sorry.. about the cops busting the party," Hailey helps you start washing dishes at the sink. She looks fresh as a daisy, and you know you look like a monster compared to her. "Do you want to come by tonight? It's gonna be just a few of us. I could introduce you to some guys.." she nudges you and you fight to not roll your eyes. "Come on, you're young, you're usually hot." (This earns Hailey a playful shoulder shove from you.) "To put it mildly you need to get laid before college starts."

You sigh. Going out into the world alone you never imagined there would be such a strong emphasis on sex. And Hailey's waiting on your response.

"I can't tonight."

"Why? Got a date? I knew it! Someone from my party?"

There's no point in telling the truth. It's much easier to just lie to her. "Yeah," you say, hoping that if you just think of Joel you'll blush a little bit.

"I knew it! Well good luck tonight," she gives you a playful nudge.

You smile but remain quiet as you slowly wash, deep in thought. "Hailey, can I ask you something? Like, personal?"

"Of course," she shrugs.

"Have you ever been with anyone.. older? Like way older?"

Hailey's eyes grow wide. "How much older?"

This time you blush for real, keeping your head down to hide it. "Um, let's say.. ten years older?"

She smirks. "Once. He was a sub for my World History class."

"Oh.." you hide your look of shock. "What was it like?"

She looks up, a look on her face like she's trying to remember a state capitol instead of a former lover. "It was fine. Rushed. I think for him it was the thrill of being with someone younger."

You absorb her answer. Your situation is very different and for that you are glad. "On that note, have you ever been with someone older than that? For instance.. twenty years older?" This is the question you really mean to ask, but you let her think it's purely hypothetical.

"Twenty years older? No.. that's like sleeping with someone my father's age." Hailey's nose wrinkles in disgust.

"Yeah, no, you're right," you say quickly, not wanting to be under suspicion. "But in general, older guys are.. like, it's not weird?"

"Not really. It can be really hot. Most guys know what to do by a certain age and they love to teach what they know. Well. not most guys. Some guys," she amends her statement. "So what's up? You got the hots for an older guy? Little Miss Daddy Issues?" Hailey giggles.

"Yup. Got a date with your dad, bitch," you say jokingly, finishing up and giving Hailey's ponytail a little tug.

Driving home after work you have Sarah's drink in your cupholder. A quick glance at the Miller's driveway shows that Joel's not there, or at least his truck isn't. You're both relieved and sorry to miss him. You park at home and make the short walk to their house. The sky is already turning a pale purple from rose and gold. Maybe a dip in the pool is exactly what you need tonight.

Sarah greets you at the door, looking bored then she lights up when she sees you with her drink. "You're a lifesaver," she says.

A truck pulls up in the driveway and you turn to see it's Joel. Your stomach flips upside down and you tell Sarah bye, but when you start to leave you freeze as Joel gets out of his truck. "I'm glad you're here. I've been meanin' to talk to ya." He approaches you.

You gulp. "Oh, okay."

"About last night.." he looks around. "Can we talk in private?"

You remember what passed between you the last time you were in private. "Are you sure we should?"

He exhales but keeps his composure. "I wanted to say I'm sorry for my words and my actions yesterday. I had no right to say or do those things." He takes a closer look at you. "You do.. remember, right?"

"Yeah," you reply, your face scarlet.

He blushes in turn. "It was wrong, and I hope that you can forgive me."

Your stomach sinks and you feel ridiculous for having entertained any notion that he could possibly want you or even like you.

"It's fine," you manage a smile. "Forgiven and forgotten."

You turn to leave and he calls your name, lightly gripping your arm. You realize how much the sound of your name on his lips entices you, and even more so how such a small touch has such huge meaning for you. You turn to him and for the first time you see something like affliction in his eyes. Your heart turns over in your chest.

"I don't really get what's stopping you," you tell him quietly. "You say you like me, next thing you turn me away. Do you think I'm afraid of you? Because I'm not." You remove his hand from your arm and hold it in your own.

You can see from the rise and fall of Joel's chest that his pulse is quickening. He casts a nervous glance at the house, at the yards of each house around you, and you get it. He's worried about what other people think. And you can't really blame him.

"I'm not a child, Joel. And I don't care what anyone thinks. People never pay as much attention as you believe they do." He hasn't released your hand and you take that as a good sign.

"There's a lot you don't understand, sweetheart." His voice is low, gruff, yet soothing. He gently strokes the pad of his thumb against your hand.

"Then tell me. Let me be the one to judge if I can understand or not."

He shifts uneasily from one foot to the other, and slowly releases your hand. "Your dad and I were friends growin' up, through high school. Best friends, I s'pose. We drifted away after he got your mom pregnant, right before graduation. I knew about you before you were even born." His fixes his gaze on you, as if to merge the idea of you with the person you have actually become. "Does that bother you? Hell, I'm your dad's age. And by the way it pisses me off to hear he just ran off on you and your mom. That fact has been boilin' in my chest ever since you told me." He sighs and leans against the bumper of his truck, arms crossed. "Sweetheart, you oughta find someone your own age. You deserve that."

"I don't want someone else," you say stubbornly. "Do you want someone else?"

He's quiet so long that you worry you won't get an answer. But then he says, "No."

Your heart vibrates in your chest as you get closer to him, hoping he'll let his guard down but not willing to pressure him.

A little smile graces his lips. "Sweetheart, if you come any closer I can't guarantee I won't kiss ya."

"You want to kiss me, you just won't." It's half-challenge, half-assumption.

"Is that some reverse psychology?" Joel smirks.

"Is it working?" you counter.

He swipes a hand through his hair and you want so badly to do that too. He says your name under his breath, three times, chuckling to himself. "You're gonna be a handful, ain't ya?" The way he smiles at you makes you feel like you're on fire.

"You sayin' you can't handle me?" you playfully mimic his accent, hands on your hips, as a smile lights up your face, making Joel laugh. You love the sound of it.

"I think I wouldn't mind tryin'," and even though he's smiling you notice the slow ogling he gives you.

The coming dusk has tinted the entire world with a lavender light, giving a dreamlike touch to you and to him. And it definitely feels like a dream when you go into his arms and they wrap around you, and he presses his lips to the top of your head. "Don't think you're off the hook yet for takin' Sarah to that party," he mumbles.

You start to feel rebuffed but you pull away slightly to see that playful little smirk on his handsome face. "In that case maybe I should be punished," you offer.

He exhales quickly and presses you close to him, hands on your hips. "You're temptin' me to do just that, sweetheart."

You're in his arms, right where you want to be. "Did you mean what you said last night? About.. being with me?" Though you've both admitted how you feel, you still can't bring yourself to use the verbiage Joel used.

He doesn't even blush, doesn't even bat an eye. "I do mean it. Is that somethin' you want?" He looks at you intently.

"Yes," you say without hesitation, and he trembles with emotion before kissing you. This time he takes his time with you, gently pressing his lips to yours, his hand gently cupping your face. Even his tongue is gentle, teasing, igniting a slow burn in the deepest part of you.

Afterwards, he holds you again, gently stroking your back. "So. Your first, huh?"

Your head on his shoulder, you nod, heart jumping when you realize where his thoughts are.

"I'd be honored, sweetheart.. "

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dividers by @saradika-graphics & @firefly-graphics

[absolutebl]

This Week in BL - Bit Slow Round These Parts

Organized, in each category, by ones I'm enjoying most at the top.

Dec 2023 Wk 4

Ongoing Series - Thai

Last Twilight (Fri YT) ep 8 of 12 - Mhok is about the most indulgent boyfriend on the planet. Why they dressed as 1930s gangsters for the wedding? I have no idea idea, but it’s adorable. IFYLITA mark 2? And they’re even dancing together using bits of the same steps that were used that show too. Cute nod.

The Sign (Sat YT) ep 6 of 10 - Everything but the kitchen sink includes lesbians apparently. Excellent. Carry on. Also a lot of filler about the sides. (Boring, stop that.) I wish the doctor were a little bit more of a multifaceted character (and less evil snakey), and that we had some of his backstory + Tharn. If we saw them as kids, having a longer true friendship, it would make Tharn’s attitude a little bit more sympathetic and forgiving.

For Him (Thurs iQIYI) ep 5 of 10 - I like this show, but it’s awfully one-sided in the romance arena. I mean shouldn’t they be trying to support and make each other happy? Why does it always have to come from Him? Also, I’m constantly worried about the fact that Nail doesn’t eat any vegetables. His digestive track must be in serious distress. And if the boy is a bottom?! Look I have concerns is all I'm saying, I hope he's getting his fiber along with the dk. Meanwhile... Mom confrontation! Always fun.  

Twins the series (Fri GaGa) ep 9 of 10 - Now I’m having a hard time keeping the twins straight. Who’s getting beat up for whom, what’s going on? No matter who, First caught himself a live one. I like those bits.

Pit Babe (Fri iQIYI) ep 7 of 14 - I got little crumbs of my sides but not enough, and then they dropped the mpreg bomb. Kinda like blowing the BL diaper. Trash watch happening here.

Cooking Crush (Sun YT) ep 5 of 12 - They are so cute. And mostly such good communicators. Except evil dad is evil! I didn’t have OffGun tango on my bingo card, but I'm happy to check it off. After making everyone sing, GMMTV is now making everyone dance. I much prefer it. Kiss came a bit out of nowhere. But it was sweet. 

A few minutes later...

Bake Me Please (Mon Gaga) ep 6fin - I don’t know, I feel like this just wasn’t good enough for the class of talent involved. Which means it’s mostly the story and script's fault. In the end I kinda just wanted Guy to get the guy.

In cluclusion:

A lack-luster story about a group of bakers coping with (mostly) a shoddy script that could not be saved by either the beauty nor the talent of the actors involved. It suffered for lack of narrative backbone and so did I. 6/10

Middleman’s Love (Fri YT & iQIYI ep 8fin - Mai is an adorable clingy boyfriend, and that bit was kind of cute.

Summation:

Office clown, Jade, a manic pixie dream dork, is courted by the new intern, Mai. This show is right in my wheelhouse but it fell flat for me. I wish it had lived up to the concept behind the title (if nothing else). If we had done more of Jade‘s family and the reasons behind his self-worth struggles and self-acceptance issues, they might have been easier to bare. Without backstory, the show had no through line. In the end, Jade was a largely intolerable character, and Mai felt flat and lacking in personality. I was disappointed with this show, and I hope they don't blame the pair for the poor ratings. 6/10

My Universe (Sun iQIYI) 1626 ep 19 of 24 - Meh. So dull. 

Ongoing Series - Not Thai

VIP Only (Taiwan Fri Gaga) ep 7 of 10 - I’m not really interested in the late addition love triangle concept.

Sahara-sensei to Toki-kun (Japan Fri Gaga) ep 4 of 8 - a bit too frenetic and manic for me, this one. Glasses boy is best boy. But I’m kind of confused as to was actually going on with this show. Including whether I like it or not.

I Became the Main Role of a BL (Japan Sun Gaga) ep 1-3 - AKA BL Drama no Shuen ni Narimashita: Crank Up Hen - it should finish airing at the very beginning of the year, so I decided to wait and watch all 3 back-to-back. 

It's Airing But...

Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.

Night Dream (Sat YT) 6 eps - It’s a pain to track down and I really didn’t like the first episode so… DNF  

The Whisperer (Sun ????) 10 eps - Thai horror BL that ALSO involves cheating (what joy is mine). I don't think even the perfect single dimple can motivate me to watch. Word is... it's terrible.

7 Days Before Valentine (Weds WeTV) 10 eps - Giving me Luminous Solution vibes. I'm waiting to binge if safe.

Dead Friend Forever (Thai Sat iQIYI) - horror, meh, tell me if it's worth my time?

It's done and I didn't, or we can't

Beyond The Star (Weds iQIYI) 8 eps - House of Stars meets Boyband. I was NOT impressed with ep 1. Been told I shouldn't bother. So I won't.

Behind the Shadows (Korea movie) - This is a historical I was interested in, but I've been told they kill the gay so I'm OUT.

[INTERNATIONAL] Cherry Magic (Sat YouTube) ep 3 of 12 - yeah Japan put the smack down on our boys. Sadness. You can use a VPN if you like. Read all about it here.

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have a spare day.

Crazy work load right now so no idea when that will be. (End of year is a bear for me.)

Honestly I'm gonna have an epic number of dnf's this year for me.

Next Week Looks Like This

Original 2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED). With the end of the year upon us I'll do an "announced for 2023 but never happened list" soon.

Also my best ofs are coming.

Don't think I'll do a stats round up this year, everything progressing as before.

THIS WEEK’S BEST MOMENTS

(Last week) - sorry, forgot to link it.

It's 2024 people! Round ups are coming!!!! Leave a comment or an ask, if you have something specific you want addressed.